DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.
What Just Happened?
Shocked. Confused. Disappointed. Baffled. There is no shortage of adjectives to describe the way I feel after the final installment of Game of Thrones, but simply put, it was an emphatic explanation point on an utterly disappointing season. At its best, Game of Thrones took us to highs that few stories have before; and as we saw in this finale episode, at its worst, Thrones was capable of reaching equally extreme lows. With each episode that passed this season, the simple (and terribly sad) reality became more and more apparent: the folks producing this show simply were not going to be able to deliver a successful end to this story. And despite a season defined by poor story telling, inexplicable character development, pacing of events that often made no sense — despite all of that — I still held out a bit of hope that the final episode would have one final magical twist or turn that would help to make things right. After all, this is Game of Thrones we are talking about — this was the one show that simply would not, and could not, mess up the end to its story the way so many other shows have.
But the truth is now plain to see and there is no hiding from it. The reality is that the magic of this world we became so captivated by — the characters, the history, the locales, the families, the lore, the mythology — all of it — it all lived in a series of books. And while HBO did an absolutely masterful job at adapting the magic of those books to TV, the reality is that we were always destined, to some extent, to end up exactly where we did. George R.R. Martin took the better part of 20 years to create the enthralling world that we fell in love with over the first six seasons. But those six seasons were based on the five books he had written — two short of the seven books that will (hopefully) be published to bring the A Song of Ice and Fire saga to a close. Writing for the sixth book, The Winds of Winter, began over eight years ago, and is still not out. It’s anybody’s guess when final book, A Dream of Spring, will be published, but it likely will not be for another 10 years or so.
So what does this tells us? It tells us that the homestretch of this story, a story that has taken over 25 years to write, simply does not yet exist, and likely won’t for many years to come. There is a reason George R.R. Martin takes so many years to write each book and it’s not simply because the writing itself takes so long. It’s because he is actually taking an incredible amount of time to continue to create and develop the story itself. And as the story starts getting towards it’s final chapter, it becomes increasingly more challenging to think about how each character’s journey comes to an end, how various storylines converge, and how this epic saga ultimately reaches its finale.
The predicament we find ourselves in is that while George R.R. Martin will take as much time as is required to finish this story the right way, HBO could not. So, what we were left with for the last two seasons, was a story that was based on loose directional feedback provided by George R.R. Martin, which left Thrones writers and producers filling in some very large gaps. Sure, George R.R. may have been able to tell Thrones producers what the singular endpoint of this story was, but he simply hasn’t yet conjured up and all the intricate subplots and character journeys that lead us to that endpoint. And without having his story to tell, we were left with a watered down, overly simplified, dumbed down version of what I believe the ending to this story will be when he tells it through the books. To some extent, the show was always destined to end this way, only I don’t think anybody thought it could ever get this bad.
The finale episode, entitled The Iron Throne, was riddled with one cringe-worthy cliche after the next. As has been the case throughout most of the season, the pacing felt totally off, with certain moments being totally rushed, and other less significant ones dragging on. The writing, specifically much of the dialogue, landed somewhere between embarrassing and comical. The aftermath of last week’s total destruction of King’s Landing simply felt totally contrived, with writers bringing rather abrupt endings to each character’s story. So much so, that it almost felt as if this finale episode was disjointed from the entire story that preceded it. It was as if this finale episode was given to a brand new team of writers that knew absolutely nothing about the story that has spanned the last 10 years, and were asked to do their best to synthesize some sort of close that forced endings for each character. One moment I felt I was watching a soap opera, the next I felt I was stuck in a bad SNL skit. How could this be? I mean I wasn’t expecting a whole ton after how disappointing this entire season has been, but really, I never could have imagined the new lows that were reached. There was absolutely nothing interesting. Nothing unique. No twists or turns. Very little emotion. Only cheap storytelling that made this episode feel like it was an obligation — a chore to get this thing wrapped up — rather than a vehicle to truly end this story in a meaningful way.
A Mess in King’s Landing
The episode begins as we see Tyrion and others taking in the aftermath of Dany’s fire and blood escapades. King’s Landing has now become a wasteland, with only skeletons and ash to speak of, which further underscored the ridiculousness of how far Dany took things last week. As Tyrion continues through King’s Landing, he eventually makes his way below the Red Keep where he finds Cersei and Jaime’s final resting place. Despite all his efforts, Tyrion could not stop all the death that was to come, and all he can do now is look on at his last remaining family members, gone forever. As Jaime and Cersei lay together, it was a poetic reminder that Tyrion really has been alone in this world most of his life, and even though Jaime cared about him a great deal, he was always an outsider compared to the twin bond that Cersei and Jaime shared.
Continuing her plunge into madness, we see Dany standing over a ruined King’s Landing, delivering an impassioned speech to her army, in which she basically tells them that this was just the beginning, and she plans to take her show on the road. While we all saw her evolve into The Mad Queen last week (at a pace that made absolutely no sense), the door was still left open for her to show some remorse in this finale episode. But that door shut pretty quickly and it became evident that no amount of death and destruction would be too great a cost for her to “break the wheel.” In reality, Dany herself sounded like a ruthless tyrant, one capable of committing devastating acts — the very type of ruler she has so badly wanted to rid from the world. It continued to be frustrating to watch just how cruel and vicious she has become so quickly, and it felt totally contradictory to who Dany was for the better part of the last 10 years.
Realizing he was on the wrong side of things, Tyrion gave Dany a big “f you” as he denounces her slaughter and abandons his post of hand to the queen. He’s quickly taken as her prisoner as Jon can only look on. Jon then goes to visit Tyrion, where they continue to go back and forth about whether or not Dany must be stopped. In their exchange, Jon references something Maestar Aemon told him all the way back in season one, “Love is the death of duty.” At the time, Maestar Aemon was explaining to Jon why brothers of the Night’s Watch could not have families — love would interfere with their duty to protect the realm. In response, Tyrion flips the idea that Maestar Aemon presented, and tells Jon that “sometimes, duty is the death of love.” No doubt, a suggestion that Jon’s duty to protect the realm might bring about the death of his love with Dany. Before Jon departs, Tyrion urges him that he must decide and he must decide now.
Moments later, surprise surprise, we see Dany in the Throne Room, a replay of basically the same vision she had in an earlier season where we saw the ruined Throne Room that she is now walking through. Once again, a reminder that she has become nothing more than queen of the ashes. If you asked me a few years ago what one of the most powerful moments in this story could have possibly been, I would have told you that at the top of the list would be the moment Dany finally reaches the Throne Room and ascends the Iron Throne that her ancestor, Aegon Targaryen, built 300 years before her. Sadly, the realization of this moment felt plain and unemotional, probably because of how little was left of the Throne Room itself, thanks to Dany’s temper tantrum that brought about the destruction of King’s Landing on the whole. She had finally reached the Iron Throne — the powerful symbol of all she had wanted — all she had sacrificed so much to achieve — and all for what?
Duty Over Love
The predictable and soap opera nature of the episode continued as Jon arrives, right on cue, and reprimands Dany for the slaughter she carried out. The two go back and forth about their differences of opinion, blah blah blah, which once again ends in a Dany/Jon kiss. But then, out of nowhere, Jon puts his dagger through her heart. And by out of nowhere, I mean everybody saw that coming from a mile away and it was totally unsurprising. The whole thing felt like “okay, everybody knows this is coming, let’s just get it over with.” But worse than this moment’s predictability was how emotionless and fleeting the scene was as a whole. Out of a 90-minute episode, much of which was filled with gratuitous and irrelevant banter, we can only spare 60 seconds to the death of the show’s most powerful character? I mean come on. Just like that, Dany is gone, and before we even have a moment to really soak it in, I’ve got this dragon in my face…again.
Talk about a botched opportunity. You have Daenerys Targaryen, one of the most beloved characters ever created in any fictional format; opposite her, the equally beloved Jon Snow; and between them, a magical story that intertwines the ideas of power, morality, duty and love. And though many people saw it coming, even so, that this story would end with Jon choosing duty over love, and sacrificing the woman he truly loved, is incredibly powerful. So why didn’t I feel that way watching it? And then just like that, Drogon scoops up Dany and flies her out of there. Oh, but not before melting the Iron Throne, the very throne the Targaryens created in the first place. I’m not sure there’s any real explanation for Drogon flying away with Dany’s dead body, other than a setup for somehow bringing her back to life for some future Thrones spinoff, which seems highly unlikely. The end to Dany and Jon’s story was a total miss of epic proportions.
One Strange Council
Just a moment later, we’re past the emotionless death of Dany, and we’re now all business as the “who’s who” of Westeros have gathered to determine the fate of the realm. It kind of felt like all the unimportant remaining characters were scrapped together and this is when the episode went from bad to just silly. First of all, half of these characters had absolutely no business being there. Edmure Tully, Catelyn’s brother is all of a sudden making a return after having had zero role in this story for many seasons? Yara Greyjoy is back, without anything from her since she went back to The Iron Islands? Oh and let’s not forget about introducing a brand new Dornish prince (who doesn’t even speak) to join this mish-mosh of a crew. And perhaps the absolute funniest of all is Robert Arryn, the sickly son of Lysa Arryn, who previously didn’t know how to do anything other than breastfeed…He’s now got a seat on this council? There were a few others that I did not even recognize, furthering the ridiculousness of this gathering.
The group goes back and forth about what to do next, and apparently after all that has transpired, after King’s Landing has basically been totally destroyed and the world of Westeros has been turned upside down, this silly council is going to solve for the future of the realm in one simple conversation. And all of a sudden Grey Worm is mr chatterbox, driving much of the direction of the council’s decisions. In this one episode, Grey Worm speaks more than he has in the past seven seasons combined. After the death of Dany, he wants revenge, but Tyrion reminds him that it’s not his decision to make, which leads to the debate of who should take power next. Comically, Edmure Tully stands up to state his case, before Sansa tells him to sit down. Why? Why would the writers choose to include dialogue in this final episode that sees Edmure Tully, a completely irrelevant character, stand up and make a claim for the throne? Unless they were going for some sort of comedic relief, it just doesn’t belong. But the comedy didn’t stop there. Samwell suggests they consider a more democratic election where the people have a say, and for some reason, others found this to be comical, poking fun and sarcastically asking if their dogs and horses would get a say. The whole thing felt like a bad SNL skit.
Finally, we arrive at the moment that pretty much caps this entire story — the reveal of who would end on the throne. And to be quite honest, I couldn’t have cared less at this point. The realization of who would take the Throne was not decided by any significant final moment in the story, but rather by a cast of irrelevant characters making forced decisions, so the reveal of who would end on the Throne simply felt like an anticlimactic “who cares” moment. But the only thing that could have been less sensible than everything that has already transpired would be to make Bran the one to end on the throne. And of course, that’s precisely what happens. The logic behind it makes sense — Tyrion paints the picture that the most powerful thing in life is a story and we know Bran is keeper of all stories and memories. So we get it. But, we are talking about a guy that has totally lost his human mind. He’s been on a multiyear journey where his entire life has been dedicated to an existential evolution, which saw him become the Three-Eyed-Raven. In doing so, he has experienced all kinds of visions, past, present and future, that revealed powerful moments which changed him forever. We’re talking Children of the Forest, White Walkers, The Night King — Bran was in the thick of it all. When all of those mythological elements of the show died along with The Night King in an unbelievably disappointing fashion, it definitely created some question marks for what was left for Bran in this story, if anything. I mean we haven’t even seen the guy in several episodes. Now, all of a sudden, he’s being named the king of Westeros? Talk about delivering a cheap ending to this story — did nobody working on this show stop to realize how senseless this was? We are talking about the character who had reached total enlightenment, so much so, that he didn’t even really know how to be a human anymore. And now we are going to plunge him into the politics of being the ruler of the realm?
But he won’t be the king of the Seven Kingdoms. He only gets six. Sansa had to get her two cents in and tell Bran that she wants The North to remain its own independent kingdom as it had been for thousands of years before Aegon’s Conquest. And that’s fine, but the only problem is that ALL the kingdoms had been independent prior, so why would the representatives of Dorne and The Vale and The Iron Islands all be okay with The North not bending the knee while they have to? Also, given that it was another member of House Stark ending up on the throne, Sansa’s desire to annex The North just makes that much less sense — it’s her own brother on the throne. Totally illogical storytelling and it just felt like a forced way to be able to show Sansa as the queen of The North, without regard for the fact it did not make sense to the story itself. But hey, not much has to really make sense anymore, so let’s go with it.
Back to The Wall
So that’s that. Bran is some sort of Three-Eyed-Raven king and Sansa is queen in the North. But we’ve got to come up with some sort of contrived ending for Jon, right? How about we send him back to The Wall, where his story began. That sounds like a cheap, easy and poetic ending for his character — so let’s go with that. I also found it strange that while the council was trying to figure out who should take the throne, Jon wasn’t mentioned once. True, he had just killed Dany, but if we subscribe to the idea that he was the rightful heir, then it was Dany who was revolting and trying to claim a throne that was not hers. That would provide some justification for Jon having to kill Dany, to eliminate a usurper. So, with her gone, and everybody grasping at straws to figure out who should be next in line, why is nobody bringing up Jon, the actual rightful heir?
Anyway, just like that, he’s back in his Night’s Watch garb, hair back down like it used to be in the old days, and headed back to The Wall. Another character with a massive arc that gets a senseless ending. We are talking about the guy that was arguably the most important character; the guy that became Lord Commander of The Night’s Watch; the guy that risked it all to put the world on alert about The Night King; the guy that fought and won in countless fate-determining battles; the guy that was broughtback from the dead; and the guy that made the ultimate sacrifice as he took the life of Daenerys Targaryen. And after all of that, we just send him to The Wall? I mean what an unbelievably disappointing, unsatisfying and silly way to end his story.
But before he departs, we get a round of cliche goodbyes with each of his siblings, the best of which reveals that Arya is now channeling her inner Christopher Columbus/Dora the Explorer. She’s off to explore the world, whatever is west of Westeros. I mean how cheesy do we want to get here? If they wanted to set up Arya for her own spinoff, they certainly left that door open, but man, after all that Arya has gone through and all her incredible character development, that’s where we end her story? Sending her to cheerfully explore westward made her feel more like a Disney character than anything else. A Cheap and easy cop-out, just like all the others. It’s also confusing to consider how central she was to last week’s episode, with no follow up in the finale. She was a major point of view character last week, running through the streets and the episode ending with her riding out on her white horse. It seemed like she was being set up for some major ending to her character. But it ended up being all for her to play basically zero role in the story’s end. If you think about, since killing The Night King (which was another big screw-up), she basically had zero involvement in the story since — just noise.
Before the episode comes to a close, we get to see the new council that will support King Bran, and it’s a total joke. Tyrion as hand; Davos a Master of Ships; Bronn as Master of Coin; Samwell as archmaestar; Brienne as commander of the King’s Guard. It felt like the writers threw darts at the wall to see who they’d randomly choose to fill each of these roles. The council meeting itself was so comical that it’s hard to believe writers were going for anything else. In the finale episode of this entire story, we have to listen to their light-hearted banter about what their first objectives will be and whether they’re going to rebuild ships or brothels first? And what about Samwell Tarly, casually presenting Tyrion with a book of recent history called A Song of Ice and Fire. Talk about forcing something into the script and an egregious namedrop. Embarrassing stuff.
Assembling a hodgepodge council like this simply disrespects the greatness of the history of the council, one that was once comprised of characters like Tywin Lannister, Varys, Littlefinger, etc… Now we’ve got Bronn and Davos joking about where they’ll allocate their funds first, as if King’s Landing wasn’t only recently completely decimated. Speaking of which, Bran asks if anybody has heard about the location of Drogon, but nobody has. In another weird moment, Bran tells them not to worry and that he’ll take care of figuring out where Drogon is. My first question: given the entire series is about to come to a close, why are we wasting time talking about where the dragon went? My second question: Bran, you are the Three-Eyed-f*cking-Raven — why are you going to this council of C-listers for advice in the first place — aren’t you the all-knowing one? What a total mess.
Finally, Jon returns to The Wall, where of course there will be a couple more cliche reveals. Tormund and Ghost are both waiting for him there, and eventually, they continue north of The Wall, presumably to live a life with The Free Folk. As they enter into the depth of the forest, the show comes to an end, and the confusion reaches its climax. Why is that the final image of this entire story? Jon walking into the forest with the Wildlings hardly seems like the final takeaway to leave viewers with.
And just like that, it’s all over. It was an ending that was obvious, uninspiring and simply silly in many ways. It was so beneath the greatness of Thrones and I cannot think of many ways they could have delivered a more disappointing end to this story. All that said, it would be a mistake to overlook the greatness that this show offered for so many years. Game of Thrones took television to heights it had never been before and captivated a global audience with its magic. Though I will forever be confused and disappointed by how the show brought closure to this story, I will also be thankful for all that it offered for so many years. I would highly encourage each of you to consider picking up the books and starting this journey over the right way, setting yourself up to experience the true ending to this story once it is properly told by George R.R. Martin himself.
Finally, thanks to all the fans and readers of ThronesLife. It has been great to share the passion with so many of you. Keep an eye out for what comes next : )
DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.
The end of an era. The dark before the dawn. A preamble to death. Call it what you’d like, but make no mistake, the end is here. Now.
The thing is, we always knew this moment was coming. It’s been clear for some time that the finality of this story was lurking around the corner, perhaps just out of sight. But knowing that the end is near in your head, truly feeling it in your heart, are two very different things. And tonight, for the very first time, we were forced to feel the weight of the end, and all the consequences that will come along with it. What was once out of sight, is now in crystal clear focus, and there is no turning back.
After a rather slow setup episode to kick off the season, many anticipated an action-packed episode this week. I myself suspected that we might get our first battle tonight. But what we were offered tonight was more profound — more emotional — than perhaps any battle scene ever could be. In a subtle, yet powerful way, we were reminded of all that has happened over the past 10 years — intense character journeys that saw foes become friends; great sacrifice and heart-wrenching loss; glorious victory and crushing defeat — all that has led us to this very final moment. And as we processed the great journey that led us here today, we were reminded of the great fragility that characterizes the world we live in — a reminder that overnight, everything can change; life can turn to death, while the things we hold most dear can be taken away in the blink of an eye.
The great paradox, and genius of this episode, was that we were ultimately reminded of what we will soon forget. Like a montage of memories before our eyes, it will all soon be over, and most of it will soon be forgotten. The ingenuity of this concept is that it speaks true both externally, of us viewers, who likely will forget most of what we’ve witnessed over the past decade, once this great saga comes to an end and the years go by. But on a meta level, the same can be said true of the characters in the story. As the end approaches, so does the very real possibility of human extinction, which would bring about the end of all recollection and memory. And, as we learned from Bran in this episode, that is precisely what The Night King is after (we’ll get to that more later).
The last night of sleep-away camp where you stay up all night, knowing that morning will bring about the moment where you’re forced to say goodbye to those friends who you may not see again until the following summer. Those last moments leading up to college graduation before you close the chapter on your college days and embark upon that next phase of life. This was all of those goodbye moments rolled into one and amplified times 100. We were readied for what may be the final goodbye. Life is not guaranteed. Death is imminent. Loss is certain. And tomorrow may not come at all, which forces us to reflect back upon the most magical of journeys, which in concert, create what we have come to know as A Game of Thrones.
All You Need is Love
To date, character relationships have often been complicated and unpredictable, but as the end nears, all of that has begun to change. Staring down the face of death, what we saw in this episode was characters mostly stripped of all the layers that no longer matter. And when you peel back all those layers, we’re left with relationships that are defined by one simple constant: love. And it is the power of this love, combined with an awareness of how quickly this love can come to an end, that made this episode so sad, yet beautiful. Characters coming together, knowing full well that this might be their last sip of wine together; their last laugh; their last kiss. Their realization of the impending finality allowed us to view these characters stripped of what has defined their very existence in this story for so many years — the lies, the schemes, the deception, the games…None of that matters anymore, and we got to see the true essence of these wonderful characters.
This theme starts early in the episode when Jaime is reunited with Brienne, one of the few people in all of Westeros who got to hear his side of the story regarding his slaying of The Mad King. Their journey was intensely powerful, and it was Brienne’s character that served as the foil for Jaime’s first evolution. It was through her that we first saw a different side of Jaime — a more vulnerable character that had been carrying the burden of being unfairly labeled Kingslayer and Oathbreaker. Below is a clip from season three in which Jaime breaks down to Brienne and she learns who he really is. This scene is hugely important as it allowed Brienne to understand what Jaime had been through and the truth of his character — the very character she would come to the defense of all these years later in his moment of judgement.
As we heard Brienne recount in tonight’s episode, it was Jaime that saved her life, and lost his hand for it, back in season three. Years later, it is now Brienne saving Jaime. And if all that is not poetic enough, with death at Winterfell’s doorstep, it is Jaime who is able to give Brienne what she wants most in the world, her knighthood. Underscoring the importance of this moment, Thrones producers chose to name the episode after it, A Knight of the Seven Kingdoms. Whether it is a love of romance or a love of loyalty and admiration (likely the latter), the feelings displayed between Jaime and Brienne offer a shimmering light before the darkness that is just around the corner.
The moments of love continued between many other characters, again offering reminders of the richness and depth of experiences that have shaped these relationships in seasons past. The reunion between Theon and Sansa proved that even a short-lived exchange can be powerful and emotional, when delivered the right way (something the premiere episode seemed to be totally unaware of). Theon’s return to Winterfell only lasted about 30 seconds, but his pledge to fight for Sansa and Winterfell brought things full circle for him. His character has been tormented for years as to who he should try to be: a Greyjoy or a Stark. He has made some excruciating decisions along the way as he battled this identity crisis, but his return to Winterfell signals that he has found some closure and realizes who he ultimately wants to be in the final moments of this story.
But what made this scene even more emotional was the embrace shared between Sansa and Theon. Both characters have been through some unimaginable circumstances, and their experiences intersected at the hands of the sadistic Ramsay Bolton, who held both of them prisoners. At the end of season five, the two came together to escape Winterfell, a moment that liberated them both literally and figuratively. They went separate ways shortly thereafter, but they will forever share a powerful bond built upon a shared understanding of what it meant to endure Ramsay’s torturous ways, as well as knowing that they came together to escape. Their present-day reunion is a reminder of all that they had been through, and their embrace reminds us of the ways in which shared adversity can bring us closer together, perhaps more-so than anything else.
Lastly, this scene reminds us that perhaps Theon’s tale is ultimately about one thing above all else: redemption. Lost in the fray of hating so many others (i.e. Ramsay Bolton, Joffrey, Walder Frey, etc), you may not remember it, but there was a time when you hated Theon more than anybody in the entire Thrones universe. This was the guy that turned on the family that raised him as he brought destruction to House Stark and Winterfell. Some time thereafter, he was taken prisoner by Ramsay and turned from Theon into Reek, and became such a broken man that there was nothing left to hate. And then for some time following his escape, he vacillated back and forth, trying to figure out whether he was Reek, Greyjoy or Stark, and as viewers, it was unclear where his path would lead. But, after rescuing his sister Yara, and now returning to Winterfell to fight alongside House Stark, Sansa’s embrace reminds us that redemption is possible, almost always. Looking back, Theon’s character offered viewers an unbelievably complex and rich character journey. Given that he’s arguably not even one of the top-ten most important characters in the story, this is just another testament to the absolute genius of George R.R. Martin. In any other story, a character of such complexity would be the main star of the show — but in George R.R. Martin’s world, each character, no matter how prevalent or how peripheral, is exceptionally well-developed and never overlooked.
The theme of characters coming together in their final hour did not stop there. Arya made it clear that she’s all grown up and did not want to die a virgin, as she took control of Gendry. I guess one needle wasn’t enough for her. (For anybody who didn’t catch that one, the name of her sword is Needle). Before seducing him, he presented her with the weapon she’d been asking him to make — a fighting stick adorned with Dragonglass on either end. Again, even in a small detail such as the presentation of a singular weapon, we are reminded of the incredible journey that Arya has been on — one that will be altogether forgotten if darkness prevails.
Back in season six, Arya endured great sacrifice, including total loss of vision, as she trained to become a Faceless Man under Jaqen H’ghar in Braavos. This part of her journey, more-so than any other, ultimately shaped who she would become, so it is powerful to see that in what might be her final moments, she chooses to fight with a weapon similar to that which she trained with in Braavos. In this scene, we also heard that mysterious Braavosi music in the background, which once again begs the question: will we ever see Jaqen H’ghar again?
The unions continued throughout the episode, including one last kiss between Missandei and Greyworm. I must say, I am still puzzled by this part of the story. I never understood what the significance of their relationship is or what purpose it serves. Nonetheless, we are reminded that in the face of darkness, this might be the last kiss they ever share together. Same goes for Sam and Gilly as they are shown laying in bed with their baby boy between them, perhaps the last time they will ever be united as a family.
Finally, on the topic of this episode bringing characters together that remind us of the past, I’d like to point out one other scene that hardly anybody will talk about, but I found emotional: the scene between Ser Davos and the little girl in the square of Winterfell. For many seasons, Davos’ one true love was Princess Shireen, the daughter of Stannis Baratheon. Because she was afflicted with Greyscale, Stannis kept her contained to a cell beneath Dragonstone, where Davos would often sneak down; he would tell her stories while she would affectionately teach him to read. It was a loving and heart-warming relationship, which ultimately ended with her death at the hands of her own parents, who sacrificed her at the advice of Lady Melisandre. This was heartbreaking for Ser Davos, and ultimately led him to depart from the service of Stannis, and brought him to where he is today. Make no mistake about it, the girl in this last episode with the scar on her face was not randomly placed. The intent was to remind viewers of the love Davos had for Princess Shireen, a love that will fuel him to continue to fight for life against the army of the dead.
After a disappointing and underwhelming reunion last week, Arya and The Hound had another moment together, which did a slightly better job at recognizing the history they had together. Arya questions what The Hound is doing in Winterfell, asking him “When have you ever fought for anybody but yourself?” He looks back at her, and responds, “I fought for you, didn’t I?” In this simple dialogue, we are reminded of the great journey Arya and The Hound shared together, and that neither would be standing where they are today if not for that journey. After all that they’ve been through together, it’s painful to consider that we have witnessed their very last exchange. I could see The Hound making one final sacrifice, giving his life to save Arya in battle.
Last, but certainly not least, towards the end of the episode we see another wonderful reunion which reminds us of an important past that we cannot forget. Jon is reunited with what you could argue was his first true love — his brothers of the Night’s Watch. Standing beside his brothers, Sam says “Think back to where it all started,” before they repeat their words, probably for the last time, “And now our watch begins.” After having spent years defending The Wall and building a bond that most could never imagine, it is unlikely that these three will ever stand together again. What a sad thought.
The King and I
If the planned Thrones spinoff proves unsuccessful, HBO could always pivot to a Thrones satire featuring The Night King and Bran, entitled The King and I. All joking aside, in this episode we got a bit more color on The Night King’s intentions as well as his connection to Bran.
For starters, Samwell flat out asked the question we’ve all been asking for quite some time now: what does The Night King want? Bran provided a fairly direct response: “He wants an endless night. He wants to erase this world, and I am its memory. He’ll come for me, he’s tried before many times with many Three-Eyed-Ravens.”
So while Bran provides some more color on what The Night King wants, I can’t say it was a real “ah-ha” moment. I still don’t quite understand what The Night King wants to achieve. Or better yet, maybe I just don’t understand why he wants to. Sure, he wants an endless night where the world is erased. But why? Say he wipes out humanity and gets his endless night, then what? I still believe, and really hope, that there’s more to the Night King’s true ambitions than what Bran has divulged. There has to be more to what he’s after and why he’s after it. I am hoping we’ll still have a big reveal of who The Night King really is, why The Children of the Forest created him, and what this eternal battle between Ice and Fire is really about.
What’s also interesting to think about is that Bran alluded to the fact that The Night King has tried “many times with many Three-Eyed-Ravens before.” How many Three-Eyed-Ravens have there been before Bran? And does this dispel the theory that Bran was the earlier Three-Eyed-Raven all along, essentially the future version of himself guiding the present-day version of himself? What has happened to the other Three-Eyed-Ravens, and what has their role been compared to Bran’s? No answers for you on these questions, but interesting to think about.
Another takeaway from this scene was that Bran was speaking to a room filled with all the key players in the story (Dany, Jon, Tyrion, Arya, Davos, etc). Of all these characters that could have responded to Bran’s declaration about what The Night King wants, it was Samwell who responded, stating “That’s what death is…Forgetting, being forgotten…If we forget where we’ve been and what we’ve done, we’re not men anymore, just animals. Your memories don’t come from books, your stories aren’t just stories. If i wanted to erase the world, I’d start with you.”
What’s interesting about this is that it ties back to an idea that we’ve spoken about in earlier posts — that perhaps Samwell will be the ultimate storyteller — perhaps the very person narrating the story we are being told today. This idea has never held more weight than after this episode, in which Bran declares that The Night King’s entire mission is to erase the world and its memory. If that is the case, than the Night King’s ultimate opposition would be the storyteller who possesses the power to perpetuate the story of humanity. As we know, there is nobody that has embraced the power of books, story and recorded history more-so than Samwell Tarly. You can read a more detailed account about that theory here, but I found it very telling that Samwell was the one to respond to Bran in this scene.
After learning that The Night King will come after Bran, team humanity decides their best play is to set him out in the weirwood forest as bait in an attempt to lure in The Night King. Theon offers to protect Bran, though alone, he’ll be no match for The Night King. This raises the ultimate question: how do you kill The Night King? It’s unclear whether Valyrian steel, Dragonglass or even dragon fire will work.
The Crypts of Winterfell
The crypts of Winterfell were mentioned no less than a dozen times in this episode. And each time, they were mentioned as the “safest” place to be. I get the sneaking suspicion that perhaps they are not as safe as everybody assumes. Or that there will be a major reveal about the crypts in the coming episode(s).
After Thrones producers chose for the location of the season eight teaser to be the the crypts of Winterfell, I dedicated a post to a theory about these crypts and their very mysterious history. Given how much these crypts were mentioned in tonight’s episode, I would highly recommend reading that theory here.
Discord in Winterfell
As the story nears its end, everybody in Winterfell seems to be on the same page. Well, almost everybody. Sansa and Dany have a heart-to-heart and it seems as though they are going to emerge the better for it, until Sansa asks the difficult question: what are Dany’s intentions if the war against death is won? Dany makes it clear that she intends to reclaim the Iron Throne, and Sansa makes it clear that The North does not intend to bend the knee again. With just four episodes to go, it seems unlikely that we ever see this conflict play itself out, but what’s important to note is that the very fact this conflict is lurking in the distance could cause enough discord between these characters as to affect their much-needed union today.
Making matters even more confusing, Jon reveals to Dany his true identity, and she quickly realizes that if true, he would be heir to the Iron Throne, not her. Her first reaction was one of disbelief, but she told Sansa just moments before that she knows Jon is a man of his word, so it will be difficult for her to deny the truth of his identity. The question is, will she be able to accept it. Unfortunately, this is not something she’ll have much time to ponder, as their conversation gets interrupted by the war horns that signal the army of the dead have arrived and the battle is just moments away. Without time to further discuss, how will this impact Dany’s loyalty to Jon, House Stark and her prioritization of this battle versus the battle for the Iron Throne? In short order, we will see Dany’s true colors, and while it feels unlikely, it is possible that she could turn on Jon if she now views him as a threat to the Iron Throne.
And just like that, The Great War is here. As the episode comes to an end, we see the front line of The Night King’s army, and he’s not messing around with any wights out there. His front line is comprised of all White Walkers, many more of them together than we have ever seen. Expect next week’s episode, all 82 minutes of it, to be edge-of-your-seat battle action. A word of advice: prepare yourself mentally and emotionally, because many great characters will die.
Odds and Ends
With The Great War upon us, will The Prince That Was Promised finally emerge to lead the war against death and darkness as the prophecy states? If so, who will it be? If you aren’t familiar with the theory of The Prince That Was Promised, read here. Lady Melisandre originally, and incorrectly, believed Stannis to be The Prince, while the popular theory then became Jon, and more recently Dany. With Jaime back in Winterfell and Bran alluding to the role he has to play in The Great War to Come, Jaime could in fact emerge as The Prince That Was Promised. And with Brienne’s recent knighthood, it could even be her.
If you didn’t catch it, Jon’s wolf, Ghost, is back. This begs the question of whether or not we’ll see Arya’s wolf, Nymeria. I say yes.
In the scene between Jaime and Bran under the weirwood tree, Jaime asks Bran what will happen afterwards, to which Bran responds “How do you know there is an afterwards?” An ominous response to say the least, which highlights the very real possibility that darkness does in fact prevail.
Samwell gave Jorah Heartsbane, a great Valyrian sword that has been in House Tarly for centuries. Jorah would have been in line to receive Longclaw, the great Valyrian longsword that belonged to his father, Lord Commander Jeor Mormont, but because of Jorah’s exile, the sword instead went to Jon. We know that Jorah was one of Westeros’ greatest warriors, and now he has an epic sword with which he can slay some White Walkers.
Where was Varys in this episode? We know he was in Winterfell, but it was peculiar that he was not involved in any of the key scenes or dialogues. Keep an eye on this. And remember that we still do not know what he heard in the fire all those years back.
Which major characters that have been killed off will we see reemerge as wights in The Night King’s army? I think it’s safe to say we’ll have to see at least one or two characters that have been turned into zombies. Stannis would make a pretty wicked wight.
Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.
So, here we are. The beginning of the end is less than one week away. This awe-inspiring, magical journey that has been part of our lives for the better part of the last decade — it all comes to an end in just six short episodes. It’s hard to imagine such an unbelievably rich and complex story actually coming to a singular endpoint, but that is what is about to happen, so it’s time to get caught up on everything that should be top of mind as we head into the final season. Heads up, this post is long, so don’t try to rush few it in a few minutes. This is the end of a saga, so give it the time it deserves : )
Targaryens Unite at Dragonstone
For nearly 5,000 years, The Targaryens lived in Old Valyria, capital city of the Valyrian Freehold, which consumed almost the entire continent of Essos. Approximately 400 years ago, The Doom occurred, obliterating Old Valyria and forcing the few remaining Targaryens to migrate westward. Fleeing their homeland, a select few Targaryens arrived at a small island off the coast of Westeros, where they would go on to build the great castle of Dragonstone. It was from this castle that Aegon Targaryen, alongside his two sisters, would plot their conquest of the kingdoms of Westeros (which at that point were independent kingdoms with separate rulers). After living the Targaryens lived at Dragonstone for about 100 years, Aegon and his sisters launched Aegon’s Conquest, about 300 years ago, as they rode their three dragons across Westeros and eventually united all the kingdoms under one king. Aegon Targaryen would be the first Targaryen king to rule over Westeros, and his Targaryens descendents would rule over the continent for the next 300 years, until Robert’s Rebellion.
Understanding that Dragonstone was home to the last remaining Targaryens and their dragons after they fled Valyria, and that it was from this castle that Aegon plotted his conquest of Westeros, makes Daenery’s arrival to this castle in the first episode of Season 7 an incredibly powerful moment. To no surprise, like Aegon before her, Dany spends much of season seven plotting her strategy to conquer and unite the lands of Westeros, focusing on the removal of Cersei Lannister from the Iron Throne. To start the season, Dany and her advisors (primarily Tyrion and Varys), have assembled what appears to be an unstoppable force. She already had the powerful armies of the Unsullied and Dothraki, as well as three full-grown dragons at her disposal — likely enough firepower to conquer Westeros in short order. But Dany’s army got even stronger in season seven as she forged an alliance with Ellaria Sand and the Sand Snakes of Dorne, while securing some of Iron Island the naval forces through an alliance with Theon and Yara Greyjoy. And let’s not forget that Ser Jorah Mormont returns to Dany’s side at Dragonstone after his greyscale disease is cured at the Citadel by none other than Samwell Tarly (who served under Jorah’s father, Lord Commander Jeor Mormont, when Samwell was still a brother of the Night’s Watch).
But the various key players from many of the Great Houses uniting on Dragonstone would not end there; there would be one more character to join, and though unknowing, he too would be a Targaryen. After receiving a raven from Samwell Tarly who had learned that Dragonstone was built atop a mass of dragon-glass (which can kill White Walkers), Jon Snow travels to Dragonstone in an effort to try and secure dragon-glass and convince Dany to join the Northern forces in the Great War to Come. However, Dany has other ideas and is focused on winning the Iron Throne. Though he refuses her request to bend the knee, Dany does ultimately agree to allow Jon to mine for dragon-glass, and in doing so, Jon discovers ancient cave images from thousands of years ago which depict the First Men and Children of the Forest banding together to fight the White Walkers — a chilling reminder of the Long Night and the the threat of darkness has been present since near the beginning of time. Though Jon is starting to win over Dany, she is still unconvinced of the White Walker’s existence, as is most of Westeros, and Jon soon realizes he must find a day to prove to Dany and the rest of Westeros the real threat that everybody should be focused on.
The Dream Team Goes Beyond the Wall
Once again, Jon shows his heroism and understanding of the risks he must take to preserve humanity as he decides to lead a raid beyond The Wall to capture a wight (reminder: the wights comprise the army of the undead, led by the White Walkers and Night King). He is join by a cast of some of my absolute favorite characters who come together through a random (or perhaps not so random) series of events — I like to call them The Dream Team.
The Dream Team starts to take form when Ser Jorah, who recently joined Daenerys at Dragonstone after being cured by Samwell at The Citadel, joins Jon and his trusted advisor, Davos Seaworth. But before they head into the deep North, Tyrion must meet with his brother, Jaime, to ensure that they will have an audience with Cersei if they are able to successfully capture a wight as proof of the army of the dead. Ser Davos offers to travel to King’s Landing alongside Tyrion, and while Tyrion is off meeting with Jaime, Ser Davos’ true intentions for returning to King’s Landing are revealed as he seeks out Gendry, Robert Baratheon’s bastard son who Davos saved many seasons earlier. All the way back in season three, it was Gendry who was being held at Dragonstone by Stannis Baratheon and the Red Priestess Melisandre, who used his King’s Blood (remember, he was the son of King Robert Baratheon), and eventually planned to sacrifice him to the Lord of Light. Not agreeing with Melisandre’s blood magic and unwilling to stand by while the innocent Gendry was sacrificed, Ser Davos defies Stannis and risks his life to set Gendry free. The last we saw of Gendry, he was rowing away from the shores of Dragonstone in a tiny rowboat, and it is not until all these years later that Davos rediscovers him, still working as a smith in the streets of King’s Landing. Without hesitation, Gendry joins Davos and volunteers to join the Dream Team in their quest beyond The Wall. It is worth pointing out that unlike most characters, Gendry does not choose to fight with a sword, but rather a warm hammer. Going back many years, it was his father, Robert Baratheon, who is described as a legendary warrior who swung a powerful war hammer (with which he defeated Rhaegar Targaryen, Jon Snow’s father, during Robert’s Rebellion). It’s also worth pointing out that given Jon’s newfound stockpile of dragon-glass, he will need a skilled smith to help craft White Walker-killing weapons, and Gendry may likely play this important role in the final season.
Elsewhere, the remaining Brotherhood without Banners, Beric Dondarrion and Thoros of Myr, unite with The Hound, bringing together three of the show’s greatest characters. Despite his extreme fear of fire, The Hound starts to believe in Lord of Light, after he sees in the fire the army of the dead marching south, past Eastwatch by the Sea (the most eastward castle of the Night’s Watch). After seeing this, The Hound agrees to venture north with Beric and Thoros, to fulfill their purpose in the Great War to Come. At the same time, Jon, Gendry, Davos and Jorah also head to Eastwatch by the Sea, where Tormund Giantsbane, who had been manning the castle for Jon, reveals to Jon and company that he’d been holding prisoner Beric, Thoros and the Hound after their capture.
In this moment, many characters are reunited which reveals a great mistrust amongst many of them. Gendry tells Jon not to listen to anything Beric and Thoros have to say, since they sold Gendry to the Red Priestess, Lady Melisandre, all the way back in season four. Similarly, Tormund does not trust Ser Jorah, since his father was Lord Commander of the Night’s Watch and battled Tormund’s people, the Wildlings, for many years. Despite all the history and many of these characters having been on opposite sides at times, Beric and Jon remind the group that none of this matters and that they all share a common cause — to serve their purpose in the Great War to Come as the Lord of Light commands. And just like that, their differences become a thing of the past as the Dream Team unites to head north of The Wall.
As they march into the frigid depths of the deep North, the group comes upon a band of wights, led by their White Walker master. As a small battle ensues, Jon eventually eliminates the White Walker, which causes all the other wights to fall like dominos. This was not the first time we have seen a White Walker killed, but it was the first time we were exposed to the idea that if you kill a White Walker, the wights that White Walker has turned also perish. We know that the army of the dead numbers in the hundreds of thousands, so the realization that you need not kill each wight individually, but rather you can take them out in much bigger numbers by killing a White Walker, is critical to know in the war to come. It also begs the question: if killing a White Walker ends the existence of all the wights that White Walker has turned, does killing the Night King end all of the White Walkers he has created? If so, and killing the Night King destroys all White Walkers, which then destroys all wights, then killing the Night King could bring an end to the entire army of the dead.
But this battle was a mere scuffle compared to the fight that lays ahead for the Dream Team. As they continue deeper into the North, they are eventually discovered by a massive army of the dead, led by several more White Walkers, and the appearance of the Night King himself. Despite being vastly outnumbered, the Dream Team fights valiantly, and destroys hundreds of wights — a reminder that we are watching an assemble of some of the greatest warriors Westeros has ever known. But eventually, the men are outnumbered and their deaths appear imminent — until Daenerys arrives with her dragons, and for the first time, we see a direct face-off between Ice and Fire. Remember, this entire story is entitled A Song of Ice and Fire, and seeing these powerful elements go toe to toe is a signal that the end is near. Dany and her dragons burn the wights by the thousands, but not before The Night King lands an icy spear into one of Dany’s dragons, Viserion, sending it plummeting to its death.
And just like that, the tables are dramatically turned — Daenerys can only helplessly watch her beautiful dragon fall from the sky like a plane that has been shot down out of the air. Her other two dragons let out a painful cry as they watch their sibling fall to its death. Seeing this, Jon Snow advances for the Night King, who attempts to take down Drogon, the dragon that Daenerys and the others are aback. Jon is attacked by more wights and pulled underwater, and Daenerys is forced to abandon Jon, though reluctantly, in order to save her two remaining dragons.
When Jon does reemerge from the water, he is frozen stiff and appears to have no chance at fighting off the new pack of wights that are headed his way. Not to fear, Uncle Benjen (Ned’s brother) is here. Fighting with his flaming ball-and-chain, Benjen takes out a bunch of the wights and buys Jon just enough time to escape back to Eastwatch. Jon had not seen his Uncle Benjen since the very first season, when they were together at Castle Black (remember, Jon was very close with Uncle Benjen and he was a big part of the reason why Jon joined the Night’s Watch in the first place). When Benjen went missing north of The Wall in the first season, Jon tried to go after him. Ironically, Benjen’s disappearance north of The Wall so many seasons ago is what would turn him into what he is today, and set him on the path to save his nephew when it really counted. Just another ingenious example of how Thrones sets a character on a path at a certain point in time, for them not to be seen for many years, and to ultimately reemerge in the distant future to play a major role. Sadly, after all these years, the reunion between Jon and Uncle Benjen lasted only a couple of seconds, but Uncle Benjen served his purpose and saved Jon when it counted most.
We also must say RIP to one of the story’s greatest (even if not most popular) characters, Thoros of Myr, who does not make it out alive. He too served his purpose, bringing Beric Dondarrion back to life many times over the years. With Thoros finally gone, Beric is likely now on his last life, again a reminder that the end is near.
A Winterfell Reunion
As Jon departs Winterfell to meet with Daenerys and eventually go north beyond The Wall, he leaves Sansa to look after Winterfell and maintain order in the North. Had he stayed just a little while longer, he would have found out his true identity, as it was not long after he left that Bran, who knows the truth of who Jon is, returns to Winterfell. Only Bran is no longer Bran — he is now the Three-Eyed Raven, seemingly devoid of all human emotion or feeling. After years of travels throughout the North without having any contact with any Stark family member, Bran finally returns home to Winterfell to be reunited with sister, Sansa. What would be expected to be an emotional and heartfelt reunion was anything but; Bran lacks the human emotion to even hug her, as he tells her how he can remember what it felt like to be Bran, but now he remembers so much else… He even dismisses Meera, who had been traveling with him for the last several years, who lost her brother, Jojen, and risked her life many times to keep Bran alive. What’s clear is that Bran is completely gone at this point, consumed by his all-knowingness, and we will likely never see him again.
The Stark sibling reunion continues from there, as Arya too finally makes her way back to Winterfell after a harsh and long journey. Like Bran, she returns home as a totally different person, no longer a young and innocent girl, but now a hardened assassin trained by the Faceless Men. While Arya and Sansa are happy to see one another after all these years, their differences and distrust quickly reemerge. It is important to remember that Arya and Sansa did not get along when they were younger, and one of Arya’s last memories of Sansa was her older sister sucking up to Prince Joffrey and the Lannisters in an attempt to become princess. Years later, Arya believes that Sansa has not defended the honor of their brother, Jon, and that Sansa has again made a play for power as the acting Lady of Winterfell.
Conversely, Sansa does not recognize the sister that has returned home, and starts to believe that perhaps Arya has intentions of killing her. Baelish, who has been hanging around at Winterfell, does not miss his opportunity to capitalize off this discord and attempts to strengthen his position by driver a further wedge between the sisters. Knowing that Arya has been following him, he plants an old note that Sansa had sent back to Winterfell all the way back in season one, when she was being held by Cersei in King’s Landing. In the note, Sansa notes that Ned has been a traitor and urges her family to pledge fealty to the Lannisters. What’s not clear from reading this note is that Sansa was forced to write this note under duress, and Baelish purposely plants this note for Arya to find, in an attempt to further Arya’s distrust and hatred for Sansa. At the same time, Baelish speaks with Sansa and furthers the idea that Arya has perhaps returned to Winterfell to kill her so that she can become the lady of Winterfell. Baelish’s plot dates all the way back to season one and is incredibly intricate — see the bottom half of this episode recap which provides a lot more detail about what Baelish went through to set up this scheme.
Throughout several episodes, it appears as though Baelish’s schemes are working perfectly, leading up to a final scene where Sansa calls Arya into the great hall in front of all the Northern lords. Sansa, prepared to pass judgement, states “You stand accused of treason. You stand accused of murder.” All appears as though Baelish has pulled off another epic manipulation, and that Arya will pay the price, until Sansa looks over towards Littlefinger and adds “How do you answer to these charges…Lord Baelish?” The tables are quickly turned, and we realize that Sansa and Arya had actually been working together to outsmart Baelish. Littlefinger does all he can to beg Sansa for mercy, but his many years of lies, schemes and manipulation have finally caught up with him. He cannot talk his way out of this one, and though Sansa passes the judgement, it is Arya that plays executioner.
What’s interesting to note is the weapon she uses to take his life. All the way back in second episode of season one, an assassin almost takes Bran’s life, though Bran’s direwolf, Summer, jumps in to save him. At the time, Baelish tells the Starks that it was the Lannisters who sent the assassin, which is what sends Ned Stark to King’s Landing and ultimately leads to his death and many of the events that would follow. What we later find out is that it was not the Lannisters that sent this assassin, but rather Baelish himself, in an attempt to pit the Starks against the Lannisters (which he succeeded in doing). It was Baelish himself who equipped the assassin with the dagger, which ends up back in Baelish’s possession after the failed assassination attempt. All these years later, Baelish gives the dagger to Bran as a reminder of the man who attempted his life. In a later scene, Bran gives this dagger to Arya, telling her has no use for it. In his all-knowing wisdom, perhaps Bran already saw the future and knew Arya would use this dagger to kill Baelish, which is exactly what happened. Again, this is just another example of how Thrones does such a masterful weaving plot-points that span from the first season to the seventh. Baelish gives a dagger to an assassin to kill Bran; the assassination goes wrong and Baelish recovers the dagger; Baelish gives the dagger to Bran; Bran gives the dagger to Arya; all comes full circle as Arya uses this dagger to end the life of the all-cunning Littlefinger. RIP.
Though King’s Landing and the Iron Throne is becoming increasingly less relevant in comparison to the Great War to Come, there is still quite a bit happening in the capital of Westeros, with Cersei at the helm. Just as Daenerys has made alliances with other great houses, Cersei too has forged a union with Euron Greyjoy, who strengthens her army with his naval prowess and strong fleet of ships. As a reminder, Euron is the uncle of Theon and Yara, and killed their father, Balon, back in season six, in an attempt to take control of their homeland, the Iron Islands. Theon and Yara fled the Iron Islands with their forces (and forged a union with Daenerys), while Euron sailed to King’s Landing to secure an alliance with Cersei.
This alliance quickly proves valuable for Cersei, as Euron strikes first blood in the war between Cersei and Daenerys. Carrying out a battle strategy devised by Tyrion, the Greyjoys are en route to escort Ellaria Sand and her three Sand Snake daughters back to their home of Dorne to rally the Dornish troops with the plan to lay siege to King’s Landing. However, Euron is one step ahead of them and shows his naval strength as he intercepts their ships with an attack in the night. His men kill two of the three Sand Snakes, while capturing the third, along with her mother, Ellaria Sand. As well, Euron captures Yara Greyjoy, while Theon jumps ship and leaves his sister behind.
Euron returns to King’s Landing and delivers Cersei the gift he had promised her — Ellaria Sand along with her daughter, Tyene. Back in season five, it was Ellaria that killed Cersei’s daughter, Princess Myrcella, by kissing her and poisoning her with a poison called The Long Farewell. This was Dornish revenge for the Lannisters killing Elia Martell (Rhaegar Targaryen’s wife), during Robert’s Rebellion, as well as the more recent death of Oberyn Martell (aka The Red Viper) at the hands of The Mountain. Now, Cersei has her daughter’s murderer right where she wants her, and kisses Ellaria’s daughter, Tyene, with the same poison that Ellaria used on Myrcella. Only whereas Myrcella died far from Cersei, Ellaria will have to watch her daughter die right before her eyes as they are locked up in a cell together.
That said, we did not see Tyene die, which in the Thrones world, often hints that she may yet survive and have a role to play in the days to come. One prediction is that perhaps she will be saved by Bronn. Why you ask? Well, back in season five, when Bronn ventured south to Dorne alongside Jaime in an attempt to rescue Princess Myrcella, Bronn himself was poisoned with the same Long Farewell poison. And, as you will see in the video below, who was it that saved him? None other than Tyene Sand, the Sand Snake who he says is the most beautiful woman int he world. So, is it possible that Bronn will return to King’s Landing and save Tyene who is poisoned in a cell, much the way she did for him? Time will tell. Let’s not forget that Dorne is still a major part of Westeros and it’s hard to imagine the Dornish not having a role in the final season.
But Ellaria and Tyene were not the only captives Euron secured during his attack — they were just the gifts he presented to Cersei. But, he kept a gift for himself, Yara Greyjoy. It is unclear what his plans for her are, but in one of the final scenes of the season, Theon comes alive and is hellbent on saving his sister. In brutal hand-to-hand combat, he defeats one of the other Ironborn who was opposed to saving Yara, takes command of a small crew and sets sail to rescue Yara from Euron.
Dany Strikes Back
Back at Dragonstone, Daenerys has been letting Tyrion act as military strategist, only to find that his first two plans have backfired miserably. After losing several of her alliances as well as her naval fleet at the hands of Euron Greyjoy, Dany suffers a second defeat after Tyrion advises her to have the Unsullied attack Casterly Rock, the castle of the Lannisters. He believes that if they can take Casterly Rock, they will be in a stronger position to eventually take King’s Landing. However, the Lannisters are one step ahead of Tyrion’s plan, and while Dany sends her troops to attack Casterly Rock, the Lannisters have already pulled their forces from Casterly Rock and sent them to lay siege to Highgarden, castle of House Tyrell. While there is not much left of House Tyrell, besides Lady Olenna, Highgarden has the most fertile land in all of Westeros, as well as plenty of gold. While Dany’s forces are attacking an empty Casterly Rock, the Lannisters successfully sack Highgarden and all its riches. During this siege, Jaime kills Lady Olenna, but not before she admits to being the mastermind behind the death of his son, King Joffrey. Though many, including Cersei and Tywin Lannister, accused Tyrion of being behind the murder of Joff, we knew it was actually Lady Olenna who orchestrated his murder, to prevent her granddaughter Margaery from having to marry such a monster. However, not many were aware of this, and Lady Olenna reveals this to Jaime just before she dies. And with her death, just like that, one of the noblest and greatest houses of Westeros is all but wiped out.
But for every one of Cersei’s moves, Dany has had a counter. No longer willing to sit back and listen to Tyrion’s conservative military strategy, she decides to take action into her own hands and show the Lannisters the true power of her dragons. As the Lannister forces are traveling from Highgarden to King’s Landing, Daenerys unleashes her dragons in a southern battle for the first time. Dany roasts the Lannister army by the hundreds, showing just how devastating her dragons can be in war. But, she does not kill them all. She gives the remaining men the chance to bend the knee and pledge their fealty. Two men in particular choose to defy her and refuse to bend the knee — Randyll Tarly and his son, Dickon (Samwell Tarly’s father and brother). Though Tyrion cautions Daenerys to show restraint, she ignores his advice and burns them alive, showing the others what is to come should they not pledge their fealty. This scene is an allusion to The Field of Fire, a legendary event 300 years ago when Aegon Targaryen battled the Lannisters and forced them into bending the knee.
In addition to seeing the sheer power of dragons in battle and the devastation they can cause, this scene was critical in that was the first time that anybody in the south of Westeros has seen a dragon. Jaime and the rest of the Lannister forces now know what they are up against, and he rides back to King’s Landing to warn Cersei that they do not stand a chance. Daenerys has put the world on notice, and though she chooses not to take Westeros with fire and death, she has shown that she is willing to when she must.
The Dragonpit Summit
After such extraordinary recent events, all sides are trying to figure out what their next move is. Daenerys, once focused on taking out Cersei and restoring rightful Targeryen rule to the Seven Kingdoms, has now seen the army of the dead and understands that this is the only war that matters. Yet, if she invests her forces into fighting the war in the North, she allows Cersei to strengthen her position and reclaim more of Westeros. So, the only way Daenerys can focus on joining Jon in fighting the Night King is if Cersei agrees to a temporary armistice. Even better would be if Cersei agrees to lend her troops to fight in the Great War to Come.
So, Dany, Jon and their team risk it all by traveling to King’s Landing to meet with Cersei. Of course, they do not arrive empty-handed, and they bring the wight that they captured during their raid north of The Wall. Cersei now sees what few others in the world have, and must decide whether she wants to continue her war against Dany for Westeros, or put aside their differences and focus on the much important war to come. After much deliberation, Cersei agrees to a temporary truce and offers to direct her troops north to join in the fight against the dead.
The End is Near
Just as it looks like the good guys humans are banding together to fight the dead, things go a bit haywire and reach an absolute climax as season seven comes to a close. To start, we learn that Cersei was full of sh*t and lied to Jon and Dany when pledging her troops to join the fight against darkness. After they depart, she tells Jaime that she intends to continue to fight against her true enemies, even if it leads to their death. Jaime attempts to reason with her, explaining that if they do not do all they can to fight back the dead, everybody in King’s Landing will eventually die. Yet, Cersei is blinded by the only thing that she has left to live for — revenge against those who have wronged her. No longer able to stand by the madness of his sister, Jaime rides off from King’s Landing, just as the snow begins to fall. Snow, all the way south over King’s Landing? The end must be near…
But before season seven comes to a close, we see the two elements that this story has already centered around, Fire and Ice, take center stage and set up the Great War to Come in season eight.
First, we see Fire emerge stronger than ever, personified by who we once believed to be Jon Snow, but now know to be Aegon Targaryen. Thanks to one of Bran’s visions, for some time now, we have known that Jon was birthed by Lyanna Stark after being impregnated by Rhaegar Targaryen. This was an absolutely massive reveal in season six, when Bran sees a young Ned Stark sitting over his dying sister, Lyanna, with baby Jon in hand. The implications were huge as we realized that Ned had sacrificed his honor, the thing he valued most, and pretended to have an extramarital affair in order to explain the birth of his bastard son, Jon. This false understanding of who Jon really was led to a series of events, too long to lay out here, so the reveal of who Jon’s true identity was massive. But even with Bran’s visions and wisdom, he only got half the story — the half that allowed him to understand that Jon’s parents were Rhaegar Targaryen and Lyanna Stark. But, since Rhaegar was married to Elia Martell, Bran incorrectly assumed that Jon was a bastard born out of wedlock, and since he was born in the south, his bastard name would be Jon Sand instead of Jon Snow (each region of Westeros has a different last name that bastards take, in the North it’s Snow, in the south it’s Sand, etc).
However, there was another half to this story that even the all-knowing Bran had not figured out. Earlier in season seven, Gilly was reading through an old Maestar’s record at the Citadel, and she came across a passage that talked about a Maestar performing an annulment for Prince Rhaegar Targaryen and performing a secret wedding ceremony to another. Unknowingly, Gilly came across a passage that contains one of the most confidential and important secrets across the entire continent of Westeros — one that changes everything. Gilly uncovers the fact that Prince Rhaegar annulled his marriage to Elia Martell, and then remarried to Lyanna Stark in a secret wedding ceremony.
The implications of this reveal are massive. First, Robert’s Rebellion was built upon a complete lie. As we know, Robert was in love with Lyanna Stark, and launched his rebellion against the Targaryens primarily under the premise that Rhaegar had kidnapped his beloved Lyanna, rode off with her and raped her. He joined forces with her brother, Ned, and together they led much of the North to King’s Landing to overthrow The Mad King and usurp the Targaryen dynasty. Before taking the Iron Throne for himself, Robert killed Rhaegar during The Battle of the Trident. With Lyanna and Rhaegar both dead, the truth of Jon’s parents could only be found within the pages of this old Maestar’s private journal, discovered by the unlikeliest of characters.
Perhaps more important than the fact Robert’s Rebellion was built upon a lie is what this reveals about Jon’s true identity. He is not a bastard as Bran assumed, but rather the true and lawful son of Rhaegar and Lyanna who were in love and legally married. As we later hear when Bran revisits his vision, Jon’s true name is Aegon Targaryen. No big deal that he’s named after the man that conquered the Seven Kingdoms and the first Targaryen king to rule over Westeros. This also makes him one of the first, if only, throughout history to have both Targaryen and Stark blood — some would argue a mix of Fire and Ice. Most of all, this means that Jon (or Aegon), not Daenerys, is the rightful heir to the Iron Throne (Rhaegar was the older brother of Daenerys, so after their father, The Mad King died, the throne would have gone to Rhaegar, not Daenerys. And after Rhaegar, it would go to his son, Jon/Aegon). Of course, Jon still does not know any of this, but it now appears only a matter of time until Bran/Samwell fill him in on who he really is.
In the Thrones world, Targaryens equal fire, so learning that Jon is one of the last remaining Targaryens, and arguably the most powerful, amplifies the existence of Fire heading into the final season. But the season does not end without Ice making its counterpunch. In the final scene of the season, we see the army of the dead reemerge once more, this time looking to get past The Wall, something they’ve been unable to do for thousands of years since The Long Night.
In a story that centers around Ice and Fire, evil and good, light and dark, it is The Wall that symbolizes the fine line between these ever-opposing forces. The Wall was not built yesterday; or a few years ago; or even a few hundred years ago. The Wall was built 8,000 years ago when The Children of the Forest, The First Men and the Giants all came together to fight for their survival against the White Walkers. For 8,000 years, The Wall was more than a structure that kept out the dead — it was an indestructible symbol that divided good from evil, light from dark, Ice from Fire. And now, we have just seen that wall fall. A structure that protected the realm for thousands of years has finally been breached, and now, nobody is safe.
As the Night King rides on the back of his undead dragon, Viserion, he unleashes a fury of icy fire that is able to easily reduce a portion of The Wall to rubble. What’s important to remember is that The Wall was constructed using powerful magic from The Children of the Forest — magic that has kept the White Walkers out for thousands of years. And since The Wall is more than just ice and is also made up of this magic, it would take more than just ordinary force to destruct The Wall. Which is why the Night King, on the back of a dragon — representing the union of fire and ice — is able to destroy a good chunk of The Wall. Seeing this also again reminds us of the ties that the Night King has to the Children of the Forest. After all, it was the Children that created the Night King in the first place and he has shown to carry some of their magical powers. It then makes perfect sense that he is the one who is able to counteract the power of their magic used to build The Wall as he tears it down.
Some Final Thoughts & Theories
As we reflect back upon the last seven seasons, there are so many storylines that feel unfinished, characters whose destinies have not been revealed, and plot-points that lend to certain theories which or may not come to fruition in the final season. I thought I’d call out just a few that I have found most intriguing.
What Does the Night King Really Want?
I often get asked who I think is going to win the war and how this story will end. I generally respond that I think darkness will prevail. Unlike most stories, George R.R. Martin has a proclivity for reminding us that in real life, good does not always win and life can be full of darkness and hardship. For that reason, I am intrigued by the idea of evil prevailing and the “good guys” not necessarily winning.
But this leads me to the realization that the Night King and White Walkers are not necessarily evil. Sure, that’s how we’ve perceived them thus far — I mean anytime you have an army of zombies led by an evil Night King trying to destroy humanity, you are going to assume they’re pretty evil, right? But that’s a simple interpretation of what we’ve actually witnessed. If you go a layer or two deeper, you start to realize that things are not that simple, and the line between good and evil may not be that clear.
For starters, the Night King did not choose to be the Night King. He was not born into being the Night King, nor did he decide for this to be his life. It’s important to remember that he was a human, who against his will, was turned into the Night King. And by who? By the Children of the Forest, the ones who are supposed to be “the good guys.” You can rewatch the scene below in which the Night King is created. Of course, we don’t know exactly why The Children did this and what they were actually trying to achieve. Presumably, they were not trying to create the Night King, but who knows. We also don’t yet know who this human was and why he was chosen — was he just a random sacrifice or perhaps somebody more significant? From the context, we can see this happened at a weirwood tree in the North, so it’s safe to assume he was a Northerner, perhaps even a Stark? If you believe that, it leads to further theories around the close ties between the Night King and the Starks, and the possibility that the Night King could even be Bran Stark, who we now see as the Three-Eyed Raven. But that’s another theory for another day.
So, as we saw above, the Night King didn’t set out to become the Night King. He was turned into what he became, and once he became it, presumably has some objective he is trying to accomplish. I do not believe for a second that it’s as simple as killing humans for the sake of killing humans. I believe there is something greater he is driven to accomplish. Perhaps he is fighting for the preservation of his people, much the same way the humans are. Perhaps to survive they must get south of The Wall to accomplish some unknown feat. It’s hard to know exactly what his motivation is, but without knowing, and considering the fact he was forced into becoming The Night King, can we really call him evil? My money says that in the final season, we will learn a lot more about who he is and what he is trying to achieve, and that perhaps our perception of him being evil will change. George R.R. Martin has an uncanny ability to constantly force us to reassess our perception of a given character (i.e. consider how many times we have reassessed how we felt about a character like Jaime? First he was bad, then showed signs of being good, then got sucked back into Cersei’s games, and now has reemerged as a potential good guy). I think something similar might happen with the Night King, and we might be reminded that the lines between good and evil can often be unclear.
Who is the Prince That Was Promised?
As we’ve talked about many times throughout the seven seasons, during the Long Night, Azor Ahai was an ancient warrior that led the fight against darkness and saved humanity from the White Walkers. He was known as The Prince That Was Promised and there is a prophecy in the religion of the Lord of Light that has stated The Prince That Was Promised will be reincarnated to fight back the darkness once more. In the first few seasons of the show, Lady Melisandre incorrectly believed Stannis to be The Prince That Was Promised, but things did not end up well for him (although we never actually saw him die, and it’s still theoretically possible he is alive). So, the question remains, will The Prince That Was Promised once again reemerge? This question may never get answered outright, but it seems like it may be either Jon or Daenerys. One interesting callout: In the second episode of season seven, Daenerys is speaking in High Valyrian with Lady Melisandre, who once again references The Prince That Was Promised, the person that will fight back the darkness once more. Missandei, whose native language is Valyrian, interjects and corrects them, stating that the word they are using in Valyrian actually has no gender, meaning it can be a Prince or Princess. This of course leads us to believe that perhaps Daenerys could be the Princess That Was Promised. (See video below, starting at 1:10).
What’s Up with the Direwolves?
The Starks’ direwolves were very present in the first few seasons, until things started to go haywire for the Starks, and so too for their wolves. You probably don’t recall exactly where things left off and which wolves are still out there. Well, sadly, only two of the original six direwolves are alive, and I’m guessing they’ll have a role to play in the final season. With everything else going on in the show, and the wolves being absent for the better part of the last few seasons, it’s fair that we’ve forgotten about them. But don’t overlook their significance as the story comes to an end. Remember, direwolves are not just big wolves — there is a magical connection they have to their Stark owners and they should reemerge into the story in the final season.
The two wolves left are Nymeria and Ghost, belonging to Arya and Jon, respectively. Last season, Arya actually encountered Nymeria, who had grown quite large and was leading a pack of pretty ferocious wolves. It’s fair to assume that this pack of wolves will fight for Arya/the Starks at some point in the final season. We last saw Jon’s wolf, Ghost, before The Battle of the Bastards, at which point Jon held Ghost back to avoid him being harmed. The assumption is that Ghost has been hanging around Winterfell ever since, though we have not seen him.
One other interesting thought to consider is that thus far, the Starks that have been killed who have wolves that have also been killed, have been killed by the same people. Robb Stark was killed by the Freys at the Red Wedding, as was his wolf, Greywind. Rickon Stark was killed by the Boltons, as was his wolf Shaggydog. If we are to believe this pattern will hold true, this means that Bran, if killed, will die at the hands of the White Walkers (who killed Summer when they attacked the cave he was in with the Three-Eyed-Raven), and Sansa will die at the hands of a Stark (Ned swung the sword that killed Lady after Cersei demanded Lady’s death for attacking Joffrey, even though it was actually Arya’s wolf, Nymeria, that attacked Joff).
Samwell As The Final Storyteller?
When Samwell arrived at The Citadel in season six, I was fascinated by those giant astrolabes hanging in The Citadel. What were they? What purpose did they serve? Most viewers probably did not realize that we have been seeing those astrolabes since the very first episode, and in every single episode since. Yes, that’s right, they appear in the opening credits of every episode. As you can see from the image on the right below, the top half shows a more detailed view of the astrolabe from the Citadel, and the bottom right shows a strikingly similar image from the opening credits. This is not something that can be overlooked, and upon digging deeper, it lends some very interesting insights as to what Sam’s role in this story may end up being. One thought is that if darkness prevails and humanity perishes, there will need to be somebody left to tell this story — the very story that we are watching unfold before our eyes. We know Sam has always been obsessed with books, preserving history and storytelling, and it just may be Samwell Tarly that is telling the very story we are witnessing today. For more color, read the full post on this theory here.
Significance of the Spirals We’ve Seen
Throughout the show, we’ve seen a specific spiral design that seems to be shared by both The Children of the Forest and the White Walkers. It’s unclear what these spirals signify, but given that some of the images we’ve seen date back thousands of years, and that they’re shared by two of the most significant/magical groups of beings in the show, I am willing to bet it’s something significant. It may even lend a clue to the link between The Children and the Night King. You can see below for a few examples of these spirals that we’ve seen, and read the episode recap here that explains this theory in much greater detail.
Are Syrio Forell and Jaqen H’ghar the Same Person?
Another theory we’ve talked about for many seasons on this blog, and another burning question that may or not get answered in the final season of this story. But there’s a lot of credence to the fact that Syrio Forell, Arya’s Braavosi fighting instructor, could have been Jaqen H’ghar all along. For starters, back in season one, the last we see of Syrio is when he is attacked by Lannister guards and Arya is forced to flee. It is assumed that he will be killed, but we never see him die, keeping the door open for the fact he may be alive.
After Arya flees, she cuts her hair to look like a boy and joins a group heading North. In that group, there are several men locked up in a cage, one of which is Jaqen H’ghar. If you think about this for a moment, it makes no sense. We go on to learn that Jaqen H’ghar is one of the most cunning, nimble and outright magical assassins in all of the land. We seem him perform incredible feats that few others could. Yet, this same man finds himself locked up in a rickety cage as a prisoner? It doesn’t add up, not one bit. An entirely more plausible explanation would be that Syrio Forell was Jaqen H’ghar the whole time, just wearing the face of Syrio. He never got killed and was able to escape after Arya ran away, and to avoid being detected, he changed his face to that of the Jaqen we saw throughout most of the show, and allowed himself to appear as a prisoner. He continued to look over Arya as she continued north, and at the right time, revealed himself to Arya as the Faceless Man we came to know. For several more years, he would continue to train Arya, just as Syrio (who was really Jaqen) had been doing since the very beginning in King’s Landing. If you compare the two men, they are quite similar. Both were excellent fighters, both hailed from the secret land of Braavos, both spoke of the Many-Faced God and saying no to death. The list goes on. Again, who knows if this is something that will be addressed in the final season, but at minimum, it would be great to see Jaqen reemerge before the story comes to an end.
What Did Varys Hear in the Flames?
Back in season six, Varys and Tyrion are visited by The High Red Priestess, Kinvara, one of the highest ranking officials of the Lord of Light. Though her appearance was brief, she dropped a pretty big question that has never been answered. As Varys is typically skeptical of religion, he questioned The Lord of Light, to which Kinvara references a voice that Varys heard in the flames when he was castrated as a young boy. Usually cool and collected, Varys’ face becomes flush with fear, making it clear that he knows what she is talking about. Will we ever learn what Varys heard in the flames? As we’ve highlighted many times, it’s rare that Thrones inserts these kinds of plot-points if not to come back to them at a later point in time, so I would hope to learn more about this. But then again, with only a handful of episodes left, it’s entirely possible that we never learn what Varys heard in the flames.
Other Odds and Ends
The Three-Eyed Raven told Bran that he will never walk again, but he will fly. Will we see Bran fly? Perhaps he will warg into a dragon?
Is Stannis definitely dead? Seems like yes, but I’m always wary when we don’t see the character actually die.
What is the connection between Bran and the Night King? Every time the Night King sees Bran in one of his visions, Bran is pulled from his vision. It seems like there is a deeper connection between the two.
In season seven, I wrote an interesting theory about The Eye of the Giant. You can read more about that here.
More recently, I wrote a theory on the significance of what’s beneath the crypts of Winterfell. The teaser for the upcoming season focused on the crypts of Winterfell, so I think it will have significance on the season eight. You can read that here.
That’s it folks. Enjoy the countdown to season eight and savor each minute!
Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.
After what has felt like an eternity of an offseason, the end is now in sight as we are just 2 months away from the final season of Thrones. Hard to believe this epic journey that has consumed us for the better part of the last decade will all boil down to just six more episodes. The early word is that the first two episodes will each clock in at the standard 60-minute length, while the last four will each be 80 minutes long. And so, as we set our sights upon the beginning of the end, HBO recently released an official Season 8 teaser, and boy was there a lot to take from it. In this post, we will break down the teaser and some of the significant takeaways. So, if you haven’t yet seen it, watch it below. And if you have seen it, watch it again!
For starters, let’s reestablish something we’ve talked about before: HBO and the Thrones writers/producers do not do anything by accident. There are no random choices in this show; from each character and location, down to every word that is spoken, everything is thoughtfully chosen to serve a purpose. Remember, Thrones producers are tasked with cramming nearly 7,000 pages worth of George R.R. Martin’s story into what will amount to a total of 67 episodes when all is said and done — that’s over 100 pages of super rich text packed into each episode — so there is absolutely no reason for the show to incorporate any fluff or irrelevant content. Every single thing you see and hear is carefully selected to be there for a reason.
With that in mind, it would be foolish to casually gloss over the above teaser and not give it a thorough examination. After all, this is the very first footage that producers are choosing to expose you to — and not just footage to tease any season — it’s to tease the final season. Again, consider that everything you just watched in this teaser has great significance, especially as we embark upon the conclusion of this epic saga. So, let’s jump in and analyze what I found to be two extremely important takeaways from this teaser: The first, a bold reminder that the Starks of Winterfell have always been, and will always be, at the center of this entire story; the second, the significance of the crypts of Winterfell, and what might be hiding within.
Let’s begin by breaking down the first 50 seconds of the teaser, in which we see Jon, Arya and Sansa walking beneath the crypts of Winterfell. For starters, this is a powerful reminder that the remaining Stark children (not including Bran, who has now turned into the Three-Eyed-Raven) are all reunited at their home of Winterfell. It’s hard to believe, but for the entirety of this story, we have only witnessed the children together at Winterfell for just one episode — the very first one! In just the second episode of the series, Jon leaves for The Wall, and the other Stark children start to go their separate ways from there. So, if nothing else, seeing Jon, Sansa and Arya back together at Winterfell, where it all started, and perhaps where it will all end, is incredibly significant.
But the teaser quickly reminds us that House Stark is made up of so much more than just the three children we see; the crypts of Winterfell lay rest to some of the most important Stark family members — ones that the teaser quickly brings back to life by replaying some of their most important quotes. Though they may be physically dead, we get the feeling that their influence and impact is very much alive, and it is this very idea that gives such great drive and power to House Stark. What we can also take away is that three of the most influential members of House Stark (Lyanna, Ned and Catelyn) sacrificed their lives so that the present-day members of House Stark could serve their future purpose in the great war to come. As we see the statues of each of these dead members of House Stark, accompanied by their words, we are reminded of a rich history of Stark lineage, filled with great death and sacrifice, all of which is presented in a way that makes us feel like everything that has happened has been leading up to this very moment. Particularly, leading up to Jon’s final moments, given that all three quotes we hear in this teaser relate to him. So let’s dig a bit deeper into the statues we saw and the words we heard from some of the late great Stark family members.
The first part of this teaser shows Jon passing the statue of Lyanna Stark, who we know (though he doesn’t) to be his mother. As a quick refresher, in the finale of season six, Bran travels back in time to the Tower of Joy, where we see Ned arrive to his dying sister, Lyanna, who has recently given birth. In season seven, through another one of Bran’s vision, we see the joyous wedding between Lyanna Stark and Rhaegar Targaryen, confirming that Jon is half Stark and half Targaryen (and also debunking the idea widely spread across much of Westeros that Lyanna was kidnapped and raped by Rhaegar; rather we see that they were in love. This is hugely significant as it was Robert Baratheon who was in love with Lyanna and used the false premise that Lyanna had been kidnapped by Rhaegar Targaryen as the main justification to launch Robert’s Rebellion and overthrow the Mad King, setting the entire Thrones story into motion. But I digress…)
While we as viewers, as well as Bran, know the truth of Jon’s parents, he himself does not. As he walks past the statue of his mother, we hear the words she spoke to Ned, as her soft and dying voice tells him, “You have to protect him.” Honoring the last dying wish of his sister, Ned does just this, and fools the world into thinking that Jon Snow is his bastard son. Ned was willing to sacrifice his own honor, the very thing he valued most, by making others believe he impregnated a whore who birthed his bastard son. All of this to conceal the true fact that Jon was not a bastard, but rather was half Targaryen. Had Robert Baratheon (or many others who believed the Targaryens to be a threat) learned this truth, he likely would have killed Jon. Thinking about the great lengths Ned went to in order to protect Jon, the impact it had on Catelyn Stark who hated Jon because she incorrectly believed him to be a reminder of the affair Ned (never) had, and then listening to Lyanna’s words one more time “You have to protect him,” provides such meaning to the opening of this teaser. And that Jon does not even realize this is his mother provides all the more poetic irony.
One other interesting thing to call out here is the feather that we see fly out of the hands of Lyanna’s statue (go back and watch the beginning of the teaser if you did not catch this). For one, we have to ask ourselves what is the significance of this feather? As we spoke about earlier, absolutely nothing is random or by chance in this story, so why show a feather flying out of her hand and landing upon the ground? (Later in the teaser, at about 1:04, you will see the feather again, this time starting to freeze over as the frigid air creeps in, but we’ll get to that later). So where did this feather come from?
Well, the answer is simple. In the very first episode of the entire series, we see Robert Baratheon place this feather into the hand of Lyanna’s statue. See below:
Of course, eight years ago, in the very first episode of this story, when we saw Robert place this seemingly insignificant feather in Lyanna’s hand, we thought nothing of it. And therein lies the genius of this show — eight years later, as we near the end, things come full circle as we once again see this feather.
But that wasn’t the only time we saw this feather. Four years later, halfway through the fifth season, we again see this very same feather. This time, it’s Sansa down in the crypts of Winterfell, and she comes across the feather which must have fallen out of Lyanna’s hand. She picks it up, dusts it off and places it back in her aunt’s hand. See video below at about 35 seconds in (feel free to watch the entirety of the video, in which Baelish and Sansa talk about Lyanna Stark, and Sansa repeats the incorrect theory that Rhaegar had kidnapped her Aunt Lyanna, to which Baelish smirks, insinuating he knows that is not the truth of what happened).
We need not spend any more time talking about the feather, but it is worth pointing out that there is likely a significance to it, given that we saw it in the very first episode, midway through this series in season five, and now again in the teaser for the final season. But while the feather may have a significance, let’s not forget Lyanna herself, one of the most significant Starks of all time — the one who forged a union with House Targaryen, gave birth to Jon and gave her life in doing so. Now, all these years later, we are reminded of her contribution to House Stark and hear her last dying words as her unknowing son walks past her statue.
Next, we see Sansa walk past the statue of Catelyn, as we hear her words, “All this horror that has come to my family, all because I couldn’t love a motherless child.” This quote comes all the way back from the beginning of season three, where Cat is talking with Lady Talisa. As a quick refresh, you can watch the clip below:
What’s most interesting is the juxtaposition of seeing Catelyn’s statue and hearing these words right after seeing the statue of Lyanna with her words. It was actually the first set of words we heard (Lyanna asking Ned to protect Jon) that caused the second set of words we heard (Catelyn believing she caused all the death that had fallen upon House Stark because she couldn’t love a motherless child). As we talked about above, Lyanna asking Ned to protect Jon led him to pretend Jon was a bastard child birthed out of wedlock. This lie caused Catelyn great pain, and as she talks about in the clip above, she even wished Jon death as a sick baby. But she soon changed her mind, and prayed to the gods to save him and swore that she would love him as her own if they did. Well, Jon did not die, but she confesses to being unable to hold up her end of the promise as she was unable to love him. She talks about him being a reminder of the affair Ned had. Again, this is all actually not true and she was completely mistaken in her belief of all of this (as most people were). In the end, like Lyanna, Catelyn died trying to protect her children, and seeing both their statues with some of their last words serve as an important reminder of the sacrifices they made to House Stark.
As the first two quotes both pertained to Jon, so does the third, as we see Jon walk past the statue of Ned and we hear “You are a Stark. You might not have my name, but you have my blood.” Of course, these are the final last words Ned will ever speak to Jon, all the way back in the second episode, as Jon says goodbye to Ned and departs for The Wall. In this scene, Ned also tells Jon that the next time they see each other, they’ll have a talk about Jon’s mother. But, as Ned gets killed at the end of this season while Jon is still at The Wall, they never get a chance to talk again, and Jon never learns the true identity of his mother. As we see the Herculean grandeur of Ned’s statue, it is again a strong reminder of the influential Starks that have come before, many of which gave their lives to lead up to this very moment. While the show started in The North and centered around House Stark of Winterfell, things quickly went awry for this honorable house, and as viewers, we probably lost sight of the importance of House Stark. In fact, after all the turmoil suffered, many of us probably wondered if we’d ever see House Stark really come together again. This teaser put that thought to rest, and then some. It boldly reminded us of the deep and rich Stark heritage — one that cannot be forgotten — and one that continues on within the living Starks of today. No doubt, just as the story started with the Starks of Winterfell, so too it shall end with them.
So, we’ve covered the first major takeaway from this teaser: House Stark and Winterfell have always been and will continue to be central to this story, particularly as we near the end. And, we were reminded of the strength of House Stark — much of which is derived from the deep lineage of Starks that have come before those alive today. But there’s another, perhaps more interesting, topic to dive into. The question is: What’s the significance of the crypts of Winterfell? After all, this teaser could have taken place in 50 other locations and still stressed the importance of House Stark — but it took place in the crypts. There must be a reason why.
From the past seven seasons, and even more so from the books, we know that the crypts of Winterfell are extremely important to the Starks. It’s the place where they bury their loved ones. But it’s certainly seemed as more than just a resting place for the dead — the crypts of Winterfell have always been wrapped in a veil of mystery — why? And why now, as we near the end of this story, would HBO choose to make this the only location that we see in the teaser. And perhaps the most important question is, what’s with the freezing air that starts to creep into the crypts towards the end of the teaser? Sure, at first glance, it could just be symbolic that Winter has come, that the Night King is near, that the White Walkers are coming, etc… Or, is there an entirely deeper and more revealing explanation? By starting to add up everything we’ve learned about the crypts throughout the seven seasons thus far, much of which was via character dialogue that viewers likely skipped over, and also sprinkling in some excerpts about the crypts from the early books, we start to see an entirely different view of what the crypts might be. The hypothesis: perhaps the crypts were built not just as a resting place for deceased Starks, but perhaps as a prison to keep darkness locked within. Let’s start to unpack this thing.
In order to consider the true purpose of the crypts of Winterfell, we must first reexamine their origin. That would require us to go back in time to The Age of Heroes, about 8,000 years ago (if you want some quick context on The History of The Known World, see here for a great timeline). It was at this time that The Long Night swept across Westeros — the longest winter that Westeros had ever seen — and with it came the White Walkers, who nearly wiped out all of humanity. Azor Ahai (aka The Prince Who Was Promised), led the great fight against the White Walkers, pushing them back into the deep north. It was at this time that Brandon Stark (aka Brandon the Builder, founder of House Stark), along with the help of The Children of the Forest and Giants, built The Wall, a defense to keep the White Walkers out. Subsequently, The Night’s Watch was founded to man The Wall and keep the realm protected from White Walkers.
So after humanity is almost wiped out and Brandon Stark builds a great magical wall to keep the realm safe, what does he do next? He builds the first line of defense south of The Wall: Winterfell. And what part of Winterfell does he build first? You guessed it — the crypts! If the very first thing the legendary founder of House Stark did after building The Wall was build the crypts of Winterfell, there must be major significance. In trying to understand that significance, it’s important to realize just how big the crypts were, which is hard to tell from the few scenes in which we’ve seen the Starks walking its corridors. But the second book in the series, A Clash of Kings, offers some more color on the crypts: “The crypts were located beneath Winterfell and contained the tombs of the members of House Stark. The cavernous vault is larger than Winterfell itself, with older Starks buried in the deepest and darkest levels. The lowest level is said to be partly collapsed. The statues have large stone direwolves curled at their feet. According to tradition, iron longswords lay across each lord’s lap to keep vengeful spirits within the crypts.”
Let’s break that description down for a moment. First of all, it’s remarkable to consider that the crypts themselves are larger than the entirety of the Winterfell fortress. From the show, it’s always seemed like the crypts was simply a long hall lined with statues. But, the description above paints an entirely different picture and presents the crypts as an absolutely massive cavern of tombs that goes many levels beneath the earth. Surely, something this large and magnificent would not have been built solely to house the tombs of deceased Starks.
But, the last sentence of the description is perhaps most intriguing — that iron longswords lay across each lord’s lap to keep vengeful spirits within the crypts. It is this breadcrumb that makes me wonder what vengeful spirits George R.R. Martin was referring to? And the fact that it reads that they wanted to keep these spirits within, presents an entirely new vantage point as to what these crypts may have been built for — not just a resting place for the Starks, but perhaps as a prison to keep dark spirits, perhaps those of the White Walkers, within. After all, remember that Brandon Stark built these crypts right after The Long Night. He would have just been returning from a long war in which humanity was almost wiped out by darkness — is it possible that he could have had White Walkers or other evil darkness that needed to be locked up somewhere? Perhaps it was even the Night King himself that needed a place to be buried. It’s hard to say for sure, but the description of the crypts in conjunction with it appearing to have been such a high priority for Brandon Stark to build, as well as the sheer size of the crypts, certainly makes it plausible that this was a place used to keep darkness locked up. But that’s just the beginning of evidence to support this theory…
The description above also reveals one more important piece of information — it talks about iron longswords being laid across each lord’s lap to keep the spirits within. But why iron longswords? Was there any significance to iron being in the crypts or did the longswords simply happen to be made out of iron? Well, later in that very same book, Bran has a quote where he states, “The door to the crypts was made of ironwood. It was old and heavy and lay at a slant to the ground. The door was located in the oldest section of Winterfell.” And just like that, we have another mention of iron in the crypts, seeming to demonstrate that there’s something to this whole iron thing. What’s more, Bran’s quote calls out that this ironwood door was located in the oldest section of Winterfell, which means it was the part that was constructed first by Brandon Stark, builder of Winterfell. So there you have it — iron longswords that sit across the statues to keep evil spirits within, as well as an ironwood door to the crypt that was built in the oldest part of Winterfell. So, clearly there’s a great significance to the iron in the crypts, and possibly as a means to keep evil within, but why iron? Have we ever heard that the White Walkers are averse to iron? Well, actually yes, we have — but I’m sure none of us caught it at the time.
You may recall Old Nan, the very old lady who used to sit bedside with Bran and tell him old tales. In many ways, she was a conduit to a lot of the ancient mythology of the Thrones world, and it was never clear how much of her tales were fact and how much were fiction. In one of those tales, she tells Brans about The Long Night, “In the darkness, the White Walkers came for the first time. They were cold things, dead things, that hated iron and fire and the touch of the sun, and every creature with hot blood in its veins.” Of course, none of us could have known at the time that her reference to iron meant anything. In fact, without reading this post, even if you went back and watched that scene 100 times over, you still would not know that there was any significance to her reference of the White Walkers hating iron. It’s only when we start to put the pieces of the puzzle together does this dialogue seem to be significant. So combining this information from just a few parts of the books/show, we know: A) the statues in Winterfell had iron longswords across them to keep evil spirits within; B) the door to the crypts in the oldest part of Winterfell was also made of iron; and C) the White Walkers hated iron. Piecing this all together and it surely does not seem coincidental that the Starks had so much iron in the crypts, and it starts to become a real possibility that the crypts of Winterfell were some type of prison for the dead and the iron was there to keep them within.
So let’s go with this theory for a minute and assume the crypts are some sort of prison for the dead. What’s the significance and how does that tie back to what we saw in the teaser? Well, the back half of the teaser shows that winter frost starting to creep into the crypts. First thought is to assume that just represents that winter is here, the Night King is coming, etc… But what if there’s a greater significance that ties back to this theory? What if rather than this symbolizing the Night King or White Walkers coming into the crypts, it’s a foreshadowing of these dark prisoner spirits coming out? Just a theory, you might say. But what if I told you that Jon Snow had one dream and Ned had two, both of which alluded to this very idea? Again, let’s not forget, George R.R. Martin would not include characters’ dreams in the books without some purpose.
In the first book, George RR Martin tells us of a dream Jon had: “He was wandering the empty castle, searching for his father, descending into the crypts. Only this time the dream had gone further than before. In the dark, he heard the scrape of stone on stone. When he turned, he saw the vaults were opening, one after the other. As the dead kings came stumbling from their cold black graves.” In this dream, Jon flat out sees the dead kings coming out from their graves. Sure, this could just be a reference to past Stark kings that are coming alive, but it could also be a reference to Night Kings or kings of darkness. After all, the dream does mention “cold, black graves,” the type of grave an ancient White Walker would be climbing out of.
But it doesn’t stop there. In that very same book, Ned has a dream: “He was walking through the crypts beneath Winterfell, as he had walked a thousand times before. The Kings of Winter watched him with eyes of ice.” First, let’s point out the significance that there is yet another dream happening in the crypts. Second, let’s acknowledge the dark and ominous tone to the dream, similar to that of Jon’s. Lastly, it’s worth noting that George R.R. Martin calls out “the Kings of Winter” and their “eyes of ice.” Again, the Kings of Winter could refer to past Stark kings, or it could refer to previous Night Kings or Kings of the White Walkers. After all, why would Stark kings have “eyes of ice”? We know that it is the Night King/White Walkers that have these eyes of ice. Speaking of which, let’s rewind to the very first pages of the prologue of the very first book — the first words any Game of Thrones reader would have read — which is also the very first scene of how the show started. If you recall, Will, a deserter of the Night’s Watch, encountered a White Walker, and the book starts “Will saw its eyes; blue, deeper and bluer than any human eyes; a blue that burned like ice.” Interesting to consider that the series of books (and show) begins with Will seeing the icy eyes of a White Walker, nearly identical to the way George R.R. Martin describes the eyes of ice on the statues of the Kings of Winter that Ned sees in his dream in the crypts.
But if there really were some dark White Walker-esque spirits buried down in the crypts beneath Winterfell, why would they be creeping free now? After all, we established that they hate iron and the iron longswords + iron door should keep them contained. Well, what if that iron was starting to fade? Turns out Ned has one more dream in the first book that speaks to this very idea: “By ancient custom an iron longsword had been laid across the lap of each of who had been a Lord of Winterfell, to keep the vengeful spirits in their crypts. The oldest had long ago rusted away to nothing, leaving only a few red stains where metal had rested on stone. Ned wondered if that meant the ghosts were free to roam the castle now. He hoped not.” Another rather eerie dream which notes that some of these very old iron longswords had started to fade, which led Ned to wonder if the vengeful spirits were able to roam free. If Brandon Stark did in fact bury these first evil bodies 8,000 years ago when he built the crypts, it makes perfect sense that the iron would have started to disintegrate, possibly allowing these spirits to break free. Which again begs the question of the wintery ice we saw creeping into the crypts at the end of the teaser: was it a simple reminder of army of the dead that is soon to arrive to Winterfell, or was it an allusion to something more — dark spirits that have been prisoner to the crypts of Winterfell, that are finally breaking free.
Only time will tell, and perhaps the crypts will not turn out to be as significant as this theory assumes. But if I had to bet, I would say that there will be some sort of major reveal tied to the crypts of Winterfell before this story comes to an end…
Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.
THE SPOILS OF WAR
Clocking in at a duration of 46 minutes, the shortest episode in Thrones history felt anything but. In just one short episode, Arya makes it back to Winterfell after an impossibly challenging journey; things heat up between Jon Snow and Dany in the caves below Dragonstone; and last, but certainly not least, we see Dany ride a dragon into battle for the very first time. Oh, and let’s not forget about the ancient inscriptions we saw in the caves below Dragonstone. These symbols are thousands of years old and point to some of the most significant hidden truths of this world — truths that may just determine how this entire story ends. But we’ll get to that. Any of these developments were meaningful enough to carry an entire episode, so getting all at once was quite a bit to process. So let’s begin.
TO THE VICTOR GOES THE SPOILS
In an episode entitled The Spoils of War, there were many “spoils” of recent battles revealed in this episode, both good and bad. The most obvious spoils were those won by Cercei in her siege of Highgarden, which we see as the episode opens up with Jamie sending all of Highgarden’s gold off to King’s Landing. Cercei is seen moments later talking with Tycho of the Iron Bank, reminding him that his gold is on the way and that a Lannister always pays their debts. But Cercei mentioned something else — something many may have missed — something which revealed a part of her future plan. Cercei tells Tycho that she has reached out to the Golden Company to help her secure some of the things that belong to her.
As a quick refresher, the Golden Company is an Essos-based army of sellswords who do not fight for any house or ruler, but rather for whoever contracts and pays them. We’ve heard of the Golden Company in the past as Daario Naharis once fought for the Golden Company, prior to pledging his allegiance to Khaleesi. (Speaking of Daario Naharis, what’s he been up to and when will we see him again? I digress…) Anyway, it was a very quick nugget of dialogue, but not one that was coincidental, so it’s worth considering what Cercei is hiring the Golden Company for and what it is that she hopes they can return to her. But back to Jaime and Bronn at Highgarden, as they send their newfound gold back to King’s Landing, they instruct Randyll and Dickon Tarly to collect all the farmland produce of Highgarden, an additional spoil of war (remember, Highgarden has the most fertile lands in all of the Seven Kingdoms). Little do they know that those carts of food are never making it back to King’s Landing…
A MYSTERIOUS DAGGER
Things have been quite busy at Winterfell as of late and that trend surely continued this week. We arrive at Winterfell as we see Bran sitting in his new wheelchair, looking just as distant and aloof as he did last week. Knelt before him is Baelish, who presents him with the Valyrian steel dagger that was used in the attempt to kill Bran back in season one. Bran asks Baelish if he knows who the dagger belonged to and Baelish tells Bran that he does not. For starters, this is inconsistent with what he told Catelyn Stark back in season one, so Baelish was either lying to Catelyn or is now lying to Bran. Let’s do a quick recap of what we know about this dagger — because my bet is that there is more to come on this.
Back in season one, Bran was climbing the walls of Winterfell and saw Jaime and Cercei sleeping together, at which point Jaime pushed Bran from the wall to protect the secret of their incest. But when Bran survived the fall and lay comatose in bed, somebody came to finish the job — a man with the Valyrian dagger we saw this week. Catelyn tried to save Bran, but it was Bran’s direwolf, Summer, who killed the assassin and saved Bran’s life. Catelyn then left for King’s Landing (with the Valyrian dagger) to inform Ned (who was already at King’s Landing at the request of King Robert) of the attempt to kill Bran. In a scene at Baelish’s brothel, Catelyn presents the dagger, at which point Baelish tells her that the dagger had belonged to him but that he had lost it to Tyrion in a bet. Believing this to be true, Catelyn had Tyrion arrested when she encountered him on her trip back to Winterfell (this led to Tyrion being held prisoner at the Vale, before demanding a trial-by-combat, at which point Bronn fought for Tyrion and won, gaining him his freedom). After Ned was arrested in King’s Landing, Baelish retook possession of the dagger and has presumably had it ever since. Now, years later, he chooses to present it to Bran, but tells Bran that he does not know who it belonged to, which is quite different from what he told Catelyn years prior.
Going one step further, a few episodes back, we saw a dagger that looked quite similar in one of the books that Sam Tarly was reading. My guess is that they were not showing a different dagger that looked very similar to this one, but rather that they were the same dagger, which further amplifies the significance of the dagger we saw today. There are some definite question marks around this Valyrian steel dagger, but it seems to be a safe assumption that it is of moderate to major significance.
After Baelish presents Bran with the dagger, he tries to appear empathetic to the “chaos” Bran has returned home to. However, Bran cuts him off and reminds him that “chaos is a ladder.” Bran is referring to the “chaos is a ladder” speech that Baelish gave to Varys in the third season. Baelish’s face turns stern and he appears threatened by the fact that Bran is aware of these words he once spoke. After all, if Bran knows this, what else might he know about Baelish? But looking one layer deeper — what does this “chaos is a ladder” reference tell us? After all, if the sole intention of this scene was to expose Baelish and show us that because Bran is now the Three-Eyed Raven, he is aware of something Baelish once said, well then writers could have chosen any of Baelish’s wise words for Bran to repeat. But they chose these words for a reason. Baelish’s full quote follows, with the video below: “Chaos isn’t a pit. Chaos is a ladder. Many who try to climb it fail, and never get to try again. The fall breaks them. And some, given a chance to climb, they refuse. They cling to the realm, or the gods, or love. Illusions. Only the ladder is real. The climb is all there is.”
Now, let’s piece that quote together with present-day context. Baelish has been lurking around Winterfell, often hidden in the shadows, leaving all of us to wonder what he’s up to and what his true intentions are. Well perhaps these words — the words he spoke many years back — words the all-knowing Bran chooses to repeat — sum up Baelish’s true intentions. For him, the climb is all there is. It is not so much about the endpoint, as much as it is the climb to get there. In short, it is all about the game and how you play it — to him, that is the very purpose of life. If the words he speaks are true, then he is not interested in love or the gods or the good of the realm — his only interest is the climb itself and Bran appears to be aware of this.
And yet, there is another interesting layer to this scene, one that can only be understood when considering Baelish’s history. About 20 years ago, it was Brandon Stark (Ned’s oldest brother and heir to Winterfell) who was set to marry Cat. Baelish, a young boy in love with Cat, challenged Brandon to a duel to win the hand of Cat. Brandon agreed to the duel, promising Cat that he would not kill Baelish. Brandon was a powerful warrior and Baelish was far from a fighter, so as one would assume, Baelish was badly beaten and severely injured. Brandon would later ride to King’s Landing to free his sister Lyanna, and would be killed by the Mad King, which resulted in Ned marrying Cat instead of Brandon. In any event, this experience would forever impact Baelish, as he was severely humiliated, physically beaten and also lost the woman of his dreams. Though he would not admit it, he developed a strong jealousy and hatred for the Starks as a result, and many believe this is why he would betray Ned and have him arrested in King’s Landing many years later.
Now, in this scene, Baelish tells Bran “Anything I can do for you Brandon, you need only ask.” When assessing the authenticity of Baelish’s statement, it’s significant to note that he refers to him as Brandon instead of Bran. Very few have referred to Bran as Brandon. Couple that with the fact that it was Brandon Stark (Bran’s uncle) who badly defeated Baelish, and there is some definite undertone to Baelish’s choice to refer to Bran and Brandon. And going back to Baelish’s earlier quote: “Many who try to climb it fail, and never get to try again. The fall breaks them.” Baelish’s fall was his defeat at the hands of Brandon Stark — a fall that would not break him as it has broken so many others. For Baelish, it was that very fall that serves as the driving factor for him to keep climbing the “ladder of chaos.”
Elsewhere in Winterfell, Arya finally makes her return home. After years separated, the reunions of so many of the Stark children so close together seems a bit odd, but let’s look past that. Let’s reflect upon all that Arya has been through to lead up to this moment. Witnessed your father’s beheading? Check. Present for the Red Wedding when your mother and brother are ruthlessly murdered? Check. Spent years getting beaten, blinded and tortured in Braavos? Check. Arya has been through enough pain and torture to last 10 lifetimes, yet she has overcome it all and prevailed as an incredibly powerful character who has willed herself back to Winterfell against all odds.
But, similar to the reunion last week between Sansa and Bran, the reunion this week between Arya and Sansa was less than emotional. After all the time these family members have spent apart, we all assumed their reunions would be wonderful and emotional and joyous. But, the reality is that these characters have experienced an incredible amount of hardship and have been reunited as very different people. That said, what is interesting about the reunion between Sansa and Arya is that the juxtaposition of their characters is still quite similar to what it was all the way back in season one. At that time, Sansa only wanted to be a lady and Arya was the rebel who wanted to fight with the boys. Fast forward years later and they are reunited with Sansa being the lady of Winterfell and Arya being a ruthless assassin. Ironically, in many ways, they’ve both become the people they always wanted to be — albeit neither forecasted the pain they’d experience to become those people.
While it is nice to see these characters reunite, there are giant question marks around what comes next for these siblings and whether or not they are even truly on the same team. As they stood in the crypts of Winterfell, Arya tells Sansa about her list — the list of people she wants to kill. Sansa laughs this off, assuming her sister must be joking. Yet, moments later, she sees the skilled fighter Arya has become as she is able to best Brienne, one of the most skilled fighters in the land. Interestingly, when Brienne asks Arya who taught her, she cleverly responds, “Nobody.” As Sansa witnesses this, she realizes the truth of what her little sister had revealed about her list and the person Arya has become. She seems displeased to say the least, and she walks away, Baelish looks on with a grin, perhaps identifying a new opportunity that he can leverage.
Out in the Godswood, Bran, Sansa and Arya are all reunited together, in a place that is most sacred to House Stark (and now, especially to Bran). Sansa casually reveals to Arya that Bran is able to see everything that any person has ever experienced. Moments later, Bran gives that mysterious dagger to Arya, furthering the significance of this weapon. Given Bran’s wisdom, it is unlikely that he gave it to Arya simply because he did not have use for it. Rather, it is more likely that Bran is aware of the significance of this dagger and the role it may play in the hands of Arya. Looking on, Sansa seemed somewhat displeased, furthering the tension that exists between the two.
IT’S ALL ABOUT THE SPIRAL
At Dragonstone, Jon Snow has discovered the cache of Dragonglass and takes Dany into the cave to see it. The scene (intentionally) felt intimate and steamy, with Jon and Dany alone in a dark cave — a familiar setting to Jon Snow (it was in a dark cave that he first got it on with Ygritte many seasons ago). It felt as though there was potential for Jon and Dany to get it on right then and there, and though this never would have happened that quickly, the stage is certainly set for the possibility of it happening in the future. Yes, they are blood and she is his aunt, but they don’t know that yet. And even if they did, remember that the Targaryens practiced incest for thousands of years to keep their bloodline pure. And while the alone time Jon and Dany had was a nice buildup to what might come, there was a much bigger takeaway from this scene.
First, Jon discovered the Dragonglass — enough of it to presumably make weapons for an entire army to fight off the White Walkers. But even that was not the biggest takeaway here. Imagine that — supplies were just discovered which will enable the humans to possibly fight off an army of the dead that threatens the very existence of humanity — and that wasn’t even the most important discovery! So what was the biggest takeaway here? The answer is the inscriptions on the walls, more specifically, the spirals. Though we do not fully understand what the spirals represent, we do know they are extremely significant and possibly represent the ultimate clue to how this entire story will play out.
So here’s what we know. The inscriptions on the walls were made by the Children of the Forest thousands of years ago. As we know from this story, the Children were the very first inhabitants of Westeros, having lived off the land for thousands of years before the First Men ever arrived. You can read more about the Children of the Forest and the First Men here — and if you aren’t fully clued in on this history, I would highly recommend you refresh yourself. Though the Children lived without humans for thousands of years, the inscriptions on the wall show the Children and the First Men together. As Jon explains to Dany, they banded together to fight off the White Walkers, which we also saw on the wall. But that wasn’t all we saw on the wall. Perhaps most significant were the spirals — a symbol we have seen throughout the show since the very first season — and one that is going to be extremely important. So let’s recap where we’ve seen this symbol to date.
In the very first episode, a ranger of the Night’s Watch stumbled upon some dead bodies north of the Wall. When he returned, he saw the corpses mutilated and rearranged in the below orientation.
A few seasons later, again north of the Wall, we see a bunch of dead horses arranged in an even more definitive spiral (below), again the work of the White Walkers.
But things get a lot more interesting, because we later learn in season six, that it is not just the White Walkers that deal in these spirals, but also the Children of the Forest. In one of Bran’s vision, and in an incredibly important reveal, we learn that it is actually the Children of the Forest that create the very first White Walker (who is probably the Night King we see today) by inserting Dragonglass into his heart (see below for a refresher).
What we also see in this vision is a bird’s-eye-view of the tree where the Children created the first White Walker. At this very important location, we see a similar spiral (below).
And last, but certainly not least, the teaser trailer for this season culminated with another similar spiral, before it is engulfed by the blue eye of the Night King (below). The importance of this spiral and what it has to do with the White Walkers could not be made any more clear.
So what does all of this tell us? Well, we may not know exactly what the spiral represents, but we know it is important. Perhaps the spiral represents some sort of balance between dark and light, good and evil, fire and ice. Whatever it represents, what we do know is that it was something significant to the Children of the Forest, who were a magical species. What’s more, we know that the White Walkers learned this truth from the Children and are referencing it today. Bringing it full circle to tonight’s episode, we see that these very same spirals were carved into the cave thousands of years ago. And not just in any cave — into the cave which shares the story of the Children banning together with the First Men to fight off the White Walkers — and the cave that also contains the Dragonglass needed to fight off the White Walkers today. In short, these spirals are extremely significant and could contain the secret to what is really going on here — a fundamental truth shared between the Children and the White Walkers — and one we will likely find out before this story comes to an end.
FIRE AND BLOOD
It was only a matter of time until Khaleesi flew a dragon into battle, and after being dealt several decisive blows in the last few weeks, she decided to take matters into her own hands. Khaleesi, on the back of Drogon, flew into battle with her Dothraki army and decimated the unsuspecting Lannister army. For the first time, we saw the full impact that a dragon can have in battle, burning men by the hundreds with each breath of fire. And we saw the destruction that Targaryens have inflicted for hundreds of years, scorching alive those who defy them, watching their flesh melt and burn. This battle was a direct allusion to the Field of Fire — perhaps the most famous battle of Aegon’s Conquest.
As Khaleesi approached, Bronn encouraged Jaime to flee but Jaime refused to abandon his men. Incredibly, Jaime and Bronn both managed to remain unscathed (at least for most of the battle). One of the more powerful moments of this battle was Tyrion ascending over the hill to look on at the Lannister army being destroyed, men being burnt alive. Though he is obviously not a typical Lannister, the reality is that these are still the people that he called his own his entire life. It is one thing to strategize about how to defeat your family when they are halfway across the world; it is another to come face to face with the realities of your decision, especially when those realities result in the death and destruction of your people. As much hate as Tyrion had for Tywin and still has for Cersei, a part of him had to be questioning his decision as he watched the Lannisters forces being burned alive.
And then he sees Jaime, who he can only hope is smart enough to flee. The timing could not be more poignant, as just last week, Jaime learns that he made the right decision in saving his brother Tyrion, who was in fact not responsible for the death of Joffrey for which he was accused. Yet one week later, Jaime’s life is at risk, in large due the brother he saved. Jaime sees a vulnerable Khaleesi within striking distance, and decides to go after her, no doubt willing to risk his life to eliminate the principal threat to his sister’s reign. Just feet away from taking out Khaleesi, who has been grounded after Drogon was harpooned, Drogon turns to Jaime and breathes fire in his direction. Jaime is all but dead, until he is tackled off his horse and into a body of water, just in the nick of time. It appears to be Bronn that saves Jaime, but this is not definite. It also appears that Jaime avoided the fire, though the nature in which he continues to sink deeper, seemingly lifeless, brings question to this. Assuming that he is alive, will the tables now be turned, with Tyrion having the opportunity to save his brother, the way Jaime once saved him?
Above all, one thing is abundantly clear. The world will soon know of the fire and blood that Khaleesi’s dragons can bring. How will the people of Westeros react when they hear this? Will they support the return of a rightful ruler or fear the madness of a Targaryen?
ODDS & ENDS
Meera informs Bran that she must return home to her family. She knows the White Walkers are coming and she must be there to protect her family. (Though the show does not really touch upon it, House Reed is a major house in the North and it will be interesting to see if we get to see Meera’s family). Much like when he was reunited with Sansa last week, Bran once again shows no emotion as he says goodbye to Meera. Meera reminds Bran of all the people that died to save him, and though he understands her point, he reminds her that he is no longer Bran, but rather the Three-Eyed Raven.
Though Drogon was wounded, he will likely be okay. A non-lethal wound might turn out to be a small price to pay for Team Khaleesi to have learned about the secret weapon Cersei has been working on.
When Brienne asks Arya who trained her, she responds “Nobody.” She could have been referring to Jaqen H’ghar, the Faceless Man who trained her quite some time. But the man who truly taught her what we witnessed in this scene, was Syrio Forel, the man who taught her the Water Dance (a Bravoosi way of fighting) all the way back in season one. While Jaqen was a Faceless Man and it would make sense to refer to him as “nobody,” the same cannot be said of Syrio, unless Syrio was in fact Jaqen H’ghar all along. It is entirely possible that Jaqen was training Arya since the very beginning, pretending to be Syrio Forel in the first season.
Dany again asks Jon Snow to bend the knee and the next thing we see is the two walking out from the cave. It is possible that he bent the knee without us seeing.
Jon Snow comes face to face with Theon and does a pretty good job at composing himself.
Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.
SEASON SEVEN PRIMER
With just about one week until GoT Season 7 kicks off, the wait is officially over. Though this year-long delay between seasons has felt like an eternity, it’s safe to assume that this wait will be well worth it. The seventh (and penultimate) season is sure to be nothing short of epic, spectacular, heart-pounding action from start to finish. Producers took an extra three months on this season, namely to wait for the right climate in the areas around the world they are shooting. After all, winter is here, and producers wanted to make sure the geographies they were shooting in were colder than ever before.
Before we jump into recapping where last season left off and where season seven will pick up, it’s important to step back for a moment and consider where we stand in this seven-year journey. It’s hard to believe how quick time flies and that it was seven full years ago that good old Ned was preaching that winter was coming, Daenerys was just a young girl with no dragons or army, the Starks were living peacefully in Winterfell, and the only battle that seemed to matter was the one for the Iron Throne. How things have changed. Fast forward seven years and Ned is dead, winter is here, Daenerys is now a Khaleesi with three full-grown dragons, and some of the much larger impending battles that are soon to unfold make the battle for the Iron Throne seem petty and insignificant.
So here we are…the the beginning of the end. With 60 episodes behind us, and only 13 episodes to go, it’s important to realize that we are truly embarking upon the final chapter of the Thrones saga. Everything we have witnessed over the last seven years has led up to this very moment. It’s the final act, and boy are we in for a treat. This season will consist of just seven episodes, and though that seems like we are being shorted from an already-brief 10-episode season, you can be sure that each of these seven episodes will be nothing short of spectacular. There will be no filler episodes and no time to waste. Each second of each episode will be carefully calculated and masterfully executed. Producers have even gone as far as to confirm that there will be two episodes that exceed the ordinary 60-minute airtime, one of which will be as long as 90 minutes! In short, you can think of each of these episodes as a full-fledged movie, and with a budget of approximately $15 million per episode, these 7 episodes actually far exceed the cost of producing an average Hollywood film (this season’s 7 episodes cost about $100 million, compared to average Hollywood budget of $60 million per film). Pretty incredible to consider.
So, my advice to all viewers in the coming days before the seventh season kicks off and we head towards the beginning of the end, is to spend some time appreciating thinking about all that has transpired to bring us to where we are today. Prepare mentally for the epic saga which is coming to a close. Think about all the magic we have witnessed over the last seven years. The powerful stories that have been told; the incredible character journeys and transformations that have unfolded before our eyes; the joy, the pain, the shocks and laughter we have experienced. For then, and only then, will you truly be able to savor season seven and the precious few moments we have left before Thrones comes to an end.
And now, let’s kick off the recap…
The last few episodes of season six were action-packed, and things progressed very quickly around the world, but perhaps nowhere more so than King’s Landing. The final episode of last season was to include Cercei’s trial, where she would be tried for the sins she had confessed to the High Sparrow. Heading into the trial, the Tyrell’s appeared to be on top, with a weakened Cercei more vulnerable than ever. Many thought that she would be found guilty and perhaps even executed…boy was Cercei underestimated.
Cercei cleverly used her trial as an opportunity to secure all of her enemies in one place. She used stockpiles of Wildfire (which Tyrion previously used to fend off Stannis’ attack on King’s Landing), and blew up the Great Sept of Baelor, killing Margaery, Loras and Mace Tyrell, along with the High Sparrow and Faith Militant. In one fell swoop, Cercei took out her most immediate threats, once again showing that there are no lengths she won’t go to in order to eliminate her enemies and remain on top. However, there is another death that Cercei is responsible for — that of her last remaining child, Tommen. Realizing all the people that have just died in the explosion, and no longer able to handle the pressures of being King, Tommen jumps out of the window to his death. Without question, Cercei is directly responsible for her son’s death, ironically fulfilling the prophecy that Cercei had been told as a young girl (which was revealed to us nearly 20 episodes prior, in the first episode of season five), which stated that she would eventually lose all of her children.
With her enemies eliminated and the king now dead, Cercei takes the Iron Throne for herself, underscoring what she has demonstrated from day one — that she is the most cunning and capable, even as a woman in world ruled by men. And even though we’ve seen some evil kings to date (i.e. Joffrey), the Throne Room has a whole new darkness to it as Cercei ascends the Iron Throne, dressed in all black. Though she has always had an evil side, the one thing that humanized Cercei was her extreme love for her children. Having now lost not one, not two, but all three children, Cercei takes the Iron Throne, colder and more evil than ever before. With nothing left to lose, now more than ever, there is nothing Cercei will not do to avenge the deaths of her children. We know that at the top of her hit list will be the Martells of Dorne, who were responsible for the death of her daughter, Myrcella.
It will be interesting to see how things play out in King’s Landing with just 13 episodes to go, and whether or not season seven will end with Cercei still on the Throne. Moreover, there are big question marks around how Jaime will fit into this new picture. Once willing to do anything to protect one another, Cercei and Jaime have become more and more estranged over time. Jaime’s character evolution and seeming desire to do good is fundamentally at odds with Cercei’s plans, and he will soon need to decide the man he wants to be.
The North… Home to the Starks, Winterfell, the Wall, and the first line of defense against the impending White Walkers. There is no part of the world more significant to this story, so let’s recap where things left off.
For quite some time, House Bolton has claimed the North and Ramsay was calling the shots. Things started to take a turn for Ramsay and House Bolton when Sansa escaped (aided by Theon), who eventually reunited with her brother, Jon Snow. After being resurrected by Lady Melisandre, Jon is faced with the enormous task of taking down House Bolton and reclaiming the North. He is supported by the few remaining loyal brothers of the Night’s Watch, Tormund and the Wildlings, Ser Davos and Sansa.
In the penultimate episode of last season, we witnessed the Battle of the Bastards, where Jon’s army defeats Ramsay and reclaims Winterfell. In truth, it was Sansa that won this war and not Jon. Having been exposed to Ramsay and his sick games, Sansa knew their enemy better than Jon, and tried to warn him not to fall into any of Ramsay’s traps. Sure enough, Ramsay baited Jon into a trap by putting his little brother, Rickon, in between their armies, where Jon had the chance to ride out and save him. Sure enough, Jon Snow took the bait and fell into the trap. After a bloody and brutal battle, Jon and what was left of his army, was surrounded by the Bolton’s with death just moments away. Then, Sansa, Baelish and the Knights of the Vale appear, taking down the unsuspecting Bolton army. Ramsay retreats behind the walls of Winterfell, where he is eventually beaten by Jon Snow, before Sansa feeds him to the hounds.
There are a few very significant takeaways here leading into season seven. First and foremost, the Starks have reclaimed Winterfell and a good chunk of the North. They have gotten many of the Northern houses to pledge their allegiance, an effort that was led by the young Lyanna Mormont. In the final episode, Jon was hailed as the King in the North, much the same as his older brother Robb was years before. However, unlike Robb who faced battling an army of men, Jon knows all too well that there is an impending war against the dead, and the North will be the first line of defense in protecting the rest of the realm against the darkness that is coming.
Another important takeaway is the relationship between Sansa and Jon and the role that Baelish will play in the near future. Sansa could have told Jon that she had written Baelish and secured the Knights of the Vale, but she chose not to. Through all the traumatic experiences she has endured (Joffrey, Ramsay, Baelish, etc), she has become wiser and learned to play the game. She trusts nobody, not even her own blood, and would not let herself be vulnerable as she has been so many times before. The Knights of the Vale were her last line of defense — her safety net — and she would not tell anybody about this, not even Jon. Although they reclaimed Winterfell, Sansa did not appear too pleased that Jon was being hailed the new King in the North, and she had subtle interactions with Baelish which alluded to the fact that she may have other plans in mind. Those plans could include joining Baelish on his quest for the Iron Throne. When Sansa finally asked Baelish the question we’ve all been wondering — what exactly it is that he wants — he finally came right out and told her that he wants “everything there is,” including to marry her and rule over the Iron Throne together. Keep an eye on Baelish’s role as he has been a master manipulator behind the scenes and still likely has a few tricks up his sleeve.
BRAN KNOWS R+L=J
On the topic of Jon Snow and the Starks, the season six finale had arguably the biggest reveal in Thrones history, though many had seen this coming for quite some time. That reveal is a simple equation: R + L = J, short for Rhaegar (Targaryen) + Lyanna (Stark) = Jon Snow, the theory that Rhaegar and Lyanna were Jon’s biological parents. In the final episode, we witnessed one of the most famous scenes from the books — The Tower of Joy — and learned what Ned Stark found out 20+ years ago. What is most interesting is that it is Bran that found out the true identity of his brother, and not Jon Snow himself.
After the three-eyed-raven that had been guiding Bran dies and Bran is told he now must become the raven, Bran’s vision takes him to the Tower of Joy, where the younger Ned ascends the tower to find his sister Lyanna, bloody and dying. After many years of hearing about Lyanna, we finally get to see her. Before she passes, she tells Ned that he must take her baby and protect him. If they figure out who he really is (a Targaryen), they will kill him, she says.
First, we now understand that Ned raised Jon to be his own, even though he in fact was not. This point backs to the nobility of Ned’s character and what a great man he was. So much so, that he made up a story which reduced his character, claiming that he had a relation with a whore who gave birth to the bastard Jon Snow. Of course, when you consider Ned’s character, this story never made any sense, as his defining characteristic was his morality. What’s more, his wife Catelyn always resented Ned for this, and every time she saw Jon Snow, she was reminded of this “affair” that Ned had. She hated Jon Snow because of something that never actually happened. In reality, none of it was true. Ned never had an affair and Jon wasn’t a bastard. But Ned had to protect Jon Targaryen. If anybody found out he was Targaryen, especially Robert Baratheon, he would have likely been killed.
So, looking back, it’s pretty powerful to think of everything Ned did to protect Jon Snow. But, looking forward, there’s even more to consider. First, like we said, Jon is a Targaryen. Moreover, he’s half Stark as well, which is quite genetic makeup, arguably the two greatest families. He could be the link between uniting the strength of the North with the power of his Aunt Khaleesi and her Targaryen bloodline. Yes, Khaleesi is Jon’s aunt (her older brother, Rhaegar, was Jon’s father). And perfect timing as Khaleesi is headed to Westeros with her dragons and all. Naturally, this begs the question of when Jon will find out who he is and what type of union might follow between Khaleesi and Jon.
Sticking with the Starks, Arya went through quite a journey in season six, and seems to have emerged as the person she will be for the final stretch of the story. For what seemed like an eternity, Arya trained to become nobody. She was instructed that in order to become nobody and learn to become a Faceless Man, she would have to strip herself of her identity as Arya Stark. She spent years in brutal training, only to realize in the end, that she was Arya Stark. If you think about the transformation, it feels like a waste of time, but then again maybe Jaqen H’ghar was pushing her to become nobody in the hopes that it would actually make her somebody — Arya Stark — and a stronger version of that somebody.
Having now reclaimed her identity and appearing stronger than ever (not to mention trained in the ways of the Faceless Men), Arya appears back on Westeros and crosses another name off her list. She slits the throat of Walder Frey, the man responsible for a good chunk of the Red Wedding that killed her brother Robb and mother Cat. What’s next for Arya is anybody’s guess. Now that she’s in the Riverlands of Westeros, she’s not terribly far from Sansa or Jon, and with Winterfell reclaimed, perhaps she’ll go reunite with her siblings. Or, even better yet, perhaps she’ll reunite with the Hound, who is also not far away. Which takes us to…
After Arya leaves the Hound for dead in the finale of season four, I was heartbroken. Not just because the Hound was my favorite character, but because the bond that had developed between these two characters was unlike any other, and I couldn’t believe it was coming to an end. So I refused to believe the Hound was dead, and 17 episodes later, it was magical to learn that the Hound was still alive! He had fallen in with a small religious village and living a simple life, removed from the violence with which we have come to associate him.
That quickly changed though as a few rogue members of the Brotherhood Without Banners slay the village. The Hound eventually catches up with them as they are being held by the leaders of the Brotherhood Without Banners, Thoros of Myr and Beric Dondarrion, whom we had also not seen for several seasons. In the end, they grant the Hound his wish of killing these murderers, and the Hound agrees to join them in their mission. It is interesting to see the Hound join Thoros and Beric, as these were the very men he fought in a trial-by-combat many seasons prior. Worth noting, in that trial-by-combat, he killed Beric, though Beric was quickly brought back to life by the Red Priest, Thoros. We know that Thoros has been able to bring Beric back many times before, once again demonstrating that the Lord of Light does in fact have true power, and also highlighting the importance of the role that Beric, Thoros and likely the Hound will have to play in the coming episodes.
KHALEESI & CO.
So after five seasons of wandering through the desert and freeing a bunch of slaves, my least favorite story line, Khaleesi’s, finally advanced to where we all had hoped it would. But before we dive into that, let’s quickly recap the squad that she has assembled overt he years. Khaleesi has Grey Worm, in command of 8,000 Unsullied soldiers and Daario Naharis, in command of 2,000 Second Sons soldiers. On top of that, she has thousands of Dothraki soldiers that she won over after defeating the Khals and walking through fire. Her original advisers, Ser Barristan Selmy and Ser Jorah Mormont are both gone, with the former dead and the latter banished to find a cure for his greyscale disease. In their place, Khaleesi has received new counsel in the form of Tyrion and Varys. Tyrion has quickly become Khaleesi’s most trusted and wisest adviser, and in the finale episode, she names him Hand of the Queen. Khaleesi also has Missandei, who has has a slow-developing romance with Grey Worm, which has seemed like a waste of time, but could impact things as they unfold.
Adding to this crew that she had for most of season six, Khaleesi strikes a pact with Yara and Theon of House Greyjoy. Yara and Theon pledge their allegiance to Khaleesi and promise her their support and 100+ ships, if she will allow them lordship over the Iron Islands when she sits upon the Throne. Khaleesi agrees, but explains something very powerful: they will leave the world a better place than they found it. This means that the Ironborn will not be able to go back to their savage ways of raiding the mainland, stealing, raping and pillaging. Yara reminds Khaleesi that this is their way of life, but Khaleesi does not budge on her terms. She also reminds them that all three of their fathers (the Mad King, Lord Tywin and Balon Greyjoy) were ruthless men who brought much evil into the world. The parallels that were drawn between the previous rulers of their powerful houses and the next generation of rulers is very important to consider.
What’s more is that this scene is a direct allusion to Aegon Targaryen and his Conquest of the Seven Kingdoms, during which he made very similar pacts with the powerful houses of Westeros. Like Khaleesi did, he granted them lordship and autonomy over their regions of Westeros, so long as they pledged their allegiance to him — the new Targaryen king that would unite all of Westeros for the first time. Those who refused ultimately suffered catastrophic losses, while those who bent the knee (House Stark, House Tully, House Greyjoy, etc) were allowed to live in peace and oversee their lands and smaller-houses autonomously. 300 years later, Khaleesi is once again striking similar pacts as Aegon Targaryen did before her.
But back to the Greyjoys for a minute — it is important to remember that the reason Yara and Theon struck this alliance with Khaleesi is because they are on the run from Euron Greyjoy — their uncle who killed their father and is now on the quest for power. From what we’ve seen of him, and what the books have also described, he is a crazy man that will do anything to achieve what he wants. It will be interesting to see what alliances he forms, and one can only guess that he may join up with the Khaleesi’s number one enemy — Cercei and the Lannisters.
And if 3 dragons, tens of thousands of soldiers, and a new fleet of ships is not enough power for Khaleesi to storm Westeros, let’s not forget that it looks like she will also be backed by two more very powerful houses — House Martell and House Tyrell. In the finale of season six, we see Lady Olenna meeting with the Sand Snakes (who have recently killed Prince Doran and taken control of Dorne), telling them that all she has left in this world is the opportunity to avenge the deaths of her son, Mace Tyrell, and grandchildren, Margaery and Loras. She has come to the right place, as the Sand Snakes too have longed wanted revenge against the Lannisters for the role they played in murdering several Martells.
As a refresher, during Robert’s Rebellion, after the Mad King was overthrown, Tywin Lannister ordered The Mountain to kill any remaining Targaryens in King’s Landing. At the time, Prince Rhaegar (The Mad King’s son/Khaleesi’s oldest brother) had been wed to Elia Martell (The Red Viper/Prince Doran’s sister) and had two babies, which were half Martell and half Targaryen. Following Tywin’s orders, The Mountain raped and killed Elia Martell, before killing her two babies. House Martell has wanted revenge against House Lannister for many years, and most recently, The Red Viper had a chance to avenge these deaths when he battled The Mountain in Tyrion’s trial-by-combat. Unfortunately, he lost and was killed by the Mountain, only furthering the revenge that the Sand Snakes and House Martell seek against the Lannisters.
So, Lady Olenna, representing House Tyrell, the largest and arguably most powerful/wealthy house in Westeros today, is banding together with the Martells in their quest for revenge. Conveniently, Lord Varys joins the scene offering “fire and blood” if they join Khaleesi, who also wants revenge against the Lannisters. Assuming they join her cause, Khaleesi now not only has dragons, a fleet of ships and likely the largest army in the world, but also backing from two of the most powerful houses in Westeros (and partial backing from a third, House Greyjoy). It’s hard to imagine that anybody will be able to stop her.
SAM TARLY AND THE CITADEL
In the final episode of last season, Sam Tarly arrives at the city of Oldtown which is the second largest city in all of Westeros, and by far the oldest, dating back thousands of years. The most important feature of Oldtown is that it is the home of the Citadel, where the ancient Order of the Maestars train and study to become wise scholars. So, what is the significance of Sam finally arriving to the legendary Citadel? Well, for starters, we know that the Citadel houses tens of thousands of books which cover the history of the known world. We see the massive library that Sam walks into and it is magical to consider the rich detail of the history of the world that is contained inside those books.
In the war that is to come against darkness and death, humanity will certainly need to band together. But having a chance to win this war will require more than just soldiers — it will require wisdom and knowledge. This is likely where Sam will come into play. First, we already know that Sam killed a White Walker back in season three, using the Dragonglass that he found. Not only does this make Sam one of the very few humans alive to have killed a White Walker, but it provides him with the knowledge that Dragonglass can be used to kill the White Walkers. He will likely be able to use this knowledge, and other wisdom that he’ll need to discover from the Citadel, in order to support Jon Snow and the rest of humanity in their battle against the White Walkers. There was another very interesting reveal in the finale episode last season regarding Sam and the Citadel, and what we might have seen when he entered the library — you can read more about that here.
THE BIG PICTURE
As this recap comes to a close and we’ve recapped where things left off in season six, let’s quickly look forward to “the big picture” and the stage that has been set for season seven. The biggest takeaway is that many smaller sides are coming together to form larger alliances, and we are likely to witness some very big battles this season — bigger than anything we’ve seen to date. In the past, there were so many different games being played by so many different players. There were fights for land, houses, religion, and of course the Iron Throne. But now, as we approach the end, these smaller and less significant games will all start to come together, as will the players involved. And, as this recap has more or less outlined, we can already see the teams that are coming together.
The biggest battle that seems imminent is that between Cercei, who holds the Iron Throne, and Khaleesi, who is coming for it. With her, Khaleesi will likely be joined by houses Tyrell, Martell and part of Greyjoy. On her side, Cercei will have the power of the Lannister army, possibly the other half of House Greyjoy (if Euron joins with Cercei) and likely some other players that will join Cercei’s fight to keep the Targaryens away from the Iron Throne. In short, most of the great houses of Westeros have picked sides and a massive battle is in store.
In the North, Jon Snow is rebuilding his own northern fleet and gaining the backing of many northern houses. It will be interesting to see what role he and the North play in the battle that will take part in the south, and if they get involved at all, or solely focus on the larger war that he knows is coming — the war against death and darkness.
There are of course tons of other players to consider and it will be great to see how they pick sides, as it seems inevitable that eventually, as the many games narrow down to just one or two, everybody will have to choose a side.
OTHER THINGS TO KEEP AN EYE ON
As we know, Thrones and it’s story arc is quite detailed and intricate. Characters and plot-points are sometimes introduced in certain episode, and then not touched upon again until many episodes, or even seasons later.There have been countless instances of this, and it is this depth of plot development that is so unique to Thrones. So, as we come into the home stretch with just 13 episodes left to go, you can bet that we are going to have a bunch of “Aha! moments” where something from a long while ago, that we probably forgot about, comes back into focus. So here are some interesting tidbits to keep your eye on:
Gendry, who we’ve not seen in many seasons, could turn out to be a very significant character that will reemerge at some point in the near future. We have not seen Gendry since Lady Melisandre and Stannis held him prisoner in the third season so that Melisandre could use his King’s Blood (remember, he is the son of King Robert Baratheon). After Melisandre convinced Stannis that they must execute Gendry as a sacrifice to the Lord of Light, Davos undermines their efforts and sets Gendry free. Gendry took off in a small row boat, never to be seen again. But here’s what we know. First, Gendry has King’s Blood which is in important. Second, Ser Davos went through a lot of trouble and risked his life to save Gendry, so it probably wasn’t for us to never see Gendry again. Third, and arguably most important, with the recent death of Tommen (who was actually a Baratheon), Gendry is officially the last living Baratheon that we know of. When the show started, House Baratheon was one of the most powerful, with many important players (Robert, Stannis, Renly, etc). Historically, House Baratheon has been one of the most powerful houses for hundreds of years. Yet today, it has become all but extinct. Enter Gendry, the last living Baratheon who represents the possibility of reviving this once powerful house. And yet, there is one more very interesting tidbit about Gendry to consider. We were first introduced to Gendry as a bastard boy who was the apprentice to Tobho Mott. Before coming to King’s Landing and serving as a master blacksmith, Tobho Mott was originally from Qohor (in Essos), a city that is famed for producing blacksmiths that are masters in forging Valyrian steel. In an early episode, while in King’s Landing, it is mentioned that Tobho has the ability to reforge Valyrian steel. Though we never saw him do it, and it was only touched upon for a brief moment, it is entirely reasonable to consider that Tobho may have passed on this ancient skill to his apprentice, Gendry. If that is the case, Gendry would be one of the few men alive with the knowledge and ability to forge Valyrian steel, which makes him all the more significant as Valyrian steel weapons will be needed to defeat the White Walkers in the coming war.
Jorah Mormont is another character that is out there somewhere, though we haven’t seen him in some time and can’t be sure what he’s up to. We’ve not seen him since midway through the sixth season, at which point Khaleesi ordered him to find a cure for his greyscale, so that he can stand beside her as she retakes the Seven Kingdoms. There are some definite question marks here around whether or not he’ll be able to find a cure and whether he’ll ever reunite with Khaleesi. There is another intriguing scenario to consider — the distinct possibility that he somehow makes it back to Westeros and House Mormont, which is currently being led by the young Lyanna Mormont. Since Lyanna has pledged her support to Jon Snow/House Stark, if this did happen, Jorah could end up aligning with Jon Snow. This would be particularly powerful as Jon Snow was trained by Jorah’s father, Lord Commander Mormont, and fights with Longclaw, the Lord Commander’s Valyrian steel sword, which he gave to Jon because with Jorah banished from Westeros, he had no heir to pass it onto. It’s a very interesting scenario to consider.
The Prince That Was Promised: You can read more about The Prince That Was Promised here, but in short, 8,000 years ago the Long Night came, which is regarded as the longest winter ever known to man — one that brought cold and darkness to an entire generation. During the Long Night, the White Walkers came from the deep North and nearly pushed humanity to extinction. A great battle took place, led by the legendary warrior, Azor Ahai, who fought with a flaming sword called Lightbringer. Azor Ahai fought back the White Walkers, at which point the Wall was built to prevent them from ever invading again. When Azor Ahai died, it was prophesized that at some time in the future, the White Walkers would come again, and Azor Ahai would be reincarnated as the Prince That Was Promised, to once again lead the fight against darkness. Since the beginning of the show, Lady Melisandre believed Stannis was the Prince That Was Promised and destined to fight back the White Walkers, but she turned out to be wrong about that. Since then, some have thought Jon Snow to be the Prince That Was Promised, while others have noted it could be Khaleesi. Whether or not the show will definitively answer this is TBD, but it’s an interesting theory to keep your eye on.
Speaking of Lady Melisandre, there are some rather large question marks surrounding her and what role she might play in the future. Having once believed Melisandre was an all-knowing priestess who could interpret the words of the Lord of Light, she revealed herself last season to actually be an old decrepit woman, who has masked her appearance through the use of her potions and elixirs. She has shown clear powers many times, whether it was the ability to birth the shadow that killed Renly Baratheon or her ability to resurrect Jon Snow, but she was also wrong many times, particularly about all the faith she put into Stannis. After being banished from the North by Jon Snow for sacrificing Princess Shireen, where will Melisandre surface and what role will she play in the final hours of this story?
To say Direwolves are important to this story would be an understatement. After all, it was the very first episode of this series when the Starks found the six Direwolf pups, one for each child. Sadly, four of the six have been killed throughout the years. But, the good news is that there are still two living Stark wolves, one of which we have not seen since the first season! Jon’s wolf, Ghost, is the only one that has been in the picture recently. But, Nymeria, Arya’s wolf, we have not seen since midway through the very first season. After Cercei ordered Nymeria to be executed for biting Joffrey, Arya set Nymeria free so they could not execute her (instead, they executed Sansa’s wolf, Lady). With Arya back in Westeros, and very close to the place where she originally set Nymeria free, it is worth keeping your eye out for the possibility of Arya and Nymeria being reunited.
Benjen Stark is also out there somewhere. After disappearing north of the Wall in season one, most of us probably forgot about Benjen altogether, and it was not until five years later, in season six, that Benjen makes a surprise return. Benjen aided Bran and Meera on their journey north of the Wall, but had to part ways once they passed south of the Wall, as he explained the Wall had ancient magic preventing the dead from passing through (thus also revealing that he is technically dead). Benjen is particularly significant because he is Ned’s brother, and thus the closest thing any of the Stark children have left to a parent. The fact that he is half-dead and has knowledge of fighting the White Walkers reveal that he will likely play a role in the war that is to come.
What did Varys hear in the flames? This is another important question that has been touched upon a few times throughout the seasons, most recently last season when Tyrion and Varys are visited by Kinvara, the High Red Priestess of Volantis. She asks Varys if he remembers what he heard from the flames and who the voice was that he heard, the night that he was mutilated. She is referring to what Varys revealed in an earlier season when he told the story of how he was drugged by a sorcerer when he was a small boy. As he lay helpless and paralyzed, the sorcerer castrated him and tossed his “parts” into the fire. Varys recalls hearing a voice call out to him from the flames, but adds that he was drugged and in much pain, so he could not make out what he heard. Many seasons later, this resurfaces when Kinvara visits them and tells them that she will spread the word that Khaleesi is the one who was promised (alluding to her belief that Khaleesi is the Prince That Was Promised), and the one who will fight back the darkness with her dragons. Varys is skeptical of Kinvara, as he is generally skeptical and averse to “blood magic” due to what happened to him as a child. He challenges Kinvara, noting the other Red Priestess, Melisandre, had said something similar of Stannis but was wrong. Kinvara responds to Varys, and asks “Do you remember what you heard that night? You heard a voice call out from the flames, do you remember? Should I tell you what the voice said? Should I tell you the name of the one who spoke?” Is it possible that Varys heard the voice of the Lord of Light when he was just a small boy, and has been unknowingly serving the Lord of Light ever since? It’s hard to imagine what he actually heard, but clearly it was something important, and could be something we find out in the coming episodes.
Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.
THE WINDS OF WINTER
Put in the books…Season six is officially over, which means we have about a full year to wait until the return of Thrones. But if there was ever a season which delivered enough magic, enough surprise and enough excitement to last us until next season, this was it. And putting an exclamation point on this incredible season was the finale episode, The Winds of Winter, which delivered enough major plot-twists for multiple finale episodes. In past seasons, we would’ve gotten one major event in the finale episode to make us go “wow, that was amazing,” and hold us over until the following season. In this episode, we got four or five of those moments, seemingly one after the next. Cercei blowing up the Holy Sept of Baelor and killing all her enemies in one fell swoop, including basically all of House Tyrell. Oh, and doing it with wild fire no less. Tommen casually jumping out the window to his death. Jon Snow being declared King in the North. Cercei assuming the freakin’ Iron Throne. Arya revealing she’s already back in Westeros and taking out her enemies. After six years, Khaleesi is actually leaving Easteros to take what is hers — the Iron Throne of Westeros. Oh, and did we mention that Winter is officially here?
Any one of these events could’ve been enough to end the finale on, especially after last week’s epic Battle of the Bastards. But as season six came to an end, we didn’t get one major event, we got them all. Because whereas the objective of past seasons’ finales was to wind the show down and bring things to a close, the purpose of this finale was the exact opposite: to propel the show to all-time highs and position characters for the final lap ahead. That’s right, there’s not much left and the end is near. Likely split over two more seasons, we are looking at 12-14 more episodes total, and that’s it for Game of Thrones, folks. So there is no wind-down at this point. There is no deliberation or hiatus. We are in the thick of it now, full force, and The Winds of Winter pointed us in the direction we are headed.
But before we jump into a recap of the episode, let’s explore what the show is really about at this point. To date, Thrones has been about a lot of things: power, loyalty, war, love, vengeance, deception, to name a few. But as the show has evolved through the years, and now nears its end, what is it really about? As I asked myself this question and reflected back on the finale episode and this season as a whole, I thought about thing: survival. It was once about who could play the Game of Thrones, now it’s about who can survive it. In this finale episode, we saw three major characters who have survived and now risen to the top: Khaleesi, Cercei and Jon Snow, each of whom is now a King/Queen.
What is also interesting when thinking about the survival of characters is how dominant the females are as season six comes to a close. For a show that was often-criticized about the subjection of its female characters (which hit an all-time high last season after the rape of Sansa by Ramsay), it is now the females who are in positions of power and dictating the outcome of this story. Cercei has ascended the Iron Throne and is the Queen of the Seven Kingdoms. Khaleesi is the Mother of Dragons and commands an army of loyal followers that appears to be growing by the day. Yara, not Theon, is calling the shots for House Greyjoy and has joined up with Khaleesi. Arya is crossing names off her list in Westeros. Sansa won the battle against Ramsay and got her revenge, and also pushes off Baelish in this episode. In Dorne, it is the Tyrell and Martell females that convene to discuss their revenge against the Lannisters. Even Lyanna Mormont, an 11-year-old girl, appears more powerful than all the men of the North, as she reminds that House Mormont stands with House Stark and that the North remembers, ultimately swaying the other Northern houses to support the Stark cause. Even once-powerful men like Tyrion and Varys have now abandoned their personal endeavors to support the greater cause of a female character. In fact, when you stop and look around, it’s almost hard to name the major male characters that are really in the picture, other than Jon Snow. We’ve come a long way since the earlier seasons which covered the Battle of the Five Kings, mostly all males fighting for the Iron Throne. And now, winter is no longer coming. Winter is here.
DARKNESS IN KING’S LANDING
Many people, including myself, were predicting a possible death for Cercei in the finale episode. She was weakened by her walk of shame, never seemed to quite recover from it and appeared relatively powerless this entire season. And when trial-by-combat was ruled out, it looked like the end might be near for Cercei. Boy, were we wrong. The episode opens as we see various characters dressing for the trial. Margaery and Tommen both dress in regal garb, fit of a king and queen, while the High Sparrow throws on his minimalist robes. But Cercei is preparing for something entirely different, as she dresses in an all black piece that almost resembles armor. This entire segment, which was one of the longest we’ve seen, was accompanied by a beautiful piano arrangement called Light of the Seven by Ramin Djawadi, which can be heard in the video below. It was unlike any other music that has ever been played in an episode before, and captured a particular eeriness, hinting that something terribly out of the ordinary was going to happen. It was masterfully executed, and though I don’t think it’s worthwhile to compare the books to the show, since they’re both genius in different ways, this was an example of how music, and visuals and directorial vision can setup a major event that was to come in a way that the books never could.
As everybody stands around the Sept of Baelor, it is Queen Margaery who realizes that something is wrong after Cercei and Tommen both no-show. She warns that everybody must leave the Sept, but the High Sparrow’s stubborn faith gets the best of him as he instructs the Faith Militant to prevent anybody from leaving. Elsewhere, Maestar Pycelle is tricked into entering the tunnels below King’s Landing, as is one of the Faith Militant, Lancel Lannister, both of whom are stabbed by Qyburn’s little birdies. It’s unclear what Qyburn has done to these little peasant children or why children were needed to do the actual killing, and maybe we’ll find that out down the road, but we did see Qyburn with these children in an earlier episode this season, so we knew he was up to something. What we also saw a few episodes back, after Tommen declared that trial-by-combat would be illegal moving forward, was Cercei asking Maestar Qyburn whether the rumors were true, to which he responded that they definitely were, more so than she could even imagine. We now know that she was asking him about the wild fire, which she would use to blow up the Sept of Baelor and kill everybody inside.
Beyond the power of this scene and the way it unfolded, there are some very interesting takeaways. First, we got a glimpse of this wild fire explosion many episodes back in one of Bran’s visions, which very quickly showed the green flames engulfing the tunnels below King’s Landing (see photo below). So, Bran saw this before it actually happened, and so did we. This speaks volumes to other visions he may have of events that are yet to unfold, with the potential to stop them before they happen. Next, it is very powerful to consider that Cercei did the very thing that her brother killed the Mad King to avoid from happening. Going back to the Mad King Aerys Targaryen (Khaleesi’s father), when Robert’s Rebellion succeeded and the rebels arrived at King’s Landing, rather than surrender, the Mad King kept saying “Burn them all.” He was obsessed with wild fire and wanted to use the wild fire to blow up all of King’s Landing and burn everybody alive, rather than let the rebels usurp the Iron Throne. Though he was sworn to protect the king, Jaime put his sword through the Mad King’s back, and would forever be known as Kingslayer. He broke his sworn oath to protect the king in order to save tens of thousands of innocent lives who otherwise would’ve been burned alive. Ironically, years later, it is his own sister who ends up doing this very same thing, albeit in a more controlled fashion as to eliminate her enemies in the Sept of Baelor and not all of King’s Landing.
From Bran’s vision
As Tommen looks on and sees the Sept explode into the sky, realizing everybody has just died, including his Queen Margaery, he is in total disbelief. He is just a boy — a boy that watched his older brother murdered when he was king and who then lost his sister to murder as well. His mother was locked away and then forced into a humiliating walk of shame. The High Sparrow and Margaery have been in his ear telling him to follow the Faith. Rumors swirl around about who his true parents are. Talk about stress — the things Tommen has dealt with since being a little boy are enough to drive anybody to suicide. So now, after watching the Sept explode, he’s had enough, and in an indifferent fashion, decides to simply fall to his death. This marks the third child that Cercei has lost, and unlike the murders of her first two children, Cercei has nobody to blame but herself for the death of Tommen. Interestingly, in the premiere episode of season five, we saw a flashback of Cercei as a child as she wanders into the woods to find a witch. The witch tells her of a prophecy in which all of her children would eventually die (see video below). Now, decades later, this prophecy has been fully realized and Cercei has lost all of her children. Well, at least most of the prophecy has been realized. The witch also tells Cercei that she will eventually be replaced by another queen, younger and more beautiful. It’s safe to assume that this will be Khaleesi.
Perhaps, in some ways, Cercei wanted Tommen to die, even if subconsciously. After all, as she stated so many times, her purpose in life was to protect and defend her children. Well, clearly she wasn’t so good at that. Or maybe, it was a greater drive that she had which outweighed her ability to truly protect her children. Maybe it was her undying quest for power. And after losing two-thirds of her children and sort of already losing the third to all the madness of King’s Landing, she was ready to rid herself of all her motherly baggage, which is in fact what happened. And now, free of any responsibility or burden to her children, Cercei is able to ascend the Iron Throne and take what is hers. Dressed in all black, the Throne Room looks darker than ever before, nobody daring to question her claim. She appears cold and ruthless, hardened by the deaths of her children and the torture she experienced at the hand of the Faith. Now that Cercei has taken the Throne, she’ll be free to pursue vengeance against the murderers of her children, namely the Martells of Dorne. But how will Jaime fit into this? He looked rather unpleased, if not shocked, at the scene he saw upon arriving back to King’s Landing. Perhaps, Cercei and Jaime’s union is starting to unravel, and maybe Jaime resists Cercei’s pull to the dark side.
KING IN THE NORTH
We get first glimpse of Jon Snow in the halls of Winterfell as he stands with Melisandre, moments before Davos storms in commands Lady Melisandre to tell Jon Snow what she’s done to Princess Shireen. Davos is more emotional and angry than we’ve ever seen him before and it is clear that he truly loved Princess Shireen like a father. Melisandre confesses to her crimes, but adds that she has only done what the Lord of Light commanded. Once again juxtaposing Melisandre’s faith to her god against Davos’ commitment to morality and reason, Davos exclaims “If your god commanded you to burn an innocent little girl, then your god is evil!” Davos appeals to Jon Snow and demands that Melisandre be executed, to which Melisandre tells Jon Snow that her work is not done. Clearly, Jon Snow believes this, and knows that he may yet need her down the road. He commands her to ride south, rather than executing her.
As Melisandre rides off, Jon Snow and Sansa stand atop the ramparts of Winterfell. Jon Snow acknowledges that it was Sansa who won the battle by securing the Knights of the Vale, but notes that they must trust each other moving forward. He tells her that he is not a Stark, and wishes for Sansa to be the Lady of Winterfell, rather than he. Sansa also tells Jon that a white raven has come from the Citadel and the Maestars have determined that winter is officially here. As if we didn’t already realize that the show is really reaching an all-time highpoint, we just got explicit confirmation — after six years of waiting, winter has now come.
Standing beneath a weirwood tree, Sansa tells Baelish that she no longer prays and is done with the gods. As they discuss what it is that Baelish really wants, a question we would all love answered as well, Baelish tells Sansa that he wants to sit on the Iron Throne as king with Sansa as his queen. As he goes into kiss her, she pushes him off and tells him that it’s a “pretty picture.” Again, we see that Sansa is not a naive child and will not be easily manipulated. But more importantly, we finally hear Baelish explicitly reveal what he wants, which is ultimate power. Throughout the last six seasons, there have been breadcrumbs along the way which have pointed us in the direction of Littlefinger’s true intentions. In the very first season, Baelish has a conversation with the keep of his whorehouse in King’s Landing, and he retells the story of how he challenged Brandon Stark (Ned’s older brother) to a duel, to win the love of Catelyn Tully. He lost that duel to the much fiercer Stark warrior and was badly embarrassed and injured that day. “You know what I learnt losing that duel? I learnt that I’ll never win. Not that way. That’s their game, their rules. I’m not going to fight them: I’m going to fuck them. That’s what I know, that’s what I am, and only by admitting what we are can we get what we want.” When she asks him what it is that he wants, he responds “Oh, everything, my dear. Everything there is.” Littlefinger has also often referenced investments he has made, some good and some bad, in an effort to achieve his means. In an earlier season, Varys also noted “Baelish would let the whole country burn if he could be king of the ashes.” And finally, years later, he comes right out and tells Sansa what he wants — the Iron Throne with her beside him.
Later, in Winterfell, the remaining houses of the North gather and Jon Snow makes his case for their support. Winter is here and the North will be the front line against the White Walkers that are coming — nobody knows this better than Jon Snow. Still, the Northern houses have doubt and express uncertainty about once again supporting House Stark. Lyanna Mormont, not only the only female in the room (besides Sansa), but also youngest in the room, delivers a passionate speech noting that House Mormont stands with House Stark and that the North remembers. Houses Manderly and Glover are moved by her words and pledge their support of House Stark, declaring Jon Snow the King in the North. Before long, the whole hall is shouting for Jon Snow as King in the North, much the way they once did for Robb Stark — hopefully this one has a better ending.
Certainly, Jon Snow will be a much different kind of king. He has no interest in the Iron Throne or petty battles — his eyes are set on defending humanity from the army of the dead. Moreover, he’s seen a lot and experienced much more than his brother Robb ever did, including dying and being brought back from the dead. Jon Snow now has the beginning of an army, but it’s unclear how Sansa feels about this. Just moments before, he was telling her that it should be her who leads House Stark, not him. Sansa exchanges a glance with Baelish, who quietly observes like a fly on the wall. The look they exchanged was almost as if Baelish was saying “Hey, my offer is still on the table. I am still on the quest for power and you can share that quest with me, rather than going back to being the sister of the King in the North.” We’ll have to wait until next season to see how this all unfolds, but to see Jon Snow brought back from the dead, defeat Ramsay to reclaim Winterfell and now to be declared King in the North with House Stark finally supported again by the other Northern houses, is a welcomed and long-awaited turn of fortune for the Starks. And let’s not forget, both Bran and Arya are not not too far away from Winterfell.
After not having seen Dorne since the first episode when the Sand Snakes executed Prince Doran, we are taken back to the southernmost region of Westeros, where Lady Olenna Tyrell is convening with the Sand Snakes. Lady Olenna has basically lost everything, including her son and two grandchildren, with no apparent heir to Highgarden. She makes it clear that all the world can offer her is revenge. Perfect timing, as Varys enters the scene, offering fire and blood. The Martells and Tyrells both have a common enemy in the Lannisters, namely Cercei. Luckily for them, the Lannisters are also the enemy of Khaleesi (it was Jaime who killed her father and Lord Tywin who orchestrated much of the rebellion). So, Varys offers the Martells and Tyrells to join Khaleesi’s cause, with the promise of imminent revenge.
This is an extremely significant development for Khaleesi’s camp, which was already in great shape with three dragons, a wise and loyal small council, armies of the Dothraki and Unsullied, support of House Greyjoy and 100 ships to travel to Westeros. Now, Khaleesi has landed the support that she’ll need when she finally arrives to Westeros. And not just any support. House Tyrell is the wealthiest and largest house in all of Westeros, making them an incredibly important asset to Khaleesi. The support of the fierce Dornish people is also very valuable, but not as valuable as their land. Dorne is the southernmost region of Westeros, isolated from all the other kingdoms, making it a great landing place for Khaleesi, her dragons and her army. Outside of Dorne, there are not many places on Westeros Khaleesi could land without being thrown right into conflict with other houses. But because Dorne is so far removed from the rest of the continent, it makes the most ideal landing place. It is also interesting to note that during Aegon’s Conquest 300 years ago, Aegon was able to conquer and unite six of the Seven Kingdoms, with Dorne being the only one he was unable to hold. The reason being that it was too far from the rest of the continent, proving too difficult to conquer. It wasn’t until many years later that Dorne became the seventh kingdom through an arranged marriage between Houses Martell and Targaryen. Unlike Aegon, the first Targaryen to conquer the land of Westeros, Khaleesi is now entering Westeros with an alliance with the Martells of Dorne, which should prove hugely valuable to her conquest of the Iron Throne.
ONE MORE NAME OFF THE LIST
As Walder Frey continues to gloat upon his recent successes, Jaime reminds him that it was House Lannister that was responsible for these victories, and that House Frey is dispensable. Proving this true, moments later, we learn that Arya is not only back in Westeros, but is crossing names off her kill list. And, even more, she made sure to grab some faces from The House of Black and White before she left Braavos. Arya killed the two Frey sons and cooked them into a pie that she fed to Walder. She reveals all of this just moments before slitting his throat.
Besides the awesomeness of seeing Arya back in Westeros and avenging the deaths of her family murdered in the Red Wedding, there was another layer to the way she did it, which goes back to a season three episode in which Bran told the story of the Rat Cook. According to legend, thousands of years ago, a King once visited a castle of the Night’s Watch. During his stay, the King offended members of the Night’s Watch, and as revenge, the cook killed the king’s son, baked him into a pie and served the pie to the king. The king enjoyed the pie so much that he asked for a second helping. The gods punished the cook by turning him into a giant rat, forced to run the halls of the castle and eat his own offspring. According to Bran, the gods were not offended by the murder or even by the cook feeding the king his own son. Rather, the gods could not forgive the ancient law of guest right which the cook had violated. This scared law dictates that a person shall commit no harm to any other person who’ve they’ve taken in as their guest. Bran tells, “It wasn’t for murder the gods cursed the Rat Cook, or for serving the King’s son in a pie… he killed a guest beneath his roof… that’s something the gods can’t forgive.” Many years later, Walder Frey would commit this very same crime as he brutally murdered the Starks who he had taken in as his guests. Rather than just killing him, Arya feeds his sons to him, an allusion back to the story of the Rat Cook and the violation of guest right. It will be interesting to see what comes next for Arya. She is as close to home as she has ever been, but something tells me she’s not quite ready to journey back to Winterfell just yet.
Still north of the Wall, Benjen tells Bran that he cannot join him south as he cannot pass under the Wall. He reminds us of what we’ve heard before: the Wall was built with powerful magic of the Children of the Forest, preventing the dead White Walkers from passing through. Benjen confirms that he is in fact considered dead as he cannot pass under the Wall. So, he will go his separate way and continue to fight off the dead for as long as he can. The reunion between Bran and Benjen was short-lived, but we will likely see Benjen again at some point.
As Bran looks up, he sees a weirwood tree, the magical trees of the Children of the Forest, and he goes to connect with it. Before he does, Meera questions if he is ready, to which he responds that he is now the Three Eyed Raven and he must be ready. This statement can be taken figuratively, as he is now taking on the responsibilities of the Three Eyed Raven. But, maybe it can also be taken literally. What if Bran actually is the Three Eyed Raven? What if they are the same person? The Three Eyed Raven that we saw in the show could be Bran thousands of years in the future, coming back to guide a younger version of himself along his journey to save the world. After all, The Three Eyed Raven stayed propped up in his tree and we never saw him move, just like Bran cannot move. So, maybe Bran and the Three Eyed Raven literally are the same person.
In any event, Bran’s vision takes him to the final reveal of the Tower of Joy, where the younger Ned ascends the tower to find his sister Lyanna, bloody and dying. After many years of hearing about Lyanna, we finally get to see her. Before she passes, she tells Ned that she must take her baby and protect him. If they figure out who he really is (a Targaryen), they will kill him, she says. And just like that, we get confirmation of the most popular fan-theory, R+L=J (Rhaegar Targaryen + Lyanna Stark = Jon). This might not have come as a shock, since it was in fact such a popular fan theory. But, this is arguably the most important reveal that we’ve seen in the entire six seasons. The implications of this reveal are huge.
First, we now understand that Ned raised Jon to be his own, even though he in fact was not. This point backs to the nobility of Ned’s character and what a great man he was. So much so, that he made up a story which reduced his character, claiming that he had a relation with a whore who gave birth to the bastard Jon Snow. Of course, when you consider Ned’s character, this story never made any sense, as his defining characteristic was his moral character. What’s more, his wife Catelyn always resented Ned for this, and every time she saw Jon Snow, she was reminded of this “affair” that Ned had. She hated Jon Snow so much because of this. In reality, none of it was true. Ned never had an affair and Jon wasn’t a bastard. But Ned had to protect Jon Targaryen. If anybody found out he was Targaryen, especially Robert Baratheon, he would have immediately been killed.
So, looking back, it’s pretty powerful to think of everything Ned did to protect Jon Snow. But, looking forward, there’s even more to consider. First, like we said, Jon is a Targaryen. Moreover, he’s half Stark as well, which is quite genetic makeup, arguably the two greatest families. He could be the link between uniting the strength of the North with the power of his Aunt Khaleesi and her Targaryen bloodline. Yes, Khaleesi is Jon’s aunt (her older brother, Rhaegar, was Jon’s father). And perfect timing as Khaleesi is headed to Westeros with her dragons and all. Naturally, this begs the question of when Jon will find out who he is and what type of union might follow between Khaleesi and Jon. But, this also debunks the idea that Jon is Ned’s son, which weakens his claim as King in the North. It was this very episode that Lyanna Mormont stated that Jon had Ned’s blood running through his veins, which we now know to be false. All in all, this was a mind-blowing reveal which will have a huge impact on what is to come.
In Mereen, Khaleesi makes the difficult decision to leave Daario behind to protect the city of Mereen. She notes that in order to make allegiances, she may have to marry, and having him around would be a liability. Even after a heartfelt plea, she remains stone-cold and commands him to stay behind. As she convenes with Tyrion, we learn that this was his advice, to which she once again listened. Quicker than anybody before him, Tyrion has had a major influence on Khaleesi and she continues to value his counsel. Tyrion and Khaleesi have a wonderful exchange, in which she expresses doubt and fear for what is to come next, but he reassures her that he believes in her more than anything in his life. She formalizes their relationship by naming him Hand of the Queen. In a world where nothing is as it seems and peoples intentions have to be constantly questioned, the support that Tyrion and Varys were offering Khaleesi was not necessarily 100% pure. But now that Tyrion has become Hand, we get the feeling that Tyrion is going to be by her side until the end, as one of the wisest strategists and politicians in the world.
And as if all of this was not enough to end the episode on, we get one final truly epic scene, in which Khaleesi and her entire following finally departs Mereen. For six seasons we have seen her endure to build the army and following of loyalists that she has today. She never forced anybody to join her cause; rather they all saw her greatness and made the decision to follow. And now, all united, they head for Westeros, stronger than ever before. Fire and blood will surely be coming….
Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.
The Mad King, Aerys Targaryen, seen for a glimpse in Bran’s vision
In the season six primer I wrote before this season started, I discussed the importance of understanding the context of where the Thrones story currently is in its timeline. In that post, I wrote “For many of the earlier seasons, it always felt like there was so much of the story that still needed to unfold — there was a feeling that we were still just scratching the surface of the story and that it would be a very long time before we really started to near the climax of this magical journey. Well, my Thrones loyalists, I am here to tell you that the time is here…now. As we embark upon Season 6, it is crucial to understand that there will likely only be about 10-12 more episodes after this season. So, in short, we are in the homestretch…The 4th quarter…The final act… There will be no filler episodes or slow-moving plots. We are arriving at our final destination, and it will be a fast-moving and bumpy ride, so buckle up and savor every minute of what’s left.”
Well, six episodes in and we can definitely confirm the above to be true. Things are moving faster than ever, with major advancements in each episode of many of the storylines. Most of the episodes have been action-packed, and each seems to get better than the one before it. After such a busy episode last week that included the major reveal that the Children of the Forest created the first White Walker (the Night King), and learning the reason behind Hodor’s condition while simultaneously viewing his tragic death, I figured that this episode would be an opportunity for the show to pull back a bit and offer up a slower-moving episode. After all, that’s how the show has always been in the past — generally following up an action-packed episode with a more subdued one. But not this season; not when we are so deep in the thick of things like we are now. And with four episodes to go this season, don’t expect things to slow down now. The show’s foot is pressed to the gas pedal and it’s not coming off anytime soon.
BRAN’S VISIONS & UNCLE BENJEN
Bran’s storyline continues to be the most facinating and enjoyable for me as it continues to offer a glimpse into scenes and moments that predate the start of this story. In short, Bran’s visions are allowing us to see things that we’ve only heard about through other characters. And we aren’t just seeing any old scenes — we are seeing flashes of hugely momentous and history-changing events. And while it’s quite interesting and exciting for us to see these as viewers, it’s important to remember the person these visions are really intended for — Bran. As Bran now continues along his path towards becoming the Three Eyed Raven, he is being downloaded on more knowledge than ever before. If he is to fulfill his destiny and play a major role in saving the world, he’ll have to be equipped with a weapon greater than all others — the knowledge of everything that is happening all around him, past, present and future.
So let’s freeze-frame some of the visions Bran saw, most of which only appear on the screen for one second, and could be easily missed. Let’s start with the things Bran saw, that we as viewers had already experienced. Bran got first-hand glimpse of Khaleesi and her dragons, the execution of his father Ned in King’s Landing, the executing of his mother Catelyn at the Red Wedding and the Night King turning a baby into White Walker — all pretty significant learnings (see below). And not only is Bran getting to learn about these happenings, but he’s getting to experience them…He’s getting to relive them…
So now that Bran has seen a lot of the things we’ve seen, let’s talk about the visions he had of things that we had never seen before…Most of which were extremely significant events in recent history. For starters, we got first glimpse of the Mad King as he sits on the Iron Throne and screams “burn them all!” To date, we have heard a lot about the Mad King (Khaleesi’s father), and know that he began to lose his mind and became obsessed with fire, to the point he was burning a lot of people alive. He was the object of Robert’s Rebellion and overthrowing the Mad King was really the event that set in motion most of the story that we are watching today. After all, it affected so many characters so greatly (Jaime murdered the Mad King, Robert/Ned were central to overthrowing him and Robert became king, Khaleesi and her brother had to flee King’s Landing, etc…) So after all of this time, to get first glimpse of the Mad King, to see the last Targaryen king that ever sat on the Iron Throne as he screams to “burn them all” was powerful to say the least. In conjunction with seeing the Mad King, we see his maestars pouring the green wildfire that he often used to burn people alive (the same wildfire that we saw Tyrion use to fend off Stannis during the Battle of Blackwater Bay). And as if all of that was not enough, we actually got to see the moment that Jaime earned his infamous nickname of Kingslayer as he puts his sword into the back of the Mad King.
These were pretty incredible images to see and it cannot be understated the importance that these events had upon setting in motion the story we are seeing today. The overthrowing of the Mad King changed everything for just about everybody, and set up the Game of Thrones. One last image we saw that was less clear is an image of what looks to be a bloody hand touching a wounded body. We saw this image just after Bran saw the young Ned Stark ask where his sister was at the Tower of Joy. I’m guessing that this is an image that we’ll see more of, as Ned arrives to his sister Lyanna to find her dying. This would also add more firepower to the R+L=J theory, assuming that Ned may find his sister dying (along with the baby that she had with Rhaegar Targaryen), and decides to save the baby that will go on to be Jon Snow.
Another significant vision that Bran has, which we’ve seen before, is the shadow of a dragon flying over King’s Landing (seen below). We’ve seen this in Bran’s earlier visions from seasons past, so it seems like it’s just a matter of time until Khaleesi makes her way to Westeros and sees her dragons fly over King’s Landing.
And as if all of that amazingness isn’t enough for the opening scene, there’s much more to come. Bran regains consciousness and tells Meera that they’ve been found. What I loved about this moment was the calmness with which Bran tells Meera. He was not panicked or scared — those are mere human emotions. And while Bran is of course still human, he’s on his journey to becoming something much greater. He is taking steps towards becoming all-knowing, and even as they are found by the wights, Bran is calm and seems to know that everything will be okay. And boy was he right.
Just like that, a dark figure wielding a fire-mace weapon comes out of nowhere to fight off the wights and save Bran and Meera. And who else could it be but Uncle Benjen — or at least a semi-alive/semi-wight version of Uncle Benjen. But before we get into what happened to Uncle Benjen and what this might mean, let’s refresh on who Benjen was. Benjen Stark was the younger brother of Ned, and in Bran’s visions we’ve recently seen him and Ned as young boys. After Ned came of age and became Lord of Winterfell as the eldest Stark, Benjen joined the Night’s Watch to protect the realm. He quickly rose in the ranks and became First Ranger, a position responsible for leading explorations north of the Wall. 63 episodes ago, in the third episode of the first season, Benjen goes north of the Wall to investigate claims of White Walkers, but he never returns. He is presumed dead after this much time, though many of my posts have hypothesized that he is still out there somewhere and will return at a significant time. 63 episodes later, Benjen makes his return to save his nephew Bran…Though he’s not the same Benjen.
This Benjen has a cold, white face, looking semi-dead. Well, that’s because he is kind of somewhat dead. He explains to Bran that he went north of the Wall to find the White Walkers, only the White Walkers found them first. One of the White Walkers plunged his icy sword into Benjen, which would’ve resulted in his death and his turning into a wight. But the Children of the Forest intervened and saved Benjen by inserting dragonglass into his heart (the same magic in reverse as when we saw them create the first White Walker by inserting dragonglass into his heart). This is a very important piece of information, because it teaches us that there is a way to perhaps stop the White Walkers from growing their army of the dead, and to even perhaps bring those who are already dead back to life. The Children’s magic resulted in Benjen staying alive, and presumably working with the Children of the Forest and the Three Eyed Raven over the last five years to become some sort of White-Walker assassin. Benjen seems to know what’s going on, and tells Bran that when the Night King comes for Bran, Bran will be ready.
Finding out that Benjen is still alive all this time later was a huge reveal. Finding out what happened to him, and learning that he will now join Bran in his mission is even bigger. It’s also very significant, as it comes at a time when Bran really needs some support besides just Meera. I am very excited to see Bran and Benjen join forces to take down the White Walkers. But before we totally move on from Benjen, let’s talk about Cold Hands. For non-book-readers, you’ve never heard of Cold Hands, so allow me to share this tidbit with you. And for book-readers, seeing Benjen emerge and appearing to be Cold Hands gives his presence in this episode whole new meaning.
Very early on in the books, a character emerges in the deep north called Cold Hands. He is a dark, shadowy figure that appears to be somewhat dead, and earns the name Cold Hands…well due to his cold, deathly hands. He is a significant character as he helps Bran on his journey much earlier in the story, assisting him in finding the Three Eyed Raven. He also intercepts Sam and Gilly early in the journey north and helps them as well. He was one of the more mysterious characters in the books, but the show completely left him out altogether. Bookreaders have often wondered who or what Cold Hands was, and if he’d ever return. Some hypothesized that Cold Hands could be Benjen, as it would make sense since Benjen disappeared in the deep north and could be this dark mysterious character that is helping Bran in his journey in the north. Well, it seems like there were some pretty clear answers here. Though the show did not mention the name Cold Hands or explicitly connect the dots, Benjen’s appearance and also the fact that he is semi-dead matches the description of Cold Hands perfectly. Maybe Cold Hands will turn out to be Benjen in the books. Or, maybe the show, as it often does, is taking some liberties and blurring the lines between the two characters by turning them into the same one. In any event, it’s pretty clear that the show is confirming Benjen as cold hands, that dark and mysterious character that had helped Bran along his journey much earlier on in the books, and is now doing so in the show. I am very interested to learn exactly what Benjen has been doing for the last five years and how advanced his White-Walker-killing powers are.
SAM & GILLY
Further south, Samwell and Gilly arrive to Sam’s home of Horn Hill. As Sam had mentioned many times throughout seasons past, his father is a powerful man and House Tarly is a prominent house of Westeros. Things appear well at first, with Sam’s mother pleased to see them both. But everything goes sour pretty quickly as Sam’s father does indeed appear to be the hateful and cruel man that Sam had cracked him up to be for many seasons. Watching him treat his own son with such cruelty reminded me scenes between Tywin and Tyrion, where it was unfathomable how a father could loathe their own son to such a great extent. I was really hoping that Sam would stand up for himself — after all, as Gilly pointed out, Sam killed not only a Then wildling, but also a freekin’ White Walker! What have you done Lord Tarly? Hunt a few boar?
Anyway, that didn’t happen, and Sam got chewed out pretty bad by his dad. But at least Sam took a stand, and decided that he would not split with Gilly or the baby, and that they’d stick together. Before leaving Horn Hill, Sam made a bold move and decided to take Heartsbane, the Valyrian steel sword that has been in his family for many centuries. As we know, swords in this show are very significant, especially ones that have names (and are generally Valyrian steel). Ice was Ned Stark’s sword, which eventually ended in the hands of Lord Tywin, who melted it down into two smaller Valyrian steel swords, one of which Brienne now has (Jaime gave it to her). Longclaw was Lord Commander Mormont’s Valyrian steel sword and he eventually gave it to Jon Snow. Heartsbane is one of the other significant Valyrian swords, and these swords should become all the more important as the war against the White Walkers becomes more prominent (we know that Valyrian steel can take down a White Walker after Jon Snow killed one at Hardhome last season). So, keep an eye on these beautiful Valyrian steel swords, and take not of who possesses them.
In my least favorite storyline, things take an interesting turn in King’s Landing, as Margaery comes around to the High Sparrow and starts to see things his way. What’s more, she is able to convince Tommen to do the same. My money says that Margaery has not actually become a devout woman, and that she is manipulating Tommen to buy into the High Sparrow’s rhetoric. By doing so, and bringing the crown and the High Sparrow together, Margaery is weakening the position of House Lannister, which ultimately still remains an enemy to House Tyrell. Her reasoning worked out well for her, as we see Tommen relieve Jaime of his rank of Lord Commander of the King’s Guard. Needless to say, Jaime is furious and wants to kill the High Sparrow, though Cercei reminds him that he will probably die if he does this, and they need to stay alive for each other so they can strategically take down their enemies and restore glory to House Lannister.
Cercei reminds Jaime that her trial is coming up but that she will demand a trial by combat and the Mountain will be her champion. The trial by combats we’ve seen to date have all been highly entertaining, most notably the last one that included the Mountain (vs the Red Viper), and actually was the reason that the Mountain is the way he is today. It should be quite exciting to see the Mountain fight in another trial by combat, assuming he does. It will also be interesting to consider who the hell would step in to fight against him?
Last, but not least, Cercei tells Jaime that he should follow the orders of King Tommen and go to retake Riverrun from the Blackfish. We also see Walder Frey, in the same hall where he executed the Red Wedding, telling his sons to do the same and to take back Riverrun from the Blackfish. Walder Frey also mentions that the Brotherhood Without Banners has been raiding the Riverlands, causing additional difficulty for House Frey. We haven’t seen the Brotherhood Without Banners, led by Thoros of Myr and Beric Dondarrion, in quite some time, so it was exciting to hear their mention and hopefully we’ll see them soon.
Thoros of Myr, saving Beric Dondarrion, both of who lead the Brotherhood Without Banners
The Frey sons tell Walder Frey that they do not have enough men, so it’ll be interesting to see just how large Blackfish’s army is. In any event, it seems like the Freys and Jaime are both headed for Riverrun. But they aren’t the only ones — let’s not forget that in last week’s episode, Sansa sent Brienne to Riverrun to speak with Blackfish and to hopefully unite forces. Which makes us wonder — will Jaime and Brienne reunite at Riverrun? If so, it should be quite interesting, consider that they’ll be on opposite ends of this fight. Brienne will be going to Riverrun as an ally of Blackfish, while Jaime will be going there as an enemy to retake Riverrun from him. Brienne and Jaime became quite close, Jaime even risked his life to save her, so perhaps there will be a middle-ground that can be found and the microcosm of the relationship between these two characters can bring a greater good to the sides that they represent. Oh, and one more note — we saw in this episode that Walder Frey still has Edmure Tully alive and has been holding him prisoner since his wedding night (the Red Wedding).
WHO IS A GIRL?
Talk about an identity crisis… Is Arya more confused than ever? Or has she perhaps finally found clarity as to who she wants to be? It seems like the latter. For a very long time, Arya was having trouble shaking her identity of Arya Stark, even as the Faceless Men trained her to do so. And finally, we saw a major breakthrough, as Arya was offered her vision back if she would say that she was Arya Stark, but she refused to do so, insisting that she was nobody. Then, going even a step further, to truly become nobody, Arya was willing to drink the poison and risk her own life. So, it seemed like after so many seasons of training to rid herself of her identity, she finally had done so and was willing to become nobody.
Then, just like that, Arya decides otherwise and doesn’t go through with her orders to execute Lady Krane. The dialogue between Lady Krane and Arya was very important and made Arya realize who she truly is. When Lady Krane asked Arya how she would change the play, Arya responds that the queen (Cercei) wouldn’t just be sad at the the loss of her son — she would be angry and want revenge against those who took him from her before she got to say goodbye. Of course, we know that Arya is really relating this back to herself, and the father, brother and others whom were taken from her before she got to say goodbye. Lady Krane then tells Arya that she has “very expressive eyes” and asks her if she likes to pretend to be other people (alluding to becoming an actress). Arya, who for quite some time had lost her eyes due to the Faceless Men, is now realizing the power of seeing things through her own eyes. And perhaps Lady Krane’s question about whether Arya would enjoy being other people made Arya realize that she did not want to wear other peoples faces and pretend to be other people. She wants her own face. She wants to see things through her own eyes. She wants to be herself — Arya Stark.
I am definitely not complaining. Arya was one of my favorite characters and it was Arya’s identity — her sense of self — and her desire to avenge those who wronged her, that made her such a great character. Slowly, most of that had been stripped away from her as she stepped closer to becoming nobody. But who wants to be nobody? So now, it seems like Arya is on track to become Arya again. Maybe a different, smarter Arya — but Arya none the less. An Arya that now has more advanced training in the ways of the Faceless Men. And what could be more symbolic of this than Arya going back to retrieve her trademark sword, Needle. As Jaqen learns that Arya has failed in her mission, he gives the girl the green light to kill Arya, but tells her not to make her suffer. Little do either of them know, that Arya is waiting in the dark with Needle, prepared to take down the girl that has beaten her for so many seasons now. It seems that the real Arya has reemerged and remembered who she truly is — after all, she still has names on her list and Stark siblings in Westeros that could use her more now than ever.
KHALEESI THE CONQUEROR
In the final scene, we see Khaleesi riding next to Daario, with all of the Khal’s at her back. Each Khal leads thousands of Dothraki, and you add that to the army of Unsullied and Second Sons that she already has, plus three dragons, and you can’t blame Daario for telling Khaleesi that it is time for her to be the conqueror that she was meant to be. But, Daario also points out that Khaleesi wasn’t meant to just sit on a throne, which begs the question — what will Khaleesi do after she conquers? In any event, Khaleesi mentions riding across the Narrow Sea to arrive at Westeros, and Daario tells her that she’ll need about 1,000 ships, the same exact number that Euron Greyjoy has set out to build. Maybe they will join forces after all, as Euron has planned. Khaleesi’s time on Easteros could be winding down, and my guess is that we may see her cross the Narrow Sea this season, perhaps in the finale episode.
Before the episode comes to a close, Khaleesi rides off, seeming to apparently sense that Drogon was nearby. And after a moment, she returns, on the back of Drogon who appears larger than ever. I’m not quite sure where Drogon came from, or how Khaleesi knew he was nearby. And I was kind of left scratching my head, thinking to myself “why now?” We’ve seen Khaleesi ride on the back of Drogon before. We’ve also seen Khaleesi give a similar speech to inspire her followers. Both times we saw these things, they seemed to have more purpose. So why show us all of this again? It was kind of an anti-climatic finish to an action-packed episode. But, I guess the fact that Khaleesi is getting closer than ever to reaching Westeros was the main takeaway here. I hope she doesn’t take anymore steps backwards or get sidetracked with the slave cities of Easteros — time to look to the west.
Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.
If season five ended here and now, I could wait until next season, fully satisfied with what I’ve gotten from this season thus far. More accurately, I would be fully content with what I got from the fifth episode, entitled The Door.
There were a number of reasons that I started this blog a few years back, but the number one reason was my fascination with the Thrones world that took place long before the time in history at which the show starts. The books touched upon so much of this rich history, which dates back over 12,000 years, and includes incredibly fascinating backstories of things such as the First Men to inhabit Westeros, the Children of the Forest whom they encountered, the founding of the Night’s Watch, and so much more (to learn more about this history, refer to this timeline I created which offers context of just how far the history of this world goes). I wanted to create a blog that offered viewers a bit more insight into this incredible history, which ultimately adds context to the show we are watching today, making it more enjoyable and hopefully, more meaningful. As much as I enjoy the story that is unfolding in present day, I have always been much more fascinated with questions about things that happened thousands of years ago, way before any of what we are seeing today. For that reason, I’ve really enjoyed Bran’s flashbacks as they’ve offered a window into significant events that predate the story we are watching today. But most of his flashbacks have been to relatively recent events that have occurred within the past 20-30 years. That all changed with this episode, as Bran flashes back more than 8,000 years ago to witness the creation of the very first White Walker. Yes, you heard that right — eight thousand years ago to witness the first White Walker being created. My mind was blown, and as far as Thrones is concerned, I could die a happy man. But there was a hell of a lot more that we found out in this episode, so let’s get into it.
SANSA & BAELISH
At the Wall, Sansa receives a raven from Littlefinger and she travels to Mole’s Town to meet him. But things are quite different from the last time they were together. Sansa is no longer the vulnerable and naive child who foolishly put her trust in Baelish to keep her safe. She is now a woman that is all too aware to the evils of the world, thanks to Ramsay, whom she was given to by Baelish. As she confronts Baelish, Sansa forces him to recognize the things that Ramsay has done to her — things that she can still feel today — not just in her heart — but things she can still physically feel. Sansa forces Baelish to guess the things Ramsay has done to her — in a way, forcing him to acknowledge and own the terrible things that he is responsible for her. At minimum, Baelish is terribly uncomfortable, not only by the position Sansa has put him in, but also in the fact that for once, he no longer has the manipulative upper hand in the situation he finds himself. Even more, Baelish may actually feel bad about what has happened to Sansa, and perhaps he truly did not know what Ramsay was capable of — but we never really know where the line between truth and lies starts and ends with each word that comes out of Baelish’s mouth, which is of course the genius of his character as a whole.
In any event, it was satisfying to see Sansa’s strength in forcing Baelish to acknowledge what he had done, and also that Sansa no longer has any illusions about who Baelish really is (even though we, as viewers, are still trying to figure that one out). Before he departs, he drops one pretty sizable bomb — Brynden Tully aka Blackfish, is not only alive, but has raised an army to retake the Tully stronghold of Riverrun. Last we saw Blackfish was in the third season, during the infamous Red Wedding episode. Just before the doors of the wedding hall were locked shut and the Red Wedding massacre began, Blackfish stepped outside to use the bathroom. We never saw what happened to him, but clearly he escaped and has been able to raise an army to retake Riverrun. Well, at least according to Littlefinger.
If true, this is a huge reveal, as it presents another ally that can join the Sansa/Jon Snow alliance in their quest to retake Winterfell. And even though we never got to see too much of him from the show, Blackfish is a pretty badass character, so it would be great to see him back in action. Sansa decides to send Brienne to seek him out, fearing that a raven could be intercepted by Ramsay. Meanwhile, Jon Snow has proposed trying to win the support of the 10-12 other smaller houses of the North, who Sansa believes will support their cause. After all, the North remembers. (One interesting tidbit to note is that one of these smaller northern houses that Jon Snow named was House Mormont. Perhaps the timing will work such as that Jorah returns back to Westeros to find his cure, just in time to unite with the Starks).
THE FACELESS MEN
Arya continues her training to join the ranks of the Faceless Men, but she is still questioned and told that she is not one of them. In another juicy historical reference, Jaqen tells Arya that the Faceless Men date back many thousands of years ago and that they came from the mines of Old Valyria (the same place dragons were discovered). After fleeing Valyria, the Faceless Men founded Braavos, and much like the elusive nature of the Faceless Men, Braavos was a hidden city, completely disguised from the rest of the world, until it revealed itself only a few hundred years ago.
Jaqen tasks Arya, or better yet a girl with no name, with killing a woman that serves as an actress in a local play. When Arya goes to scout her target, she stumbles upon a reinterpretation of the death of Robert Baratheon, the rise of King Joffrey and the beheading of Ned Stark. Whereas she was forced to look away when Ned was actually beheaded, this time she was forced to face it head-on (no pun intended). No doubt, this was a test of who she really is, and if she is truly just a girl with no name, then watching this should not have bothered her. She is able to get past what she sees without much emotion, and decides that she will execute her victim by poisoning her rum. Yet still, she notes to Jaqen that she seemed like a decent woman and asks questions about who wants her killed. Jaqen tells her that servants do not ask questions and that the price has already been paid — raising a separate set of questions about what that price was and who paid it.
THE FIRST WHITE WALKER
No big deal, Bran flashes back 8,000 years ago to see the Children of the Forest huddled around an ancient weirwood tree. But that’s not all he sees. A man is tied up to the tree, and one of the Children inserts what appears to be dragon-glass into his chest, taking his life and creating the very first White Walker. Since day one, if any of you are like me, you’ve been wondering how the hell these White Walkers came to be in the first place, and what exactly they are. And just like that, we got an answer — and a completely amazing answer at that. The fact that the Children of the Forest created the White Walkers is totally twisted and ironic and amazing all at the same time.
As a quick refresher, the Children of the Forest were a magical humanoid species that lived peacefully on Westeros, namely in the forests from which they derived their magic and power. About 12,000 years ago, the First Men traveled from Easteros to Westeros, becoming the first humans to inhabit Westeros. For 2,000 years, they warred with the Children of the Forest, destroying their forests and nearly pushing them to the brink of extinction. Eventually, the Pact was signed, which brought thousands of years of peace and prosperity between the Children and the First Men. But before this would happen, in an effort to save their species, the Children used their magic to create the first White Walker. Presumably, the White Walkers were used by the Children to fight back the First Men, and at some point, things went terribly wrong and the White Walkers became their own evil order.
It is ironic to consider that the Children of the Forest created the first White Walker to fight off man, only for the man to eventually band with the Children to fight off the White Walkers (most notably, during the Long Night, when the White Walkers nearly pushed all life to extinction). That aside, it was just amazing to get to see the creation of the very first White Walker, who we assume to the Night King that we see today. That the Children used dragon-glass to kill the human and create the White Walker would also explain their present-day vulnerability to dragon-glass. As Thrones so often does, this reveleation also forces us to reconsider our previous notions about the Night King, whom we perceived to be the embodiment of pure and absolute evil. However, after this scene, we actually realize that the Night King was in fact once a human, and in this scene, even appeared to be an innocent one. There is always more than meets the eye, and the Night King very well may have once been a good and just human. Separately, it was also interesting to see that the tree the Children used to kill the man and create the first White Walker, is the very same tree where the White Walkers and their army are camped presently, which we see in Bran’s second vision. And the spiral rocks we see at the tree of the Children, is a similar pattern that we saw used by the White Walkers in season three (photos further in this post).
THE IRON ISLANDS
We often forget that the Iron Islands are one of the Seven Kingdoms, and undoubtedly will have an important role to play in what is to come, but we were reminded of this tonight. A Kingsmoot is taking place, which is their semi-democratic process by which a new king is selected to lead the Iron Islands. Yara declares herself to be the first queen of the Iron Islands, and when it is pointed out that Theon would be the rightful heir over Yara, he steps up and delivers a passionate speech about why Yara would be the best leader. Notice that his hair is short again, his beard gone, and he is back in the armor of the Iron Islands — in short, pretty much all signs of Reek appear to be gone.
Before Yara can be selected, Euron, Balon’s brother and their uncle, steps forward to declare himself king. Even more, he openly admits to killing Balon, and justifies it by noting that Balon was leading them nowhere at all. He tells the Islanders that he’s sailed all around the world and knows what’s out there. His campaign platform is to sail to Easteros, join up with Khaleesi, and offer her the strong fleet of ships that she has desperately needed to arrive to Westeros. Not a bad plan, kind of makes sense (minus the part about him fucking her, she probably won’t be down with that part). And like that, the Islanders are won over, and Euron receives the Iron Island version of a baptism as a ritual ceremony to officially become king.
While this is going on, Theon and Yara flee the scene along with some of their best men, and steal a handful of the best ships. It’s good thing they did, because Euron’s first words when he regains consciousness are to kill Theon and Yara. But, they’re long gone and Euron demands that all of the Iron Islands get to work to build 1,000 ships. It will be interesting to see where Theon and Yara are headed, and also whether or not Euron will follow through in his attempt to provide Khaleesi with the fleet of ships she has been waiting for. One other item worth noting is that the priest on the Iron Islands with the long grey hair who oversees the Kingsmoot — that’s Aeron Greyjoy — the other brother of Balon and Euron, and also uncle to Theon and Yara. In the books, he plays a central role in determining who the next king will be. In the show, they’ve all but cut him out, and most viewers probably do not even realize that he is also a Greyjoy.
JORAH AND KHALEESI
Across the sea, Jorah stands before Khaleesi, who notes that she has exiled him twice, yet both times he returned to save her. She cannot keep him, but she also cannot command that he leaves. But he will make her decision easier, as he reveals his greyscale and tells her that he will be leaving her for good. But not before finally confessing his love for her. Khaleesi shows great emotion, and commands him to find a cure for his disease, so that he can return to her side and help her rule over Westeros. It was a powerful moment, and a reminder that Jorah has been by her side since the beginning (even if as a spy for a short while). It will be interesting to see the journey that Jorah is taken on in an effort to find a cure. Recalling back to last season, Stannis told a story about his daughter Shireen, who also had greyscale, and noted that he had every doctor and maestar from across the world brought in to treat her. Finally, they were able to prevent the spreading of the disease which kept her alive. So, we do know that there is some sort of cure out there.
THE HIGH RED PRIESTESS
In Mereen, Tyrion proposes that they must find a way to spread the news that it is Khaleesi who is responsible for creating peace in the lands. They turn to the High Red Priestess, who proclaims that it is in fact Khaleesi who was the one that was born from the flames to save the world from darkness, so naturally she is willing to help. While Tyrion is glad to hear this, Varys is a bit more skeptical. He points out that another Red Priestess, Melisandre, had proclaimed that it was Stannis who was the savior. And though he doesn’t know it yet, as viewers, we know that Melisandre is now putting her faith in Jon Snow as the Prince That was Promised. So this kind of muddies the waters in terms of trying to figure out who the Prince That was Promised really is. The Red Priestess responds to Varys by telling him that there is still much that he does not know, and recalls the story of his mutilation, referencing a voice that spoke words as his parts were thrown into the fire. Varys face is taken by fear and wants no more part in this conversation, leaving us to wonder what those words were. Either way, at a time when some of us might have been doubting, the Lord of Light’s power and knowledge reemerges.
HOLD THE DOOR…
Bran embarks upon another vision, this one taking him to the very same place as his previous vision, though this one takes place in modern day, whereas his first was thousands of years ago. The below photos reveal some very interesting tidbits. First, the tree that Bran visited where he saw the Children create the Night King (first photo below), appears to be the very same tree that Bran visits in his second vision when he sees the White Walkers (second photo below). Of course, in the second photo, it’s thousands of years later and winter has made the whole landscape cold and icy. But it’s interesting to consider that thousands of years later, the Night King holds his army of the dead at the very location where he himself was turned from a human to a White Walker by the Children. Going a step further, the third photo below shows a scene from season three, where Jon Snow and the Night’s Watch stumble upon a whole bunch of dead and mutilated horses in the deep north, left by the White Walkers. You will notice that the spiral pattern follows the spiral pattern found in the first two photos, which was a pattern created by the Children and used in their magical rituals. So, in some way, the Night King and his White Walkers are still referencing the Children, which created the White Walkers in the first place.
Aerial view of of Bran’s first flashback to the tree where the Children of the Forest created the first White Walker
Aerial view of Bran’s second flashback. Thousands of years later, we see the White Walkers’s basecamp is the same location as where the Children created the first White Walker
Dead horses left by the White Walkers in a spiral configuration that matches the spiral of the Children
As Bran journeys through the sea of wights, he arrives at the Night King and a few White Walkers. To his surprise, the Night King is able to see him, and eventually touches him. As he regains consciousness, we see the mark on his arm, showing that what happens in his visions can have very real effects on his present-day life. The Three Eyed Raven tells him that the Night King can now find him, and that they must leave right away. But before they can pack up shop and get out of dodge, the Night King and his army are at the door of the cave and moving in quickly. The Children dispatch their firebombs and eventually set a ring of fire around the entrance, a very literal depiction of the battle between Ice and Fire that has already begun.Meera runs back to get Bran, but he’s in another vision, this time back at Winterfell, looking at his grandfather, father and uncle, with Wylis (aka Hodor) in the background. All hell is breaking loose underneath the tree, as Meera, the Children and Summer (Bran’s wolf) try to fight off the wights. They fend off the first few, and Meera even kills a White Walker, which was pretty awesome. Sadly, Summer dies, leaving just Ghost and Nymeria (wolves of Jon Snow and Arya, even though we haven’t seen Arya’s in many seasons) as the only Stark wolves still alive. The death of Summer has both literal and metaphorical meaning; literal in the sense that Bran’s wolf Summer actually dies, and a deeper metaphorical significance in showing that summer really is over. No longer can we say winter is coming… Winter is here.
Hodor needs to help get Bran out of there, but is in one of his Hodor freak-outs, perhaps sensing his imminent death. Meera shakes Bran and shouts for him to wake up, and Bran begins to hear Meera’s voice, even though he is in a totally different time and place. He hears her tell him to warg into Hodor, and he does so, taking over Hodor’s body and helping to drag Bran’s body down a long tunnel leading to an exit. What is significant to note is that Bran was now occupying several consciousnesses; not only was he himself in his vision, but at the same time, he was also controlling Hodor’s consciousness — something we’ve never seen before.
Meanwhile, the Night King finds the Three Eyed Raven, and strikes him down, but not before the Three Eyed Raven tells Bran that it is time for Bran to become him. And just like that, the Three Eyed Raven that had been waiting thousands of years and watching Bran all his life, is now gone, adding even more pressure to what Bran must become. And as if all of this wasn’t enough — the flashbacks to the Children of the Forest, seeing the creation of the first White Walker, Bran seeing the White Walkers in his vision etc etc, the show takes us for one more final, but tragically sad turn, as we learn how Hodor became Hodor.
As they escape the cave and Meera drags Bran’s body as quickly as she can, she shouts over and over “hold the door!” to Hodor. At the same time, although actually many decades earlier, young Hodor appears to see Bran in his vision, and can also clearly hear Meera shouting “hold the door,”even though this event would not in fact take place for another 30-40 years. But the damage was done. Thanks to Bran, Wylis was experiencing his own future death, and a terrible death at that. He falls into a seizure, shouting “hold the door” over and over again, as his consciousness goes into present day Hodor to experience his own death as he is ripped to shreds by an army of the dead. What we then realize is that Hodor has been experiencing his own death ever since that moment, affecting him so greatly that he’s only ever been able to say “Hodor,” a variation of the words that would change him forever — “hold the door.” All at once, we learn the cause of Hodor’s condition, watch his excruciatingly painful death and realize the sad fact that Bran was responsible for both.
There were a few very key takeaways from this part of the story. First, there is a massive amount of pressure on Bran’s shoulders at this point. At the end of last season, Jojen Green (Meera’s brother) died to keep Bran alive. In this episode alone, Children of the Forest and the Three Eyed Raven, all of whom were thousands of years old, give their lives for Bran. Not to mention, Bran’s wolf, Summer dies to protect him, as does Hodor. Whatever role he is to play in the impending war can be nothing less than huge, after all the people that have died in recognizing the importance of keeping him alive. Speaking of which, let’s recall that in the finale episode two season ago, the Three Eyed Raven told Bran that he will never again walk, but he will fly. With Hodor, Bran’s primary source of transportation, now gone, we have to wonder how Bran will get around, and if he’ll start to use his warg abilities in a greater way.
The other thing I found amazing, albeit in a sad way, is how George R.R. Martin, through incredibly powerful storytelling, was able to make us feel deep emotion for a character we’ve otherwise probably never felt anything at all. After all, Hodor was the goofy oaf who literally spoke only one word — “Hodor.” There was no depth to his character, no real emotion and overall not much for us as viewers to really connect to. If there was one character on the show that you could cast off without thinking twice about, it probably would’ve been him — he just didn’t really offer much — he was just Hodor.
But in the course of just three minutes, that all completely changed, as we abruptly learn the cause of Hodor’s condition in the past, while also watching him die in the present…all at the same time. And that was the beauty of it — the fact that we watched present day Hodor dying at the very same time he was experiencing his own future death as a kid. We now understood that Hodor had been bearing a tremendous weight his entire life — knowing that he would eventually die, being ripped to shreds by the wights. But, we only learn this as we actually watch his death come to fruition, making this sad realization so much more impactful. That one word — Hodor — all of a sudden took on such meaning, as we realize each time he says Hodor, he is referencing the event in which his life will come to an end. The (sad) beauty about how George R.R. Martin chose to reveal this was by delivering that revelation at the same time as his death, forcing viewers to take it all in at once, making it such a tragic death. Poor Hodor, RIP.
Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.
THINGS ARE MOVING FAST (AND SLOW)
Blink and you might miss something big — that’s the way the story is moving this season, and things only accelerated in episode 3, entitled Oathbreaker. I remember times in earlier seasons where I could only wait for the story to speed up and for us to get to the good stuff. But now that that time has arrived, I can’t help but feel that many parts of the story are moving too fast. Or at least, too fast for the brief 55-minute episode that we are granted each week. What’s more, I feel a major inconsistency in speed of plot between certain characters and storylines in a given episode. For instance, in a matter of basically one episode, Jon Snow has been brought back to life, executed his murderers and abandoned his post as Lord Commander of the Night’s Watch. In the past, these each would’ve been monumental twists and turns of their own, spread across many episodes. But Jon Snow’s story has hit the turbo-speed button, and all of this has been packed into such a short time period. Meanwhile, the same episode then flashes to Khaleesi’s story, which continues to drag along at a speed that might make a snail chuckle. I am struggling to find an internal homeostasis as I watch this show, with certain points appearing to reach a climax, while others struggle to find an inflection point at all. With that, let’s jump in to it.
When I saw this episode was entitled Oathbreaker, a name that had been ascribed to Jaime Lannister in reference to him breaking his oath to protect the (Mad) King, I thought that we might be in store for some flashbacks of Robert’s Rebellion, and maybe a glimpse of a younger Jaime actually putting his sword through the back of the Mad King. And while we did get a flashback from the era of Robert’s Rebellion, it was an entirely different flashback, and had nothing to do with Jaime. Rather, in the final moment of the episode, we find out that it is in fact Jon Snow who will be breaking his oath and abandoning his post as Lord Commander of the Night’s Watch.
But let’s cut him some slack, he was just brought back from the dead and came face to face with his own murderers — an experience that must be pretty weird to say the least. But let’s step back for a moment to the beginning of the episode, which picked up right where last week’s episode left off. Jon Snow gasps for air as he somehow tries to contemplate what has happened and the fact that he is alive once again. To her disappointment, he tells Melisandre that he saw nothing after he died, just darkness (sorry Melisandre, no Lord of Light encounters). Jon Snow tells Davos that he failed in his mission and that he does not know how to keep fighting — again, we see another character that has lost faith and hope. But, we continue to see Ser Davos serve as the strength for characters who have lost faith, as he reminds Jon Snow that he must keep fighting, and that he should “go out and fail again.”
Perhaps more significant that any of these encounters that Jon Snow had after being brought back to life was the general way about him. Perhaps I was naively expecting the same Jon Snow, more motivated than ever to lead the remaining Night’s Watch and Wildlings, who would take back the North from Ramsay and eventually fight back the White Walkers. But this is far from the Jon Snow we got, underscored by one of the first things he tells Ser Davos, “I should not be here.” Bringing somebody back from the dead is not natural, and Jon Snow certainly seems to sense this. The cozy warmth of Jon Snow that we’ve come to know was nowhere to be found — traded for a cold, unnatural darkness about him. It almost seemed as if he wished he had been left in his resting place. Perhaps this was exacerbated by Ser Alliser’s final words, when he told Jon Snow that he’s accepted his resting place, but Jon Snow will be stuck fighting this war for thousands of years to come. It’s a pretty heavy thing to be thrown at a guy who has just been brought back from the dead, and maybe Jon Snow doesn’t want to be burdened with this enormous load. So just like that, he calls it quits and names Dolorous Edd the new Lord Commander of the Night’s Watch. But not before executing the traitors that murdered him, even Ollie who was just a boy. In the past, this might have been something that Jon Snow would not have been able to do, but this cold and hardened Jon Snow swung his sword and ended their lives. And then appeared to leave the Wall…
THE TOWER OF JOY
The Tower of Joy is an extremely significant scene from the GoT books that takes place all the way back in the very first book George R.R. Martin wrote; through Bran’s flashback, we got to see this scene relived. The scene takes place about 20 years prior to the start of the show, and Robert’s Rebellion is coming to a close as King’s Landing has been sacked by the rebels and the Mad King has been overthrown. Ned Stark has rode across Westeros in search of his sister Lyanna, who he believes was kidnapped by Rhaegar Targaryen (son of the Mad King, oldest brother of Khaleesi), while others believe Lyanna chose to ride off with Rhaegar. When watching this scene, it is important to consider that the search for Lyanna was one of the major factors that sparked Robert’s Rebellion in the first place.
Finally, Ned and his band of Northerners arrive at the Tower of Joy, located in Dorne, where it appears Lyanna is being held captive. While the war took place further North around King’s Landing, it is interesting to consider that Rhaegar had two of his best men all the way south in Dorne guarding this tower. After the first Targaryen knight is killed, we get glimpse of the famed Ser Arthur Dayne, regarded as the greatest knight in all of Westeros, take on four men at once. After defeating the first three, he fights Ned, who is clearly overmatched, and is destined for death after being de-sworded. But just like that, Howland Reed puts his knife in the back of Ser Arthur, before Ned gets the kill. There were several interesting takeaways from this scene: 1) We got to see one of the more epic fights of Westeros history come to life 2) Howland Reed is the one to save Ned; years later his children Jojen and Meera Reed would go on to save/guide Ned’s son, Bran 3) Ned did not defeat Ser Arthur honorably as the tale was told to Bran. Rather, Ser Arthur was murdered dishonorably, stabbed in the back, which did not sit well with Bran.
As the fight came to an end and we hear a female scream come from the Tower of Joy, Ned begins to ascend the stairs, but not before Bran calls out to his father, to which his father pauses and turns around. Clearly, Ned sensed Bran’s presence, which is an interesting wrinkle to this scene. But the scene would end there and Bran would not get to see what was inside the tower, though we can speculate that it will be his sister Lyanna inside. It seems as though we are getting closer and closer to finding out if there is any truth to the R + L = J theory (a theory which proposed the idea that Rhaegar and Lyanna are in fact the parents of Jon Snow, making Jon Snow part Targaryen). You can read more about that theory from a season 4 recap here.
In King’s Landing, we continue to struggle to understand who truly holds the power. Whereas we are used to seeing the absolute power in King’s Landing of a king and his army, things continue to remain very ambiguous these days. Finally, Tommen decides to exercise a bit of power and demands that the High Sparrow allow his mother to visit the resting place of her daughter, Myrcella. Though, the High Sparrow refuses, noting that his wish cannot be granted until she atones for all of her sins. As Tommen’s guards stand behind him, so too do the Sparrow’s men, showing a clear standoff and vision of power. But things soon settle down, as the High Sparrow is able to manipulate Tommen in telling him that a good king always listens to the wisest council, none which can be wiser than god. In other words, he appears to be convincing Tommen that he should listen to the council of himself, the High Sparrow.
Elsewhere, Jaime and Cercei join the small council, where we see Tywin’s brother, Kevan, sitting as Hand of the King, along with Mace and Olenna Tyrell, and Maestar Pycelle. Cercei and Jaime try to impose their will to join the small council, though the small council prefers to keep them out. Later, we see Cercei approach Maestar Qyburn in his dungeon, where she tells him that she wants birdies in every corner of Westeros, from Highgarden (home to House Tyrell) to Dorne (home to House Martell). If there is anybody looking to make the Lannister losses their gains, Cercei wants to know. Of course, this is no surprise. But, what was somewhat of a surprise, was learning that Varys’ “little birds” were in fact little children. This of course makes sense — using poor little children who are able to roam around unsuspected is an intelligent strategy — and this is at least part of Varys’ network of little birdies. But some of these birds are now under the power of Qyburn, and in turn Cercei, so we’ll see how they can turn information into power.
A LITTLE PRESENT
In the North, we see the Lord of House Karstark has gotten even cozier with Ramsay, sitting at the table with him, as a Lord of House Umber arrives. Again, it is important to note that House Karstark and House Umber were the two most powerful houses in the North after House Stark. Lord Umber notes that Jon Snow has brought the Wildlings south of the Wall and they are now a threat to his land. He requests support from Ramsay to fight off the Wildlings, and while he is not willing to bend the knee to Ramsay, he does offer a pretty significant present: Rickon Stark, along with the Wildling Osha. And as confirmation that this is in fact Rickon, we see the head of Rickon’s direwolf, Shaggydog. Sansa, Robb and now Rickon have all had their direwolves murdered, showing that the poor luck and cruel murders do not just stop at the Starks themselves, but also their wolves. Needless to say, Ramsay now has a major bargaining chip, and we can only hope that Rickon is not subjected to Ramsay’s sadistic torture games.
A GIRL IS NOBODY
Last week Arya refused the offer of getting her vision back if she stated her name — a sign that showed she was in fact getting closer to becoming nobody. This week, as her training continued, she took even further steps towards becoming nobody, culminating with her drinking from the well that causes a painless death to those who wish it. Arya was not only willing to part with her vision, but she has now parted with all her fears, willing to risk her life to become nobody. In doing so, Arya actually gets her vision back, an ironic turn of events. What I find most interesting about this storyline is the question of whether or not Arya will actually remain nobdy, or will still be guided by her identity of Arya. Clearly, she has been training to become nobody, but it was Arya’s very sense of self that made her the strong character that she has been throughout. And if you stop and think about what Arya has endured since season one, it’s an incredible struggle that she has survived. So, the idea of ridding herself of that very character seems strange and I am interested to see if she will truly remain nobody.
One other tidbit that I found interesting was an excerpt from her training/interrogation from the “nobody girl.” During this exchange, every time Arya told a lie, the girl could sense it and would hit her with her stick. When she asked Arya if she wanted the Hound to die, Arya said yes, and got hit by the stick. Arya then said no, and then admitted it was “complicated.” As Arya journied throughout the Riverlands with the Hound and we got to experience what was by far my favorite relationship in this story, Arya still proclaimed that she wanted to kill the Hound, even though we felt like that wasn’t true. In the end, I was very sad to see her leave him there to die (and still hope that he is alive). It is interesting that several seasons later, we see this topic reemerge, and in a scene where Arya’s lies do not work, we hear her confess the truth which was that she did not in fact want to see him die.
KHALEESI AND THE OTHERS
Elsewhere in Easteros, I continue to be extremely bored by Khaleesi’s plot. Every now and then there are some great twists and turns within this story, but for the most part, it feels like I am just watching a lot of people walk through the hot and dry desert, with not much else happening. Of course, I am oversimplifying, and more has happened, but it seriously is taking way too long and has become very boring to me. After things came to a head with the Sons of the Harpies last season and Drogon flew in to save the day and Khaleesi flew off on the back of her dragon and Tyrion/Varys became part of the crew, I really thought we were headed somewhere with this storyline. But to date, we’ve been thrown back into the same monotonous story. Khaleesi is back in trouble once again and somebody needs to save her, blah blah blah.
Even worse, Khaleesi’s boringness has rubbed off on all characters in this part of the world, including Varys and Tyrion. Never did I think I would be bored by the ever-interesting duo of Varys and Tyrion. But Khaleesi has managed to suck them into the boringness of her story. Yes, Varys uses his cunning to discover that it is the slave masters of Yunkai, Astapor and Volantis that have been backing the Harpies and trying to overthrow Khaleesi, but I’m still bored. And the implications of this are even worse — is it possible that Khaleesi is actually going to go back to these slave cities that she took so many seasons to conquer, and make us watch and she tries to do it all over again? I have to believe that this will not happen, for our sake, so it will be interesting to see how these slaves cities are dealt with (once again).