SEASON 5, EPISODE 9: THE DANCE OF DRAGONS

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

FIRE, FIRE AND MORE FIRE

What was going to happen in the ninth episode – an episode we’ve come to know as the “something big is going to happen” episode. The ninth episode of the last three seasons were three of the biggest events ever seen — Season 2 was the Battle of Blackwater; Season 3 the Red Wedding and Season 4 the epic battle at the Wall – so what would happen in the ninth episode of season 5? We had gotten a major battle with the White Walkers the previous week, so it was safe to assume that we would not see epic battles in back to back weeks. But after all, it is the ninth episode, and with most plotlines having heated up in a major way, we would have to see some big things happen, right? That’s correct…And we did.

While we didn’t see any epic battle scenes, what we saw were some unbelievably powerful scenes and plot-twists; things that will forever change the future of this story and the destiny of each character. It’s tough to truly decide how I feel about this episode. It was an episode defined entirely by two major plot-points – Khaleesi flying through the sky on the back of her dragon – an allusion to the Targaryen kings and queens before her that rode their dragons for thousands of years; and Stannis burning his own daughter to give Melisandre the magic she needs to fight the impending darkness. These two events could not have been more diametrically opposed – the first was powerfully uplifting, giving us all the magical feeling that Khaleesi is taking her biggest step yet towards becoming the hero we all want her to be; the next is tragic and heartbreaking, a sweet and innocent girl being burned to death by her own father. And while it is tough to decide how I feel about this episode, one thing is for sure – it sent two characters, Stannis and Khaleesi, down a road that there is no coming back from.

There was also quite a lot of fire in this episode. The episode opened with Stannis’ camp being burned by Ramsey’s fire, progressed to Shireen being burned to death by fire and ended with Khaleesi’s dragon, Drogon, using fire to save her and kill off the Harpies. In the all-encompassing battle of Ice versus Fire, ice has represented the darkness and evil while fire has represented the light and good. But, what we began to see in this most recent episode is that perhaps there are no constants. Perhaps there is no one thing that is entirely good or entirely bad. Rather, it is the person or people that ultimately characterize whether something represents darkness or light, evil or goodness. This is of course an age-old theme, the idea that there is no singular good or bad in life, only the people whose actions bring goodness or evil into this world. Ramsey using fire to burn down a chunk of Stannis’ camp seemed evil, but that very same fire being used by Khaleesi’s dragon to fight off evil itself of course seemed good…And Melisandre’s fire used to kill Princess Shireen of course again seemed dark and evil. So in a Thrones world, where to date we’ve been taught to believe that ice singularly represents darkness and evil while fire singularly represents light and goodness, perhaps we are starting to see a departure towards the idea that while these entities do generally represent dark or light, it is ultimately the people and the way they use these things that will define good versus evil.

DESPERATE TIMES CALL FOR DESPERATE MEASURES

As the episode begins with the Red Priestess Lady Melisandre on screen, we should’ve all suspected that there was going to be quite a bit of fire play. Still, none of us could’ve imagined the terrible ways that this fire would be used. The scene begins with Lady Melisandre looking on as much of Stannis’ camp catches fire, burning horses, men and supplies alike. It is interesting to consider that we did not see Ramsey or any of his men – which leaves us to wonder how they got into Stannis’ camp in the first place? One thing is certain, Melisandre looked entirely calm as the fire around her blazed – almost as if she had expected this to happen. Perhaps this was the case – perhaps she saw a vision of this in her flames. Or, perhaps she was simply happy that this was happening, as she knew it would put Stannis in a more desperate position than ever before, increasing the likelihood that he would be willing to sacrifice his own daughter, something that Melisandre had suggested a couple episodes back. Either way, it again makes us question Melisandre and assess how we truly feel about her. To date, she has pretty much only spoken the truth; while other characters have been engaged in less significant games, she has been one of the few characters that has recognized the only game that matters – the fight against evil and darkness that is coming. So from that perspective, she seems to be one of the shows most credible characters, and perhaps she is simply willing to do what must be done in order to fight off the darkness that is coming. Yet still, there is a great suspicion to her character, one that makes us feel as though we really cannot trust her. And as her advice to sacrifice Shireen prevails, we certainly feel this way more than ever before.

Melisandre looks on as Shireen burns

Melisandre looks on as Shireen burns

So we arrive at perhaps the most tragic event that we’ve seen in five years of Thrones-watching, the death of Princess Shireen at the hands of her own father. Something we felt was coming as soon as Stannis commanded Davos to ride back to Castle Black as Stannis knew that Davos would not allow this to happen. And sadly, it almost appeared as if Davos was aware of what was to come and stopped by Shireen’s tent to say his final goodbye, thank her for teaching him to “become an adult,” and gave her a goodbye present. And then it happened and the death of Princess Shireen was heartbreaking on so many levels. It explored the extraordinarily painful theme of a child being betrayed by her own parents. As she screams on, begging for her mother or father to save her, she is entirely hopeless, as her should-be-saviors are the very ones sacrificing her life. It is tragic and heartbreaking to explore the idea of a parent, the person in this world that a child should be able to unconditionally turn to for saving, turning on their own child and putting them in this position in the first place. It was of course all the more painful because Shireen was as sweet and precious of a girl as they come. And there was of course a whole other level of pain that came with the idea that she was completely innocent and naive to what her father was planning on doing, as she says to Stannis, “I am Princess Shireen of House Baratheon and I want to do whatever I can to help you.” Little did she understand the dark irony that she could in fact help him, by sacrificing her own life, which was set to take place just moments later.

Shireen is tied up

Shireen is tied up

And while watching Shireen die a slow death was painful for all of the reasons above, it was made all the more painful by the way the show’s writers told this story. And I say the show’s writers, not George R.R. Martin, because this never happened in Martin’s story. And while the “Inside the Episode” states that George R.R. Martin communicated this plot-point to the show-runners, who then chose to include it in the episodes, the fact is that this event never happened in Martin’s books (yet). It was included in the show without having been in the books – something that has been happening more and more as the show goes on. At first, there were just minor changes that the show would introduce, maybe changing the name of a character here or needing to leave out a character there – this is of course to be expected when adapting books to TV. But in the last couple seasons, especially this most recent season, the show has gotten more and more gratuitous with the changes they’re making and the significant ways that they are deviating from the books. And if any of the purity from George R.R. Martin’s story is to be preserved, I truly hope that the show’s producers stop taking so many liberties with all the things they are changing – especially the addition of major plot-points that simply never happened in the books – such as the killing of Princess Shireen.

All that said, I am not upset simply because the show deviated from the books. Rather, I am upset because this deviation was bad storytelling coupled with the spoiling of one of Martin’s best characters in Stannis. At first, none of us liked Stannis – we weren’t supposed to. He was cold and stern and there was nothing endearing about him. His own brother Renley challenged his claim to the Throne on the basis that Stannis was so unlikable and wouldn’t inspire greatness to the world if he were to become king. Yet, as Martin ingeniously has accomplished with so many of his characters through his expert storytelling and mastery of character development, we began to warm up to Stannis. Not because he became any more likable or friendly, but because we began to see the good and honor in him. In a world where most characters lacked integrity or morals, Stannis lived by his…And was willing to die by them too if need be. And our love for Stannis was heightened exponentially earlier this season when we saw the love and emotion that he offered for his daughter as he told her of the way he saved her when she was born with Grayscale. When others wanted to discard of her, he refused to abandon her and found a way to save her. “You were the Princess Shireen of House Baratheon,” he said. “And you are my daughter.” In this rare show of emotion, Stannis was humanized and we fell in love with his character. Not only was he the most honorable man we knew, but he also had love and compassion inside of him too. And just a few episodes later, we see how much these words resonated with his daughter, and she repeats them back to Stannis in his time of need, telling him “I am Princess Shireen of House Baratheon and I want to help you.” Little did she know what her helping him would equate to.

Stannis and his wife look on as their daughter burns

And this is where the show’s producers making up this plot-point becomes really bad story telling and really hurts Stannis’ character at the same time. We loved Stannis after we learned that he fought to defend his daughter when she was a vulnerable baby needing the protection of a parent. But all of that goes right out the window, when just a few episodes later, he now chooses to tie her up and burn her to death. Well, in his eyes, he didn’t choose at all. As he spoke to Shireen just moments before her death, he tells her that sometimes a man has no choice at all, and can only do what he must to fulfill his fate. So, in his eyes, maybe he believed that he truly had no choice. Nonetheless, it renders irrelevant everything we learned just a few episodes back about Stannis saving Shireen when she was a baby. Which just makes it all bad storytelling. You don’t show viewers in episode five how much Stannis truly loved and cared for his daughter, if just four episodes later you are going to go back on this and show his willingness to completely betray and abandon her. It’s bad storytelling and is counterintuitive to the progression of his character that was being built. And I’m not sure which is worse.

The bad storytelling part of it is a pretty tough pill to swallow. But the way they undermined everything that was great about Stannis’ character is probably worse. George R.R. Martin had been so successful at building Stannis as the unlikable hero in a world of villains. Now, he’s just another villain. And perhaps one of the worst offenders, as it doesn’t get much worse than sacrificing your own daughter. It’s a line that shouldn’t have been crossed, especially when it was not a line that even existed in the original story penned by Martin. I bit my tongue when other lines were crossed with other made-up plot-points that never existed in the real story. When Ramsey raped Sansa a few episodes back and destroyed whatever ounce of innocence was left within her, again something that never happened in the books, I turned the other cheek. Even that had gone too far. Little did I know that just a few episodes later, the show would take it even further and entirely make up another plot-point that rips out the hearts of its viewers. I will never be able to look at Stannis the same way, which is heartbreaking in and of itself, since he is supposed to be one of the characters that I want to love.

THE MOTHER OF DRAGONS & KHALEESI’S NEW CREW

In Easteros, we see a season full of petty politics in Mereen come to a head as Khaleesi resides over the fighting arena that she has allowed to reopen, against her better judgment. As we knew was going to happen, Jorah comes out to fight for her and shows that he is willing to die for her as well. Though he nearly is defeated by two different fighters, Jorah eventually kills the Mereenese warrior before throwing a spear a good 50 yards through the heart of a Harpy that was sneaking up on Khaleesi (where were all her Unsullied??). And just like that, we see hundreds of Harpies emerge out of the crowd, committing a mass slaughter of the innocent, again making us scratch our heads and wonder where the hell are all of Khaleesi’s Unsullied. It seems like any time any chaos has broken out and Khaleesi has actually need the Unsullied by her side, she never has more than 10 or 15 out of the 6,000, leaving them vastly outnumbered and vulnerable. But I digress… What I absolutely loved about this scene was watching Khaleesi’s “new crew” as they ran across the coliseum floor, only to eventually be surrounded by many more Harpies. It was our first time seeing this new group dynamic, featuring the new addition of Tyrion, the reestablishment of Jorah, alongside Daario, Khaleesi and Missandei. Did we just get first glimpse at the final makings of Khaleesi’s inner circle – the group of her closest advisors and supporters that will help her to reclaim the Iron Throne? I certainly got that feeling and thought it was actually the coolest part of the episode. And when you look at the photo below, you can’t help but love this cast of characters that have all come together. They are all truly good people with an unwavering loyalty to Khaleesi. Unlike most characters, they are a group that we feel we know and can trust — there are no ulterior motives or side-games being played. Most importantly, most of these characters have been by Khaleesi’s side since day one, and it is rewarding to see them all together, perhaps closer than ever before to reclaiming the Iron Throne.

crew

As they are surrounded by Harpies and greatly outnumbered, we knew only one thing could happen – Drogon would have to make his appearance – after all, this episode was entitled The Dance of Dragons. As he flies overhead, we see his immense power as he easily rips to shreds and burns alive dozens of Harpies, whose weapons are no match for Drogon. And then it happened… Khaleesi shows the world (or whoever was still alive in the coliseum, which probably wasn’t many people at that point) that she is the one true Mother of Dragons, as she climbs the back of Drogon and flies through the sky. This was not only an allusion to all the past Targaryens before her that rode the backs of their dragons as they conquered the world, but also a foreshadow to the future of what she is to accomplish on the back of her dragon. It was an iconic and powerful image to say the least. And while I would be the first to say that it seems like she has been in Mereen forever and things had gotten really stale over there, perhaps watching her finally ride through the sky on the back of her dragon made the wait worthwhile. After all, what’s a few seasons compared to the hundreds of years that have gone by since a Targaryen has rode on the back of a dragon?

Khaleesi and Drogon

EVERYTHING ELSE

At the Wall, Jon Snow returns with what appears to be a couple hundred Wildlings. There was a moment where it was unclear whether Ser Alliser would open the gates for them, a reminder that most of the brothers of the Night’s Watch are not on the same page as Jon Snow and do not support his actions. After all, they haven’t just battled the White Walker army that Jon Snow has. More than ever, Jon Snow seems to have enemies on all sides of him as Ser Alliser tells him, “You’ve got a kind heart…It’ll get you killed.” It will be interesting to see how the Wildlings factor into Jon Snow’s plans. His goal was to get tens of thousands to join his cause, and he only appears to have secured a few hundred, not enough of a difference to really help in the fight that is to come. But he did make it back home with the giant – so that’s a win.

Jon Snow returns to the Wall, snow falling harder than ever

Jon Snow returns to the Wall, snow falling harder than ever

In Dorne, Jaime reaches a pact with Prince Doran, who allows Jaime and Bronn to return safely back to King’s Landing, along with Princess Myrcella and her betrothed Prince Trystane. However, it is under the condition that Trystane is granted a seat on the small council. It was an interesting turn of events and it’s unclear what Prince Doran’s plan really is. Though he is more subtle and meticulous than the Sand Snakes who have explicitly declared their desire for war, we do know that Doran too will want to avenge the death of his brother at one point or another, and it seems as if he’s beginning to lay down the groundwork for a plan that is yet to unfold. It will be interesting to see Jaime return back to King’s Landing with Myrcella, which should’ve been a glorious reuniting of Cercei with her daughter, but will likely be far less than that when they return home to see Cercei rotting in a cell. Which begs the question, will Jaime save her? Can Jaime save her? And what will happen with the entire King’s Landing plot in the finale episode. I have to believe that we will finally see the Mountain and what has become of him after Qyburn has been working on him for quite some time.

Finally, in Braavos, we see Arya’s journey continue, which in its own right, is already starting to grow old on me. I truly hope that her story in Braavos will not become a long drawn out saga the way Khaleesi’s did in Mereen. Anyway, as Arya continues on her mission to scout the Gambler who hangs at the dock and poison him with her vile, she gets glimpse of Ser Meyrn Trant, who has arrived to Braavos accompanying Mace Tyrell. Cercei had sent Mace to Braavos several episodes again in an effort to get him out of King’s Landing in advance of her ploy to get Loras and Margaery Tyrell thrown in prison. Little did she know that she too would get thrown in a cell, and would need Ser Meryn Trant, one of the few remaining Lannister loyalists. Though we have not heard her recite it for quite some time, Ser Meryn Trant was one of the first names on Arya’s kill list. He was Joffrey’s most violent enforcer and committed many terrible acts, most notable for Arya was the murder of her Braavosi sword instructor, Syrio Forell, back in the first season. Immediately, Arya is confronted with a difficult decision: will she continue to strip herself of her identity as Arya and continue in her training to become a Faceless Man, or will she go back to being Arya in her quest for revenge against one of the men that was on her list. As we probably could’ve guessed, she chooses the latter and follows Ser Meryn to a brothel where we learn that he not only an evil man, but also a pedophile. It is also worth noting that at least two or three different times, Ser Meryn locked his eyes on Arya and appeared to have vaguely recognized her. Arya will have to make a decision as to whether she is going to strip herself of her identity or pursue the kill of Ser Meryn – unless she can kill Ser Meryn as a Faceless assassin and accomplish both at the same time.

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The Free Cities

The Free Cities refers to the group of nine city-states along the western coast of Easteros. They are referred to as the Free Cities because although they were part of the Valyrian Freehold, they maintained their sovereignty and were permitted local governance to rule their local affairs independently. Conversely, there were many cities of Easteros that were directly ruled by governors of the Valyrian Freehold, and as such, these cities never became part of the Free Cities.

Westeros to the left, the Free Cities of Easteros to the right

HISTORY

The nine Free Cities are Braavos, Pentos, Volantis, Lys, Myr, Qohor, Norvos, Tyrosh, and Lorath. Though there are many differences between these cities today, such as geography, commerce and agriculture, these cities share a common culture as all but one (Braavos) were conquered by the Valyrians and became a part of the Valyrian Freehold. Though they maintained semi-independence, they absorbed much of the language and culture of the Valyrians, which is why many of the Free Cities share cultural similarities today. Braavos is the most distinct of the Free Cities, as its history is entirely different from the other eight Free Cities. Whereas the other cities were existent and absorbed by the Valyrian Freehold, Braavos remained a secret city, its existence unknown to the rest of the world, until it revealed itself during The Doom of Valyria. When Valyria being destroyed by the Doom, the Free Cities became completely independent, no longer under any central control, which is how they exist today.

The nine Free Cities

The nine Free Cities

SUMMARY OF THE FREE CITIES

Braavos is thought to be the most powerful and prosperous of the Free Cities of Easteros. Not just one landmass, Braavos is composed of hundreds of islands that connect with each other by stone bridges. Braavos was founded by Valyrian refugees that had fled their homes to escape the expansion of the Valyrian Freehold. After discovering and founding the land of Braavos, it was successfully concealed from the outside world for approximately 400 years, until the Doom of Valyria, at which point Braavos revealed itself to the rest of the world. Because it remained secret for so many years, Braavos was isolated from all outside influences and developed a very unique identity. The culture of Braavos is one that is wrapped in much mysticism and magic. Braavos is home to many mysterious landmarks and characters, such as the Faceless Man, Jaqen H’ghar and the Temple of the Faceless Men, The House of Black and White. Syrio Forel, the man who taught Arya how to fight with a sword, is also from Braavos. Other landmarks include The Iron Bank of Braavos, the most powerful bank in the world, as well as the Titan of Braavos, a massive statue that guards the entrance into the lagoon of Braavos and serves as a defense to any invaders. The words Valar Morghulis are commonly spoken in Braavos, meaning “all men must die.”

Pentos is one of the wealthiest and most prosperous cities of Easteros, deriving much of its power and wealth from its geographical landscape. Pentos is a port city and engages in trade and commerce with much of the rest of the world. It is also one of the most populous cities of Easteros, though as one of the Free Cities, slavery is outlawed. Pentos is technically ruled by an elected prince, though the governing power of the city actually rests amongst the council of magisters. One of the most powerful and prosperous of these magisters is Illyrio Mopatis. Illyrio Mopatis hosted Khaleesi and her brother, Viserys, at his palace in Pentos at the onset of Season 1. Today, Varys and Tyrion have sought refuge at this same palace.

Lys is another Free City that is composed of a series of islands. Lys is smaller and less powerful and commonly known for its pleasure houses. Well known figures that come from Lys include Varys as well as Salladhor Saan, a pirate friend of Davos Seaworth, who has fought for Stannis Baratheon.

Volantis is the most southern of the Free Cities and therefore very closed to the cities of Slaver’s Bay. As such, it deals extensively in slave trade. The most noteworthy character from Volantis is Lady Talisa, the woman who married Robb Stark, before being murdered at the Red Wedding.

Qohor is less well-known of the Free Cities, being further inland and its land full of forests. Qohor is also well known for being guarded entirely by Unsullied soldiers, a legend telling that 3,000 Unsullied defended the city against 25,000 Dothraki. A well knock character from Qohor is Locke, who came under the service of Roose Bolton and cut off the hand of Jaime Lannister, before being killed at Craster’s Keep.

Norvos is another of the less well-known Free Cities, also laying further inland. It is ruled by a council of magisters, who often pay tribute to the Dothraki who frequent the city.

Myr is another of the stronger Free Cities, also laying along the coast and deriving much of its supremacy from trade. The most notable character from Myr is Thoros of Myr, a priest to the Lord of Light and leader of the Brotherhood without Banners.

Tyrosh is another coastal Free City that is commonly involved in trade, namely the trade of slaves. They are known for crafting fantastic armor. The most notable character from Tyrosh is Daario Naharis, who leads the Second Sons under Khaleesi’s command.

Lorath is the least known of the Free Cities. For some time, Jaqen H’ghar was posing as a man from Lorath.

Season 5, Episode 1: The Wars to Come

Disclaimer: There are no spoilers in this article. Any views or opinions expressed are based solely on where the Game of Thrones TV series currently is and no other knowledge or information is presented in this article.

A NEW SEASON, A NEW WORLD

Finally…We can all breathe a sigh of relief, the wait is over and Thrones is back. Yet, after watching the Season 5 premiere, some of us may have been left feeling a bit underwhelmed, perhaps even a bit slighted. After all, we waited a full year for Thrones to return, shouldn’t the kickoff episode have been packed with a bit more action? No beheadings, no betrayals, no battles and no scandalous sex scenes at all — I mean come on — where were all the things that we’ve grown so accustomed to seeing out of Thrones on weekly basis?

And yet still, it would be foolish to not read between the lines and recognize the way that this premiere episode set the stage for the journey that we are about to embark upon. While there weren’t any major plot progressions or jaw-dropping reveals in this premiere episode, one very loud and unmistakable message was sent: viewers beware, we are in a bold new world. This is not the Thrones world you’ve come to know over the last four seasons and the whatever predictability of the world we grew to know is now gone. Tywin, the man responsible for directing so much of “the game” we’ve come to understand,  is dead; Tyrion, another Lannister who kept much of the game in motion, is now halfway across the world; House Bolton officially rules from the seat of Winterfell; while Stannis now calls the shots at the Wall. And these were just a few of the major changes we faced in the opening episode. In this new world, there are new games to be played, new rules to those games and new players to play them. In an episode entitled The Wars to Come, it is important to recognize that the landscape of Westeros has vastly changed in the aftermath of Season 4, and believe it or not, what comes next in this new world appears even more unpredictable than ever.

THE END OF A LANNISTER ERA

Hinting at the fact that things are more different than ever, Season 5 kicks off with something viewers have never before seen — a flashback. We not only see the bratty malevolence that Cercei possessed even as a youth, but we also learn that much of the ill fate Cercei is experiencing before our eyes today, she was actually made aware of 20+ years ago. As Cercei goes to visit a witch in the woods, she tells the witch that she’s been promised to be married to a prince but the witch tells her that she will in fact marry a king. As viewers, we now know that the prince young Cercei was referring to was Rhaegar Targaryen, but that they never married, as he was killed by Robert Baratheon during Robert’s Rebellion. And instead, Cercei ends up marrying King Robert, as the witch told that she would. The witch goes on to tell her that she will be queen, until she is replaced by one younger and more beautiful (Margaery). Most important, referring to Cercei’s three future children, the witch states “Gold will be their crowns, gold will be their shrouds,” referring to their funeral shrouds, implying that death surrounds Cercei’s children. Having lost one child already during his reign as king, having a second son reigning as current king, and her third child, Myrcella, halfway across the world in the hands of their enemies, House Martell, perhaps Cercei should have listened a bit closer to the prophetic words of the fortune teller she sought out as a child.

unnamed-11

The young Cercei

Flash forward, we see that Cercei’s problems extend beyond just her children, and that an enormous void is left by the death of Tywin Lannister. Though never actually king, as we look upon Lord Tywin laying dead in the Great Sept, we feel as though we have witnessed the death of a king, a testament to the immense power that Tywin commanded in his life. And as the morose notes of The Rains of Castamere play in the background, a song which once reminded of the strength of House Lannister, we now see a much different version of this once all-powerful house — one that appears to have been reduced to no more than the revenge-driven Cercei and one-handed Jaime. And as they discuss all that Lord Tywin built for their house, Jaime reminds his sister of all the schemers and plotters that will look to prey upon their weakness as he tells her, “they are going to try to take it away…all of it.” And while it appears that we’ve witnessed the end of the Lannister era as we once knew it, Jaime tells Cercei that they must stick together to defend what their father has built, while Cercei seems more intent upon focusing on the fact that Tyrion is still out there somewhere. To say the least, with Tywin dead and Tyrion across the Narrow Sea, there’s discord amongst the Lannister twins at a time when they can least afford it.

The death of Lord Tywin, marking the end of a Lannister era

The death of Lord Tywin, marking the end of a Lannister era

OUT OF THE BOX

After weeks of being confined to a crate on a ship, Tyrion is finally released to see the realities of his new world — one where he finds himself in Pentos, with Varys, at the palace of Illyrio Mopatis, a character we’ve not seen since the first season. And right away, Varys reveals something very major. He tells Tyrion that he and Illyrio belonged to a group of people who saw King Robert’s reign as a disaster and aimed to do what was best for the realm by restoring the Targaryen dynasty. In other words, the two of them had been working together behind the scenes to help Khaleesi retake the thrown. Looking back to season 1, we can connect many of the dots. For starters, it was Illyrio Mopatis who hosted Khaleesi and her brother, Viserys, at his palace in Pentos when season 1 started.

From Season 1: Illyrio, in Pentos, harboring Viserys and Daenerys Targaryen

Illyrio brokered the marriage to Khal Drogo in an effort to put an army at the back of the Targaryens. It was also Illyrio who gave Khaleesi her three dragon eggs as a wedding present, which would go on to hatch into three living dragons — the first in hundreds of years. It had been clear that Illyrio was aiding the Targaryens, but it was not until halfway through the first season that we learned that Varys was equally involved with this plot, though much more behind the scenes. As Illyrio visits King’s Landing and walks the dungeons with Varys, Arya overhears them talking about the Targaryen claim which they are backing, and as they discuss the impending war between the Starks and the Lannisters, Illyrio notes that Khal Drogo and the Targaryens are not yet ready to make their move on Westeros, and that they need to buy more time. In short, this scene (see video below) showed us that Illyrio and Varys were plotting for a long time to back the Targaryen restoration. And now, four seasons later, it all comes full circle as Tyrion and Varys end up in Pentos at the palace of Illyrio, and Varys for the first time explicitly tells Tyrion of his plot, one that went terribly wrong.

And as we so often ask ourselves what the true motives of certain characters are, especially ambiguous ones such as Varys, we once again hear what Varys professes to want to most: peace and prosperity for Westeros. Though his plan to get Khaleesi back on the Throne did not yet come to fruition, he seems more decided than ever that she is the one true ruler who could achieve this — one that could strike fear in the powerful Lords of Westeros while inspiring greatness and compassion amongst the weaker. She has the army, the dragons and the right last name. And he now turns to Tyrion to assist him in the pursuit of helping Khaleesi to ascend the Iron Throne.

Speaking of which, it will be interesting to see what comes next for Tyrion. To date, he has been a character utterly defined by his Lannister last name. In Season 4, when Shae would so often beg Tyrion to leave King’s Landing and start a life elsewhere with her, he would always reply that he is a Lannister — what purpose would he possibly have in Easteros, away from “the game” taking place at King’s Landing? After professed that he was good at the game and he enjoyed playing it. Ironically — away from King’s Landing, halfway across the world in Easteros is now precisely where he finds himself, only under an entirely new set of circumstances. So far from his familiar world of King’s Landing and almost entirely removed from his Lannister landscape, will Tyrion find new purpose? What man will he become? And will he ultimately make his way to Mereen, along with Varys, and meet the Mother of Dragons?

tyrion

TROUBLE IN KHALEESI’S NEW WORLD

Which brings us to the new world that Khaleesi is trying to create amongst the slave cities of Easteros. Symbolic of the old ways she is uprooting and the new world she is creating, Khaleesi’s Unsullied tear the giant harpy off the Great Pyramid of Mereen. And as we recall from the end of Season 4, Khaleesi offers that the slave masters of Yunkai could “live in my new world, or die in their old one.” We see that the more Khaleesi tries to cultivate this new world, one where slavery is absolutely forbidden and justice will always be recognized, we also see the obstacles she faces — ones that may deter her from her eventual goal of reclaiming the Iron Throne. First, we see one of her Unsullied murdered by a member of the Sons of the Harpy, a resistance group that has raised up in defiance of the new world she is trying to create. Khaleesi insists that he be buried publicly in the Temples of the Graces, despite her advisors warning that this will further anger the Sons of the Harpy.

In addition to these issues she faces in Mereen, as Daario Naharis returns from Yunkai, Khaleesi learns that the ex-slave masters have asked her to allow the continuance of the fighting pit, something which she refuses. As she later chats about this with Daario in bed, he reminds her that she is the Mother of Dragons and that if she wants to have success in her new world, her dragons must be a part of it. But, when she goes to check on her two dragons which have been locked up for some time, we see that they have not only grown extremely large, but that they also appear more uncontrollable than ever. Furthermore, it’s been weeks since anybody has spotted Drogon, the largest of the three dragons. As this season unfolds, it will be interesting to see how dedicated Khaleesi remains to establishing her new world versus shifting her sights towards the ultimate goal of claiming the Iron Throne.

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Khaleesi & her dragons

THE WALL

Elsewhere, we once again see that everything has changed with major unpredictably surrounding what comes next at the Wall. In the aftermath of the battle between the Night’s Watch and Mance Rayder’s army of Wildlings, we see a depleted Night’s Watch that is now somewhat backed by Stannis Baratheon’s army. As Jon Snow ascends the Wall, Melisandre asks him if he is a virgin. When he informs her that he is not, she responds, “good,” with a sinister grin. Atop the Wall, Stannis tells Jon Snow that he plans to retake Winterfell from House Bolton and wants the Wildlings to fight for him. All Mance has to do is bend the knee, to which he of course refuses. As Jon Snow tells Mance he is making a mistake, Mance responds “All I ever wanted was the freedom to make my own mistakes.” Even when faced with being burned alive, Mance would rather die a free man than acquiesce to the rules of the southern kingdoms and bend the knee. And as everybody looks on as he begins to burn, Jon Snow puts an arrow in his heart to prevent the horrible death Mance was about to experience.

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EVERYTHING ELSE

In a roundup of some of the smaller scenes of the premiere episode, we see the continued journey of Brienne and Pod, who in their new world, appear to lack any true purpose or destination. Sansa, appearing darker than ever, continues to journey on with Littlefinger, and on their new path together, leave Robin Arryn with Lord Royce for safekeeping. We also see Lord Baelish receive a message, which undisclosed, he stashes in his sleeve. Once in private, Baelish tells Sansa that they are going somewhere so far away that even Cercei cannot find Sansa. And back in King’s Landing, Lancel Lannister, Cercei’s cousin, reappears as a Sparrow, stating that he has found peace in the Light of the Seven. He apologizes to her for their unnatural relations, and also for the part he played in serving Robert Baratheon the very strong wine, which led to his hunting accident and eventual death. Though it had been implied previously, we receive explicit confirmation of the role that Cercei played in killing her husband and the King. And as the season premiere comes to a close, while we may not have witnessed any singularly gamechanging events, this new season presents a new world, one where the game appears to be changing and anything could be possible.

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Sansa, appearing darker than ever

Episode 7 Recap: Mockingbird

TYRION & JAIME

Episode Seven begins with an emotional exchange between Tyrion and Jaime, Lannister brothers that had grown accustomed to their high-born lives of power and entitlement. It was not long ago that Tyrion was on top of the world — more or less running the show in King’s Landing as Hand to the king, with Shae, the woman he loved by his side, and all the gold and wine that a man could ever desire. Similarly, Jaime had everything he could ask for — namely the woman he loved, and the hand that swung his sword from which his power derived. Now, he has neither of these things. And as the two sit in Tyrion’s cell, the deterioration of their situations is more apparent than ever. Everything has changed — Tyrion is powerless to the false verdict of a murder he did not commit, while Jaime is utterly helpless to defend and protect his own brother. However, the two agree that one thing has not changed — Lord Tywin would have once again gotten exactly what he desired had Tyrion stuck to the plan of confessing to the murder. Killing two birds with one stone, Lord Tywin would have been able to get rid of Tyrion by sending him to the Wall, while at the same time securing Jaime as a proper heir to Casterly Rock and the Lannister dynasty. However, after hearing Shae’s heartbreaking testimony, Tyrion decided he had nothing to lose and deviated from the plan, leaving his fate up to the gods in a trial by combat, ruining Lord Tywin’s master plan. As the scene comes to a close and we see the despair in both their eyes, it is sad to consider the unbelievable toll that being a Lannister has taken on both their lives. Their roles and duties as Lannisters have been dictated by Lord Tywin from day one, leaving them little opportunity for any kind of true freedom or happiness. But, for the moment, that has all changed, as Tyrion has taken the power and control from Lord Tywin and placed their fate in the hands of the gods in the imminent trial by combat.

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After realizing the sad reality that Jaime is unable to defend him in trial by combat, Tyrion summons Bronn and requests that he step up as his champion. However, Cercei has successfully manipulated the situation and arranged a marriage between Bronn and the highborn Lollys Stokeworth. Bronn’s already achieved knighthood and has plenty of gold — this marriage will solidify his status and put him in line to receive the castle of House Stokeworth. There is no longer anything Tyrion can offer Bronn that he does not already have, and in a final plea, Tyrion notes their friendship as a reason to fight for him. In response, Bronn states “Ay, we are friends, but when have you ever risked your life for me?” There is nothing left to say and the two shake hands, remembering the good days they’ve had together, realizing that this may be the last time they see each other. It seems like just episodes ago that Tyrion was a free man, using his gold to achieve anything he wanted, while Bronn was just a lowly sell-sword, subject to the power of Tyrion’s gold. Now Tyrion is locked in a cell with the possibility of imminent death, while Bronn is a free man with gold, knighthood and highborn wife-to-be…How quickly things do change in the Thrones world.

“NOTHING IS JUST NOTHING”

As Arya and the Hound continue on their journey, they come across a dying man, whom the Hound kills to put him out of his misery, telling Arya, “That’s where the heart is. And that’s how you kill a man.” But, before this, Arya and the man share some final words, as the man tells her that nothing could be worse than the slow death he is experiencing. With apathy in her eyes, Arya responds “Nothing isn’t better or worse than anything…Nothing is just nothing.” These are powerful words that demonstrate not only Arya’s apathetic attitude towards death, but also her connection to nothingness. Each time Arya has killed somebody, she has appeared emotionless — almost indifferent. And now, as she looks on at a man taking his last dying breaths, it is more clear than ever that she developed a completely apathetic attitude towards the idea of death, a concept that evokes much emotion in the average person. After losing almost every person around her, she has cut herself off from feeling anything at all towards the idea of death. And as she shares these words with the dying man, we see her unique perspective on the nothingness she feels after having lost everything — it isn’t better or worse than anything — it’s just nothing.

A moment later, two men appear in hopes of capturing or killing the Hound to receive the large bounty that Lord Tywin has placed on his head. After the Hound snaps the neck of the first man, Arya recognizes the second as one of the prisoners she freed along with Jaqen H’ghar. With her razor-sharp memory, Arya recalls this man telling her that he would “Fuck her bloody with a stick.” And as soon as she learns his name, she adds him to her list, before crossing him off a moment later by putting her sword through his heart. Again appearing undisturbed and emotionless at the sight of death, even death at her own hands, Arya continues to cross names off her list as she grows her kill count.

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Later, Arya suggests that the Hound use fire to burn his wound and prevent infection. Of course, the Hound jumps back at the site of fire, before telling Arya of how he got the burns on his face from his own brother, the Mountain. As the beloved relationship between these two characters continues to evolve, we see more emotion and sensitivity from the Hound than ever before. It was not the burns that scarred him the most, but rather that it was his own brother who did this to him, only for his father to protect his brother rather than care for the Hound. We now see more clearly that perhaps these two characters are not so different after all; both have lost their families in one way or another and are now out on their own. But with a large bounty on his head as a result of the soldiers he killed to protect Arya, it is unclear how much longer the Hound is interested in keeping Arya’s company. “No reward is worth this much trouble,” he tells her. That said, Arya is likely the only person that the Hound has had any emotional connection with since childhood, and in the end, the Hound agrees to let her physically care for his wound, symbolic of the the ways that their connection has also tended to some of his emotional wounds.

BRIENNE & PODRICK

Another unlikely duo, Brienne and Podrick are on their journey to find Sansa when they encounter Hot Pie, an old friend of Arya’s. After Brienne inquires about Sansa, Hot Pie tells them that Arya is in fact alive and likely with the Hound. Not seen since Ned’s beheading, it has been presumed that Arya was dead for some time now, and it is significant that Brienne and Podrick are now aware that she may be alive. Podrick states that the Hound is likely taking her to the Eyrie where he could receive reward from Lysa Arryn. Before leaving, Hot Pie gives them a bread baked in the shape of a wolf for Arya, something he had given to her once before they parted ways many episodes ago.

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JON SNOW

Jon Snow and the others return to Castle Black from north of the Wall, only to find continued scorn from Alliser Thorne. Speaking before the brothers, Jon Snow tells that the Wildling attack on the Wall is imminent and that steel gates will not keep out their army, which includes giants. Jon proposes that they seal the tunnels which would block out the Wildlings, but also prevent the Nights Watch from going north of the Wall. Lord Commander Alliser Thorne mocks Jon Snow and rejects his proposal, while ordering he and Samwell Tarly to patrol duty on top of the Wall.

“THEY CAN LIVE IN MY NEW WORLD OR THEY CAN DIE IN THEIR OLD ONE”

Daario Naharis once again makes a play at Khaleesi, bringing her wild flowers and telling her that he only lives for two things: war and women. He begs her to let him pursue his love of war, rather than merely patrolling the streets of Meereen; when she denies his first love, she offers him a chance at his second one. She tells him to get naked and although we do not see it, it is presumed that they finally have sex. Beyond the dicey implications of how sex could affect the dynamic of this relationship moving forward, this action was significant for Khaleesi’s character evolution. Going back to the first season, before she was Khaleesi, Daenerys was just a young girl who was forced by her brother, Viserys, to marry Khal Drogo. Still coming of age, Daenerys was forced into sexual situations against her will. And later, once she warmed up to Khal Drogo, she then had to learn how to use her power of sex to truly win him over. Her sexuality was a very large part of her identity throughout — in many ways, she was powerless without it. And now, as she has become Khaleesi, the Mother of Dragons, commanding an army of 10,000 soldiers, she has more power than perhaps any person alive. And for this reason, the sexual experience with Daario, one that came from a place of power and strength, was significant to Khaleesi’s character.

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The next morning, Jorah crosses paths with Daario who is leaving Khaleesi’s chambers. Ser Jorah questions how much faith Khaleesi has put into Daario — after all, he is just a sell-sword. Khaleesi tells Jorah that she has sent Daario and the Second Sons back to Yunkai to slaughter all the masters that have retaken the city. Ser Jorah objects and tells her that this would be no better than the barbaric crimes of which the masters themselves are guilty. He also reminds Khaleesi that he himself is guilty of slave-trade, a crime for which he was shown mercy by Ned Stark. Jorah adds that he would not be standing where he is today had Ned executed Jorah for his crimes, much the way Khaleesi is planning to in Yunkai. Moved by his words, Khaleesi changes her mind and decides to offer the slave masters a choice, “They can live in my new world or they can die in their old one.”

THE RED PRIESTESS

At Dragonstone, Lady Melisandre converses with Lady Selyne about the magic potions that she has used to trick people into considering the Lord of Light. However, the Lord of Light is still very real and these potions are only a gateway to get people to see the truth of the Lord of Light. Lady Selyne then mentions that she does not think they should bring their daughter, Shireen, on their journey to the Wall. However, the Red Priestess tells her that the Lord needs her daughter — it has been seen in the flames.

“THAT’S NOT A MONSTER…THAT’S JUST A BABY”

In the middle of the night, Tyrion receives another visit, this time from Prince Oberyn. The Red Viper first tells Tyrion of Cercei’s attempt to manipulate him, but he sees through her Lannister tactics, and what he sees is an opportunity for revenge. But first, he tells Tyrion a story of the the time he traveled from Dorne to Casterly Rock to meet the monstrous baby that was Tyrion. After having been described as a terrible monster, Prince Oberyn was dissapointed to see that Tyrion was in fact not a monster, but just a baby. Tyrion’s eyes fill with tears as he realizes that even as a helpless and innocent baby, Cercei wanted him dead; so many years later and nothing has changed. As Prince Oberyn has learned that Cercei has named the Mountain to fight on her behalf, Oberyn is eager for the opportunity to avenge the murder of his sister and her two babies. The Red Viper has been waiting for this revenge for many years, and the opportunity has finally presented itself, giving Tyrion a champion to fight on his behalf. And so the combat is confirmed: the freakish size and strength of the Mountain versus the speed and agility of the Red Viper.

“GIVEN THE OPPORTUNITY, WHAT DO WE DO TO THOSE WHO HURT THE ONES WE LOVE?”

In the courtyard of the Eyrie, Sansa reconstructs Winterfell, the place she once knew as home. However, it is not long before Robin demolishes Sansa’s castle, just as the actual Winterfell itself had been destroyed. Sansa slaps Robin and he runs off, just as Littlefinger appears to reassure Sansa that everything will be okay. Sensing that he has not been completely forthright, Sansa again asks him exactly why he killed Joffrey. Petyr makes it very clear that he murdered Joffrey out of revenge as he states, “Given the opportunity, what do we do to those who hurt the ones we love?” He goes on to tell Sansa that in a world where love prevails over war, she could have been his daughter, but unfortunately they do not live in that world. And then he kisses her, as Lysa Arryn looks on.

Later, Lysa Arryn confronts her niece and becomes hysterical as she threatens to throw Sansa through the moon door. Petyr calms his wife before telling her that he has only ever loved one woman — “your sister.” He then pushes Lysa through the moon door, raising many questions about what his next steps are and how Sansa fits into those plans.

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Episode 5 Recap: First of His Name

LITTLEFINGER & LYSA

As the fifth episode begins, Littlefinger and Sansa arrive at the Bloody Gate, the only entrance to the Eyrie, and Littlefinger tells of how the Eyrie has never been sacked in its thousands of years of existence. Finally arriving at the Eyrie, Lysa Arryn is ecstatic to see Lord Baelish and Sansa meets her aunt and cousin, Robin, for the first time. After Sansa and Robin leave the High Hall, Lysa tells Petyr that she wishes to wed immediately and questions what other wife would do for him what she has done already. A major reveal, she goes on to mention that she executed Petyr’s plan to poison her husband, Jon Arryn, and then write a later to her sister, Catelyn, communicating that she suspected the Lannisters to be the culprits of this murder.

There are major implications of this information as this takes us all the way back to the very beginning of the GoT series. Up until now, we have believed that the Lannisters were indeed behind the murder of Jon Arryn, who had learned the truth of Joffrey’s illegitimate claim to the throne. However, we only believed this because of Petyr’s plot which was executed by Lysa Arryn. Littlefinger has been scheming from the onset, and taking advantage of her love for him, he has used Lysa Arryn as a pawn in his plan. Not only did she murder her own husband, but she lied to her sister about her suspecting that the Lannisters were behind the murder. In turn, Catelyn shared this information with Ned Stark, who further investigated the matter when he got to King’s Landing. His investigation, based on a false letter from Lysa, ultimately led to his death. We are once again reminded that there are many players in this “game,” each with agendas of their own, which may often be concealed and unknown.

Later, Sansa speaks with her aunt, the first true family she has been with since leaving Winterfell. Most of us were probably hoping for a warm embrace; for Lysa to pull Sansa close, hug her as a mother and tell her everything will be okay. Instead, Lysa is jealous of Sansa, questioning why Lord Baelish cares so much for her and holding against Sansa the love Petyr had for her mother. Lysa tells Sansa how even though Petyr loved Catelyn his whole life, she rejected him for Brandon Stark, who almost killed Petyr in a duel for her love. On the other hand, Lysa has loved Petyr her whole life and she resents Sansa over the love Petyr had for Catelyn. And, as if things could not get worse, Lysa tells Sansa that she will marry her cousin, Robin, and become a lady of the Vale.

A NEW KING IS CROWNED

Margaery looks on as Tommen is crowned the new king of the Seven Kingdoms. The two exchange a discreet smile, before Cercei symbolically steps in between them and makes her way over to Margaery. Cercei tells Margaery that despite the shocking things Joffrey did, she could still never love another like her firstborn. As they watch the young Tommen on the throne, Cercei speaks to the “Game of Thrones,” and the kings that have temporarily won the game, though generally undeserved. Cercei comments, “He could be the first man who sits on that throne in 50 years to actually deserve it.”

Cercei turns to Margaery and asks whether she still intends to be queen, proposing her a new marriage to Tommen. Disingenuous, Margaery states that she is still grieving Joffrey and has not yet thought about this. The character evolution continues as we now see a Cercei who is willing to relinquish control of her son. After losing her first son to the Throne, she likely now realizes that it is important that Tommen has a wife who can help him; Cercei realizes that she alone cannot control the destiny of or protect her son.

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“I WILL DO WHAT QUEENS DO…I WILL RULE”

In Meereen, Khaleesi learns that Daario Naharis has captured the Meereenese navy, 93 ships to be exact, though he did this without order. With 10,000 troops and a naval fleet to cross the Narrow Sea, Khaleesi questions if it is now time to descend upon King’s Landing. Ser Barristan notes that there is a new king and King’s Landing is as vulnerable as ever. However, Ser Jorah notes that it is not just about capturing King’s Landing, but being able to rule over the entire continent, something she likely could not do with only 10,000 men. Ser Barristan reminds that there are many houses of Westeros that are still loyal to House Targaryen and would rally behind her cause should she return to Westeros to claim the Iron Throne. However, Ser Jorah tells Khaleesi that all is not well in Slaver’s Bay. The masters of Yunkai have reclaimed the city and enslaved those that she freed who did not leave with her. And in Astapor, a butcher called Cleon has defeated the council she put in place and now rules over the city.

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As she contemplates her options, Khaleesi asks how she could rule over Westeros if she cannot be trusted by her subjects. And again, we see the composition of Khaleesi’s attributes which make her one in a million. Any other ruler we have seen has implemented a philosophy of letting the ends justify the means. That is, they want to ascend the Iron Throne and all its power and glory, so much so that they will exercise most any means necessary to do so. Never have we heard somebody question whether they deserve to be king or if they’ve earned the trust of their followers. But for Khaleesi, it is the opposite — she will let her means justify the end and not the other way around. She believes she must earn the Iron Throne, by being a powerful yet compassionate ruler. And before considering King’s Landing, she makes it clear that she will fix what she started on Easteros and do what a queen must — rule.

ARYA & THE HOUND

As they get ready for sleep, Arya reminds herself of the revenge she seeks and repeats the names of the men that she must kill. Before finishing, she rolls over and names the Hound as the final one. The Hound tells her, “Hate’s as good a thing as any to keep a man going.” It was a poignant message and speaks to the broader idea of the various things in this world that “keep a man going.” While each character has their own motives, it is important to consider the fire which drives these motives. Sure, on the surface level, we know that Arya’s motives are to kill the men that have wronged her and those around her. But a bit deeper, we see that it is ultimately hate and the desire for vengeance that keeps her going. When we stop for a moment to look at each character and consider what exactly it is that keeps them going, we gain a bit more insight into the richness of each character and the way they fit into this world.

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The next morning, the Hound wakes up to find Arya doing a water-dance, something taught to her by Syrio Forel, a great Braavosi swordsman with whom she trained at King’s Landing. Again, the Hound mocks Arya’s impracticality and notes that this sort of thing will get her killed. Arya attempts to put her sword through the Hound, though she barely dents his armor before he smacks her to the ground.

THE WELL HAS RUN DRY

Cercei and Lord Tywin discuss the impending marriages which will strengthen ties with House Tyrell. Cercei says that she believes Tommen and Margaery can marry in two weeks, and two weeks after that, she will marry Ser Loras. As they discuss the importance of the Tyrell alliance, Lord Tywin admits to a very powerful secret that few are aware of: the gold mines of the Westernlands have not produced any gold in nearly three years. The Lannisters derive their power from their wealth and their wealth from their control of the gold mines that exist within the Westernlands. Without this wealth, their power diminishes and the alliance of House Tyrell, the next most wealthy house of Westeros, becomes all the more important. Making matters worse, Tywin reveals that the royal crown has a “tremendous” debt to the Iron Bank of Braavos — a debt that must be paid.

POWER & LOVE

Cercei engages Prince Oberyn and the two discuss the idea of power and love. More specfically, they explore the irony of possessing power but still being unable to protect those that you love. The powerful Prince of Dorne was unable to protect his sister Elia, much the same way Cercei was unable to protect her beloved Joffrey. Price Oberyn states that despite this, one can still avenge the murder of somebody you loved. Cercei tells Prince Oberyn that she is positive that Tyrion killed her son and implies her desire for Prince Oberyn to find Tyrion guilty. More explicitly, she asks for another favor, that Prince Oberyn deliver to her daughter, Princess Myrcella, the ship that Cercei had built for her. Princess Myrcella is still in Dorne, since Tyrion shipped her off and arranged her to be married to a Dornish prince.

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“I SAW THE SNOW FALL AND BURY YOUR BONES”

The Night’s Watch arrives at Craster’s Keep and Locke advances to scout the location. Returning to the others, Locke tells that they can easily overtake Craster’s Keep, and notes that they should keep clear of the hut where Bran and the others are being held, but lies about the the reason why and conceals the fact that he saw them there.

At the same time, we see Jojen’s vision of the great weirwood tree that Bran also saw in his vision. Jojen tells Bran, “He is waiting for you there,” and assures them that they will know once they’ve found the end. We also see Jojen’s hand engulfed in flame as part of his vision.

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Next, Karl chains up Meera and has plans to do terrible things to her. Trying to help his sister, Jojen tells Karl that he has greensight and offers to help him. When Karl tells Jojen about the terrible things he is about to do to Meera, Jojen reveals his vision and tells Karl, “I saw you die tonight. I saw the snow fall and bury your bones.” And at that moment, the Night’s Watch invade and begin the fight. Locke makes his way to the hut and captures Bran, the only reason he was there in the first place. Calm and collected, Bran skinchanges into Hodor and uses his immense strength to break the neck of Locke with his bare hands. After Bran regains consciousness, he tells Hodor to free the others. As close to Jon Snow as he’s ever been on his journey, Bran calls out to Jon, but Jojen reminds him of his greater calling — Bran must proceed north, something that Jon Snow would not let happen if they came together.

Inside Craster’s Keep, Jon squares off against Karl and is losing the fight due to Karl’s dirty fighting tactics. However, one of Craster’s wives comes to Jon’s rescue and puts an axe into his back, before Jon ultimately kills him by putting his sword through the back of Karl’s head. As the Night’s Watch round up the dead bodies, it is realized that because Locke was killed and Bran did not get to tell his brother what happened, none of the brothers will realize what Locke was truly there for, or ultimately that Roose Bolton is on the hunt for Bran and Rickon. Jon is reunited with Ghost, and as Jon Snow invites Craster’s wives back to Castle Black, they communicate their distrust of the Night’s Watch and state that they do not wish to return with them. They spit on the ground and curse Craster’s Keep before burning it to the ground.

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Daario Naharis

Daario Naharis is from Tyrosh, a free city of Easteros, and is currently the commander of the Second Sons. Prior to Khaleesi’s arrival, the Second Sons, which were led by three commanders, were paid to protect the slave-city of Yunkai. Khaleesi offered the three commanders an opportunity to avoid war, but two of the commanders insulted her and turned her down, claiming she could not beat them or sack the city of Yunkai. Drawn in by her beauty, Daario kills the other two captains and brings Khaleesi their heads. From then on, Daario has fought for the beauty of Khaleesi and commands the troop of 2,000 Second Sons.

Interesting to note, the actor that played Daario Naharis changed from Season 3 to Season 4 as the original actor got a role in a movie that conflicted with filming of Thrones.

The original actor on left; new actor on right

The original actor on left; new actor on right

Episode 3 Recap: Breaker of Chains

SANSA’S GREAT ESCAPE

As the episode begins, Sansa, led by Ser Dontos, attempts a suspenseful escape of King’s Landing — the torturous prison that has been her home for what seems like years. For so long, Sansa has dreamed of a hero freeing her and escaping the cruel and miserable life she has been forced to live in the capital. And now, that moment has finally arrived. Yet, as she finally makes it out onto the open water, things appear a bit more eerie and unsure. The scene becomes dark and a foggy haze fills the air. We soon learn that Ser Dontos was following the orders of Littlefinger, who plotted the rescue and escape of Sansa. Though, Lord Baelish’s motives are unclear, and Sansa appears wary, especially after Littlefinger kills Ser Dontos, the unlikely hero that saved her life. Littlefinger holds Sansa close and tells her, “You are safe now with me, sailing home.”

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“AM I STILL QUEEN?”

Margaery sits with her grandmother, Lady Olenna, asking her whether she is still the queen, now that Joffrey is dead. Lady Olenna confirms that she is still technically the queen, and that the death of Joffrey was more pleasant than would have been a life married to him. She also reminds Margaery that the Tyrell alliance is very important to the Lannisters, and that a life married to Tommen, rather than Joffrey, will be better for Margaery.

ONE KING DIES AND ANOTHER KING IS READIED

In the Great Sept of Baelor, overlooking the corpse of Joffrey, Lord Tywin questions Tommen about the virtues that make a good king. As Tommen mentions several characteristics, such as strength, holiness and justice, Tywin points out many great kings that possessed each of these virtues, but ended up dying or being killed. Finally, Tommen understands it is wisdom, the characteristic that all these kings lacked. Tywin points out that the wisest of kings acknowledge what they do and do not know. “A wise young king listens to the advice of his counsel until he comes of age. The wisest of kings continue to listen long thereafter.” As Tywin walks out with Tommen, Cercei looks on, perhaps realizing that she has just lost another son to the “game” of thrones.

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As Jaime clears the Sept, he and Cersei stand over the body of their dead son — a son that Jaime was never able to truly father. Cersei insists that Tyrion has murdered Joffrey and asks Jaime to kill him for it. Jaime refuses and defends Tyrion as their brother, who will receive a fair trial. As her grieving turns to lust, Cersei kisses Jaime, but pulls away after being reminded of his golden hand. Jaime exclaims “You are a hateful woman. Why have the gods made me love a hateful woman?” He then forces himself upon her, tired of being rejected and pushed away.

“I JUST UNDERSTAND THE WAY THINGS ARE”

As Arya and the Hound continue towards the Eyrie, Arya asks him where he will go once they reach their destination. He says that he has considered crossing the Narrow Sea and becoming a sellsword in Easteros. Arya responds that she too would like to go to Easteros and that she has friends in Braavos. As they stumble upon a modest man of the Riverlands, Arya pretends that the Hound is her father, a man who fought for the Tullys of Riverrun. Believing they support the same houses, the man takes in Arya and the Hound. Over dinner, the man discusses the Red Wedding and reminds that Walder Frey committed sacrilege that day, breaking the ancient and sacred law of Guest Right. “The gods will have their vengeance and Walder Frey will burn in hell for what he did.” The man also speaks of the impending attacks from Wildling raiders and mentions that the “whole country has gone sour.” The man offers the Hound fair wages for fair work, but the Hound rather steal the man’s silver than work for it. As expected, Arya is outraged after the Hound steals from the innocent man who took them in, and as viewers, we were too. But, as happens so often in this world, our perspective quickly shifts after the Hound explains himself. “They will both be dead come winter and dead men have no need for silver.” After Arya tells him that he is the worst shit in the Seven Kingdoms, he poignantly replies “There are plenty worse than me. I just understand the way things are. How many Starks have they got to behead before you figure it out?”

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Like the juxtaposition of their relationship as a whole, this powerful exchange underscores the diametrically opposed philosophies of these two characters. Arya, a character fighting desperately to defend the ideals of the world as she sees it — more than anything, wanting to achieve justice and preserve whatever good is left around her. Versus the Hound, a character with a more realistic perspective of the world around him. He has been exposed to the evils that exist and understands the way things are. In his dialogue to Arya, he points out that the romantic ideals of House Stark have gotten many of them killed, and perhaps it is time for Arya to abandon these notions and to start realizing the truths of the world around them — and what must be done to stay alive.

WE NEED AN ARMY

At Dragonstone, Stannis receives word of the death of King Joffrey and believes this to be another validation of the magic of the Lord of Light. Though, time is running out and he tells Ser Davos, “If I do not press my claim, my claim will be forgotten. I will not become a page in somebody else’s history book.” Ser Davos promises to raise an army for Stannis and has the idea to seek from the Iron Bank of Braavos the funding needed to raise an army of sellswords.

LORD TYWIN & PRINCE OBERYN

Back in King’s Landing, we continue to see the way the Dornish customs differ from the rest of Westeros, as Prince Oberyn enjoys the sex of both men and women. The room clears as Lord Tywin enters to discuss more important matters with Prince Oberyn. After discussing the murder of Oberyn’s sister, Elia, and her two babies, Lord Tywin denies giving those orders to the Mountain. Tywin proposes an allegiance: he will provide Prince Oberyn the opportunity to serve justice to the Mountain, if Oberyn will serve as a judge to Tyrion’s trial and help serve justice to the king’s assassin. However, this arrangement is only a microcosm of the alliance that must be strengthened between between Dorne and the rest of Westeros, should they want to survive the impending evils that Lord Tywin speaks of. He tells that Stannis still presents a threat, while Wildlings march south from beyond the Wall, and across the Narrow Sea Khaleesi has raised three dragons. Tywin reminds that Dorne was the only one of the Seven Kingdoms which Aegon was unable to conquer during his Conquest, and that Dorne and the rest of Westeros need each other.

TYRION & PODRICK

Tyrion’s squire, Podrick Payne, visits Tyrion in his cell and informs him of the trial that is to take place. Podrick was offered knighthood in exchange for testifying against Tyrion, though Podrick refuses the offer. Fearing for his safety, Tyrion demands that Podrick leaves King’s Landing. Tyrion tells him that this is farewell and with much emotion, tells him that “there has never lived a more loyal squire.” In this moment, our perspective once again shifts as we realize the power of this relationship — one that we probably took for granted and never gave much thought. Perhaps more so than anybody else, Podrick knows that beneath all the wine and whores, Tyrion is a good man with a soft heart. And conversely, Tyrion recognizes the unwavering loyalty of Podrick and the true care that he has for Tyrion. And just like that, after all those years, Tyrion must insist that this is farewell.

THE WILDLINGS RAID

Further north, we see the first major Wildling raid on a small village as they savagely murder the men, women and children. There is a clear vengeance about them — they are coming for blood and appear unwilling to let anything get in their way. They spare one child and tell him to run for Castle Black and let the Night’s Watch know that the Wildlings are coming.

When the Night’s Watch find out, they first call for retaliation, but Jon Snow reminds them that if the Wildings get past the Wall, they will raid a thousand more villages before they come upon an army that can stop them. As such, they cannot leave the Wall — they must stay put and prepare for the Wildlings that are coming. However, a moment later two brothers return from beyond the Wall — brothers we have not seen since the mutiny at Craster’s Keep which resulted in the murder of Lord Commander Mormont. They inform the Night’s Watch that the brothers who conspired are still at Craster’s Keep and Jon Snow tells that they now must go north of the Wall to murder these brothers. It is a matter of security — they know the truth that there are only about 100 men at the Wall, and if Mance Rayder were to learn this truth, he would descend upon the Wall immediately and smash the depleted army of the Night’s Watch.

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BREAKER OF CHAINS

Khaleesi finally arrives at Meereen with her armies, and we see grand city for the first time — reminiscent of an ancient Egypt with great pyramids. Meereen sends out a rider to champion the city and Daario Naharis is selected by Khaleesi as her champion, after Grey Worm, Ser Barristan and Ser Jorah all offer to fight for her. A strategic fighter, Daario Naharis kills with ease the champion of Meereen, setting the stage for Khaleesi’s speech. Rather than speaking to the masters, she speaks directly to the slaves, telling them that it is not her, but rather their masters who are the enemy. She notes the freed slaves of the city of Yunkai and Astapor that now stand behind her and offers them the same opportunity. She tells them, “I bring you a choice. And I bring your enemies what they deserve.” She then catapults into the city dozens of barrels filled with broken slave chains. The episode ends as one slave picks up the broken chain, realizing the immense power and symbolism of a chain that has been broken, before looking back at his master.

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