SEASON 6, EPISODE 7: THE BROKEN MAN

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

THE BROKEN MAN

Seven episodes down, three more to go. And after this season, only approximately 13 more episodes to go…For the entire show. As I talked about in the season six primer, the entire show and its vast storyline is a lot closer to coming to an end than most people realize. And, last week, Thrones producers confirmed that after this season, there will only be about 13 episodes left, split into two seasons — meaning we’ll get a seventh and eight season, each of which will be shorter 6 or 7 episode seasons.

So why is this so important? Well, it changes how each of  us should be viewing and thinking about each episode at this point. For a long time, it seemed like we were just at the beginning of a story that would take years to unfold. So, everything we watched seemed a little less important, because we knew that a lot more still had to transpire before we started to near the end. But all of that has changed; we are there now. The finish line is in sight, and every episode, every scene, every dialogue should be relished at this point. There is no more room for any filler episodes or even filler scenes. Everything we see now is important. We are inching towards the end, and the glorious end that we will see shortly down the road is being set up right here, right now.

In the seventh episode, entitled The Broken Man, we saw just that — a lot of broken characters, trying to put themselves back together. More importantly, we saw these characters starting to cement their positions — the positions that will likely dictate how they fit into the greater end of this entire story. Theon made the decision to no longer be a broken man, and to serve his sister as the strong Theon that she needs him to be, as we learn of their plan to sail to Mereen to parlay with Khaleesi — no doubt a decision that will shape how they fit into this story’s final act. We see another broken character, Cercei, who has pretty much reached rock bottom, and is attempting to piece things back together by proposing a union with the Tyrells. Unfortunately for her, she is rejected by Lady Olenna, and it seems like desperate times will call for desperate measures as violence is imminent for Cercei in  King’s Landing. In Braavos, Arya certainly has become the broken man, now fighting just to stay alive, putting her voyage back to Westeros in jeopardy.

The list goes on. But perhaps the most obvious broken man of them all, and also the greatest surprise (for me personally) to date, is The Hound. Dreams do come true, and The Hound is alive! For several seasons, I have been saying that The Hound must still be alive. After Arya left him bloody and wounded, it was assumed that he was left for dead — after all, he was in pretty bad shape. But generally speaking, if Thrones is going to kill off a major character, they are going to milk it for all the dramatic value that death is worth. So, to not show the death itself, led me to believe that The Hound would find a way to survive and eventually reemerge.

After being Hound-less for a couple seasons, and witnessing his amazing reemergence, let’s explore the greatness of his character for a moment. The Hound was always my favorite character, especially after the evolution of his character via his bond with Arya. The show originally presented him as the ultimate villain — Joffrey’s dog who would carry out whatever brutal acts Joff commanded. And of course, his appearance made him look all the scarier and less likable. But slowly, we came to see that this man was not all evil and surprised us all with a conscience. Several times he protected Sansa from Joffrey and even offered to help get her out of King’s Landing. Then, we learned about his brutal disfigurement at the hand of his brother, The Mountain, when they were just small boys. We learned that this was the cause for his deep fear of fire and we started to develop a sense of sympathy for this once brutal villain — we began to see his humanity. But at the same time, there was a realness to his character — even as we began to see his softer side, he did not hide the fact that he was driven by one thing — his love of killing.

To me, this was the beauty of his character. On the one hand, he had a conscience that guided his actions and ultimately made him a purer character than most of the sinners in the Thrones world. On the other hand, he loved nothing more than the ultimate sin — taking lives. And this is what made him so real. In a Thrones world full of pretenders, schemers and social-climbers, The Hound knew exactly who he was and he did not try to hide it. The juxtaposition of the good and bad in him made him such an interesting, wonderful and relatable character. And then he joined up with Arya and we got to see the continued exploration of this as his good shined through in trying to protect Arya, but his love of killing was also brought out by Arya, who also shared a similar love for killing, albeit hers driven by revenge. So when Arya was the one to leave him for dead, it was heartbreaking, when we knew deep down that this was a good guy who got dealt a bad hand. But The Hound was strong and survived, and now reappears as another broken man, trying to rebuild himself and figure out exactly who he wants to be.

KING’S LANDING

For some time, the stew has been simmering in King’s Landing, and there’s no doubt that it’s about to come to a boil. Between the Tyrells, the Lannisters, the Faith Militant and everything else going on, blood will definitely be spilt very soon. We start in King’s Landing with Margaery studying the holy text, continuing to play the part of the pious repenter. In fact, she is playing the part so well, that some of us might be wondering whether she is acting at all; perhaps she has truly turned to the Faith of the Seven. But, Margaery has always been the master manipulator, with her eyes set on becoming queen and raising House Tyrell to the top, so my money is on the fact that she’s just playing the game. It seems to be working as she has Tommen fooled into prioritizing the Faith Militant over his own family, weakening the positions of Cercei and Jaime. She also appears to have the High Sparrow himself fooled into thinking that she is on his side. So, she takes his advice and tells her grandmother, Lady Olenna, that she must return to Highgarden, while secretly slipping her a piece of parchment. On that parchment turned out to be a rose, the sigil of House Tyrell, implying that Margaery is in fact still in favor of her own house and just playing this role to help strengthen the position of House Tyrell.

margaery

Separately, Cercei pays Lady Olenna a visit and proposes a union between the two houses. But, Lady Olenna is getting out of town and has no interest in any sort of coalition with Cercei or House Lannister. She is quick to point out the truth, which is that Cercei is single-handedly responsible for all the trouble they are facing now. After all, it was Cercei who put her trust in the High Sparrow in an effort to further her cause. That eventually backfired when we learned who the High Sparrow and Faith Militant really were, which ended up crippling those in power in King’s Landing — the Lannisters and the Tyrells. Lady Olenna chose some particularly poignant words, appearing to honestly reflect as she tells Cercei “I wonder if you might be the most horrible person I’ve ever met.” Rubbbing salt in Cercei’s wounds, she continues “You’ve lost, Cersei — it’s the only joy I can find in all this misery.”

cercei

So in an episode entitled The Broken Man, we see that Cercei may be the most broken of them all. She’s now endured the deaths of two children — both murdered, while her third has been all but taken from her, under the spell of Margaery and the High Sparrow’s manipulation. Jaime is off fighting in Riverrun. She has so little at the moment that she might have even realized some solace from having Tyrion around — the brother that she always hated. So here she is, in the middle of King’s Landing, almost completely alone and more powerless than ever. But what she does have is her undying vengeance. As she’s stated dozens of times before, she tells Lady Olenna that she is driven by her mother’s love, and we know that Cercei will stop at nothing to protect Tommen from those using him and to avenge the deaths of the children she’s lost thus far. Since her great walk of shame, Cercei has appeared weak and fragile, but let us not forget who she truly is. She is fierce, she is cold and she will stop at nothing. Let’s also not forget that she’s got the freekish Mountain at her side, sworn to fight for her; it seems like that fight is about to take place.

RIVERRUN

It’s good to see the Riverlands again, the middle area of Westeros which was a common setting in previous seasons, especially for the Hound and Arya. We arrive at the seat of the Riverlands, Riverrun, home to House Tully, or what’s left of it, which is really just The Blackfish (Catelyn and Edmure’s uncle). We see House Frey attempting to lay siege to Riverrun, as commanded in last week’s episode by Walder Frey. Their attempt to win over the castle by threatening to kill Edmure does not even command the attention or respect of Blackfish. He’s much wiser than them and knows that they will not kill Edmure — they need him as a bargaining chip. The Freys are also a bunch of bumbling fools and just simply do not know what they’re doing.

jaime

Enter Jaime and Bronn, with a sizable Lannister army at their backs. Jaime lets it be known that the siege is now under his command and Bronn barks out orders to start to set up a perimeter for an actual siege. But before blood is shed, Jaime wants to speak face to face with the Blackfish. As we know, Jaime is not a bad man, and he has no desire to engage in an unnecessary war, especially against a side that he does not feel to be his true enemy. So the men talk face to face, and Jaime tells the Blackfish that the war is over and there is no reason to shed any additional blood. But which war is Jaime really talking about? The war for the Iron Throne? Sure, that war might be over, but there are many more wars to fight. Starks vs Boltons, Lannisters vs Faith Militant, dead vs living, etc… Surely, war is not over. That aside, the Blackfish tells Jaime that Riverrun is his home, the place of his birth, and he will not simply turn the castle over to the Lannisters. Furthermore, there is no doubt that he too is driven by vengeance for the death of his family and all the horror the Lannisters have inflicted upon the Starks and Tullys. Before he retreats into his castle, the Blackfish tells Jaime that he simply wanted to measure him up, and that he is unimpressed with what he saw.

It seems like battle is imminent in the Riverlands, save for one possible X-factor, Brienne of Tarth. Sansa sent Brienne to Riverrun several episodes ago once she learned that Blackfish had retaken the castle. Sansa wants Brienne to get the Blackfish to join their northern cause in the fight against the Bolton. That was several episodes ago, so it’s a bit illogical that Jaime arrived to Riverrun before Brienne has. But, in any event, it sets up the perfect scene. Brienne arrives to Riverrun as battle is impending between the Lannisters and Tullys, with Brienne appealing to Jaime, the character with which she had once grown so close. Jaime will be pitted between helping Brienne and fighting for the Lannister cause. It will be an interesting dynamic and ultimately the most important outcome will likely be whether or not Blackfish and his army can/will join the Stark cause in the North.

A NORTH DIVIDED

Speaking of the North, Jon, Sansa and Davos are on the campaign trail, trying to win as many supporters to their cause as they can. With the help of Tormund, they win over the Wildlings, about 2,000 in all. They next stop at House Mormont, where we find the 10-year-old Lyana Mormont sitting in power. After Jeor Mormont joined the Night’s Watch, his son Jorah was exiled from Westeros and many more Mormonts died during Robb’s war, there is little left of House Mormont. And Lyanna appears unwilling to sacrifice any more life to support the Stark cause, until Ser Davos steps in and explains to her that this is not a matter of a Stark war, but a matter of the war that is coming for everybody — the war of the living vs the dead. And if the North is divided, they will stand no chance against fighting the dead.

When all hope seemed lost, Ser Davos proves himself once again as an invaluable asset. In this example specifically, perhaps it was his love for Princess Shireen (Stannis’ daughter) and his experience in talking with her that allowed him to speak to Lyanna in a way that resonated with her. House Mormont only has 62 men to offer, but the Starks will take what they can get. It will be interesting to see whether Jorah plays any role in this storyline at all. We know he’s on the move to find a cure and perhaps his journey will take him back to Westeros? After all, his exile was lifted a couple seasons back (note of the termination of his exile was intercepted by Ser Barristan, who forced Jorah to confess to Khaleesi, which is what got him banned from her). So, it’s entirely possible that he makes it back to Westeros and sits as the rightful Lord of House Mormont, and joins the Northern cause…But maybe a long shot.

snow

Next they arrive at House Glover, where they are again met with hostility. As viewers, we are getting to see all the Northern houses that once supported House Stark and fought behind Robb without hesitation. But Robb’s poor decisions didn’t just cause his own demise, but also great loss for all the other Northern houses that followed him into war. So now, today, when asked to do the same again, most Northern houses are not interested. This time, in the face of rejection, Sansa reminds House Glover that it is their sworn duty to pledge their allegiance to House Stark. It was a bold statement, met with an equally bold response, “House Stark is dead.” Certainly, for quite some time, we have always felt that House Stark was dead. It was only until recent episodes that some hope is starting to brew for House Stark. But, we’ve never really heard anybody say outright, that House Stark is dead, until now. Sansa, having heard this bold proclamation, and perhaps finding some truth in it, resorts to sending a raven, presumably asking for help. We can only assume that she is reaching out to Littlefinger, who can support with the Knights of the Vale. Hopefully, she isn’t making a mistake by reaching out to him.

THEON, YARA (AND KHALEESI?)

Having stolen some of the best ships with a fleet of their best men, Yara and Theon arrive at Volantis and enjoy themselves at a brothel. Well, at least Yara does. The idea of naked women, once Theon’s greatest joy, now appears to trigger the Reek inside of him. Without his manhood, it’s hard for him to be around this, and he starts to regress into his Reek shell. But Yara pulls him out quickly with some tough love. Some very tough love. She tells him to be the Theon she needs him to be, or to kill himself. Harsh, for sure, but it’s the words Theon has needed to hear for some time now. It’s enough of him wimpering around and time for him to step up and be the hard, bold, brave Ironborn brother that Yara needs. He nods at this, before Yara tells him that they will sail to Mereen to convene with Khaleesi.

A few things to consider are: 1) Will they get to Mereen before Euron, their uncle, does? 2) How will Khaleesi receive them? 3) Most importantly, if they do join forces with Khaleesi, what will their cause be? For so long, Khaleesi’s goal was to reclaim the Iron Throne that rightfully belonged to House Targaryen. But, in recent episodes, we’ve seen Khaleesi become more of a conqueror than a ruler. And, in last week’s episode, Daario explicitly told her that she is meant to conquer, not to sit on a Throne. Similarly, we know that the Greyjoys want to conquer and take back the Iron Islands, and perhaps more. So this begs the question, what will their goals actually be? Are they the good guys who will take back what is rightfully theirs? Or do they become the bad guys who conquer and destroy? It’s hard to think that it will be the latter, but maybe that’s the direction this is headed.

ARYA IS IN TROUBLE

Before we talk about Arya’s story in this episode, I have to say, I am still having trouble understanding how Arya did a complete 180 so quickly. For many seasons, she was training to join the Faceless Men. She slept on the streets, she begged, took countless beatings, lost her eyes and even swallowed poison and risked her life to show that she was willing to part with her Arya identity and truly become nobody. And then, just like that, in the course of one episode, all that goes out the window and she suddenly wants to become Arya again. Now, to be clear, I am not complaining about it. We all love Arya and Arya as nobody just wasn’t the same. We want Arya as Arya, with Needle at her side and the kill-list on her tongue. And I understand why she turned back to Arya — her conversation with Lady Crane about Cercei (who Lady Crane was portraying in the play) wanting to avenge the deaths of those who were taken from her before she got to say goodbye, made Arya realized that she wanted the same. She also seemed to disapprove of killing somebody without knowing why she was killing them or what they did to deserve it. Arya kills, but she has a code. She kills those who deserve it. So it all makes sense — but it just happened very fast.

arya

Anyway, that train has left the station and Arya is back to being Arya. And she can’t wait to get the hell out of Braavos as she books passage to Westeros. She then looks out at the Titan of Braavos, the ultimate symbol of all things Braavos, and the object under which she’ll have to sail to leave Braavos. But she becomes sloppy. She becomes Arya again and with that comes emotion and reflection as she gazes into the distance. Perhaps, a reminder that her identity could get the best of her. In any event, she lets her guard down and is fooled by the Waif, wearing the face of an old woman, who stabs her several times in the stomach. For a moment, my heart dropped and I thought maybe that was it for Arya, but she headbutts the Waif and rolls over the bridge into the water. She walks through the streets of Braavos, badly wounded and losing a lot of blood. We are left to ponder who might help her, and will she in fact make it out of Braavos? Could it be Lady Crane, the life she saved, who in turn saves Arya’s life? A more daring guess is Syrio Forel — Arya’s Braavosi sword-teacher who taught her many seasons back, and is presumed dead at the hands of the King’s Guard, those we never saw him die.

THE HOUND IS BACK

As Arya walks through the streets, blood oozing from her stomach, we fade back to The Hound, chopping trees in forest. It was an interesting transition of scenes, when considering that not long ago, the tables were turned and The Hound lay wounded and bloody, as Arya left him to die. Much has changed since then, and we now see The Hound has joined a small community somewhere in the hills of the Riverlands. They are a simple people, led by Brother Ray, a priest who confesses to not knowing if any of the gods are real. The Faith of the Seven, the Old Gods, the Lord of Light — who knows if any of them are real — or maybe they are all the same. What he does know, and all that matters to him, is that there is something greater than humans, whatever that may be. And he tells The Hound that this power of something greater has a plan for The Hound. Through their dialogue, we learn that Brother Ray found The Hound nearly dead and saved his life. He tells The Hound that he thought he’d die several times, but The Hound kept fighting for his life. When he asks him what drove him to keep fighting, The Hound states that it was hate. But Brother Ray doesn’t believe this, and insists that The Hound is part of a greater plan.

hound

During his small sermon, Brother Ray confesses that he once was ordered to murder a boy and felt tremendous guilt for the things that he had done. But that it is never late too late to make a change, to start doing good, to start helping the people around you. It’s unclear whether this was a real story, or one he made up for The Hound to hear, but either way, it seemed to strike a chord with The Hound as he realized that he no longer needs be a broken man, and ponders who he wants to become next. And then a few men from the Brotherhood Without Banners arrive, all but promising to return to take what they want. The Hound tells Brother Ray that they will return, but their options are limited as none of them, minus The Hound, are fighters. Still, neither assumed that the Brotherhood would slaughter the entire village. The Hound, off chopping wood, somehow misses the entire slaughter, but returns to see the entire village dead, with Brother Ray hanging before his eyes.

This was a bit of a strange event. The Brotherhood Without Banners have been presented to date as good characters, who do not pledge their allegiance to any one king or house, which is why they have no banners. Instead, they roam the lands, protecting the people from evil. They might be a bit rough around the edges, and need to do some amoral things to get by, but we’ve surely never seen them commit murder of the innocent, much less slaughter an entire village. So, my assumption is that these brothers went rogue and acted on their own. Thoros of Myr and Beric Dondarrion (leaders of the Brotherhood), wherever they might be, will not be okay with what these men have done. But The Hound has seen enough. He knows who he is and who wants to be. He is on the hunt, now with an axe as his weapon of choice.

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Season 6, Episode 1: The Red Woman

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

FAITH HAS BEEN LOST

Just like that, we’re back in the wonderful world of Thrones, and without any hesitation, we already have much to ponder from the season’s first episode. In large, the premiere Thrones episode did what it always does — it picked up the pieces from where things left off last season and got viewers back in the swing of each character’s storyline. It served as much as a reminder as it did to offer any new information. And that’s okay — that’s what the first episode is supposed to do — it gently eases us back into the swing of things. That said, there were still several major twists and turns, some which left us scratching our heads in confusion, and others which will have major implications upon the story that is to unfold in the coming episodes.

I thought that the episode felt a little choppy — jumping around from one character to the next without necessarily establishing much of a rhythm. One moment we were in the freezing cold North and the next minute we were in the desert of Easteros. That is not to say that a normal Thrones episode doesn’t move around — of course, it does. But there is a generally a deeper exploration into what is going on in each location, whereas this episode seemed to just scratch the surface before passing onto the next location and story. Again, that’s okay. But even with the choppiness of the episode, there was one theme that seemed to be constant, regardless of character or location: a loss of faith.

In a world where the stakes are often so incredibly high, faith, and where each character chooses to put their faith, has been a common theme since the beginning. Whether it’s believing in a certain god, backing a certain character or house in war, or simply believing in one’s self, faith has been a driving force behind many of the characters’ actions and the plot’s story-lines. Yet, as we began our journey into the sixth season, we saw that many characters’ faith had begun to erode, if not vanish altogether. A once bold and confident Arya is now begging on the street, seemingly having lost faith in the Faceless Men and her mission to avenge the deaths of her loved ones. Cercei appears to have lost faith in the one thing she always had faith in —  herself. Roose Bolton hinted at beginning to lose faith in his son, Ramsay. The Sand Snakes lost faith in their Prince Doran, so much so that it led to a murderous coup. In her absence, Khaleesi’s followers appear to have lost faith, as Mereen has become a dark and empty city. And last, but certainly not least, we get glimpse of Melisandre as a 200-something-year-old weak and fragile woman, appearing to have lost all faith in the Lord of Light, tucking herself into bed as she resigns to her faithlessness. As this season continues, it will be interesting to monitor the arc of each character’s faith, and how that faith, or lack thereof, will drive the actions of each of the story’s characters.

YES, HE’S DEAD

For those viewers who spent all offseason asking, “Is he definitely dead?”, Thrones producers were sure to answer that question right off the bat. The answer: yes, Jon Snow is definitely quite dead. But, that of course doesn’t mean that he will stay dead. So, the real question is whether or not he is going to be brought back to life. If so, when, and by whom? My personal hope is that this question is answered sooner rather than later. If not, I fear that this question will linger in the mind of each viewer, and ultimately risk overshadowing everything else going on in the story.

As Jon Snow’s supporters group around his dead body, Ser Alliser Thorne boldly admits to the treason he and the others have committed, but justifies their actions. As Thrones so effectively and so often does, we are offered a glimpse into a certain characters vantage point, and shift our views on that character, even if just for the moment. Sure, we are all going to hate Ser Alliser and Olly and the other characters that murdered Jon Snow — we’ll hate them forever. But, after hearing Ser Alliser speak, I hated him just a little less. He did not make any excuses or hide the truth — he outright confessed to the treason they all committed. But he also explained it. He, and the others, have dedicated their lives to the Night’s Watch. They live a cruel and bitter existence in the freezing cold at the Wall, defending the realm from the evil that lurks beyond. It is a life that certainly no person could or would ever envy. And in their eyes, there was a crazy and radical Lord Commander who was making terrible decisions that not only put their lives at risk, but also compromised the Wall and everything south of it that they are sworn to protect. Keep in mind, in the thousands of years that the Wall has been around, no Lord Commander has ever let Wildlings through — the very thing Jon Snow was trying to do.

Sure, desperate times call for desperate measures, and I’m not saying that Jon Snow’s attempt to unit the Wildlings with the Night’s Watch wasn’t the right decision — maybe it was the only one that gave them a legitimate chance of fighting off the impending White Walkers. But that’s just our opinion. The opinion of the other brothers of the Night’s Watch was that he was insane for even considering doing this and it would put all their lives at risk. And, this was a sentiment that they often shared with Jon Snow throughout season 5. Remember, it was Ser Alliser that told Jon Snow, “You have a good heart, Jon Snow. It will get us all killed.” They often expressed their discontent with Jon Snow’s decisions, and that discontent later turned into warnings — but Jon Snow ignored them all. Part of being a good and effective leader is not just making the right decision, but also listening to those around you. And while Jon Snow might’ve been making the right decision, he was failing miserably at listening to those around him. So finally, when Jon Snow actually tried to return to the Wall with hundreds of Wildlings, the sworn enemies of the Night’s Watch, some of the brothers felt they had no choice but to remove the man who was putting all their lives at risk. As Ser Alliser stated, “Jon Snow forced this decision upon us; and I made it.”

To be clear, I am not defending the actions of Ser Alliser and the other brothers of the Night’s Watch. It was cold-blooded murder of the worst kind. But, it is important to stop and think about why these brothers did what they did. And up until Ser Alliser’s speech, that’s something that I had not done. I was too blinded by my hatred for them to stop and think about what actually drove them to this extreme — the fact that they actually thought that Jon Snow was risking all their lives, the Wall itself, and all that they were sworn to protect. It’s understandable that Snow’s extreme measures cornered them into feeling vulnerable and threatened. So finally, they did the one thing they thought they had to do — and I don’t believe they took any joy in it. Even though Ser Alliser never liked Snow, he himself proclaimed that he never once disobeyed an order. In some ways, looking back, Jon Snow’s continual ignorance of all the warnings he received about what he was doing with the Wildlings, reminds me of how his brother, Robb Stark, often ignored the counsel he was given. Both thought they knew best and were largely blinded by honor and duty. And both ended up betrayed and brutally murdered by the people they failed to listen to.

DAVOS & THE OTHERS

As Ser Alliser tries to unite the rest of the brothers, Ser Davos, Ghost and the others gather around Snow’s dead body. To date, Ser Davos has always played wingman to Stannis, though he often showed an ability to make important decisions of his own, even sometimes defying Stannis (i.e. setting Gendry free after Stannis and Melisandre decided to sacrifice him). So if you think about it, he always showed instances of stepping out and being a leader — and now he finally can. With Stannis gone, Melisandre in no shape to lead (we’ll get there), and Jon Snow laying there dead, Davos is thrusted into the position of having to lead, whether he likes it or not.

davos

One of Snow’s closest supporters from the beginning, Dolorous Edd makes a run for it to try and rally up support, after Davos tells them that they were not the only ones Jon Snow had helped (implying that there are others out there who will rally to support them). It’s not crystal clear to whom Davos is referring, but one guess is that Edd is off to find Tormund Giantsbane, the Wildlings and the Giants that Jon Snow had saved from the White Walkers at Hardhome. Even a small fraction of those Wildlings that Jon Snow saved, with the support of Tormund and/or a Giant or two, should easily be able to take on the 40 brothers of the Night’s Watch. But, time is ticking and Davos only has until nightfall to give Ser Alliser an answer. And, who knows if Ser Alliser will honor his offer of setting them free if they surrender, or just murder them on the spot. One thing is for sure, if Edd doesn’t return soon with some reinforcements, Davos and the others may be out of luck.

THE RED (AND VERY OLD) WOMAN

Davos and the others may be saved by somebody other than Dolorous Edd, or at least Ser Davos thinks so. He tells the others, “You haven’t seen her do what I’ve seen her do.” And just when we think the Red Woman, Lady Melisandre might be coming to the rescue, we are thrown a total curveball in the final scene of the premiere episode. As Lady Melisandre begins to take off her clothes, (and I begin to think to myself “Does this chick ever keep her clothes on?”), we see her stare into the mirror with hopeless eyes. Those very same eyes that once burned with faith for her fiery god, now appear cold and empty, no faith to be found. Then, she removes her choker that holds the fiery red gem, and we see that she now appears as an extremely old, weak and fragile woman, who crawls into bed, almost as if to say “I’m done. I’ve lost all faith. I’ve given up and now I am going to sleep for good.”

mel old

So let’s break it down for a minute and consider what we really just saw and what this might mean. The first option is that Melisandre is in fact a 200+ year old woman who has used her magic and potions to trick us this whole time and maintain the physical appearance of a young and beautiful woman. That is, she is an old woman simply masking her appearance — and this is what probably came to mind for most people. But, another theory could be the complete opposite — she is in fact a young woman who has physically aged so much as a result of all her blood magic and witchcraft. That is, the Melisandre we have seen to date is actually her real age, but all the dark magic she has practiced and sacrifices she has made to the Lord of Light have aged her so much that she actually looks like the woman we saw at the end of the show.

In either scenario, one question to be asked is: what is it that has kept her looking so young, and why all of a sudden did she look so old? The first assumption is that it was her magic choker necklace with the fiery red gem inside of it that keeps her young, and removing that revealed her true appearance. But, we can squash that theory, at least to some degree, by looking at the below photo, which shows Melisandre taking a bath, choker-free, and still looking young and beautiful.mel1

So, maybe it’s not the choker, or at least not only the choker. Another hypothesis is that it has something to do with those potions we saw on the table next to the mirror she was looking into. The camera was definitely focused on those potions, and as we know, Thrones is not the type of show to focus on something without there being a purpose to it. So, maybe, it was the potions that she has been taking to maintain a youthful appearance. What’s very interesting is to consider the below two photos/gifs, both from the very same bathtub scene as the photo above. The first shows a different angle of Melisandre in the bathtub, in which you see that although she is not wearing her choker, she actually has a bottle of one of her potions in hand! So maybe she pours that into her bathwater, a fountain of youth if you will. The second photo shows her standing near a whole array of elixirs and potions. So I’m definitely going with the potion theory here.

mel 2mel 3

One last theory is that maybe Melisandre’s constant desire to obtain king’s blood was not to sacrifice it to the Lord of Light, but rather because she needed it to stay young. Let’s recall, she seduced Stannis and had sex with him. She did the same with Gendry and used his blood as well. And, she attempted to seduce Jon Snow as well, though he withstood her attempts. Perhaps she needs contact or actual king’s blood to stay young, and now that she has none, this is why she is appearing as she did in the last episode.

So maybe that last scene signified her resignation; Melisandre is finally giving up, no longer taking any potions, and getting into bed as the old woman that she truly is. But this begs the question, why has she lost all her faith? Well, the answer to that question seems pretty simple. For seasons, she proclaimed that Stannis was the Prince Who Was Promised, the one true king who would fight back the darkness. After all, she herself had seen it in the flames. Well, that quickly turned out to be a false prophecy, as Stannis’ army got slaughtered by the Boltons. And, let’s not forget that Melisandre convinced Stannis to sacrifice his only daughter by burning her alive, as an offering to the Lord of Light. Then there was Jon Snow, who in the flames Melisandre saw fighting at Winterfell — wrong again about that one (or was she?). After all that Melisandre had seen in the flames, and all the faith she had acted upon, it’s natural that she is ready to give up after learning that she was wrong about everything.

But, let’s pause for a second. If Melisandre is truly hundreds of years old, that means she’s been around for quite some time and has many many years of experience with the Lord of Light and its mysterious ways. Even if she was wrong about Stannis, Jon Snow and the things that have transpired over the last couple of seasons, it seems odd that she would give up altogether, given all the years that it appears she has been practicing. In other words, if that’s really how old she is, it seems like she’s been doing this a really long time, and wouldn’t be so shaken or distraught by the recent happenings — it would just be a small dot on her timeline. Then again, maybe she’s been doing this for so long that she no longer has the will to go on. Or, back to one of the original theories above — maybe she in fact is not that old — maybe she is only the age of the Melisandre we’ve seen to date, but all the dark magic has taken a toll on her physical body — that’s the price she’s had to pay, and she’s now ready to give up.

And then, there’s one final theory. It’s not necessarily one that I believe, but it’s one worth pondering. Maybe Melisandre isn’t giving up. Maybe she hasn’t lost faith. Maybe, just maybe, she is making the ultimate sacrifice. She is taking off her jewelry, giving up her beauty, and perhaps even going to sleep forever — a final sacrifice to the Lord of Light — an ultimate show of her faith. Why you ask? To bring back Jon Snow of course! Again, this is not necessarily what I think to be, but it’s a theory worth keeping in mind. We’ll soon find out what comes next for Melisandre, but with her in no apparent condition to be saving the day, be on the lookout now more so than ever, for Thoros of Myr.

SNAKES IN THE SAND

Prince Oberyn’s bastard daughters, the Sand Snakes, really gave meaning to their name in this last episode. Like snakes in the sand, they colluded out of sight, and pounced to strike as they preyed upon the weak. Of course, it was Ellaria that orchestrated all of this and ultimate stuck her blade into Prince Doran, but the Sand Snakes were just as much a part of the plan, as one of them killed Prince Doran’s guard and the other two took care of Trystane. As Prince Doran took in his last breaths of air, Ellaria reminded him of why they did this: Prince Doran refused to take action to avenge the deaths of Elia Martell (Oberyn and Doran’s youngest sister who was married to Rhaegar Targaryen, and raped/murdered by the Mountain during the overthrowing of the Mad King), and also once again when Oberyn was murdered by the Mountain after he himself tried to avenge the death of his sister and her babies. The Dornish have always been a hotheaded people that seek revenge and are quick to strike. But, Prince Doran was different and cared more about keeping the peace. Ellaria and the Sand Snakes had enough of it, and to begin their quest for revenge, they first had to remove Prince Doran from the equation. It will be interesting to see what happens next and to what extent Ellaria and the Sand Snakes have the people of Dorne behind them. They may first face a civil war within Dorne, before they can pursue their larger war against the Lannisters, but that remains to be seen.

doran

US AGAINST THE WORLD

As Cercei looks out onto the boat returning from Dorne, she sees Jaime without Myrcella, and she already knows that she has lost another child. The feeling is all too familiar, and her motherly instincts have become keen to sensing the loss of a child. But we see a much different side of Cercei, a side that is without faith or conviction; she appears defeated altogether. Where she once would have responded with outrage, demanding to spill the blood of those who took her children from her, she now appears despondent — her instinct for vengeance has been dulled by all the suffering she has endured. Losing Joffrey to poison, losing Tommen to Margaery and the crown, being held prisoner until she was broken by the High Sparrow, and now losing Myrcella — the daughter that was “pure good.”

jaime

The old Cercei would have screamed at Jaime, telling him that it was his fault for not protecting her; the new Cercei has lost all faith, telling Jaime it is not his fault, and stating that it was the prophecy of the witch she saw when she was child (see video below for refresher on this flashback). The old Cercei would have never believed in some tale from a witch in the forest. But the new Cercei is broken and faithless. Instead, it is now Jaime who tells Cercei that it is just the two of them against the world and that they will take back what they have lost and so much more. The Lannisters now have quite a few battles on their hands and we will need to see where their support will come from, and to what extent House Lannister has a standing army prepared at Casterly Rock.

THE BOLTONS

At Winterfell, Ramsay Bolton mourns the loss of Myranda, in his own sick and twisted way. Moments later, Roose Bolton chastises Ramsay for his loss of Sansa and Theon, heirs to the North and the Iron Islands, respectively. Once again, we see a loss of faith, and Roose seems to question the amount of trust he can truly put in Ramsay and all of his “little games.” So much so that Roose mentions that he is trying to put a baby in Walda, in which case he wouldn’t need Ramsay as an heir. As a refresher, Walda is one of the Frey daughters that Walder Frey gave to Roose Bolton as part of their collusion in the Purple Wedding. Roose also mentions that Ramsay’s victory over a depleted Baratheon army is nothing compared to the battle they will face against a well-provisioned Lannister army. Though the Lannisters now have other fish to try (namely against the Martells and possibly the High Sparrow), Roose Bolton defied the Lannisters by marrying Sansa to Ramsay, and that positions House Bolton and House Lannister as enemies.

SANSA, THEON, BRIENNE & POD

Elsewhere in the North, Sansa and Theon miraculously survived their jump from the top of the Winterfell walls, which was a bit inexplicable, but I guess unimportant to the story. As they run through the forest and arrive at a freezing river that they must cross, Theon talks Sansa through it and gets them safely across. This is a major progression for a character who was once no more than an obedient dog to Ramsay. In fact, so much so, that I almost feel that they are progressing his character too fast. For seasons, he appeared as an irreparably damaged thing — he couldn’t even be called a person. He was so far beyond coming back from whatever he had come. Then, all of a sudden, he is defying Ramsay, saving Sansa, jumping off walls of castles, and now even has the strength to calm Sansa and help guide her through the forest. I am all for the character progression and it’s great to see some semblance of Theon back, but it all just feels a bit rushed.

sansa theon

Anyway, after Sansa and Theon embrace in a comforting hug, Theon risks his life to save Sansa as the Bolton bannermen find them. And just as it seems that George R.R. Martin might be the cruelest man alive and actually subject them (and us) to the idea of going back to Ramsay, Brienne and Pod arrive to save the day. But more significant than Brienne saving Sansa was her pledge to protect Sansa as she continues on her journey. As Sansa accepted Brienne’s pledge, it was a powerful and symbolic moment — a proverbial passing of the torch — as Sansa forms a union with Briene and takes ownership of House Stark, as her mother did before her. And with Arya in trouble in Easteros and Bran and Rickon both split up, Sansa is the only Stark that now appears to be headed in a positive direction. Maybe, just maybe, she is approaching the light at the end of the tunnel and will be able to restore some good to House Stark. Theon had told her to proceed north to the Wall to link up with Jon Snow, which might not be the best of ideas. We’ll see which direction they head, but with Theon, Brienne and Pod at her side, Sansa finally appears safe, even if just for the moment. We’re all rooting for House Stark, that’s for sure.

KHALEESI

When is the Khaleesi storyline ever going to go where we want it to go? It seems like every time she takes one step forward, she takes two steps back. She’s got 3 dragons, a huge army, a circle of loyal supporters — yet somehow she ends up alone and captive to the Dothraki. After the Khal tells her how he is going to rape her and kill her, he quickly changes his mind after she tells him that she was married to Khal Drogo. But, things are not looking so great for her, as they tell her that she will be brought to Vaes Dothrak to a temple with all the other Khals’ widows. It is safe to assume that rescue is not far away, but who will do the rescuing? Will it be Daario and Jorah, who fortuitously happened upon the ring that she dropped in the hundreds of miles of grassland? Will Drogon rescue her once again? And what about her other two dragons — are they still locked up? All I can say is that I hope it’s not another season of Khaleesi drama and that her storyline really takes us somewhere soon — ideally to Westeros.

khaleesi

MEREEN

Back in Mereen, things are looking pretty bleak. What was recently a more vibrant and populous city under Khaleesi, now appears to be a dark ghost town. Where did everybody go? As Tyrion and Varys roam the streets, I couldn’t help but wonder where their protection was. Where are the dragons? Where are the Unsullied? Why are they walking the streets so freely, without any protection, as they discuss the threats that are still lurking out there — namely the person who must have been leading the Harpies. And just like that, a massive fire breaks out, as they note that they will not be going to Westeros anytime soon. Wonderful.

BLIND IN BRAAVOS

Elsewhere in Easteros, Arya is another character that appears to have lost all faith, not only in herself, but also in her quest to become a Faceless Man and avenge the deaths of her loved ones. She has resorted to sitting on the street, begging for change. Until the girl from the House of Black and White returns and beats her with a stick, telling her she’ll be back tomorrow. Needless to say, Arya’s training will resume, and she’ll be forced to learn how to become a blind warrior. It remains to be seen how this will fit back into the larger plot and intertwine with the other story-lines going on.

arya

THE TYRELLS & TOMMEN

And last, but not least, let’s not forget about House Tyrell and King Tommen. We see that Margaery is still being held captive, and it is presumed that her brother, Loras, is as well, though we don’t actually see him. It was one thing when Tommen didn’t rescue his mother, but it is another that he is not attempting to free Margaery, his wife and queen of the Seven Kingdoms. It makes us question what is going on with Tommen, and to what extent he even retains power and control. Also, keep in mind that Lady Olenna Tyrell is still out there, and in the past she has been a master schemer, always looking to improve the position of House Tyrell  and weaken those that she sees as threats (i.e. she colluded with Baelish to orchestrate the entire Red Wedding and get rid of Joffrey). Another Tyrell to remember is Mace Tyrell, Margaery/Loras’ father, who Cercei had shipped off to Braavos just before she got thrown in a cell. Keep an eye on how everything in King’s Landing plays out between the Tyrells/Lannisters/King Tommen/High Sparrow.

PEOPLE AND PLACES TO KEEP AN EYE OUT FOR…

Bran & Rickon Stark

Baelish

Thoros of Myr & Beric DondarrionthoroGendrygYara & Balon Greyjoy/Iron Islandsyara

Season 5, Episode 6: Unbent, Unbowed, Unbroken

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

A GAME OF FACES

Episode six opens at the House of Black and White as Arya continues to clean the bodies of the dead, wondering what is done with these corpses she’s been cleaning. Little does she know that she is soon about to face the answers to all her questions, quite literally. And as we continue to learn more about the Faceless Men, we realize that a face is much more than just a physical appearance, but a window into the truth of a character. As the girl Arya is with tells her that she is originally from Westeros but ended up at Braavos serving the Faceless Men after they killed her stepmother for her, she then goes on to ask Arya whether her story was true or not. In short, she’s asking Arya if she’s able to read her face and see the truth of her character — something Arya is unable to do. Jaqen H’ghar plays a similar game with Arya, as her asks her questions and is able to read the lies on her face every time she tells one. Most notably, he calls outs her lies when she says she hated the Hound, an explicit confirmation to all viewers of what we already assumed — that deep down she cared for the Hound and identified with his character.

Later, when a girl enters the House of Black and White in pain and dying, Arya takes a step closer towards becoming a Faceless Man, as she acts as a servant of death and lies to the girl in order to comfort her as she drinks from the fountain of death. It is at this point that Jaqen takes her down to the lower levels of the House of Black and White, where we see the thousands of faces which are used by the Faceless Man to assume new identities. And as the scene comes to an end, Jaqen tells Arya that she is not yet ready to become nobody, but is perhaps ready to become somebody else.

Artist depiction of Arya and the faces

Artist depiction of Arya and the faces

TYRION & JORAH

Elsewhere on Easteros, hostilities have defused between Tyrion and Jorah as they are becoming more buddy-buddy. And just like that, we are taken back to the very first season, when Tyrion visited the Wall and met Lord Commander Mormont. Tyrion tells Jorah that the brothers of the Night’s Watch spoke of Lord Commander Mormont very highly, saying he was a man “the likes of which we will never again see.” As viewers, we get a major perspective shift, as we see Tyrion realize that Jorah wasn’t aware that his father had died, though we have been aware for several seasons. Immediately, we see the pain and shock that comes over Jorah’s face.

What makes this moment especially sad, which viewers don’t realize from the show, is the backstory surrounding Jorah and his father. House Mormont was the most noble house of Bear Island, and Jeor Mormont was Lord of Bear Island. He was a proud and honorable man and left his home to serve the Night’s Watch, eventually becoming Lord Commander. He left Bear Island to his heir, Jorah, assuming he would carry on the Mormont tradition and lineage. Sadly, Jorah was exiled for slave trading (something he was forced into doing) and forced to flee his home of Bear Island. Jorah was separated from his father and would never get to carry on his father’s legacy. This is why Lord Commander Mormont gave his sword, Longclaw, to Jon Snow, and not his own son, Jorah, breaking the centuries-long tradition of passing that legendary sword from Mormont father to son. And as Lord Commander Mormont was killed by his own men, traitors of the Night’s Watch, Jorah would be thousands of miles away, separated from his father and unable to even say goodbye.

The pain on Jorah's face after learning of his father's death

The pain on Jorah’s face after learning of his father’s death

As Jorah and Tyrion continue on, they are captured by pirates who are taking them back to Mereen to compete in the fighting pits which Khaleesi just reopened. One thing’s for sure — it will be an interesting reuniting of Jorah and Khaleesi — each of whom is more desperate than ever. Khaleesi, is now without her two most loyal advisors, Jorah and Ser Barristan, and Grey Worm has been badly wounded. Similarly, Jorah, now without a father, is more alone and without purpose than ever before. Could it be that Jorah will be caught in a compromising situation in the fighting pits and Khaleesi will have to decide whether or not to save him?

BAELISH IS STILL SCHEMING…

After months away, manipulating things in the North, Baelish returns to King’s Landing to “play the game” with Cercei. He lies to Cercei, telling her that House Bolton has decided to marry Ramsey to Sansa, leaving out the fact that he was the one who in fact arranged the marriage. He tells Cercei to let Stannis fight the Boltons, and that he will swoop in with the knights of the Vale to crush the loser and claim the North for House Lannister. All Cercei has to do, in exchange, is name Baelish warden of the North. And once again, we are left scratching our heads and wondering what Baelish really wants here — just as we were starting to consider trusting him and thinking he might actually care for Sansa. And now, we wonder whether he is playing Sansa and still serving Cercei….Or playing Cercei and still looking out for Sansa…Or serving other motives altogether… And in a very precise choice of words, Baelish reminds Cercei that he “always serves the Throne,” rather than stating that he serves the Lannisters.

DESPERATE TIMES CALL FOR DESPERATE MEASURES

In another storyline occuring in King’s Landing, desperate times called for desperate measures. Cercei is more alone than ever before — no father, no brothers, even her uncle left her to return to Casterly Rock. And in her most vulnerable moment, she makes a bold play to weaken the position of House Tyrell. Using the High Sparrow as her tool, she has Loras and Margaery both indicted and they now stand to face trial. And let’s not forget, several episodes ago, she sent Mace Tyrell away to handle “financial dealings” with the Iron Bank of Braavos. This was a bold move indeed, one that could have serious repercussions from House Tyrell. And if Lady Olenna’s face gave us any clues, it looked like she was telling Cercei, “This isn’t over, and you better believe we will get our revenge for this.”

Lady Olenna stares down Cercei

Lady Olenna stares down Cercei

DORNE

At the Water Gardens of Dorne, we see the Dornish prince who tells Myrcella he plans to marry her. And just moments later, her father, Jaime, along with Bronn, is on the scene to rescue her…Only she doesn’t want to be rescued. And then all hell breaks loose, as the Sand Snakes, Oberyn’s bastard daughters, also make a move to capture Myrcella to avenge the murder of their beloved father. Both sides fail, as Prince Doran’s guards arrive on the scene and take everybody into custody.

Jaime & Bronn

Jaime & Bronn

GOOD GIRL GONE BAD

At Winterfell, before the weirwood trees of her Old Gods, Sansa is married to Ramsey Bolton and her situation has become more paradoxical than ever before. Finally, she is closer to home than ever before, yet she is perhaps in more danger than ever before. Even in her precarious situations before, there was always somebody looking after her. In King’s Landing, even when she had to endure the cruelty of Joff, the Hound was there to keep her safe. And after that, though we weren’t sure how much we could trust him, there was some level of comfort believing Baelish was looking after Sansa. But now they are both gone and she seems all alone…But let’s not forget, Brienne is not far and is watching over Sansa — if only Sansa had taken Brienne’s protection when she offered it several episodes ago.

Preparing for her wedding, Miranda washes Sansa’s hair and attempts to scare her. But, Sansa is no longer a scared child, and she won’t let Miranda frighten her — least of all in her own home of Winterfell. With nobody there to protect her and no longer able to avert the imminent danger that has been surrounding her for so long, Ramsey finally gets his hands on Sansa. As he forces Theon to watch, he rapes Sansa, officially marking the end of the Sansa we once knew. Even through all the terror and torture she has endured over the years, and even as she has evolved into a darker character that has begun to understand the evils of the world, she still had one thing that nobody had taken from her — her virginity — the one remaining symbol of her innocence, her youth, her purity. And just like that, it’s all gone, and Ramsey eliminates whatever innocence was left of Sansa. And as Theon is forced to look on, we see the theme of faces come full circle, as Theon is unable to hide the truth of his character — deep down, he is not Reek, he is still Theon, and we see the disgust and terror on his face as he is forced to watch the last drops of innocence taken from Sansa.

Theon looking on as Ramsey rapes Sansa

Theon looking on as Ramsey rapes Sansa

Season 5, Episode 4: Sons of the Harpy

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

WHO IS JON SNOW?

One of the most intriguing storylines in the GoT series is that of Jon Snow. On the surface, we go through each episode believing what we are told — that he is the bastard of Ned Stark. But, deep down, we know that Jon Snow is not just another bastard and that he’s something much more. Throughout the first five seasons, there have been many breadcrumbs left for viewers to pick up on which would support the theory that he is in fact, not a bastard. And in episode four, Sons of the Harpy, we got some major additional information which not only points to the possibility that he’s not a bastard, but also offers up a theory of who his actual parents could. But, before we go into any theories as to who Jon Snow is, let’s first analyze what we knew going into this episode which supports the idea of who he is not…a bastard.

1. Deep down, Jon Snow being a bastard never felt right. There’s nothing ordinary about him. He’s special. There’s a greatness about him. So the idea of him being just another bastard and his mother being just another tavern whore doesn’t quite add up.

2. We believed Jon Snow to be the bastard son of Ned Stark because it’s what we were told from the very moment this show began. But if you stop for a second to actually think about it, it makes no sense for Ned Stark to have a bastard son. It’s completely antithetical to everything that Ned’s character is about. Ned Stark was the most honorable man in all of Westeros. He died for his honor — something the show reminds us of quite often. So does it really make any sense that this very same Ned Stark would dishonor his wife, break his vows and birth a bastard son after fucking a whore?

3. In season one, when Ned Stark is leaving Winterfell to head for King’s Landing to serve as the Hand to Robert, Jon Snow asks Ned one more time about his mother. Ned responds that the next time they see each other, he’s going to tell Jon Snow all about his mother. Well, that never happens because Ned gets his head chopped off. But, the point is, Ned clearly implied that there was a story to tell about Jon Snow’s mother. This is not a show where dialogue is added for the sake of conversation, and when something like that is alluded to, it generally has a very real significance.

Ned tells Jon he will tell him all about his mother next time they meet

Ned tells Jon he will tell him all about his mother next time they meet

Now that we’ve considered the evidence to support the idea that Jon Snow might not be a bastard, let’s look at the major points that were offered in this last episode to guide us on the journey of figuring out who Jon Snow might actually be.

1. At the Wall, Stannis is conversing with his wife as they watch Jon Snow training some of the brothers of the Night’s Watch. After Stannis acknowledges that he sees something great in Jon Snow, his wife responds that he is just a bastard birthed by a tavern slut. Stannis responds, “Perhaps, but that wasn’t Ned’s way,” again reminding us that it really doesn’t make sense for the honorable Ned Stark to have cheated on his wife and that Jon Snow might not be a bastard.

2. Melisandre makes her move on Jon Snow and tells him, “There’s power in you, but you resist it.” We are again reminded that there is nothing bastard-like about Jon Snow and that he appears to be something greater. Even more powerful, as Melisandre walks out, she tells him “You know nothing, Jon Snow.” Of course, this is something Ygritte used to always tell him, but when the prophetic Melisandre says it to him, it appears to take on a totally new meaning. She says it in a way that implies that there is a great knowledge that he knows nothing of, perhaps the knowledge of who he actually is and the power that is inside of him.

Melisandre telling Jon Snow that he has great power inside of him

Melisandre telling Jon Snow that he has great power inside of him

3. The plot really thickens when Sansa and Baelish are in the crypts below Winterfell and Baelish offers up what a very significant piece of history from the timeline before the show started. He tells Sansa about the tourney which took places about 20 years ago, when Rhaegar Targaryen, son of the Mad King and oldest brother of Khaleesi, dueled against Ser Baristan Selmy. After Rhaegar won the duel, he presented Lyana Stark with a bed of roses, choosing Lyana over his own wife, Elia Martell. It is unclear what happened after he declared his affection for Lyana, but Rhaegar and Lyana dissapeared — some say he kidnapped her while others believe she chose to go with him. Robert Baratheon, who loved Lyana and was supposed to marry her, believed that Rhaegar kidnapped her, and used this as justification for Robert’s Rebellion, a war started by he and Ned Stark to get back Lyana…a war that would put an end to the Mad King and the 300 year Targaryen dynasty and land Robert on the Iron Throne. Sure, there were other reasons for Robert’s Rebellion, such as the fact that the Mad King had completely lost his mind and was burning people for fun, or the fact that the Mad King killed Ned Stark’s brother and father. But, ultimately, it was Lyana Stark’s disappearance with Rhaegar Targaryen that would be the catalyst for Robert Rebellion’s. So, we know that when Baelish shares this story with Sansa, it’s extremely significant.

During the war of Robert’s Rebellion, tens of thousands of people died, some fighting to defend the Mad King and the Targaryen Dynasty, while others fought for the banners of the Stark/Baratheon/Arryn rebels. 20+ years later, Baelish references all these lives that were lost as he asks Sansa “How many thousands had to die because Rhaegar chose Lyana?” In response, Sansa states “He chose her. And then he kidnapped her and raped her.” Baelish responds with a quiet grin, as if to say “That’s not quite what happened,” and that there is more to the story than Sansa knows. Again, this is not a show where dialogue is in there for the sake of conversation, especially when it’s dialogue that is referencing historical events that took place before the show started. If Baelish is talking to Sansa about Lyana Stark and Rhaegar Targaryen, there’s a reason. And the quiet smile he offered in response to Sansa’s belief that Rhaegar kidnapped her and raped her implies that there’s more to the story.

All that, coupled with the focus on Jon Snow’s character in this episode, added with all the clues offered in the first few seasons, and a theory starts to take shape… Jon might not be a bastard… He might not even be the son of Ned Stark… But maybe, just maybe, he’s the son of Lyana Stark and Rhaegar Targaryen, which would make Khaleesi his aunt. Or it’s even possible that Lyana was raped by the Mad King himself, making Jon Snow Khaleesi’s brother! And when we then think about some other things we’ve learned throughout the show, there’s quite a bit we’ve seen to support this theory:

Baelish smirks as if to imply he knows more about Lyana and Rhaegar

Baelish smirks as if to imply he knows more about Lyana and Rhaegar

1. We know that Rhaegar and Lyana ran off together. Whether they had consensual sex or she was raped, it’s entirely possible, if not probable, that a baby came from this.

2. Ned and Robert were on the warpath during Robert’s Rebellion, headed for King’s Landing to overthrow the Mad King and the entire Targaryen family, with Rhaeger being primary target #2 right after the Mad King. Along the way, it’s entirely possible that Ned discovered that Lyana had a baby with Rhaegar. And we know that if Robert discovered this, he would’ve likely had the baby killed, as it would’ve been the son of Rhaegar, and thus a Targaryen baby. We also know that the two babies Rhaegar had with his actual wife, Elia Martell, were killed at the end of Robert’s Rebellion (by the Mountain, which is why Prince Oberyn wanted revenge against the Mountain for the death of his sister, Elia, and her babies). So, in an effort to protect this baby, the baby of his own sister, Ned could’ve claimed the baby as his own. Of course, to have done this, he would’ve had to lie and pretend that he had sex with a whore and that the boy was a bastard.

2. In season one, when Ned and Robert were headed back to King’s Landing after Robert recruited him as Hand to the King, Robert mentioned that he heard whispers about a Targaryen girl who has three dragons and could be a threat to the Iron Throne. Robert suggests that they should eliminate this threat and have the girl killed. Immediately, Ned tells Robert that he cannot be serious and cannot consider murdering an innocent girl. But why would Ned object to eliminating a Targaryen threat? Well, If Jon Snow was in fact the son of Lyana and Rhaegar, that would mean he is technically a Targaryen himself, and Khaleesi would be his aunt (the sister of his father, Rhaegar). So naturally, Ned would object to the idea of murdering her.

3. Earlier this season, Jon Snow was elected as the new Lord Commander of the Night’s Watch. And who cast the final vote to break the tie and give Jon Snow the final vote he needed to win? Maestar Aemon Targaryen. Furthermore, Maestar Aemon mentioned in an earlier season that he and Rhaegar were quite close and corresponded through letters often. It’s possible that Maestar Aemon is actually aware of who Jon Snow really is. Which is all the more interesting, because two episodes back, Samwell mentioned to Jon that Maestar Aemon is sick — which again, we know would not be mentioned without cause. So it’s possible that Maestar Aemon is dying and might die with the knowledge of who Jon Snow really is — or maybe he’ll tell Jon Snow before he dies.

For now, this is just a theory. But when examining everything we know, it seems unlikely that Jon Snow is a bastard. And even more unlikely that the honorable Ned Stark would be the one to have a bastard son. And in this most recent episode, we got three more tidbits to build the case for Jon Snow not being a bastard, and one major piece to suggest who is actual parents could be. Stannis reaffirms that sleeping with whores was not Ned’s way. Melisandre tells Jon Snow that he knows nothing, in a way that implied there is something great about him that he is totally unaware of, such as who he might be. And finally, we learn all about Rhaegar and Lyana, a story that would not have been offered if there was nothing something meaningful to come from it. We will see what direction this heads in, but hopefully sooner than later we will find out what Ned was referring to, if anything, when he told Jon Snow that he would tell him all about his mother the next time he saw him.

RECAP OF EVERYTHING ELSE

Jaime and Bronn arrive to Dorne on their mission to rescue Jaime’s “niece,” Myrcella. Bronn questions why Jaime is there himself, versus sending a more capable, two-handed person on the mission, and Jaime insists that he must be the one to do this. The question is, who is he doing this for? Does he truly feel a need to be a father rescuing his daughter? Or is this all about getting the job done for Cercei? And speaking of Cercei, as Bronn and Jaime enjoy a Dornish viper for breakfast, Bronn asks Jaime how he’d want to die, to which Jaime responds “In the arms of the woman I love.” Bronn asks him if that woman wants the same, and we see Jaime look off into the distance, providing no answer to Bronn’s question. Which begs another question — what is the future of Jaime and Cercei and in what direction is their relationship headed? And after Bronn whoops some Dornish ass and he and Jaime take down the four Dornish riders, we see that Ellaria has rounded up the Sand Snakes, Oberyn’s bastard daughters, all of whom will support Ellaria’s campaign to go to war to avenge the death of Oberyn. Furthermore, they have been made aware that Jaime is already in Dorne to rescue Myrcella, and realize that they must not let Jaime get to Myrcella before they do, or else they will lose their only piece of leverage.

Ellaria and the Sand Snakes

Ellaria and the Sand Snakes

In King’s Landing, Cercei is quickly shaking things up and we see now, more than ever, that she will not go down quietly. She will not be written off and continue to show her wit and strength, a cunning determination that is rivaled by few other characters in this show. She sends Mace Tyrell off to Braavos to meet with the Iron Bank, accompanied by none other than Sir Meryn Trant, Cercei’s sworn guard who will do as she commands. Perhaps she is getting him far away, or perhaps this is a play to kill him. Additionally, we see her reinstate the Faith Militant, a fanatical army of men who will serve the “justice of the gods.” But really, they appear to be serving Cercei, as she uses them to imprison Ser Loras Tyrell, further improving her position over House Tyrell. And when Margaery finds out and demands her King husband free Ser Loras, we see a weak boy who is unable to exercise his power to do what is needed in order to free him.

Cercei smirking after sending off Mace Tyrell

Cercei smirking after sending off Mace Tyrell

In Mereen, we see even more trouble for Khaleesi, who hasn’t mentioned trying to reclaim the Iron Throne of Westeros in what seems like ages. As the Sons of the Harpy kill in the streets, they draw the Unsullied into a trap where they are vastly outnumbered. After killing most of the Unsullied, we see Grey Worm fight valliantly to kill off many of the Sons of the Harpy. However, he can’t fight them all off and is about to be killed, when Ser Barristan comes onto the scene and we see why is revered as one of the greatest knights in all of the Seven Kingdoms. He too kills many, but not before he is outnumbered, and appears to be killed himself. We witness what looks to be the death of one of the few truly great men of Westeros. It is unclear whether he is definitely dead, or if Grey Worm is dead as well, but one thing is for sure: Khaleesi is going to need some new support by her side, and what perfect timing for Jorah, who is on his way back to Khaleesi, with the gift of Tyrion Lannister.

Ser Barristan laying dead next to Grey Worm

Ser Barristan laying dead next to Grey Worm

At the Wall, we also see a powerful scene between Stannis and his daughter Shereen, in which he shows rare emotion and tells her the story of how he fought to keep her alive when nobody else would. We see her eyes filled with tears as she gives her dad a big hug, and he slowly hugs her back, an affection we’ve not seen to date from Stannis. Furthermore, we also learn that Baelish must go back to King’s Landing to meet with Cercei. Sansa tells him that he cannot leave her alone, appearing to have completely put all her trust in him and having abandoned any doubts she once had about his true motives. He continues to off her guidance and gives her a kiss on the lips before departing, again leaving us to wonder what is going to happen between the two and what does Baelish ultimately want?

Season 5, Episode 3: The High Sparrow

Disclaimer: There are no spoilers in this article. Any views or opinions expressed are based solely on where the Game of Thrones TV series currently is and no other knowledge or information is presented in this article.

THE GAME CONTINUES…AND NEW IDENTITIES ARE FORGED

In the third episode, entitled The High Sparrow, we see that “the game” continues to be played and all the players that continue to make their moves. Whereas the first two episodes of this season appeared to be “setup” episodes, in this episode, we see many new plot progressions and are offered insight into the direction that things seem to be headed. Some characters take on new roles as others plot revenge; once-powerful characters now appear all but powerless while some of the weaker characters have gained strength. Some characters finally return home, while others appear further away than ever before.  But more apparent than anything, is the fact that many characters are emerging with newfound identities.

volantis

And now, there appear to be more games being played than ever before — and the “game of thrones,” that is the battle for the Iron Throne, appears to be one of the least important games being played at the moment. Unlikely allegiances appear imminent and new plots are starting to take shape. Characters are more mixed up than ever, and most importantly, in this chaotic world that seems less structured than ever before, everything seems to be up for grabs.

A GIRL MUST BE NOBODY

As the episode begins, we get first glimpse inside the House of Black and White, the temple of the Many-Faced God. Whereas most temples we are used to seeing are light, beautiful and full of life, this temple is dark and a place to serve death. As Jaqen H’ghar offers a man a drink from the temple’s pool, he kneels peacefully before dying a few moments later. And as his body and others are removed and washed, we are left to wonder what is done with these bodies?

Jaqen, offering a peaceful death from the fountain

Jaqen, offering a peaceful death from the fountain

Arya, tired of sweeping the floors, tells Jaqen that she is ready to become a Faceless Man, to which he responds “Valar Dohaeris,” meaning “all men must serve.” She tells him that she is ready to serve, but he reminds her that she is only ready to serve herself. “There is only one god,” he tells her, “and all men know his gift,” referring to the gift of death. Later, Arya again tells Jaqen that she is ready to become nobody, to which he asks her how nobody came to be surrounded by all of Arya Stark’s possessions. A girl cannot become nobody until she strips herself of her full identity, including all her belongings.

As Arya tosses her clothes and silver in the water, eyes full of tears, she holds Needle in her hand. Through the murder and death of so many of her family members, not once did we see Arya cry or show any emotion at all. Yet, as she is faced with the task of saying goodbye to the sword given to her by Jon Snow, tears come to her eyes, as she is ultimately unable to let go. And while there is surely some sentimental value associated with her sword as it was given to her by her older brother, at her home of Winterfell, at a time when her entire family was still alive, this is ultimately not what brings tears to her eyes. Rather, it was the idea of having to part with the symbolic identity of the one thing that she has been able to hold onto: revenge. In many ways, Arya has already stripped herself of much of her identity — she has lost so much of herself already — but the one thing she has always had was revenge. And Needle was the tool  of her revenge — the one tangible thing in her life to give her hope. And now, as she is forced to let go of Needle, a symbol of her letting go of her need for revenge — she is unable to do so, a sign that she ultimately is not yet ready to fully let go of her identity as Arya Stark.

Arya, unable to let go of Needle

Arya, unable to let go of Needle

THE TABLES HAVE TURNED

In King’s Landing, Tommen is wed to Margaery, and unlike her last marriage, she is sure to consecrate this one. As they lay in bed together, Tommen innocently asks Margaery several times if he hurt her, a subtle demonstration of the difference between he and his older brother who only wanted to hurt people. Behind closed doors, we see the manipulative ways of Margaery as she uses her beauty, sex and age to wrap Tommen around her finger. She tells Tommen that she wants to know everything about him, and reminds him that Cercei will always be a lioness and Tommen her cub — an attempt to have Tommen put distance between he and his mother. And we see the affect of Margaery’s words, as the very next scene shows Tommen asking Cercei if she wants to return to Casterly Rock, where he thinks she would be happier.

Cercei, having lost much of her power, looking on at Margaery

Cercei, having lost much of her power, looking on at Margaery

While she may be losing her power, she is not losing her wit, and Cercei is well aware of Margaery’s influence over Tommen. And as she approaches Margaery, we see that the tables have turned big time. For so long, Margaery was forced to suffer and endure the cruelty of Cercei. But now, with Tywin and Joffrey dead, and Margaery officially the queen, Cercei has lost much of her power to Margaery. In short, Margaery has forged a new identity as Queen of the Seven Kingdoms, while Cercei has a new identity as well — that queen that used to be. And Margaery is keen to remind Cercei of this fact, as she asks Cercei if she should refer to her as Queen Mother or dowager queen, both references to her queenship only being of title, but not actual power. She also adds that it will not be long before Cercei is a grandmother, not only referring to the fact that she and Tommen will further consecrate their marriage by having children, but also a sarcastic reminder to Cercei that she is getting older. No longer able to make her usual threat or command, Cercei storms out, with a look on her face that tells us that she will not sit by idly or go down quietly.

HOME SWEET HOME

Further north, we see Winterfell for the first time since Theon burned it to the ground. More importantly, we see that Winterfell is being resurrected as the new seat of House Bolton, powerfully underscored by the flayed bodies we see hanging. But as Ramsey sits with his father, Roose tells his son that with Tywin dead, they no longer have the backing of the Lannisters, and that they must gain control over the smaller houses of the North, or risk being overrun by these houses. And as Winterfell is repaired, we see Theon roaming around, appearing completely lost, and we are left to wonder what role he will play, if any, in the coming days.

Baelish and Sansa

Baelish and Sansa

As Baelish and Sansa near Winterfell, Baelish tells Sansa that the marriage which had been accepted was the one he arranged between her and Ramsey Bolton. She refuses to marry him, telling him that she would die before marrying into the family that betrayed her family and killed her brother, Robb. Baelish reminds Sansa that she is the eldest surviving Stark and her home will always be Winterfell. He tells Sansa that he will not force her, and as he pulls her in close, almost like a father, he tells her, “You’ve been running all your life. You sit alone in a dark room mourning the fates of your family. You’ve been a bystander to tragedy. Stop being a bystander, stop running. There is no justice in the world…not unless we make it. You loved your family, avenge them.”

Sansa seems to have received the message, but the real question we are all left wondering, is does Baelish actually care about Sansa? When he pulls her close and kisses her head, is he truly trying to comfort her? Or is she merely a pawn in his game of chess? Is she just a means to his end? It’s still unclear whether we can trust this man or what his actual intentions are. And as they arrive to Winterfell, Sansa is forced to step back into the home that she has been away from for years now…a home that she no longer recognizes…a home that is now occupied by the man who put his dagger through the heart of Robb Stark. And she is forced to play her part, pretending that she is amenable to the marriage that has been arranged. Although forced by her external environment, Sansa too is forging a new identity, as soon-to-be wife of Ramsey Bolton. But even more so, she is assuming the identity as somebody who is learning to “play the game,” as she takes Baelish’s advice and looks to get close to House Bolton before exacting her revenge.

Baelish & Roose Bolton

Baelish & Roose Bolton

Perhaps most significant is the conversation that transpires between two men that have both been scheming and plotting in their own rights, Roose Bolton, who has a new identity as Lord of the North and Petyr Baelish, also with a new identity as Lord of the Vale. Roose asks Littlefinger if he is prepared for the consequences when the Lannisters find out that he was responsible for helping Sansa escape from King’s Landing and that he is now marrying her to Ramsey Bolton. But, Littlefinger appears unworried, reminding Roose that House Lannister is not what it once was, with Tywin dead, Jaime having but one hand and Cercei no longer the true queen. But, Roose intercepts a message sent by Cercei to Littlefinger, which makes him further question Littlefinger’s motives. When Bolton asks Littlefinger why he would gamble with his position, Littlefinger tells Bolton that every ambitious move is a gamble, even Bolton’s betrayal of House Stark was a gamble, a gamble which clearly paid off. But Roose reminds Littlefinger that with Tywin dead, House Bolton remains vulnerable with little backing. Baelish tells him that because of his marriage to Lysa before her death, he is now Lord of the Vale, while Bolton is now Lord of the North. Littlefinger powerfully notes that the last time the Lords of the Vale and the Lords of the North came together, they brought down the most powerful dynasty the world had ever known, referring to when Jon Arryn of the Vale and Ned Stark of the North joined forces (along with House Baratheon) to overthrow the Mad King during Robert’s Rebellion. It’s unclear what will come next and with Stannis looking to overtake the North, things appear shaky at Winterfell for House Bolton.

Smaller, but also worth noting, is that twice in this episode we saw Ramsey’s girl, as she looked on while Ramsey was introduced due his future wife, Sansa. Last season, this girl killed Ramsey’s other girl, the blonde, when she became jealous of her. Rarely does this show put these kinds of characters on camera without foreshadowing something to come.

Ramsey's old girl looking on at Ramsey and Sansa

Ramsey’s old girl looking on at Ramsey and Sansa

BRIENNE THE AVENGER

Not too far away from Wintefell, Brienne and Pod are keeping a close eye on Sansa. More importantly, Brienne offered a powerful revelation in this episode and a rare show of emotion. Since we first met her, we knew Brienne loved Renley, but we never knew exactly why. And years later, through a conversation with the unlikeliest of people, we are offered a glimpse into Brienne’s past and why she loved Renley so much. She tells Pod a story about her father who set up a ball to arrange a suitor for her daughter. And as the boys fought over her, she felt special and beautiful, until learning that it was all a joke that the boys were in on. As she felt more foolish and ugly than ever before, she ran off, only to be stopped by the kind-hearted Renley, who reminded her that these shits were not worth her tears. He was the one person who comforted her, who truly cared for her. And for that, she would always love him. She tells Pod that she will avenge his death, mentioning the shadow with Stannis’ face who killed him, alluding to the fact that she seeks to kill Stannis. And we now question the true identity of Brienne — is it defined by her honor and duty to the words she swore to Catelyn Stark to protect her daughters, or is it the dark desire to avenge the death of her one true love, Renley Baratheon?

Brienne telling Pod of her love for Renley

Brienne telling Pod of her love for Renley

LORD COMMANDER SNOW

Lord Commander of the Night’s Watch, Jon Snow is again offered the opportunity by Stannis to become Jon Stark and rule over the North. But again, he refuses the offer and we see the unwavering strength of Jon Snow who is completely dedicated to honor and duty, the words he swore and vows he must uphold. Stannis reminds Jon that it was this very same stubborn honor that got Ned killed. Interestingly, Jon Snow is actually torn between three different identities: Jon Snow the bastard, Jon Snow the new Lord Commander of the Night’s Watch, and Jon Stark, the Lord of Winterfell.

Before departing the room, Stannis mentions that Jon should talk to the Wildling prisoners one more time, and that perhaps Tormund Giantsbayne will be more reasonable than was Mance Rayder. After he leaves the room, Ser Davos sticks behind and tells Jon that Stannis sees something in him. He also offers that part of the Night’s Watch vow is to be “the shield that protects the realms of men,” pointing to the fact joining Stannis and protecting the North is in fact part of his duty.

The man who passes the sentence must swing the sword

The man who passes the sentence must swing the sword

In the dining hall, Jon Snow makes his identity clear as he gives his first commands as Lord Commander, but not before Samwell tells him that Maestar Aemon is not feeling well. Jon first appoints Ser Alliser Thorne the coveted position of First Ranger, perhaps because Ser Alliser was deserved of the position, or perhaps because Jon wanted to keep a potential enemy close. Either way, it was a honorable move — when Ser Alliser was Lord Commander, he did nothing but use his power to make life difficult for Jon; but Jon Snow as new Lord Commander shows that he is a better man. And as he appoints Janos Slynt with a more remedial task, Janos refuses, thinking that his once powerful position as Commander of the Kingsguard excuses him from such commands. Jon Snow must gain the respect of all the brothers and demonstrate his power, so he sentences Janos to death.

More importantly, he sets to carry out the execution himself, an allusion back to the very first episode of this series when Ned Stark beheads a deserter of the Night’s Watch and reminds his son that the man who passes the sentence must swing the sword. But as Janos confesses that he has always been a weak and scared man and begs for mercy, it looks as though Jon is going to grant his mercy and not go through with the execution. We’ve seen time and time again, Jon unable to carry out the executions that he must — once when he had to execute the Wilding Ygritte, and another time when he had to kill the horsebreeder for the Night’s Watch. But with all the brothers of the Night’s Watch looking on, Jon strikes true and carries out the execution — a powerful statement pointing to the identity transformation of Jon Snow’s character.

THE HIGH SPARROW

Back at King’s Landing, several of the sparrows, led by Lancel Lannister, take the High Septon from the brothel and beat him in the streets. When he demands Cercei to serve justice, she prefers to throw him in jail and go to visit the High Sparrow. Impressed with the man she finds, she tells him that faith and the crown are the two pillars that uphold the realm, and without one, everything crumbles. One cannot co-exist without the other and they must do everything in their power to help one another. Being that she appears to be losing powers over one of these pillars, the crown, perhaps she seeks to gain power over the other, religion. Though her exact intentions are unclear, Cercei is cultivating a new relationship that she will undoubtedly seek to use to her advantage.

Cercei & the High Sparrow

Cercei & the High Sparrow

As she returns to the Red Keep, she gives Maestar Qyburn a message to send to Littlefinger, adding “make sure he is very clear on the word immediately.” This is the message that Roose Bolton will later intercept, though its contents are unclear. Most interesting is the “thing” that is being restrained under the sheet on Qyburn’s medical table. Of course, we are left to assume that this is the Mountain, Qyburn’s latest science experiment who will be brought back to life as an even greater monster than he already was.

VOLANTIS

And finally, Tyrion and Varys arrive at Volantis, and not a moment too soon as Tyrion was beginning to lose his mind, having been cooped up in one box after the next. As they venture through the market of Volantis, we are exposed to the newest of the Free Cities of Easteros, and we see many of the cultural differences of this city, namely the caste system where everybody has a clearly marked social status in society. They stumble upon another Red Priestess who speaks of the Mother of Dragons who has been sent by the Red God as a savior. As Tyrion watches her, she slowly glances up at him, before staring for several moments, with a look in her eye that almost gave the appearance that he is the savior she had been speaking of, not Khaleesi.

The Red Priestess staring at Tyrion

The Red Priestess staring at Tyrion

As they enter Tyrion’s most familiar home, a brothel, Tyrion engages in a conversation with one of the whores. But, when it is time to move forward, he is unable to. As she stands over him, a girl of Easteros, holding his hand, perhaps he is reminded of Shae, who was also a whore from Easteros. And as he becomes choked up, he cannot move forward. Also interesting to note was one of the whores who was dressed like Khaleesi, which demonstrates her widespread influence across Easteros. Varys adds, “Somebody who inspires both priestesses and whores is somebody worth taking seriously.”

And then we see Ser Jorah, drinking in his despair, before recognizing Tyrion. And as the episode comes to a close, Ser Jorah ties and gags Tyrion as he tells him, “I am taking you to the Queen.” But which queen will he be taking Tyrion to? Cercei, the queen who has a massive bounty out on Tyrion’s head, for which Ser Jorah will certainly receive a large reward? Or the one-true queen in his eyes, Khaleesi, whose father was killed by Jaime Lannister and whose Throne was usurped due to large support from House Lannister?

Ser Jorah kidnaps Tyrion

Ser Jorah kidnaps Tyrion

Episode 6 Recap: The Laws of Gods and Men

THE IRON BANK OF BRAAVOS

After hearing about it for four seasons, we finally get first glimpse of Braavos as Stannis and Ser Davos sail to meet with the Iron Bank of Braavos. In desperate need of gold to fund an army, Stannis reiterates to the bankers his rightful claim to the Iron Throne. However, the bankers are uninterested in stories or rhetoric and prefer to stick to the numbers. With large loans already out to Tywin Lannister and the Iron Throne, the Iron Bank rejects Stannis’ request. However, Ser Davos is able to persuade the bankers by showing them the fingers that he lost as punishment for his illegal smuggling activities — a punishment passed down from Stannis which demonstrated his accountability. Additionally, Ser Davos pointed out that Lord Tywin is nearly 70 years old, and once he passes on, who will the Iron Bank trust to maintain order in Westeros? After receiving the loan and once again proving his value, Ser Davos visits Saladhor Saan, an old pirate friend that he recruits to join them.

iron bank

“MY BROTHER IS DEAD”

Yara Greyjoy and her band of Ironborn arrive at the Dreadfort to rescue Theon, only to discover that Theon no longer exists. After delivering a passionate speech to her men, Yara leads the ambush and shows that she is capable fighter. After killing several of the Bolton guards, they make it down to the kennel where Theon is locked in a cage. Despite seeing his sister and being presented with the chance to escape, Theon refuses to leave and continues to refer to himself as Reek. After much commotion, Ramsay Snow arrives and a fight ensues, ultimately resulting in Yara being forced to retreat, telling her men “my brother is dead.” The following day, Ramsay rewards Reek with a bath and tells him that he will need him to pretend be his old self — Theon — to help Ramsay retake the castle of Moat Cailin, a strategic keep of the North that is currently being held by the Ironborn.

yara

A QUEEN MUST RULE

Khaleesi begins to rule over Meereen as she believes a queen must. She holds court, only to realize that more than 200 people have requested an audience. One man complains of his goat herd which has been killed by Khaleesi’s dragon. Displaying her kindness and compassion, Khaleesi offers to pay him triple the value of the herd he has lost. More significant, we see just how large and ferocious one of Khaleesi’s dragon has gotten. Khaleesi then hears from a noble citizen of Meereen who tells her that she crucified his father, a man who had no part in the crucifixion of the innocent slaves. In fact, he states that his father spoke out against these crimes. Perhaps Khaleesi should have heeded Ser Barristan’s advise when he noted that she should consider treating injustice with mercy. Khaleesi grants the man his wish to take down the body of his father and give him a proper burial, significant in that it implies that Khaleesi acknowledges the mistake she made.

dragon

A NEW COUNCIL

In King’s Landing, Lord Tywin meets with the Small Council, to which Prince Oberyn and Mace Tyrell have been newly appointed. Varys speaks of the whispers he has heard; the Hound has been spotted in the Riverlands and Lord Tywin puts a large bounty on his head. More significant, Varys tells that Khaleesi has sacked the city of Meereen. Cercei responds that they need not be worried of a young girl on another continent. However, Prince Oberyn disagrees — with an army of 10,000, three dragons and two experienced warriors guiding her, Khaleesi is a very real threat and Lord Tywin vows to take action. He also states the stupidity of Cercei’s decision to dismiss Ser Barristan from the Kingsguard after Joffrey took the Throne.

In the Throne room, Prince Oberyn and Varys discuss desire. Varys tells Oberyn, “When I see what desire does to people, what it’s done to this country, I am very glad to have no part in it.” He adds that without being consumed by desire, he has much time to focus on other things, before glancing at the Iron Throne. As usual, it is unclear whether we can trust the sincerity of the words that Varys speaks.

“I’M GUILTY OF BEING A DWARF”

Tyrion’s trial begins and several people testify against Tyrion, including Ser Meryn Trant, Grand Maester Pycelle, Cercei and Varys. Most of the testimony was fabricated or taken out of context, with the clear goal of trying to make Tyrion appear guilty. Margaery was shown several times, looking uneasy as she watched what was transpiring; after all, she is one of the very few people who know the actual murderer of Joffrey, and that Tyrion is indeed innocent.

marg

During the trial’s recess, Jaime tells Lord Tywin that he cannot let Tyrion be executed when found guilty. Should Lord Tywin spare the life of his brother, Jaime is willing to abandon his position on the Kingsguard and return to Casterly Rock to be the heir that Lord Tywin does not have otherwise. Previously, this is something that Jaime would have never considered. His knighthood on the Kingsguard and being close to Cercei were all that ever mattered to him. But now, everything has changed and it appears that Jaime is willing to make sacrifices to keep his brother alive.

Jaime tells Tyrion that he must confess to the murder and plead for mercy and that Lord Tywin will spare his life. However, things go awry as Shae takes the stand as a final witness. Telling lie after lie, Shae seals Tyrion’s fate by telling that he and Sansa plotted the murder of Joffrey and that he took Shae as his whore. Even with the prospect of possible execution looming, Tyrion appears more hurt by the betrayal of the woman he loved. He calls her name and the two lock eyes — almost as if to plead for her not to go through with this and to tell her that he still loves her. Coldly, she responds that she is “just a whore,” repeating back the words Tyrion had to tell her in order to end the relationship and save her life. Again, we see that the romantic ideals of love do not always have fairy-tale endings.

jaime t

Finally, in what was one of the most powerful scenes to date, Tyrion confesses his guilt. He confesses not to the murder of Joffrey, but rather the “monstrous crime” of being a dwarf. In a world where rhetoric is commonplace and the truth is rarely spoken, Tyrion no longer cares to hold back and he puts all the cards on the table in front of the entire courtroom. Calling out his father, sister, the people of King’s Landing and even Shae, Tyrion appears to have nothing to lose and gives an impassioned speech, “I did not kill Joffrey, but I wish that I had. Watching that vicious bastard die gave me more relief than a thousand lying whores. I wish I was the monster you think I am. I wish I had enough poison for the whole pack of you. I would gladly give my life to watch you all swallow it. I will not give my life for Joffrey’s murder and I know I’ll get no justice here, so I’ll let the gods decide my fate. I demand a trial by combat.”

Once again, Tyrion’s fate will be decided via trial by combat, the same way it was at the Eyrie when Bronn defeated his opponent and won the freedom of Tyrion. With almost all of King’s Landing seemingly against Tyrion, who will champion his cause and fight to defend his life? And who will fight for Cercei to put an end to Tyrion for once and for all?

tyrion

Episode 4 Recap: Oathkeeper

KILL THE MASTERS

Episode Four begins with a conversation between Missandei and Grey Worm, both of whom were born into slavery, but now serve freely under Khaleesi. Missandei recollects her home and notes that she might one day return, while Grey Worm has no memory of his life prior to being a slave and expresses no desire to ever return to his birthplace. After Khaleesi tells Grey Worm “it is time,” Grey Worm and the Unsullied infiltrate the city of Meereen through the sewage system, and rally the Meereneese slaves while providing them with weapons. As Khaleesi once preached to the Unsullied, the Unsullied now preach to the Meereneese: freedom cannot be given, it must be taken back by the slaves.

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After the slaves uprise and kill many of the masters, Khaleesi successfully takes the great city of Meereen and grows her loyal following of freed slaves. Despite Ser Barristan’s suggestion to respond to injustice with mercy, Khaleesi boldly exclaims that she will treat injustice with justice, before pinning up 163 of the masters to the mile-markers leading to Meereen. An extremely powerful final image, we see Khaleesi has ascended the Great Pyramid of Meereen, overlooking the city she has conquered — the bronze harpy, once the symbol of Meereen, has now been replaced with the flag of House Targaryen.

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Many of us might be thinking “Great. Big deal, Khaleesi sacked another city and freed some more slaves.” We might be getting a bit bored with her journey — one that seems like it’s been going on forever and is just more of the same each time she reaches a new slave city. And that is exactly why it is important to stop and process the massive feats that Khaleesi has accomplished. She has now sacked three of Easteros’ most powerful civilizations — Astapor, Yunkai and Meereen — while freeing hundreds of thousands of slaves and increasing her power, resources and following. And, arguably more important than what she has accomplished is how she has accomplished it. The range of attributes displayed by Khaleesi has been astounding. She has been loving and compassionate, yet unafraid to be fierce and bold when needed. Wise and calculated in every decision made, yet also unafraid to admit to what she does not know. Selfless in wanting to liberate those sentenced to a life of slavery, yet unrelenting in serving justice to those who have enslaved others. Calculated but unafraid; unsure but completely faithful; compassionate but fierce — as Ser Jorah once told her “A thousands years could come and go without ever seeing a ruler like you.”

KING’S LANDING

In King’s Landing, Jaime visits the imprisoned Tyrion, after Bronn tells Jaime that Jaime was Tyrion’s first choice in his trial by combat at the Eyrie. Though Jaime appears to believe that Tyrion is innocent, he also appears helpless and limited in the ways he can assist. Once one of the more powerful figures of Westeros, Jaime’s influence and resources seem to be deteriorating. He also appears helpless with Cercei, who demands that Jaime bring her the head of Sansa, who she believes also played a part in the murder of Joffrey. In such a short time, Jaime’s world has been turned upside down — a father that has disowned him, a sister who resents him for things he had no control over and a brother that he is too weak to help. Nonetheless, we continue to see some of the good in Jaime as he presents Brienne with his Valyrian sword, which she names Oathkeeper, before setting off with Podrick Payne to find Sansa and get her to safety.

Also at King’s Landing, Lady Olenna sits with Margaery and alludes to the fact that she played a part in the murder of Joffrey. She says this just as she rearranges Margaery’s necklace — much the same way she touched Sansa’s necklace during the wedding — a necklace that we now know was produced by Lord Baelish, containing a vile of poison that killed Joffrey. So there it is — we now know exactly how Joffrey was killed. Littlefinger had a necklace created with one of the jewels actually being a vile of poison. Ser Dontos played his part, presenting the necklace to Sansa as a family heirloom. Lady Olenna was in on it, and removed the vile from Sansa’s necklace during the wedding and put the poison into Joffrey’s wine cup.

Lady Olenna, removing the poison vile from Sansa's necklace

Lady Olenna, removing the poison vile from Sansa’s wedding

Lady Olenna rearranging Margaery's necklace as she admits to her role in Joffrey's death

Lady Olenna rearranging Margaery’s necklace as she admits to her role in Joffrey’s death

She also tells Margaery of the importance of forging a relationship with Tommen and winning over his allegiance. As things come to light, we see the Tyrells emerge as cunning and calculated, quietly making moves to “play the game” and grow their power. Late in the night, Margaery visits Tommen and plants a seed, telling him that it will be important that they are able to have secrets that are kept from Cercei.

“A MAN WITH NO MOTIVE IS A MAN NOBODY SUSPECTS”

These were the words spoken by Littlefinger as he continues to reveal to Sansa the details of the plan he has plotted. Lord Baelish takes responsibility for the murder of Joffrey and tells Sansa that they are en route to the Eyrie, where he will marry Lysa Tully, sister of the Catelyn, the woman he has loved since childhood. When Sansa asks Littlefinger why he would play a part in the murder of Joffrey when the Lannisters had given him so much power, he explains the importance of never letting anybody know his motives as to remain unsuspecting. Sansa doesn’t believe what he is saying, and he goes on to admit the truth — that he is a man willing to risk everything to achieve what he wants. When Sansa asks him what it is that he wants, he tells her “Everything.” Now free of the powers of King’s Landing, we see the truth of Littlefinger — he is a man whose ambitions are rivaled only by the means he is willing to exercise to achieve these ambitions.

“LET THE MUTINEERS TAKE CARE OF SNOW…”

Jon Snow continues to impress upon the importance of going north of the Wall to eliminate the mutineers at Craster’s Keep. Brothers of the Night’s Watch prior to their rebellion, these mutineers know all the secrets of the Wall and the Night’s Watch. Should Mance Rayder and the Wildlings get this information out of them, they would have all they need to march on the Wall and crush the Night’s Watch. Likely out of dislike for Jon Snow, acting Lord Commander Alliser Thorne rejects Snow’s proposed plan, until Janos Slynt points out that Thorne will not be Lord Commander forever as there will be a vote for new Lord Commander after the murder of Lord Commander Mormont. Slynt points out that Snow is very well liked and could be elected new Lord Commander. To avoid this, he suggests that Thorne approve Snow’s plan to march to Craster’s Keep and let the mutineers “take care of him.”

Acting Lord Commander Alliser Thorne and Janos Slynt

Acting Lord Commander Alliser Thorne and Janos Slynt

After Jon Snow gives a passionate speech about the unjust murder of Lord Commander Mormont, who was a father to them, several of the brothers of the Night’s Watch agree to join Snow, including Locke, one of Roose Bolton’s men, who is posing as a new recruit of the Night’s Watch, but is really there on a mission to find Bran and Rickon.

Locke, pretending to be a recruit of the Night's Watch

Locke, pretending to be a recruit of the Night’s Watch

CRASTER’S KEEP

We finally see what’s been going on at Craster’s Keep since the mutiny that took place last season. Karl, once a brother of the Night’s Watch, appears to be calling the shots. The men have taken Craster’s daughters/wives as captives, raping and beating them. We also see that they’ve captured Ghost, the direwolf of Jon Snow. When Karl is presented with a baby boy, the last of Craster’s sons, he is told of the ritual that gives all  of Craster’s male babies to the “gods,” referring to the White Walkers. After the baby is placed out in the forest, Bran and company hear the crying baby, and Bran skinchanges into Summer to explore the situation, but falls into a trap just after seeing Ghost. Insisting that they move closer, Bran gets the group captured and is forced to give up his identity after Karl holds a knife to Meera.

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FURTHER NORTH

Since the second season, we’ve known that Craster leaves his male babies in the forest for the White Walkers to take. Yet, it’s been unclear what exactly they do with these babies. Do they eat them? Sacrifice them? Well, in the final scene of the episode, we got an answer to this question — a glimpse of something that never took place in the books. As a White Walker marches on his dead horse with the baby in hand, we get the feeling that we are now in the very deep North, perhaps the Land of Always Winter — the most northern part of Westeros — a region that is always stuck in winter and where it is said the White Walkers come from. The White Walker arrives at what looks to be a mysterious ice city or castle and we finally get some glimpse into where the White Walkers might reside.

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As the baby is placed in the middle of what we would believe to be an altar of some sorts, another creature comes for the baby. It is assumed that this creature was a White Walker, but clearly had a much different appearance from the White Walkers we’ve seen thus far. He appeared to be wearing all black clothing, different from that of the White Walkers. His eyes were a much deeper blue and he had spikes coming out from his head, versus the long grey hair of the White Walkers we have seen thus far. As such, we are left to wonder what exactly this creature is — perhaps a leader or god of the White Walkers? Or perhaps a creature greater than the White Walkers, which appear more zombie-esque than did this creature.

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Pressing a finger to the face of the baby, the baby’s eyes turn a deep blue, like that of the White Walkers and it appears that we may have just witnessed how a White Walker is created.

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It is interesting to note, that we actually got a glimpse of this creature two episodes ago during Bran’s prophetic vision sequence. As greenseers do, Bran had a vision of the future and saw this White Walker’s reflection in the ice, before it actually happened.

An image from Bran's vision, that we now realize is the face of this creature reflecting in the ice

An image from Bran’s vision, that we now realize is the face of this creature reflecting in the ice

Episode 2 Recap: Lion & the Rose

OVERVIEW

Though not usually aware of it, as viewers of television and cinema, we are constantly making certain anticipations or predictions about what we’re watching. We suppose that there are certain “givens,” or things we know are safe to assume. We are able to do this because most of these shows or movies abide by a certain set of “rules” with which we’ve become familiar. It doesn’t mean we know every little thing that is going to happen, but we achieve an understanding of what’s in the realm of possibility and what simply isn’t. We can safely assume that there is no way Character A can die in this movie or Thing B can happen in that show. And while there is generally comfort for the viewer in being able to make certain assumptions, these very assumptions ultimately take away from the “realness” of what we are watching. The predictability, however small it may be, reminds us that we are in fact being told a predetermined story, bound by limitations of what we know can and cannot happen, rather than watching a real experience unfold before our eyes.

And this is one of the many brilliant ways that Thrones sets itself apart from just about everything else out there. George R.R. Martin has ignored all the conventional “rules” that often limit the possibilities of a story. Instead, he created a world that mirrors our own; one where possibility is endless, things are unpredictable and we are not always in control of what will come next. As a result, his story is not only more authentic, but also more relatable. It feels more real because it is more real.

While most of us will take away from this episode the death of King Joffrey, in reality, this was not necessarily the most significant plot-point of the episode. Rather, this was a simple reaffirmation that there is no “safe-zone” in this world; no assumptions can be made and no one life is more or less important than any other. We have been reminded of this fact time and time again, first with the death of beloved Ned Stark, then with the behanding of Jaime, and finally the unforgettable Red Wedding. Death is random, life is chaos and nothing can be taken for granted. Forget that, and you are in for a rude awakening, often without any warning at all.

And while the death of Joffrey was shocking, it should not be the only takeaway of this episode. Bran’s continued journey and the visions he experienced are far more meaningful than the loss of one life, even the death of a king. Moreover, Tyrion was forced to pretend that he no longer loves Shae; Lord Bolton finds out a powerful piece of information that few others know — the Stark children are still alive and rightful heirs to the North; Theon has gone completely mad; and Sansa appears to be on the run. Each of these events in their own right are quite significant, and despite Joffrey’s death being the headlining event of the episode, it would be a mistake to overlook all the other things that happened.

THE DWARF, THE CRIPPLE & THE MOTHER OF MADNESS

As Tyrion and Jaime catch up, Tyrion notes the unenviable position that the three Lannister children find themselves in: a dwarf, a cripple and a mother of madness. For them, power does not imply happiness. On the contrary, they have each had great prices to pay in order to help their family achieve this power. And now that they have it, their personal happiness appears to be more deteriorated than ever. After Jaime acknowledges to Tyrion that he is no longer an effective swordsman, Tyrion suggests that he needs a paid sword with whom he can train. Tyrion arranges for Jaime to meet and train with Bronn.

“YOU’RE NOT A BOLTON, YOU’RE A SNOW”

In another one of his perverse games, Ramsay Snow chases through the forest one of the girls that had been at his service previously. Claiming that she had been making his other girl jealous, they hunt her down and feed her to the dogs. At the Dreadfort, seat of House BoltonRoose Bolton returns home after playing his part in the Red Wedding. We now see that the months of extreme torture have broken Theon; he has lost his mind and has become an obedient servant to Ramsay Snow. However, when Roose Bolton learns of this, he scolds Ramsay and reminds him of his bastard status, telling him “you’re not a Bolton, you’re a Snow.” The ironborn currently hold Moat Cailin, a strategic stronghold of the North that allows for passage from the south. Lord Bolton’s plan was to return Theon to his father, Balon, in exchange for Balon pulling all the ironborn from Moat Cailin. Thanks to Ramsay, Theon is now useless and Lord Bolton has lost his leverage.

Theon, after learning of Robb Stark's death

Theon, after learning of Robb Stark’s death

However, Ramsay did accomplish one thing — through all the torture and “training” of Theon, Ramsay was able to learn that Bran and Rickon Stark are not in fact dead. After their escape from Winterfell, Theon killed two other boys and burned their bodies, pretending that they were the Stark boys to cover up that he let them escape. Only Theon and a couple others knew this very important fact — with Bran and Rickon still alive, they are the the rightful heirs to Winterfell and present a major threat to Roose Bolton, new warden of the North. Lord Bolton learning this information is a game-changer and he orders Vargo Hoat, the man who cut off Jaime’s hand, to lead a party in the search of the Stark boys. Theon also offers to them that Jon Snow is at Castle Black and could be protecting them. Last season, after Bran and Rickon split, it was decided that in fact, Rickon would head to Castle Black with Asha to seek out Jon Snow. Lord Bolton offers Ramsay a chance to prove that he is a Bolton and tells him to round up whatever men he can and to take back Moat Cailin for the family.

Of course, it was very significant that Lord Bolton learned of the Stark boys survival, as well as his order to Ramsay to take back Moat Cailin from the ironborn. However, the most powerful part of this all was to see the transformation of Theon. Episode after episode, we witnessed the brutal physical and emotional torture that he had to endure. And now, we see the full effects of what that torture has done to him. Like a dog, he has been fully trained to be obedient to his master. So much so that Ramsay trusted him to hold a blade to his neck. And, even as Theon held this blade to his neck and Ramsay told Theon that Lord Bolton had killed Robb Stark, Theon was still unable to do anything other than follow order.

THE COST OF LOVE

For much time, Tyrion has expressed to Shae the dangers of their relationship. And, now that Tyrion is married to Sansa, their relationship only grew more complicated and dangerous. After Varys tells Tyrion that Lord Tywin has threatened to hang the next whore that Tyrion is caught with, Tyrion realizes that he must take drastic action to get Shae out of King’s Landing. He has tried many times to tell her how dangerous it is, but she refuses to listen. So, now, he must lie to her and endure the pain of acting as if he doesn’t truly love her. The sad irony is that he is actually doing it all for love and trying to save her life. He tells her that she is a whore and not fit to be with him. He declares, “I have enjoyed my time with you most of all, but now that time is over.”

To save her life, Tyrion must break her heart and pretend that he does not love her

To save her life, Tyrion must break her heart and pretend that he does not love her

We once again see the recurring theme which reminds us that love will not always prevail. Though Tyrion loves Shae and she loves him back, there are other variables that simply make a life together impossible. It is sad to watch, but offers a more realistic view of love, rather than the romanticized storybook version we are used to seeing. Sometimes love is not enough and the realities of life can get in the way.

“THERE IS ONLY ONE HELL…AND WE ARE LIVING IN IT”

At Dragonstone, Stannis sacrifices several more of his men to the Lord of Light, including his own brother-in-law. True to form, Ser Davos is against these actions and tells Stannis that they were innocent men merely worshipping the gods of their fathers. Interesting to see, Stannis’ wife, Lady Selyse, appears to have become passionate about the Lord of Light. During dinner, she tells Stannis that their daughter, Shireen, needs to rot, claiming that the marks on her face show that she has been cast out by the Lord of Light. However, Stannis orders that he will not strike down his own daughter.

At Selyse’s recommendation, Melisandre goes to visit Shireen and they have a discussion about the gods. Shireen notes that she has read about the Faith of the Seven, though Melisandre quickly replies that these are only lies and fables. There are only two gods, one representing fire, good and light and the other representing cold, fear and darkness. She explains that these two gods are forever locked in an eternal struggle against one another. Asking about the many heavens of the Faith of the Seven, Shireen asks, “so there are not seven heavens?” to which Melisandre coldly responds, “there is only one hell and we are living in it.”

“IF WE LOSE YOU, WE LOSE EVERYTHING”

Though most viewers are probably still thinking about the death of Joffrey, it was Bran’s role in this episode that was truly major. Once again, we are taken into one of Bran’s skinchanger states where he has inhabited the mind of his direwolf, Summer. This one was longer and more personal than any we’ve seen before; we were able to feel what Bran might feel controlling the mind and body of his direwolf. When he is woken up, he tells that he was hungry and was just eating. The connection between he and Summer grows stronger, and it appears that he is starting to blur the line between his own identity and that of his direwolf. Jojen reminds him that he cannot survive off the food his direwolf eats and that Bran himself is not a direwolf.

Through his power of skinchanging, Bran is able to transcend the limits of his actual human life. As a cripple, Bran has lost his mobility — once a great climber, Bran can now barely move. However, all this changes when he takes over the mind and body of Summer. He is liberated, he is free. Able to run freely through the forest, hunt down food and feel the cold ground beneath him, Jojen acknowledges that it must be glorious for Bran to feel whole again. However, Jojen reminds Bran that spending too much time in the skin of another can be dangerous and Bran could start to forget what it is to be human. Reaffirming the importance of Bran’s journey, Meera chimes in telling Bran “if we lose you, we lose everything.”

As they continue through the forest, Bran sees Summer standing beneath a weirwood tree, illuminated by a mysterious light. As he approaches the tree, we see a face carved into it, a traditional practice of the Children of the Forest from thousands of years ago. As Bran connects with the tree, he again experiences greensight, or prophetic visions — this time, more powerful than any other we’ve seen.

The weirwood tree that Bran connects with

The weirwood tree that Bran connects with

In a brief moment, it appears he learns of everything that has happened, seeing visions of the past and learning clues of the future. Most of the things he sees were pulled from all different scenes of all different episodes that we’ve seen to date, though certain images we have never seen before. He first sees the three-eyed raven flying beneath the crypts of Winterfell, then a vision of Ned Stark being held a prisoner in King’s Landing. The three-eyed raven then lands on what appears to be a tree in the North, and we see a glimpse of a beautiful weirwood tree. Bran then sees the wight that we saw in the very first episode of Thrones, followed by the flock of crows that we saw after Samwell Tarly killed the White Walker. A mysterious voice says “look for me beneath the tree” as we again see a beautiful weirwood tree that is glowing in the light, followed by a brief glimpse of the roots below the tree. He then sees the dead horse missing half its face, resurrected back to life and ridden by a White Walker.

The weirwood tree in Bran's vision; he hears the words "Find me, beneath the tree."

The weirwood tree in Bran’s vision; he hears the words “Find me, beneath the tree.”

Interestingly, he then sees a vision which Khaleesi also saw in the Season 2 finale, when she entered the House of the Undying and fell under the magic of the Warlocks. It was during this “dream” that she was reunited with Khal Drogo and saw their baby. What she also saw, was a very dark and bleak vision of the Great Hall, the powerful room from where the king resides over the Iron Throne. In her vision, the Great Hall was completely empty and desolate. Walls were torn down and snow covered the hall. It was a powerful vision, and one that Bran is now sharing himself.

The desolated Throne room, a vision Bran and Khaleesi both saw.

The desolated Throne room, a vision Bran and Khaleesi both saw.

Bran then sees some sort of face, either being reflect by, or peering through what looks to be ice. It is not clear what this is a face of, but does not look human. He then sees the vision of himself being pushed by Jaime from Winterfell, and for the first time, remembers what happened. He sees the shadow of dragons flying over King’s Landing. And finally, he once again sees the beautiful weirwood tree, with the same voice proclaiming “North!”

A mysterious face that appears for a brief moment in Bran's vision

A mysterious face that appears for a brief moment in Bran’s vision

To say the least, it was a lot to take in. There were so many images and visions and it happened so quickly. It is important to realize the visions he had and the select things that he saw. Several of the images we had seen already, and appear to simply provide Bran insight on some of the things that we as viewers already know. Bran being pushed by Jaime, what happened to Ned, and the existence of the White Walkers are all realizations that Bran now has, but did not before. However, there were also several powerful visions he had which were not about filling him in on the past, but rather about providing him clues of the future or guiding him on his journey. Several times we saw the same beautiful weirwood tree and the mysterious voice exclaimed “look for me beneath the tree,” before adding the clue “North.” When Bran regains his human consciousness, he now knows where he needs to go.

To understand the power of this scene, it is essential to stop and consider the power of the weirwood trees, their historical significance and the role these mystical trees played with the Children of the Forest thousands of years ago. For thousands of years, before anybody else arrived to Westeros, the magical Children of the Forest lived in harmony with the weirwood forests and worshipped these trees. They derived much of their power and magic from these trees and many of the Children of the Forest, like Bran, were greenseers who were able to connect with the trees and realize prophetic visions. After the First Men and the Andals invaded, most of the weirwood trees were cut down and the Children of the Forest were pushed near extinction; yet thousands of years later, Bran has powerful visions as he connects with a weirwood tree, and it appears that there is another weirwood tree, somewhere in the North, that Bran must find.

THE DEATH OF ANOTHER KING

In a scene that lasted 23 minutes, we finally see the grandiose wedding of King Joffrey and Margaery Tyrell. As the wedding party begins, Jaime bumps into Ser Loras Tyrell, who is set to marry Cercei. Jaime tells Ser Loras that he will not marry Cercei, in a way which implied Ser Loras would have no say in the matter.

Prince Oberyn comes face to face with Lord Tywin, and though no direct threat is made in this episode, Prince Oberyn, through backhanded remarks, makes it clear that there is still much bad blood between the Martells and Lannisters.

And finally, after Margaery announces that all the leftovers from the wedding feast will be donated to the poor of King’s Landing, Cercei orders Maestar Pycelle to feed the leftovers to the dogs. At this point, it is clear that Cercei is threatened by Margaery and attempts to thwart her plan, which would help Margaery to gain the love and support of the people of King’s Landing’s. When Maestar Pycelle notes that Margaery is now queen and that he must obey her orders, Cercei makes it clear who still holds the power and threatens his life should he disobey her orders.

And finally we arrive to the part of the episode that we all secretly hoped would happen, but still were not expecting — the death of King Joffrey. After Joffrey makes a point of publicly humiliating Tyrion and making him his cupbearer, he begins to cough violently, before falling to the ground and dying several moments later. As he gasps for air, it is Jaime Lannister that tries to revive him — one last attempt to save a son that he was never able to truly father.

It was unclear whether Joffrey was choking or was poisoned. It was also unclear who was behind this, if anybody. Though, in his last breathing moments, Joffrey points at Tyrion and Cercei immediately accuses her brother of the murder. Tywin does not object, and Tyrion is taken by the Kingsguard. In the madness of it all, we again see Ser Dontos, who grabs Sansa and tells her it is time to go. With Joffrey dead, his younger brother, Tommen, is next in line for the Throne. Though, like Joffrey, Tommen was born of incest and has no true claim to the throne, as he is actually a Lannister, not a Baratheon.

Ser Dontos tells Sansa that it's time to leave

Ser Dontos tells Sansa that it’s time to leave