Tag Archives: Jaime Lannister

08.07.17
by

SEASON 7, EPISODE 4: THE SPOILS OF WAR

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

THE SPOILS OF WAR

Clocking in at a duration of 46 minutes, the shortest episode in Thrones history felt anything but. In just one short episode, Arya makes it back to Winterfell after an impossibly challenging journey; things heat up between Jon Snow and Dany in the caves below Dragonstone; and last, but certainly not least, we see Dany ride a dragon into battle for the very first time. Oh, and let’s not forget about the ancient inscriptions we saw in the caves below Dragonstone. These symbols are thousands of years old and point to some of the most significant hidden truths of this world — truths that may just determine how this entire story ends. But we’ll get to that. Any of these developments were meaningful enough to carry an entire episode, so getting all at once was quite a bit to process. So let’s begin.

TO THE VICTOR GOES THE SPOILS

In an episode entitled The Spoils of War, there were many “spoils” of recent battles revealed in this episode, both good and bad. The most obvious spoils were those won by Cercei in her siege of Highgarden, which we see as the episode opens up with Jamie sending all of Highgarden’s gold off to King’s Landing. Cercei is seen moments later talking with Tycho of the Iron Bank, reminding him that his gold is on the way and that a Lannister always pays their debts. But Cercei mentioned something else — something many may have missed — something which revealed a part of her future plan. Cercei tells Tycho that she has reached out to the Golden Company to help her secure some of the things that belong to her.

As a quick refresher, the Golden Company is an Essos-based army of sellswords who do not fight for any house or ruler, but rather for whoever contracts and pays them. We’ve heard of the Golden Company in the past as Daario Naharis once fought for the Golden Company, prior to pledging his allegiance to Khaleesi. (Speaking of Daario Naharis, what’s he been up to and when will we see him again? I digress…) Anyway, it was a very quick nugget of dialogue, but not one that was coincidental, so it’s worth considering what Cercei is hiring the Golden Company for and what it is that she hopes they can return to her. But back to Jaime and Bronn at Highgarden, as they send their newfound gold back to King’s Landing, they instruct Randyll and Dickon Tarly to collect all the farmland produce of Highgarden, an additional spoil of war (remember, Highgarden has the most fertile lands in all of the Seven Kingdoms). Little do they know that those carts of food are never making it back to King’s Landing…

A MYSTERIOUS DAGGER

Things have been quite busy at Winterfell as of late and that trend surely continued this week. We arrive at Winterfell as we see Bran sitting in his new wheelchair, looking just as distant and aloof as he did last week. Knelt before him is Baelish, who presents him with the Valyrian steel dagger that was used in the attempt to kill Bran back in season one. Bran asks Baelish if he knows who the dagger belonged to and Baelish tells Bran that he does not. For starters, this is inconsistent with what he told Catelyn Stark back in season one, so Baelish was either lying to Catelyn or is now lying to Bran. Let’s do a quick recap of what we know about this dagger — because my bet is that there is more to come on this.

Back in season one, Bran was climbing the walls of Winterfell and saw Jaime and Cercei sleeping together, at which point Jaime pushed Bran from the wall to protect the secret of their incest. But when Bran survived the fall and lay comatose in bed, somebody came to finish the job — a man with the Valyrian dagger we saw this week. Catelyn tried to save Bran, but it was Bran’s direwolf, Summer, who killed the assassin and saved Bran’s life. Catelyn then left for King’s Landing (with the Valyrian dagger) to inform Ned (who was already at King’s Landing at the request of King Robert) of the attempt to kill Bran. In a scene at Baelish’s brothel, Catelyn presents the dagger, at which point Baelish tells her that the dagger had belonged to him but that he had lost it to Tyrion in a bet. Believing this to be true, Catelyn had Tyrion arrested when she encountered him on her trip back to Winterfell (this led to Tyrion being held prisoner at the Vale, before demanding a trial-by-combat, at which point Bronn fought for Tyrion and won, gaining him his freedom). After Ned was arrested in King’s Landing, Baelish retook possession of the dagger and has presumably had it ever since. Now, years later, he chooses to present it to Bran, but tells Bran that he does not know who it belonged to, which is quite different from what he told Catelyn years prior.

Going one step further, a few episodes back, we saw a dagger that looked quite similar in one of the books that Sam Tarly was reading. My guess is that they were not showing a different dagger that looked very similar to this one, but rather that they were the same dagger, which further amplifies the significance of the dagger we saw today. There are some definite question marks around this Valyrian steel dagger, but it seems to be a safe assumption that it is of moderate to major significance.

After Baelish presents Bran with the dagger, he tries to appear empathetic to the “chaos” Bran has returned home to. However, Bran cuts him off and reminds him that “chaos is a ladder.” Bran is referring to the “chaos is a ladder” speech that Baelish gave to Varys in the third season. Baelish’s face turns stern and he appears threatened by the fact that Bran is aware of these words he once spoke. After all, if Bran knows this, what else might he know about Baelish? But looking one layer deeper — what does this “chaos is a ladder” reference tell us? After all, if the sole intention of this scene was to expose Baelish and show us that because Bran is now the Three-Eyed Raven, he is aware of something Baelish once said, well then writers could have chosen any of Baelish’s wise words for Bran to repeat. But they chose these words for a reason. Baelish’s full quote follows, with the video below: “Chaos isn’t a pit. Chaos is a ladder. Many who try to climb it fail, and never get to try again. The fall breaks them. And some, given a chance to climb, they refuse. They cling to the realm, or the gods, or love. Illusions. Only the ladder is real. The climb is all there is.”

Now, let’s piece that quote together with present-day context. Baelish has been lurking around Winterfell, often hidden in the shadows, leaving all of us to wonder what he’s up to and what his true intentions are. Well perhaps these words — the words he spoke many years back — words the all-knowing Bran chooses to repeat — sum up Baelish’s true intentions. For him, the climb is all there is. It is not so much about the endpoint, as much as it is the climb to get there. In short, it is all about the game and how you play it — to him, that is the very purpose of life. If the words he speaks are true, then he is not interested in love or the gods or the good of the realm — his only interest is the climb itself and Bran appears to be aware of this.

And yet, there is another interesting layer to this scene, one that can only be understood when considering Baelish’s history. About 20 years ago, it was Brandon Stark (Ned’s oldest brother and heir to Winterfell) who was set to marry Cat. Baelish, a young boy in love with Cat, challenged Brandon to a duel to win the hand of Cat. Brandon agreed to the duel, promising Cat that he would not kill Baelish. Brandon was a powerful warrior and Baelish was far from a fighter, so as one would assume, Baelish was badly beaten and severely injured. Brandon would later ride to King’s Landing to free his sister Lyanna, and would be killed by the Mad King, which resulted in Ned marrying Cat instead of Brandon. In any event, this experience would forever impact Baelish, as he was severely humiliated, physically beaten and also lost the woman of his dreams. Though he would not admit it, he developed a strong jealousy and hatred for the Starks as a result, and many believe this is why he would betray Ned and have him arrested in King’s Landing many years later.

Now, in this scene, Baelish tells Bran “Anything I can do for you Brandon, you need only ask.” When assessing the authenticity of Baelish’s statement, it’s significant to note that he refers to him as Brandon instead of Bran. Very few have referred to Bran as Brandon. Couple that with the fact that it was Brandon Stark (Bran’s uncle) who badly defeated Baelish, and there is some definite undertone to Baelish’s choice to refer to Bran and Brandon. And going back to Baelish’s earlier quote: “Many who try to climb it fail, and never get to try again. The fall breaks them.” Baelish’s fall was his defeat at the hands of Brandon Stark — a fall that would not break him as it has broken so many others. For Baelish, it was that very fall that serves as the driving factor for him to keep climbing the “ladder of chaos.”

HOMECOMING

Elsewhere in Winterfell, Arya finally makes her return home. After years separated, the reunions of so many of the Stark children so close together seems a bit odd, but let’s look past that. Let’s reflect upon all that Arya has been through to lead up to this moment. Witnessed your father’s beheading? Check. Present for the Red Wedding when your mother and brother are ruthlessly murdered? Check. Spent years getting beaten, blinded and tortured in Braavos? Check. Arya has been through enough pain and torture to last 10 lifetimes, yet she has overcome it all and prevailed as an incredibly powerful character who has willed herself back to Winterfell against all odds.

But, similar to the reunion last week between Sansa and Bran, the reunion this week between Arya and Sansa was less than emotional. After all the time these family members have spent apart, we all assumed their reunions would be wonderful and emotional and joyous. But, the reality is that these characters have experienced an incredible amount of hardship and have been reunited as very different people. That said, what is interesting about the reunion between Sansa and Arya is that the juxtaposition of their characters is still quite similar to what it was all the way back in season one. At that time, Sansa only wanted to be a lady and Arya was the rebel who wanted to fight with the boys. Fast forward years later and they are reunited with Sansa being the lady of Winterfell and Arya being a ruthless assassin. Ironically, in many ways, they’ve both become the people they always wanted to be — albeit neither forecasted the pain they’d experience to become those people.

While it is nice to see these characters reunite, there are giant question marks around what comes next for these siblings and whether or not they are even truly on the same team. As they stood in the crypts of Winterfell, Arya tells Sansa about her list — the list of people she wants to kill. Sansa laughs this off, assuming her sister must be joking. Yet, moments later, she sees the skilled fighter Arya has become as she is able to best Brienne, one of the most skilled fighters in the land. Interestingly, when Brienne asks Arya who taught her, she cleverly responds, “Nobody.” As Sansa witnesses this, she realizes the truth of what her little sister had revealed about her list and the person Arya has become. She seems displeased to say the least, and she walks away, Baelish looks on with a grin, perhaps identifying a new opportunity that he can leverage.

Out in the Godswood, Bran, Sansa and Arya are all reunited together, in a place that is most sacred to House Stark (and now, especially to Bran). Sansa casually reveals to Arya that Bran is able to see everything that any person has ever experienced. Moments later, Bran gives that mysterious dagger to Arya, furthering the significance of this weapon. Given Bran’s wisdom, it is unlikely that he gave it to Arya simply because he did not have use for it. Rather, it is more likely that Bran is aware of the significance of this dagger and the role it may play in the hands of Arya. Looking on, Sansa seemed somewhat displeased, furthering the tension that exists between the two.

IT’S ALL ABOUT THE SPIRAL

At Dragonstone, Jon Snow has discovered the cache of Dragonglass and takes Dany into the cave to see it. The scene (intentionally) felt intimate and steamy, with Jon and Dany alone in a dark cave — a familiar setting to Jon Snow (it was in a dark cave that he first got it on with Ygritte many seasons ago). It felt as though there was potential for Jon and Dany to get it on right then and there, and though this never would have happened that quickly, the stage is certainly set for the possibility of it happening in the future. Yes, they are blood and she is his aunt, but they don’t know that yet. And even if they did, remember that the Targaryens practiced incest for thousands of years to keep their bloodline pure. And while the alone time Jon and Dany had was a nice buildup to what might come, there was a much bigger takeaway from this scene.

First, Jon discovered the Dragonglass — enough of it to presumably make weapons for an entire army to fight off the White Walkers. But even that was not the biggest takeaway here. Imagine that — supplies were just discovered which will enable the humans to possibly fight off an army of the dead that threatens the very existence of humanity — and that wasn’t even the most important discovery! So what was the biggest takeaway here? The answer is the inscriptions on the walls, more specifically, the spirals. Though we do not fully understand what the spirals represent, we do know they are extremely significant and possibly represent the ultimate clue to how this entire story will play out.

So here’s what we know. The inscriptions on the walls were made by the Children of the Forest thousands of years ago. As we know from this story, the Children were the very first inhabitants of Westeros, having lived off the land for thousands of years before the First Men ever arrived. You can read more about the Children of the Forest and the First Men here — and if you aren’t fully clued in on this history, I would highly recommend you refresh yourself. Though the Children lived without humans for thousands of years, the inscriptions on the wall show the Children and the First Men together. As Jon explains to Dany, they banded together to fight off the White Walkers, which we also saw on the wall. But that wasn’t all we saw on the wall. Perhaps most significant were the spirals — a symbol we have seen throughout the show since the very first season — and one that is going to be extremely important. So let’s recap where we’ve seen this symbol to date.

In the very first episode, a ranger of the Night’s Watch stumbled upon some dead bodies north of the Wall. When he returned, he saw the corpses mutilated and rearranged in the below orientation.

A few seasons later, again north of the Wall, we see a bunch of dead horses arranged in an even more definitive spiral (below), again the work of the White Walkers.

But things get a lot more interesting, because we later learn in season six, that it is not just the White Walkers that deal in these spirals, but also the Children of the Forest. In one of Bran’s vision, and in an incredibly important reveal, we learn that it is actually the Children of the Forest that create the very first White Walker (who is probably the Night King we see today) by inserting Dragonglass into his heart (see below for a refresher).

What we also see in this vision is a bird’s-eye-view of the tree where the Children created the first White Walker. At this very important location, we see a similar spiral (below).

And last, but certainly not least, the teaser trailer for this season culminated with another similar spiral, before it is engulfed by the blue eye of the Night King (below). The importance of this spiral and what it has to do with the White Walkers could not be made any more clear.

So what does all of this tell us? Well, we may not know exactly what the spiral represents, but we know it is important. Perhaps the spiral represents some sort of balance between dark and light, good and evil, fire and ice. Whatever it represents, what we do know is that it was something significant to the Children of the Forest, who were a magical species. What’s more, we know that the White Walkers learned this truth from the Children and are referencing it today. Bringing it full circle to tonight’s episode, we see that these very same spirals were carved into the cave thousands of years ago. And not just in any cave — into the cave which shares the story of the Children banning together with the First Men to fight off the White Walkers — and the cave that also contains the Dragonglass needed to fight off the White Walkers today. In short, these spirals are extremely significant and could contain the secret to what is really going on here — a fundamental truth shared between the Children and the White Walkers — and one we will likely find out before this story comes to an end.

FIRE AND BLOOD

It was only a matter of time until Khaleesi flew a dragon into battle, and after being dealt several decisive blows in the last few weeks, she decided to take matters into her own hands. Khaleesi, on the back of Drogon, flew into battle with her Dothraki army and decimated the unsuspecting Lannister army. For the first time, we saw the full impact that a dragon can have in battle, burning men by the hundreds with each breath of fire. And we saw the destruction that Targaryens have inflicted for hundreds of years, scorching alive those who defy them, watching their flesh melt and burn. This battle was a direct allusion to the Field of Fire — perhaps the most famous battle of Aegon’s Conquest.

As Khaleesi approached, Bronn encouraged Jaime to flee but Jaime refused to abandon his men. Incredibly, Jaime and Bronn both managed to remain unscathed (at least for most of the battle). One of the more powerful moments of this battle was Tyrion ascending over the hill to look on at the Lannister army being destroyed, men being burnt alive. Though he is obviously not a typical Lannister, the reality is that these are still the people that he called his own his entire life. It is one thing to strategize about how to defeat your family when they are halfway across the world; it is another to come face to face with the realities of your decision, especially when those realities result in the death and destruction of your people. As much hate as Tyrion had for Tywin and still has for Cersei, a part of him had to be questioning his decision as he watched the Lannisters forces being burned alive.

And then he sees Jaime, who he can only hope is smart enough to flee. The timing could not be more poignant, as just last week, Jaime learns that he made the right decision in saving his brother Tyrion, who was in fact not responsible for the death of Joffrey for which he was accused. Yet one week later, Jaime’s life is at risk, in large due the brother he saved. Jaime sees a vulnerable Khaleesi within striking distance, and decides to go after her, no doubt willing to risk his life to eliminate the principal threat to his sister’s reign. Just feet away from taking out Khaleesi, who has been grounded after Drogon was harpooned, Drogon turns to Jaime and breathes fire in his direction. Jaime is all but dead, until he is tackled off his horse and into a body of water, just in the nick of time. It appears to be Bronn that saves Jaime, but this is not definite. It also appears that Jaime avoided the fire, though the nature in which he continues to sink deeper, seemingly lifeless, brings question to this. Assuming that he is alive, will the tables now be turned, with Tyrion having the opportunity to save his brother, the way Jaime once saved him?

Above all, one thing is abundantly clear. The world will soon know of the fire and blood that Khaleesi’s dragons can bring. How will the people of Westeros react when they hear this? Will they support the return of a rightful ruler or fear the madness of a Targaryen?

ODDS & ENDS

  • Meera informs Bran that she must return home to her family. She knows the White Walkers are coming and she must be there to protect her family. (Though the show does not really touch upon it, House Reed is a major house in the North and it will be interesting to see if we get to see Meera’s family). Much like when he was reunited with Sansa last week, Bran once again shows no emotion as he says goodbye to Meera. Meera reminds Bran of all the people that died to save him, and though he understands her point, he reminds her that he is no longer Bran, but rather the Three-Eyed Raven.

 

  • Though Drogon was wounded, he will likely be okay. A non-lethal wound might turn out to be a small price to pay for Team Khaleesi to have learned about the secret weapon Cersei has been working on.

 

  • When Brienne asks Arya who trained her, she responds “Nobody.” She could have been referring to Jaqen H’ghar, the Faceless Man who trained her quite some time. But the man who truly taught her what we witnessed in this scene, was Syrio Forel, the man who taught her the Water Dance (a Bravoosi way of fighting) all the way back in season one. While Jaqen was a Faceless Man and it would make sense to refer to him as “nobody,” the same cannot be said of Syrio, unless Syrio was in fact Jaqen H’ghar all along. It is entirely possible that Jaqen was training Arya since the very beginning, pretending to be Syrio Forel in the first season.

 

  • Dany again asks Jon Snow to bend the knee and the next thing we see is the two walking out from the cave. It is possible that he bent the knee without us seeing.

 

  • Jon Snow comes face to face with Theon and does a pretty good job at composing himself.
07.24.17
by

SEASON 7, EPISODE 2: STORMBORN

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

STORMBORN

Since the end of last season, one thing was clear: Winter Is Here. Now, just as quickly, war is here. The premiere episode last week more than set the stage and made clear the alliances that were being formed in the war to come. Just one week later, first blood has been drawn and the war is officially on. The first battle came rather abruptly and it is clear that there will be several more battles to unfold before this war is decided. And while the epic sea battle might be what is most remembered from this episode, there were several other significant developments, from Arya turning back for Winterfell to Sam Tarly attempting to save the life of Ser Jorah. Another consistent theme throughout this episode was past events and relationships affecting present day decisions, from Jon Snow’s decision to head to Dragonstone because of the relationship he developed with Tyrion in the first season, to Samwell’s willingness to risk his life to cure Jorah because of the relationship he had with Jorah’s father, Lord Commander Mormont. The dots continue to be connected as characters continue to move closer and closer towards one another. And as these characters continue to be pulled towards one another, the stage is set for several key reunions and also some powerful first meetings.

DRAGONSTONE

The episode opens up at Dragonstone as a powerful storm sends waves crashing upon the towering Targaryen castle. It is this storm that the episode, entitled Stormborn, derives its name from. The opening dialogue of the episode have Varys and Tyrion talking about the storm 20 years ago that came across Westeros as Daenerys was birthed at Dragonstone. Now, 20 years later, another storm is upon the land as Daenerys and her advisers plot their next move. Daenerys shifts her attention to Varys and attacks him for the manner in which he has conspired behind the backs of previous rulers. In response, Varys delivers an impassioned speech to defend his actions, telling that he has always been a man of the people who refuses to pledge blind allegiance to incompetent rulers. Daenerys seems to work past her distrust of Varys after he pledges his loyalty and promises to tell her directly if he ever disagrees with the manner in which she rules.

Moments later, The Red Lady, Melisandre, arrives at Dragonstone to speak with Daenerys. We saw her last in season six, ordered by Jon Snow to ride south after having learned about the role Melisandre played in sacrificing and burning Princess Shireen. Ironically, it was Jon Snow’s order that would send Melisandre to Daenerys, where the topic of conversation would be Jon Snow himself. Melisandre tells Daenerys that she believes she is the Prince (or Princess) That Was Promised. As we’ve discussed before, The Prince That Was Promised is a prophecy in the religion of the Lord of Light, which says that the ancient warrior, Azor Ahai, who fought back the White Walkers during The Long Night, will eventually be reincarnated to fight back death and darkness once more. At first, Melisandre believed Stannis was the Prince That Was Promised, which turned out to be incorrect. Since then, many have argued that it will either be Daenerys or Jon Snow that will turn out to be TPTWP.

Beyond this, Melisandre tells Daenerys of Jon Snow and how he is now the King in the North. She also tells Daenerys of how Jon Snow has done something nobody else has ever done — he let the Wildlings south of The Wall and successfully united the Wildlings with the great houses of the North. Melisandre encourages Daenerys to summon Jon Snow to come to Dragonstone so that she can hear first hand of the things that Jon Snow has seen. So, while Jon Snow may have banished Melisandre, in reality, it is Melisandre who is advocating for Jon Snow and setting up the meeting between the two. While she often slips off our radar, it is important to remember that Melisandre, perhaps more so than any other character, is well aware of the war against darkness that is coming and will do anything within her power to win it. She knows that Daenerys and Jon Snow must meet, and thanks to her actions, it seems as though this will happen sooner than later.

WINTERFELL

Right on queue, Jon Snow receives not one but two ravens, each carrying an important message. Samwell Tarly has passed along the valuable information that Dragonstone is built upon a cache of Dragonglass — an important material that they will need to turn into weapons to battle the White Walkers. This message is juxtaposed perfectly against the next, which is raven from Tyrion, inviting Jon to meet Daenerys at Dragonstone. To no surprise, his supporters react adversely, stating that neither a Targaryen nor a Lannister is to be trusted. What they do not realize is that Daenerys and Tyrion are outliers — they are not typical Targaryens or Lannisters. Jon Snow argues that he must go to Dragonstone, as they are in great need of both Dragonglass and a powerful ally. So just like that, after six years of Thrones, in just one episode, Daenerys is made aware of Jon Snow and Jon Snow is made aware of Daenerys. What neither of them have been made aware of yet is that Daenerys is Jon’s aunt and Jon is Daenerys’ nephew. Of course, Jon is not yet even aware that he is half Targaryen. But, with the way ravens have been flying around and dropping knowledge in these first two episodes, it might not be much longer until he finds that out.

As I often try to do with these recaps, let’s dig a little bit deeper into this plot-point and acknowledge some of the amazing development that has led us to where we are today. Rightfully so, the Northerners argue against Jon Snow going to Dragonstone as they do not trust a Targaryen or a Lannister. But Jon Snow does not listen to any of them, not even to Lyanna Mormont who has been his strongest advocate to date. Why doesn’t he listen? Sure, in part, it is because he knows the threat they are facing and is willing to take a risk to acquire the Dragonglass and the powerful ally that he needs. But it is more than that. It is also because he trusts Tyrion, the very man who sent him this raven. And six years ago, we witnessed the establishment of their relationship, the very basis for why Jon Snow will decide to trust him and head to Dragonstone six years later. In the very first season, Jon and Tyrion travel to The Wall together and develop a real bromance. In many ways, they were both bastards, even though in fact, neither actually are. At the time, Tyrion empathizes with Jon Snow and tells him, “All dwarfs are bastards in their father’s eyes.” Six years later, these are the same words he adds to the raven he sends to Jon Snow, referencing the connection they made many years back. Now, at the time, not a person in the world could have thought the casual trip they made together could have had any sort of significant impact upon the future. But as we’ve seen time and time again, it is this kind of development that makes the Thrones story so beautiful and ingenious. That George R.R. Martin had this kind of foresight to establish a relationship between the two unlikeliest of characters, only for it to turn out to be extremely meaningful so many years later, is nothing short of brilliant.

So now, Jon Snow is headed to Dragonstone, despite the pleas of everybody around him, including his own sister. Sansa reminds him of what happened to their grandfather the last time a Stark was summoned by a Targaryen. She is referring to an event that was the catalyst for Robert’s Rebellion. After Rhaegar Targaryen “captured” Lyanna Stark and rode off with her, her brother, Brandon rode to King’s Landing to demand her release. The Mad King arrested Brandon for treason and sent raven to Lyanna/Brandon’s father, Rickard, demanding that he ride to King’s Landing to answer for his children’s crimes. When Rickard arrived at King’s Landing, he was also arrested and then burned alive, while his son Brandon was forced to watch, before eventually being strangled to death. With this in mind, it is no surprise that Sansa does not want Jon to RSVP ‘yes’ to the next invitation that has been extended to a Stark by a Targaryen. But Jon knows the odds they are facing and departs for Dragonstone, leaving Sansa in charge of Winterfell. This of course leaves the door wide open for Baelish and whatever his next move might be.

KING’S LANDING

At King’s Landing, Cersei continues to develop her army and has assembled many of the powerful lords to the Throne Room. She manipulates them with a fabricated story of another mad Targaryen that is coming to bring destruction to Westeros, and asks them to join her fight against Daenerys. Most of these lords have pledged fealty to House Tyrell, so while they may be willing to join Cersei’s side to oppose a Targaryen invader, this will by default also position them against House Tyrell. One man that appears unwilling to break his oath is Randyll Tarly, father of Samwell. He is a proud and powerful man who has known Olenna Tyrell since birth. Jaime tries to persuade him to join their side by offering to appoint him as a key general of the Lannister army, and also offers him position of Warden of the South after the war is won. It’s unclear whether Randyll will join or not, but it seems as though he can be convinced. Separately, we see Dickon Tarly, Randyll’s son and Samwell’s younger brother. He is heir to House Tarly and will likely have an important role to play. Again, this is another example of sides being chosen, and this decision will have interesting implications down the road. One thing we know is that Samwell will not be on the side of Cersei, and it is entirely possible that at some point, Samwell will come face to face with his father and brother, potentially in a time of war.

SAM & THE CITADEL

Randyll is not the only Tarly who has a critical decision to make in this episode. Again proving to be one of the more knowledgable characters in the story, Sam shares with the archmaestar his awareness that Princess Shireen was cured of her greyscale disease as a baby. However, the archmaestar dismisses Sam and gives Jorah one more day before sending him off to Old Valyria to join the others afflicted with greyscale. Looking over at his sword, Jorah considers taking his own life before accepting the archmaestar’s scenario, and we see Jorah preparing what was likely a goodbye letter to his Khaleesi. But then enters Sam, with a plan to perform a risky procedure to save Jorah’s life. Once again, we see a relationship from many years ago having significant impact upon the decisions being made by characters in present day. Years ago, Sam joined the Night’s Watch and served under Lord Commander Mormont, for whom he developed tremendous respect and admiration. When Sam learns that Jorah is the Lord Commander’s son, he is willing to risk not only being exiled from the Citadel, but also his own life, in the attempt to save Jorah’s. We do not see how things play out, but it seems as though Jorah may have found his lucky star and could be back in action sooner than later.

At the end of last season, when Samwell finally reached the Citadel, I wrote an interesting piece about the significance of the Citadel and what Samwell’s role could be in the future of this story. You can read more about that here. In that piece, I explored the idea that it is possible that it is in fact Samwell that is the narrator of the entire story we are being told today. First, we know that Sam is obsessed with books and storytelling, so if there is any character that recognizes the importance of recording and retelling history, it’s Sam. His arrival at the Citadel only strengthens this theory, as this is the very place where history is recorded and eventually retold to those who care to listen. When you consider this, coupled with the fact that we know the war against darkness is coming, this theory starts to seem even more possible. If you are open to the idea that it is possible that the humans lose the war against darkness, or at least a large percentage of humanity is wiped out, then it follows that somebody will need to be around to tell the story we are seeing today. Who better than Sam? And, in this most recent episode, there was another tidbit which strengthens this theory. When the archmaestar told Samwell of the book he was writing about Robert’s Rebellion, Sam responds that he would personally choose a title that was “a bit more poetic.” Perhaps something like “A Song of Ice and Fire” or “Game of Thrones.” As we have seen time and time again, there is no coincidental dialogue in Game of Thrones — things are said for a reason, even if we don’t find out that reason for many years to come. The writers would not choose to randomly include a line in this episode where Sam comments on the title of a story which recounts the events of recent history, unless it was supposed to mean something. I believe that this is a subtle hint which points to Sam eventually recording and retelling the story that is unfolding before our eyes today.

THE WOLVES REUNITE

On her way for King’s Landing to take out Cersei, Arya stops at the inn where she last split with her good friend Hot Pie. The relationship that developed between the two many years ago would prove to be quite valuable, as Hot Pie informs Arya that the Boltons no longer occupy Winterfell. He tells her of how Jon Snow defeated Ramsay and reclaimed Winterfell. Learning she now has a home to return to and family possibly waiting for her, Arya looks ahead at the road to King’s Landing, before deciding to turn back to head home. This moment again speaks to the ongoing development of Arya’s character and the question of who she wants to be. Is she Arya Stark of Winterfell, or a cold-blooded assassin whose sole purpose is to cross names off her list? With each episode, it appears more and more that she is some combination of the two. In this episode, we see that she values being Arya Stark and returning home to Winterfell more than she does the pursuit of avenging those she has lost.

In one episode, Arya reunites with her old friend Hot Pie, and the information he presented her with now presents the opportunity for her to reunite with her family. But the reunions did not stop there. Sitting over a fire in the woods, Arya is surrounded by a pack of wolves. She is outnumbered and out of luck, until the leader of the pack emerges. Two or three times the size of all the other wolves, this must be a direwolf and Arya immediately recognizes her to be Nymeria. Nymeria was Arya’s direwolf who she set free all the way back in the first season after Cersei ordered for Nymeria to be executed for biting Joffrey. For many years, Arya and Nymeria have been separated, and just like Arya has emerged a much more powerful version of herself, so too has Nymeria. Demonstrating the clear connection the Starks have with their direwolves, Nymeria appears to recognize Arya and looks deeply into her eyes. Arya pleads with Nymeria to come back to Winterfell with her, but Nymeria backs away with the rest of her pack. Arya whispers “That’s not you,” maybe trying to convince herself that it was a different wolf, but we all well know that it was in fact Nymeria. And though they did not immediately join together, Nymeria is out there, with a pack of wolves and it’s a safe bet that we’ll see them again.

“BE A DRAGON”

At Dragonstone, we see Tyrion’s role continuing to grow by the week, as too is his influence over Khaleesi. Tyrion tells her that she is not meant to be the queen of the ashes, a line that she directly repeats to the Greyjoys and Martells who are encouraging her to attack King’s Landing now. And when these allies question her, it is Tyrion that puts forth their military strategy. His strategy is for the Tyrell and Martell armies to surround King’s Landing, while Greyworm and the Unsullied attack the Lannister stronghold, Casterly Rock. The Greyjoys, Martells and Tyrells are amenable to this plan and it appears to be a sound strategy. But while Tyrion continues to put forth a more diplomatic and peaceful plan, Lady Olenna has other advice for Khaleesi.

Sitting alone, the wise Lady Olenna tells Khaleesi that Tyrion is a very clever man and that she has been around many clever men in her life, all of whom she has managed to outlive. She has done so by simply ignoring these clever men, a strategy she is subtly encouraging Khaleesi to employ with Tyrion. More explicitly, she tells Khaleesi that all the others are sheep, but that Khaleesi is a dragon. She tells her to “Be a dragon.” As usual, Lady Olenna shows her wisdom and offers a new vantage point. Khaleesi has been so concerned with being a fair, peaceful and diplomatic ruler, that she has perhaps suppressed the dragon inside of her. While nobody wants to see her repeat the madness or cruelty of her father, at the same time, it is important that Khaleesi remembers who she is. She is the Mother of Dragons, and to get to where she needs to be, she will have to be willing to embrace the fire, even if that fire produces ashes.

WAR HAS BEGUN

Without warning, battle breaks out and the Cersei vs Khaleesi war has officially begun. As the Greyjoys and Martells follow Tyrion’s plan and ride to Dorne to bring the Dornish army back to King’s Landing, Euron Greyjoy attacks and all hell breaks loose. Suffice it to say, nobody does battles scenes like Game of Thrones, and the last few minutes of this episode delivered heart-pounding action. First, it was very cool to see a landless battle. We’ve all seen dozens of portrayals of battles that have taken place on land, but much less have we seen battles that have taken place on the sea. It was powerful to see Euron’s fleet descend upon the unsuspecting Greyjoy fleet and the all-hands-on-deck (pun intended) battle that would ensue.

We got first look at Euron’s fighting skills and see that he not only talks the talk, but can walk the walk. He takes down dozens of Ironborn, followed by taking out two of the three Sand Snakes. He was badly wounded several times, but continued fighting and seemed to embrace the bloody chaos — a true pirate. We also saw the Greyjoys, both Theon and Yara, show off their fighting skills. Below deck, Euron’s men surround Ellaria and the remaining Sand Snake, at which point Ellaria begs for death. But Euron has other plans for her, and she will likely be the gift that Euron promised to bring Cersei. Above deck, Euron has his blade to the throat of his niece, Yara, giving Theon the opportunity to protect his sister as he has pledged to do. As he looks around and sees death and destruction all around him, he is reminded of the torture he inflicted at the hands of Ramsay. He reverts back into his oldself — Reek — and jumps overboard.

And just like that, Euron has delivered the decisive first blow, weakening Khaleesi’s position. In one battle, Khaleesi has lost both of her Greyjoy supporters, their Iron Fleet, as well as her Martell supporters. Tyrion’s proposed strategy is now in serious jeopardy. They do not have the ships to bring back the Dornish army, nor do they have the Martell leaders to lead the Dornish army. Additionally, she’s lost the Greyjoy support and ships she had. Nobody is feeling too bad for Khaleesi with her three dragons and thousands of soldiers, but this definitely was not the start she wanted. As the episode comes to a close and Theon floats away like a piece of driftwood, Lady Olenna’s advice rings loud and true. Khaleesi must be wary of listening to the wise advisers around her and instead must embrace her inner dragon.

 

HONORABLE MENTION

  • Missandei and Greyworm finally get together. Not sure what this is about.

 

  • Qyburn has worked up another one of his mysterious inventions and shows Cersei a giant dragon-killing weapon.

 

  • Through two episodes, we’ve still not seen much from Bran, other than his brief arrival to The Wall.

 

  • Last, but certainly not least, there is a very significant reveal in the season seven intro segment. As you can see in the pictures below, The Wall was built to span the entire width of Westeros, blocking off the White Walkers from traveling north to south. There are seas to the east and west of the land, where the Night’s Watch has castles to ensure the White Walkers cannot pass by water. But now that Winter Is Here, the White Walkers have actually frozen over the seas, allowing them to simply walk around The Wall. This revelation can be seen in the new opening segment. (See below) The White Walkers have brought winter and frozen the entire sea!! This is what The Hound saw last week in the fire when he said “It’s where The Wall meets the seas. The dead are marching past it. Thousands of them.”

07.17.17
by

SEASON 7, EPISODE 1: DRAGONSTONE

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

DRAGONSTONE

The wait is over and we can all take a deep sigh of relief — we’re back in the game. Aside from an opening scene that nobody could have predicted, the premiere episode, Dragonstone, picked up right where last season left off. There were not many surprises or curveballs to contend with, but rather an obvious progression of the powerful alliances being formed and impending wars on the horizon. Now, what we are seeing more than ever before, is an awareness amongst most characters — an awareness of what is to come. As a result, and what we saw in this episode, is quite a bit of strategic planning. Cercei is turning a King’s Landing courtyard into a map of Westeros to plot out her enemies; Sam is trying to ascertain whatever information he can to help with Jon’s game-plan in the North; and perhaps most powerfully, the episode ends with Khaleesi at Dragonstone, ready to start mapping out her own game-plan, she asks “Shall we begin?” The game being played has evolved, and to stand a chance in this new game, people are realizing that wit, strategy and knowledge will be more critical than ever before.What is also interesting, and particularly unique to this premiere episode, is the many different dynamics that were presented. A typical Thrones episode feels more unified from scene to scene — even if they are halfway across the world, characters feel as though they are participating in the same game. But, in this episode, things felt disparate from one scene to the next, particularly because of the varying dynamics offered. Arya is committing a mass murder while The Hound is having a major transformation; Sam feels alone and isolated at The Citadel while Khaleesi arrives to Dragonstone with her massive army. It felt like people were on very different pages, but not in a bad way. Each character is inching closer to realizing the roles they will play in the great game that is to come, and episode one did a wonderful job to set this stage. So, without further ado, let’s dive in.

THE NORTH REMEMBERS

Am I watching the wrong episode? Are we seeing a flashback to show the moments prior to Arya killing Walder Frey? What is going on here? Don’t panic — Walder Frey hasn’t come back to life and this is not a flashback. Rather, it’s good old Arya continuing to utilize the ways of the Faceless Men, and this time taking out pretty much all of House Frey. Killing Walder Frey in the finale episode of last season was not enough — Arya has now devised a plan to get all the men of House Frey into the hall, before orchestrating a mass execution. No amount of revenge will ever make us feel better about The Red Wedding, but this was pretty damn good. More satisfying than watching the Freys die were the words that Arya left them with, “Leave one wolf alive and the sheep are never safe.” This is a powerful reminder that Arya will always be out there, a lone wolf, with the potential to take out her enemies at any given moment. Before the scene ends, Arya instructs the remaining Frey girl, “Tell them winter came for House Frey. The North Remembers.”

After leaving The Twins, Arya stumbles upon a group of young Lannister soldiers that have headed into the Riverlands after hearing about the massacre. (Yes, that was Ed Sheeran, and he definitely felt out of place). No doubt, the Lannisters are enemies to Arya, and it appeared that she was originally joining the unsuspecting group to add their names to her kill list. She looked over and saw that none of them were carrying their swords and we got the feeling that she might make her move. But then emotion set in. Often in the Thrones world, characters are defined by the house they fight for the colors they wear. And based on this, Arya would have, and almost did kill these men. But we saw something more — we saw that they were people, just like you and I, with emotions, families and desires. For so long, Arya has been living in a very black and white world. She has names on her list and an objective to cross those names off. This scene was significant in that it blurred those lines for a moment and also offered a more human side of Arya — one where we saw her smile, laugh and seem to enjoy the company of the people around her. This goes back to the larger question — the one that asks who is Arya really? Is she nobody — a cold, ruthless killer? Is she Arya Stark — the girl that was raised with strong values and morals? Likely, she is somewhere in between, and in a short period, we saw both sides of her — the side capable of ruthlessly killing those who deserved it, mixed with the side capable of judging it wrong to take the lives of these innocent men just because they were wearing Lannister colors. It will be interesting to keep an eye on this as Arya goes after bigger kills (i.e. Cersei) — to what extent, if any, will Arya be willing to sacrifice her morals to get the kills she so desperately seeks?

KING’S LANDING

The game of strategy plays on as Cersei creates a larger map to be able to visualize all her enemies. She points out the obvious — they are surrounded by enemies on all sides. The Martells to the south in Dorne, the Tyrells to the west in Highgarden, the Starks to the north in Winterfell and now Khaleesi to the east at Dragonstone. The irony is that Cersei finally holds the Iron Throne, but is perhaps more weak and vulnerable than ever before. Jaime points this out and appears more realistic to their weakened position, but Cersei, as always, is out for blood. At this point, it’s anybody’s guess how things will play out with Cersei and Jaime and whether or not they will stick together.

As predicted, Euron Greyjoy shows up to King’s Landing to try and strike a deal with the new queen. He will offer her the Iron Fleet, presumably the most powerful naval force in the world, in exchange for her hand in marriage. On paper, it sounds pretty good. In their eyes, they’ve both been betrayed by their family members, they both want revenge and they share a common enemy. Together, they could accomplish a lot — but Cersei points out that she cannot trust him — not yet at least. He promised to come back with a present to show his good intentions. One can only assume that he will now be on a quest to take out one of Cersei’s enemies and maybe bring her back a head or two. In all likelihood, Cersei and Euron will join forces as it seems like neither of them have great alternatives.

A HOUSE DIVIDED

After defeating the Boltons and reclaiming Winterfell, things were looking up for Jon Snow in the North. But through a more discerning lens, one could see that Sansa was displeased with her brother becoming King in the North and Baelish doesn’t help that situation one bit. Things picked up right where they left off in the North and tensions are running high between Jon and Sansa. As Jon addresses the northern houses, a difficult question is presented — what is to become of the castles of House Umber and House Karstark, the two northern houses that betrayed the Starks and fought for Ramsay. It is proposed that they be stripped of their houses and that the land should be presented to other, more loyal houses. However, Jon points out that the Karstarks and Umbers have fought alongside the Starks for thousands of years and that he will not disregard this history because of a few traitors. He is correct and noble in his decision, but so too were Ned and Robb when faced with similar decisions, and they both ended up dead. Realizing that maintaining the loyalty of your men is more important than being fair, Sansa challenges Jon and does so publicly. Jon is firm on his decision and lets Houses Karstark and Umber back into the fold.

Behind closed doors, Jon and Sansa bicker some more. Jon does not want Sansa to undermine him publicly and Sansa wants Jon to listen to her more. #SiblingProblems. Realizing an opportunity to capitalize on this discord, Baelish swoops in and tries to further his agenda with Sansa. However, having become much wiser in recent days, Sansa is not interested in hearing it. However, she must keep him around as he controls the Knights of the Vale and they need all the men they can get. Baelish is of course still a major X-factor and it is challenging to figure out what it is that he truly wants. In the finale last season, he came right out and told Sansa that he wants her and the Iron Throne, but it’s hard to take anything Baelish says at face value.

Elsewhere in the North, Bran and Meera arrive at the Wall, just after Bran sees the White Walkers continuing to march. As if an army of the dead wasn’t enough, they’ve now got three of the giants on their side as well. To defend against the White Walkers, Jon dispatches Tormund and the Wildlings to Eastwatch-by-the-Sea, the easternmost castle of the Night’s Watch. Originally, the Night’s Watch built and manned 19 castles along the Wall, but as the White Walker threat dissipated over the years, so too did the perceived importance of the Night’s Watch. As a result, they’ve gotten less and less men and slowly abandoned most of the castles they were once guarding. Today, Castle Black is the only real castle the Night’s Watch maintains, but Jon has now sent men, led by Tormund, to guard Eastwatch-by-the-sea. Because it is the easternmost castle along the Wall, it is very isolated, and should be very eerier to see for the first time.

THE CITADEL

At the Citadel, Sam has gotten more than he bargained for. After how things left off in the finale episode with Sam arriving at the magical Citadel, one might have thought he’d be knee-deep in all kinds of ancient books, learning the secrets of how to defeat the White Walkers. The reality could not have been further and Sam has been given the most disgusting responsibilities at the Citadel. As a sidenote, it was interesting (and out of place, in my opinion), to see the way the director of this episode delivered this sequence. Typically, Thrones is shot and cut in a very classic and formal manner. For this segment, though, the director offered a 30-second montage of repeated quick cuts to show the monotony and ridiculousness of Sam’s unenviable responsibilities. This style of shooting felt totally out of place and not something we’ve ever seen in an episode of Thrones. But don’t let this choppy segment distract you from some of the key takeaways here.

First, let’s not forget the very first thing that producers chose to show us inside the Citadel — those astrolabes. We still don’t know exactly what they do, but they seem very important. I wrote a piece on this after the finale last year, and it’s very interesting to consider. Moving on from the astrolabes, Sam had a very interesting conversation with the archmaestar, in which Sam was basically told to stop worrying. As the archmaestar explained, there have been many times throughout history where people thought the end was here. He referenced the Long Night, the coldest and darkest winter that ever came, and brought the White Walkers with it, threatening to wipe out all of humanity. He also referenced Aegon’s Conquest, when Aegon arrived to Westeros and presented the possibility of wiping everybody out with his dragons. It was interesting perspective from the archmaestar, who made it clear that he did believe Sam that the White Walkers were coming. To his point, though, winters come, winters go and life moves on. But he may be wrong about this one. What was also interesting was his reference to the Citadel serving as “the world’s memory.” Over the thousands of years, there has been a tremendous history of events, and it is the maestars of the Citadel that record, preserve and ultimately retell this history, truly acting as the world’s memory. Will it be Sam that will record and eventually tell the story that is unfolding before our eyes?

Tired of washing poop buckets, Sam takes matters into his own hands and steals a few of the locked up books. To no surprise, he learns that there is a lot of dragonglass to be found at Dragonstone. This will be invaluable information to Jon, who already told his men at the beginning of the episode that they must find as much Valyrian steel and dragonglass as possible. Will this dragonglass be the very thing that gets Jon to Dragonstone? Will this be the basis for Jon and Khaleesi to meet? But back to Sam… While making his rounds for pickup, he is nearly grabbed by a man with a disfigured arm. We quickly realize that this is Jorah and his greyscale disease has gotten pretty bad. The assumption is that he’s come to the Citadel to try and find a cure, but it’s unclear whether he’s being held against his will. He asks if Khaleesi has arrived to Westeros yet and it is unknown whether he will reunite with her.

IN THE FIRE

In the Riverlands, The Hound continues to ride along with Thoros and Beric Dondarrion and they stumble upon a small farmhouse that The Hound stayed at with Arya. As a refresher, a farmer and his daughter lived in the house, and provided food and shelter to The Hound and Arya. On their way out, the Hound wounded the man and stole his gold. Arya hated The Hound for doing this. Of course, nobody was thinking about this so many seasons later, but Thrones once again shows its masterful storytelling, as this comes back to haunt The Hound years later.

His character evolution in full swing, The Hound immediately recognizes the house and suggests that they stay away. He was obviously troubled by the memory of what he had done, which was only worsened when he saw the two dead bodies. The old Hound would not have cared — killing and dead bodies was a way of life for him. But the new Hound is showing that he can still be human. As Beric said to him last season, there’s still time for him to do some good.

Later, The Hounds looks into the fire with Thoros and sees not only The Wall, but also White Walkers marching. This is significant for several reasons. First, it reaffirms that validity of the Lord of Light and those that are following it. If The Hound, a man that has shown no interest in religion and has cursed the gods his whole life, is now seeing visions in the flames, then there’s something to the Lord of Light. Second, there is a great irony here, in that The Hound absolutely hates fire after his brother, The Mountain, burned his face as kids. The Hound has stayed away from fire at all costs, and his willingness to now not only get closer to the fire, but to accept the flames and see visions in them, speaks great volumes to the changes he is going through. Moved by what he has seen, The Hound decides to bury the two bodies and he even makes an attempt at a prayer. The evolution we are seeing of The Hound is spectacular and though it still seems unclear what role these three will play in the coming wars, it is clear that it should be a big one.

DRAGONSTONE

And so we end at Dragonstone, in many ways the place where it all began. To appreciate the enormity of Khaleesi’s arrival at Dragonstone, it is critical to understand the history of this castle. For hundreds of years, the Targaryens lived in Old Valyria and ruled over much of the land with their dragons. However, about 500 years ago, a Targaryen girl named Daenys had a dream that Valyria was going to be destroyed. She told her father, Aenar, about the dream and he decided to relocate his family to a small island off the coast of Westeros, naming it Dragonstone. Aenar became known as Aenar the Exile, a nickname given after he deserted Valyria. History would remember his daughter as Daenys the Dreamer, after her dream proved to be true. 12 years after relocating, Valyria was wiped out by The Doom. Just like that, all of House Targaryen (and their dragons) was wiped out, except for Aenar and his family who had moved 12 years prior and built Dragonstone. Over the next 100 years, the Targaryens strengthened their bloodline from the seat of Dragonstone.

After 100 years on Dragonstone, Aegon Targaryen had a plan that would change the world forever. Along with his two sisters, they flew their three dragons from Dragonstone to the Westeros mainland with the mission to subdue all of the independent kingdoms and unite them into the Seven Kingdoms. Aegon’s Conquest was successful and after conquering Westeros, he became the first king of the Seven Kingdoms. Aegon decided to build a new castle to rule from, and symbolic of the first location he landed when he flew from Dragonstone, the new capital city of Westeros he built would forever be known as King’s Landing. And while Aegon’s Conquest is arguably the most important historical event this world has ever seen, the important takeaway here is that it was from the castle of Dragonstone that Aegon planned his entire takeover of Westeros. 300 years before Stannis did more recently, it was Aegon that stood over the wooden map table and strategized how he would conquer each kingdom of Westeros. It is incredible to imagine Aegon Targaryen, standing over that map and figuring out how to conquer Westeros. Now, 300 years later, it is Khaleesi that has arrived at Dragonstone, the ancestral seat of House Targaryen, faced with very same task of figuring out how to conquer Westeros.

It is also significant to note that Khaleesi was born at Dragonstone, making her return all the more powerful as she is truly coming home. During Robert’s Rebellion, as the rebels got closer to King’s Landing and the Targaryens were at risk, the Mad King sent Khaleesi’s mother to Dragonstone for protection. She went with Khaleesi’s older (and now dead) brother, Viserys, and during the night of a great storm, gave birth at Dragonstone to Daenerys. The storm was so legendary that it earned her the nickname Daenerys Stormborn. Now, years later, things have come full circle as Khaleesi returns home to the place she was born, the place her ancestors built.

What was also quite special about Dragonstone in this episode was the way it was presented. We’ve seen Dragonstone many times throughout the years, but it’s always been a very zoomed-in version of it. We’ve really only gotten to see Stannis in the map room, along with a few other rooms here and there, and it has generally been a dark presentation of it. But, what we’ve never gotten is context. We’ve never zoomed out to understand the enormity or grandeur of this castle. But, that’s exactly what we got in this episode. As Khaleesi takes her first step onto Westeros, we see the full context of the island and castle, with its extravagant architecture. As Khaleesi’s dragons fly overhead, we finally get the feeling that they are exactly where they are meant to be. And as the episode comes to a close, Khaleesi stands over the table, ready to get to work, she asks “Shall we begin?” With Dragonstone being quite close to King’s Landing, Khaleesi is within definite striking distance of the capital. The Iron Throne has never been closer.

 

05.18.15
by

Season 5, Episode 6: Unbent, Unbowed, Unbroken

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

A GAME OF FACES

Episode six opens at the House of Black and White as Arya continues to clean the bodies of the dead, wondering what is done with these corpses she’s been cleaning. Little does she know that she is soon about to face the answers to all her questions, quite literally. And as we continue to learn more about the Faceless Men, we realize that a face is much more than just a physical appearance, but a window into the truth of a character. As the girl Arya is with tells her that she is originally from Westeros but ended up at Braavos serving the Faceless Men after they killed her stepmother for her, she then goes on to ask Arya whether her story was true or not. In short, she’s asking Arya if she’s able to read her face and see the truth of her character — something Arya is unable to do. Jaqen H’ghar plays a similar game with Arya, as her asks her questions and is able to read the lies on her face every time she tells one. Most notably, he calls outs her lies when she says she hated the Hound, an explicit confirmation to all viewers of what we already assumed — that deep down she cared for the Hound and identified with his character.

Later, when a girl enters the House of Black and White in pain and dying, Arya takes a step closer towards becoming a Faceless Man, as she acts as a servant of death and lies to the girl in order to comfort her as she drinks from the fountain of death. It is at this point that Jaqen takes her down to the lower levels of the House of Black and White, where we see the thousands of faces which are used by the Faceless Man to assume new identities. And as the scene comes to an end, Jaqen tells Arya that she is not yet ready to become nobody, but is perhaps ready to become somebody else.

Artist depiction of Arya and the faces

Artist depiction of Arya and the faces

TYRION & JORAH

Elsewhere on Easteros, hostilities have defused between Tyrion and Jorah as they are becoming more buddy-buddy. And just like that, we are taken back to the very first season, when Tyrion visited the Wall and met Lord Commander Mormont. Tyrion tells Jorah that the brothers of the Night’s Watch spoke of Lord Commander Mormont very highly, saying he was a man “the likes of which we will never again see.” As viewers, we get a major perspective shift, as we see Tyrion realize that Jorah wasn’t aware that his father had died, though we have been aware for several seasons. Immediately, we see the pain and shock that comes over Jorah’s face.

What makes this moment especially sad, which viewers don’t realize from the show, is the backstory surrounding Jorah and his father. House Mormont was the most noble house of Bear Island, and Jeor Mormont was Lord of Bear Island. He was a proud and honorable man and left his home to serve the Night’s Watch, eventually becoming Lord Commander. He left Bear Island to his heir, Jorah, assuming he would carry on the Mormont tradition and lineage. Sadly, Jorah was exiled for slave trading (something he was forced into doing) and forced to flee his home of Bear Island. Jorah was separated from his father and would never get to carry on his father’s legacy. This is why Lord Commander Mormont gave his sword, Longclaw, to Jon Snow, and not his own son, Jorah, breaking the centuries-long tradition of passing that legendary sword from Mormont father to son. And as Lord Commander Mormont was killed by his own men, traitors of the Night’s Watch, Jorah would be thousands of miles away, separated from his father and unable to even say goodbye.

The pain on Jorah's face after learning of his father's death

The pain on Jorah’s face after learning of his father’s death

As Jorah and Tyrion continue on, they are captured by pirates who are taking them back to Mereen to compete in the fighting pits which Khaleesi just reopened. One thing’s for sure — it will be an interesting reuniting of Jorah and Khaleesi — each of whom is more desperate than ever. Khaleesi, is now without her two most loyal advisors, Jorah and Ser Barristan, and Grey Worm has been badly wounded. Similarly, Jorah, now without a father, is more alone and without purpose than ever before. Could it be that Jorah will be caught in a compromising situation in the fighting pits and Khaleesi will have to decide whether or not to save him?

BAELISH IS STILL SCHEMING…

After months away, manipulating things in the North, Baelish returns to King’s Landing to “play the game” with Cercei. He lies to Cercei, telling her that House Bolton has decided to marry Ramsey to Sansa, leaving out the fact that he was the one who in fact arranged the marriage. He tells Cercei to let Stannis fight the Boltons, and that he will swoop in with the knights of the Vale to crush the loser and claim the North for House Lannister. All Cercei has to do, in exchange, is name Baelish warden of the North. And once again, we are left scratching our heads and wondering what Baelish really wants here — just as we were starting to consider trusting him and thinking he might actually care for Sansa. And now, we wonder whether he is playing Sansa and still serving Cercei….Or playing Cercei and still looking out for Sansa…Or serving other motives altogether… And in a very precise choice of words, Baelish reminds Cercei that he “always serves the Throne,” rather than stating that he serves the Lannisters.

DESPERATE TIMES CALL FOR DESPERATE MEASURES

In another storyline occuring in King’s Landing, desperate times called for desperate measures. Cercei is more alone than ever before — no father, no brothers, even her uncle left her to return to Casterly Rock. And in her most vulnerable moment, she makes a bold play to weaken the position of House Tyrell. Using the High Sparrow as her tool, she has Loras and Margaery both indicted and they now stand to face trial. And let’s not forget, several episodes ago, she sent Mace Tyrell away to handle “financial dealings” with the Iron Bank of Braavos. This was a bold move indeed, one that could have serious repercussions from House Tyrell. And if Lady Olenna’s face gave us any clues, it looked like she was telling Cercei, “This isn’t over, and you better believe we will get our revenge for this.”

Lady Olenna stares down Cercei

Lady Olenna stares down Cercei

DORNE

At the Water Gardens of Dorne, we see the Dornish prince who tells Myrcella he plans to marry her. And just moments later, her father, Jaime, along with Bronn, is on the scene to rescue her…Only she doesn’t want to be rescued. And then all hell breaks loose, as the Sand Snakes, Oberyn’s bastard daughters, also make a move to capture Myrcella to avenge the murder of their beloved father. Both sides fail, as Prince Doran’s guards arrive on the scene and take everybody into custody.

Jaime & Bronn

Jaime & Bronn

GOOD GIRL GONE BAD

At Winterfell, before the weirwood trees of her Old Gods, Sansa is married to Ramsey Bolton and her situation has become more paradoxical than ever before. Finally, she is closer to home than ever before, yet she is perhaps in more danger than ever before. Even in her precarious situations before, there was always somebody looking after her. In King’s Landing, even when she had to endure the cruelty of Joff, the Hound was there to keep her safe. And after that, though we weren’t sure how much we could trust him, there was some level of comfort believing Baelish was looking after Sansa. But now they are both gone and she seems all alone…But let’s not forget, Brienne is not far and is watching over Sansa — if only Sansa had taken Brienne’s protection when she offered it several episodes ago.

Preparing for her wedding, Miranda washes Sansa’s hair and attempts to scare her. But, Sansa is no longer a scared child, and she won’t let Miranda frighten her — least of all in her own home of Winterfell. With nobody there to protect her and no longer able to avert the imminent danger that has been surrounding her for so long, Ramsey finally gets his hands on Sansa. As he forces Theon to watch, he rapes Sansa, officially marking the end of the Sansa we once knew. Even through all the terror and torture she has endured over the years, and even as she has evolved into a darker character that has begun to understand the evils of the world, she still had one thing that nobody had taken from her — her virginity — the one remaining symbol of her innocence, her youth, her purity. And just like that, it’s all gone, and Ramsey eliminates whatever innocence was left of Sansa. And as Theon is forced to look on, we see the theme of faces come full circle, as Theon is unable to hide the truth of his character — deep down, he is not Reek, he is still Theon, and we see the disgust and terror on his face as he is forced to watch the last drops of innocence taken from Sansa.

Theon looking on as Ramsey rapes Sansa

Theon looking on as Ramsey rapes Sansa

05.04.15
by

Season 5, Episode 4: Sons of the Harpy

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

WHO IS JON SNOW?

One of the most intriguing storylines in the GoT series is that of Jon Snow. On the surface, we go through each episode believing what we are told — that he is the bastard of Ned Stark. But, deep down, we know that Jon Snow is not just another bastard and that he’s something much more. Throughout the first five seasons, there have been many breadcrumbs left for viewers to pick up on which would support the theory that he is in fact, not a bastard. And in episode four, Sons of the Harpy, we got some major additional information which not only points to the possibility that he’s not a bastard, but also offers up a theory of who his actual parents could. But, before we go into any theories as to who Jon Snow is, let’s first analyze what we knew going into this episode which supports the idea of who he is not…a bastard.

1. Deep down, Jon Snow being a bastard never felt right. There’s nothing ordinary about him. He’s special. There’s a greatness about him. So the idea of him being just another bastard and his mother being just another tavern whore doesn’t quite add up.

2. We believed Jon Snow to be the bastard son of Ned Stark because it’s what we were told from the very moment this show began. But if you stop for a second to actually think about it, it makes no sense for Ned Stark to have a bastard son. It’s completely antithetical to everything that Ned’s character is about. Ned Stark was the most honorable man in all of Westeros. He died for his honor — something the show reminds us of quite often. So does it really make any sense that this very same Ned Stark would dishonor his wife, break his vows and birth a bastard son after fucking a whore?

3. In season one, when Ned Stark is leaving Winterfell to head for King’s Landing to serve as the Hand to Robert, Jon Snow asks Ned one more time about his mother. Ned responds that the next time they see each other, he’s going to tell Jon Snow all about his mother. Well, that never happens because Ned gets his head chopped off. But, the point is, Ned clearly implied that there was a story to tell about Jon Snow’s mother. This is not a show where dialogue is added for the sake of conversation, and when something like that is alluded to, it generally has a very real significance.

Ned tells Jon he will tell him all about his mother next time they meet

Ned tells Jon he will tell him all about his mother next time they meet

Now that we’ve considered the evidence to support the idea that Jon Snow might not be a bastard, let’s look at the major points that were offered in this last episode to guide us on the journey of figuring out who Jon Snow might actually be.

1. At the Wall, Stannis is conversing with his wife as they watch Jon Snow training some of the brothers of the Night’s Watch. After Stannis acknowledges that he sees something great in Jon Snow, his wife responds that he is just a bastard birthed by a tavern slut. Stannis responds, “Perhaps, but that wasn’t Ned’s way,” again reminding us that it really doesn’t make sense for the honorable Ned Stark to have cheated on his wife and that Jon Snow might not be a bastard.

2. Melisandre makes her move on Jon Snow and tells him, “There’s power in you, but you resist it.” We are again reminded that there is nothing bastard-like about Jon Snow and that he appears to be something greater. Even more powerful, as Melisandre walks out, she tells him “You know nothing, Jon Snow.” Of course, this is something Ygritte used to always tell him, but when the prophetic Melisandre says it to him, it appears to take on a totally new meaning. She says it in a way that implies that there is a great knowledge that he knows nothing of, perhaps the knowledge of who he actually is and the power that is inside of him.

Melisandre telling Jon Snow that he has great power inside of him

Melisandre telling Jon Snow that he has great power inside of him

3. The plot really thickens when Sansa and Baelish are in the crypts below Winterfell and Baelish offers up what a very significant piece of history from the timeline before the show started. He tells Sansa about the tourney which took places about 20 years ago, when Rhaegar Targaryen, son of the Mad King and oldest brother of Khaleesi, dueled against Ser Baristan Selmy. After Rhaegar won the duel, he presented Lyana Stark with a bed of roses, choosing Lyana over his own wife, Elia Martell. It is unclear what happened after he declared his affection for Lyana, but Rhaegar and Lyana dissapeared — some say he kidnapped her while others believe she chose to go with him. Robert Baratheon, who loved Lyana and was supposed to marry her, believed that Rhaegar kidnapped her, and used this as justification for Robert’s Rebellion, a war started by he and Ned Stark to get back Lyana…a war that would put an end to the Mad King and the 300 year Targaryen dynasty and land Robert on the Iron Throne. Sure, there were other reasons for Robert’s Rebellion, such as the fact that the Mad King had completely lost his mind and was burning people for fun, or the fact that the Mad King killed Ned Stark’s brother and father. But, ultimately, it was Lyana Stark’s disappearance with Rhaegar Targaryen that would be the catalyst for Robert Rebellion’s. So, we know that when Baelish shares this story with Sansa, it’s extremely significant.

During the war of Robert’s Rebellion, tens of thousands of people died, some fighting to defend the Mad King and the Targaryen Dynasty, while others fought for the banners of the Stark/Baratheon/Arryn rebels. 20+ years later, Baelish references all these lives that were lost as he asks Sansa “How many thousands had to die because Rhaegar chose Lyana?” In response, Sansa states “He chose her. And then he kidnapped her and raped her.” Baelish responds with a quiet grin, as if to say “That’s not quite what happened,” and that there is more to the story than Sansa knows. Again, this is not a show where dialogue is in there for the sake of conversation, especially when it’s dialogue that is referencing historical events that took place before the show started. If Baelish is talking to Sansa about Lyana Stark and Rhaegar Targaryen, there’s a reason. And the quiet smile he offered in response to Sansa’s belief that Rhaegar kidnapped her and raped her implies that there’s more to the story.

All that, coupled with the focus on Jon Snow’s character in this episode, added with all the clues offered in the first few seasons, and a theory starts to take shape… Jon might not be a bastard… He might not even be the son of Ned Stark… But maybe, just maybe, he’s the son of Lyana Stark and Rhaegar Targaryen, which would make Khaleesi his aunt. Or it’s even possible that Lyana was raped by the Mad King himself, making Jon Snow Khaleesi’s brother! And when we then think about some other things we’ve learned throughout the show, there’s quite a bit we’ve seen to support this theory:

Baelish smirks as if to imply he knows more about Lyana and Rhaegar

Baelish smirks as if to imply he knows more about Lyana and Rhaegar

1. We know that Rhaegar and Lyana ran off together. Whether they had consensual sex or she was raped, it’s entirely possible, if not probable, that a baby came from this.

2. Ned and Robert were on the warpath during Robert’s Rebellion, headed for King’s Landing to overthrow the Mad King and the entire Targaryen family, with Rhaeger being primary target #2 right after the Mad King. Along the way, it’s entirely possible that Ned discovered that Lyana had a baby with Rhaegar. And we know that if Robert discovered this, he would’ve likely had the baby killed, as it would’ve been the son of Rhaegar, and thus a Targaryen baby. We also know that the two babies Rhaegar had with his actual wife, Elia Martell, were killed at the end of Robert’s Rebellion (by the Mountain, which is why Prince Oberyn wanted revenge against the Mountain for the death of his sister, Elia, and her babies). So, in an effort to protect this baby, the baby of his own sister, Ned could’ve claimed the baby as his own. Of course, to have done this, he would’ve had to lie and pretend that he had sex with a whore and that the boy was a bastard.

2. In season one, when Ned and Robert were headed back to King’s Landing after Robert recruited him as Hand to the King, Robert mentioned that he heard whispers about a Targaryen girl who has three dragons and could be a threat to the Iron Throne. Robert suggests that they should eliminate this threat and have the girl killed. Immediately, Ned tells Robert that he cannot be serious and cannot consider murdering an innocent girl. But why would Ned object to eliminating a Targaryen threat? Well, If Jon Snow was in fact the son of Lyana and Rhaegar, that would mean he is technically a Targaryen himself, and Khaleesi would be his aunt (the sister of his father, Rhaegar). So naturally, Ned would object to the idea of murdering her.

3. Earlier this season, Jon Snow was elected as the new Lord Commander of the Night’s Watch. And who cast the final vote to break the tie and give Jon Snow the final vote he needed to win? Maestar Aemon Targaryen. Furthermore, Maestar Aemon mentioned in an earlier season that he and Rhaegar were quite close and corresponded through letters often. It’s possible that Maestar Aemon is actually aware of who Jon Snow really is. Which is all the more interesting, because two episodes back, Samwell mentioned to Jon that Maestar Aemon is sick — which again, we know would not be mentioned without cause. So it’s possible that Maestar Aemon is dying and might die with the knowledge of who Jon Snow really is — or maybe he’ll tell Jon Snow before he dies.

For now, this is just a theory. But when examining everything we know, it seems unlikely that Jon Snow is a bastard. And even more unlikely that the honorable Ned Stark would be the one to have a bastard son. And in this most recent episode, we got three more tidbits to build the case for Jon Snow not being a bastard, and one major piece to suggest who is actual parents could be. Stannis reaffirms that sleeping with whores was not Ned’s way. Melisandre tells Jon Snow that he knows nothing, in a way that implied there is something great about him that he is totally unaware of, such as who he might be. And finally, we learn all about Rhaegar and Lyana, a story that would not have been offered if there was nothing something meaningful to come from it. We will see what direction this heads in, but hopefully sooner than later we will find out what Ned was referring to, if anything, when he told Jon Snow that he would tell him all about his mother the next time he saw him.

RECAP OF EVERYTHING ELSE

Jaime and Bronn arrive to Dorne on their mission to rescue Jaime’s “niece,” Myrcella. Bronn questions why Jaime is there himself, versus sending a more capable, two-handed person on the mission, and Jaime insists that he must be the one to do this. The question is, who is he doing this for? Does he truly feel a need to be a father rescuing his daughter? Or is this all about getting the job done for Cercei? And speaking of Cercei, as Bronn and Jaime enjoy a Dornish viper for breakfast, Bronn asks Jaime how he’d want to die, to which Jaime responds “In the arms of the woman I love.” Bronn asks him if that woman wants the same, and we see Jaime look off into the distance, providing no answer to Bronn’s question. Which begs another question — what is the future of Jaime and Cercei and in what direction is their relationship headed? And after Bronn whoops some Dornish ass and he and Jaime take down the four Dornish riders, we see that Ellaria has rounded up the Sand Snakes, Oberyn’s bastard daughters, all of whom will support Ellaria’s campaign to go to war to avenge the death of Oberyn. Furthermore, they have been made aware that Jaime is already in Dorne to rescue Myrcella, and realize that they must not let Jaime get to Myrcella before they do, or else they will lose their only piece of leverage.

Ellaria and the Sand Snakes

Ellaria and the Sand Snakes

In King’s Landing, Cercei is quickly shaking things up and we see now, more than ever, that she will not go down quietly. She will not be written off and continue to show her wit and strength, a cunning determination that is rivaled by few other characters in this show. She sends Mace Tyrell off to Braavos to meet with the Iron Bank, accompanied by none other than Sir Meryn Trant, Cercei’s sworn guard who will do as she commands. Perhaps she is getting him far away, or perhaps this is a play to kill him. Additionally, we see her reinstate the Faith Militant, a fanatical army of men who will serve the “justice of the gods.” But really, they appear to be serving Cercei, as she uses them to imprison Ser Loras Tyrell, further improving her position over House Tyrell. And when Margaery finds out and demands her King husband free Ser Loras, we see a weak boy who is unable to exercise his power to do what is needed in order to free him.

Cercei smirking after sending off Mace Tyrell

Cercei smirking after sending off Mace Tyrell

In Mereen, we see even more trouble for Khaleesi, who hasn’t mentioned trying to reclaim the Iron Throne of Westeros in what seems like ages. As the Sons of the Harpy kill in the streets, they draw the Unsullied into a trap where they are vastly outnumbered. After killing most of the Unsullied, we see Grey Worm fight valliantly to kill off many of the Sons of the Harpy. However, he can’t fight them all off and is about to be killed, when Ser Barristan comes onto the scene and we see why is revered as one of the greatest knights in all of the Seven Kingdoms. He too kills many, but not before he is outnumbered, and appears to be killed himself. We witness what looks to be the death of one of the few truly great men of Westeros. It is unclear whether he is definitely dead, or if Grey Worm is dead as well, but one thing is for sure: Khaleesi is going to need some new support by her side, and what perfect timing for Jorah, who is on his way back to Khaleesi, with the gift of Tyrion Lannister.

Ser Barristan laying dead next to Grey Worm

Ser Barristan laying dead next to Grey Worm

At the Wall, we also see a powerful scene between Stannis and his daughter Shereen, in which he shows rare emotion and tells her the story of how he fought to keep her alive when nobody else would. We see her eyes filled with tears as she gives her dad a big hug, and he slowly hugs her back, an affection we’ve not seen to date from Stannis. Furthermore, we also learn that Baelish must go back to King’s Landing to meet with Cercei. Sansa tells him that he cannot leave her alone, appearing to have completely put all her trust in him and having abandoned any doubts she once had about his true motives. He continues to off her guidance and gives her a kiss on the lips before departing, again leaving us to wonder what is going to happen between the two and what does Baelish ultimately want?

04.13.15
by

Season 5, Episode 1: The Wars to Come

Disclaimer: There are no spoilers in this article. Any views or opinions expressed are based solely on where the Game of Thrones TV series currently is and no other knowledge or information is presented in this article.

A NEW SEASON, A NEW WORLD

Finally…We can all breathe a sigh of relief, the wait is over and Thrones is back. Yet, after watching the Season 5 premiere, some of us may have been left feeling a bit underwhelmed, perhaps even a bit slighted. After all, we waited a full year for Thrones to return, shouldn’t the kickoff episode have been packed with a bit more action? No beheadings, no betrayals, no battles and no scandalous sex scenes at all — I mean come on — where were all the things that we’ve grown so accustomed to seeing out of Thrones on weekly basis?

And yet still, it would be foolish to not read between the lines and recognize the way that this premiere episode set the stage for the journey that we are about to embark upon. While there weren’t any major plot progressions or jaw-dropping reveals in this premiere episode, one very loud and unmistakable message was sent: viewers beware, we are in a bold new world. This is not the Thrones world you’ve come to know over the last four seasons and the whatever predictability of the world we grew to know is now gone. Tywin, the man responsible for directing so much of “the game” we’ve come to understand,  is dead; Tyrion, another Lannister who kept much of the game in motion, is now halfway across the world; House Bolton officially rules from the seat of Winterfell; while Stannis now calls the shots at the Wall. And these were just a few of the major changes we faced in the opening episode. In this new world, there are new games to be played, new rules to those games and new players to play them. In an episode entitled The Wars to Come, it is important to recognize that the landscape of Westeros has vastly changed in the aftermath of Season 4, and believe it or not, what comes next in this new world appears even more unpredictable than ever.

THE END OF A LANNISTER ERA

Hinting at the fact that things are more different than ever, Season 5 kicks off with something viewers have never before seen — a flashback. We not only see the bratty malevolence that Cercei possessed even as a youth, but we also learn that much of the ill fate Cercei is experiencing before our eyes today, she was actually made aware of 20+ years ago. As Cercei goes to visit a witch in the woods, she tells the witch that she’s been promised to be married to a prince but the witch tells her that she will in fact marry a king. As viewers, we now know that the prince young Cercei was referring to was Rhaegar Targaryen, but that they never married, as he was killed by Robert Baratheon during Robert’s Rebellion. And instead, Cercei ends up marrying King Robert, as the witch told that she would. The witch goes on to tell her that she will be queen, until she is replaced by one younger and more beautiful (Margaery). Most important, referring to Cercei’s three future children, the witch states “Gold will be their crowns, gold will be their shrouds,” referring to their funeral shrouds, implying that death surrounds Cercei’s children. Having lost one child already during his reign as king, having a second son reigning as current king, and her third child, Myrcella, halfway across the world in the hands of their enemies, House Martell, perhaps Cercei should have listened a bit closer to the prophetic words of the fortune teller she sought out as a child.

unnamed-11

The young Cercei

Flash forward, we see that Cercei’s problems extend beyond just her children, and that an enormous void is left by the death of Tywin Lannister. Though never actually king, as we look upon Lord Tywin laying dead in the Great Sept, we feel as though we have witnessed the death of a king, a testament to the immense power that Tywin commanded in his life. And as the morose notes of The Rains of Castamere play in the background, a song which once reminded of the strength of House Lannister, we now see a much different version of this once all-powerful house — one that appears to have been reduced to no more than the revenge-driven Cercei and one-handed Jaime. And as they discuss all that Lord Tywin built for their house, Jaime reminds his sister of all the schemers and plotters that will look to prey upon their weakness as he tells her, “they are going to try to take it away…all of it.” And while it appears that we’ve witnessed the end of the Lannister era as we once knew it, Jaime tells Cercei that they must stick together to defend what their father has built, while Cercei seems more intent upon focusing on the fact that Tyrion is still out there somewhere. To say the least, with Tywin dead and Tyrion across the Narrow Sea, there’s discord amongst the Lannister twins at a time when they can least afford it.

The death of Lord Tywin, marking the end of a Lannister era

The death of Lord Tywin, marking the end of a Lannister era

OUT OF THE BOX

After weeks of being confined to a crate on a ship, Tyrion is finally released to see the realities of his new world — one where he finds himself in Pentos, with Varys, at the palace of Illyrio Mopatis, a character we’ve not seen since the first season. And right away, Varys reveals something very major. He tells Tyrion that he and Illyrio belonged to a group of people who saw King Robert’s reign as a disaster and aimed to do what was best for the realm by restoring the Targaryen dynasty. In other words, the two of them had been working together behind the scenes to help Khaleesi retake the thrown. Looking back to season 1, we can connect many of the dots. For starters, it was Illyrio Mopatis who hosted Khaleesi and her brother, Viserys, at his palace in Pentos when season 1 started.

From Season 1: Illyrio, in Pentos, harboring Viserys and Daenerys Targaryen

Illyrio brokered the marriage to Khal Drogo in an effort to put an army at the back of the Targaryens. It was also Illyrio who gave Khaleesi her three dragon eggs as a wedding present, which would go on to hatch into three living dragons — the first in hundreds of years. It had been clear that Illyrio was aiding the Targaryens, but it was not until halfway through the first season that we learned that Varys was equally involved with this plot, though much more behind the scenes. As Illyrio visits King’s Landing and walks the dungeons with Varys, Arya overhears them talking about the Targaryen claim which they are backing, and as they discuss the impending war between the Starks and the Lannisters, Illyrio notes that Khal Drogo and the Targaryens are not yet ready to make their move on Westeros, and that they need to buy more time. In short, this scene (see video below) showed us that Illyrio and Varys were plotting for a long time to back the Targaryen restoration. And now, four seasons later, it all comes full circle as Tyrion and Varys end up in Pentos at the palace of Illyrio, and Varys for the first time explicitly tells Tyrion of his plot, one that went terribly wrong.

And as we so often ask ourselves what the true motives of certain characters are, especially ambiguous ones such as Varys, we once again hear what Varys professes to want to most: peace and prosperity for Westeros. Though his plan to get Khaleesi back on the Throne did not yet come to fruition, he seems more decided than ever that she is the one true ruler who could achieve this — one that could strike fear in the powerful Lords of Westeros while inspiring greatness and compassion amongst the weaker. She has the army, the dragons and the right last name. And he now turns to Tyrion to assist him in the pursuit of helping Khaleesi to ascend the Iron Throne.

Speaking of which, it will be interesting to see what comes next for Tyrion. To date, he has been a character utterly defined by his Lannister last name. In Season 4, when Shae would so often beg Tyrion to leave King’s Landing and start a life elsewhere with her, he would always reply that he is a Lannister — what purpose would he possibly have in Easteros, away from “the game” taking place at King’s Landing? After professed that he was good at the game and he enjoyed playing it. Ironically — away from King’s Landing, halfway across the world in Easteros is now precisely where he finds himself, only under an entirely new set of circumstances. So far from his familiar world of King’s Landing and almost entirely removed from his Lannister landscape, will Tyrion find new purpose? What man will he become? And will he ultimately make his way to Mereen, along with Varys, and meet the Mother of Dragons?

tyrion

TROUBLE IN KHALEESI’S NEW WORLD

Which brings us to the new world that Khaleesi is trying to create amongst the slave cities of Easteros. Symbolic of the old ways she is uprooting and the new world she is creating, Khaleesi’s Unsullied tear the giant harpy off the Great Pyramid of Mereen. And as we recall from the end of Season 4, Khaleesi offers that the slave masters of Yunkai could “live in my new world, or die in their old one.” We see that the more Khaleesi tries to cultivate this new world, one where slavery is absolutely forbidden and justice will always be recognized, we also see the obstacles she faces — ones that may deter her from her eventual goal of reclaiming the Iron Throne. First, we see one of her Unsullied murdered by a member of the Sons of the Harpy, a resistance group that has raised up in defiance of the new world she is trying to create. Khaleesi insists that he be buried publicly in the Temples of the Graces, despite her advisors warning that this will further anger the Sons of the Harpy.

In addition to these issues she faces in Mereen, as Daario Naharis returns from Yunkai, Khaleesi learns that the ex-slave masters have asked her to allow the continuance of the fighting pit, something which she refuses. As she later chats about this with Daario in bed, he reminds her that she is the Mother of Dragons and that if she wants to have success in her new world, her dragons must be a part of it. But, when she goes to check on her two dragons which have been locked up for some time, we see that they have not only grown extremely large, but that they also appear more uncontrollable than ever. Furthermore, it’s been weeks since anybody has spotted Drogon, the largest of the three dragons. As this season unfolds, it will be interesting to see how dedicated Khaleesi remains to establishing her new world versus shifting her sights towards the ultimate goal of claiming the Iron Throne.

Kh

Khaleesi & her dragons

THE WALL

Elsewhere, we once again see that everything has changed with major unpredictably surrounding what comes next at the Wall. In the aftermath of the battle between the Night’s Watch and Mance Rayder’s army of Wildlings, we see a depleted Night’s Watch that is now somewhat backed by Stannis Baratheon’s army. As Jon Snow ascends the Wall, Melisandre asks him if he is a virgin. When he informs her that he is not, she responds, “good,” with a sinister grin. Atop the Wall, Stannis tells Jon Snow that he plans to retake Winterfell from House Bolton and wants the Wildlings to fight for him. All Mance has to do is bend the knee, to which he of course refuses. As Jon Snow tells Mance he is making a mistake, Mance responds “All I ever wanted was the freedom to make my own mistakes.” Even when faced with being burned alive, Mance would rather die a free man than acquiesce to the rules of the southern kingdoms and bend the knee. And as everybody looks on as he begins to burn, Jon Snow puts an arrow in his heart to prevent the horrible death Mance was about to experience.

mance

EVERYTHING ELSE

In a roundup of some of the smaller scenes of the premiere episode, we see the continued journey of Brienne and Pod, who in their new world, appear to lack any true purpose or destination. Sansa, appearing darker than ever, continues to journey on with Littlefinger, and on their new path together, leave Robin Arryn with Lord Royce for safekeeping. We also see Lord Baelish receive a message, which undisclosed, he stashes in his sleeve. Once in private, Baelish tells Sansa that they are going somewhere so far away that even Cercei cannot find Sansa. And back in King’s Landing, Lancel Lannister, Cercei’s cousin, reappears as a Sparrow, stating that he has found peace in the Light of the Seven. He apologizes to her for their unnatural relations, and also for the part he played in serving Robert Baratheon the very strong wine, which led to his hunting accident and eventual death. Though it had been implied previously, we receive explicit confirmation of the role that Cercei played in killing her husband and the King. And as the season premiere comes to a close, while we may not have witnessed any singularly gamechanging events, this new season presents a new world, one where the game appears to be changing and anything could be possible.

sansa

Sansa, appearing darker than ever

05.19.14
by

Episode 7 Recap: Mockingbird

TYRION & JAIME

Episode Seven begins with an emotional exchange between Tyrion and Jaime, Lannister brothers that had grown accustomed to their high-born lives of power and entitlement. It was not long ago that Tyrion was on top of the world — more or less running the show in King’s Landing as Hand to the king, with Shae, the woman he loved by his side, and all the gold and wine that a man could ever desire. Similarly, Jaime had everything he could ask for — namely the woman he loved, and the hand that swung his sword from which his power derived. Now, he has neither of these things. And as the two sit in Tyrion’s cell, the deterioration of their situations is more apparent than ever. Everything has changed — Tyrion is powerless to the false verdict of a murder he did not commit, while Jaime is utterly helpless to defend and protect his own brother. However, the two agree that one thing has not changed — Lord Tywin would have once again gotten exactly what he desired had Tyrion stuck to the plan of confessing to the murder. Killing two birds with one stone, Lord Tywin would have been able to get rid of Tyrion by sending him to the Wall, while at the same time securing Jaime as a proper heir to Casterly Rock and the Lannister dynasty. However, after hearing Shae’s heartbreaking testimony, Tyrion decided he had nothing to lose and deviated from the plan, leaving his fate up to the gods in a trial by combat, ruining Lord Tywin’s master plan. As the scene comes to a close and we see the despair in both their eyes, it is sad to consider the unbelievable toll that being a Lannister has taken on both their lives. Their roles and duties as Lannisters have been dictated by Lord Tywin from day one, leaving them little opportunity for any kind of true freedom or happiness. But, for the moment, that has all changed, as Tyrion has taken the power and control from Lord Tywin and placed their fate in the hands of the gods in the imminent trial by combat.

Screen shot 2014-05-19 at 1.30.01 AM

After realizing the sad reality that Jaime is unable to defend him in trial by combat, Tyrion summons Bronn and requests that he step up as his champion. However, Cercei has successfully manipulated the situation and arranged a marriage between Bronn and the highborn Lollys Stokeworth. Bronn’s already achieved knighthood and has plenty of gold — this marriage will solidify his status and put him in line to receive the castle of House Stokeworth. There is no longer anything Tyrion can offer Bronn that he does not already have, and in a final plea, Tyrion notes their friendship as a reason to fight for him. In response, Bronn states “Ay, we are friends, but when have you ever risked your life for me?” There is nothing left to say and the two shake hands, remembering the good days they’ve had together, realizing that this may be the last time they see each other. It seems like just episodes ago that Tyrion was a free man, using his gold to achieve anything he wanted, while Bronn was just a lowly sell-sword, subject to the power of Tyrion’s gold. Now Tyrion is locked in a cell with the possibility of imminent death, while Bronn is a free man with gold, knighthood and highborn wife-to-be…How quickly things do change in the Thrones world.

“NOTHING IS JUST NOTHING”

As Arya and the Hound continue on their journey, they come across a dying man, whom the Hound kills to put him out of his misery, telling Arya, “That’s where the heart is. And that’s how you kill a man.” But, before this, Arya and the man share some final words, as the man tells her that nothing could be worse than the slow death he is experiencing. With apathy in her eyes, Arya responds “Nothing isn’t better or worse than anything…Nothing is just nothing.” These are powerful words that demonstrate not only Arya’s apathetic attitude towards death, but also her connection to nothingness. Each time Arya has killed somebody, she has appeared emotionless — almost indifferent. And now, as she looks on at a man taking his last dying breaths, it is more clear than ever that she developed a completely apathetic attitude towards the idea of death, a concept that evokes much emotion in the average person. After losing almost every person around her, she has cut herself off from feeling anything at all towards the idea of death. And as she shares these words with the dying man, we see her unique perspective on the nothingness she feels after having lost everything — it isn’t better or worse than anything — it’s just nothing.

A moment later, two men appear in hopes of capturing or killing the Hound to receive the large bounty that Lord Tywin has placed on his head. After the Hound snaps the neck of the first man, Arya recognizes the second as one of the prisoners she freed along with Jaqen H’ghar. With her razor-sharp memory, Arya recalls this man telling her that he would “Fuck her bloody with a stick.” And as soon as she learns his name, she adds him to her list, before crossing him off a moment later by putting her sword through his heart. Again appearing undisturbed and emotionless at the sight of death, even death at her own hands, Arya continues to cross names off her list as she grows her kill count.

Screen shot 2014-05-19 at 1.30.14 AM

Later, Arya suggests that the Hound use fire to burn his wound and prevent infection. Of course, the Hound jumps back at the site of fire, before telling Arya of how he got the burns on his face from his own brother, the Mountain. As the beloved relationship between these two characters continues to evolve, we see more emotion and sensitivity from the Hound than ever before. It was not the burns that scarred him the most, but rather that it was his own brother who did this to him, only for his father to protect his brother rather than care for the Hound. We now see more clearly that perhaps these two characters are not so different after all; both have lost their families in one way or another and are now out on their own. But with a large bounty on his head as a result of the soldiers he killed to protect Arya, it is unclear how much longer the Hound is interested in keeping Arya’s company. “No reward is worth this much trouble,” he tells her. That said, Arya is likely the only person that the Hound has had any emotional connection with since childhood, and in the end, the Hound agrees to let her physically care for his wound, symbolic of the the ways that their connection has also tended to some of his emotional wounds.

BRIENNE & PODRICK

Another unlikely duo, Brienne and Podrick are on their journey to find Sansa when they encounter Hot Pie, an old friend of Arya’s. After Brienne inquires about Sansa, Hot Pie tells them that Arya is in fact alive and likely with the Hound. Not seen since Ned’s beheading, it has been presumed that Arya was dead for some time now, and it is significant that Brienne and Podrick are now aware that she may be alive. Podrick states that the Hound is likely taking her to the Eyrie where he could receive reward from Lysa Arryn. Before leaving, Hot Pie gives them a bread baked in the shape of a wolf for Arya, something he had given to her once before they parted ways many episodes ago.

Screen shot 2014-05-19 at 1.32.18 AM

JON SNOW

Jon Snow and the others return to Castle Black from north of the Wall, only to find continued scorn from Alliser Thorne. Speaking before the brothers, Jon Snow tells that the Wildling attack on the Wall is imminent and that steel gates will not keep out their army, which includes giants. Jon proposes that they seal the tunnels which would block out the Wildlings, but also prevent the Nights Watch from going north of the Wall. Lord Commander Alliser Thorne mocks Jon Snow and rejects his proposal, while ordering he and Samwell Tarly to patrol duty on top of the Wall.

“THEY CAN LIVE IN MY NEW WORLD OR THEY CAN DIE IN THEIR OLD ONE”

Daario Naharis once again makes a play at Khaleesi, bringing her wild flowers and telling her that he only lives for two things: war and women. He begs her to let him pursue his love of war, rather than merely patrolling the streets of Meereen; when she denies his first love, she offers him a chance at his second one. She tells him to get naked and although we do not see it, it is presumed that they finally have sex. Beyond the dicey implications of how sex could affect the dynamic of this relationship moving forward, this action was significant for Khaleesi’s character evolution. Going back to the first season, before she was Khaleesi, Daenerys was just a young girl who was forced by her brother, Viserys, to marry Khal Drogo. Still coming of age, Daenerys was forced into sexual situations against her will. And later, once she warmed up to Khal Drogo, she then had to learn how to use her power of sex to truly win him over. Her sexuality was a very large part of her identity throughout — in many ways, she was powerless without it. And now, as she has become Khaleesi, the Mother of Dragons, commanding an army of 10,000 soldiers, she has more power than perhaps any person alive. And for this reason, the sexual experience with Daario, one that came from a place of power and strength, was significant to Khaleesi’s character.

Screen shot 2014-05-19 at 1.30.21 AM

The next morning, Jorah crosses paths with Daario who is leaving Khaleesi’s chambers. Ser Jorah questions how much faith Khaleesi has put into Daario — after all, he is just a sell-sword. Khaleesi tells Jorah that she has sent Daario and the Second Sons back to Yunkai to slaughter all the masters that have retaken the city. Ser Jorah objects and tells her that this would be no better than the barbaric crimes of which the masters themselves are guilty. He also reminds Khaleesi that he himself is guilty of slave-trade, a crime for which he was shown mercy by Ned Stark. Jorah adds that he would not be standing where he is today had Ned executed Jorah for his crimes, much the way Khaleesi is planning to in Yunkai. Moved by his words, Khaleesi changes her mind and decides to offer the slave masters a choice, “They can live in my new world or they can die in their old one.”

THE RED PRIESTESS

At Dragonstone, Lady Melisandre converses with Lady Selyne about the magic potions that she has used to trick people into considering the Lord of Light. However, the Lord of Light is still very real and these potions are only a gateway to get people to see the truth of the Lord of Light. Lady Selyne then mentions that she does not think they should bring their daughter, Shireen, on their journey to the Wall. However, the Red Priestess tells her that the Lord needs her daughter — it has been seen in the flames.

“THAT’S NOT A MONSTER…THAT’S JUST A BABY”

In the middle of the night, Tyrion receives another visit, this time from Prince Oberyn. The Red Viper first tells Tyrion of Cercei’s attempt to manipulate him, but he sees through her Lannister tactics, and what he sees is an opportunity for revenge. But first, he tells Tyrion a story of the the time he traveled from Dorne to Casterly Rock to meet the monstrous baby that was Tyrion. After having been described as a terrible monster, Prince Oberyn was dissapointed to see that Tyrion was in fact not a monster, but just a baby. Tyrion’s eyes fill with tears as he realizes that even as a helpless and innocent baby, Cercei wanted him dead; so many years later and nothing has changed. As Prince Oberyn has learned that Cercei has named the Mountain to fight on her behalf, Oberyn is eager for the opportunity to avenge the murder of his sister and her two babies. The Red Viper has been waiting for this revenge for many years, and the opportunity has finally presented itself, giving Tyrion a champion to fight on his behalf. And so the combat is confirmed: the freakish size and strength of the Mountain versus the speed and agility of the Red Viper.

“GIVEN THE OPPORTUNITY, WHAT DO WE DO TO THOSE WHO HURT THE ONES WE LOVE?”

In the courtyard of the Eyrie, Sansa reconstructs Winterfell, the place she once knew as home. However, it is not long before Robin demolishes Sansa’s castle, just as the actual Winterfell itself had been destroyed. Sansa slaps Robin and he runs off, just as Littlefinger appears to reassure Sansa that everything will be okay. Sensing that he has not been completely forthright, Sansa again asks him exactly why he killed Joffrey. Petyr makes it very clear that he murdered Joffrey out of revenge as he states, “Given the opportunity, what do we do to those who hurt the ones we love?” He goes on to tell Sansa that in a world where love prevails over war, she could have been his daughter, but unfortunately they do not live in that world. And then he kisses her, as Lysa Arryn looks on.

Later, Lysa Arryn confronts her niece and becomes hysterical as she threatens to throw Sansa through the moon door. Petyr calms his wife before telling her that he has only ever loved one woman — “your sister.” He then pushes Lysa through the moon door, raising many questions about what his next steps are and how Sansa fits into those plans.

Screen shot 2014-05-19 at 1.30.46 AM

04.14.14
by

Episode 2 Recap: Lion & the Rose

OVERVIEW

Though not usually aware of it, as viewers of television and cinema, we are constantly making certain anticipations or predictions about what we’re watching. We suppose that there are certain “givens,” or things we know are safe to assume. We are able to do this because most of these shows or movies abide by a certain set of “rules” with which we’ve become familiar. It doesn’t mean we know every little thing that is going to happen, but we achieve an understanding of what’s in the realm of possibility and what simply isn’t. We can safely assume that there is no way Character A can die in this movie or Thing B can happen in that show. And while there is generally comfort for the viewer in being able to make certain assumptions, these very assumptions ultimately take away from the “realness” of what we are watching. The predictability, however small it may be, reminds us that we are in fact being told a predetermined story, bound by limitations of what we know can and cannot happen, rather than watching a real experience unfold before our eyes.

And this is one of the many brilliant ways that Thrones sets itself apart from just about everything else out there. George R.R. Martin has ignored all the conventional “rules” that often limit the possibilities of a story. Instead, he created a world that mirrors our own; one where possibility is endless, things are unpredictable and we are not always in control of what will come next. As a result, his story is not only more authentic, but also more relatable. It feels more real because it is more real.

While most of us will take away from this episode the death of King Joffrey, in reality, this was not necessarily the most significant plot-point of the episode. Rather, this was a simple reaffirmation that there is no “safe-zone” in this world; no assumptions can be made and no one life is more or less important than any other. We have been reminded of this fact time and time again, first with the death of beloved Ned Stark, then with the behanding of Jaime, and finally the unforgettable Red Wedding. Death is random, life is chaos and nothing can be taken for granted. Forget that, and you are in for a rude awakening, often without any warning at all.

And while the death of Joffrey was shocking, it should not be the only takeaway of this episode. Bran’s continued journey and the visions he experienced are far more meaningful than the loss of one life, even the death of a king. Moreover, Tyrion was forced to pretend that he no longer loves Shae; Lord Bolton finds out a powerful piece of information that few others know — the Stark children are still alive and rightful heirs to the North; Theon has gone completely mad; and Sansa appears to be on the run. Each of these events in their own right are quite significant, and despite Joffrey’s death being the headlining event of the episode, it would be a mistake to overlook all the other things that happened.

THE DWARF, THE CRIPPLE & THE MOTHER OF MADNESS

As Tyrion and Jaime catch up, Tyrion notes the unenviable position that the three Lannister children find themselves in: a dwarf, a cripple and a mother of madness. For them, power does not imply happiness. On the contrary, they have each had great prices to pay in order to help their family achieve this power. And now that they have it, their personal happiness appears to be more deteriorated than ever. After Jaime acknowledges to Tyrion that he is no longer an effective swordsman, Tyrion suggests that he needs a paid sword with whom he can train. Tyrion arranges for Jaime to meet and train with Bronn.

“YOU’RE NOT A BOLTON, YOU’RE A SNOW”

In another one of his perverse games, Ramsay Snow chases through the forest one of the girls that had been at his service previously. Claiming that she had been making his other girl jealous, they hunt her down and feed her to the dogs. At the Dreadfort, seat of House Bolton, Roose Bolton returns home after playing his part in the Red Wedding. We now see that the months of extreme torture have broken Theon; he has lost his mind and has become an obedient servant to Ramsay Snow. However, when Roose Bolton learns of this, he scolds Ramsay and reminds him of his bastard status, telling him “you’re not a Bolton, you’re a Snow.” The ironborn currently hold Moat Cailin, a strategic stronghold of the North that allows for passage from the south. Lord Bolton’s plan was to return Theon to his father, Balon, in exchange for Balon pulling all the ironborn from Moat Cailin. Thanks to Ramsay, Theon is now useless and Lord Bolton has lost his leverage.

Theon, after learning of Robb Stark's death

Theon, after learning of Robb Stark’s death

However, Ramsay did accomplish one thing — through all the torture and “training” of Theon, Ramsay was able to learn that Bran and Rickon Stark are not in fact dead. After their escape from Winterfell, Theon killed two other boys and burned their bodies, pretending that they were the Stark boys to cover up that he let them escape. Only Theon and a couple others knew this very important fact — with Bran and Rickon still alive, they are the the rightful heirs to Winterfell and present a major threat to Roose Bolton, new warden of the North. Lord Bolton learning this information is a game-changer and he orders Vargo Hoat, the man who cut off Jaime’s hand, to lead a party in the search of the Stark boys. Theon also offers to them that Jon Snow is at Castle Black and could be protecting them. Last season, after Bran and Rickon split, it was decided that in fact, Rickon would head to Castle Black with Asha to seek out Jon Snow. Lord Bolton offers Ramsay a chance to prove that he is a Bolton and tells him to round up whatever men he can and to take back Moat Cailin for the family.

Of course, it was very significant that Lord Bolton learned of the Stark boys survival, as well as his order to Ramsay to take back Moat Cailin from the ironborn. However, the most powerful part of this all was to see the transformation of Theon. Episode after episode, we witnessed the brutal physical and emotional torture that he had to endure. And now, we see the full effects of what that torture has done to him. Like a dog, he has been fully trained to be obedient to his master. So much so that Ramsay trusted him to hold a blade to his neck. And, even as Theon held this blade to his neck and Ramsay told Theon that Lord Bolton had killed Robb Stark, Theon was still unable to do anything other than follow order.

THE COST OF LOVE

For much time, Tyrion has expressed to Shae the dangers of their relationship. And, now that Tyrion is married to Sansa, their relationship only grew more complicated and dangerous. After Varys tells Tyrion that Lord Tywin has threatened to hang the next whore that Tyrion is caught with, Tyrion realizes that he must take drastic action to get Shae out of King’s Landing. He has tried many times to tell her how dangerous it is, but she refuses to listen. So, now, he must lie to her and endure the pain of acting as if he doesn’t truly love her. The sad irony is that he is actually doing it all for love and trying to save her life. He tells her that she is a whore and not fit to be with him. He declares, “I have enjoyed my time with you most of all, but now that time is over.”

To save her life, Tyrion must break her heart and pretend that he does not love her

To save her life, Tyrion must break her heart and pretend that he does not love her

We once again see the recurring theme which reminds us that love will not always prevail. Though Tyrion loves Shae and she loves him back, there are other variables that simply make a life together impossible. It is sad to watch, but offers a more realistic view of love, rather than the romanticized storybook version we are used to seeing. Sometimes love is not enough and the realities of life can get in the way.

“THERE IS ONLY ONE HELL…AND WE ARE LIVING IN IT”

At Dragonstone, Stannis sacrifices several more of his men to the Lord of Light, including his own brother-in-law. True to form, Ser Davos is against these actions and tells Stannis that they were innocent men merely worshipping the gods of their fathers. Interesting to see, Stannis’ wife, Lady Selyse, appears to have become passionate about the Lord of Light. During dinner, she tells Stannis that their daughter, Shireen, needs to rot, claiming that the marks on her face show that she has been cast out by the Lord of Light. However, Stannis orders that he will not strike down his own daughter.

At Selyse’s recommendation, Melisandre goes to visit Shireen and they have a discussion about the gods. Shireen notes that she has read about the Faith of the Seven, though Melisandre quickly replies that these are only lies and fables. There are only two gods, one representing fire, good and light and the other representing cold, fear and darkness. She explains that these two gods are forever locked in an eternal struggle against one another. Asking about the many heavens of the Faith of the Seven, Shireen asks, “so there are not seven heavens?” to which Melisandre coldly responds, “there is only one hell and we are living in it.”

“IF WE LOSE YOU, WE LOSE EVERYTHING”

Though most viewers are probably still thinking about the death of Joffrey, it was Bran’s role in this episode that was truly major. Once again, we are taken into one of Bran’s skinchanger states where he has inhabited the mind of his direwolf, Summer. This one was longer and more personal than any we’ve seen before; we were able to feel what Bran might feel controlling the mind and body of his direwolf. When he is woken up, he tells that he was hungry and was just eating. The connection between he and Summer grows stronger, and it appears that he is starting to blur the line between his own identity and that of his direwolf. Jojen reminds him that he cannot survive off the food his direwolf eats and that Bran himself is not a direwolf.

Through his power of skinchanging, Bran is able to transcend the limits of his actual human life. As a cripple, Bran has lost his mobility — once a great climber, Bran can now barely move. However, all this changes when he takes over the mind and body of Summer. He is liberated, he is free. Able to run freely through the forest, hunt down food and feel the cold ground beneath him, Jojen acknowledges that it must be glorious for Bran to feel whole again. However, Jojen reminds Bran that spending too much time in the skin of another can be dangerous and Bran could start to forget what it is to be human. Reaffirming the importance of Bran’s journey, Meera chimes in telling Bran “if we lose you, we lose everything.”

As they continue through the forest, Bran sees Summer standing beneath a weirwood tree, illuminated by a mysterious light. As he approaches the tree, we see a face carved into it, a traditional practice of the Children of the Forest from thousands of years ago. As Bran connects with the tree, he again experiences greensight, or prophetic visions — this time, more powerful than any other we’ve seen.

The weirwood tree that Bran connects with

The weirwood tree that Bran connects with

In a brief moment, it appears he learns of everything that has happened, seeing visions of the past and learning clues of the future. Most of the things he sees were pulled from all different scenes of all different episodes that we’ve seen to date, though certain images we have never seen before. He first sees the three-eyed raven flying beneath the crypts of Winterfell, then a vision of Ned Stark being held a prisoner in King’s Landing. The three-eyed raven then lands on what appears to be a tree in the North, and we see a glimpse of a beautiful weirwood tree. Bran then sees the wight that we saw in the very first episode of Thrones, followed by the flock of crows that we saw after Samwell Tarly killed the White Walker. A mysterious voice says “look for me beneath the tree” as we again see a beautiful weirwood tree that is glowing in the light, followed by a brief glimpse of the roots below the tree. He then sees the dead horse missing half its face, resurrected back to life and ridden by a White Walker.

The weirwood tree in Bran's vision; he hears the words "Find me, beneath the tree."

The weirwood tree in Bran’s vision; he hears the words “Find me, beneath the tree.”

Interestingly, he then sees a vision which Khaleesi also saw in the Season 2 finale, when she entered the House of the Undying and fell under the magic of the Warlocks. It was during this “dream” that she was reunited with Khal Drogo and saw their baby. What she also saw, was a very dark and bleak vision of the Great Hall, the powerful room from where the king resides over the Iron Throne. In her vision, the Great Hall was completely empty and desolate. Walls were torn down and snow covered the hall. It was a powerful vision, and one that Bran is now sharing himself.

The desolated Throne room, a vision Bran and Khaleesi both saw.

The desolated Throne room, a vision Bran and Khaleesi both saw.

Bran then sees some sort of face, either being reflect by, or peering through what looks to be ice. It is not clear what this is a face of, but does not look human. He then sees the vision of himself being pushed by Jaime from Winterfell, and for the first time, remembers what happened. He sees the shadow of dragons flying over King’s Landing. And finally, he once again sees the beautiful weirwood tree, with the same voice proclaiming “North!”

A mysterious face that appears for a brief moment in Bran's vision

A mysterious face that appears for a brief moment in Bran’s vision

To say the least, it was a lot to take in. There were so many images and visions and it happened so quickly. It is important to realize the visions he had and the select things that he saw. Several of the images we had seen already, and appear to simply provide Bran insight on some of the things that we as viewers already know. Bran being pushed by Jaime, what happened to Ned, and the existence of the White Walkers are all realizations that Bran now has, but did not before. However, there were also several powerful visions he had which were not about filling him in on the past, but rather about providing him clues of the future or guiding him on his journey. Several times we saw the same beautiful weirwood tree and the mysterious voice exclaimed “look for me beneath the tree,” before adding the clue “North.” When Bran regains his human consciousness, he now knows where he needs to go.

To understand the power of this scene, it is essential to stop and consider the power of the weirwood trees, their historical significance and the role these mystical trees played with the Children of the Forest thousands of years ago. For thousands of years, before anybody else arrived to Westeros, the magical Children of the Forest lived in harmony with the weirwood forests and worshipped these trees. They derived much of their power and magic from these trees and many of the Children of the Forest, like Bran, were greenseers who were able to connect with the trees and realize prophetic visions. After the First Men and the Andals invaded, most of the weirwood trees were cut down and the Children of the Forest were pushed near extinction; yet thousands of years later, Bran has powerful visions as he connects with a weirwood tree, and it appears that there is another weirwood tree, somewhere in the North, that Bran must find.

THE DEATH OF ANOTHER KING

In a scene that lasted 23 minutes, we finally see the grandiose wedding of King Joffrey and Margaery Tyrell. As the wedding party begins, Jaime bumps into Ser Loras Tyrell, who is set to marry Cercei. Jaime tells Ser Loras that he will not marry Cercei, in a way which implied Ser Loras would have no say in the matter.

Prince Oberyn comes face to face with Lord Tywin, and though no direct threat is made in this episode, Prince Oberyn, through backhanded remarks, makes it clear that there is still much bad blood between the Martells and Lannisters.

And finally, after Margaery announces that all the leftovers from the wedding feast will be donated to the poor of King’s Landing, Cercei orders Maestar Pycelle to feed the leftovers to the dogs. At this point, it is clear that Cercei is threatened by Margaery and attempts to thwart her plan, which would help Margaery to gain the love and support of the people of King’s Landing’s. When Maestar Pycelle notes that Margaery is now queen and that he must obey her orders, Cercei makes it clear who still holds the power and threatens his life should he disobey her orders.

And finally we arrive to the part of the episode that we all secretly hoped would happen, but still were not expecting — the death of King Joffrey. After Joffrey makes a point of publicly humiliating Tyrion and making him his cupbearer, he begins to cough violently, before falling to the ground and dying several moments later. As he gasps for air, it is Jaime Lannister that tries to revive him — one last attempt to save a son that he was never able to truly father.

It was unclear whether Joffrey was choking or was poisoned. It was also unclear who was behind this, if anybody. Though, in his last breathing moments, Joffrey points at Tyrion and Cercei immediately accuses her brother of the murder. Tywin does not object, and Tyrion is taken by the Kingsguard. In the madness of it all, we again see Ser Dontos, who grabs Sansa and tells her it is time to go. With Joffrey dead, his younger brother, Tommen, is next in line for the Throne. Though, like Joffrey, Tommen was born of incest and has no true claim to the throne, as he is actually a Lannister, not a Baratheon.

Ser Dontos tells Sansa that it's time to leave

Ser Dontos tells Sansa that it’s time to leave