Season 8, Episode 6: The Iron Throne

DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.

What Just Happened?

Shocked. Confused. Disappointed. Baffled. There is no shortage of adjectives to describe the way I feel after the final installment of Game of Thrones, but simply put, it was an emphatic explanation point on an utterly disappointing season. At its best, Game of Thrones took us to highs that few stories have before; and as we saw in this finale episode, at its worst, Thrones was capable of reaching equally extreme lows. With each episode that passed this season, the simple (and terribly sad) reality became more and more apparent: the folks producing this show simply were not going to be able to deliver a successful end to this story. And despite a season defined by poor story telling, inexplicable character development, pacing of events that often made no sense — despite all of that — I still held out a bit of hope that the final episode would have one final magical twist or turn that would help to make things right. After all, this is Game of Thrones we are talking about — this was the one show that simply would not, and could not, mess up the end to its story the way so many other shows have.

But the truth is now plain to see and there is no hiding from it. The reality is that the magic of this world we became so captivated by — the characters, the history, the locales, the families, the lore, the mythology — all of it — it all lived in a series of books. And while HBO did an absolutely masterful job at adapting the magic of those books to TV, the reality is that we were always destined, to some extent, to end up exactly where we did. George R.R. Martin took the better part of 20 years to create the enthralling world that we fell in love with over the first six seasons. But those six seasons were based on the five books he had written — two short of the seven books that will (hopefully) be published to bring the A Song of Ice and Fire saga to a close. Writing for the sixth book, The Winds of Winter, began over eight years ago, and is still not out. It’s anybody’s guess when final book, A Dream of Spring, will be published, but it likely will not be for another 10 years or so.

So what does this tells us? It tells us that the homestretch of this story, a story that has taken over 25 years to write, simply does not yet exist, and likely won’t for many years to come. There is a reason George R.R. Martin takes so many years to write each book and it’s not simply because the writing itself takes so long. It’s because he is actually taking an incredible amount of time to continue to create and develop the story itself. And as the story starts getting towards it’s final chapter, it becomes increasingly more challenging to think about how each character’s journey comes to an end, how various storylines converge, and how this epic saga ultimately reaches its finale.

The predicament we find ourselves in is that while George R.R. Martin will take as much time as is required to finish this story the right way, HBO could not. So, what we were left with for the last two seasons, was a story that was based on loose directional feedback provided by George R.R. Martin, which left Thrones writers and producers filling in some very large gaps. Sure, George R.R. may have been able to tell Thrones producers what the singular endpoint of this story was, but he simply hasn’t yet conjured up and all the intricate subplots and character journeys that lead us to that endpoint. And without having his story to tell, we were left with a watered down, overly simplified, dumbed down version of what I believe the ending to this story will be when he tells it through the books. To some extent, the show was always destined to end this way, only I don’t think anybody thought it could ever get this bad.

The finale episode, entitled The Iron Throne, was riddled with one cringe-worthy cliche after the next. As has been the case throughout most of the season, the pacing felt totally off, with certain moments being totally rushed, and other less significant ones dragging on. The writing, specifically much of the dialogue, landed somewhere between embarrassing and comical. The aftermath of last week’s total destruction of King’s Landing simply felt totally contrived, with writers bringing rather abrupt endings to each character’s story. So much so, that it almost felt as if this finale episode was disjointed from the entire story that preceded it. It was as if this finale episode was given to a brand new team of writers that knew absolutely nothing about the story that has spanned the last 10 years, and were asked to do their best to synthesize some sort of close that forced endings for each character. One moment I felt I was watching a soap opera, the next I felt I was stuck in a bad SNL skit. How could this be? I mean I wasn’t expecting a whole ton after how disappointing this entire season has been, but really, I never could have imagined the new lows that were reached. There was absolutely nothing interesting. Nothing unique. No twists or turns. Very little emotion. Only cheap storytelling that made this episode feel like it was an obligation — a chore to get this thing wrapped up — rather than a vehicle to truly end this story in a meaningful way.

A Mess in King’s Landing

The episode begins as we see Tyrion and others taking in the aftermath of Dany’s fire and blood escapades. King’s Landing has now become a wasteland, with only skeletons and ash to speak of, which further underscored the ridiculousness of how far Dany took things last week. As Tyrion continues through King’s Landing, he eventually makes his way below the Red Keep where he finds Cersei and Jaime’s final resting place. Despite all his efforts, Tyrion could not stop all the death that was to come, and all he can do now is look on at his last remaining family members, gone forever. As Jaime and Cersei lay together, it was a poetic reminder that Tyrion really has been alone in this world most of his life, and even though Jaime cared about him a great deal, he was always an outsider compared to the twin bond that Cersei and Jaime shared.

Continuing her plunge into madness, we see Dany standing over a ruined King’s Landing, delivering an impassioned speech to her army, in which she basically tells them that this was just the beginning, and she plans to take her show on the road. While we all saw her evolve into The Mad Queen last week (at a pace that made absolutely no sense), the door was still left open for her to show some remorse in this finale episode. But that door shut pretty quickly and it became evident that no amount of death and destruction would be too great a cost for her to “break the wheel.” In reality, Dany herself sounded like a ruthless tyrant, one capable of committing devastating acts — the very type of ruler she has so badly wanted to rid from the world. It continued to be frustrating to watch just how cruel and vicious she has become so quickly, and it felt totally contradictory to who Dany was for the better part of the last 10 years.

Realizing he was on the wrong side of things, Tyrion gave Dany a big “f you” as he denounces her slaughter and abandons his post of hand to the queen. He’s quickly taken as her prisoner as Jon can only look on. Jon then goes to visit Tyrion, where they continue to go back and forth about whether or not Dany must be stopped. In their exchange, Jon references something Maestar Aemon told him all the way back in season one, “Love is the death of duty.” At the time, Maestar Aemon was explaining to Jon why brothers of the Night’s Watch could not have families — love would interfere with their duty to protect the realm. In response, Tyrion flips the idea that Maestar Aemon presented, and tells Jon that “sometimes, duty is the death of love.” No doubt, a suggestion that Jon’s duty to protect the realm might bring about the death of his love with Dany. Before Jon departs, Tyrion urges him that he must decide and he must decide now.

Moments later, surprise surprise, we see Dany in the Throne Room, a replay of basically the same vision she had in an earlier season where we saw the ruined Throne Room that she is now walking through. Once again, a reminder that she has become nothing more than queen of the ashes. If you asked me a few years ago what one of the most powerful moments in this story could have possibly been, I would have told you that at the top of the list would be the moment Dany finally reaches the Throne Room and ascends the Iron Throne that her ancestor, Aegon Targaryen, built 300 years before her. Sadly, the realization of this moment felt plain and unemotional, probably because of how little was left of the Throne Room itself, thanks to Dany’s temper tantrum that brought about the destruction of King’s Landing on the whole. She had finally reached the Iron Throne — the powerful symbol of all she had wanted — all she had sacrificed so much to achieve — and all for what?

Duty Over Love

The predictable and soap opera nature of the episode continued as Jon arrives, right on cue, and reprimands Dany for the slaughter she carried out. The two go back and forth about their differences of opinion, blah blah blah, which once again ends in a Dany/Jon kiss. But then, out of nowhere, Jon puts his dagger through her heart. And by out of nowhere, I mean everybody saw that coming from a mile away and it was totally unsurprising. The whole thing felt like “okay, everybody knows this is coming, let’s just get it over with.” But worse than this moment’s predictability was how emotionless and fleeting the scene was as a whole. Out of a 90-minute episode, much of which was filled with gratuitous and irrelevant banter, we can only spare 60 seconds to the death of the show’s most powerful character? I mean come on. Just like that, Dany is gone, and before we even have a moment to really soak it in, I’ve got this dragon in my face…again.

Talk about a botched opportunity. You have Daenerys Targaryen, one of the most beloved characters ever created in any fictional format; opposite her, the equally beloved Jon Snow; and between them, a magical story that intertwines the ideas of power, morality, duty and love. And though many people saw it coming, even so, that this story would end with Jon choosing duty over love, and sacrificing the woman he truly loved, is incredibly powerful. So why didn’t I feel that way watching it? And then just like that, Drogon scoops up Dany and flies her out of there. Oh, but not before melting the Iron Throne, the very throne the Targaryens created in the first place. I’m not sure there’s any real explanation for Drogon flying away with Dany’s dead body, other than a setup for somehow bringing her back to life for some future Thrones spinoff, which seems highly unlikely. The end to Dany and Jon’s story was a total miss of epic proportions.

One Strange Council

Just a moment later, we’re past the emotionless death of Dany, and we’re now all business as the “who’s who” of Westeros have gathered to determine the fate of the realm. It kind of felt like all the unimportant remaining characters were scrapped together and this is when the episode went from bad to just silly. First of all, half of these characters had absolutely no business being there. Edmure Tully, Catelyn’s brother is all of a sudden making a return after having had zero role in this story for many seasons? Yara Greyjoy is back, without anything from her since she went back to The Iron Islands? Oh and let’s not forget about introducing a brand new Dornish prince (who doesn’t even speak) to join this mish-mosh of a crew. And perhaps the absolute funniest of all is Robert Arryn, the sickly son of Lysa Arryn, who previously didn’t know how to do anything other than breastfeed…He’s now got a seat on this council? There were a few others that I did not even recognize, furthering the ridiculousness of this gathering.

The group goes back and forth about what to do next, and apparently after all that has transpired, after King’s Landing has basically been totally destroyed and the world of Westeros has been turned upside down, this silly council is going to solve for the future of the realm in one simple conversation. And all of a sudden Grey Worm is mr chatterbox, driving much of the direction of the council’s decisions. In this one episode, Grey Worm speaks more than he has in the past seven seasons combined. After the death of Dany, he wants revenge, but Tyrion reminds him that it’s not his decision to make, which leads to the debate of who should take power next. Comically, Edmure Tully stands up to state his case, before Sansa tells him to sit down. Why? Why would the writers choose to include dialogue in this final episode that sees Edmure Tully, a completely irrelevant character, stand up and make a claim for the throne? Unless they were going for some sort of comedic relief, it just doesn’t belong. But the comedy didn’t stop there. Samwell suggests they consider a more democratic election where the people have a say, and for some reason, others found this to be comical, poking fun and sarcastically asking if their dogs and horses would get a say. The whole thing felt like a bad SNL skit.

Finally, we arrive at the moment that pretty much caps this entire story — the reveal of who would end on the throne. And to be quite honest, I couldn’t have cared less at this point. The realization of who would take the Throne was not decided by any significant final moment in the story, but rather by a cast of irrelevant characters making forced decisions, so the reveal of who would end on the Throne simply felt like an anticlimactic “who cares” moment. But the only thing that could have been less sensible than everything that has already transpired would be to make Bran the one to end on the throne. And of course, that’s precisely what happens. The logic behind it makes sense — Tyrion paints the picture that the most powerful thing in life is a story and we know Bran is keeper of all stories and memories. So we get it. But, we are talking about a guy that has totally lost his human mind. He’s been on a multiyear journey where his entire life has been dedicated to an existential evolution, which saw him become the Three-Eyed-Raven. In doing so, he has experienced all kinds of visions, past, present and future, that revealed powerful moments which changed him forever. We’re talking Children of the Forest, White Walkers, The Night King — Bran was in the thick of it all. When all of those mythological elements of the show died along with The Night King in an unbelievably disappointing fashion, it definitely created some question marks for what was left for Bran in this story, if anything. I mean we haven’t even seen the guy in several episodes. Now, all of a sudden, he’s being named the king of Westeros? Talk about delivering a cheap ending to this story — did nobody working on this show stop to realize how senseless this was? We are talking about the character who had reached total enlightenment, so much so, that he didn’t even really know how to be a human anymore. And now we are going to plunge him into the politics of being the ruler of the realm?

But he won’t be the king of the Seven Kingdoms. He only gets six. Sansa had to get her two cents in and tell Bran that she wants The North to remain its own independent kingdom as it had been for thousands of years before Aegon’s Conquest. And that’s fine, but the only problem is that ALL the kingdoms had been independent prior, so why would the representatives of Dorne and The Vale and The Iron Islands all be okay with The North not bending the knee while they have to? Also, given that it was another member of House Stark ending up on the throne, Sansa’s desire to annex The North just makes that much less sense — it’s her own brother on the throne. Totally illogical storytelling and it just felt like a forced way to be able to show Sansa as the queen of The North, without regard for the fact it did not make sense to the story itself. But hey, not much has to really make sense anymore, so let’s go with it.

Back to The Wall

So that’s that. Bran is some sort of Three-Eyed-Raven king and Sansa is queen in the North. But we’ve got to come up with some sort of contrived ending for Jon, right? How about we send him back to The Wall, where his story began. That sounds like a cheap, easy and poetic ending for his character — so let’s go with that. I also found it strange that while the council was trying to figure out who should take the throne, Jon wasn’t mentioned once. True, he had just killed Dany, but if we subscribe to the idea that he was the rightful heir, then it was Dany who was revolting and trying to claim a throne that was not hers. That would provide some justification for Jon having to kill Dany, to eliminate a usurper. So, with her gone, and everybody grasping at straws to figure out who should be next in line, why is nobody bringing up Jon, the actual rightful heir?

Anyway, just like that, he’s back in his Night’s Watch garb, hair back down like it used to be in the old days, and headed back to The Wall. Another character with a massive arc that gets a senseless ending. We are talking about the guy that was arguably the most important character; the guy that became Lord Commander of The Night’s Watch; the guy that risked it all to put the world on alert about The Night King; the guy that fought and won in countless fate-determining battles; the guy that was brought back from the dead; and the guy that made the ultimate sacrifice as he took the life of Daenerys Targaryen. And after all of that, we just send him to The Wall? I mean what an unbelievably disappointing, unsatisfying and silly way to end his story.

But before he departs, we get a round of cliche goodbyes with each of his siblings, the best of which reveals that Arya is now channeling her inner Christopher Columbus/Dora the Explorer. She’s off to explore the world, whatever is west of Westeros. I mean how cheesy do we want to get here? If they wanted to set up Arya for her own spinoff, they certainly left that door open, but man, after all that Arya has gone through and all her incredible character development, that’s where we end her story? Sending her to cheerfully explore westward made her feel more like a Disney character than anything else. A Cheap and easy cop-out, just like all the others. It’s also confusing to consider how central she was to last week’s episode, with no follow up in the finale. She was a major point of view character last week, running through the streets and the episode ending with her riding out on her white horse. It seemed like she was being set up for some major ending to her character. But it ended up being all for her to play basically zero role in the story’s end. If you think about, since killing The Night King (which was another big screw-up), she basically had zero involvement in the story since — just noise.

Before the episode comes to a close, we get to see the new council that will support King Bran, and it’s a total joke. Tyrion as hand; Davos a Master of Ships; Bronn as Master of Coin; Samwell as archmaestar; Brienne as commander of the King’s Guard. It felt like the writers threw darts at the wall to see who they’d randomly choose to fill each of these roles. The council meeting itself was so comical that it’s hard to believe writers were going for anything else. In the finale episode of this entire story, we have to listen to their light-hearted banter about what their first objectives will be and whether they’re going to rebuild ships or brothels first? And what about Samwell Tarly, casually presenting Tyrion with a book of recent history called A Song of Ice and Fire. Talk about forcing something into the script and an egregious namedrop. Embarrassing stuff.

Assembling a hodgepodge council like this simply disrespects the greatness of the history of the council, one that was once comprised of characters like Tywin Lannister, Varys, Littlefinger, etc… Now we’ve got Bronn and Davos joking about where they’ll allocate their funds first, as if King’s Landing wasn’t only recently completely decimated. Speaking of which, Bran asks if anybody has heard about the location of Drogon, but nobody has. In another weird moment, Bran tells them not to worry and that he’ll take care of figuring out where Drogon is. My first question: given the entire series is about to come to a close, why are we wasting time talking about where the dragon went? My second question: Bran, you are the Three-Eyed-f*cking-Raven — why are you going to this council of C-listers for advice in the first place — aren’t you the all-knowing one? What a total mess.

Finally, Jon returns to The Wall, where of course there will be a couple more cliche reveals. Tormund and Ghost are both waiting for him there, and eventually, they continue north of The Wall, presumably to live a life with The Free Folk. As they enter into the depth of the forest, the show comes to an end, and the confusion reaches its climax. Why is that the final image of this entire story? Jon walking into the forest with the Wildlings hardly seems like the final takeaway to leave viewers with.

And just like that, it’s all over. It was an ending that was obvious, uninspiring and simply silly in many ways. It was so beneath the greatness of Thrones and I cannot think of many ways they could have delivered a more disappointing end to this story. All that said, it would be a mistake to overlook the greatness that this show offered for so many years. Game of Thrones took television to heights it had never been before and captivated a global audience with its magic. Though I will forever be confused and disappointed by how the show brought closure to this story, I will also be thankful for all that it offered for so many years. I would highly encourage each of you to consider picking up the books and starting this journey over the right way, setting yourself up to experience the true ending to this story once it is properly told by George R.R. Martin himself.

Finally, thanks to all the fans and readers of ThronesLife. It has been great to share the passion with so many of you. Keep an eye out for what comes next : )

— Jacob Kent, ThronesLife Creator & Author

05.06.19

by throneslifeblog

Season 8, Episode 4: The Last of the Starks

DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.

Moving On

After significant tragedy, many experience the five stages of grief and loss, which are: 1. Denial and isolation; 2. Anger; 3. Bargaining; 4. Depression; 5. Acceptance. Safe to say, after last week’s episode, I went through almost every one of these five stages. Denial was stage one; I simply couldn’t believe what I had witnessed. Truly, I actually had trouble believing that after all this time, after everything we had been conditioned to believe about what The Night King represented, that in the blink of an eye, he was gone…just like that. Next came stage two: anger. Had I wasted the better part of the last decade enveloping myself in a story that I wholeheartedly trusted was destined for an ending that could be nothing short of greatness? Stage three kicked in soon thereafter with bargaining. Wasn’t there something that could have been done differently? If only the writers knew what they were doing to us, wouldn’t they have offered a more satisfying ending? Stage four: depression. The black cloud lingered, and normal life moments would be interrupted by that depressing reminder that this had actually happened, and there was nothing I could do to change it. And finally, stage 5: acceptance. Unfortunately, I’m not quite there yet, but this week’s episode has helped me to take a step, if only a little one, towards accepting the disappointment of epic proportions that was thrusted upon us last week.

First, the bad: whatever hope was being held out that this week’s episode would offer some closure to the abrupt death of Westeros’ ultimate villain, was likely met with great disappointment. After The Night King’s unspectacular slaying, which was surely unbefitting of the world’s most terrifying villain, many hoped there would be more to his story in the follow-up episode. Of course, this was not an unreasonable hope, given that the Thrones story conditioned us to believe The Night King and all the mythological components tied to him were central to the ending of this story. Who was The Night King? Why, of all the humans, was he chosen by The Children? Did The Children know what they were creating when they inserted dragonglass into his heart? Sure, we were told of his desire to wipe out the world’s memory, but was that truly his only motivation? Was there no deeper connection between he and Bran/The Three-Eyed Raven? The list of questions can go on; but the answers do not. The story has moved on, and moved on quickly, from The Night King and all his legend…almost as if he never existed at all.

How could that be? How could we move on so quickly from the greatest villain known to mankind? Well, the answer presented tonight was quite simple: the greatest threat to mankind is not any singular individual, but rather the complexities and identities that live within each and every one of us. Don’t get me wrong, I will not defend this idea or the show’s decision to end The Night King’s story the way they did, leaving so many intriguing questions totally unanswered. In fact, I am now altogether dubious of an ending to this show that will satisfy the desires created within me to understand the more existential themes presented in this show that I thought underpinned the story’s true meaning (i.e. Ice vs Fire, gods and religion, light vs dark, The Children of the Forest, etc..). But, we all must move on. Even though when compared to the battle for humanity’s existence, a battle between mere mortals for a throne feels like the wrong battle to be “the last one,” I have to admit that this episode started to reinvigorate some excitement. After last week’s episode, I felt completely deflated; after this week’s episode, only partially.

I am also rather dissatisfied with the overall soap-opera feel of the show. There’s no question that the writing has gone considerably downhill, ever since the show surpassed the books in season six, and writers have more or less been on their own. The speed of various character journeys and storylines has felt jumbled and bumpy at times. There’s a bit of drama that I feel is beneath this story, and certain characters have just started to feel a bit too winey.

All that said, I generally try to measure the quality of a story, or a given episode, not by how much or little I “liked” it, but rather by how well it succeeded at whatever it was trying to achieve. Following last week’s Battle of Winterfell, this follow-up episode had one clear goal: to turn our attention towards, and build suspense for, the final battle to come. And to that end, this episode was a great success, certainly achieving its intended purpose. So much so, that The Night King feels like old news, and I’m inching closer to that fifth stage of acceptance (well, only sort of).

A week ago, it felt like intra-human dynamics were irrelevant, and all that mattered was humanity banding together to preserve its existence. It was a homogenous and uniform view of the human race — that is, all humans were basically the same, coming together as one massive force to. One week later, and we are at the opposite end of the spectrum — the varied and often divergent spirit of human nature is highlighted. We are quickly reminded of the complexities of the human way, and the way these complexities can cause great divide amongst characters in this story. And while we can analyze each of the last two episodes independently, the true beauty is realized when taken in tandem. Only when forced to band together to fight for its existence could mankind show union and cooperation. The moment that threat is eradicated, we are back to seeing the truth of human nature — one that reminds us of mankind’s inherent propensity to create, perceive, and rationalize reasons for divide. The human inability to stand together unless out of necessity is indeed a sad reminder of the world we live in today. Nonetheless, bravo to the success this episode achieved in highlighting the often flawed nature of humanity, while building a wonderful sense of suspense for the final two episodes of this story. Let’s dig in:

Identity

As grave a threat as was brought about by The Night King’s army, it allowed most characters to temporarily suspend their more intricate cognitions and individual identities. Whose side will I take? With whom can I create an ally? How can I advance in this game? None of these questions mattered as fighting to live took precedent over all. But as that threat abruptly disappeared, characters were immediately thrusted back into decision-making mode. Allegiances, loyalties, secrets, love — all of these behavior-shaping ideas — immediately came back into play. And as they did, we saw several characters navigate the complexities of their “humanness,” in an attempt to make a decision that felt right to them.

We saw this theme start to play out after Dany names Gendry Lord of Storm’s End, the historic great castle of House Baratheon. Without hesitation, Gendry asks Arya to be his wife so that he can share life’s offers with the woman he loves. True to her self, Arya turns down his proposal, reminding us that she has never been a lady. In a Thrones world where so many characters are battling to figure out their true identity, Arya knows hers quite well. This, of course makes great sense, given the years she spent training in Braavos, when “a girl had no name,” and was forced to examine the truth of her identity. She emerged more connected to her truth and sure of her identity than probably any character in this story, giving her the strength and resilience to do great things.

But while Arya’s perception of self might be iron-clad, the same cannot be said for all. Jaime’s character continued along his complex character-journey, one that has been marked by a conflicting self-identity. As Jaime reminded us in this episode, he did terrible things in the earlier days of this story, including crippling Bran and murdering innocents, all in the name of love. But then something changed. His identity, which was largely built upon a representation of him being a great warrior, was torn down when he lost his fighting hand — and lost it as a result of him protecting Brienne. Literally and figuratively, his identity changed overnight, and we started to realize that perhaps the handsome knight willing to do anything for Cersei was just a mask that he wore, and there was a lot more to the truth of his character. In a powerful scene between he and Brienne, we saw great pain and vulnerability, and realized that there was a lot more to the man we had come to know only as The Kingslayer.

Eventually, Jaime fell back in the hands of Cersei, and it was unclear whether the “good guy” or “bad guy” Jaime would prevail (though, in reality, the point is that there really is no good or bad to human nature, only the complex makeup of each human, as we see in Jaime). This week, Jaime and Brienne finally lay together, which seemed to have cemented the side that Jaime would ultimately fight for in the battle to come. But after hearing word that Cersei had killed one of Dany’s dragons and realizing the imminent attack that Dany would bring to King’s Landing, Jaime decided he must return to his sister (or at least, that’s what he tells Brienne).

Brienne begged Jaime to stay, reminding him that he is a good and honorable man, only for him to remind her, in heartbreaking fashion, that he is in fact, anything but. This was devastating on so many levels. First, it was painful to hear Jaime profess how low he truly thinks of himself. Often, identity is less about how others perceive you, but more about how you perceive yourself. Of course, many are not even aware of their true self-perceptions, and if they are, often struggle to acknowledge them. But in this moment, Jaime is not only true with Brienne, but true with himself. He tells Brienne, and himself, that he essentially believes himself to be a terrible person. In this Thrones story, Jaime is the closest thing to a Greek Tragedy. In so many ways, he is a tragic hero; his greatest flaw, his massive vulnerability that prevents him from realizing the good man that he is. And can you blame him? After being casted out as “Kingslayer” and “Oathbreaker,” for so many years, is it really any surprise that his self-esteem is nonexistent? Sure, on the outside, he has worn the mask of knight in shining armor well, but beneath it, he is deeply pained by the wrongs he has committed, so much so that he believes there to be no good in him at all. The worst part? All the crimes he committed were to protect the ones he loved; at no point did he do any evil out of malice or selfish motives.

And while Jaime’s story is incredibly tragic, perhaps this moment is even more heartbreaking for Brienne’s character. For as long as we’ve know Brienne, her identity has been defined by a total lack of femininity. For all intents and purposes, Brienne has been characterized as a man, from her appearance to her desires. This very episode highlighted that idea by calling out her virginity — after all of these years, she had never even lay with a single man. Yet, Jaime changed all of that. And while their sleeping together certainly has significant physical meaning for Brienne, it really underscores the emotional tie between the two characters. If Jaime was the tragic hero unable to see the good in himself, Brienne was the one person who understood his vulnerabilities, and truly knew the honor that lived within Jaime. Coupled with the fact she truly loved him, it was not enough for her to know he was a good man — she needed him to know it as well. Several times throughout this story, even when on opposing sides, Brienne has reminded Jaime of his goodness. Often, it almost felt like a plea, like she was begging him to realize the same.

And finally, as the story is headed towards its closing moments, it seems as though Jaime has settled into the idea that he is in fact a decent man. He has chosen the right side, he is going to remain at Winterfell, with the woman who loves him — all is well. Absolutely nobody could be happier about this than Brienne herself, knowing that not only has she received love back from the man she loves, but she has finally gotten him to realize his goodness. But, in typical Thrones style, everything changes with the flip of a switch, and Brienne’s world is turned upside down as she finds Jaime set to depart Winterfell in the middle of the night.

A character who rarely displays any emotion, Brienne is devastated, tears streaming down her face, as the man she loves is leaving her, and reminding her of what a horrible person he believes himself to be. His words go in the face of everything she has believed; in many ways, her world is turned upside down. For the first time, Brienne let herself be vulnerable; vulnerable to love, vulnerable to her femininity, vulnerable to emotion — and it all came crumbling down. How truly heartbreaking. I can only hope that Jaime ends up on the right side of this fight, if not to see his story end realizing his own heroism, than at least for Brienne’s sake, so that she doesn’t lose the man she loves to a false sense of identity.

The complicated nature of the human makeup and identity continues to shine through elsewhere in Winterfell. Sansa continues to display a mistrust for anybody outside of her family, putting her at great odds with Daenerys. When we size up Sansa’s identity, it’s a pretty simple diagnosis. Her trust was betrayed by so many at such a young age, from Cersei and Joffrey to Ramsay Bolton to Littlefinger. At this point, how could she ever trust anybody other than her own? In an exchange between her and The Hound, he tells her that she should have left King’s Landing with him when she had the chance — had she done so, she would have avoided all those that wronged her along the way. Sansa responds to The Hound, telling him that had she left with him, she would still be “a little bird” today. You can watch the video below, from season two, when The Hound tried to save Sansa from King’s Landing.

Sansa’s response to The Hound makes it clear that she understands who she is and has grown smarter from all those that have wronged her. But, one must ask the question: is it advantageous to be guided by a general distrust for all those around you? Sure, being able to outsmart others is a good thing, but not being able to trust anybody outside of your family, maybe not as much. And this is the very conflict that will soon reach climax, between her and Jon. While Jon wants to honor his Queen Daenerys, Sansa is unable to trust Daenerys, or even trust Jon who is willing to vouch for her. Interestingly, Arya has picked her side in this conflict, and strongly voices her distrust for Daenerys as well.

And, all of that is before they even learn that Jon is not in fact their brother, but rather their cousin. Though the scene cuts away, Jon tells Bran to reveal the truth of who he really is to Sansa and Arya. This news only serves to embolden Sansa’s distrust for Daenerys, as learning Jon’s true identity also reveals that he, not Daenerys, is the rightful heir to the throne. Sansa’s identity, largely defined by her inability to trust anybody, is at odds with her loyalty to family, and she is going to have decide between the two. From her conversation with Tyrion where she reveals she thinks there is somebody better than Daenerys to to rule, it seems as though she will not be able to shake her achilles heal, and this is going to set up a very tricky dynamic in the final episodes, where Jon and Sansa may actually find themselves in direct opposition.

As the episode continues, we see Jon’s secret quickly starting to spread — a secret that Dany begged him to keep. But, Jon, being the honorable (and sometimes foolish) man that he is, decided he must tell his sisters. Sansa broke her oath to keep this secret, by telling Tyrion, who then told Varys. Rightfully so, and as Dany predicted, this news is already starting to cause greater divide, at a time when Team Dany/Jon can ill afford it. Sansa and Arya are not the only ones starting to defect from Dany’s claim to the throne. Varys, pointing out that Jon is the rightful heir, a male, and more even-tempered, also now believes Jon is the one to be backed, not Dany. Though Varys and Tyrion have generally seen eye to eye, their sense of identity will bring about an abrupt departure. While Tyrion is defined by his ability to see and support the best in others, Varys’ identity is centered around protecting those who cannot protect themselves. Born a pauper and sold to a sorcerer who committed terrible acts to Varys when he was just a boy, Varys now uses his cunning to try and “protect the realm.” He and Tyrion now have differing views of who is best suited to do this, and Varys makes it clear that he will do what he must to protect those in need. Keep an eye out for what Varys’ next move will be.

Fire and Blood

And just as the episode was starting to feel like it was going to be another setup for next week’s battle, things go haywire. Things go from bad to worse for Dany, and out of nowhere, Rhaegal is taken out with three harpoons. Dany can do nothing but watch as she loses yet another one of her children. In a state of blood-seeking fury, Dany flies her dragon straight into the danger, but eventually retreats as she cannot risk losing her last dragon. Euron’s fleet destroys Dany’s ships, and in doing so, takes Missandei prisoner.

At this point, Dany has had enough. Her plan to show restraint and minimize the loss of innocent life is not working. In the span of days, she lost Jorah, one of her most loyal advisers; her entire Dothraki army; half of her Unsullied army; the second of her three dragons; and Missandie, her most trusted adviser. Things have gone from bad to worse, fast. Though Tyrion and Varys beg her to continue to show restraint and to not pursue Cersei at the cost of killing thousands of innocents, Dany is at her breaking point. She agrees to offer Cersei the opportunity for surrender, so the people of King’s Landing can know that it was Cersei who refused surrender.

In a powerful final scene, Tyrion makes one last desperate plea, first with Qyburn, and then directly to his sister. In this plea, we can feel just how badly Tyrion truly wants to avoid the loss of innocent life — something we can see he knows is imminent. But even Tyrion’s clever words are not enough, and Cersei gives him a big “f**k you” by not only refusing surrender, but beheading Missandei first. The pain felt by Dany and Grey Worm was palpable; and the look on Dany’s face was clear as day: all bets are off. Fire and blood is coming, which begs the question, will she become The Mad Queen, just as her father was The Mad King? Clearly, this is Varys’ concern, but which side of Dany will prevail? The one that has defined her identity for many years — the one that wants to leave the world a better place than she found it? Or will her Targaryen wrath prevail and will her desire for revenge get the better of her? With just two episodes remaining, things are more up in the air than ever before, and great battle is upon us.

Odds and Ends

Jaime and Cersei: It’s worth pointing out, that it’s possible Jaime was tricking Brienne in order to get out of Winterfell, perhaps to get to King’s Landing to kill Cersei himself.

The Hound and Arya: The ultimate duo are back together again on their way to King’s Landing. They both have unfinished business, namely killing their ultimate foes. Arya will surely want to be the one to take out Cersei and cross that name off her list. At the same time, The Hound will want to take out his brother, The Mountain, who burned him as a young boy and is responsible for all the identity issues that The Hound suffers today.

Other Allies: Though Dany’s forces have been significantly diminished, there are other allies out there. In this episode, it was mentioned that a new Dornish Prince has declared for Dany. Dorne has not played much of a role in this story as of late, but it’s safe to assume that they will show up in the final battle. It’s also worth remembering that Cersei still has Ellaria Sand and her sandsnake daughter locked in a cell beneath King’s Landing. Presumably, they are not yet dead, and could have a role to play as well. Yara Greyjoy is also still alive and has retreated to The Iron Islands — additional allies for Team Dany.

Bronn: A character I’ve generally enjoyed throughout the show, I was disappointed to see Bronn turn on Jaime and Tyrion. I’m not quite sure how his story finishes up, and with only two episodes to go, and it doesn’t seem very relevant that Tyrion promised him Lordship over Highgarden if they win the war. But, we’ll see how this one develops.

Cersei’s Baby: It’s unclear what’s happening here. Question 1: Is Cersei pregnant? Question 2: Who is the father? Neither answer is very clear, but it seems this will be somewhat important as the story comes to a close. Cersei first told Jaime the baby was his, but this could have been a lie to keep him close. In this last episode, Cersei tells Euron that she’s pregnant with his baby — again, unclear what the truth is. Going back to season five, we saw a flashback of Cersei as a young girl, encountering Maggy the Frog, a witch who offered Cersei a prophecy. She basically told Cersei that she would have three children, all of whom would eventually die. We saw this prophecy come true, as all three of Cersei’s children were eventually killed. Again, this prophecy stated Cersei would have three children (not four), so if we believe this prophecy to be true, than Cersei is either not actually pregnant, or will have her baby killed.

08.07.17

by throneslifeblog

SEASON 7, EPISODE 4: THE SPOILS OF WAR

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

THE SPOILS OF WAR

Clocking in at a duration of 46 minutes, the shortest episode in Thrones history felt anything but. In just one short episode, Arya makes it back to Winterfell after an impossibly challenging journey; things heat up between Jon Snow and Dany in the caves below Dragonstone; and last, but certainly not least, we see Dany ride a dragon into battle for the very first time. Oh, and let’s not forget about the ancient inscriptions we saw in the caves below Dragonstone. These symbols are thousands of years old and point to some of the most significant hidden truths of this world — truths that may just determine how this entire story ends. But we’ll get to that. Any of these developments were meaningful enough to carry an entire episode, so getting all at once was quite a bit to process. So let’s begin.

TO THE VICTOR GOES THE SPOILS

In an episode entitled The Spoils of War, there were many “spoils” of recent battles revealed in this episode, both good and bad. The most obvious spoils were those won by Cercei in her siege of Highgarden, which we see as the episode opens up with Jamie sending all of Highgarden’s gold off to King’s Landing. Cercei is seen moments later talking with Tycho of the Iron Bank, reminding him that his gold is on the way and that a Lannister always pays their debts. But Cercei mentioned something else — something many may have missed — something which revealed a part of her future plan. Cercei tells Tycho that she has reached out to the Golden Company to help her secure some of the things that belong to her.

As a quick refresher, the Golden Company is an Essos-based army of sellswords who do not fight for any house or ruler, but rather for whoever contracts and pays them. We’ve heard of the Golden Company in the past as Daario Naharis once fought for the Golden Company, prior to pledging his allegiance to Khaleesi. (Speaking of Daario Naharis, what’s he been up to and when will we see him again? I digress…) Anyway, it was a very quick nugget of dialogue, but not one that was coincidental, so it’s worth considering what Cercei is hiring the Golden Company for and what it is that she hopes they can return to her. But back to Jaime and Bronn at Highgarden, as they send their newfound gold back to King’s Landing, they instruct Randyll and Dickon Tarly to collect all the farmland produce of Highgarden, an additional spoil of war (remember, Highgarden has the most fertile lands in all of the Seven Kingdoms). Little do they know that those carts of food are never making it back to King’s Landing…

A MYSTERIOUS DAGGER

Things have been quite busy at Winterfell as of late and that trend surely continued this week. We arrive at Winterfell as we see Bran sitting in his new wheelchair, looking just as distant and aloof as he did last week. Knelt before him is Baelish, who presents him with the Valyrian steel dagger that was used in the attempt to kill Bran back in season one. Bran asks Baelish if he knows who the dagger belonged to and Baelish tells Bran that he does not. For starters, this is inconsistent with what he told Catelyn Stark back in season one, so Baelish was either lying to Catelyn or is now lying to Bran. Let’s do a quick recap of what we know about this dagger — because my bet is that there is more to come on this.

Back in season one, Bran was climbing the walls of Winterfell and saw Jaime and Cercei sleeping together, at which point Jaime pushed Bran from the wall to protect the secret of their incest. But when Bran survived the fall and lay comatose in bed, somebody came to finish the job — a man with the Valyrian dagger we saw this week. Catelyn tried to save Bran, but it was Bran’s direwolf, Summer, who killed the assassin and saved Bran’s life. Catelyn then left for King’s Landing (with the Valyrian dagger) to inform Ned (who was already at King’s Landing at the request of King Robert) of the attempt to kill Bran. In a scene at Baelish’s brothel, Catelyn presents the dagger, at which point Baelish tells her that the dagger had belonged to him but that he had lost it to Tyrion in a bet. Believing this to be true, Catelyn had Tyrion arrested when she encountered him on her trip back to Winterfell (this led to Tyrion being held prisoner at the Vale, before demanding a trial-by-combat, at which point Bronn fought for Tyrion and won, gaining him his freedom). After Ned was arrested in King’s Landing, Baelish retook possession of the dagger and has presumably had it ever since. Now, years later, he chooses to present it to Bran, but tells Bran that he does not know who it belonged to, which is quite different from what he told Catelyn years prior.

Going one step further, a few episodes back, we saw a dagger that looked quite similar in one of the books that Sam Tarly was reading. My guess is that they were not showing a different dagger that looked very similar to this one, but rather that they were the same dagger, which further amplifies the significance of the dagger we saw today. There are some definite question marks around this Valyrian steel dagger, but it seems to be a safe assumption that it is of moderate to major significance.

After Baelish presents Bran with the dagger, he tries to appear empathetic to the “chaos” Bran has returned home to. However, Bran cuts him off and reminds him that “chaos is a ladder.” Bran is referring to the “chaos is a ladder” speech that Baelish gave to Varys in the third season. Baelish’s face turns stern and he appears threatened by the fact that Bran is aware of these words he once spoke. After all, if Bran knows this, what else might he know about Baelish? But looking one layer deeper — what does this “chaos is a ladder” reference tell us? After all, if the sole intention of this scene was to expose Baelish and show us that because Bran is now the Three-Eyed Raven, he is aware of something Baelish once said, well then writers could have chosen any of Baelish’s wise words for Bran to repeat. But they chose these words for a reason. Baelish’s full quote follows, with the video below: “Chaos isn’t a pit. Chaos is a ladder. Many who try to climb it fail, and never get to try again. The fall breaks them. And some, given a chance to climb, they refuse. They cling to the realm, or the gods, or love. Illusions. Only the ladder is real. The climb is all there is.”

Now, let’s piece that quote together with present-day context. Baelish has been lurking around Winterfell, often hidden in the shadows, leaving all of us to wonder what he’s up to and what his true intentions are. Well perhaps these words — the words he spoke many years back — words the all-knowing Bran chooses to repeat — sum up Baelish’s true intentions. For him, the climb is all there is. It is not so much about the endpoint, as much as it is the climb to get there. In short, it is all about the game and how you play it — to him, that is the very purpose of life. If the words he speaks are true, then he is not interested in love or the gods or the good of the realm — his only interest is the climb itself and Bran appears to be aware of this.

And yet, there is another interesting layer to this scene, one that can only be understood when considering Baelish’s history. About 20 years ago, it was Brandon Stark (Ned’s oldest brother and heir to Winterfell) who was set to marry Cat. Baelish, a young boy in love with Cat, challenged Brandon to a duel to win the hand of Cat. Brandon agreed to the duel, promising Cat that he would not kill Baelish. Brandon was a powerful warrior and Baelish was far from a fighter, so as one would assume, Baelish was badly beaten and severely injured. Brandon would later ride to King’s Landing to free his sister Lyanna, and would be killed by the Mad King, which resulted in Ned marrying Cat instead of Brandon. In any event, this experience would forever impact Baelish, as he was severely humiliated, physically beaten and also lost the woman of his dreams. Though he would not admit it, he developed a strong jealousy and hatred for the Starks as a result, and many believe this is why he would betray Ned and have him arrested in King’s Landing many years later.

Now, in this scene, Baelish tells Bran “Anything I can do for you Brandon, you need only ask.” When assessing the authenticity of Baelish’s statement, it’s significant to note that he refers to him as Brandon instead of Bran. Very few have referred to Bran as Brandon. Couple that with the fact that it was Brandon Stark (Bran’s uncle) who badly defeated Baelish, and there is some definite undertone to Baelish’s choice to refer to Bran and Brandon. And going back to Baelish’s earlier quote: “Many who try to climb it fail, and never get to try again. The fall breaks them.” Baelish’s fall was his defeat at the hands of Brandon Stark — a fall that would not break him as it has broken so many others. For Baelish, it was that very fall that serves as the driving factor for him to keep climbing the “ladder of chaos.”

HOMECOMING

Elsewhere in Winterfell, Arya finally makes her return home. After years separated, the reunions of so many of the Stark children so close together seems a bit odd, but let’s look past that. Let’s reflect upon all that Arya has been through to lead up to this moment. Witnessed your father’s beheading? Check. Present for the Red Wedding when your mother and brother are ruthlessly murdered? Check. Spent years getting beaten, blinded and tortured in Braavos? Check. Arya has been through enough pain and torture to last 10 lifetimes, yet she has overcome it all and prevailed as an incredibly powerful character who has willed herself back to Winterfell against all odds.

But, similar to the reunion last week between Sansa and Bran, the reunion this week between Arya and Sansa was less than emotional. After all the time these family members have spent apart, we all assumed their reunions would be wonderful and emotional and joyous. But, the reality is that these characters have experienced an incredible amount of hardship and have been reunited as very different people. That said, what is interesting about the reunion between Sansa and Arya is that the juxtaposition of their characters is still quite similar to what it was all the way back in season one. At that time, Sansa only wanted to be a lady and Arya was the rebel who wanted to fight with the boys. Fast forward years later and they are reunited with Sansa being the lady of Winterfell and Arya being a ruthless assassin. Ironically, in many ways, they’ve both become the people they always wanted to be — albeit neither forecasted the pain they’d experience to become those people.

While it is nice to see these characters reunite, there are giant question marks around what comes next for these siblings and whether or not they are even truly on the same team. As they stood in the crypts of Winterfell, Arya tells Sansa about her list — the list of people she wants to kill. Sansa laughs this off, assuming her sister must be joking. Yet, moments later, she sees the skilled fighter Arya has become as she is able to best Brienne, one of the most skilled fighters in the land. Interestingly, when Brienne asks Arya who taught her, she cleverly responds, “Nobody.” As Sansa witnesses this, she realizes the truth of what her little sister had revealed about her list and the person Arya has become. She seems displeased to say the least, and she walks away, Baelish looks on with a grin, perhaps identifying a new opportunity that he can leverage.

Out in the Godswood, Bran, Sansa and Arya are all reunited together, in a place that is most sacred to House Stark (and now, especially to Bran). Sansa casually reveals to Arya that Bran is able to see everything that any person has ever experienced. Moments later, Bran gives that mysterious dagger to Arya, furthering the significance of this weapon. Given Bran’s wisdom, it is unlikely that he gave it to Arya simply because he did not have use for it. Rather, it is more likely that Bran is aware of the significance of this dagger and the role it may play in the hands of Arya. Looking on, Sansa seemed somewhat displeased, furthering the tension that exists between the two.

IT’S ALL ABOUT THE SPIRAL

At Dragonstone, Jon Snow has discovered the cache of Dragonglass and takes Dany into the cave to see it. The scene (intentionally) felt intimate and steamy, with Jon and Dany alone in a dark cave — a familiar setting to Jon Snow (it was in a dark cave that he first got it on with Ygritte many seasons ago). It felt as though there was potential for Jon and Dany to get it on right then and there, and though this never would have happened that quickly, the stage is certainly set for the possibility of it happening in the future. Yes, they are blood and she is his aunt, but they don’t know that yet. And even if they did, remember that the Targaryens practiced incest for thousands of years to keep their bloodline pure. And while the alone time Jon and Dany had was a nice buildup to what might come, there was a much bigger takeaway from this scene.

First, Jon discovered the Dragonglass — enough of it to presumably make weapons for an entire army to fight off the White Walkers. But even that was not the biggest takeaway here. Imagine that — supplies were just discovered which will enable the humans to possibly fight off an army of the dead that threatens the very existence of humanity — and that wasn’t even the most important discovery! So what was the biggest takeaway here? The answer is the inscriptions on the walls, more specifically, the spirals. Though we do not fully understand what the spirals represent, we do know they are extremely significant and possibly represent the ultimate clue to how this entire story will play out.

So here’s what we know. The inscriptions on the walls were made by the Children of the Forest thousands of years ago. As we know from this story, the Children were the very first inhabitants of Westeros, having lived off the land for thousands of years before the First Men ever arrived. You can read more about the Children of the Forest and the First Men here — and if you aren’t fully clued in on this history, I would highly recommend you refresh yourself. Though the Children lived without humans for thousands of years, the inscriptions on the wall show the Children and the First Men together. As Jon explains to Dany, they banded together to fight off the White Walkers, which we also saw on the wall. But that wasn’t all we saw on the wall. Perhaps most significant were the spirals — a symbol we have seen throughout the show since the very first season — and one that is going to be extremely important. So let’s recap where we’ve seen this symbol to date.

In the very first episode, a ranger of the Night’s Watch stumbled upon some dead bodies north of the Wall. When he returned, he saw the corpses mutilated and rearranged in the below orientation.

A few seasons later, again north of the Wall, we see a bunch of dead horses arranged in an even more definitive spiral (below), again the work of the White Walkers.

But things get a lot more interesting, because we later learn in season six, that it is not just the White Walkers that deal in these spirals, but also the Children of the Forest. In one of Bran’s vision, and in an incredibly important reveal, we learn that it is actually the Children of the Forest that create the very first White Walker (who is probably the Night King we see today) by inserting Dragonglass into his heart (see below for a refresher).

What we also see in this vision is a bird’s-eye-view of the tree where the Children created the first White Walker. At this very important location, we see a similar spiral (below).

And last, but certainly not least, the teaser trailer for this season culminated with another similar spiral, before it is engulfed by the blue eye of the Night King (below). The importance of this spiral and what it has to do with the White Walkers could not be made any more clear.

So what does all of this tell us? Well, we may not know exactly what the spiral represents, but we know it is important. Perhaps the spiral represents some sort of balance between dark and light, good and evil, fire and ice. Whatever it represents, what we do know is that it was something significant to the Children of the Forest, who were a magical species. What’s more, we know that the White Walkers learned this truth from the Children and are referencing it today. Bringing it full circle to tonight’s episode, we see that these very same spirals were carved into the cave thousands of years ago. And not just in any cave — into the cave which shares the story of the Children banning together with the First Men to fight off the White Walkers — and the cave that also contains the Dragonglass needed to fight off the White Walkers today. In short, these spirals are extremely significant and could contain the secret to what is really going on here — a fundamental truth shared between the Children and the White Walkers — and one we will likely find out before this story comes to an end.

FIRE AND BLOOD

It was only a matter of time until Khaleesi flew a dragon into battle, and after being dealt several decisive blows in the last few weeks, she decided to take matters into her own hands. Khaleesi, on the back of Drogon, flew into battle with her Dothraki army and decimated the unsuspecting Lannister army. For the first time, we saw the full impact that a dragon can have in battle, burning men by the hundreds with each breath of fire. And we saw the destruction that Targaryens have inflicted for hundreds of years, scorching alive those who defy them, watching their flesh melt and burn. This battle was a direct allusion to the Field of Fire — perhaps the most famous battle of Aegon’s Conquest.

As Khaleesi approached, Bronn encouraged Jaime to flee but Jaime refused to abandon his men. Incredibly, Jaime and Bronn both managed to remain unscathed (at least for most of the battle). One of the more powerful moments of this battle was Tyrion ascending over the hill to look on at the Lannister army being destroyed, men being burnt alive. Though he is obviously not a typical Lannister, the reality is that these are still the people that he called his own his entire life. It is one thing to strategize about how to defeat your family when they are halfway across the world; it is another to come face to face with the realities of your decision, especially when those realities result in the death and destruction of your people. As much hate as Tyrion had for Tywin and still has for Cersei, a part of him had to be questioning his decision as he watched the Lannisters forces being burned alive.

And then he sees Jaime, who he can only hope is smart enough to flee. The timing could not be more poignant, as just last week, Jaime learns that he made the right decision in saving his brother Tyrion, who was in fact not responsible for the death of Joffrey for which he was accused. Yet one week later, Jaime’s life is at risk, in large due the brother he saved. Jaime sees a vulnerable Khaleesi within striking distance, and decides to go after her, no doubt willing to risk his life to eliminate the principal threat to his sister’s reign. Just feet away from taking out Khaleesi, who has been grounded after Drogon was harpooned, Drogon turns to Jaime and breathes fire in his direction. Jaime is all but dead, until he is tackled off his horse and into a body of water, just in the nick of time. It appears to be Bronn that saves Jaime, but this is not definite. It also appears that Jaime avoided the fire, though the nature in which he continues to sink deeper, seemingly lifeless, brings question to this. Assuming that he is alive, will the tables now be turned, with Tyrion having the opportunity to save his brother, the way Jaime once saved him?

Above all, one thing is abundantly clear. The world will soon know of the fire and blood that Khaleesi’s dragons can bring. How will the people of Westeros react when they hear this? Will they support the return of a rightful ruler or fear the madness of a Targaryen?

ODDS & ENDS

Meera informs Bran that she must return home to her family. She knows the White Walkers are coming and she must be there to protect her family. (Though the show does not really touch upon it, House Reed is a major house in the North and it will be interesting to see if we get to see Meera’s family). Much like when he was reunited with Sansa last week, Bran once again shows no emotion as he says goodbye to Meera. Meera reminds Bran of all the people that died to save him, and though he understands her point, he reminds her that he is no longer Bran, but rather the Three-Eyed Raven.

Though Drogon was wounded, he will likely be okay. A non-lethal wound might turn out to be a small price to pay for Team Khaleesi to have learned about the secret weapon Cersei has been working on.

When Brienne asks Arya who trained her, she responds “Nobody.” She could have been referring to Jaqen H’ghar, the Faceless Man who trained her quite some time. But the man who truly taught her what we witnessed in this scene, was Syrio Forel, the man who taught her the Water Dance (a Bravoosi way of fighting) all the way back in season one. While Jaqen was a Faceless Man and it would make sense to refer to him as “nobody,” the same cannot be said of Syrio, unless Syrio was in fact Jaqen H’ghar all along. It is entirely possible that Jaqen was training Arya since the very beginning, pretending to be Syrio Forel in the first season.

Dany again asks Jon Snow to bend the knee and the next thing we see is the two walking out from the cave. It is possible that he bent the knee without us seeing.

Jon Snow comes face to face with Theon and does a pretty good job at composing himself.

06.27.16

by throneslifeblog

SEASON 6, EPISODE 10: THE WINDS OF WINTER

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

THE WINDS OF WINTER

Put in the books…Season six is officially over, which means we have about a full year to wait until the return of Thrones. But if there was ever a season which delivered enough magic, enough surprise and enough excitement to last us until next season, this was it. And putting an exclamation point on this incredible season was the finale episode, The Winds of Winter, which delivered enough major plot-twists for multiple finale episodes. In past seasons, we would’ve gotten one major event in the finale episode to make us go “wow, that was amazing,” and hold us over until the following season. In this episode, we got four or five of those moments, seemingly one after the next. Cercei blowing up the Holy Sept of Baelor and killing all her enemies in one fell swoop, including basically all of House Tyrell. Oh, and doing it with wild fire no less. Tommen casually jumping out the window to his death. Jon Snow being declared King in the North. Cercei assuming the freakin’ Iron Throne. Arya revealing she’s already back in Westeros and taking out her enemies. After six years, Khaleesi is actually leaving Easteros to take what is hers — the Iron Throne of Westeros. Oh, and did we mention that Winter is officially here?

loras

Any one of these events could’ve been enough to end the finale on, especially after last week’s epic Battle of the Bastards. But as season six came to an end, we didn’t get one major event, we got them all. Because whereas the objective of past seasons’ finales was to wind the show down and bring things to a close, the purpose of this finale was the exact opposite: to propel the show to all-time highs and position characters for the final lap ahead. That’s right, there’s not much left and the end is near. Likely split over two more seasons, we are looking at 12-14 more episodes total, and that’s it for Game of Thrones, folks. So there is no wind-down at this point. There is no deliberation or hiatus. We are in the thick of it now, full force, and The Winds of Winter pointed us in the direction we are headed.

But before we jump into a recap of the episode, let’s explore what the show is really about at this point. To date, Thrones has been about a lot of things: power, loyalty, war, love, vengeance, deception, to name a few. But as the show has evolved through the years, and now nears its end, what is it really about? As I asked myself this question and reflected back on the finale episode and this season as a whole, I thought about thing: survival. It was once about who could play the Game of Thrones, now it’s about who can survive it. In this finale episode, we saw three major characters who have survived and now risen to the top: Khaleesi, Cercei and Jon Snow, each of whom is now a King/Queen.

What is also interesting when thinking about the survival of characters is how dominant the females are as season six comes to a close. For a show that was often-criticized about the subjection of its female characters (which hit an all-time high last season after the rape of Sansa by Ramsay), it is now the females who are in positions of power and dictating the outcome of this story. Cercei has ascended the Iron Throne and is the Queen of the Seven Kingdoms. Khaleesi is the Mother of Dragons and commands an army of loyal followers that appears to be growing by the day. Yara, not Theon, is calling the shots for House Greyjoy and has joined up with Khaleesi. Arya is crossing names off her list in Westeros. Sansa won the battle against Ramsay and got her revenge, and also pushes off Baelish in this episode. In Dorne, it is the Tyrell and Martell females that convene to discuss their revenge against the Lannisters. Even Lyanna Mormont, an 11-year-old girl, appears more powerful than all the men of the North, as she reminds that House Mormont stands with House Stark and that the North remembers, ultimately swaying the other Northern houses to support the Stark cause. Even once-powerful men like Tyrion and Varys have now abandoned their personal endeavors to support the greater cause of a female character. In fact, when you stop and look around, it’s almost hard to name the major male characters that are really in the picture, other than Jon Snow. We’ve come a long way since the earlier seasons which covered the Battle of the Five Kings, mostly all males fighting for the Iron Throne. And now, winter is no longer coming. Winter is here.

DARKNESS IN KING’S LANDING

Many people, including myself, were predicting a possible death for Cercei in the finale episode. She was weakened by her walk of shame, never seemed to quite recover from it and appeared relatively powerless this entire season. And when trial-by-combat was ruled out, it looked like the end might be near for Cercei. Boy, were we wrong. The episode opens as we see various characters dressing for the trial. Margaery and Tommen both dress in regal garb, fit of a king and queen, while the High Sparrow throws on his minimalist robes. But Cercei is preparing for something entirely different, as she dresses in an all black piece that almost resembles armor. This entire segment, which was one of the longest we’ve seen, was accompanied by a beautiful piano arrangement called Light of the Seven by Ramin Djawadi, which can be heard in the video below. It was unlike any other music that has ever been played in an episode before, and captured a particular eeriness, hinting that something terribly out of the ordinary was going to happen. It was masterfully executed, and though I don’t think it’s worthwhile to compare the books to the show, since they’re both genius in different ways, this was an example of how music, and visuals and directorial vision can setup a major event that was to come in a way that the books never could.

As everybody stands around the Sept of Baelor, it is Queen Margaery who realizes that something is wrong after Cercei and Tommen both no-show. She warns that everybody must leave the Sept, but the High Sparrow’s stubborn faith gets the best of him as he instructs the Faith Militant to prevent anybody from leaving. Elsewhere, Maestar Pycelle is tricked into entering the tunnels below King’s Landing, as is one of the Faith Militant, Lancel Lannister, both of whom are stabbed by Qyburn’s little birdies. It’s unclear what Qyburn has done to these little peasant children or why children were needed to do the actual killing, and maybe we’ll find that out down the road, but we did see Qyburn with these children in an earlier episode this season, so we knew he was up to something. What we also saw a few episodes back, after Tommen declared that trial-by-combat would be illegal moving forward, was Cercei asking Maestar Qyburn whether the rumors were true, to which he responded that they definitely were, more so than she could even imagine. We now know that she was asking him about the wild fire, which she would use to blow up the Sept of Baelor and kill everybody inside.

sept explosion

Beyond the power of this scene and the way it unfolded, there are some very interesting takeaways. First, we got a glimpse of this wild fire explosion many episodes back in one of Bran’s visions, which very quickly showed the green flames engulfing the tunnels below King’s Landing (see photo below). So, Bran saw this before it actually happened, and so did we. This speaks volumes to other visions he may have of events that are yet to unfold, with the potential to stop them before they happen. Next, it is very powerful to consider that Cercei did the very thing that her brother killed the Mad King to avoid from happening. Going back to the Mad King Aerys Targaryen (Khaleesi’s father), when Robert’s Rebellion succeeded and the rebels arrived at King’s Landing, rather than surrender, the Mad King kept saying “Burn them all.” He was obsessed with wild fire and wanted to use the wild fire to blow up all of King’s Landing and burn everybody alive, rather than let the rebels usurp the Iron Throne. Though he was sworn to protect the king, Jaime put his sword through the Mad King’s back, and would forever be known as Kingslayer. He broke his sworn oath to protect the king in order to save tens of thousands of innocent lives who otherwise would’ve been burned alive. Ironically, years later, it is his own sister who ends up doing this very same thing, albeit in a more controlled fashion as to eliminate her enemies in the Sept of Baelor and not all of King’s Landing.

From Bran’s vision

As Tommen looks on and sees the Sept explode into the sky, realizing everybody has just died, including his Queen Margaery, he is in total disbelief. He is just a boy — a boy that watched his older brother murdered when he was king and who then lost his sister to murder as well. His mother was locked away and then forced into a humiliating walk of shame. The High Sparrow and Margaery have been in his ear telling him to follow the Faith. Rumors swirl around about who his true parents are. Talk about stress — the things Tommen has dealt with since being a little boy are enough to drive anybody to suicide. So now, after watching the Sept explode, he’s had enough, and in an indifferent fashion, decides to simply fall to his death. This marks the third child that Cercei has lost, and unlike the murders of her first two children, Cercei has nobody to blame but herself for the death of Tommen. Interestingly, in the premiere episode of season five, we saw a flashback of Cercei as a child as she wanders into the woods to find a witch. The witch tells her of a prophecy in which all of her children would eventually die (see video below). Now, decades later, this prophecy has been fully realized and Cercei has lost all of her children. Well, at least most of the prophecy has been realized. The witch also tells Cercei that she will eventually be replaced by another queen, younger and more beautiful. It’s safe to assume that this will be Khaleesi.

Perhaps, in some ways, Cercei wanted Tommen to die, even if subconsciously. After all, as she stated so many times, her purpose in life was to protect and defend her children. Well, clearly she wasn’t so good at that. Or maybe, it was a greater drive that she had which outweighed her ability to truly protect her children. Maybe it was her undying quest for power. And after losing two-thirds of her children and sort of already losing the third to all the madness of King’s Landing, she was ready to rid herself of all her motherly baggage, which is in fact what happened. And now, free of any responsibility or burden to her children, Cercei is able to ascend the Iron Throne and take what is hers. Dressed in all black, the Throne Room looks darker than ever before, nobody daring to question her claim. She appears cold and ruthless, hardened by the deaths of her children and the torture she experienced at the hand of the Faith. Now that Cercei has taken the Throne, she’ll be free to pursue vengeance against the murderers of her children, namely the Martells of Dorne. But how will Jaime fit into this? He looked rather unpleased, if not shocked, at the scene he saw upon arriving back to King’s Landing. Perhaps, Cercei and Jaime’s union is starting to unravel, and maybe Jaime resists Cercei’s pull to the dark side.

KING IN THE NORTH

We get first glimpse of Jon Snow in the halls of Winterfell as he stands with Melisandre, moments before Davos storms in commands Lady Melisandre to tell Jon Snow what she’s done to Princess Shireen. Davos is more emotional and angry than we’ve ever seen him before and it is clear that he truly loved Princess Shireen like a father. Melisandre confesses to her crimes, but adds that she has only done what the Lord of Light commanded. Once again juxtaposing Melisandre’s faith to her god against Davos’ commitment to morality and reason, Davos exclaims “If your god commanded you to burn an innocent little girl, then your god is evil!” Davos appeals to Jon Snow and demands that Melisandre be executed, to which Melisandre tells Jon Snow that her work is not done. Clearly, Jon Snow believes this, and knows that he may yet need her down the road. He commands her to ride south, rather than executing her.

As Melisandre rides off, Jon Snow and Sansa stand atop the ramparts of Winterfell. Jon Snow acknowledges that it was Sansa who won the battle by securing the Knights of the Vale, but notes that they must trust each other moving forward. He tells her that he is not a Stark, and wishes for Sansa to be the Lady of Winterfell, rather than he. Sansa also tells Jon that a white raven has come from the Citadel and the Maestars have determined that winter is officially here. As if we didn’t already realize that the show is really reaching an all-time highpoint, we just got explicit confirmation — after six years of waiting, winter has now come.

Standing beneath a weirwood tree, Sansa tells Baelish that she no longer prays and is done with the gods. As they discuss what it is that Baelish really wants, a question we would all love answered as well, Baelish tells Sansa that he wants to sit on the Iron Throne as king with Sansa as his queen. As he goes into kiss her, she pushes him off and tells him that it’s a “pretty picture.” Again, we see that Sansa is not a naive child and will not be easily manipulated. But more importantly, we finally hear Baelish explicitly reveal what he wants, which is ultimate power. Throughout the last six seasons, there have been breadcrumbs along the way which have pointed us in the direction of Littlefinger’s true intentions. In the very first season, Baelish has a conversation with the keep of his whorehouse in King’s Landing, and he retells the story of how he challenged Brandon Stark (Ned’s older brother) to a duel, to win the love of Catelyn Tully. He lost that duel to the much fiercer Stark warrior and was badly embarrassed and injured that day. “You know what I learnt losing that duel? I learnt that I’ll never win. Not that way. That’s their game, their rules. I’m not going to fight them: I’m going to fuck them. That’s what I know, that’s what I am, and only by admitting what we are can we get what we want.” When she asks him what it is that he wants, he responds “Oh, everything, my dear. Everything there is.” Littlefinger has also often referenced investments he has made, some good and some bad, in an effort to achieve his means. In an earlier season, Varys also noted “Baelish would let the whole country burn if he could be king of the ashes.” And finally, years later, he comes right out and tells Sansa what he wants — the Iron Throne with her beside him.

Later, in Winterfell, the remaining houses of the North gather and Jon Snow makes his case for their support. Winter is here and the North will be the front line against the White Walkers that are coming — nobody knows this better than Jon Snow. Still, the Northern houses have doubt and express uncertainty about once again supporting House Stark. Lyanna Mormont, not only the only female in the room (besides Sansa), but also youngest in the room, delivers a passionate speech noting that House Mormont stands with House Stark and that the North remembers. Houses Manderly and Glover are moved by her words and pledge their support of House Stark, declaring Jon Snow the King in the North. Before long, the whole hall is shouting for Jon Snow as King in the North, much the way they once did for Robb Stark — hopefully this one has a better ending.

king north

Certainly, Jon Snow will be a much different kind of king. He has no interest in the Iron Throne or petty battles — his eyes are set on defending humanity from the army of the dead. Moreover, he’s seen a lot and experienced much more than his brother Robb ever did, including dying and being brought back from the dead. Jon Snow now has the beginning of an army, but it’s unclear how Sansa feels about this. Just moments before, he was telling her that it should be her who leads House Stark, not him. Sansa exchanges a glance with Baelish, who quietly observes like a fly on the wall. The look they exchanged was almost as if Baelish was saying “Hey, my offer is still on the table. I am still on the quest for power and you can share that quest with me, rather than going back to being the sister of the King in the North.” We’ll have to wait until next season to see how this all unfolds, but to see Jon Snow brought back from the dead, defeat Ramsay to reclaim Winterfell and now to be declared King in the North with House Stark finally supported again by the other Northern houses, is a welcomed and long-awaited turn of fortune for the Starks. And let’s not forget, both Bran and Arya are not not too far away from Winterfell.

NEW FRIENDS

After not having seen Dorne since the first episode when the Sand Snakes executed Prince Doran, we are taken back to the southernmost region of Westeros, where Lady Olenna Tyrell is convening with the Sand Snakes. Lady Olenna has basically lost everything, including her son and two grandchildren, with no apparent heir to Highgarden. She makes it clear that all the world can offer her is revenge. Perfect timing, as Varys enters the scene, offering fire and blood. The Martells and Tyrells both have a common enemy in the Lannisters, namely Cercei. Luckily for them, the Lannisters are also the enemy of Khaleesi (it was Jaime who killed her father and Lord Tywin who orchestrated much of the rebellion). So, Varys offers the Martells and Tyrells to join Khaleesi’s cause, with the promise of imminent revenge.

This is an extremely significant development for Khaleesi’s camp, which was already in great shape with three dragons, a wise and loyal small council, armies of the Dothraki and Unsullied, support of House Greyjoy and 100 ships to travel to Westeros. Now, Khaleesi has landed the support that she’ll need when she finally arrives to Westeros. And not just any support. House Tyrell is the wealthiest and largest house in all of Westeros, making them an incredibly important asset to Khaleesi. The support of the fierce Dornish people is also very valuable, but not as valuable as their land. Dorne is the southernmost region of Westeros, isolated from all the other kingdoms, making it a great landing place for Khaleesi, her dragons and her army. Outside of Dorne, there are not many places on Westeros Khaleesi could land without being thrown right into conflict with other houses. But because Dorne is so far removed from the rest of the continent, it makes the most ideal landing place. It is also interesting to note that during Aegon’s Conquest 300 years ago, Aegon was able to conquer and unite six of the Seven Kingdoms, with Dorne being the only one he was unable to hold. The reason being that it was too far from the rest of the continent, proving too difficult to conquer. It wasn’t until many years later that Dorne became the seventh kingdom through an arranged marriage between Houses Martell and Targaryen. Unlike Aegon, the first Targaryen to conquer the land of Westeros, Khaleesi is now entering Westeros with an alliance with the Martells of Dorne, which should prove hugely valuable to her conquest of the Iron Throne.

ONE MORE NAME OFF THE LIST

As Walder Frey continues to gloat upon his recent successes, Jaime reminds him that it was House Lannister that was responsible for these victories, and that House Frey is dispensable. Proving this true, moments later, we learn that Arya is not only back in Westeros, but is crossing names off her kill list. And, even more, she made sure to grab some faces from The House of Black and White before she left Braavos. Arya killed the two Frey sons and cooked them into a pie that she fed to Walder. She reveals all of this just moments before slitting his throat.

arya frey

Besides the awesomeness of seeing Arya back in Westeros and avenging the deaths of her family murdered in the Red Wedding, there was another layer to the way she did it, which goes back to a season three episode in which Bran told the story of the Rat Cook. According to legend, thousands of years ago, a King once visited a castle of the Night’s Watch. During his stay, the King offended members of the Night’s Watch, and as revenge, the cook killed the king’s son, baked him into a pie and served the pie to the king. The king enjoyed the pie so much that he asked for a second helping. The gods punished the cook by turning him into a giant rat, forced to run the halls of the castle and eat his own offspring. According to Bran, the gods were not offended by the murder or even by the cook feeding the king his own son. Rather, the gods could not forgive the ancient law of guest right which the cook had violated. This scared law dictates that a person shall commit no harm to any other person who’ve they’ve taken in as their guest. Bran tells, “It wasn’t for murder the gods cursed the Rat Cook, or for serving the King’s son in a pie… he killed a guest beneath his roof… that’s something the gods can’t forgive.” Many years later, Walder Frey would commit this very same crime as he brutally murdered the Starks who he had taken in as his guests. Rather than just killing him, Arya feeds his sons to him, an allusion back to the story of the Rat Cook and the violation of guest right. It will be interesting to see what comes next for Arya. She is as close to home as she has ever been, but something tells me she’s not quite ready to journey back to Winterfell just yet.

R+L=J

Still north of the Wall, Benjen tells Bran that he cannot join him south as he cannot pass under the Wall. He reminds us of what we’ve heard before: the Wall was built with powerful magic of the Children of the Forest, preventing the dead White Walkers from passing through. Benjen confirms that he is in fact considered dead as he cannot pass under the Wall. So, he will go his separate way and continue to fight off the dead for as long as he can. The reunion between Bran and Benjen was short-lived, but we will likely see Benjen again at some point.

As Bran looks up, he sees a weirwood tree, the magical trees of the Children of the Forest, and he goes to connect with it. Before he does, Meera questions if he is ready, to which he responds that he is now the Three Eyed Raven and he must be ready. This statement can be taken figuratively, as he is now taking on the responsibilities of the Three Eyed Raven. But, maybe it can also be taken literally. What if Bran actually is the Three Eyed Raven? What if they are the same person? The Three Eyed Raven that we saw in the show could be Bran thousands of years in the future, coming back to guide a younger version of himself along his journey to save the world. After all, The Three Eyed Raven stayed propped up in his tree and we never saw him move, just like Bran cannot move. So, maybe Bran and the Three Eyed Raven literally are the same person.

In any event, Bran’s vision takes him to the final reveal of the Tower of Joy, where the younger Ned ascends the tower to find his sister Lyanna, bloody and dying. After many years of hearing about Lyanna, we finally get to see her. Before she passes, she tells Ned that she must take her baby and protect him. If they figure out who he really is (a Targaryen), they will kill him, she says. And just like that, we get confirmation of the most popular fan-theory, R+L=J (Rhaegar Targaryen + Lyanna Stark = Jon). This might not have come as a shock, since it was in fact such a popular fan theory. But, this is arguably the most important reveal that we’ve seen in the entire six seasons. The implications of this reveal are huge.

First, we now understand that Ned raised Jon to be his own, even though he in fact was not. This point backs to the nobility of Ned’s character and what a great man he was. So much so, that he made up a story which reduced his character, claiming that he had a relation with a whore who gave birth to the bastard Jon Snow. Of course, when you consider Ned’s character, this story never made any sense, as his defining characteristic was his moral character. What’s more, his wife Catelyn always resented Ned for this, and every time she saw Jon Snow, she was reminded of this “affair” that Ned had. She hated Jon Snow so much because of this. In reality, none of it was true. Ned never had an affair and Jon wasn’t a bastard. But Ned had to protect Jon Targaryen. If anybody found out he was Targaryen, especially Robert Baratheon, he would have immediately been killed.

So, looking back, it’s pretty powerful to think of everything Ned did to protect Jon Snow. But, looking forward, there’s even more to consider. First, like we said, Jon is a Targaryen. Moreover, he’s half Stark as well, which is quite genetic makeup, arguably the two greatest families. He could be the link between uniting the strength of the North with the power of his Aunt Khaleesi and her Targaryen bloodline. Yes, Khaleesi is Jon’s aunt (her older brother, Rhaegar, was Jon’s father). And perfect timing as Khaleesi is headed to Westeros with her dragons and all. Naturally, this begs the question of when Jon will find out who he is and what type of union might follow between Khaleesi and Jon. But, this also debunks the idea that Jon is Ned’s son, which weakens his claim as King in the North. It was this very episode that Lyanna Mormont stated that Jon had Ned’s blood running through his veins, which we now know to be false. All in all, this was a mind-blowing reveal which will have a huge impact on what is to come.

HOMEWARD BOUND

In Mereen, Khaleesi makes the difficult decision to leave Daario behind to protect the city of Mereen. She notes that in order to make allegiances, she may have to marry, and having him around would be a liability. Even after a heartfelt plea, she remains stone-cold and commands him to stay behind. As she convenes with Tyrion, we learn that this was his advice, to which she once again listened. Quicker than anybody before him, Tyrion has had a major influence on Khaleesi and she continues to value his counsel. Tyrion and Khaleesi have a wonderful exchange, in which she expresses doubt and fear for what is to come next, but he reassures her that he believes in her more than anything in his life. She formalizes their relationship by naming him Hand of the Queen. In a world where nothing is as it seems and peoples intentions have to be constantly questioned, the support that Tyrion and Varys were offering Khaleesi was not necessarily 100% pure. But now that Tyrion has become Hand, we get the feeling that Tyrion is going to be by her side until the end, as one of the wisest strategists and politicians in the world.

khaleesi ships

And as if all of this was not enough to end the episode on, we get one final truly epic scene, in which Khaleesi and her entire following finally departs Mereen. For six seasons we have seen her endure to build the army and following of loyalists that she has today. She never forced anybody to join her cause; rather they all saw her greatness and made the decision to follow. And now, all united, they head for Westeros, stronger than ever before. Fire and blood will surely be coming….

05.23.16

by throneslifeblog

SEASON 6, EPISODE 5: THE DOOR

If season five ended here and now, I could wait until next season, fully satisfied with what I’ve gotten from this season thus far. More accurately, I would be fully content with what I got from the fifth episode, entitled The Door.

There were a number of reasons that I started this blog a few years back, but the number one reason was my fascination with the Thrones world that took place long before the time in history at which the show starts. The books touched upon so much of this rich history, which dates back over 12,000 years, and includes incredibly fascinating backstories of things such as the First Men to inhabit Westeros, the Children of the Forest whom they encountered, the founding of the Night’s Watch, and so much more (to learn more about this history, refer to this timeline I created which offers context of just how far the history of this world goes). I wanted to create a blog that offered viewers a bit more insight into this incredible history, which ultimately adds context to the show we are watching today, making it more enjoyable and hopefully, more meaningful. As much as I enjoy the story that is unfolding in present day, I have always been much more fascinated with questions about things that happened thousands of years ago, way before any of what we are seeing today. For that reason, I’ve really enjoyed Bran’s flashbacks as they’ve offered a window into significant events that predate the story we are watching today. But most of his flashbacks have been to relatively recent events that have occurred within the past 20-30 years. That all changed with this episode, as Bran flashes back more than 8,000 years ago to witness the creation of the very first White Walker. Yes, you heard that right — eight thousand years ago to witness the first White Walker being created. My mind was blown, and as far as Thrones is concerned, I could die a happy man. But there was a hell of a lot more that we found out in this episode, so let’s get into it.

SANSA & BAELISH

At the Wall, Sansa receives a raven from Littlefinger and she travels to Mole’s Town to meet him. But things are quite different from the last time they were together. Sansa is no longer the vulnerable and naive child who foolishly put her trust in Baelish to keep her safe. She is now a woman that is all too aware to the evils of the world, thanks to Ramsay, whom she was given to by Baelish. As she confronts Baelish, Sansa forces him to recognize the things that Ramsay has done to her — things that she can still feel today — not just in her heart — but things she can still physically feel. Sansa forces Baelish to guess the things Ramsay has done to her — in a way, forcing him to acknowledge and own the terrible things that he is responsible for her. At minimum, Baelish is terribly uncomfortable, not only by the position Sansa has put him in, but also in the fact that for once, he no longer has the manipulative upper hand in the situation he finds himself. Even more, Baelish may actually feel bad about what has happened to Sansa, and perhaps he truly did not know what Ramsay was capable of — but we never really know where the line between truth and lies starts and ends with each word that comes out of Baelish’s mouth, which is of course the genius of his character as a whole.

In any event, it was satisfying to see Sansa’s strength in forcing Baelish to acknowledge what he had done, and also that Sansa no longer has any illusions about who Baelish really is (even though we, as viewers, are still trying to figure that one out). Before he departs, he drops one pretty sizable bomb — Brynden Tully aka Blackfish, is not only alive, but has raised an army to retake the Tully stronghold of Riverrun. Last we saw Blackfish was in the third season, during the infamous Red Wedding episode. Just before the doors of the wedding hall were locked shut and the Red Wedding massacre began, Blackfish stepped outside to use the bathroom. We never saw what happened to him, but clearly he escaped and has been able to raise an army to retake Riverrun. Well, at least according to Littlefinger.

If true, this is a huge reveal, as it presents another ally that can join the Sansa/Jon Snow alliance in their quest to retake Winterfell. And even though we never got to see too much of him from the show, Blackfish is a pretty badass character, so it would be great to see him back in action. Sansa decides to send Brienne to seek him out, fearing that a raven could be intercepted by Ramsay. Meanwhile, Jon Snow has proposed trying to win the support of the 10-12 other smaller houses of the North, who Sansa believes will support their cause. After all, the North remembers. (One interesting tidbit to note is that one of these smaller northern houses that Jon Snow named was House Mormont. Perhaps the timing will work such as that Jorah returns back to Westeros to find his cure, just in time to unite with the Starks).

THE FACELESS MEN

Arya continues her training to join the ranks of the Faceless Men, but she is still questioned and told that she is not one of them. In another juicy historical reference, Jaqen tells Arya that the Faceless Men date back many thousands of years ago and that they came from the mines of Old Valyria (the same place dragons were discovered). After fleeing Valyria, the Faceless Men founded Braavos, and much like the elusive nature of the Faceless Men, Braavos was a hidden city, completely disguised from the rest of the world, until it revealed itself only a few hundred years ago.

Jaqen tasks Arya, or better yet a girl with no name, with killing a woman that serves as an actress in a local play. When Arya goes to scout her target, she stumbles upon a reinterpretation of the death of Robert Baratheon, the rise of King Joffrey and the beheading of Ned Stark. Whereas she was forced to look away when Ned was actually beheaded, this time she was forced to face it head-on (no pun intended). No doubt, this was a test of who she really is, and if she is truly just a girl with no name, then watching this should not have bothered her. She is able to get past what she sees without much emotion, and decides that she will execute her victim by poisoning her rum. Yet still, she notes to Jaqen that she seemed like a decent woman and asks questions about who wants her killed. Jaqen tells her that servants do not ask questions and that the price has already been paid — raising a separate set of questions about what that price was and who paid it.

THE FIRST WHITE WALKER

No big deal, Bran flashes back 8,000 years ago to see the Children of the Forest huddled around an ancient weirwood tree. But that’s not all he sees. A man is tied up to the tree, and one of the Children inserts what appears to be dragon-glass into his chest, taking his life and creating the very first White Walker. Since day one, if any of you are like me, you’ve been wondering how the hell these White Walkers came to be in the first place, and what exactly they are. And just like that, we got an answer — and a completely amazing answer at that. The fact that the Children of the Forest created the White Walkers is totally twisted and ironic and amazing all at the same time.

children killing

As a quick refresher, the Children of the Forest were a magical humanoid species that lived peacefully on Westeros, namely in the forests from which they derived their magic and power. About 12,000 years ago, the First Men traveled from Easteros to Westeros, becoming the first humans to inhabit Westeros. For 2,000 years, they warred with the Children of the Forest, destroying their forests and nearly pushing them to the brink of extinction. Eventually, the Pact was signed, which brought thousands of years of peace and prosperity between the Children and the First Men. But before this would happen, in an effort to save their species, the Children used their magic to create the first White Walker. Presumably, the White Walkers were used by the Children to fight back the First Men, and at some point, things went terribly wrong and the White Walkers became their own evil order.

eyes night king

It is ironic to consider that the Children of the Forest created the first White Walker to fight off man, only for the man to eventually band with the Children to fight off the White Walkers (most notably, during the Long Night, when the White Walkers nearly pushed all life to extinction). That aside, it was just amazing to get to see the creation of the very first White Walker, who we assume to the Night King that we see today. That the Children used dragon-glass to kill the human and create the White Walker would also explain their present-day vulnerability to dragon-glass. As Thrones so often does, this reveleation also forces us to reconsider our previous notions about the Night King, whom we perceived to be the embodiment of pure and absolute evil. However, after this scene, we actually realize that the Night King was in fact once a human, and in this scene, even appeared to be an innocent one. There is always more than meets the eye, and the Night King very well may have once been a good and just human. Separately, it was also interesting to see that the tree the Children used to kill the man and create the first White Walker, is the very same tree where the White Walkers and their army are camped presently, which we see in Bran’s second vision. And the spiral rocks we see at the tree of the Children, is a similar pattern that we saw used by the White Walkers in season three (photos further in this post).

THE IRON ISLANDS

We often forget that the Iron Islands are one of the Seven Kingdoms, and undoubtedly will have an important role to play in what is to come, but we were reminded of this tonight. A Kingsmoot is taking place, which is their semi-democratic process by which a new king is selected to lead the Iron Islands. Yara declares herself to be the first queen of the Iron Islands, and when it is pointed out that Theon would be the rightful heir over Yara, he steps up and delivers a passionate speech about why Yara would be the best leader. Notice that his hair is short again, his beard gone, and he is back in the armor of the Iron Islands — in short, pretty much all signs of Reek appear to be gone.

theon

Before Yara can be selected, Euron, Balon’s brother and their uncle, steps forward to declare himself king. Even more, he openly admits to killing Balon, and justifies it by noting that Balon was leading them nowhere at all. He tells the Islanders that he’s sailed all around the world and knows what’s out there. His campaign platform is to sail to Easteros, join up with Khaleesi, and offer her the strong fleet of ships that she has desperately needed to arrive to Westeros. Not a bad plan, kind of makes sense (minus the part about him fucking her, she probably won’t be down with that part). And like that, the Islanders are won over, and Euron receives the Iron Island version of a baptism as a ritual ceremony to officially become king.

While this is going on, Theon and Yara flee the scene along with some of their best men, and steal a handful of the best ships. It’s good thing they did, because Euron’s first words when he regains consciousness are to kill Theon and Yara. But, they’re long gone and Euron demands that all of the Iron Islands get to work to build 1,000 ships. It will be interesting to see where Theon and Yara are headed, and also whether or not Euron will follow through in his attempt to provide Khaleesi with the fleet of ships she has been waiting for. One other item worth noting is that the priest on the Iron Islands with the long grey hair who oversees the Kingsmoot — that’s Aeron Greyjoy — the other brother of Balon and Euron, and also uncle to Theon and Yara. In the books, he plays a central role in determining who the next king will be. In the show, they’ve all but cut him out, and most viewers probably do not even realize that he is also a Greyjoy.

JORAH AND KHALEESI

Across the sea, Jorah stands before Khaleesi, who notes that she has exiled him twice, yet both times he returned to save her. She cannot keep him, but she also cannot command that he leaves. But he will make her decision easier, as he reveals his greyscale and tells her that he will be leaving her for good. But not before finally confessing his love for her. Khaleesi shows great emotion, and commands him to find a cure for his disease, so that he can return to her side and help her rule over Westeros. It was a powerful moment, and a reminder that Jorah has been by her side since the beginning (even if as a spy for a short while). It will be interesting to see the journey that Jorah is taken on in an effort to find a cure. Recalling back to last season, Stannis told a story about his daughter Shireen, who also had greyscale, and noted that he had every doctor and maestar from across the world brought in to treat her. Finally, they were able to prevent the spreading of the disease which kept her alive. So, we do know that there is some sort of cure out there.

khaleesi

THE HIGH RED PRIESTESS

In Mereen, Tyrion proposes that they must find a way to spread the news that it is Khaleesi who is responsible for creating peace in the lands. They turn to the High Red Priestess, who proclaims that it is in fact Khaleesi who was the one that was born from the flames to save the world from darkness, so naturally she is willing to help. While Tyrion is glad to hear this, Varys is a bit more skeptical. He points out that another Red Priestess, Melisandre, had proclaimed that it was Stannis who was the savior. And though he doesn’t know it yet, as viewers, we know that Melisandre is now putting her faith in Jon Snow as the Prince That was Promised. So this kind of muddies the waters in terms of trying to figure out who the Prince That was Promised really is. The Red Priestess responds to Varys by telling him that there is still much that he does not know, and recalls the story of his mutilation, referencing a voice that spoke words as his parts were thrown into the fire. Varys face is taken by fear and wants no more part in this conversation, leaving us to wonder what those words were. Either way, at a time when some of us might have been doubting, the Lord of Light’s power and knowledge reemerges.

red woman

HOLD THE DOOR…

Bran embarks upon another vision, this one taking him to the very same place as his previous vision, though this one takes place in modern day, whereas his first was thousands of years ago. The below photos reveal some very interesting tidbits. First, the tree that Bran visited where he saw the Children create the Night King (first photo below), appears to be the very same tree that Bran visits in his second vision when he sees the White Walkers (second photo below). Of course, in the second photo, it’s thousands of years later and winter has made the whole landscape cold and icy. But it’s interesting to consider that thousands of years later, the Night King holds his army of the dead at the very location where he himself was turned from a human to a White Walker by the Children. Going a step further, the third photo below shows a scene from season three, where Jon Snow and the Night’s Watch stumble upon a whole bunch of dead and mutilated horses in the deep north, left by the White Walkers. You will notice that the spiral pattern follows the spiral pattern found in the first two photos, which was a pattern created by the Children and used in their magical rituals. So, in some way, the Night King and his White Walkers are still referencing the Children, which created the White Walkers in the first place.

Aerial view of of Bran’s first flashback to the tree where the Children of the Forest created the first White Walker

Aerial view of Bran’s second flashback. Thousands of years later, we see the White Walkers’s basecamp is the same location as where the Children created the first White Walker

Dead horses left by the White Walkers in a spiral configuration that matches the spiral of the Children

As Bran journeys through the sea of wights, he arrives at the Night King and a few White Walkers. To his surprise, the Night King is able to see him, and eventually touches him. As he regains consciousness, we see the mark on his arm, showing that what happens in his visions can have very real effects on his present-day life. The Three Eyed Raven tells him that the Night King can now find him, and that they must leave right away. But before they can pack up shop and get out of dodge, the Night King and his army are at the door of the cave and moving in quickly. The Children dispatch their firebombs and eventually set a ring of fire around the entrance, a very literal depiction of the battle between Ice and Fire that has already begun. Screenshot 2016-05-22 at 11.37.31 PM Meera runs back to get Bran, but he’s in another vision, this time back at Winterfell, looking at his grandfather, father and uncle, with Wylis (aka Hodor) in the background. All hell is breaking loose underneath the tree, as Meera, the Children and Summer (Bran’s wolf) try to fight off the wights. They fend off the first few, and Meera even kills a White Walker, which was pretty awesome. Sadly, Summer dies, leaving just Ghost and Nymeria (wolves of Jon Snow and Arya, even though we haven’t seen Arya’s in many seasons) as the only Stark wolves still alive. The death of Summer has both literal and metaphorical meaning; literal in the sense that Bran’s wolf Summer actually dies, and a deeper metaphorical significance in showing that summer really is over. No longer can we say winter is coming… Winter is here.

Hodor needs to help get Bran out of there, but is in one of his Hodor freak-outs, perhaps sensing his imminent death. Meera shakes Bran and shouts for him to wake up, and Bran begins to hear Meera’s voice, even though he is in a totally different time and place. He hears her tell him to warg into Hodor, and he does so, taking over Hodor’s body and helping to drag Bran’s body down a long tunnel leading to an exit. What is significant to note is that Bran was now occupying several consciousnesses; not only was he himself in his vision, but at the same time, he was also controlling Hodor’s consciousness — something we’ve never seen before.

Meanwhile, the Night King finds the Three Eyed Raven, and strikes him down, but not before the Three Eyed Raven tells Bran that it is time for Bran to become him. And just like that, the Three Eyed Raven that had been waiting thousands of years and watching Bran all his life, is now gone, adding even more pressure to what Bran must become. And as if all of this wasn’t enough — the flashbacks to the Children of the Forest, seeing the creation of the first White Walker, Bran seeing the White Walkers in his vision etc etc, the show takes us for one more final, but tragically sad turn, as we learn how Hodor became Hodor.

As they escape the cave and Meera drags Bran’s body as quickly as she can, she shouts over and over “hold the door!” to Hodor. At the same time, although actually many decades earlier, young Hodor appears to see Bran in his vision, and can also clearly hear Meera shouting “hold the door,”even though this event would not in fact take place for another 30-40 years. But the damage was done. Thanks to Bran, Wylis was experiencing his own future death, and a terrible death at that. He falls into a seizure, shouting “hold the door” over and over again, as his consciousness goes into present day Hodor to experience his own death as he is ripped to shreds by an army of the dead. What we then realize is that Hodor has been experiencing his own death ever since that moment, affecting him so greatly that he’s only ever been able to say “Hodor,” a variation of the words that would change him forever — “hold the door.” All at once, we learn the cause of Hodor’s condition, watch his excruciatingly painful death and realize the sad fact that Bran was responsible for both.

hodor

There were a few very key takeaways from this part of the story. First, there is a massive amount of pressure on Bran’s shoulders at this point. At the end of last season, Jojen Green (Meera’s brother) died to keep Bran alive. In this episode alone, Children of the Forest and the Three Eyed Raven, all of whom were thousands of years old, give their lives for Bran. Not to mention, Bran’s wolf, Summer dies to protect him, as does Hodor. Whatever role he is to play in the impending war can be nothing less than huge, after all the people that have died in recognizing the importance of keeping him alive. Speaking of which, let’s recall that in the finale episode two season ago, the Three Eyed Raven told Bran that he will never again walk, but he will fly. With Hodor, Bran’s primary source of transportation, now gone, we have to wonder how Bran will get around, and if he’ll start to use his warg abilities in a greater way.

The other thing I found amazing, albeit in a sad way, is how George R.R. Martin, through incredibly powerful storytelling, was able to make us feel deep emotion for a character we’ve otherwise probably never felt anything at all. After all, Hodor was the goofy oaf who literally spoke only one word — “Hodor.” There was no depth to his character, no real emotion and overall not much for us as viewers to really connect to. If there was one character on the show that you could cast off without thinking twice about, it probably would’ve been him — he just didn’t really offer much — he was just Hodor.

But in the course of just three minutes, that all completely changed, as we abruptly learn the cause of Hodor’s condition in the past, while also watching him die in the present…all at the same time. And that was the beauty of it — the fact that we watched present day Hodor dying at the very same time he was experiencing his own future death as a kid. We now understood that Hodor had been bearing a tremendous weight his entire life — knowing that he would eventually die, being ripped to shreds by the wights. But, we only learn this as we actually watch his death come to fruition, making this sad realization so much more impactful. That one word — Hodor — all of a sudden took on such meaning, as we realize each time he says Hodor, he is referencing the event in which his life will come to an end. The (sad) beauty about how George R.R. Martin chose to reveal this was by delivering that revelation at the same time as his death, forcing viewers to take it all in at once, making it such a tragic death. Poor Hodor, RIP.

04.25.16

by throneslifeblog

Season 6, Episode 1: The Red Woman

FAITH HAS BEEN LOST

Just like that, we’re back in the wonderful world of Thrones, and without any hesitation, we already have much to ponder from the season’s first episode. In large, the premiere Thrones episode did what it always does — it picked up the pieces from where things left off last season and got viewers back in the swing of each character’s storyline. It served as much as a reminder as it did to offer any new information. And that’s okay — that’s what the first episode is supposed to do — it gently eases us back into the swing of things. That said, there were still several major twists and turns, some which left us scratching our heads in confusion, and others which will have major implications upon the story that is to unfold in the coming episodes.

I thought that the episode felt a little choppy — jumping around from one character to the next without necessarily establishing much of a rhythm. One moment we were in the freezing cold North and the next minute we were in the desert of Easteros. That is not to say that a normal Thrones episode doesn’t move around — of course, it does. But there is a generally a deeper exploration into what is going on in each location, whereas this episode seemed to just scratch the surface before passing onto the next location and story. Again, that’s okay. But even with the choppiness of the episode, there was one theme that seemed to be constant, regardless of character or location: a loss of faith.

In a world where the stakes are often so incredibly high, faith, and where each character chooses to put their faith, has been a common theme since the beginning. Whether it’s believing in a certain god, backing a certain character or house in war, or simply believing in one’s self, faith has been a driving force behind many of the characters’ actions and the plot’s story-lines. Yet, as we began our journey into the sixth season, we saw that many characters’ faith had begun to erode, if not vanish altogether. A once bold and confident Arya is now begging on the street, seemingly having lost faith in the Faceless Men and her mission to avenge the deaths of her loved ones. Cercei appears to have lost faith in the one thing she always had faith in — herself. Roose Bolton hinted at beginning to lose faith in his son, Ramsay. The Sand Snakes lost faith in their Prince Doran, so much so that it led to a murderous coup. In her absence, Khaleesi’s followers appear to have lost faith, as Mereen has become a dark and empty city. And last, but certainly not least, we get glimpse of Melisandre as a 200-something-year-old weak and fragile woman, appearing to have lost all faith in the Lord of Light, tucking herself into bed as she resigns to her faithlessness. As this season continues, it will be interesting to monitor the arc of each character’s faith, and how that faith, or lack thereof, will drive the actions of each of the story’s characters.

YES, HE’S DEAD

For those viewers who spent all offseason asking, “Is he definitely dead?”, Thrones producers were sure to answer that question right off the bat. The answer: yes, Jon Snow is definitely quite dead. But, that of course doesn’t mean that he will stay dead. So, the real question is whether or not he is going to be brought back to life. If so, when, and by whom? My personal hope is that this question is answered sooner rather than later. If not, I fear that this question will linger in the mind of each viewer, and ultimately risk overshadowing everything else going on in the story.

As Jon Snow’s supporters group around his dead body, Ser Alliser Thorne boldly admits to the treason he and the others have committed, but justifies their actions. As Thrones so effectively and so often does, we are offered a glimpse into a certain characters vantage point, and shift our views on that character, even if just for the moment. Sure, we are all going to hate Ser Alliser and Olly and the other characters that murdered Jon Snow — we’ll hate them forever. But, after hearing Ser Alliser speak, I hated him just a little less. He did not make any excuses or hide the truth — he outright confessed to the treason they all committed. But he also explained it. He, and the others, have dedicated their lives to the Night’s Watch. They live a cruel and bitter existence in the freezing cold at the Wall, defending the realm from the evil that lurks beyond. It is a life that certainly no person could or would ever envy. And in their eyes, there was a crazy and radical Lord Commander who was making terrible decisions that not only put their lives at risk, but also compromised the Wall and everything south of it that they are sworn to protect. Keep in mind, in the thousands of years that the Wall has been around, no Lord Commander has ever let Wildlings through — the very thing Jon Snow was trying to do.

Sure, desperate times call for desperate measures, and I’m not saying that Jon Snow’s attempt to unit the Wildlings with the Night’s Watch wasn’t the right decision — maybe it was the only one that gave them a legitimate chance of fighting off the impending White Walkers. But that’s just our opinion. The opinion of the other brothers of the Night’s Watch was that he was insane for even considering doing this and it would put all their lives at risk. And, this was a sentiment that they often shared with Jon Snow throughout season 5. Remember, it was Ser Alliser that told Jon Snow, “You have a good heart, Jon Snow. It will get us all killed.” They often expressed their discontent with Jon Snow’s decisions, and that discontent later turned into warnings — but Jon Snow ignored them all. Part of being a good and effective leader is not just making the right decision, but also listening to those around you. And while Jon Snow might’ve been making the right decision, he was failing miserably at listening to those around him. So finally, when Jon Snow actually tried to return to the Wall with hundreds of Wildlings, the sworn enemies of the Night’s Watch, some of the brothers felt they had no choice but to remove the man who was putting all their lives at risk. As Ser Alliser stated, “Jon Snow forced this decision upon us; and I made it.”

To be clear, I am not defending the actions of Ser Alliser and the other brothers of the Night’s Watch. It was cold-blooded murder of the worst kind. But, it is important to stop and think about why these brothers did what they did. And up until Ser Alliser’s speech, that’s something that I had not done. I was too blinded by my hatred for them to stop and think about what actually drove them to this extreme — the fact that they actually thought that Jon Snow was risking all their lives, the Wall itself, and all that they were sworn to protect. It’s understandable that Snow’s extreme measures cornered them into feeling vulnerable and threatened. So finally, they did the one thing they thought they had to do — and I don’t believe they took any joy in it. Even though Ser Alliser never liked Snow, he himself proclaimed that he never once disobeyed an order. In some ways, looking back, Jon Snow’s continual ignorance of all the warnings he received about what he was doing with the Wildlings, reminds me of how his brother, Robb Stark, often ignored the counsel he was given. Both thought they knew best and were largely blinded by honor and duty. And both ended up betrayed and brutally murdered by the people they failed to listen to.

DAVOS & THE OTHERS

As Ser Alliser tries to unite the rest of the brothers, Ser Davos, Ghost and the others gather around Snow’s dead body. To date, Ser Davos has always played wingman to Stannis, though he often showed an ability to make important decisions of his own, even sometimes defying Stannis (i.e. setting Gendry free after Stannis and Melisandre decided to sacrifice him). So if you think about it, he always showed instances of stepping out and being a leader — and now he finally can. With Stannis gone, Melisandre in no shape to lead (we’ll get there), and Jon Snow laying there dead, Davos is thrusted into the position of having to lead, whether he likes it or not.

davos

One of Snow’s closest supporters from the beginning, Dolorous Edd makes a run for it to try and rally up support, after Davos tells them that they were not the only ones Jon Snow had helped (implying that there are others out there who will rally to support them). It’s not crystal clear to whom Davos is referring, but one guess is that Edd is off to find Tormund Giantsbane, the Wildlings and the Giants that Jon Snow had saved from the White Walkers at Hardhome. Even a small fraction of those Wildlings that Jon Snow saved, with the support of Tormund and/or a Giant or two, should easily be able to take on the 40 brothers of the Night’s Watch. But, time is ticking and Davos only has until nightfall to give Ser Alliser an answer. And, who knows if Ser Alliser will honor his offer of setting them free if they surrender, or just murder them on the spot. One thing is for sure, if Edd doesn’t return soon with some reinforcements, Davos and the others may be out of luck.

THE RED (AND VERY OLD) WOMAN

Davos and the others may be saved by somebody other than Dolorous Edd, or at least Ser Davos thinks so. He tells the others, “You haven’t seen her do what I’ve seen her do.” And just when we think the Red Woman, Lady Melisandre might be coming to the rescue, we are thrown a total curveball in the final scene of the premiere episode. As Lady Melisandre begins to take off her clothes, (and I begin to think to myself “Does this chick ever keep her clothes on?”), we see her stare into the mirror with hopeless eyes. Those very same eyes that once burned with faith for her fiery god, now appear cold and empty, no faith to be found. Then, she removes her choker that holds the fiery red gem, and we see that she now appears as an extremely old, weak and fragile woman, who crawls into bed, almost as if to say “I’m done. I’ve lost all faith. I’ve given up and now I am going to sleep for good.”

mel old

So let’s break it down for a minute and consider what we really just saw and what this might mean. The first option is that Melisandre is in fact a 200+ year old woman who has used her magic and potions to trick us this whole time and maintain the physical appearance of a young and beautiful woman. That is, she is an old woman simply masking her appearance — and this is what probably came to mind for most people. But, another theory could be the complete opposite — she is in fact a young woman who has physically aged so much as a result of all her blood magic and witchcraft. That is, the Melisandre we have seen to date is actually her real age, but all the dark magic she has practiced and sacrifices she has made to the Lord of Light have aged her so much that she actually looks like the woman we saw at the end of the show.

In either scenario, one question to be asked is: what is it that has kept her looking so young, and why all of a sudden did she look so old? The first assumption is that it was her magic choker necklace with the fiery red gem inside of it that keeps her young, and removing that revealed her true appearance. But, we can squash that theory, at least to some degree, by looking at the below photo, which shows Melisandre taking a bath, choker-free, and still looking young and beautiful. mel1

So, maybe it’s not the choker, or at least not only the choker. Another hypothesis is that it has something to do with those potions we saw on the table next to the mirror she was looking into. The camera was definitely focused on those potions, and as we know, Thrones is not the type of show to focus on something without there being a purpose to it. So, maybe, it was the potions that she has been taking to maintain a youthful appearance. What’s very interesting is to consider the below two photos/gifs, both from the very same bathtub scene as the photo above. The first shows a different angle of Melisandre in the bathtub, in which you see that although she is not wearing her choker, she actually has a bottle of one of her potions in hand! So maybe she pours that into her bathwater, a fountain of youth if you will. The second photo shows her standing near a whole array of elixirs and potions. So I’m definitely going with the potion theory here.

mel 2 mel 3

One last theory is that maybe Melisandre’s constant desire to obtain king’s blood was not to sacrifice it to the Lord of Light, but rather because she needed it to stay young. Let’s recall, she seduced Stannis and had sex with him. She did the same with Gendry and used his blood as well. And, she attempted to seduce Jon Snow as well, though he withstood her attempts. Perhaps she needs contact or actual king’s blood to stay young, and now that she has none, this is why she is appearing as she did in the last episode.

So maybe that last scene signified her resignation; Melisandre is finally giving up, no longer taking any potions, and getting into bed as the old woman that she truly is. But this begs the question, why has she lost all her faith? Well, the answer to that question seems pretty simple. For seasons, she proclaimed that Stannis was the Prince Who Was Promised, the one true king who would fight back the darkness. After all, she herself had seen it in the flames. Well, that quickly turned out to be a false prophecy, as Stannis’ army got slaughtered by the Boltons. And, let’s not forget that Melisandre convinced Stannis to sacrifice his only daughter by burning her alive, as an offering to the Lord of Light. Then there was Jon Snow, who in the flames Melisandre saw fighting at Winterfell — wrong again about that one (or was she?). After all that Melisandre had seen in the flames, and all the faith she had acted upon, it’s natural that she is ready to give up after learning that she was wrong about everything.

But, let’s pause for a second. If Melisandre is truly hundreds of years old, that means she’s been around for quite some time and has many many years of experience with the Lord of Light and its mysterious ways. Even if she was wrong about Stannis, Jon Snow and the things that have transpired over the last couple of seasons, it seems odd that she would give up altogether, given all the years that it appears she has been practicing. In other words, if that’s really how old she is, it seems like she’s been doing this a really long time, and wouldn’t be so shaken or distraught by the recent happenings — it would just be a small dot on her timeline. Then again, maybe she’s been doing this for so long that she no longer has the will to go on. Or, back to one of the original theories above — maybe she in fact is not that old — maybe she is only the age of the Melisandre we’ve seen to date, but all the dark magic has taken a toll on her physical body — that’s the price she’s had to pay, and she’s now ready to give up.

And then, there’s one final theory. It’s not necessarily one that I believe, but it’s one worth pondering. Maybe Melisandre isn’t giving up. Maybe she hasn’t lost faith. Maybe, just maybe, she is making the ultimate sacrifice. She is taking off her jewelry, giving up her beauty, and perhaps even going to sleep forever — a final sacrifice to the Lord of Light — an ultimate show of her faith. Why you ask? To bring back Jon Snow of course! Again, this is not necessarily what I think to be, but it’s a theory worth keeping in mind. We’ll soon find out what comes next for Melisandre, but with her in no apparent condition to be saving the day, be on the lookout now more so than ever, for Thoros of Myr.

SNAKES IN THE SAND

Prince Oberyn’s bastard daughters, the Sand Snakes, really gave meaning to their name in this last episode. Like snakes in the sand, they colluded out of sight, and pounced to strike as they preyed upon the weak. Of course, it was Ellaria that orchestrated all of this and ultimate stuck her blade into Prince Doran, but the Sand Snakes were just as much a part of the plan, as one of them killed Prince Doran’s guard and the other two took care of Trystane. As Prince Doran took in his last breaths of air, Ellaria reminded him of why they did this: Prince Doran refused to take action to avenge the deaths of Elia Martell (Oberyn and Doran’s youngest sister who was married to Rhaegar Targaryen, and raped/murdered by the Mountain during the overthrowing of the Mad King), and also once again when Oberyn was murdered by the Mountain after he himself tried to avenge the death of his sister and her babies. The Dornish have always been a hotheaded people that seek revenge and are quick to strike. But, Prince Doran was different and cared more about keeping the peace. Ellaria and the Sand Snakes had enough of it, and to begin their quest for revenge, they first had to remove Prince Doran from the equation. It will be interesting to see what happens next and to what extent Ellaria and the Sand Snakes have the people of Dorne behind them. They may first face a civil war within Dorne, before they can pursue their larger war against the Lannisters, but that remains to be seen.

doran

US AGAINST THE WORLD

As Cercei looks out onto the boat returning from Dorne, she sees Jaime without Myrcella, and she already knows that she has lost another child. The feeling is all too familiar, and her motherly instincts have become keen to sensing the loss of a child. But we see a much different side of Cercei, a side that is without faith or conviction; she appears defeated altogether. Where she once would have responded with outrage, demanding to spill the blood of those who took her children from her, she now appears despondent — her instinct for vengeance has been dulled by all the suffering she has endured. Losing Joffrey to poison, losing Tommen to Margaery and the crown, being held prisoner until she was broken by the High Sparrow, and now losing Myrcella — the daughter that was “pure good.”

jaime

The old Cercei would have screamed at Jaime, telling him that it was his fault for not protecting her; the new Cercei has lost all faith, telling Jaime it is not his fault, and stating that it was the prophecy of the witch she saw when she was child (see video below for refresher on this flashback). The old Cercei would have never believed in some tale from a witch in the forest. But the new Cercei is broken and faithless. Instead, it is now Jaime who tells Cercei that it is just the two of them against the world and that they will take back what they have lost and so much more. The Lannisters now have quite a few battles on their hands and we will need to see where their support will come from, and to what extent House Lannister has a standing army prepared at Casterly Rock.

THE BOLTONS

At Winterfell, Ramsay Bolton mourns the loss of Myranda, in his own sick and twisted way. Moments later, Roose Bolton chastises Ramsay for his loss of Sansa and Theon, heirs to the North and the Iron Islands, respectively. Once again, we see a loss of faith, and Roose seems to question the amount of trust he can truly put in Ramsay and all of his “little games.” So much so that Roose mentions that he is trying to put a baby in Walda, in which case he wouldn’t need Ramsay as an heir. As a refresher, Walda is one of the Frey daughters that Walder Frey gave to Roose Bolton as part of their collusion in the Purple Wedding. Roose also mentions that Ramsay’s victory over a depleted Baratheon army is nothing compared to the battle they will face against a well-provisioned Lannister army. Though the Lannisters now have other fish to try (namely against the Martells and possibly the High Sparrow), Roose Bolton defied the Lannisters by marrying Sansa to Ramsay, and that positions House Bolton and House Lannister as enemies.

SANSA, THEON, BRIENNE & POD

Elsewhere in the North, Sansa and Theon miraculously survived their jump from the top of the Winterfell walls, which was a bit inexplicable, but I guess unimportant to the story. As they run through the forest and arrive at a freezing river that they must cross, Theon talks Sansa through it and gets them safely across. This is a major progression for a character who was once no more than an obedient dog to Ramsay. In fact, so much so, that I almost feel that they are progressing his character too fast. For seasons, he appeared as an irreparably damaged thing — he couldn’t even be called a person. He was so far beyond coming back from whatever he had come. Then, all of a sudden, he is defying Ramsay, saving Sansa, jumping off walls of castles, and now even has the strength to calm Sansa and help guide her through the forest. I am all for the character progression and it’s great to see some semblance of Theon back, but it all just feels a bit rushed.

sansa theon

Anyway, after Sansa and Theon embrace in a comforting hug, Theon risks his life to save Sansa as the Bolton bannermen find them. And just as it seems that George R.R. Martin might be the cruelest man alive and actually subject them (and us) to the idea of going back to Ramsay, Brienne and Pod arrive to save the day. But more significant than Brienne saving Sansa was her pledge to protect Sansa as she continues on her journey. As Sansa accepted Brienne’s pledge, it was a powerful and symbolic moment — a proverbial passing of the torch — as Sansa forms a union with Briene and takes ownership of House Stark, as her mother did before her. And with Arya in trouble in Easteros and Bran and Rickon both split up, Sansa is the only Stark that now appears to be headed in a positive direction. Maybe, just maybe, she is approaching the light at the end of the tunnel and will be able to restore some good to House Stark. Theon had told her to proceed north to the Wall to link up with Jon Snow, which might not be the best of ideas. We’ll see which direction they head, but with Theon, Brienne and Pod at her side, Sansa finally appears safe, even if just for the moment. We’re all rooting for House Stark, that’s for sure.

KHALEESI

When is the Khaleesi storyline ever going to go where we want it to go? It seems like every time she takes one step forward, she takes two steps back. She’s got 3 dragons, a huge army, a circle of loyal supporters — yet somehow she ends up alone and captive to the Dothraki. After the Khal tells her how he is going to rape her and kill her, he quickly changes his mind after she tells him that she was married to Khal Drogo. But, things are not looking so great for her, as they tell her that she will be brought to Vaes Dothrak to a temple with all the other Khals’ widows. It is safe to assume that rescue is not far away, but who will do the rescuing? Will it be Daario and Jorah, who fortuitously happened upon the ring that she dropped in the hundreds of miles of grassland? Will Drogon rescue her once again? And what about her other two dragons — are they still locked up? All I can say is that I hope it’s not another season of Khaleesi drama and that her storyline really takes us somewhere soon — ideally to Westeros.

khaleesi

MEREEN

Back in Mereen, things are looking pretty bleak. What was recently a more vibrant and populous city under Khaleesi, now appears to be a dark ghost town. Where did everybody go? As Tyrion and Varys roam the streets, I couldn’t help but wonder where their protection was. Where are the dragons? Where are the Unsullied? Why are they walking the streets so freely, without any protection, as they discuss the threats that are still lurking out there — namely the person who must have been leading the Harpies. And just like that, a massive fire breaks out, as they note that they will not be going to Westeros anytime soon. Wonderful.

BLIND IN BRAAVOS

Elsewhere in Easteros, Arya is another character that appears to have lost all faith, not only in herself, but also in her quest to become a Faceless Man and avenge the deaths of her loved ones. She has resorted to sitting on the street, begging for change. Until the girl from the House of Black and White returns and beats her with a stick, telling her she’ll be back tomorrow. Needless to say, Arya’s training will resume, and she’ll be forced to learn how to become a blind warrior. It remains to be seen how this will fit back into the larger plot and intertwine with the other story-lines going on.

arya

THE TYRELLS & TOMMEN

And last, but not least, let’s not forget about House Tyrell and King Tommen. We see that Margaery is still being held captive, and it is presumed that her brother, Loras, is as well, though we don’t actually see him. It was one thing when Tommen didn’t rescue his mother, but it is another that he is not attempting to free Margaery, his wife and queen of the Seven Kingdoms. It makes us question what is going on with Tommen, and to what extent he even retains power and control. Also, keep in mind that Lady Olenna Tyrell is still out there, and in the past she has been a master schemer, always looking to improve the position of House Tyrell and weaken those that she sees as threats (i.e. she colluded with Baelish to orchestrate the entire Red Wedding and get rid of Joffrey). Another Tyrell to remember is Mace Tyrell, Margaery/Loras’ father, who Cercei had shipped off to Braavos just before she got thrown in a cell. Keep an eye on how everything in King’s Landing plays out between the Tyrells/Lannisters/King Tommen/High Sparrow.

PEOPLE AND PLACES TO KEEP AN EYE OUT FOR…

Bran & Rickon Stark

Baelish

Thoros of Myr & Beric Dondarrion thoro GendryYara & Balon Greyjoy/Iron Islands yara

05.18.15

by throneslifeblog

Season 5, Episode 6: Unbent, Unbowed, Unbroken

A GAME OF FACES

Episode six opens at the House of Black and White as Arya continues to clean the bodies of the dead, wondering what is done with these corpses she’s been cleaning. Little does she know that she is soon about to face the answers to all her questions, quite literally. And as we continue to learn more about the Faceless Men, we realize that a face is much more than just a physical appearance, but a window into the truth of a character. As the girl Arya is with tells her that she is originally from Westeros but ended up at Braavos serving the Faceless Men after they killed her stepmother for her, she then goes on to ask Arya whether her story was true or not. In short, she’s asking Arya if she’s able to read her face and see the truth of her character — something Arya is unable to do. Jaqen H’ghar plays a similar game with Arya, as her asks her questions and is able to read the lies on her face every time she tells one. Most notably, he calls outs her lies when she says she hated the Hound, an explicit confirmation to all viewers of what we already assumed — that deep down she cared for the Hound and identified with his character.

Later, when a girl enters the House of Black and White in pain and dying, Arya takes a step closer towards becoming a Faceless Man, as she acts as a servant of death and lies to the girl in order to comfort her as she drinks from the fountain of death. It is at this point that Jaqen takes her down to the lower levels of the House of Black and White, where we see the thousands of faces which are used by the Faceless Man to assume new identities. And as the scene comes to an end, Jaqen tells Arya that she is not yet ready to become nobody, but is perhaps ready to become somebody else.

Artist depiction of Arya and the faces

TYRION & JORAH

Elsewhere on Easteros, hostilities have defused between Tyrion and Jorah as they are becoming more buddy-buddy. And just like that, we are taken back to the very first season, when Tyrion visited the Wall and met Lord Commander Mormont. Tyrion tells Jorah that the brothers of the Night’s Watch spoke of Lord Commander Mormont very highly, saying he was a man “the likes of which we will never again see.” As viewers, we get a major perspective shift, as we see Tyrion realize that Jorah wasn’t aware that his father had died, though we have been aware for several seasons. Immediately, we see the pain and shock that comes over Jorah’s face.

What makes this moment especially sad, which viewers don’t realize from the show, is the backstory surrounding Jorah and his father. House Mormont was the most noble house of Bear Island, and Jeor Mormont was Lord of Bear Island. He was a proud and honorable man and left his home to serve the Night’s Watch, eventually becoming Lord Commander. He left Bear Island to his heir, Jorah, assuming he would carry on the Mormont tradition and lineage. Sadly, Jorah was exiled for slave trading (something he was forced into doing) and forced to flee his home of Bear Island. Jorah was separated from his father and would never get to carry on his father’s legacy. This is why Lord Commander Mormont gave his sword, Longclaw, to Jon Snow, and not his own son, Jorah, breaking the centuries-long tradition of passing that legendary sword from Mormont father to son. And as Lord Commander Mormont was killed by his own men, traitors of the Night’s Watch, Jorah would be thousands of miles away, separated from his father and unable to even say goodbye.

The pain on Jorah’s face after learning of his father’s death

As Jorah and Tyrion continue on, they are captured by pirates who are taking them back to Mereen to compete in the fighting pits which Khaleesi just reopened. One thing’s for sure — it will be an interesting reuniting of Jorah and Khaleesi — each of whom is more desperate than ever. Khaleesi, is now without her two most loyal advisors, Jorah and Ser Barristan, and Grey Worm has been badly wounded. Similarly, Jorah, now without a father, is more alone and without purpose than ever before. Could it be that Jorah will be caught in a compromising situation in the fighting pits and Khaleesi will have to decide whether or not to save him?

BAELISH IS STILL SCHEMING…

After months away, manipulating things in the North, Baelish returns to King’s Landing to “play the game” with Cercei. He lies to Cercei, telling her that House Bolton has decided to marry Ramsey to Sansa, leaving out the fact that he was the one who in fact arranged the marriage. He tells Cercei to let Stannis fight the Boltons, and that he will swoop in with the knights of the Vale to crush the loser and claim the North for House Lannister. All Cercei has to do, in exchange, is name Baelish warden of the North. And once again, we are left scratching our heads and wondering what Baelish really wants here — just as we were starting to consider trusting him and thinking he might actually care for Sansa. And now, we wonder whether he is playing Sansa and still serving Cercei….Or playing Cercei and still looking out for Sansa…Or serving other motives altogether… And in a very precise choice of words, Baelish reminds Cercei that he “always serves the Throne,” rather than stating that he serves the Lannisters.

DESPERATE TIMES CALL FOR DESPERATE MEASURES

In another storyline occuring in King’s Landing, desperate times called for desperate measures. Cercei is more alone than ever before — no father, no brothers, even her uncle left her to return to Casterly Rock. And in her most vulnerable moment, she makes a bold play to weaken the position of House Tyrell. Using the High Sparrow as her tool, she has Loras and Margaery both indicted and they now stand to face trial. And let’s not forget, several episodes ago, she sent Mace Tyrell away to handle “financial dealings” with the Iron Bank of Braavos. This was a bold move indeed, one that could have serious repercussions from House Tyrell. And if Lady Olenna’s face gave us any clues, it looked like she was telling Cercei, “This isn’t over, and you better believe we will get our revenge for this.”

Lady Olenna stares down Cercei

DORNE

At the Water Gardens of Dorne, we see the Dornish prince who tells Myrcella he plans to marry her. And just moments later, her father, Jaime, along with Bronn, is on the scene to rescue her…Only she doesn’t want to be rescued. And then all hell breaks loose, as the Sand Snakes, Oberyn’s bastard daughters, also make a move to capture Myrcella to avenge the murder of their beloved father. Both sides fail, as Prince Doran’s guards arrive on the scene and take everybody into custody.

Jaime & Bronn

GOOD GIRL GONE BAD

At Winterfell, before the weirwood trees of her Old Gods, Sansa is married to Ramsey Bolton and her situation has become more paradoxical than ever before. Finally, she is closer to home than ever before, yet she is perhaps in more danger than ever before. Even in her precarious situations before, there was always somebody looking after her. In King’s Landing, even when she had to endure the cruelty of Joff, the Hound was there to keep her safe. And after that, though we weren’t sure how much we could trust him, there was some level of comfort believing Baelish was looking after Sansa. But now they are both gone and she seems all alone…But let’s not forget, Brienne is not far and is watching over Sansa — if only Sansa had taken Brienne’s protection when she offered it several episodes ago.

Preparing for her wedding, Miranda washes Sansa’s hair and attempts to scare her. But, Sansa is no longer a scared child, and she won’t let Miranda frighten her — least of all in her own home of Winterfell. With nobody there to protect her and no longer able to avert the imminent danger that has been surrounding her for so long, Ramsey finally gets his hands on Sansa. As he forces Theon to watch, he rapes Sansa, officially marking the end of the Sansa we once knew. Even through all the terror and torture she has endured over the years, and even as she has evolved into a darker character that has begun to understand the evils of the world, she still had one thing that nobody had taken from her — her virginity — the one remaining symbol of her innocence, her youth, her purity. And just like that, it’s all gone, and Ramsey eliminates whatever innocence was left of Sansa. And as Theon is forced to look on, we see the theme of faces come full circle, as Theon is unable to hide the truth of his character — deep down, he is not Reek, he is still Theon, and we see the disgust and terror on his face as he is forced to watch the last drops of innocence taken from Sansa.

Theon looking on as Ramsey rapes Sansa

04.27.15

by throneslifeblog

Season 5, Episode 3: The High Sparrow

Disclaimer: There are no spoilers in this article. Any views or opinions expressed are based solely on where the Game of Thrones TV series currently is and no other knowledge or information is presented in this article.

THE GAME CONTINUES…AND NEW IDENTITIES ARE FORGED

In the third episode, entitled The High Sparrow, we see that “the game” continues to be played and all the players that continue to make their moves. Whereas the first two episodes of this season appeared to be “setup” episodes, in this episode, we see many new plot progressions and are offered insight into the direction that things seem to be headed. Some characters take on new roles as others plot revenge; once-powerful characters now appear all but powerless while some of the weaker characters have gained strength. Some characters finally return home, while others appear further away than ever before. But more apparent than anything, is the fact that many characters are emerging with newfound identities.

And now, there appear to be more games being played than ever before — and the “game of thrones,” that is the battle for the Iron Throne, appears to be one of the least important games being played at the moment. Unlikely allegiances appear imminent and new plots are starting to take shape. Characters are more mixed up than ever, and most importantly, in this chaotic world that seems less structured than ever before, everything seems to be up for grabs.

A GIRL MUST BE NOBODY

As the episode begins, we get first glimpse inside the House of Black and White, the temple of the Many-Faced God. Whereas most temples we are used to seeing are light, beautiful and full of life, this temple is dark and a place to serve death. As Jaqen H’ghar offers a man a drink from the temple’s pool, he kneels peacefully before dying a few moments later. And as his body and others are removed and washed, we are left to wonder what is done with these bodies?

Jaqen, offering a peaceful death from the fountain

Arya, tired of sweeping the floors, tells Jaqen that she is ready to become a Faceless Man, to which he responds “Valar Dohaeris,” meaning “all men must serve.” She tells him that she is ready to serve, but he reminds her that she is only ready to serve herself. “There is only one god,” he tells her, “and all men know his gift,” referring to the gift of death. Later, Arya again tells Jaqen that she is ready to become nobody, to which he asks her how nobody came to be surrounded by all of Arya Stark’s possessions. A girl cannot become nobody until she strips herself of her full identity, including all her belongings.

As Arya tosses her clothes and silver in the water, eyes full of tears, she holds Needle in her hand. Through the murder and death of so many of her family members, not once did we see Arya cry or show any emotion at all. Yet, as she is faced with the task of saying goodbye to the sword given to her by Jon Snow, tears come to her eyes, as she is ultimately unable to let go. And while there is surely some sentimental value associated with her sword as it was given to her by her older brother, at her home of Winterfell, at a time when her entire family was still alive, this is ultimately not what brings tears to her eyes. Rather, it was the idea of having to part with the symbolic identity of the one thing that she has been able to hold onto: revenge. In many ways, Arya has already stripped herself of much of her identity — she has lost so much of herself already — but the one thing she has always had was revenge. And Needle was the tool of her revenge — the one tangible thing in her life to give her hope. And now, as she is forced to let go of Needle, a symbol of her letting go of her need for revenge — she is unable to do so, a sign that she ultimately is not yet ready to fully let go of her identity as Arya Stark.

Arya, unable to let go of Needle

THE TABLES HAVE TURNED

In King’s Landing, Tommen is wed to Margaery, and unlike her last marriage, she is sure to consecrate this one. As they lay in bed together, Tommen innocently asks Margaery several times if he hurt her, a subtle demonstration of the difference between he and his older brother who only wanted to hurt people. Behind closed doors, we see the manipulative ways of Margaery as she uses her beauty, sex and age to wrap Tommen around her finger. She tells Tommen that she wants to know everything about him, and reminds him that Cercei will always be a lioness and Tommen her cub — an attempt to have Tommen put distance between he and his mother. And we see the affect of Margaery’s words, as the very next scene shows Tommen asking Cercei if she wants to return to Casterly Rock, where he thinks she would be happier.

Cercei, having lost much of her power, looking on at Margaery

While she may be losing her power, she is not losing her wit, and Cercei is well aware of Margaery’s influence over Tommen. And as she approaches Margaery, we see that the tables have turned big time. For so long, Margaery was forced to suffer and endure the cruelty of Cercei. But now, with Tywin and Joffrey dead, and Margaery officially the queen, Cercei has lost much of her power to Margaery. In short, Margaery has forged a new identity as Queen of the Seven Kingdoms, while Cercei has a new identity as well — that queen that used to be. And Margaery is keen to remind Cercei of this fact, as she asks Cercei if she should refer to her as Queen Mother or dowager queen, both references to her queenship only being of title, but not actual power. She also adds that it will not be long before Cercei is a grandmother, not only referring to the fact that she and Tommen will further consecrate their marriage by having children, but also a sarcastic reminder to Cercei that she is getting older. No longer able to make her usual threat or command, Cercei storms out, with a look on her face that tells us that she will not sit by idly or go down quietly.

HOME SWEET HOME

Further north, we see Winterfell for the first time since Theon burned it to the ground. More importantly, we see that Winterfell is being resurrected as the new seat of House Bolton, powerfully underscored by the flayed bodies we see hanging. But as Ramsey sits with his father, Roose tells his son that with Tywin dead, they no longer have the backing of the Lannisters, and that they must gain control over the smaller houses of the North, or risk being overrun by these houses. And as Winterfell is repaired, we see Theon roaming around, appearing completely lost, and we are left to wonder what role he will play, if any, in the coming days.

Baelish and Sansa

As Baelish and Sansa near Winterfell, Baelish tells Sansa that the marriage which had been accepted was the one he arranged between her and Ramsey Bolton. She refuses to marry him, telling him that she would die before marrying into the family that betrayed her family and killed her brother, Robb. Baelish reminds Sansa that she is the eldest surviving Stark and her home will always be Winterfell. He tells Sansa that he will not force her, and as he pulls her in close, almost like a father, he tells her, “You’ve been running all your life. You sit alone in a dark room mourning the fates of your family. You’ve been a bystander to tragedy. Stop being a bystander, stop running. There is no justice in the world…not unless we make it. You loved your family, avenge them.”

Sansa seems to have received the message, but the real question we are all left wondering, is does Baelish actually care about Sansa? When he pulls her close and kisses her head, is he truly trying to comfort her? Or is she merely a pawn in his game of chess? Is she just a means to his end? It’s still unclear whether we can trust this man or what his actual intentions are. And as they arrive to Winterfell, Sansa is forced to step back into the home that she has been away from for years now…a home that she no longer recognizes…a home that is now occupied by the man who put his dagger through the heart of Robb Stark. And she is forced to play her part, pretending that she is amenable to the marriage that has been arranged. Although forced by her external environment, Sansa too is forging a new identity, as soon-to-be wife of Ramsey Bolton. But even more so, she is assuming the identity as somebody who is learning to “play the game,” as she takes Baelish’s advice and looks to get close to House Bolton before exacting her revenge.

Baelish & Roose Bolton

Perhaps most significant is the conversation that transpires between two men that have both been scheming and plotting in their own rights, Roose Bolton, who has a new identity as Lord of the North and Petyr Baelish, also with a new identity as Lord of the Vale. Roose asks Littlefinger if he is prepared for the consequences when the Lannisters find out that he was responsible for helping Sansa escape from King’s Landing and that he is now marrying her to Ramsey Bolton. But, Littlefinger appears unworried, reminding Roose that House Lannister is not what it once was, with Tywin dead, Jaime having but one hand and Cercei no longer the true queen. But, Roose intercepts a message sent by Cercei to Littlefinger, which makes him further question Littlefinger’s motives. When Bolton asks Littlefinger why he would gamble with his position, Littlefinger tells Bolton that every ambitious move is a gamble, even Bolton’s betrayal of House Stark was a gamble, a gamble which clearly paid off. But Roose reminds Littlefinger that with Tywin dead, House Bolton remains vulnerable with little backing. Baelish tells him that because of his marriage to Lysa before her death, he is now Lord of the Vale, while Bolton is now Lord of the North. Littlefinger powerfully notes that the last time the Lords of the Vale and the Lords of the North came together, they brought down the most powerful dynasty the world had ever known, referring to when Jon Arryn of the Vale and Ned Stark of the North joined forces (along with House Baratheon) to overthrow the Mad King during Robert’s Rebellion. It’s unclear what will come next and with Stannis looking to overtake the North, things appear shaky at Winterfell for House Bolton.

Smaller, but also worth noting, is that twice in this episode we saw Ramsey’s girl, as she looked on while Ramsey was introduced due his future wife, Sansa. Last season, this girl killed Ramsey’s other girl, the blonde, when she became jealous of her. Rarely does this show put these kinds of characters on camera without foreshadowing something to come.

Ramsey’s old girl looking on at Ramsey and Sansa

BRIENNE THE AVENGER

Not too far away from Wintefell, Brienne and Pod are keeping a close eye on Sansa. More importantly, Brienne offered a powerful revelation in this episode and a rare show of emotion. Since we first met her, we knew Brienne loved Renley, but we never knew exactly why. And years later, through a conversation with the unlikeliest of people, we are offered a glimpse into Brienne’s past and why she loved Renley so much. She tells Pod a story about her father who set up a ball to arrange a suitor for her daughter. And as the boys fought over her, she felt special and beautiful, until learning that it was all a joke that the boys were in on. As she felt more foolish and ugly than ever before, she ran off, only to be stopped by the kind-hearted Renley, who reminded her that these shits were not worth her tears. He was the one person who comforted her, who truly cared for her. And for that, she would always love him. She tells Pod that she will avenge his death, mentioning the shadow with Stannis’ face who killed him, alluding to the fact that she seeks to kill Stannis. And we now question the true identity of Brienne — is it defined by her honor and duty to the words she swore to Catelyn Stark to protect her daughters, or is it the dark desire to avenge the death of her one true love, Renley Baratheon?

Brienne telling Pod of her love for Renley

LORD COMMANDER SNOW

Lord Commander of the Night’s Watch, Jon Snow is again offered the opportunity by Stannis to become Jon Stark and rule over the North. But again, he refuses the offer and we see the unwavering strength of Jon Snow who is completely dedicated to honor and duty, the words he swore and vows he must uphold. Stannis reminds Jon that it was this very same stubborn honor that got Ned killed. Interestingly, Jon Snow is actually torn between three different identities: Jon Snow the bastard, Jon Snow the new Lord Commander of the Night’s Watch, and Jon Stark, the Lord of Winterfell.

Before departing the room, Stannis mentions that Jon should talk to the Wildling prisoners one more time, and that perhaps Tormund Giantsbayne will be more reasonable than was Mance Rayder. After he leaves the room, Ser Davos sticks behind and tells Jon that Stannis sees something in him. He also offers that part of the Night’s Watch vow is to be “the shield that protects the realms of men,” pointing to the fact joining Stannis and protecting the North is in fact part of his duty.

The man who passes the sentence must swing the sword

In the dining hall, Jon Snow makes his identity clear as he gives his first commands as Lord Commander, but not before Samwell tells him that Maestar Aemon is not feeling well. Jon first appoints Ser Alliser Thorne the coveted position of First Ranger, perhaps because Ser Alliser was deserved of the position, or perhaps because Jon wanted to keep a potential enemy close. Either way, it was a honorable move — when Ser Alliser was Lord Commander, he did nothing but use his power to make life difficult for Jon; but Jon Snow as new Lord Commander shows that he is a better man. And as he appoints Janos Slynt with a more remedial task, Janos refuses, thinking that his once powerful position as Commander of the Kingsguard excuses him from such commands. Jon Snow must gain the respect of all the brothers and demonstrate his power, so he sentences Janos to death.

More importantly, he sets to carry out the execution himself, an allusion back to the very first episode of this series when Ned Stark beheads a deserter of the Night’s Watch and reminds his son that the man who passes the sentence must swing the sword. But as Janos confesses that he has always been a weak and scared man and begs for mercy, it looks as though Jon is going to grant his mercy and not go through with the execution. We’ve seen time and time again, Jon unable to carry out the executions that he must — once when he had to execute the Wilding Ygritte, and another time when he had to kill the horsebreeder for the Night’s Watch. But with all the brothers of the Night’s Watch looking on, Jon strikes true and carries out the execution — a powerful statement pointing to the identity transformation of Jon Snow’s character.

THE HIGH SPARROW

Back at King’s Landing, several of the sparrows, led by Lancel Lannister, take the High Septon from the brothel and beat him in the streets. When he demands Cercei to serve justice, she prefers to throw him in jail and go to visit the High Sparrow. Impressed with the man she finds, she tells him that faith and the crown are the two pillars that uphold the realm, and without one, everything crumbles. One cannot co-exist without the other and they must do everything in their power to help one another. Being that she appears to be losing powers over one of these pillars, the crown, perhaps she seeks to gain power over the other, religion. Though her exact intentions are unclear, Cercei is cultivating a new relationship that she will undoubtedly seek to use to her advantage.

Cercei & the High Sparrow

As she returns to the Red Keep, she gives Maestar Qyburn a message to send to Littlefinger, adding “make sure he is very clear on the word immediately.” This is the message that Roose Bolton will later intercept, though its contents are unclear. Most interesting is the “thing” that is being restrained under the sheet on Qyburn’s medical table. Of course, we are left to assume that this is the Mountain, Qyburn’s latest science experiment who will be brought back to life as an even greater monster than he already was.

VOLANTIS

And finally, Tyrion and Varys arrive at Volantis, and not a moment too soon as Tyrion was beginning to lose his mind, having been cooped up in one box after the next. As they venture through the market of Volantis, we are exposed to the newest of the Free Cities of Easteros, and we see many of the cultural differences of this city, namely the caste system where everybody has a clearly marked social status in society. They stumble upon another Red Priestess who speaks of the Mother of Dragons who has been sent by the Red God as a savior. As Tyrion watches her, she slowly glances up at him, before staring for several moments, with a look in her eye that almost gave the appearance that he is the savior she had been speaking of, not Khaleesi.

The Red Priestess staring at Tyrion

As they enter Tyrion’s most familiar home, a brothel, Tyrion engages in a conversation with one of the whores. But, when it is time to move forward, he is unable to. As she stands over him, a girl of Easteros, holding his hand, perhaps he is reminded of Shae, who was also a whore from Easteros. And as he becomes choked up, he cannot move forward. Also interesting to note was one of the whores who was dressed like Khaleesi, which demonstrates her widespread influence across Easteros. Varys adds, “Somebody who inspires both priestesses and whores is somebody worth taking seriously.”

And then we see Ser Jorah, drinking in his despair, before recognizing Tyrion. And as the episode comes to a close, Ser Jorah ties and gags Tyrion as he tells him, “I am taking you to the Queen.” But which queen will he be taking Tyrion to? Cercei, the queen who has a massive bounty out on Tyrion’s head, for which Ser Jorah will certainly receive a large reward? Or the one-true queen in his eyes, Khaleesi, whose father was killed by Jaime Lannister and whose Throne was usurped due to large support from House Lannister?

Ser Jorah kidnaps Tyrion

04.20.15

by throneslifeblog

Season 5, Episode 2: The House of Black and White

THE TRUTH OF EACH CHARACTER

While there are many wonderfully unique characteristics of the Game of Throne series, perhaps one of the most identifiable is the unpredictability of most of this worlds characters. In most television, we understand who each character is at their core, what motivates their action and what they ultimately want to achieve. However, in the GoT world, as viewers, we’ve often had a difficult time discerning the true nature of a character. What truly lies at the core of each character? What do they really want? For one thing — we know that what they say they want, and what they actually want, are often two very different things. And for the first few seasons, we were often completely lost in trying to figure out things such as who we could trust or when a character was telling a lie.

But as we continue deeper into the fifth season, much of that is beginning to change; the true nature of each character is coming more acutely into focus. We are moving further away from the surface layer “games,” which often confused or misled us, and we are now dealing more in truth. Of course, this is still Game of Thrones, and mystery is never far from sight, but that thick cloak of deception that surrounded so many characters is beginning to be pulled back, and what’s left for us to see is the truth of each character — a truth that will drive each character as they continue on their individual journeys. And as we look back at the second episode of season five, The House of Black and White, it is important to assess the truth that continues to emerge out of each character.

ARYA IS MORE FEARLESS THAN EVER

After four years in the making, Arya finally arrives to Braavos, the mystical Free City where we hope she will find the tools needed to become the revenge-fueled assassin she desperately wants to be. After a horn blows announcing their arrival, the captain of the ship tells her to have no fear. In response, she gives one her emotionless stares into the distance and responds, “I’m not afraid.” And while she might’ve been responding to the captain in that moment, as she stares off into the distance and went off to a deeper place, we know that she is reaffirming that she is not afraid…of anything..period. After losing most of her family and enduring a tremendously painful journey, what could she possibly have left to be afraid of? And it is this fearlessness, this idea of having absolutely nothing left to lose, that we see as the undeniable truth of Arya’s character.

Arya reciting the names on her list in front of the House of Black and White

As the wonderful Braavosi music plays in the background and the camera pans out to show Arya’s ship passing under the Titan of Braavos, the message is sent…finally, she has arrived. As she pulls into the harbor and looks on to see the local Braavosi merchants and villagers, we see a smile come across her face..that’s right — Arya shows a glimpse of joy and happiness. Perhaps there is hope for Arya after all in the land of Braavos. But things will not come easy. As she arrives at the colossal House of Black and White, the black man wearing all white tells her that there is no man there by the name of Jaqen H’ghar. But Arya is resolute, more determined than ever and driven by her fearless desire for revenge. She sits there day and night, repeating the names on her list: Cercei, Walder Frey, the Mountain and Meryn Trount — a list that has gotten much smaller.

Arya arrives to Braavos, passing under the Titan of Braavos

BRIENNE THE OATHKEEPER

As Brienne and Pod enjoy a meal at the inn, Pod spots Baelish with Sansa and we see that Arya’s journey is not the only one that seems to have reached a destination. Finally, after much time, Brienne has her sights on Sansa. Before being approached by Brienne, Sansa asks Baelish about the scroll he received in the previous episode, to which he responds that his marriage proposal has been accepted..but to whom?

As Brienne approaches and pledges her service to Sansa, Baelish reminds her that Brienne failed to keep safe Renley or Catelyn, and also that Brienne had been implicated in the murder of Renley. As Brienne swears her honor and is intent upon keeping the oath she swore to protect Sansa, we see that Baelish’s manipulation and cunning words will be more convincing than those of Brienne, which are rooted in truth and honor. And, we are sadly reminded that noble concepts such as honor and duty will not always prevail, and often in this world, as in real life, the deceptive manipulator might come out on top. We also see that Sansa quickly dismisses Brienne, showing no interest at all that Brienne had sworn an oath to her mother. It appears that Sansa continues to grow colder and darker — not the sweet little girl she once was. She also seems more willing to go along for Baelish’s ride and less questioning of what his motives might be.

Brienne and Baelish

As Baelish invites Brienne to travel with them, wanting to keep her close and eliminate a potential threat, Brienne makes a run for it and kills several of Baelish’s knights with her Valyrian steel sword, Oathkeeper, given to her by Jaime. After saving Pod from near-death, he suggests to Brienne that she might be free of her oath, considering that both Arya and Sansa refused her protection. But, Brienne does not think Sansa is safe with Baelish and refuses to abandon her vow. We continue to see a more realistic portrayal of the world around us, rather than the storybook version we are used to seeing in most television and film. That is, we did not see a picture-perfect reuniting when Brienne finally found Arya or Sansa. In this more realistic world, things do not go to plan and Brienne’s travels and hardships were all for nothing. But more importantly, we see what will continue to drive Brienne — the unrelenting dedication to her vow. Despite unfortunate results when she encountered the Stark girls, she will not give up and she will continue to be driven by the thing she holds more dear than all else — the words she swore to Catelyn Stark before she died.

KING’S LANDING

King’s Landing is appearing less and less like the grandiose capital city it once was, and more and more like a darker, grim place to be. It feels like a party — after most people have left and gone home — and there are just a few people left sticking around to clean up the mess. The cunning and deceptive characters of Varys and Baelish, so fundamental to the “game” once played at King’s Landing, are both gone. Tyrion as well. Joffrey and Tywin are both dead. Sansa has departed as well. King’s Landing is feeling less regal than ever before.

Lena Headey as Cersei Lannister and Nikolaj Coster Waldau as Jaime Lannister in Game of Thrones S5 Game of Thrones Season 5 Image Gallery Shows New Cast Members

Jaime and Cercei

But in the ashes that remain, we see a miserable Cercei who has received a threatening message, presumed to be sent from House Martell of Dorne. A viper, a symbol of House Martell, with her daughter, Myrcella’s necklace in it. Cercei tells Jaime that he has never been a father to any of their children, to which he responds that he had no choice as he had to protect the fact that they were born of incest. Cercei reminds him that in the end, his caution did nothing to actually save them — Joffrey was murdered, Tommen is going to be lost to Margaery Tyrell and Myrcella is hostage to House Martell in Dorne. Interestingly, in the previous episode, we recall that the witch Cercei went to see in her flashback who told her that “Gold will be their shrouds,” referring to the funeral shrouds of her future-children and alluding to their ominous fates.

Jaime tells Cercei that he will go to Dorne to rescue Myrcella and enlists the assistance of Bronn, who he tells they are headed “as far south as south goes.” And we again see the true nature of both Cercei and Jaime. The games, the politics, the schemes…those are all no longer important. Titles such as Kingslayer and Queen Regent no long matter. At their core, they are parents, and they will be driven to protect their children.

DORNE

And we finally get our first glimpse of Dorne, the most southern of the Seven Kingdoms, and home to House Martell. Princess Myrcella walks the Water Garden with a Martell prince, appearing to be safe after all. We also finally meet Prince Doran, the ruling prince of Dorne, and the older brother of Prince Oberyn. Suffering from the sickness of gout, what he lacks in physical ability, he appears to make up for in wisdom and patience. As Ellaria Sand, Oberyn’s lover, begs Doran to exact revenge for the death of the Red Viper, Doran reminds that his death in trial by combat was not murder, and that he will not go to war over this. Ellaria tells him that the Sand Snakes, the bastard daughters of Oberyn, support her and also seek revenge for the death of their father. She suggests that they torture Myrcella and send her mutilated body parts back to Cercei, to which Doran again refuses. He tells her that he will not let these things happen while he is still ruler, to which she responds “And for how long will that be?”

Prince Doran Martell of Dorne

While the scene in Dorne was brief, it is clear that Dorne will play an important role as a new locale for season five. Furthermore, it appears that House Martell will be a major new house in the mix in the aftermath of the death of the Red Viper. We also continue to see the hot-headed nature that drives many of the Dornish, which we saw in the Red Viper and now in his revenge-driven paramour, Ellaria.

MORE PROBLEMS FOR KHALEESI

In Khaleesi’s seemingly never-ending stop in Mereen, the problems continue to stack up as Daario Naharis and Grey Worm discover the Son of the Harpy responsible for the murder of one of the Unsullied soldiers. Discord amongst her advisors continues as they express differing opinions regarding what they should do with their prisoner. And as Ser Barristan tells her of her father, the Mad King, and his practices of burning people alive as punishment, she vows to give this man a fair trial. But before that can happen, her ex-slave-turned-advisor kills the Son of the Harpy and mounts his body in the city for all to see. He explains to Khaleesi that he did this to protect her and serve justice. Her hands were tied as she was forced to offer a fair trial, when in reality, the punishment that needed to be served was death, which he was willing to do for her.

The dead Son of the Harpy

Regardless of his loyal intentions, for his actions, Khaleesi sentences him to death. The irony is that she was unwilling to sentence to death the Son of the Harpy, who had committed the actual crime, while she was willing to sentence to death her own advisor who was acting loyally. Through these actions, we see what continues to drive Khaleesi: justice at any cost. She continues to make the difficult decisions, even sparing the lives of her own, if that is the cost of justice.

The ex-slave Khaleesi executes

So driven by the idea of maintaing justice, Khaleesi has not even mentioned taking the Iron Throne of Westeros in quite some time — after all, how can she rule the Iron Throne before she achieves justice in Mereen? And the problems continue, as the death of the ex-slave enrages the other ex-slaves, Khaleesi’s “children.” As a result, a riot ensues between her children and the Masters and chaos breaks loose. And just when things appear to have hit rock bottom for Khaleesi, Drogon returns, the largest of her dragons who had been missing for weeks. While his return is significant in showing that he’s still in the picture, it was the timing of his return that was even more significant — a reminder that Khaleesi truly is the Mother of Dragons, and that an emotional connection exists, as Drogon returns to her and lifts her up when she is at her lowest.

Drogon returns to Khaleesi

TYRION AND VARYS

It is undeniable that the characters created by George R.R. Martin are simply amazing. They are unique while still identifiable; they are bold while still rooted in reality; they are relatable, even if unlikable. He has created a depth to each character with which viewers can form a meaningful connection. And of course, the evolution of each character and the different perspective we’ve been exposed to, make them all the more amazing. One minute you thought you hated a certain character and the next you felt like you loved them.

And the only thing greater than these characters on their own is when they are together, particularly in twosomes and often on some sort of wonderful journey that forces them to grow together. Whether it was Brienne and Jaime, Arya and the Hound or now Tyrion and Varys, there is nothing quite like the way George R.R. Martin creates one-on-one relationships between characters who appear very different on the surface, only to show us that they ultimately are not very different at all.

Jaime and Brienne appeared to be characters completely antithetical to each other, only for their season-long journey to show us that in the end, they were not different at all, and they were binded by their true nature of honor and duty. Similarly, Arya and the Hound couldn’t have been more different at the onset of their relationship, but as they endured the troublesome journey through the Riverlands, we saw them united by their shared love of killing. And now, ass Tyrion and Varys continue on their journey from Pentos to Volantis to embark upon the road to Mereen, we are seeing the emergence of another of these priceless relationships.

Tyrion and Varys travel to Volantis

At first glance, Tyrion and Varys appear to be completely different characters. One is a a sarcastic dwarf from a very powerful Westeros family with an affinity for drinking and fucking. The other is a eunuch born into slavery on Easteros with a more serious disposition and no interest at all in the vices of sex or alcohol. Yet as they continue on their journey, we are beginning to see that when these surface features are stripped back, at their core, they are actually quite similar. They discuss the fact that they could both actually be quite good rulers, as they are two of the few men truly interested in making the world a better place to live in. Yet men like them could never rule as they are repulsive to society. And in turn, society is repulsive to them. And so they surround themselves with large comfortable boxes, such as the one they are confined to right now on their travel. Yet, at the end of the day, men like them are never really satisfied with being in the box…not for long.

And so we see the shared desire of each man to break out of the proverbial (and literal) box that they are in. They are driven by their true desires to make the world a better place. And while they cannot be the rulers themselves, Varys continues to try to sway Tyrion into realizing that this ruler does exist, and that they must find her to help her ascend the Iron Throne.

THE SMALL COUNCIL GETS SMALLER

Back at King’s Landing, we see the head of another dwarf brought to Cercei, albeit the wrong dwarf. Interestingly, Qyburn requests to keep the head as it may prove useful in his experiments. Which begs the question — what are these experiments he is working on? And what will they produce? And this also brings us back to the finale episode of last season when Qyburn performs one of his eery science-lab experiments in an attempt to save the life of the Mountain. He tells Cercei that if it saves him, it certainly will not make the Mountain any weaker. An already freakish monster — what happened to the Mountain and when, if ever, will we see him again?

Cercei and her new Small Council

At the Small Council, we see Cercei attempting to maintain control, though with little success. She appoints Qyburn new Master of Whispers in place of Varys, reminding the council of his qualification of loyalty. She appoints Mace Tyrell Master of Coin in addition to Master of Ships. And she appoints her uncle, Tywin’s brother, Kevan Lannister, Master of War. However, he refuses to acknowledge her authority and tells her that he will be returning to rule over Casterly Rock.

SOME BIG EVENTS AT THE WALL

At the Wall, Jon Snow tells Stannis that the Wildlings will never follow him after he killed their king, and that they will only follow one of their own. Stannis must figure out another way to win back the North, and he offers to remove Jon Snow’s bastard status and raise his up as Jon Stark, Lord of Winterfell. As such, he would have Jon Snow lead the North as part of Stannis’ cause. Becoming a Stark is all that Jon Snow has ever wanted his entire life, yet still, the truth of his character — his unrelenting dedication to the vows he took to the Night’s Watch, prevent him from accepting Stannis’ offer. The discipline Jon Snow shows creates a pretty amazing moment. We can all probably think of 1 or 2 things we have always wanted our entire lives — or at least a couple things we want more than anything right now in our lives. And for most of us, these things we want most would be impossible to turn away if ever presented to us. For Jon Snow to pass on the opportunity of no longer being the bastard of Winterfell, and to become not only a proper Stark, but Lord of Winterfell, shows unbelievable character and strength.

And moments later, after Samwell’s passionate speech about Jon Snow’s heroism, he is elected 998th Lord Commander of the Night’s Watch. There are many major implications about Jon Snow being Lord Commander of the Night’s Watch, such as how will Ser Allisor Thorne react and how will Jon Snow command over the depleted Night’s Watch.

Kit Harington as Jon Snow Stephen Dillane as Stannis Baratheon and Liam Cunningham as Davos Seaworth in Game of Thrones S5 Game of Thrones Season 5 Image Gallery Shows New Cast Members

Stannis offers to make Jon Snow a Stark

Also at the Wall, we see Shereen, Stannis’ daughter, teaching Gilly how to read. The two begin to discuss Grey Scale, the disease that has scarred Shereen’s face. Gilly tells Shereen of her two sisters who were inflicted with this disease, who eventually turned into grotesque monsters, before being put out of their misery. Interestingly, unlike them, Shereen appears to have been spared as the disease never took over her full body. It is also interesting to think back to last season when Lady Melisandre told Lady Selyse that Shereen must come with them to the Wall as she will have a role to play.

A GIRL MUST BECOME NOTHING

As the episode concludes, Arya crosses paths with a couple street bandits who she tells to turn the other way if they want to live. Despite being one small girl against three larger men, we again see the absolute fearlessness that drives Arya. But before any fight ensues, the men flee as they see the black man in the white hood that Arya encountered early in the episode. As they stand back in front of the House of Black and White, the man gives her the coin back that she threw in the water, before changing his face back to that of Jaqen H’ghar. When she asks why he told her earlier that there was no man by the name of Jaqen H’ghar at the House of Black and White, he tells her “A man is not Jaqen H’ghar. A man is nobody. And that is who a girl must be come.”

The face of Jaqen H’ghar returns and lets Arya into the House of Black and White

These words are interesting for several reasons. First, it continues to show the mysterious and magical side of the Faceless Man, a league of assassins that we are dying to learn more about. But more importantly, it is the idea of becoming nobody or nothing. In response to the words Valar Morghulis, meaning “all men must die,” the Braavosi respond Valar Dohaeris, meaning “all men must serve.” As Faceless Men, they appear to strip themselves of any true identity, becoming nothing, and dedicate themselves to their service. This seems to be just the place for Arya, a girl who already has been stripped of most of her identity and is driven by the sole desire for revenge. In many ways, she has already been reduced to nothing and she could be a perfect fit for the Faceless Men.

04.21.14

by throneslifeblog

Episode 3 Recap: Breaker of Chains

SANSA’S GREAT ESCAPE

As the episode begins, Sansa, led by Ser Dontos, attempts a suspenseful escape of King’s Landing — the torturous prison that has been her home for what seems like years. For so long, Sansa has dreamed of a hero freeing her and escaping the cruel and miserable life she has been forced to live in the capital. And now, that moment has finally arrived. Yet, as she finally makes it out onto the open water, things appear a bit more eerie and unsure. The scene becomes dark and a foggy haze fills the air. We soon learn that Ser Dontos was following the orders of Littlefinger, who plotted the rescue and escape of Sansa. Though, Lord Baelish’s motives are unclear, and Sansa appears wary, especially after Littlefinger kills Ser Dontos, the unlikely hero that saved her life. Littlefinger holds Sansa close and tells her, “You are safe now with me, sailing home.”

“AM I STILL QUEEN?”

Margaery sits with her grandmother, Lady Olenna, asking her whether she is still the queen, now that Joffrey is dead. Lady Olenna confirms that she is still technically the queen, and that the death of Joffrey was more pleasant than would have been a life married to him. She also reminds Margaery that the Tyrell alliance is very important to the Lannisters, and that a life married to Tommen, rather than Joffrey, will be better for Margaery.

ONE KING DIES AND ANOTHER KING IS READIED

In the Great Sept of Baelor, overlooking the corpse of Joffrey, Lord Tywin questions Tommen about the virtues that make a good king. As Tommen mentions several characteristics, such as strength, holiness and justice, Tywin points out many great kings that possessed each of these virtues, but ended up dying or being killed. Finally, Tommen understands it is wisdom, the characteristic that all these kings lacked. Tywin points out that the wisest of kings acknowledge what they do and do not know. “A wise young king listens to the advice of his counsel until he comes of age. The wisest of kings continue to listen long thereafter.” As Tywin walks out with Tommen, Cercei looks on, perhaps realizing that she has just lost another son to the “game” of thrones.

As Jaime clears the Sept, he and Cersei stand over the body of their dead son — a son that Jaime was never able to truly father. Cersei insists that Tyrion has murdered Joffrey and asks Jaime to kill him for it. Jaime refuses and defends Tyrion as their brother, who will receive a fair trial. As her grieving turns to lust, Cersei kisses Jaime, but pulls away after being reminded of his golden hand. Jaime exclaims “You are a hateful woman. Why have the gods made me love a hateful woman?” He then forces himself upon her, tired of being rejected and pushed away.

“I JUST UNDERSTAND THE WAY THINGS ARE”

As Arya and the Hound continue towards the Eyrie, Arya asks him where he will go once they reach their destination. He says that he has considered crossing the Narrow Sea and becoming a sellsword in Easteros. Arya responds that she too would like to go to Easteros and that she has friends in Braavos. As they stumble upon a modest man of the Riverlands, Arya pretends that the Hound is her father, a man who fought for the Tullys of Riverrun. Believing they support the same houses, the man takes in Arya and the Hound. Over dinner, the man discusses the Red Wedding and reminds that Walder Frey committed sacrilege that day, breaking the ancient and sacred law of Guest Right. “The gods will have their vengeance and Walder Frey will burn in hell for what he did.” The man also speaks of the impending attacks from Wildling raiders and mentions that the “whole country has gone sour.” The man offers the Hound fair wages for fair work, but the Hound rather steal the man’s silver than work for it. As expected, Arya is outraged after the Hound steals from the innocent man who took them in, and as viewers, we were too. But, as happens so often in this world, our perspective quickly shifts after the Hound explains himself. “They will both be dead come winter and dead men have no need for silver.” After Arya tells him that he is the worst shit in the Seven Kingdoms, he poignantly replies “There are plenty worse than me. I just understand the way things are. How many Starks have they got to behead before you figure it out?”

Like the juxtaposition of their relationship as a whole, this powerful exchange underscores the diametrically opposed philosophies of these two characters. Arya, a character fighting desperately to defend the ideals of the world as she sees it — more than anything, wanting to achieve justice and preserve whatever good is left around her. Versus the Hound, a character with a more realistic perspective of the world around him. He has been exposed to the evils that exist and understands the way things are. In his dialogue to Arya, he points out that the romantic ideals of House Stark have gotten many of them killed, and perhaps it is time for Arya to abandon these notions and to start realizing the truths of the world around them — and what must be done to stay alive.

WE NEED AN ARMY

At Dragonstone, Stannis receives word of the death of King Joffrey and believes this to be another validation of the magic of the Lord of Light. Though, time is running out and he tells Ser Davos, “If I do not press my claim, my claim will be forgotten. I will not become a page in somebody else’s history book.” Ser Davos promises to raise an army for Stannis and has the idea to seek from the Iron Bank of Braavos the funding needed to raise an army of sellswords.

LORD TYWIN & PRINCE OBERYN

Back in King’s Landing, we continue to see the way the Dornish customs differ from the rest of Westeros, as Prince Oberyn enjoys the sex of both men and women. The room clears as Lord Tywin enters to discuss more important matters with Prince Oberyn. After discussing the murder of Oberyn’s sister, Elia, and her two babies, Lord Tywin denies giving those orders to the Mountain. Tywin proposes an allegiance: he will provide Prince Oberyn the opportunity to serve justice to the Mountain, if Oberyn will serve as a judge to Tyrion’s trial and help serve justice to the king’s assassin. However, this arrangement is only a microcosm of the alliance that must be strengthened between between Dorne and the rest of Westeros, should they want to survive the impending evils that Lord Tywin speaks of. He tells that Stannis still presents a threat, while Wildlings march south from beyond the Wall, and across the Narrow Sea Khaleesi has raised three dragons. Tywin reminds that Dorne was the only one of the Seven Kingdoms which Aegon was unable to conquer during his Conquest, and that Dorne and the rest of Westeros need each other.

TYRION & PODRICK

Tyrion’s squire, Podrick Payne, visits Tyrion in his cell and informs him of the trial that is to take place. Podrick was offered knighthood in exchange for testifying against Tyrion, though Podrick refuses the offer. Fearing for his safety, Tyrion demands that Podrick leaves King’s Landing. Tyrion tells him that this is farewell and with much emotion, tells him that “there has never lived a more loyal squire.” In this moment, our perspective once again shifts as we realize the power of this relationship — one that we probably took for granted and never gave much thought. Perhaps more so than anybody else, Podrick knows that beneath all the wine and whores, Tyrion is a good man with a soft heart. And conversely, Tyrion recognizes the unwavering loyalty of Podrick and the true care that he has for Tyrion. And just like that, after all those years, Tyrion must insist that this is farewell.

THE WILDLINGS RAID

Further north, we see the first major Wildling raid on a small village as they savagely murder the men, women and children. There is a clear vengeance about them — they are coming for blood and appear unwilling to let anything get in their way. They spare one child and tell him to run for Castle Black and let the Night’s Watch know that the Wildlings are coming.

When the Night’s Watch find out, they first call for retaliation, but Jon Snow reminds them that if the Wildings get past the Wall, they will raid a thousand more villages before they come upon an army that can stop them. As such, they cannot leave the Wall — they must stay put and prepare for the Wildlings that are coming. However, a moment later two brothers return from beyond the Wall — brothers we have not seen since the mutiny at Craster’s Keep which resulted in the murder of Lord Commander Mormont. They inform the Night’s Watch that the brothers who conspired are still at Craster’s Keep and Jon Snow tells that they now must go north of the Wall to murder these brothers. It is a matter of security — they know the truth that there are only about 100 men at the Wall, and if Mance Rayder were to learn this truth, he would descend upon the Wall immediately and smash the depleted army of the Night’s Watch.

BREAKER OF CHAINS

Khaleesi finally arrives at Meereen with her armies, and we see grand city for the first time — reminiscent of an ancient Egypt with great pyramids. Meereen sends out a rider to champion the city and Daario Naharis is selected by Khaleesi as her champion, after Grey Worm, Ser Barristan and Ser Jorah all offer to fight for her. A strategic fighter, Daario Naharis kills with ease the champion of Meereen, setting the stage for Khaleesi’s speech. Rather than speaking to the masters, she speaks directly to the slaves, telling them that it is not her, but rather their masters who are the enemy. She notes the freed slaves of the city of Yunkai and Astapor that now stand behind her and offers them the same opportunity. She tells them, “I bring you a choice. And I bring your enemies what they deserve.” She then catapults into the city dozens of barrels filled with broken slave chains. The episode ends as one slave picks up the broken chain, realizing the immense power and symbolism of a chain that has been broken, before looking back at his master.

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Tag Archives: baelish

Season 8, Episode 6: The Iron Throne

DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.

What Just Happened?

A Mess in King’s Landing

Duty Over Love

One Strange Council

Back to The Wall

Season 8, Episode 4: The Last of the Starks

DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.

Moving On

Identity

Fire and Blood

Odds and Ends

SEASON 7, EPISODE 4: THE SPOILS OF WAR

SEASON 6, EPISODE 10: THE WINDS OF WINTER

SEASON 6, EPISODE 5: THE DOOR

Season 6, Episode 1: The Red Woman

Season 5, Episode 6: Unbent, Unbowed, Unbroken

Season 5, Episode 3: The High Sparrow

Season 5, Episode 2: The House of Black and White

Episode 3 Recap: Breaker of Chains