DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.
What Just Happened?
Shocked. Confused. Disappointed. Baffled. There is no shortage of adjectives to describe the way I feel after the final installment of Game of Thrones, but simply put, it was an emphatic explanation point on an utterly disappointing season. At its best, Game of Thrones took us to highs that few stories have before; and as we saw in this finale episode, at its worst, Thrones was capable of reaching equally extreme lows. With each episode that passed this season, the simple (and terribly sad) reality became more and more apparent: the folks producing this show simply were not going to be able to deliver a successful end to this story. And despite a season defined by poor story telling, inexplicable character development, pacing of events that often made no sense — despite all of that — I still held out a bit of hope that the final episode would have one final magical twist or turn that would help to make things right. After all, this is Game of Thrones we are talking about — this was the one show that simply would not, and could not, mess up the end to its story the way so many other shows have.
But the truth is now plain to see and there is no hiding from it. The reality is that the magic of this world we became so captivated by — the characters, the history, the locales, the families, the lore, the mythology — all of it — it all lived in a series of books. And while HBO did an absolutely masterful job at adapting the magic of those books to TV, the reality is that we were always destined, to some extent, to end up exactly where we did. George R.R. Martin took the better part of 20 years to create the enthralling world that we fell in love with over the first six seasons. But those six seasons were based on the five books he had written — two short of the seven books that will (hopefully) be published to bring the A Song of Ice and Fire saga to a close. Writing for the sixth book, The Winds of Winter, began over eight years ago, and is still not out. It’s anybody’s guess when final book, A Dream of Spring, will be published, but it likely will not be for another 10 years or so.
So what does this tells us? It tells us that the homestretch of this story, a story that has taken over 25 years to write, simply does not yet exist, and likely won’t for many years to come. There is a reason George R.R. Martin takes so many years to write each book and it’s not simply because the writing itself takes so long. It’s because he is actually taking an incredible amount of time to continue to create and develop the story itself. And as the story starts getting towards it’s final chapter, it becomes increasingly more challenging to think about how each character’s journey comes to an end, how various storylines converge, and how this epic saga ultimately reaches its finale.
The predicament we find ourselves in is that while George R.R. Martin will take as much time as is required to finish this story the right way, HBO could not. So, what we were left with for the last two seasons, was a story that was based on loose directional feedback provided by George R.R. Martin, which left Thrones writers and producers filling in some very large gaps. Sure, George R.R. may have been able to tell Thrones producers what the singular endpoint of this story was, but he simply hasn’t yet conjured up and all the intricate subplots and character journeys that lead us to that endpoint. And without having his story to tell, we were left with a watered down, overly simplified, dumbed down version of what I believe the ending to this story will be when he tells it through the books. To some extent, the show was always destined to end this way, only I don’t think anybody thought it could ever get this bad.
The finale episode, entitled The Iron Throne, was riddled with one cringe-worthy cliche after the next. As has been the case throughout most of the season, the pacing felt totally off, with certain moments being totally rushed, and other less significant ones dragging on. The writing, specifically much of the dialogue, landed somewhere between embarrassing and comical. The aftermath of last week’s total destruction of King’s Landing simply felt totally contrived, with writers bringing rather abrupt endings to each character’s story. So much so, that it almost felt as if this finale episode was disjointed from the entire story that preceded it. It was as if this finale episode was given to a brand new team of writers that knew absolutely nothing about the story that has spanned the last 10 years, and were asked to do their best to synthesize some sort of close that forced endings for each character. One moment I felt I was watching a soap opera, the next I felt I was stuck in a bad SNL skit. How could this be? I mean I wasn’t expecting a whole ton after how disappointing this entire season has been, but really, I never could have imagined the new lows that were reached. There was absolutely nothing interesting. Nothing unique. No twists or turns. Very little emotion. Only cheap storytelling that made this episode feel like it was an obligation — a chore to get this thing wrapped up — rather than a vehicle to truly end this story in a meaningful way.
A Mess in King’s Landing
The episode begins as we see Tyrion and others taking in the aftermath of Dany’s fire and blood escapades. King’s Landing has now become a wasteland, with only skeletons and ash to speak of, which further underscored the ridiculousness of how far Dany took things last week. As Tyrion continues through King’s Landing, he eventually makes his way below the Red Keep where he finds Cersei and Jaime’s final resting place. Despite all his efforts, Tyrion could not stop all the death that was to come, and all he can do now is look on at his last remaining family members, gone forever. As Jaime and Cersei lay together, it was a poetic reminder that Tyrion really has been alone in this world most of his life, and even though Jaime cared about him a great deal, he was always an outsider compared to the twin bond that Cersei and Jaime shared.
Continuing her plunge into madness, we see Dany standing over a ruined King’s Landing, delivering an impassioned speech to her army, in which she basically tells them that this was just the beginning, and she plans to take her show on the road. While we all saw her evolve into The Mad Queen last week (at a pace that made absolutely no sense), the door was still left open for her to show some remorse in this finale episode. But that door shut pretty quickly and it became evident that no amount of death and destruction would be too great a cost for her to “break the wheel.” In reality, Dany herself sounded like a ruthless tyrant, one capable of committing devastating acts — the very type of ruler she has so badly wanted to rid from the world. It continued to be frustrating to watch just how cruel and vicious she has become so quickly, and it felt totally contradictory to who Dany was for the better part of the last 10 years.
Realizing he was on the wrong side of things, Tyrion gave Dany a big “f you” as he denounces her slaughter and abandons his post of hand to the queen. He’s quickly taken as her prisoner as Jon can only look on. Jon then goes to visit Tyrion, where they continue to go back and forth about whether or not Dany must be stopped. In their exchange, Jon references something Maestar Aemon told him all the way back in season one, “Love is the death of duty.” At the time, Maestar Aemon was explaining to Jon why brothers of the Night’s Watch could not have families — love would interfere with their duty to protect the realm. In response, Tyrion flips the idea that Maestar Aemon presented, and tells Jon that “sometimes, duty is the death of love.” No doubt, a suggestion that Jon’s duty to protect the realm might bring about the death of his love with Dany. Before Jon departs, Tyrion urges him that he must decide and he must decide now.
Moments later, surprise surprise, we see Dany in the Throne Room, a replay of basically the same vision she had in an earlier season where we saw the ruined Throne Room that she is now walking through. Once again, a reminder that she has become nothing more than queen of the ashes. If you asked me a few years ago what one of the most powerful moments in this story could have possibly been, I would have told you that at the top of the list would be the moment Dany finally reaches the Throne Room and ascends the Iron Throne that her ancestor, Aegon Targaryen, built 300 years before her. Sadly, the realization of this moment felt plain and unemotional, probably because of how little was left of the Throne Room itself, thanks to Dany’s temper tantrum that brought about the destruction of King’s Landing on the whole. She had finally reached the Iron Throne — the powerful symbol of all she had wanted — all she had sacrificed so much to achieve — and all for what?
Duty Over Love
The predictable and soap opera nature of the episode continued as Jon arrives, right on cue, and reprimands Dany for the slaughter she carried out. The two go back and forth about their differences of opinion, blah blah blah, which once again ends in a Dany/Jon kiss. But then, out of nowhere, Jon puts his dagger through her heart. And by out of nowhere, I mean everybody saw that coming from a mile away and it was totally unsurprising. The whole thing felt like “okay, everybody knows this is coming, let’s just get it over with.” But worse than this moment’s predictability was how emotionless and fleeting the scene was as a whole. Out of a 90-minute episode, much of which was filled with gratuitous and irrelevant banter, we can only spare 60 seconds to the death of the show’s most powerful character? I mean come on. Just like that, Dany is gone, and before we even have a moment to really soak it in, I’ve got this dragon in my face…again.
Talk about a botched opportunity. You have Daenerys Targaryen, one of the most beloved characters ever created in any fictional format; opposite her, the equally beloved Jon Snow; and between them, a magical story that intertwines the ideas of power, morality, duty and love. And though many people saw it coming, even so, that this story would end with Jon choosing duty over love, and sacrificing the woman he truly loved, is incredibly powerful. So why didn’t I feel that way watching it? And then just like that, Drogon scoops up Dany and flies her out of there. Oh, but not before melting the Iron Throne, the very throne the Targaryens created in the first place. I’m not sure there’s any real explanation for Drogon flying away with Dany’s dead body, other than a setup for somehow bringing her back to life for some future Thrones spinoff, which seems highly unlikely. The end to Dany and Jon’s story was a total miss of epic proportions.
One Strange Council
Just a moment later, we’re past the emotionless death of Dany, and we’re now all business as the “who’s who” of Westeros have gathered to determine the fate of the realm. It kind of felt like all the unimportant remaining characters were scrapped together and this is when the episode went from bad to just silly. First of all, half of these characters had absolutely no business being there. Edmure Tully, Catelyn’s brother is all of a sudden making a return after having had zero role in this story for many seasons? Yara Greyjoy is back, without anything from her since she went back to The Iron Islands? Oh and let’s not forget about introducing a brand new Dornish prince (who doesn’t even speak) to join this mish-mosh of a crew. And perhaps the absolute funniest of all is Robert Arryn, the sickly son of Lysa Arryn, who previously didn’t know how to do anything other than breastfeed…He’s now got a seat on this council? There were a few others that I did not even recognize, furthering the ridiculousness of this gathering.
The group goes back and forth about what to do next, and apparently after all that has transpired, after King’s Landing has basically been totally destroyed and the world of Westeros has been turned upside down, this silly council is going to solve for the future of the realm in one simple conversation. And all of a sudden Grey Worm is mr chatterbox, driving much of the direction of the council’s decisions. In this one episode, Grey Worm speaks more than he has in the past seven seasons combined. After the death of Dany, he wants revenge, but Tyrion reminds him that it’s not his decision to make, which leads to the debate of who should take power next. Comically, Edmure Tully stands up to state his case, before Sansa tells him to sit down. Why? Why would the writers choose to include dialogue in this final episode that sees Edmure Tully, a completely irrelevant character, stand up and make a claim for the throne? Unless they were going for some sort of comedic relief, it just doesn’t belong. But the comedy didn’t stop there. Samwell suggests they consider a more democratic election where the people have a say, and for some reason, others found this to be comical, poking fun and sarcastically asking if their dogs and horses would get a say. The whole thing felt like a bad SNL skit.
Finally, we arrive at the moment that pretty much caps this entire story — the reveal of who would end on the throne. And to be quite honest, I couldn’t have cared less at this point. The realization of who would take the Throne was not decided by any significant final moment in the story, but rather by a cast of irrelevant characters making forced decisions, so the reveal of who would end on the Throne simply felt like an anticlimactic “who cares” moment. But the only thing that could have been less sensible than everything that has already transpired would be to make Bran the one to end on the throne. And of course, that’s precisely what happens. The logic behind it makes sense — Tyrion paints the picture that the most powerful thing in life is a story and we know Bran is keeper of all stories and memories. So we get it. But, we are talking about a guy that has totally lost his human mind. He’s been on a multiyear journey where his entire life has been dedicated to an existential evolution, which saw him become the Three-Eyed-Raven. In doing so, he has experienced all kinds of visions, past, present and future, that revealed powerful moments which changed him forever. We’re talking Children of the Forest, White Walkers, The Night King — Bran was in the thick of it all. When all of those mythological elements of the show died along with The Night King in an unbelievably disappointing fashion, it definitely created some question marks for what was left for Bran in this story, if anything. I mean we haven’t even seen the guy in several episodes. Now, all of a sudden, he’s being named the king of Westeros? Talk about delivering a cheap ending to this story — did nobody working on this show stop to realize how senseless this was? We are talking about the character who had reached total enlightenment, so much so, that he didn’t even really know how to be a human anymore. And now we are going to plunge him into the politics of being the ruler of the realm?
But he won’t be the king of the Seven Kingdoms. He only gets six. Sansa had to get her two cents in and tell Bran that she wants The North to remain its own independent kingdom as it had been for thousands of years before Aegon’s Conquest. And that’s fine, but the only problem is that ALL the kingdoms had been independent prior, so why would the representatives of Dorne and The Vale and The Iron Islands all be okay with The North not bending the knee while they have to? Also, given that it was another member of House Stark ending up on the throne, Sansa’s desire to annex The North just makes that much less sense — it’s her own brother on the throne. Totally illogical storytelling and it just felt like a forced way to be able to show Sansa as the queen of The North, without regard for the fact it did not make sense to the story itself. But hey, not much has to really make sense anymore, so let’s go with it.
Back to The Wall
So that’s that. Bran is some sort of Three-Eyed-Raven king and Sansa is queen in the North. But we’ve got to come up with some sort of contrived ending for Jon, right? How about we send him back to The Wall, where his story began. That sounds like a cheap, easy and poetic ending for his character — so let’s go with that. I also found it strange that while the council was trying to figure out who should take the throne, Jon wasn’t mentioned once. True, he had just killed Dany, but if we subscribe to the idea that he was the rightful heir, then it was Dany who was revolting and trying to claim a throne that was not hers. That would provide some justification for Jon having to kill Dany, to eliminate a usurper. So, with her gone, and everybody grasping at straws to figure out who should be next in line, why is nobody bringing up Jon, the actual rightful heir?
Anyway, just like that, he’s back in his Night’s Watch garb, hair back down like it used to be in the old days, and headed back to The Wall. Another character with a massive arc that gets a senseless ending. We are talking about the guy that was arguably the most important character; the guy that became Lord Commander of The Night’s Watch; the guy that risked it all to put the world on alert about The Night King; the guy that fought and won in countless fate-determining battles; the guy that was broughtback from the dead; and the guy that made the ultimate sacrifice as he took the life of Daenerys Targaryen. And after all of that, we just send him to The Wall? I mean what an unbelievably disappointing, unsatisfying and silly way to end his story.
But before he departs, we get a round of cliche goodbyes with each of his siblings, the best of which reveals that Arya is now channeling her inner Christopher Columbus/Dora the Explorer. She’s off to explore the world, whatever is west of Westeros. I mean how cheesy do we want to get here? If they wanted to set up Arya for her own spinoff, they certainly left that door open, but man, after all that Arya has gone through and all her incredible character development, that’s where we end her story? Sending her to cheerfully explore westward made her feel more like a Disney character than anything else. A Cheap and easy cop-out, just like all the others. It’s also confusing to consider how central she was to last week’s episode, with no follow up in the finale. She was a major point of view character last week, running through the streets and the episode ending with her riding out on her white horse. It seemed like she was being set up for some major ending to her character. But it ended up being all for her to play basically zero role in the story’s end. If you think about, since killing The Night King (which was another big screw-up), she basically had zero involvement in the story since — just noise.
Before the episode comes to a close, we get to see the new council that will support King Bran, and it’s a total joke. Tyrion as hand; Davos a Master of Ships; Bronn as Master of Coin; Samwell as archmaestar; Brienne as commander of the King’s Guard. It felt like the writers threw darts at the wall to see who they’d randomly choose to fill each of these roles. The council meeting itself was so comical that it’s hard to believe writers were going for anything else. In the finale episode of this entire story, we have to listen to their light-hearted banter about what their first objectives will be and whether they’re going to rebuild ships or brothels first? And what about Samwell Tarly, casually presenting Tyrion with a book of recent history called A Song of Ice and Fire. Talk about forcing something into the script and an egregious namedrop. Embarrassing stuff.
Assembling a hodgepodge council like this simply disrespects the greatness of the history of the council, one that was once comprised of characters like Tywin Lannister, Varys, Littlefinger, etc… Now we’ve got Bronn and Davos joking about where they’ll allocate their funds first, as if King’s Landing wasn’t only recently completely decimated. Speaking of which, Bran asks if anybody has heard about the location of Drogon, but nobody has. In another weird moment, Bran tells them not to worry and that he’ll take care of figuring out where Drogon is. My first question: given the entire series is about to come to a close, why are we wasting time talking about where the dragon went? My second question: Bran, you are the Three-Eyed-f*cking-Raven — why are you going to this council of C-listers for advice in the first place — aren’t you the all-knowing one? What a total mess.
Finally, Jon returns to The Wall, where of course there will be a couple more cliche reveals. Tormund and Ghost are both waiting for him there, and eventually, they continue north of The Wall, presumably to live a life with The Free Folk. As they enter into the depth of the forest, the show comes to an end, and the confusion reaches its climax. Why is that the final image of this entire story? Jon walking into the forest with the Wildlings hardly seems like the final takeaway to leave viewers with.
And just like that, it’s all over. It was an ending that was obvious, uninspiring and simply silly in many ways. It was so beneath the greatness of Thrones and I cannot think of many ways they could have delivered a more disappointing end to this story. All that said, it would be a mistake to overlook the greatness that this show offered for so many years. Game of Thrones took television to heights it had never been before and captivated a global audience with its magic. Though I will forever be confused and disappointed by how the show brought closure to this story, I will also be thankful for all that it offered for so many years. I would highly encourage each of you to consider picking up the books and starting this journey over the right way, setting yourself up to experience the true ending to this story once it is properly told by George R.R. Martin himself.
Finally, thanks to all the fans and readers of ThronesLife. It has been great to share the passion with so many of you. Keep an eye out for what comes next : )
DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.
After significant tragedy, many experience the five stages of grief and loss, which are: 1. Denial and isolation; 2. Anger; 3. Bargaining; 4. Depression; 5. Acceptance. Safe to say, after last week’s episode, I went through almost every one of these five stages. Denial was stage one; I simply couldn’t believe what I had witnessed. Truly, I actually had trouble believing that after all this time, after everything we had been conditioned to believe about what The Night King represented, that in the blink of an eye, he was gone…just like that. Next came stage two: anger. Had I wasted the better part of the last decade enveloping myself in a story that I wholeheartedly trusted was destined for an ending that could be nothing short of greatness? Stage three kicked in soon thereafter with bargaining. Wasn’t there something that could have been done differently? If only the writers knew what they were doing to us, wouldn’t they have offered a more satisfying ending? Stage four: depression. The black cloud lingered, and normal life moments would be interrupted by that depressing reminder that this had actually happened, and there was nothing I could do to change it. And finally, stage 5: acceptance. Unfortunately, I’m not quite there yet, but this week’s episode has helped me to take a step, if only a little one, towards accepting the disappointment of epic proportions that was thrusted upon us last week.
First, the bad: whatever hope was being held out that this week’s episode would offer some closure to the abrupt death of Westeros’ ultimate villain, was likely met with great disappointment. After The Night King’s unspectacular slaying, which was surely unbefitting of the world’s most terrifying villain, many hoped there would be more to his story in the follow-up episode. Of course, this was not an unreasonable hope, given that the Thrones story conditioned us to believe The Night King and all the mythological components tied to him were central to the ending of this story. Who was The Night King? Why, of all the humans, was he chosen by The Children? Did The Children know what they were creating when they inserted dragonglass into his heart? Sure, we were told of his desire to wipe out the world’s memory, but was that truly his only motivation? Was there no deeper connection between he and Bran/The Three-Eyed Raven? The list of questions can go on; but the answers do not. The story has moved on, and moved on quickly, from The Night King and all his legend…almost as if he never existed at all.
How could that be? How could we move on so quickly from the greatest villain known to mankind? Well, the answer presented tonight was quite simple: the greatest threat to mankind is not any singular individual, but rather the complexities and identities that live within each and every one of us. Don’t get me wrong, I will not defend this idea or the show’s decision to end The Night King’s story the way they did, leaving so many intriguing questions totally unanswered. In fact, I am now altogether dubious of an ending to this show that will satisfy the desires created within me to understand the more existential themes presented in this show that I thought underpinned the story’s true meaning (i.e. Ice vs Fire, gods and religion, light vs dark, The Children of the Forest, etc..). But, we all must move on. Even though when compared to the battle for humanity’s existence, a battle between mere mortals for a throne feels like the wrong battle to be “the last one,” I have to admit that this episode started to reinvigorate some excitement. After last week’s episode, I felt completely deflated; after this week’s episode, only partially.
I am also rather dissatisfied with the overall soap-opera feel of the show. There’s no question that the writing has gone considerably downhill, ever since the show surpassed the books in season six, and writers have more or less been on their own. The speed of various character journeys and storylines has felt jumbled and bumpy at times. There’s a bit of drama that I feel is beneath this story, and certain characters have just started to feel a bit too winey.
All that said, I generally try to measure the quality of a story, or a given episode, not by how much or little I “liked” it, but rather by how well it succeeded at whatever it was trying to achieve. Following last week’s Battle of Winterfell, this follow-up episode had one clear goal: to turn our attention towards, and build suspense for, the final battle to come. And to that end, this episode was a great success, certainly achieving its intended purpose. So much so, that The Night King feels like old news, and I’m inching closer to that fifth stage of acceptance (well, only sort of).
A week ago, it felt like intra-human dynamics were irrelevant, and all that mattered was humanity banding together to preserve its existence. It was a homogenous and uniform view of the human race — that is, all humans were basically the same, coming together as one massive force to. One week later, and we are at the opposite end of the spectrum — the varied and often divergent spirit of human nature is highlighted. We are quickly reminded of the complexities of the human way, and the way these complexities can cause great divide amongst characters in this story. And while we can analyze each of the last two episodes independently, the true beauty is realized when taken in tandem. Only when forced to band together to fight for its existence could mankind show union and cooperation. The moment that threat is eradicated, we are back to seeing the truth of human nature — one that reminds us of mankind’s inherent propensity to create, perceive, and rationalize reasons for divide. The human inability to stand together unless out of necessity is indeed a sad reminder of the world we live in today. Nonetheless, bravo to the success this episode achieved in highlighting the often flawed nature of humanity, while building a wonderful sense of suspense for the final two episodes of this story. Let’s dig in:
As grave a threat as was brought about by The Night King’s army, it allowed most characters to temporarily suspend their more intricate cognitions and individual identities. Whose side will I take? With whom can I create an ally? How can I advance in this game? None of these questions mattered as fighting to live took precedent over all. But as that threat abruptly disappeared, characters were immediately thrusted back into decision-making mode. Allegiances, loyalties, secrets, love — all of these behavior-shaping ideas — immediately came back into play. And as they did, we saw several characters navigate the complexities of their “humanness,” in an attempt to make a decision that felt right to them.
We saw this theme start to play out after Dany names Gendry Lord of Storm’s End, the historic great castle of House Baratheon. Without hesitation, Gendry asks Arya to be his wife so that he can share life’s offers with the woman he loves. True to her self, Arya turns down his proposal, reminding us that she has never been a lady. In a Thrones world where so many characters are battling to figure out their true identity, Arya knows hers quite well. This, of course makes great sense, given the years she spent training in Braavos, when “a girl had no name,” and was forced to examine the truth of her identity. She emerged more connected to her truth and sure of her identity than probably any character in this story, giving her the strength and resilience to do great things.
But while Arya’s perception of self might be iron-clad, the same cannot be said for all. Jaime’s character continued along his complex character-journey, one that has been marked by a conflicting self-identity. As Jaime reminded us in this episode, he did terrible things in the earlier days of this story, including crippling Bran and murdering innocents, all in the name of love. But then something changed. His identity, which was largely built upon a representation of him being a great warrior, was torn down when he lost his fighting hand — and lost it as a result of him protecting Brienne. Literally and figuratively, his identity changed overnight, and we started to realize that perhaps the handsome knight willing to do anything for Cersei was just a mask that he wore, and there was a lot more to the truth of his character. In a powerful scene between he and Brienne, we saw great pain and vulnerability, and realized that there was a lot more to the man we had come to know only as The Kingslayer.
Eventually, Jaime fell back in the hands of Cersei, and it was unclear whether the “good guy” or “bad guy” Jaime would prevail (though, in reality, the point is that there really is no good or bad to human nature, only the complex makeup of each human, as we see in Jaime). This week, Jaime and Brienne finally lay together, which seemed to have cemented the side that Jaime would ultimately fight for in the battle to come. But after hearing word that Cersei had killed one of Dany’s dragons and realizing the imminent attack that Dany would bring to King’s Landing, Jaime decided he must return to his sister (or at least, that’s what he tells Brienne).
Brienne begged Jaime to stay, reminding him that he is a good and honorable man, only for him to remind her, in heartbreaking fashion, that he is in fact, anything but. This was devastating on so many levels. First, it was painful to hear Jaime profess how low he truly thinks of himself. Often, identity is less about how others perceive you, but more about how you perceive yourself. Of course, many are not even aware of their true self-perceptions, and if they are, often struggle to acknowledge them. But in this moment, Jaime is not only true with Brienne, but true with himself. He tells Brienne, and himself, that he essentially believes himself to be a terrible person. In this Thrones story, Jaime is the closest thing to a Greek Tragedy. In so many ways, he is a tragic hero; his greatest flaw, his massive vulnerability that prevents him from realizing the good man that he is. And can you blame him? After being casted out as “Kingslayer” and “Oathbreaker,” for so many years, is it really any surprise that his self-esteem is nonexistent? Sure, on the outside, he has worn the mask of knight in shining armor well, but beneath it, he is deeply pained by the wrongs he has committed, so much so that he believes there to be no good in him at all. The worst part? All the crimes he committed were to protect the ones he loved; at no point did he do any evil out of malice or selfish motives.
And while Jaime’s story is incredibly tragic, perhaps this moment is even more heartbreaking for Brienne’s character. For as long as we’ve know Brienne, her identity has been defined by a total lack of femininity. For all intents and purposes, Brienne has been characterized as a man, from her appearance to her desires. This very episode highlighted that idea by calling out her virginity — after all of these years, she had never even lay with a single man. Yet, Jaime changed all of that. And while their sleeping together certainly has significant physical meaning for Brienne, it really underscores the emotional tie between the two characters. If Jaime was the tragic hero unable to see the good in himself, Brienne was the one person who understood his vulnerabilities, and truly knew the honor that lived within Jaime. Coupled with the fact she truly loved him, it was not enough for her to know he was a good man — she needed him to know it as well. Several times throughout this story, even when on opposing sides, Brienne has reminded Jaime of his goodness. Often, it almost felt like a plea, like she was begging him to realize the same.
And finally, as the story is headed towards its closing moments, it seems as though Jaime has settled into the idea that he is in fact a decent man. He has chosen the right side, he is going to remain at Winterfell, with the woman who loves him — all is well. Absolutely nobody could be happier about this than Brienne herself, knowing that not only has she received love back from the man she loves, but she has finally gotten him to realize his goodness. But, in typical Thrones style, everything changes with the flip of a switch, and Brienne’s world is turned upside down as she finds Jaime set to depart Winterfell in the middle of the night.
A character who rarely displays any emotion, Brienne is devastated, tears streaming down her face, as the man she loves is leaving her, and reminding her of what a horrible person he believes himself to be. His words go in the face of everything she has believed; in many ways, her world is turned upside down. For the first time, Brienne let herself be vulnerable; vulnerable to love, vulnerable to her femininity, vulnerable to emotion — and it all came crumbling down. How truly heartbreaking. I can only hope that Jaime ends up on the right side of this fight, if not to see his story end realizing his own heroism, than at least for Brienne’s sake, so that she doesn’t lose the man she loves to a false sense of identity.
The complicated nature of the human makeup and identity continues to shine through elsewhere in Winterfell. Sansa continues to display a mistrust for anybody outside of her family, putting her at great odds with Daenerys. When we size up Sansa’s identity, it’s a pretty simple diagnosis. Her trust was betrayed by so many at such a young age, from Cersei and Joffrey to Ramsay Bolton to Littlefinger. At this point, how could she ever trust anybody other than her own? In an exchange between her and The Hound, he tells her that she should have left King’s Landing with him when she had the chance — had she done so, she would have avoided all those that wronged her along the way. Sansa responds to The Hound, telling him that had she left with him, she would still be “a little bird” today. You can watch the video below, from season two, when The Hound tried to save Sansa from King’s Landing.
Sansa’s response to The Hound makes it clear that she understands who she is and has grown smarter from all those that have wronged her. But, one must ask the question: is it advantageous to be guided by a general distrust for all those around you? Sure, being able to outsmart others is a good thing, but not being able to trust anybody outside of your family, maybe not as much. And this is the very conflict that will soon reach climax, between her and Jon. While Jon wants to honor his Queen Daenerys, Sansa is unable to trust Daenerys, or even trust Jon who is willing to vouch for her. Interestingly, Arya has picked her side in this conflict, and strongly voices her distrust for Daenerys as well.
And, all of that is before they even learn that Jon is not in fact their brother, but rather their cousin. Though the scene cuts away, Jon tells Bran to reveal the truth of who he really is to Sansa and Arya. This news only serves to embolden Sansa’s distrust for Daenerys, as learning Jon’s true identity also reveals that he, not Daenerys, is the rightful heir to the throne. Sansa’s identity, largely defined by her inability to trust anybody, is at odds with her loyalty to family, and she is going to have decide between the two. From her conversation with Tyrion where she reveals she thinks there is somebody better than Daenerys to to rule, it seems as though she will not be able to shake her achilles heal, and this is going to set up a very tricky dynamic in the final episodes, where Jon and Sansa may actually find themselves in direct opposition.
As the episode continues, we see Jon’s secret quickly starting to spread — a secret that Dany begged him to keep. But, Jon, being the honorable (and sometimes foolish) man that he is, decided he must tell his sisters. Sansa broke her oath to keep this secret, by telling Tyrion, who then told Varys. Rightfully so, and as Dany predicted, this news is already starting to cause greater divide, at a time when Team Dany/Jon can ill afford it. Sansa and Arya are not the only ones starting to defect from Dany’s claim to the throne. Varys, pointing out that Jon is the rightful heir, a male, and more even-tempered, also now believes Jon is the one to be backed, not Dany. Though Varys and Tyrion have generally seen eye to eye, their sense of identity will bring about an abrupt departure. While Tyrion is defined by his ability to see and support the best in others, Varys’ identity is centered around protecting those who cannot protect themselves. Born a pauper and sold to a sorcerer who committed terrible acts to Varys when he was just a boy, Varys now uses his cunning to try and “protect the realm.” He and Tyrion now have differing views of who is best suited to do this, and Varys makes it clear that he will do what he must to protect those in need. Keep an eye out for what Varys’ next move will be.
Fire and Blood
And just as the episode was starting to feel like it was going to be another setup for next week’s battle, things go haywire. Things go from bad to worse for Dany, and out of nowhere, Rhaegal is taken out with three harpoons. Dany can do nothing but watch as she loses yet another one of her children. In a state of blood-seeking fury, Dany flies her dragon straight into the danger, but eventually retreats as she cannot risk losing her last dragon. Euron’s fleet destroys Dany’s ships, and in doing so, takes Missandei prisoner.
At this point, Dany has had enough. Her plan to show restraint and minimize the loss of innocent life is not working. In the span of days, she lost Jorah, one of her most loyal advisers; her entire Dothraki army; half of her Unsullied army; the second of her three dragons; and Missandie, her most trusted adviser. Things have gone from bad to worse, fast. Though Tyrion and Varys beg her to continue to show restraint and to not pursue Cersei at the cost of killing thousands of innocents, Dany is at her breaking point. She agrees to offer Cersei the opportunity for surrender, so the people of King’s Landing can know that it was Cersei who refused surrender.
In a powerful final scene, Tyrion makes one last desperate plea, first with Qyburn, and then directly to his sister. In this plea, we can feel just how badly Tyrion truly wants to avoid the loss of innocent life — something we can see he knows is imminent. But even Tyrion’s clever words are not enough, and Cersei gives him a big “f**k you” by not only refusing surrender, but beheading Missandei first. The pain felt by Dany and Grey Worm was palpable; and the look on Dany’s face was clear as day: all bets are off. Fire and blood is coming, which begs the question, will she become The Mad Queen, just as her father was The Mad King? Clearly, this is Varys’ concern, but which side of Dany will prevail? The one that has defined her identity for many years — the one that wants to leave the world a better place than she found it? Or will her Targaryen wrath prevail and will her desire for revenge get the better of her? With just two episodes remaining, things are more up in the air than ever before, and great battle is upon us.
Odds and Ends
Jaime and Cersei: It’s worth pointing out, that it’s possible Jaime was tricking Brienne in order to get out of Winterfell, perhaps to get to King’s Landing to kill Cersei himself.
The Hound and Arya: The ultimate duo are back together again on their way to King’s Landing. They both have unfinished business, namely killing their ultimate foes. Arya will surely want to be the one to take out Cersei and cross that name off her list. At the same time, The Hound will want to take out his brother, The Mountain, who burned him as a young boy and is responsible for all the identity issues that The Hound suffers today.
Other Allies: Though Dany’s forces have been significantly diminished, there are other allies out there. In this episode, it was mentioned that a new Dornish Prince has declared for Dany. Dorne has not played much of a role in this story as of late, but it’s safe to assume that they will show up in the final battle. It’s also worth remembering that Cersei still has Ellaria Sand and her sandsnake daughter locked in a cell beneath King’s Landing. Presumably, they are not yet dead, and could have a role to play as well. Yara Greyjoy is also still alive and has retreated to The Iron Islands — additional allies for Team Dany.
Bronn: A character I’ve generally enjoyed throughout the show, I was disappointed to see Bronn turn on Jaime and Tyrion. I’m not quite sure how his story finishes up, and with only two episodes to go, and it doesn’t seem very relevant that Tyrion promised him Lordship over Highgarden if they win the war. But, we’ll see how this one develops.
Cersei’s Baby: It’s unclear what’s happening here. Question 1: Is Cersei pregnant? Question 2: Who is the father? Neither answer is very clear, but it seems this will be somewhat important as the story comes to a close. Cersei first told Jaime the baby was his, but this could have been a lie to keep him close. In this last episode, Cersei tells Euron that she’s pregnant with his baby — again, unclear what the truth is. Going back to season five, we saw a flashback of Cersei as a young girl, encountering Maggy the Frog, a witch who offered Cersei a prophecy. She basically told Cersei that she would have three children, all of whom would eventually die. We saw this prophecy come true, as all three of Cersei’s children were eventually killed. Again, this prophecy stated Cersei would have three children (not four), so if we believe this prophecy to be true, than Cersei is either not actually pregnant, or will have her baby killed.
DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.
The end of an era. The dark before the dawn. A preamble to death. Call it what you’d like, but make no mistake, the end is here. Now.
The thing is, we always knew this moment was coming. It’s been clear for some time that the finality of this story was lurking around the corner, perhaps just out of sight. But knowing that the end is near in your head, truly feeling it in your heart, are two very different things. And tonight, for the very first time, we were forced to feel the weight of the end, and all the consequences that will come along with it. What was once out of sight, is now in crystal clear focus, and there is no turning back.
After a rather slow setup episode to kick off the season, many anticipated an action-packed episode this week. I myself suspected that we might get our first battle tonight. But what we were offered tonight was more profound — more emotional — than perhaps any battle scene ever could be. In a subtle, yet powerful way, we were reminded of all that has happened over the past 10 years — intense character journeys that saw foes become friends; great sacrifice and heart-wrenching loss; glorious victory and crushing defeat — all that has led us to this very final moment. And as we processed the great journey that led us here today, we were reminded of the great fragility that characterizes the world we live in — a reminder that overnight, everything can change; life can turn to death, while the things we hold most dear can be taken away in the blink of an eye.
The great paradox, and genius of this episode, was that we were ultimately reminded of what we will soon forget. Like a montage of memories before our eyes, it will all soon be over, and most of it will soon be forgotten. The ingenuity of this concept is that it speaks true both externally, of us viewers, who likely will forget most of what we’ve witnessed over the past decade, once this great saga comes to an end and the years go by. But on a meta level, the same can be said true of the characters in the story. As the end approaches, so does the very real possibility of human extinction, which would bring about the end of all recollection and memory. And, as we learned from Bran in this episode, that is precisely what The Night King is after (we’ll get to that more later).
The last night of sleep-away camp where you stay up all night, knowing that morning will bring about the moment where you’re forced to say goodbye to those friends who you may not see again until the following summer. Those last moments leading up to college graduation before you close the chapter on your college days and embark upon that next phase of life. This was all of those goodbye moments rolled into one and amplified times 100. We were readied for what may be the final goodbye. Life is not guaranteed. Death is imminent. Loss is certain. And tomorrow may not come at all, which forces us to reflect back upon the most magical of journeys, which in concert, create what we have come to know as A Game of Thrones.
All You Need is Love
To date, character relationships have often been complicated and unpredictable, but as the end nears, all of that has begun to change. Staring down the face of death, what we saw in this episode was characters mostly stripped of all the layers that no longer matter. And when you peel back all those layers, we’re left with relationships that are defined by one simple constant: love. And it is the power of this love, combined with an awareness of how quickly this love can come to an end, that made this episode so sad, yet beautiful. Characters coming together, knowing full well that this might be their last sip of wine together; their last laugh; their last kiss. Their realization of the impending finality allowed us to view these characters stripped of what has defined their very existence in this story for so many years — the lies, the schemes, the deception, the games…None of that matters anymore, and we got to see the true essence of these wonderful characters.
This theme starts early in the episode when Jaime is reunited with Brienne, one of the few people in all of Westeros who got to hear his side of the story regarding his slaying of The Mad King. Their journey was intensely powerful, and it was Brienne’s character that served as the foil for Jaime’s first evolution. It was through her that we first saw a different side of Jaime — a more vulnerable character that had been carrying the burden of being unfairly labeled Kingslayer and Oathbreaker. Below is a clip from season three in which Jaime breaks down to Brienne and she learns who he really is. This scene is hugely important as it allowed Brienne to understand what Jaime had been through and the truth of his character — the very character she would come to the defense of all these years later in his moment of judgement.
As we heard Brienne recount in tonight’s episode, it was Jaime that saved her life, and lost his hand for it, back in season three. Years later, it is now Brienne saving Jaime. And if all that is not poetic enough, with death at Winterfell’s doorstep, it is Jaime who is able to give Brienne what she wants most in the world, her knighthood. Underscoring the importance of this moment, Thrones producers chose to name the episode after it, A Knight of the Seven Kingdoms. Whether it is a love of romance or a love of loyalty and admiration (likely the latter), the feelings displayed between Jaime and Brienne offer a shimmering light before the darkness that is just around the corner.
The moments of love continued between many other characters, again offering reminders of the richness and depth of experiences that have shaped these relationships in seasons past. The reunion between Theon and Sansa proved that even a short-lived exchange can be powerful and emotional, when delivered the right way (something the premiere episode seemed to be totally unaware of). Theon’s return to Winterfell only lasted about 30 seconds, but his pledge to fight for Sansa and Winterfell brought things full circle for him. His character has been tormented for years as to who he should try to be: a Greyjoy or a Stark. He has made some excruciating decisions along the way as he battled this identity crisis, but his return to Winterfell signals that he has found some closure and realizes who he ultimately wants to be in the final moments of this story.
But what made this scene even more emotional was the embrace shared between Sansa and Theon. Both characters have been through some unimaginable circumstances, and their experiences intersected at the hands of the sadistic Ramsay Bolton, who held both of them prisoners. At the end of season five, the two came together to escape Winterfell, a moment that liberated them both literally and figuratively. They went separate ways shortly thereafter, but they will forever share a powerful bond built upon a shared understanding of what it meant to endure Ramsay’s torturous ways, as well as knowing that they came together to escape. Their present-day reunion is a reminder of all that they had been through, and their embrace reminds us of the ways in which shared adversity can bring us closer together, perhaps more-so than anything else.
Lastly, this scene reminds us that perhaps Theon’s tale is ultimately about one thing above all else: redemption. Lost in the fray of hating so many others (i.e. Ramsay Bolton, Joffrey, Walder Frey, etc), you may not remember it, but there was a time when you hated Theon more than anybody in the entire Thrones universe. This was the guy that turned on the family that raised him as he brought destruction to House Stark and Winterfell. Some time thereafter, he was taken prisoner by Ramsay and turned from Theon into Reek, and became such a broken man that there was nothing left to hate. And then for some time following his escape, he vacillated back and forth, trying to figure out whether he was Reek, Greyjoy or Stark, and as viewers, it was unclear where his path would lead. But, after rescuing his sister Yara, and now returning to Winterfell to fight alongside House Stark, Sansa’s embrace reminds us that redemption is possible, almost always. Looking back, Theon’s character offered viewers an unbelievably complex and rich character journey. Given that he’s arguably not even one of the top-ten most important characters in the story, this is just another testament to the absolute genius of George R.R. Martin. In any other story, a character of such complexity would be the main star of the show — but in George R.R. Martin’s world, each character, no matter how prevalent or how peripheral, is exceptionally well-developed and never overlooked.
The theme of characters coming together in their final hour did not stop there. Arya made it clear that she’s all grown up and did not want to die a virgin, as she took control of Gendry. I guess one needle wasn’t enough for her. (For anybody who didn’t catch that one, the name of her sword is Needle). Before seducing him, he presented her with the weapon she’d been asking him to make — a fighting stick adorned with Dragonglass on either end. Again, even in a small detail such as the presentation of a singular weapon, we are reminded of the incredible journey that Arya has been on — one that will be altogether forgotten if darkness prevails.
Back in season six, Arya endured great sacrifice, including total loss of vision, as she trained to become a Faceless Man under Jaqen H’ghar in Braavos. This part of her journey, more-so than any other, ultimately shaped who she would become, so it is powerful to see that in what might be her final moments, she chooses to fight with a weapon similar to that which she trained with in Braavos. In this scene, we also heard that mysterious Braavosi music in the background, which once again begs the question: will we ever see Jaqen H’ghar again?
The unions continued throughout the episode, including one last kiss between Missandei and Greyworm. I must say, I am still puzzled by this part of the story. I never understood what the significance of their relationship is or what purpose it serves. Nonetheless, we are reminded that in the face of darkness, this might be the last kiss they ever share together. Same goes for Sam and Gilly as they are shown laying in bed with their baby boy between them, perhaps the last time they will ever be united as a family.
Finally, on the topic of this episode bringing characters together that remind us of the past, I’d like to point out one other scene that hardly anybody will talk about, but I found emotional: the scene between Ser Davos and the little girl in the square of Winterfell. For many seasons, Davos’ one true love was Princess Shireen, the daughter of Stannis Baratheon. Because she was afflicted with Greyscale, Stannis kept her contained to a cell beneath Dragonstone, where Davos would often sneak down; he would tell her stories while she would affectionately teach him to read. It was a loving and heart-warming relationship, which ultimately ended with her death at the hands of her own parents, who sacrificed her at the advice of Lady Melisandre. This was heartbreaking for Ser Davos, and ultimately led him to depart from the service of Stannis, and brought him to where he is today. Make no mistake about it, the girl in this last episode with the scar on her face was not randomly placed. The intent was to remind viewers of the love Davos had for Princess Shireen, a love that will fuel him to continue to fight for life against the army of the dead.
After a disappointing and underwhelming reunion last week, Arya and The Hound had another moment together, which did a slightly better job at recognizing the history they had together. Arya questions what The Hound is doing in Winterfell, asking him “When have you ever fought for anybody but yourself?” He looks back at her, and responds, “I fought for you, didn’t I?” In this simple dialogue, we are reminded of the great journey Arya and The Hound shared together, and that neither would be standing where they are today if not for that journey. After all that they’ve been through together, it’s painful to consider that we have witnessed their very last exchange. I could see The Hound making one final sacrifice, giving his life to save Arya in battle.
Last, but certainly not least, towards the end of the episode we see another wonderful reunion which reminds us of an important past that we cannot forget. Jon is reunited with what you could argue was his first true love — his brothers of the Night’s Watch. Standing beside his brothers, Sam says “Think back to where it all started,” before they repeat their words, probably for the last time, “And now our watch begins.” After having spent years defending The Wall and building a bond that most could never imagine, it is unlikely that these three will ever stand together again. What a sad thought.
The King and I
If the planned Thrones spinoff proves unsuccessful, HBO could always pivot to a Thrones satire featuring The Night King and Bran, entitled The King and I. All joking aside, in this episode we got a bit more color on The Night King’s intentions as well as his connection to Bran.
For starters, Samwell flat out asked the question we’ve all been asking for quite some time now: what does The Night King want? Bran provided a fairly direct response: “He wants an endless night. He wants to erase this world, and I am its memory. He’ll come for me, he’s tried before many times with many Three-Eyed-Ravens.”
So while Bran provides some more color on what The Night King wants, I can’t say it was a real “ah-ha” moment. I still don’t quite understand what The Night King wants to achieve. Or better yet, maybe I just don’t understand why he wants to. Sure, he wants an endless night where the world is erased. But why? Say he wipes out humanity and gets his endless night, then what? I still believe, and really hope, that there’s more to the Night King’s true ambitions than what Bran has divulged. There has to be more to what he’s after and why he’s after it. I am hoping we’ll still have a big reveal of who The Night King really is, why The Children of the Forest created him, and what this eternal battle between Ice and Fire is really about.
What’s also interesting to think about is that Bran alluded to the fact that The Night King has tried “many times with many Three-Eyed-Ravens before.” How many Three-Eyed-Ravens have there been before Bran? And does this dispel the theory that Bran was the earlier Three-Eyed-Raven all along, essentially the future version of himself guiding the present-day version of himself? What has happened to the other Three-Eyed-Ravens, and what has their role been compared to Bran’s? No answers for you on these questions, but interesting to think about.
Another takeaway from this scene was that Bran was speaking to a room filled with all the key players in the story (Dany, Jon, Tyrion, Arya, Davos, etc). Of all these characters that could have responded to Bran’s declaration about what The Night King wants, it was Samwell who responded, stating “That’s what death is…Forgetting, being forgotten…If we forget where we’ve been and what we’ve done, we’re not men anymore, just animals. Your memories don’t come from books, your stories aren’t just stories. If i wanted to erase the world, I’d start with you.”
What’s interesting about this is that it ties back to an idea that we’ve spoken about in earlier posts — that perhaps Samwell will be the ultimate storyteller — perhaps the very person narrating the story we are being told today. This idea has never held more weight than after this episode, in which Bran declares that The Night King’s entire mission is to erase the world and its memory. If that is the case, than the Night King’s ultimate opposition would be the storyteller who possesses the power to perpetuate the story of humanity. As we know, there is nobody that has embraced the power of books, story and recorded history more-so than Samwell Tarly. You can read a more detailed account about that theory here, but I found it very telling that Samwell was the one to respond to Bran in this scene.
After learning that The Night King will come after Bran, team humanity decides their best play is to set him out in the weirwood forest as bait in an attempt to lure in The Night King. Theon offers to protect Bran, though alone, he’ll be no match for The Night King. This raises the ultimate question: how do you kill The Night King? It’s unclear whether Valyrian steel, Dragonglass or even dragon fire will work.
The Crypts of Winterfell
The crypts of Winterfell were mentioned no less than a dozen times in this episode. And each time, they were mentioned as the “safest” place to be. I get the sneaking suspicion that perhaps they are not as safe as everybody assumes. Or that there will be a major reveal about the crypts in the coming episode(s).
After Thrones producers chose for the location of the season eight teaser to be the the crypts of Winterfell, I dedicated a post to a theory about these crypts and their very mysterious history. Given how much these crypts were mentioned in tonight’s episode, I would highly recommend reading that theory here.
Discord in Winterfell
As the story nears its end, everybody in Winterfell seems to be on the same page. Well, almost everybody. Sansa and Dany have a heart-to-heart and it seems as though they are going to emerge the better for it, until Sansa asks the difficult question: what are Dany’s intentions if the war against death is won? Dany makes it clear that she intends to reclaim the Iron Throne, and Sansa makes it clear that The North does not intend to bend the knee again. With just four episodes to go, it seems unlikely that we ever see this conflict play itself out, but what’s important to note is that the very fact this conflict is lurking in the distance could cause enough discord between these characters as to affect their much-needed union today.
Making matters even more confusing, Jon reveals to Dany his true identity, and she quickly realizes that if true, he would be heir to the Iron Throne, not her. Her first reaction was one of disbelief, but she told Sansa just moments before that she knows Jon is a man of his word, so it will be difficult for her to deny the truth of his identity. The question is, will she be able to accept it. Unfortunately, this is not something she’ll have much time to ponder, as their conversation gets interrupted by the war horns that signal the army of the dead have arrived and the battle is just moments away. Without time to further discuss, how will this impact Dany’s loyalty to Jon, House Stark and her prioritization of this battle versus the battle for the Iron Throne? In short order, we will see Dany’s true colors, and while it feels unlikely, it is possible that she could turn on Jon if she now views him as a threat to the Iron Throne.
And just like that, The Great War is here. As the episode comes to an end, we see the front line of The Night King’s army, and he’s not messing around with any wights out there. His front line is comprised of all White Walkers, many more of them together than we have ever seen. Expect next week’s episode, all 82 minutes of it, to be edge-of-your-seat battle action. A word of advice: prepare yourself mentally and emotionally, because many great characters will die.
Odds and Ends
With The Great War upon us, will The Prince That Was Promised finally emerge to lead the war against death and darkness as the prophecy states? If so, who will it be? If you aren’t familiar with the theory of The Prince That Was Promised, read here. Lady Melisandre originally, and incorrectly, believed Stannis to be The Prince, while the popular theory then became Jon, and more recently Dany. With Jaime back in Winterfell and Bran alluding to the role he has to play in The Great War to Come, Jaime could in fact emerge as The Prince That Was Promised. And with Brienne’s recent knighthood, it could even be her.
If you didn’t catch it, Jon’s wolf, Ghost, is back. This begs the question of whether or not we’ll see Arya’s wolf, Nymeria. I say yes.
In the scene between Jaime and Bran under the weirwood tree, Jaime asks Bran what will happen afterwards, to which Bran responds “How do you know there is an afterwards?” An ominous response to say the least, which highlights the very real possibility that darkness does in fact prevail.
Samwell gave Jorah Heartsbane, a great Valyrian sword that has been in House Tarly for centuries. Jorah would have been in line to receive Longclaw, the great Valyrian longsword that belonged to his father, Lord Commander Jeor Mormont, but because of Jorah’s exile, the sword instead went to Jon. We know that Jorah was one of Westeros’ greatest warriors, and now he has an epic sword with which he can slay some White Walkers.
Where was Varys in this episode? We know he was in Winterfell, but it was peculiar that he was not involved in any of the key scenes or dialogues. Keep an eye on this. And remember that we still do not know what he heard in the fire all those years back.
Which major characters that have been killed off will we see reemerge as wights in The Night King’s army? I think it’s safe to say we’ll have to see at least one or two characters that have been turned into zombies. Stannis would make a pretty wicked wight.
DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.
At long last, the wait is over. Don’t feel totally satisfied? That’s okay, don’t beat yourself up over it. While the season eight opener was devoid of any major jaw-dropping moments, it achieved exactly what it set out to — it laid the ground work for what will no doubt be a massive conclusion to this epic saga.
Sure, after waiting almost two years, we all would have enjoyed a classic Thrones battle scene. We even would have settled for a more subtle reveal that perhaps would shed light onto any one of the many burning questions we have. Be patient, young grasshoppers — all of that will come.
What the premiere episode, entitled Winterfell, lacked in big moments, it made up for in powerful (and often awkward) reunions. These reunions paid homage to the past; they served as a subtle reminder of all the story’s twists and turns that have led these characters to where they are today. But these reunions also starkly foreshadow the future, reminding us that it is the present-day configuration of characters that will likely determine the very fate of mankind. The past, present and future are all here, now. So before you tell all your friends and co-workers how disappointed you were with the season-opener, take a moment to appreciate it for what it was — the quiet before the storm. There will be no shortage of action to come in the remaining five episodes, so let’s take a moment to analyze and appreciate all the nuances from the season premiere.
A Credit to the Credits
The opening credits are an often overlooked and under-appreciated facet of most TV shows. In the past decade or so, HBO has started to change that in a big way, as productions of some of their biggest shows have brought the opening credits to the forefront. From True Detective, to Westworld, to Game of Thrones — opening credits have morphed from obligatory bore to masterful pieces of art. None more-so than Game of Thrones. Could there be a more triumphant blend of imagery, music and motif? I say not. Thrones transformed the way we think about the opening credits altogether. No longer just a static introduction to offer information about the show’s cast and crew, but rather an immersive vehicle to enhance and evolve the storytelling itself.
So as the final season approached and you asked yourself what Thrones producers would choose for the very first scene, you likely overlooked considering the opening credits themselves. And that is where, once again, Thrones delivered in a way we could have never seen coming. In short, the opening credits were completely revamped, in just about every way possible. The scope of locations presented? Different. The sequence in which they were presented? Different. The looks and feel? Different. The astrolabe that offers up Westeros’ biggest historical events? Different. With all this change, before you even think about breaking down the show, you must dive deeper into the credits themselves to truly appreciate the first episode.
For starters, the opening credits simply looked a lot cooler. They looked newer, shinier, sleeker — almost as if this version of the credits was produced 10 years after the original version. Oh wait, it was. But the “coolness” of the credits is just the beginning. There were a bunch of very material changes, the first of which can be seen on the astrolabe, an object that has served as the central motif to the show’s opening credits since day one (and likely has a great significance that I hope will be revealed before the show’s culmination). If you’re not sure what the hell an astrolabe is, see below.
As you’ll see in the above photo, which features an astrolabe from the older credits, we can see images recorded on it which tell the story of Westeros’ history. The major historical events that have always been displayed are The Doom of Valyria, Robert’s Rebellion and the rise of House Baratheon. These three events, the fall of the greatest civilization, Valyria, (~400 years ago), the great war that would see the Targaryen dynasty overthrown (~20 years ago), and Robert Baratheon usurping the Iron Throne (~20 years ago), would set into motion the story we would then begin watching. So, it made sense that the astrolabe in the opening credits captured these three major historical events — they clued us into the important moments that transpired before our time.
But in the course of the last 10 years, there have been entirely new events, ones that will likely change the course of history, so it was only right that the opening credits of season eight featured a much-updated astrolabe. As you’ll see in the photos below, three new historical events are highlighted: the reemergence of dragons into the world, The Red Wedding and The Night King using his undead dragon to tear down a chunk of The Wall. Check them out below:
If you were too hyped up for the opening scene and overlooked the show basically telling you that history has been rewritten in front of your very eyes, not to worry, you weren’t alone. But the magic of the opening credits continued from there. One huge change in approach is the direction in which locations were presented. Historically, viewers were always taken on a journey from south to north, generally ending around The Wall. The new credits did a complete 180, starting at The Wall (which now has a huge hole in it), and working down south. For one, this was an out-of-the-gate reminder that The Night King and his army have done something that has never been done before: they have successfully destroyed a chunk of The Wall, a magical structure built over 8,000 years ago. And as such, they are now on the loose, making death and destruction imminent.
As we continue just past The Wall, the opening credits used a new technique to offer viewers a glimpse into where the Night King and his army are lurking. The terrain they present is made up of tile-like pieces, which they flip from normal snowy white to icy White Walker blue to show the march of the Night King’s army. As the story evolves and their march continues, my guess is that we’ll see a lot more of these icy blue tiles being flipped.
Speaking of the Night King’s descent south, we are introduced to a brand new location, The Last Hearth, which was a castle belonging to House Umber. We see the army of the dead’s tracks leading right up to this castle, and to no surprise, we find out by the end of the episode that The Night King had definitely been there (we’ll get more into that later). What you also might have missed in the opening credits, is that they showed this castle built upon a small spiral mountain — the same spiral that has been synonymous with The Night King/White Walkers (we’ll get more into that one later as well).
The opening credits just got better from there, as we were offered new perspective into some of the most important castles, locations we now know will be central to the end of this story. At Winterfell, for instance, we got so much more than the castle exterior we have seen the past seven seasons. The opening credits took us deep into the interior of the castle, through the Great Hall, and more importantly, deep below, into the almighty crypts. (As an aside, before the start of this season, I wrote a deep theory about the significance of the crypts of Winterfell. That theory is only underscored by the opening credits choosing to show them once again. If you haven’t already, I would recommend reading it here).
Similarly, our arrival to King’s Landing took us deep into the castle, from The Red Keep to the Throne Room. It is no surprise that the locations ended there — a reminder that the majority of Westeros’ other locations are no longer as relevant to this story, one that has become acutely focused around just a few locales. What’s also worth noting is that the credits end in The Throne Room, with a final glimpse of the good ole’ Iron Throne. As of late, we’ve been told time and time again that the Iron Throne simply doesn’t matter all that much when compared to the war to save the human race. But the opening credits, which come to a close at the foot of the Iron Throne, perhaps would tell us otherwise…
If nothing else happened in this episode, I was enthralled by the magic of these newly revamped opening credits. Take a minute to soak it in one more time. Bravo…
A Melodrama in Winterfell
If I had one knock against this episode, it was not the lack of entertainment or action, but rather that it often felt more like soap opera than epic fantasy. I appreciate the nuanced conflicts presented by the many character reunions that took place in this episode, but the ensuing drama felt a bit tiresome, especially given the backdrop of fire-breathing dragons patrolling the skies and a freakin’ army of the dead at the doorsteps of Winterfell. Given these fantastical elements, the absolutely dire situation that every person in The North (and beyond) faces, I found it frustrating and childish some of the melodrama that took place. Sansa, there’s no time for you to be a whimpering child just because you are not as pretty or powerful as Daenerys. Northerners, there’s no time for you all to continue to be stupidly naive in condemning Jon for joining forces with Daenerys. Yet, this is the drama that I felt consumed Winterfell, and I simply thought we were past it.
What quickly became clear is that a story once characterized by a plethora of teams all trying to out-strategize each other, has condensed into just two sides. And what we quickly see from the opening scene is that it seems like just about everybody not named Cersei is on team Dany/Jon. Characters from all corners of the world, entangled by a complicated series of events over the years, have now all united where it all began: Winterfell. The once-enslaved Unsullied soldiers, the nomadic Dothraki warriors, even Dany and her dragons — all of which would have otherwise existed thousands of miles from Winterfell, have come together to fight back the army of the dead (who are just miles away).
As so many of the story’s main characters descend upon Winterfell, awkward reunions are inevitable. For starters, this couldn’t have been the homecoming Jon Snow was hoping for. All he did was put aside his King in the North crown in an attempt to forge an alliance with allies that could help protect The North. Oh, and he also ventured north of The Wall (again) and led a battle against The Night King’s army, while successfully capturing a wight and proving to the world that the army of the dead exists. No big deal. What should have been a hero’s welcome was anything but.
Sansa continues to be a whiny pain in the a**, continuing to chastise Jon for “abandoning” The North, despite the reality that he was trying to save it. But it doesn’t stop there — Sansa has something new to be upset about — a prettier and more powerful female. She makes clear her distaste and distrust of Daenerys, despite the clear facts: 1) Daenerys has the strongest army in the world; 2) Jon risked everything to forge this alliance; 3) Nothing else matters other than the fight against the dead. But still, Sansa is having a tough time backing Jon, and as a result, Jon is left having to continue to argue with Sansa behind closed doors. Their conversation culminates when she asks if he bent the knee because he believes in her or because he loves her. They are interrupted before he can respond, though the answer is likely both.
Jon’s reunion with his younger brother, Bran, whom he had not seen in many years, was also nothing to write home about. He wasn’t able to get more than a stoic word or two out of his younger brother. Even his reunion with Sam, his closest friend, was pretty quickly soured by Sam informing Jon that Daenerys had executed Sam’s father and brother. The poor guy, Jon risks it all, only to return home to a temperamental sister, a younger brother that has now turned into a Three-Eyed Raven, and a best friend whose family has been executed by the woman he’s brought into the fold. Not exactly a storybook homecoming. But if there was a silver lining, it was his long-awaited reunion with Arya. Of all the Stark children, Jon and Arya were always the closest, sharing the bond of being the outsiders of the family. Standing beneath the sacred weirwood tree, we are reminded of the Northern blood that runs through their veins, and that in many ways, they are all that’s left of House Stark.
Jon aside, there were a handful of other reunions, none of which offered much satisfaction. The one I have been waiting on for so many years finally happened between The Hound and Arya. Their storyline together was always one of my favorites, and I was hoping for more, if and when their paths crossed again. Comprised of just a few meaningless words, their reunion was short-lived and unmemorable. Arya also reunited with her longtime friend, Gendry, who to no surprise, is using his smith skills to oversee the construction of White-Walker-killing weapons made of dragonglass. There wasn’t much to this reunion either, again, a bit disappointing. After storylines that spanned several seasons and characters that developed deeply rich relationships, I couldn’t help but feel the show really missed capturing the power and emotion that should have been present for some of these reunions. But then again, compared to the impending war to preserve humanity, how important are any of these relationships really?
Last, but not least, we had a couple Lannister reunions worth mentioning. Tyrion and Sansa, once man and wife, shared a brief exchange, in which Sansa continued on her mission to let everybody know how displeased she is. After Tyrion mentions that Cersei is sending the Lannister troops north to join the fight, Sansa insults Tyrion by telling him that he was once the cleverest man she knew. In fact, Sansa’s instincts are correct, and we know as viewers that Cersei does not intend to send her troops north. The only other person who knows that, is the person she told it to: Jaime, who makes an appearance at King’s Landing in the final scene.
Speaking of awkward reunions, the first person he makes eye contact with is Bran, whom he pushed off the ledge and paralyzed all the way back in season one. If that’s not enough for all of the Starks to want to execute him, Jaime is all the Kingslayer, the man who killed Daenery’s father. It’s safe to say he hasn’t exactly stumbled upon an audience of allies, and he’s going to really need some good defense if he’s to stay alive. Lucky for Jaime, Brienne cannot be too far (strange that we did not see her in this episode), and she knows a side of Jaime that few other do. During their travels together, Jaime opened up to Brienne in a way that we had never seen before, and we started to realize the impossible situation he found himself in (sworn to protect the Mad King as he served in his Kingsguard, yet also sworn to uphold the honor of his father, Tywin, who was plotting to overthrow The Mad King during Robert’s Rebellion). I imagine Daenerys will want to execute Jaime for these crimes, while Brienne will come to his defense. Given Bran’s visions of the future, perhaps he too will come to Jaime’s defense, especially if he has seen a role Jaime will play in the Great War to Come.
Before we move on from Winterfell, there was one more scene that really rubbed me the wrong way. Jon and Dany riding their dragons together felt more a scene out of a Disney kids movie than it did a serious fantasy drama. It also felt incredibly rushed and contrived. I get it, Jon is a Targaryen, and he’s the one that is meant to ride one of Dany’s dragons with her. But anybody other than Dany mounting a dragon for the first time should be an incredibly powerful moment. It should be slow. It should be thoughtful. It should be emotional. This was anything but. One minute he’s talking to Daenerys, the next he’s full blown riding this dragon like it’s no big deal. And the way they swished and swooped through the air together just undercut what should have otherwise been a major moment in this story — two Targaryens riding their dragons together, something that has not happened for hundreds of years.
To top it all off, they made an already cheesy moment cringe-worthy as Jon comments “You’ve ruined horses forever for me,” before he and Dany kiss, while their dragons look on as two parents would look onto their teenage kids kissing for the first time. Eek. If this is the kind of thing I’m looking for, I’ll tune into the Disney channel. Disappointing stuff for what should have otherwise been a monumental moment in this story. Also, for what it’s worth, there are many characters I would be okay with mounting Dany’s other dragon, but Jon Snow just isn’t one of them. There is no person in this world that more strongly defines the character that rides a horse, sword in hand, ready for battle, than Jon Snow. The idea that he will abandon that to now fly through the skies on a dragon just doesn’t feel right.
King’s Landing feels quieter than ever, but there are still some things brewing in the country’s capital. Most notably, Cersei (via Euron Greyjoy), has secured The Golden Company, a paid army of 20,000 soldiers. This will certainly get her a lot closer to leveling the playing field against Dany’s army, though no amount of soldiers truly pose a threat to dragons that breathe fire from the skies. After Euron secures this army for Cersei, he pursues the prize he has been after. While Cersei initially shuts him down, she appears to have a pretty quick change of heart, and just moments later, the deed is done. Again, the pacing of this felt a bit off, and something about Cersei sleeping with Euron feels a bit forced, but maybe that’s the point. The two have a strange exchange, which culminates with Euron rubbing her belly and telling her he is going to impregnate her with a prince. Not exactly sweet nothings in her ear, but hey, to each his own.
What was peculiar about this exchange is last season Cersei had led us to believe she was pregnant with Jaime’s baby. Was that perhaps a lie to try and keep Jaime’s loyalty and make others believe she had something to live for? Note that in this very scene, she is drinking wine, which points to the fact that perhaps her pregnancy was nothing more than a manipulative ploy. In any event, with five episodes to go, I find it hard to believe that her pregnancy, or lack thereof, will have a material impact upon this story.
While Euron was off sexing up Cersei, Theon was able to rescue his sister, Yara. It all felt like a bit too easy of a rescue given this is Euron’s prized prisoner, but we’ll let that one go. Yara plans to reclaim the Iron Islands and mentions it could be refuge should the army of the dead take the land of Westeros. Yara gives her blessing for Theon to return to Winterfell to fight alongside the Starks.
In other King’s Landing news, Bronn, one of the few remaining characters in the city, is approached by Maestar Qyburn and asked to hunt down Tyrion and Jaime. He is given the very same crossbow that Tyrion used to kill his father, Tywin, several seasons back. It feels hard to believe that Bronn would kill Tyrion or Jaime, the two people he forged bonds with throughout this story, though perhaps for the right price he would. More likely than not, this is a plot-point to get him to Winterfell, where perhaps he will have another role to play. Before he departs King’s Landing, does he save the Sand Snake that Cersei still presumably has locked up in a cell?
The Mystery Spiral
In what was the most entertaining sequence of the episode, Tormund, Beric and several brothers of the Night’s Watch arrive to The Last Hearth to find that The Night King has made mincemeat of whatever humans were at the castle. But before he departed, he left a very clear message, which centered around a symbol we have now seen numerous times throughout the show: the mystery spiral.
So what does this spiral signify? Well, it’s hard to really know at this point, but there are a couple important takeaways. First, the spiral is connected all the way back to The Children of the Forest who were the first inhabitants of Westeros, before The Night King, or man even existed. This spiral arrangement was significant to them. In the image below, from one of Bran’s vision, we can see the spiral arrangement that they created:
In the image below, we can also see an inscription in the caves below Dragonstone, which Jon discovered last season when mining for dragonglass. He explained to Dany that these inscriptions were made thousands of years ago by The Children of the Forest. One of those inscriptions again shows this very same spiral:
So we’ve established that this spiral was significant to The Children of the Forest. The other key thing we know is that it was these very same Children of the Forest that were responsible for creating The Night King in the first place by inserting dragonglass into the heart of a human (see below).
From there, we know The Night King adapted the spiral and this marking started appearing throughout the show, generally associated with death.
So while we don’t know exactly what the spiral represents, we do know it underscores the connection between The Children of the Forest and the Night King. There are major questions to be answered, which have significant implications around what this story is ultimately about. The first question is why did The Children create the Night King as we saw above? Was there some type of balance they needed to create between good and evil, light and darkness, fire and ice? The next question is who was the human they turned into The Night King and why was he chosen? As mentioned in a previous post, that scene takes place in The North, so it is likely a Northerner, and perhaps even a Stark, which would further explain the connection between The Night King and Bran, who is now the Three-Eyed Raven. This all leads to perhaps the most important questions, which is: is The Night King actually evil? My money says no. I believe he was a human that was turned into The Night King against his will and he has been in some eternal struggle to accomplish something we are not yet sure of. I don’t believe he is killing humans to just kill humans — that’s too simple. I think there is a greater task at hand, one we will learn more about in this season. And the spiral may be a major clue to unearthing answers to some of these game-changing questions.
Before the first episode comes to a close, Jon finally learns his true identity, thanks to Samwell. Sam breaks the news that Jon is in fact the son of Rhaegar Targaryen and Lyanna Stark, and that his real name is Aegon Targaryen. This means that he, not Daenerys, is the rightful heir to the Iron Throne. Sam asks Jon, “You gave up your crown to save your people — would she do the same?” In addition to dealing with the psychological baggage of learning that his entire life has been a lie, Jon also must now figure out how he is going to play his cards with Daenerys. Does he establish that he is rightful heir to the throne and ask her to step aside? If so, is she willing to? Furthermore, how does this impact their relationship? Jon’s father, Rhaegar, was Daenerys’ older brother, making her Jon’s aunt. Do they continue their romantic relationship after learning of their aunt/nephew connection?
Lots of questions to be answered here and lots of different ways this could play out. Yet, like many other parts of this episode, I felt this was another moment that should have been a lot more powerful than it was. This storyline has been building for years now and was one of the most popular fan theories. Once we learned the truth of who Jon really was, it was just a waiting game until he himself found out the same. I imagined something more impactful than a quivering Sam Tarly just coming out with it. And Jon’s reaction rubbed me the wrong way — he seemed to be more focused on the fact that Ned had been lying to him than the fact he just learned he was half Stark, half Targaryen, has two totally different parents than he’s thought his whole life, and is also heir to the Iron Throne. I would have hoped for more from a scene like this, period.
Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.
So, here we are. The beginning of the end is less than one week away. This awe-inspiring, magical journey that has been part of our lives for the better part of the last decade — it all comes to an end in just six short episodes. It’s hard to imagine such an unbelievably rich and complex story actually coming to a singular endpoint, but that is what is about to happen, so it’s time to get caught up on everything that should be top of mind as we head into the final season. Heads up, this post is long, so don’t try to rush few it in a few minutes. This is the end of a saga, so give it the time it deserves : )
Targaryens Unite at Dragonstone
For nearly 5,000 years, The Targaryens lived in Old Valyria, capital city of the Valyrian Freehold, which consumed almost the entire continent of Essos. Approximately 400 years ago, The Doom occurred, obliterating Old Valyria and forcing the few remaining Targaryens to migrate westward. Fleeing their homeland, a select few Targaryens arrived at a small island off the coast of Westeros, where they would go on to build the great castle of Dragonstone. It was from this castle that Aegon Targaryen, alongside his two sisters, would plot their conquest of the kingdoms of Westeros (which at that point were independent kingdoms with separate rulers). After living the Targaryens lived at Dragonstone for about 100 years, Aegon and his sisters launched Aegon’s Conquest, about 300 years ago, as they rode their three dragons across Westeros and eventually united all the kingdoms under one king. Aegon Targaryen would be the first Targaryen king to rule over Westeros, and his Targaryens descendents would rule over the continent for the next 300 years, until Robert’s Rebellion.
Understanding that Dragonstone was home to the last remaining Targaryens and their dragons after they fled Valyria, and that it was from this castle that Aegon plotted his conquest of Westeros, makes Daenery’s arrival to this castle in the first episode of Season 7 an incredibly powerful moment. To no surprise, like Aegon before her, Dany spends much of season seven plotting her strategy to conquer and unite the lands of Westeros, focusing on the removal of Cersei Lannister from the Iron Throne. To start the season, Dany and her advisors (primarily Tyrion and Varys), have assembled what appears to be an unstoppable force. She already had the powerful armies of the Unsullied and Dothraki, as well as three full-grown dragons at her disposal — likely enough firepower to conquer Westeros in short order. But Dany’s army got even stronger in season seven as she forged an alliance with Ellaria Sand and the Sand Snakes of Dorne, while securing some of Iron Island the naval forces through an alliance with Theon and Yara Greyjoy. And let’s not forget that Ser Jorah Mormont returns to Dany’s side at Dragonstone after his greyscale disease is cured at the Citadel by none other than Samwell Tarly (who served under Jorah’s father, Lord Commander Jeor Mormont, when Samwell was still a brother of the Night’s Watch).
But the various key players from many of the Great Houses uniting on Dragonstone would not end there; there would be one more character to join, and though unknowing, he too would be a Targaryen. After receiving a raven from Samwell Tarly who had learned that Dragonstone was built atop a mass of dragon-glass (which can kill White Walkers), Jon Snow travels to Dragonstone in an effort to try and secure dragon-glass and convince Dany to join the Northern forces in the Great War to Come. However, Dany has other ideas and is focused on winning the Iron Throne. Though he refuses her request to bend the knee, Dany does ultimately agree to allow Jon to mine for dragon-glass, and in doing so, Jon discovers ancient cave images from thousands of years ago which depict the First Men and Children of the Forest banding together to fight the White Walkers — a chilling reminder of the Long Night and the the threat of darkness has been present since near the beginning of time. Though Jon is starting to win over Dany, she is still unconvinced of the White Walker’s existence, as is most of Westeros, and Jon soon realizes he must find a day to prove to Dany and the rest of Westeros the real threat that everybody should be focused on.
The Dream Team Goes Beyond the Wall
Once again, Jon shows his heroism and understanding of the risks he must take to preserve humanity as he decides to lead a raid beyond The Wall to capture a wight (reminder: the wights comprise the army of the undead, led by the White Walkers and Night King). He is join by a cast of some of my absolute favorite characters who come together through a random (or perhaps not so random) series of events — I like to call them The Dream Team.
The Dream Team starts to take form when Ser Jorah, who recently joined Daenerys at Dragonstone after being cured by Samwell at The Citadel, joins Jon and his trusted advisor, Davos Seaworth. But before they head into the deep North, Tyrion must meet with his brother, Jaime, to ensure that they will have an audience with Cersei if they are able to successfully capture a wight as proof of the army of the dead. Ser Davos offers to travel to King’s Landing alongside Tyrion, and while Tyrion is off meeting with Jaime, Ser Davos’ true intentions for returning to King’s Landing are revealed as he seeks out Gendry, Robert Baratheon’s bastard son who Davos saved many seasons earlier. All the way back in season three, it was Gendry who was being held at Dragonstone by Stannis Baratheon and the Red Priestess Melisandre, who used his King’s Blood (remember, he was the son of King Robert Baratheon), and eventually planned to sacrifice him to the Lord of Light. Not agreeing with Melisandre’s blood magic and unwilling to stand by while the innocent Gendry was sacrificed, Ser Davos defies Stannis and risks his life to set Gendry free. The last we saw of Gendry, he was rowing away from the shores of Dragonstone in a tiny rowboat, and it is not until all these years later that Davos rediscovers him, still working as a smith in the streets of King’s Landing. Without hesitation, Gendry joins Davos and volunteers to join the Dream Team in their quest beyond The Wall. It is worth pointing out that unlike most characters, Gendry does not choose to fight with a sword, but rather a warm hammer. Going back many years, it was his father, Robert Baratheon, who is described as a legendary warrior who swung a powerful war hammer (with which he defeated Rhaegar Targaryen, Jon Snow’s father, during Robert’s Rebellion). It’s also worth pointing out that given Jon’s newfound stockpile of dragon-glass, he will need a skilled smith to help craft White Walker-killing weapons, and Gendry may likely play this important role in the final season.
Elsewhere, the remaining Brotherhood without Banners, Beric Dondarrion and Thoros of Myr, unite with The Hound, bringing together three of the show’s greatest characters. Despite his extreme fear of fire, The Hound starts to believe in Lord of Light, after he sees in the fire the army of the dead marching south, past Eastwatch by the Sea (the most eastward castle of the Night’s Watch). After seeing this, The Hound agrees to venture north with Beric and Thoros, to fulfill their purpose in the Great War to Come. At the same time, Jon, Gendry, Davos and Jorah also head to Eastwatch by the Sea, where Tormund Giantsbane, who had been manning the castle for Jon, reveals to Jon and company that he’d been holding prisoner Beric, Thoros and the Hound after their capture.
In this moment, many characters are reunited which reveals a great mistrust amongst many of them. Gendry tells Jon not to listen to anything Beric and Thoros have to say, since they sold Gendry to the Red Priestess, Lady Melisandre, all the way back in season four. Similarly, Tormund does not trust Ser Jorah, since his father was Lord Commander of the Night’s Watch and battled Tormund’s people, the Wildlings, for many years. Despite all the history and many of these characters having been on opposite sides at times, Beric and Jon remind the group that none of this matters and that they all share a common cause — to serve their purpose in the Great War to Come as the Lord of Light commands. And just like that, their differences become a thing of the past as the Dream Team unites to head north of The Wall.
As they march into the frigid depths of the deep North, the group comes upon a band of wights, led by their White Walker master. As a small battle ensues, Jon eventually eliminates the White Walker, which causes all the other wights to fall like dominos. This was not the first time we have seen a White Walker killed, but it was the first time we were exposed to the idea that if you kill a White Walker, the wights that White Walker has turned also perish. We know that the army of the dead numbers in the hundreds of thousands, so the realization that you need not kill each wight individually, but rather you can take them out in much bigger numbers by killing a White Walker, is critical to know in the war to come. It also begs the question: if killing a White Walker ends the existence of all the wights that White Walker has turned, does killing the Night King end all of the White Walkers he has created? If so, and killing the Night King destroys all White Walkers, which then destroys all wights, then killing the Night King could bring an end to the entire army of the dead.
But this battle was a mere scuffle compared to the fight that lays ahead for the Dream Team. As they continue deeper into the North, they are eventually discovered by a massive army of the dead, led by several more White Walkers, and the appearance of the Night King himself. Despite being vastly outnumbered, the Dream Team fights valiantly, and destroys hundreds of wights — a reminder that we are watching an assemble of some of the greatest warriors Westeros has ever known. But eventually, the men are outnumbered and their deaths appear imminent — until Daenerys arrives with her dragons, and for the first time, we see a direct face-off between Ice and Fire. Remember, this entire story is entitled A Song of Ice and Fire, and seeing these powerful elements go toe to toe is a signal that the end is near. Dany and her dragons burn the wights by the thousands, but not before The Night King lands an icy spear into one of Dany’s dragons, Viserion, sending it plummeting to its death.
And just like that, the tables are dramatically turned — Daenerys can only helplessly watch her beautiful dragon fall from the sky like a plane that has been shot down out of the air. Her other two dragons let out a painful cry as they watch their sibling fall to its death. Seeing this, Jon Snow advances for the Night King, who attempts to take down Drogon, the dragon that Daenerys and the others are aback. Jon is attacked by more wights and pulled underwater, and Daenerys is forced to abandon Jon, though reluctantly, in order to save her two remaining dragons.
When Jon does reemerge from the water, he is frozen stiff and appears to have no chance at fighting off the new pack of wights that are headed his way. Not to fear, Uncle Benjen (Ned’s brother) is here. Fighting with his flaming ball-and-chain, Benjen takes out a bunch of the wights and buys Jon just enough time to escape back to Eastwatch. Jon had not seen his Uncle Benjen since the very first season, when they were together at Castle Black (remember, Jon was very close with Uncle Benjen and he was a big part of the reason why Jon joined the Night’s Watch in the first place). When Benjen went missing north of The Wall in the first season, Jon tried to go after him. Ironically, Benjen’s disappearance north of The Wall so many seasons ago is what would turn him into what he is today, and set him on the path to save his nephew when it really counted. Just another ingenious example of how Thrones sets a character on a path at a certain point in time, for them not to be seen for many years, and to ultimately reemerge in the distant future to play a major role. Sadly, after all these years, the reunion between Jon and Uncle Benjen lasted only a couple of seconds, but Uncle Benjen served his purpose and saved Jon when it counted most.
We also must say RIP to one of the story’s greatest (even if not most popular) characters, Thoros of Myr, who does not make it out alive. He too served his purpose, bringing Beric Dondarrion back to life many times over the years. With Thoros finally gone, Beric is likely now on his last life, again a reminder that the end is near.
A Winterfell Reunion
As Jon departs Winterfell to meet with Daenerys and eventually go north beyond The Wall, he leaves Sansa to look after Winterfell and maintain order in the North. Had he stayed just a little while longer, he would have found out his true identity, as it was not long after he left that Bran, who knows the truth of who Jon is, returns to Winterfell. Only Bran is no longer Bran — he is now the Three-Eyed Raven, seemingly devoid of all human emotion or feeling. After years of travels throughout the North without having any contact with any Stark family member, Bran finally returns home to Winterfell to be reunited with sister, Sansa. What would be expected to be an emotional and heartfelt reunion was anything but; Bran lacks the human emotion to even hug her, as he tells her how he can remember what it felt like to be Bran, but now he remembers so much else… He even dismisses Meera, who had been traveling with him for the last several years, who lost her brother, Jojen, and risked her life many times to keep Bran alive. What’s clear is that Bran is completely gone at this point, consumed by his all-knowingness, and we will likely never see him again.
The Stark sibling reunion continues from there, as Arya too finally makes her way back to Winterfell after a harsh and long journey. Like Bran, she returns home as a totally different person, no longer a young and innocent girl, but now a hardened assassin trained by the Faceless Men. While Arya and Sansa are happy to see one another after all these years, their differences and distrust quickly reemerge. It is important to remember that Arya and Sansa did not get along when they were younger, and one of Arya’s last memories of Sansa was her older sister sucking up to Prince Joffrey and the Lannisters in an attempt to become princess. Years later, Arya believes that Sansa has not defended the honor of their brother, Jon, and that Sansa has again made a play for power as the acting Lady of Winterfell.
Conversely, Sansa does not recognize the sister that has returned home, and starts to believe that perhaps Arya has intentions of killing her. Baelish, who has been hanging around at Winterfell, does not miss his opportunity to capitalize off this discord and attempts to strengthen his position by driver a further wedge between the sisters. Knowing that Arya has been following him, he plants an old note that Sansa had sent back to Winterfell all the way back in season one, when she was being held by Cersei in King’s Landing. In the note, Sansa notes that Ned has been a traitor and urges her family to pledge fealty to the Lannisters. What’s not clear from reading this note is that Sansa was forced to write this note under duress, and Baelish purposely plants this note for Arya to find, in an attempt to further Arya’s distrust and hatred for Sansa. At the same time, Baelish speaks with Sansa and furthers the idea that Arya has perhaps returned to Winterfell to kill her so that she can become the lady of Winterfell. Baelish’s plot dates all the way back to season one and is incredibly intricate — see the bottom half of this episode recap which provides a lot more detail about what Baelish went through to set up this scheme.
Throughout several episodes, it appears as though Baelish’s schemes are working perfectly, leading up to a final scene where Sansa calls Arya into the great hall in front of all the Northern lords. Sansa, prepared to pass judgement, states “You stand accused of treason. You stand accused of murder.” All appears as though Baelish has pulled off another epic manipulation, and that Arya will pay the price, until Sansa looks over towards Littlefinger and adds “How do you answer to these charges…Lord Baelish?” The tables are quickly turned, and we realize that Sansa and Arya had actually been working together to outsmart Baelish. Littlefinger does all he can to beg Sansa for mercy, but his many years of lies, schemes and manipulation have finally caught up with him. He cannot talk his way out of this one, and though Sansa passes the judgement, it is Arya that plays executioner.
What’s interesting to note is the weapon she uses to take his life. All the way back in second episode of season one, an assassin almost takes Bran’s life, though Bran’s direwolf, Summer, jumps in to save him. At the time, Baelish tells the Starks that it was the Lannisters who sent the assassin, which is what sends Ned Stark to King’s Landing and ultimately leads to his death and many of the events that would follow. What we later find out is that it was not the Lannisters that sent this assassin, but rather Baelish himself, in an attempt to pit the Starks against the Lannisters (which he succeeded in doing). It was Baelish himself who equipped the assassin with the dagger, which ends up back in Baelish’s possession after the failed assassination attempt. All these years later, Baelish gives the dagger to Bran as a reminder of the man who attempted his life. In a later scene, Bran gives this dagger to Arya, telling her has no use for it. In his all-knowing wisdom, perhaps Bran already saw the future and knew Arya would use this dagger to kill Baelish, which is exactly what happened. Again, this is just another example of how Thrones does such a masterful weaving plot-points that span from the first season to the seventh. Baelish gives a dagger to an assassin to kill Bran; the assassination goes wrong and Baelish recovers the dagger; Baelish gives the dagger to Bran; Bran gives the dagger to Arya; all comes full circle as Arya uses this dagger to end the life of the all-cunning Littlefinger. RIP.
Though King’s Landing and the Iron Throne is becoming increasingly less relevant in comparison to the Great War to Come, there is still quite a bit happening in the capital of Westeros, with Cersei at the helm. Just as Daenerys has made alliances with other great houses, Cersei too has forged a union with Euron Greyjoy, who strengthens her army with his naval prowess and strong fleet of ships. As a reminder, Euron is the uncle of Theon and Yara, and killed their father, Balon, back in season six, in an attempt to take control of their homeland, the Iron Islands. Theon and Yara fled the Iron Islands with their forces (and forged a union with Daenerys), while Euron sailed to King’s Landing to secure an alliance with Cersei.
This alliance quickly proves valuable for Cersei, as Euron strikes first blood in the war between Cersei and Daenerys. Carrying out a battle strategy devised by Tyrion, the Greyjoys are en route to escort Ellaria Sand and her three Sand Snake daughters back to their home of Dorne to rally the Dornish troops with the plan to lay siege to King’s Landing. However, Euron is one step ahead of them and shows his naval strength as he intercepts their ships with an attack in the night. His men kill two of the three Sand Snakes, while capturing the third, along with her mother, Ellaria Sand. As well, Euron captures Yara Greyjoy, while Theon jumps ship and leaves his sister behind.
Euron returns to King’s Landing and delivers Cersei the gift he had promised her — Ellaria Sand along with her daughter, Tyene. Back in season five, it was Ellaria that killed Cersei’s daughter, Princess Myrcella, by kissing her and poisoning her with a poison called The Long Farewell. This was Dornish revenge for the Lannisters killing Elia Martell (Rhaegar Targaryen’s wife), during Robert’s Rebellion, as well as the more recent death of Oberyn Martell (aka The Red Viper) at the hands of The Mountain. Now, Cersei has her daughter’s murderer right where she wants her, and kisses Ellaria’s daughter, Tyene, with the same poison that Ellaria used on Myrcella. Only whereas Myrcella died far from Cersei, Ellaria will have to watch her daughter die right before her eyes as they are locked up in a cell together.
That said, we did not see Tyene die, which in the Thrones world, often hints that she may yet survive and have a role to play in the days to come. One prediction is that perhaps she will be saved by Bronn. Why you ask? Well, back in season five, when Bronn ventured south to Dorne alongside Jaime in an attempt to rescue Princess Myrcella, Bronn himself was poisoned with the same Long Farewell poison. And, as you will see in the video below, who was it that saved him? None other than Tyene Sand, the Sand Snake who he says is the most beautiful woman int he world. So, is it possible that Bronn will return to King’s Landing and save Tyene who is poisoned in a cell, much the way she did for him? Time will tell. Let’s not forget that Dorne is still a major part of Westeros and it’s hard to imagine the Dornish not having a role in the final season.
But Ellaria and Tyene were not the only captives Euron secured during his attack — they were just the gifts he presented to Cersei. But, he kept a gift for himself, Yara Greyjoy. It is unclear what his plans for her are, but in one of the final scenes of the season, Theon comes alive and is hellbent on saving his sister. In brutal hand-to-hand combat, he defeats one of the other Ironborn who was opposed to saving Yara, takes command of a small crew and sets sail to rescue Yara from Euron.
Dany Strikes Back
Back at Dragonstone, Daenerys has been letting Tyrion act as military strategist, only to find that his first two plans have backfired miserably. After losing several of her alliances as well as her naval fleet at the hands of Euron Greyjoy, Dany suffers a second defeat after Tyrion advises her to have the Unsullied attack Casterly Rock, the castle of the Lannisters. He believes that if they can take Casterly Rock, they will be in a stronger position to eventually take King’s Landing. However, the Lannisters are one step ahead of Tyrion’s plan, and while Dany sends her troops to attack Casterly Rock, the Lannisters have already pulled their forces from Casterly Rock and sent them to lay siege to Highgarden, castle of House Tyrell. While there is not much left of House Tyrell, besides Lady Olenna, Highgarden has the most fertile land in all of Westeros, as well as plenty of gold. While Dany’s forces are attacking an empty Casterly Rock, the Lannisters successfully sack Highgarden and all its riches. During this siege, Jaime kills Lady Olenna, but not before she admits to being the mastermind behind the death of his son, King Joffrey. Though many, including Cersei and Tywin Lannister, accused Tyrion of being behind the murder of Joff, we knew it was actually Lady Olenna who orchestrated his murder, to prevent her granddaughter Margaery from having to marry such a monster. However, not many were aware of this, and Lady Olenna reveals this to Jaime just before she dies. And with her death, just like that, one of the noblest and greatest houses of Westeros is all but wiped out.
But for every one of Cersei’s moves, Dany has had a counter. No longer willing to sit back and listen to Tyrion’s conservative military strategy, she decides to take action into her own hands and show the Lannisters the true power of her dragons. As the Lannister forces are traveling from Highgarden to King’s Landing, Daenerys unleashes her dragons in a southern battle for the first time. Dany roasts the Lannister army by the hundreds, showing just how devastating her dragons can be in war. But, she does not kill them all. She gives the remaining men the chance to bend the knee and pledge their fealty. Two men in particular choose to defy her and refuse to bend the knee — Randyll Tarly and his son, Dickon (Samwell Tarly’s father and brother). Though Tyrion cautions Daenerys to show restraint, she ignores his advice and burns them alive, showing the others what is to come should they not pledge their fealty. This scene is an allusion to The Field of Fire, a legendary event 300 years ago when Aegon Targaryen battled the Lannisters and forced them into bending the knee.
In addition to seeing the sheer power of dragons in battle and the devastation they can cause, this scene was critical in that was the first time that anybody in the south of Westeros has seen a dragon. Jaime and the rest of the Lannister forces now know what they are up against, and he rides back to King’s Landing to warn Cersei that they do not stand a chance. Daenerys has put the world on notice, and though she chooses not to take Westeros with fire and death, she has shown that she is willing to when she must.
The Dragonpit Summit
After such extraordinary recent events, all sides are trying to figure out what their next move is. Daenerys, once focused on taking out Cersei and restoring rightful Targeryen rule to the Seven Kingdoms, has now seen the army of the dead and understands that this is the only war that matters. Yet, if she invests her forces into fighting the war in the North, she allows Cersei to strengthen her position and reclaim more of Westeros. So, the only way Daenerys can focus on joining Jon in fighting the Night King is if Cersei agrees to a temporary armistice. Even better would be if Cersei agrees to lend her troops to fight in the Great War to Come.
So, Dany, Jon and their team risk it all by traveling to King’s Landing to meet with Cersei. Of course, they do not arrive empty-handed, and they bring the wight that they captured during their raid north of The Wall. Cersei now sees what few others in the world have, and must decide whether she wants to continue her war against Dany for Westeros, or put aside their differences and focus on the much important war to come. After much deliberation, Cersei agrees to a temporary truce and offers to direct her troops north to join in the fight against the dead.
The End is Near
Just as it looks like the good guys humans are banding together to fight the dead, things go a bit haywire and reach an absolute climax as season seven comes to a close. To start, we learn that Cersei was full of sh*t and lied to Jon and Dany when pledging her troops to join the fight against darkness. After they depart, she tells Jaime that she intends to continue to fight against her true enemies, even if it leads to their death. Jaime attempts to reason with her, explaining that if they do not do all they can to fight back the dead, everybody in King’s Landing will eventually die. Yet, Cersei is blinded by the only thing that she has left to live for — revenge against those who have wronged her. No longer able to stand by the madness of his sister, Jaime rides off from King’s Landing, just as the snow begins to fall. Snow, all the way south over King’s Landing? The end must be near…
But before season seven comes to a close, we see the two elements that this story has already centered around, Fire and Ice, take center stage and set up the Great War to Come in season eight.
First, we see Fire emerge stronger than ever, personified by who we once believed to be Jon Snow, but now know to be Aegon Targaryen. Thanks to one of Bran’s visions, for some time now, we have known that Jon was birthed by Lyanna Stark after being impregnated by Rhaegar Targaryen. This was an absolutely massive reveal in season six, when Bran sees a young Ned Stark sitting over his dying sister, Lyanna, with baby Jon in hand. The implications were huge as we realized that Ned had sacrificed his honor, the thing he valued most, and pretended to have an extramarital affair in order to explain the birth of his bastard son, Jon. This false understanding of who Jon really was led to a series of events, too long to lay out here, so the reveal of who Jon’s true identity was massive. But even with Bran’s visions and wisdom, he only got half the story — the half that allowed him to understand that Jon’s parents were Rhaegar Targaryen and Lyanna Stark. But, since Rhaegar was married to Elia Martell, Bran incorrectly assumed that Jon was a bastard born out of wedlock, and since he was born in the south, his bastard name would be Jon Sand instead of Jon Snow (each region of Westeros has a different last name that bastards take, in the North it’s Snow, in the south it’s Sand, etc).
However, there was another half to this story that even the all-knowing Bran had not figured out. Earlier in season seven, Gilly was reading through an old Maestar’s record at the Citadel, and she came across a passage that talked about a Maestar performing an annulment for Prince Rhaegar Targaryen and performing a secret wedding ceremony to another. Unknowingly, Gilly came across a passage that contains one of the most confidential and important secrets across the entire continent of Westeros — one that changes everything. Gilly uncovers the fact that Prince Rhaegar annulled his marriage to Elia Martell, and then remarried to Lyanna Stark in a secret wedding ceremony.
The implications of this reveal are massive. First, Robert’s Rebellion was built upon a complete lie. As we know, Robert was in love with Lyanna Stark, and launched his rebellion against the Targaryens primarily under the premise that Rhaegar had kidnapped his beloved Lyanna, rode off with her and raped her. He joined forces with her brother, Ned, and together they led much of the North to King’s Landing to overthrow The Mad King and usurp the Targaryen dynasty. Before taking the Iron Throne for himself, Robert killed Rhaegar during The Battle of the Trident. With Lyanna and Rhaegar both dead, the truth of Jon’s parents could only be found within the pages of this old Maestar’s private journal, discovered by the unlikeliest of characters.
Perhaps more important than the fact Robert’s Rebellion was built upon a lie is what this reveals about Jon’s true identity. He is not a bastard as Bran assumed, but rather the true and lawful son of Rhaegar and Lyanna who were in love and legally married. As we later hear when Bran revisits his vision, Jon’s true name is Aegon Targaryen. No big deal that he’s named after the man that conquered the Seven Kingdoms and the first Targaryen king to rule over Westeros. This also makes him one of the first, if only, throughout history to have both Targaryen and Stark blood — some would argue a mix of Fire and Ice. Most of all, this means that Jon (or Aegon), not Daenerys, is the rightful heir to the Iron Throne (Rhaegar was the older brother of Daenerys, so after their father, The Mad King died, the throne would have gone to Rhaegar, not Daenerys. And after Rhaegar, it would go to his son, Jon/Aegon). Of course, Jon still does not know any of this, but it now appears only a matter of time until Bran/Samwell fill him in on who he really is.
In the Thrones world, Targaryens equal fire, so learning that Jon is one of the last remaining Targaryens, and arguably the most powerful, amplifies the existence of Fire heading into the final season. But the season does not end without Ice making its counterpunch. In the final scene of the season, we see the army of the dead reemerge once more, this time looking to get past The Wall, something they’ve been unable to do for thousands of years since The Long Night.
In a story that centers around Ice and Fire, evil and good, light and dark, it is The Wall that symbolizes the fine line between these ever-opposing forces. The Wall was not built yesterday; or a few years ago; or even a few hundred years ago. The Wall was built 8,000 years ago when The Children of the Forest, The First Men and the Giants all came together to fight for their survival against the White Walkers. For 8,000 years, The Wall was more than a structure that kept out the dead — it was an indestructible symbol that divided good from evil, light from dark, Ice from Fire. And now, we have just seen that wall fall. A structure that protected the realm for thousands of years has finally been breached, and now, nobody is safe.
As the Night King rides on the back of his undead dragon, Viserion, he unleashes a fury of icy fire that is able to easily reduce a portion of The Wall to rubble. What’s important to remember is that The Wall was constructed using powerful magic from The Children of the Forest — magic that has kept the White Walkers out for thousands of years. And since The Wall is more than just ice and is also made up of this magic, it would take more than just ordinary force to destruct The Wall. Which is why the Night King, on the back of a dragon — representing the union of fire and ice — is able to destroy a good chunk of The Wall. Seeing this also again reminds us of the ties that the Night King has to the Children of the Forest. After all, it was the Children that created the Night King in the first place and he has shown to carry some of their magical powers. It then makes perfect sense that he is the one who is able to counteract the power of their magic used to build The Wall as he tears it down.
Some Final Thoughts & Theories
As we reflect back upon the last seven seasons, there are so many storylines that feel unfinished, characters whose destinies have not been revealed, and plot-points that lend to certain theories which or may not come to fruition in the final season. I thought I’d call out just a few that I have found most intriguing.
What Does the Night King Really Want?
I often get asked who I think is going to win the war and how this story will end. I generally respond that I think darkness will prevail. Unlike most stories, George R.R. Martin has a proclivity for reminding us that in real life, good does not always win and life can be full of darkness and hardship. For that reason, I am intrigued by the idea of evil prevailing and the “good guys” not necessarily winning.
But this leads me to the realization that the Night King and White Walkers are not necessarily evil. Sure, that’s how we’ve perceived them thus far — I mean anytime you have an army of zombies led by an evil Night King trying to destroy humanity, you are going to assume they’re pretty evil, right? But that’s a simple interpretation of what we’ve actually witnessed. If you go a layer or two deeper, you start to realize that things are not that simple, and the line between good and evil may not be that clear.
For starters, the Night King did not choose to be the Night King. He was not born into being the Night King, nor did he decide for this to be his life. It’s important to remember that he was a human, who against his will, was turned into the Night King. And by who? By the Children of the Forest, the ones who are supposed to be “the good guys.” You can rewatch the scene below in which the Night King is created. Of course, we don’t know exactly why The Children did this and what they were actually trying to achieve. Presumably, they were not trying to create the Night King, but who knows. We also don’t yet know who this human was and why he was chosen — was he just a random sacrifice or perhaps somebody more significant? From the context, we can see this happened at a weirwood tree in the North, so it’s safe to assume he was a Northerner, perhaps even a Stark? If you believe that, it leads to further theories around the close ties between the Night King and the Starks, and the possibility that the Night King could even be Bran Stark, who we now see as the Three-Eyed Raven. But that’s another theory for another day.
So, as we saw above, the Night King didn’t set out to become the Night King. He was turned into what he became, and once he became it, presumably has some objective he is trying to accomplish. I do not believe for a second that it’s as simple as killing humans for the sake of killing humans. I believe there is something greater he is driven to accomplish. Perhaps he is fighting for the preservation of his people, much the same way the humans are. Perhaps to survive they must get south of The Wall to accomplish some unknown feat. It’s hard to know exactly what his motivation is, but without knowing, and considering the fact he was forced into becoming The Night King, can we really call him evil? My money says that in the final season, we will learn a lot more about who he is and what he is trying to achieve, and that perhaps our perception of him being evil will change. George R.R. Martin has an uncanny ability to constantly force us to reassess our perception of a given character (i.e. consider how many times we have reassessed how we felt about a character like Jaime? First he was bad, then showed signs of being good, then got sucked back into Cersei’s games, and now has reemerged as a potential good guy). I think something similar might happen with the Night King, and we might be reminded that the lines between good and evil can often be unclear.
Who is the Prince That Was Promised?
As we’ve talked about many times throughout the seven seasons, during the Long Night, Azor Ahai was an ancient warrior that led the fight against darkness and saved humanity from the White Walkers. He was known as The Prince That Was Promised and there is a prophecy in the religion of the Lord of Light that has stated The Prince That Was Promised will be reincarnated to fight back the darkness once more. In the first few seasons of the show, Lady Melisandre incorrectly believed Stannis to be The Prince That Was Promised, but things did not end up well for him (although we never actually saw him die, and it’s still theoretically possible he is alive). So, the question remains, will The Prince That Was Promised once again reemerge? This question may never get answered outright, but it seems like it may be either Jon or Daenerys. One interesting callout: In the second episode of season seven, Daenerys is speaking in High Valyrian with Lady Melisandre, who once again references The Prince That Was Promised, the person that will fight back the darkness once more. Missandei, whose native language is Valyrian, interjects and corrects them, stating that the word they are using in Valyrian actually has no gender, meaning it can be a Prince or Princess. This of course leads us to believe that perhaps Daenerys could be the Princess That Was Promised. (See video below, starting at 1:10).
What’s Up with the Direwolves?
The Starks’ direwolves were very present in the first few seasons, until things started to go haywire for the Starks, and so too for their wolves. You probably don’t recall exactly where things left off and which wolves are still out there. Well, sadly, only two of the original six direwolves are alive, and I’m guessing they’ll have a role to play in the final season. With everything else going on in the show, and the wolves being absent for the better part of the last few seasons, it’s fair that we’ve forgotten about them. But don’t overlook their significance as the story comes to an end. Remember, direwolves are not just big wolves — there is a magical connection they have to their Stark owners and they should reemerge into the story in the final season.
The two wolves left are Nymeria and Ghost, belonging to Arya and Jon, respectively. Last season, Arya actually encountered Nymeria, who had grown quite large and was leading a pack of pretty ferocious wolves. It’s fair to assume that this pack of wolves will fight for Arya/the Starks at some point in the final season. We last saw Jon’s wolf, Ghost, before The Battle of the Bastards, at which point Jon held Ghost back to avoid him being harmed. The assumption is that Ghost has been hanging around Winterfell ever since, though we have not seen him.
One other interesting thought to consider is that thus far, the Starks that have been killed who have wolves that have also been killed, have been killed by the same people. Robb Stark was killed by the Freys at the Red Wedding, as was his wolf, Greywind. Rickon Stark was killed by the Boltons, as was his wolf Shaggydog. If we are to believe this pattern will hold true, this means that Bran, if killed, will die at the hands of the White Walkers (who killed Summer when they attacked the cave he was in with the Three-Eyed-Raven), and Sansa will die at the hands of a Stark (Ned swung the sword that killed Lady after Cersei demanded Lady’s death for attacking Joffrey, even though it was actually Arya’s wolf, Nymeria, that attacked Joff).
Samwell As The Final Storyteller?
When Samwell arrived at The Citadel in season six, I was fascinated by those giant astrolabes hanging in The Citadel. What were they? What purpose did they serve? Most viewers probably did not realize that we have been seeing those astrolabes since the very first episode, and in every single episode since. Yes, that’s right, they appear in the opening credits of every episode. As you can see from the image on the right below, the top half shows a more detailed view of the astrolabe from the Citadel, and the bottom right shows a strikingly similar image from the opening credits. This is not something that can be overlooked, and upon digging deeper, it lends some very interesting insights as to what Sam’s role in this story may end up being. One thought is that if darkness prevails and humanity perishes, there will need to be somebody left to tell this story — the very story that we are watching unfold before our eyes. We know Sam has always been obsessed with books, preserving history and storytelling, and it just may be Samwell Tarly that is telling the very story we are witnessing today. For more color, read the full post on this theory here.
Significance of the Spirals We’ve Seen
Throughout the show, we’ve seen a specific spiral design that seems to be shared by both The Children of the Forest and the White Walkers. It’s unclear what these spirals signify, but given that some of the images we’ve seen date back thousands of years, and that they’re shared by two of the most significant/magical groups of beings in the show, I am willing to bet it’s something significant. It may even lend a clue to the link between The Children and the Night King. You can see below for a few examples of these spirals that we’ve seen, and read the episode recap here that explains this theory in much greater detail.
Are Syrio Forell and Jaqen H’ghar the Same Person?
Another theory we’ve talked about for many seasons on this blog, and another burning question that may or not get answered in the final season of this story. But there’s a lot of credence to the fact that Syrio Forell, Arya’s Braavosi fighting instructor, could have been Jaqen H’ghar all along. For starters, back in season one, the last we see of Syrio is when he is attacked by Lannister guards and Arya is forced to flee. It is assumed that he will be killed, but we never see him die, keeping the door open for the fact he may be alive.
After Arya flees, she cuts her hair to look like a boy and joins a group heading North. In that group, there are several men locked up in a cage, one of which is Jaqen H’ghar. If you think about this for a moment, it makes no sense. We go on to learn that Jaqen H’ghar is one of the most cunning, nimble and outright magical assassins in all of the land. We seem him perform incredible feats that few others could. Yet, this same man finds himself locked up in a rickety cage as a prisoner? It doesn’t add up, not one bit. An entirely more plausible explanation would be that Syrio Forell was Jaqen H’ghar the whole time, just wearing the face of Syrio. He never got killed and was able to escape after Arya ran away, and to avoid being detected, he changed his face to that of the Jaqen we saw throughout most of the show, and allowed himself to appear as a prisoner. He continued to look over Arya as she continued north, and at the right time, revealed himself to Arya as the Faceless Man we came to know. For several more years, he would continue to train Arya, just as Syrio (who was really Jaqen) had been doing since the very beginning in King’s Landing. If you compare the two men, they are quite similar. Both were excellent fighters, both hailed from the secret land of Braavos, both spoke of the Many-Faced God and saying no to death. The list goes on. Again, who knows if this is something that will be addressed in the final season, but at minimum, it would be great to see Jaqen reemerge before the story comes to an end.
What Did Varys Hear in the Flames?
Back in season six, Varys and Tyrion are visited by The High Red Priestess, Kinvara, one of the highest ranking officials of the Lord of Light. Though her appearance was brief, she dropped a pretty big question that has never been answered. As Varys is typically skeptical of religion, he questioned The Lord of Light, to which Kinvara references a voice that Varys heard in the flames when he was castrated as a young boy. Usually cool and collected, Varys’ face becomes flush with fear, making it clear that he knows what she is talking about. Will we ever learn what Varys heard in the flames? As we’ve highlighted many times, it’s rare that Thrones inserts these kinds of plot-points if not to come back to them at a later point in time, so I would hope to learn more about this. But then again, with only a handful of episodes left, it’s entirely possible that we never learn what Varys heard in the flames.
Other Odds and Ends
The Three-Eyed Raven told Bran that he will never walk again, but he will fly. Will we see Bran fly? Perhaps he will warg into a dragon?
Is Stannis definitely dead? Seems like yes, but I’m always wary when we don’t see the character actually die.
What is the connection between Bran and the Night King? Every time the Night King sees Bran in one of his visions, Bran is pulled from his vision. It seems like there is a deeper connection between the two.
In season seven, I wrote an interesting theory about The Eye of the Giant. You can read more about that here.
More recently, I wrote a theory on the significance of what’s beneath the crypts of Winterfell. The teaser for the upcoming season focused on the crypts of Winterfell, so I think it will have significance on the season eight. You can read that here.
That’s it folks. Enjoy the countdown to season eight and savor each minute!
Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.
THE DRAGON AND THE WOLF
24 months. 104 weeks. 730 days. This is roughly how long we will have to wait until we embark upon the 8th and final season of Thrones. That’s right — it will be approximately two years (if we are lucky, it could be as little as 18 months) until Thrones returns to bring this epic saga to a close. The good news is that this finale episode left us with so much to think about as we enter the Thrones off-season. In just one episode, the army of the dead has finally broken through The Wall; a fairly-major character, Baelish, is killed off; Jon Snow’s legitimate Targaryen identity is confirmed; and the dragon and the wolf finally come together. If it hadn’t already, after tonight, this story has definitely reached its climax and with just 6 episodes remaining, we are truly approaching the end.
A HOLE IN THE WALL
In an episode filled with monumental moments, the most significant was the (partial) destruction of The Wall at the hands of the Night King and his newly turned undead dragon. At first glance, this was a crucial development for obvious reasons — it allowed the White Walkers and their army of the dead to pass The Wall and begin their march on the Seven Kingdoms. But digging a bit deeper and considering the full context of The Wall will allow you to consider the magnitude of this moment in a whole other perspective.
In a story that centers around Ice and Fire, evil and good, light and dark, it is The Wall that symbolizes the fine line between these ever-opposing forces. The Wall was not built yesterday; or a few years ago; or even a few hundred years ago. The Wall was built 8,000 years ago— that’s right — eight-thousand years ago. And it wasn’t built by mere mortals using mundane means. It was built when The Children of the Forest, The First Men and the Giants all came together to fight for their survival against the White Walkers. During The Long Night, the White Walkers brought the longest and darkest winter that Westeros had ever experienced, and they nearly wiped out all life that inhabited the continent. However, The First Men and Children of the Forest banded together to push back the White Walkers, and then built The Wall to keep them out. It is said that Brandon Stark, otherwise known as Brandon the Builder, a legendary architect (and founder of House Stark), had the vision to build The Wall. Using magic from The Children of the Forest and the manpower from many giants, Brandon the Builder successfully built The Wall, which stretched 300 miles across and stood 700-feet tall. After the completion of the The Wall, the Night’s Watch was formed to man the wall and defend the realm from the dead that lurked beyond.
For 8,000 years, The Wall was more than a structure that kept out the dead — it was an indestructible symbol that divided good from evil, light from dark, Ice from Fire. And now, we have just seen that wall fall. A structure that protected the realm for thousands of years has finally been breached, and now, nobody is safe. As the Night King rode on the back of his undead dragon, he unleashed a fury of icy fire that was able to easily reduce The Wall to rubble. What’s important to remember is that The Wall was constructed using powerful magic from The Children of the Forest — magic that has kept the White Walkers out for thousands of years. And since The Wall is more than just ice and is also made up of this magic, it would take more than just ordinary force to destruct The Wall. Which is why the Night King, on the back of a dragon — representing the union of fire and ice — is able to destroy a good chunk of The Wall. Seeing this also again reminds us of the ties that the Night King has to the Children of the Forest. After all, it was the Children that created the Night King in the first place and he has shown to carry some of their magical powers. It then makes perfect sense that he is the one who is able to counteract the power of their magic used to build The Wall as he tears it down.
In just a few minutes, the Night King was able to completely eradicate a good chunk of The Wall and also took out Eastwatch by the Sea, the Night’s Watch castle built into that portion of The Wall. If he was able to destroy that much of The Wall that quickly, one could deduce that it would only be a matter of weeks before he was able to take out The Wall in its entirety. But perhaps he won’t have to — perhaps all he really needed was a singular entry point for the army of the dead to march through. Now, that is exactly what he has and the army of the dead have reached the other side of The Wall. And what will be the first meaningful destination they arrive at? More likely than not, good old Winterfell.
“THE LONE WOLF DIES”
“When the snows fall and white winds blow, the lone wolf dies, but the pack survives.” These were the words originally spoken by Ned Stark, and repeated by Sansa to her sister Arya, as the finale episode comes to a close. How poignant these words are. Though it has become more and more of a distant memory as the years have passed, the death of Ned and Catelyn Stark still remain a major driving force behind the actions of each Stark child. After all, they were both betrayed and brutally murdered at the hands of people they trusted. Arya realized a measure of revenge in the premiere episode this season as she killed Walder Frey, the man who colluded with the Lannisters to kill her brother and mother during the Red Wedding. And she seeks further revenge for the death of her father, which is why Cersei Lannister remains at the top of Arya’s kill-list. Yet these were/are the obvious enemies — the ones who boldly claimed responsibility for the deaths of several Stark family-members. But there were others; there were snakes in the grass who’ve continued to slither along, concealing their true motives.
Of course, there was no greater snake in the grass than Baelish — the master manipulator and ultimate schemer. Sure, Joffrey (and Cersei) ordered the beheading of Ned Stark, but it was Baelish that played such a pivotal role in setting that stage. Even worse, it was Baelish that the Starks had trusted, namely because Catelyn had been so close to him since a young age. And now, all these years later, the Stark children are enacting their measure of revenge. The scene is set up beautifully, as viewers are led to believe that Baelish’s plan to drive a wedge between Sansa and Arya has reached its tipping point. That is, it appeared as though Baelish had successfully manipulated Sansa into believing that Arya was going to kill her and that she must execute her sister first. As Arya is brought into the great hall of Winterfell and stands before her brother and sister, Sansa declares that “You stand accused of murder and treason,” before turning her focus to Baelish and shifting these charges from Arya to he. That’s right — it was not Arya that Sansa is charging these crimes to, but rather the unassuming Lord Baelish. With the help of Bran’s visions and knowledge, Sansa is finally able to piece together the whole puzzle. What she reveals is significant not just because it renders Baelish the guilty party, but rather because it shows the immense role that Baelish played in triggering many of the show’s most important events.
So, let’s rewind for a minute to recap the full extent of how far back Baelish’s scheming actually goes. The show began with Catelyn Stark receiving a raven from her sister, Lysa Arryn, stating that her husband, Jon Arryn had been killed. At the time, Jon Arryn war Lord of the Vale and was serving as Hand of the King to Robert Baratheon. Though he died before the show started and we never got to see him, Jon Arryn was revered as a great man and father figure to both Robert Baratheon and Ned Stark. The raven that Lysa Arryn sent to Cat went on to state that she suspected the Lannisters were responsible for Jon Arryn’s death. When Catelyn shared this message with her husband, Ned, he of course immediately became suspicious of the Lannisters. He set out for King’s Landing, and upon his arrival, he started digging into what he thought Jon Arryn may have discovered — the possible reason why the Lannisters may have had him killed. This led to Ned’s discovery that Joffrey (and his siblings) were not the children of Robert Baratheon, but rather the products of Cersei and Jaime’s incest. This was an important learning for Ned as it illegitimized Joffrey’s claim to the Throne. In King’s Landing, without many trustworthy peers, Ned confided in Baelish and shared with him the damaging information he learned about the Lannisters. Ned made a big mistake in trusting Baelish, who went back to Cersei and warned her that Ned was uncovering some of the Lannisters biggest secrets. With the help of Baelish, Cersei was able to get one step ahead of Ned and had him arrested, which led to his eventual beheading.
However, very few people knew that role Baelish played in getting Ned Stark killed. Now, thanks to Bran’s visions, all the Stark children are made aware that their father’s blood is all over Baelish’s hands. But that’s not all that Sansa revealed as she berated Baelish with a recount of the elaborate scheme he put into place many years ago. You see, it wasn’t that Ned simply became suspicious of the Lannisters, at which point Baelish betrayed Ned’s trust and informed Cersei of Ned’s suspicions. Rather, it was Baelish who purposefully deceived Ned by supplying him with false information. As we mentioned above, Lysa Arryn sent her sister Catelyn a raven stating that her husband Jon Arryn had been murdered — probably poisoned by the Lannisters. The problem here is that Jon Arryn was not murdered by the Lannisters, but rather by Baelish himself, who supplied Lysa with a poison to slip her husband. Baelish would then persuade Lysa to mislead her sister into thinking the Lannisters were responsible, which set Ned down the path that would eventually lead to his tragic demise. But it doesn’t stop there. What was also revealed/confirmed is that Baelish was responsible for the attempted murder of Bran back in season one. In an attempt to further implicate the Lannisters, Baelish told Catelyn when she supplied him with the dagger that the assassin used, that he had lost that dagger in a bet to Tyrion. Again, Baelish is attempting to make the Starks believe that the Lannisters are their enemies by painting the picture that Tyrion had something to do with the attempt on Bran’s life.
As Baelish stands before Bran, Sansa and Arya — the judge, jury and executioner — we are able to look back and realize the incredible impact Baelish has had upon a good chunk of the story that we’ve seen unfold to date. He fabricated a completely fictional context which would serve as the backdrop for some of the show’s most important events. And this fictional reality that he created would not only lead to the death of Ned, but it would serve as the foundation upon which much of the story’s conflict was built. Ned’s beheading led to Robb Stark declaring himself King in the North with the intention to seek revenge against the Lannisters. Of course, that then led to the Red Wedding and many more Starks dying. You can continue to unravel the storyline and attribute many more major events to the master manipulator — Petyr Baelish.
But the deception has come to an end. The Stark children finally pieced together all of his manipulations and have found him guilty. As Baelish drops to his knees and begs for his life, we see the truth of his character. He is out in the open, exposed and totally vulnerable. There are no more games to play or stories for him to whisper. His attempt to drive a wedge between Arya and Sansa would prove to be less successful than his attempts to do the same between Houses Stark and Lannisters. And just like that, Littlefinger’s time comes to an end as Arya cuts his throat. The irony — she takes his life with the very dagger that belonged to him — the one used in the assassination attempt on Bran’s life in season one.
Most rewarding is that the season comes to a close with House Stark in a good place. For the last few episodes, things seemed very shaky and the possibility of Arya or Sansa turning on the other seemed very real. But, the tables were quickly turned and the children are reminded that when winter comes, the lone wolf dies while the pack survives. These were Ned’s words, repeated by Sansa after his death was avenged. And it’s a good thing that the Starks were able to come together, because the White Walkers are just a hop, skip and a jump away.
THE DRAGON AND THE WOLF
From Bran’s previous visions, we learned that Jon Snow was not the son of Ned and Catelyn Stark. It was confirmed that Jon was actually the son of Lyanna Stark and that Ned was protecting Jon’s true Targaryen identity. However, what was not clear at the time was whether or not Jon was a legitimate Targaryen or if he was still a bastard, just of a different father. In other words, did Lyanna Stark and Rhaegar Targaryen legitimately birth Jon, or was Lyanna raped by Rhaegar, making Jon Rhaegar’s bastard? Well, a couple episodes back, when Gilly was stumbling through a book, that question was answered. In reading the High Septon’s personal record, she discovered that the High Septon had performed an annulment, followed by a secret wedding in Dorne. In short, this confirmed that Rhaegar’s marriage to Elia Martell was annulled, and that he was legitimately married to another (safe to assume Lyanna Stark).
Though Bran was aware through his vision who Jon’s parents were, he assumed him to be a bastard of Rhaegar. After all, the scene he saw of Lyanna laying bloody and dying, seemed to confirm the idea that Rhaegar had raped and harmed Lyanna. However, Samwell Tarly offered to Bran what Gilly had discovered, and all of the information was pieced together. Rhaegar and Lyanna were legitimately wed, making Jon Snow a true Targaryen. What’s more, we are taken back to Bran’s vision and we are able to hear the name that Lyanna whispered to her brother Ned — the true identity of the man we’ve known as Jon Snow. AEGON TARGARYEN. As we know, the original Aegon Targaryen is arguably the most important Targaryen of all time. He is the man who conquered the independent kingdoms of Westeros and united them under his rule as the first Targaryen king. So, Jon not just being a Targaryen, but named after the most important Targaryen ever, is quite the reveal. As a result of Aegon’s Conquest, the Targaryens would rule over Westeros for the next 300 years, until Robert Baratheon usurped the throne during Robert’s Rebellion.
Speaking of Robert’s Rebellion, what we saw tonight answers one of the most important and controversial questions around the entire Thrones story. Was Lyanna wrongfully kidnapped by Rhaegar Targaryen or did she choose to ride off with him to follow their love? As we know, Robert’s Rebellion was the multi-year war that would put Robert Baratheon, Ned Stark and the Northern rebels against the Targaryen armies, as the rebels sought to overthrow the Mad King and the Targaryen dynasty. But what caused Robert’s Rebellion? Why did they want to overthrow the Targaryens after 300 years of rule? Well, the biggest catalyst for Robert’s Rebellion was the disappearance of Lyanna Stark. She was betrothed to Robert Baratheon and was the sister of Ned Stark, so both men had a deep love for her. When she disappeared, Robert and Ned clung to the idea that she was kidnapped by Rhaegar Targaryen. They rallied the North behind this idea and launched Robert’s Rebellion. However, there has also been plenty of whisper that has alluded to a contrary idea — one that paints Rhaegar as a great man and contradicts the idea that he would kidnap Lyanna. This version of the story says that Lyanna and Rhaegar were madly in love and rode off together to tie the knot. The truth of this debate has been hidden until tonight.
Through Bran’s vision, we saw that Rhaegar and Lyanna, the dragon and the wolf, were truly in love. Learning that Rhaegar did not kidnap Lyanna is so significant because it invalidates the very justification for Robert’s Rebellion. Had Ned and Robert known the truth, it is entirely possible that this rebellion never would have even taken place. Which means that Rhaegar would probably still be alive (he was killed in battle by Robert), the Targaryens would likely still be on the throne, and Jon would have grown up as Aegon Targaryen, son to Lyanna and Rhaegar Targaryen. It is absolutely incredible to think that an entire multi-year war which shaped the entire story we are seeing today was built upon a lie. It is even more incredible to consider we are finding this out so many years later.
But here’s what’s not a lie. Jon Snow is a Targaryen — a legitimate one. And because his father, Rhaegar, was next in line for the Throne, Jon is now the legitimate heir to the Iron Throne. He supersedes Daenerys’ claim to the Throne, as he is Rhaegar’s son while she is Rhaegar’s sister. But they’ll have plenty of time to figure that out down the road. Right now, Jon and Daenerys have more important matters to focus on as they finally come together intimately. In an episode entitled The Dragon and the Wolf, we learn of Jon’s true identity as we see the original dragon and wolf that came together (Rhaegar Targaryen and Lyanna Stark), while simultaneously seeing another dragon and wolf (Daenerys and Jon) also getting together. So, now it’s official. There is no Jon Snow. There is no bastard. There is only Aegon Targaryen, son of Rhaegar and true heir to the Iron Throne. Bran tells Samwell, “He needs to know, we need to tell him.”
CERSEI AGAINST THE WORLD
In King’s Landing, we get almost all of the story’s most significant characters together at once. To date, we’ve never seen anything like this. Once again, there are all kinds of reunions between characters that have great history with one another. Jaime is reunited with Brienne, who he was on an epic journey with a few seasons ago, which culminated with him risking his life to save hers. Tyrion was reunited with his longtime squire, Pod, as well as Bronn, with whom he fought closely in the Battle of Blackwater Bay. The Hound comes face to face with Brienne, who left him for dead a few seasons back. He us also reunited with his zombie-brother, The Mountain, and reminds him that death is coming for him.
As Tyrion and company enter the dragon-pit and are surrounded by Lannister soldiers, the suspense begins to set in. It is entirely possible that they could all be killed and if anybody is capable of such a thing, it would be Cersei. Despite coming face to face with a wight, Cersei is unwilling to join their cause to fight the army of the dead. Tyrion risks his life to talk some reason into his sister and it appeared as though his attempts were successful. Cersei returns to the dragon pit and declares that she will join their fight. It seemed as though this was a big moment for Cersei who finally saw the bigger picture, and that the stage was now set for basically all of humanity to band together to fight back the army of the dead.
However, moments later, behind closed doors, Cersei reveals to Jaime that she will say anything to anybody to win the war against those who have wronged her. She does not actually intend to lend them any men, even though Jaime proposes the very obvious lose-lose scenario for them if she does not. Once known as the Oathbreaker for killing the Mad King, Jaime refuses to again break his oath and tells Cersei that she will have to kill him to stop him. Unable to do so, Jaime leaves King’s Landing and rides off to join the fight against darkness. Seasons ago, when Jaime was on his journey with Brienne, it appeared as though his character had gone through a major transformation. But then, he got sucked back into Cersei’s wicked games and it was unclear whether he would finish this story by her side or not. Now, he has finally left King’s Landing and is off to join the war that everybody seems to realize is most important, except for Cersei. And not a minute too soon. Snowfall has made its way down south and begins to descend upon King’s Landing. If the southerners didn’t yet know, they will now see that Winter Is Here.
ODDS & ENDS
We as viewers were not the only ones who saw the Night King take out a chunk of The Wall. We actually saw this through Bran’s vision as he warged into the crows that sat atop the wall. So, the good news is that Bran is well aware of what just happened and Winterfell can prepare accordingly as the first line of defense.
Cersei confirms she has secured a contract with the Golden Company, an army of 20,000 men who will fight for her. How will this army help her against Cersei’s forces? Perhaps they will end up being more manpower for the fight against darkness.
Theon receives forgiveness from Jon Snow and is now off to save his sister, Yara. I think the show did a pretty poor job at demonstrating what happened to make Theon strong again. Last we saw him, he had reverted back to being Reek and jumped off the ship, leaving his sister stranded. Now, all of a sudden, he’s once again back to being the Theon that wants to save his sister? Seems very wishy-washy.
With Baelish now dead, that’s another face that Arya could possibly use. We know her goal is to kill Cersei — could she possibly use his face to get back in front of Cersei at King’s Landing?
At Eastwatch when the Night King attacked, did Tormund and Beric survive? The obvious guess is yes, but worth the thought.
With Jaime having fled King’s Landing, what will Bronn do? We mentioned in a post a few weeks back the possibility that Bronn will save the Sand Snake who he had a fling with in Dorne, who is now locked in the dungeons below King’s Landing. With Jaime now gone, it’s entirely possible that he does save the Sand Snake and flee King’s Landing.
Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.
Without question, Eastwatch was the most important episode in Thrones history. Yes, you read that correctly — let it sink in for a moment. Tonight’s episode was so critical for three reasons: 1) It sets the stage in a major way for the great war that is to come — the only war that matters — the event that will dictate the outcome of this entire saga; 2) There were some HUGE reveals which brought to light some very important things from the past — things that most viewers likely did not register in this extremely fast-paced episode; 3) There were some incredibly important reunions in this episode which bring back events from the past, but also point to what is to come in the future.
If we know anything about Thrones, we know that the penultimate (second to last) episode of each season is the one in which big things go down. Season 1 — Ned’s beheading; Season 2 — The Battle of Blackwater Bay; Season 3 — The Red Wedding; Season 6 — The Battle of the Bastards. All of these major events occurred in the second to last episode of their respective seasons. So gear up, because in this shortened season, the second-to-last episode will arrive next week and we are in for a huge adventure as Jon and Co. venture north of the Wall.
Last week we saw fire; this week we saw ashes. The episode opens with Jaime and Bronn emerging from the water (surprise, surprise). Jaime immediately realizes the magnitude of the enemy that the Lannisters are facing and doesn’t seem to like his odds. Bronn tells Jaime that he will be long gone before Khaleesi’s dragons burn King’s Landing.
Not too far away, Tyrion surveys the battlefield, or what is left of it. Last week, Tyrion looked on as Khaleesi’s dragons brought fire and blood. Now, this week, Tyrion experiences the ashes and ruins — the death and destruction. To say the least, he doesn’t seem so comfortable with it. But things are about to get worse. The remaining Lannister soldiers are rounded up, offered the choice to bend the knee or face death. Of course, this is a significant event, as it mirrors Aegon’s Conquest, in which he offered the same choice to one kingdom at a time, before eventually uniting them all and establishing the Seven Kingdoms under Targaryen rule.
Most of the men wisely bend the knee, but Randyl Tarly, as well as his son, Dickon, choose honor, even at the cost of death. This is somewhat ironic in that just a few episodes prior, Randyl Tarly objected to serving Cersei and did not want to break his oath to House Tyrell. Now, just a few weeks later, he is willing to die for for Cersei — or better yet — he is willing to die if that is the price of refusing to bend the knee to a foreign invader. His son makes the same choice and Khaleesi lines them up for imminent death. Looking increasingly uncomfortable and wanting to save the lives of these men, Tyrion tries his best to provide an alternative to Khaleesi. He proposes that they send them to The Wall to serve out their days on the Night’s Watch, followed by suggesting that they lock them up in a cell until they agree to bend the knee. His clever words bear no fruit and Khaleesi is firm in her decision; she will give all men the opportunity to bend the knee or die — the choice is theirs.
Just like that, Drogon unleashes a massive ball of fire, engulfing the Tarly men in flames. Just like that, Samwell becomes heir to House Tarly. But there is a bigger takeaway here. The Tarly’s perception of Daenerys as a foreign invader underscores a major issue she will have to face as an overwhelming majority of Westeros will likely see her as the same. If this is the case, it begs some questions: How many people will Khaleesi have to kill, or threaten to kill, in order to secure the fealty of Westeros’ citizens? And is offering somebody the choice to bend the knee or die really much of a choice at all? The actions required for Khaleesi to become queen seem to be at odds with the queen she wants to be and her M.O. of leaving the world a better place than she found it.
Back at Dragonstone, Khaleesi casually pulls up on her dragon as Jon Snow watches on. As Drogon lands and Khaleesi remains on his back, Drogon locks eyes with Jon and slowly inches closer. One wrong move and Jon could have been set aflame, but he stood his ground and looked deep into the eyes of the dragon. As Drogon comes face to face with him, Jon removes his glove and slowly places a hand against the dragon — a physical connection to cement the deeper connection we see in this scene. In the Thrones world, dragons are said to be extremely intelligent creatures with a keen sense of awareness to the people around them. With this in mind, it is a powerful moment to see Khaleesi’s main dragon see something in Jon Snow.
What’s more, Khaleesi witnesses the entire encounter, and is drawn even closer to Jon Snow as a result. After all, these dragons are Khaleesi’s children, so seeing them connect with Jon is an emotional moment for her. Following this, we see the way she looks at Jon — a look that speaks to a combination of admiration, attraction and possibly love. She seems captivated by Jon, something we’ve not seen from her before, even with Khal Drogo who she married or Daario Naharis who she became intimate with in Mereen. As viewers, we are left scratching our heads and wondering when Jon will find out what we all know — the reason Drogon recognized him is because he is in fact a Targaryen. And not just any Targaryen, but Khaleesi’s nephew. The show is doing a masterful job of building this up and it will certainly be a magical moment when the truth comes to light for Jon and Daenerys.
In an incredibly fast-paced episode, we didn’t even have a moment to let the Drogon/Jon/Khaleesi moment fully sink in, because just like that, Ser Jorah is on the scene. Yes, that’s right, after all this time, Jorah is back in the presence of his beloved Khaleesi, cured and ready to serve his queen. While it was great to see Jorah back where he belongs, I was more interested in the significance of Jon and Jorah now meeting. As we know, Jorah’s father, Jeor Mormont, was the Lord Commander of the Night’s Watch when Jon arrived at The Wall. To say the Lord Commander trained Jon would be a major understatement. From the very moment Jon arrived at The Wall, Lord Commander Mormont knew there was something special about Jon. He believed in him and instilled in Jon the importance of believing in himself — a quality that drives Jon on his challenging journey today. Jon saved the Lord Commander’s life early in season one (against the attack of a wight), and the Lord Commander later gave Jon his epic Valyrian steel sword, Longclaw. At the time, Lord Commander Mormont mentioned that the sword would have gone to his son had he not been exiled from the Seven Kingdoms (Jorah was banished from Westeros for his involvement in slave trade). Little did we know that six years later, Jon, with Longclaw at his side, would meet this son that the Lord Commander had spoken of. In many ways, Lord Commander Mormont was the father Jon never had, which in some ways, makes Jorah the brother he never knew.
Sitting in the Throne room, Tyrion and Varys talk about Khaleesi’s recent victory. Only, it doesn’t feel like a victory. Tyrion has seen too many people die and Varys has no stomach for the destruction that Khaleesi has recently brought to Westeros. Varys implores Tyrion to find a way to make Khaleesi listen to him, underscoring the importance of Tyrion’s role. Khaleesi is walking a fine line between being an inspirational figure and a ruthless invader, and there are very few people that can influence which side of the line she lands on, Tyrion being one of those people.
Later, Khaleesi gathers her entire cabinet as they contemplate their next move. After receiving a raven and learning that Bran and Arya are not only both alive, but home at Winterfell, Jon informs Khaleesi that he must return back to the North. The show moved past this revelation so quickly that it felt entirely unimportant. So to restate the significance — after all these years of thinking two of his siblings were dead, Jon finds out that they are in fact both alive and safe at Winterfell. Though it may have felt like this learning was unimportant to Jon, another way to look at it is that it puts into context the massive significance of the great war that he knows is to come. In other words, it’s not that learning his sibling were alive is unimportant, it’s just that the great war to come is so much more important. How excited can Jon actually get about Arya and Bran being alive, if he knows of the war to come that could quickly take the lives of not only Arya and Bran, but also the rest of humanity.
Jon is now committed to return back to Winterfell to fight the impending war with whatever men he has. He offers Khaleesi to join, but she notes that she cannot join this fight and open up the country for Cersei to retake. Enter Tyrion with a clever strategy. He notes that Cersei believes White Walkers to be nothing more than myth, but if she could be convinced of the imminent threat to the realm, perhaps she can be won over. This sets into motion the mission for Jon Snow to venture north of The Wall to capture a wight so that a soldier of the dead army can be presented to Cersei. But first they would need to know they have an audience with Cersei, something that Ser Davos and Tyrion will work on. But, before Tyrion departs Dragonstone, he reconnects with Ser Jorah, just another one of several meaningful reunions in this episode. Like so many things in this episode, the significance of this moment was quickly glossed over, but don’t look past this moment between Tyrion and Jorah. They spent the better part of an entire season on an adventurous journey together, including their passing through Old Valyria, where they came into contact with the Stone Men (and Jorah contracted Grey Scale). They eventually became separated, and now all of this time later, they are reunited in a position to serve their queen.
Back at good old King’s Landing, Jaime returns to tell his sister of the defeats they’ve suffered at the hands of Daenerys. He reveals that their odds to win this war do not look good and that they should reconsider their position. Cersei makes it clear that she will die fighting before she gives up. Having faced near-certain death, Jaime feels differently, and as viewers, we sensed that a split between Jaime and his sister could be imminent. And then she tells him that she is pregnant with his baby. If there was one thing in the whole world that could be used to bind Jaime to Cersei, it was this — the idea that they are bringing another child into the world — and that Cersei would tell the world it was Jaime’s. Joffrey, Tommen and Myrcella were all Jaime’s children as well, but they were presented to the world as the children of Cersei and Robert Baratheon. As a result, Jaime had to watch his kids grow up, unable to influence their lives in any meaningful way. Though the show does not go into this subject, the books elaborate on the struggle Jaime dealt with, unable to be a father to his own children. So now, learning that they are bringing a new child into the world, and one that he could tell the world is his own, is perhaps the greatest gift Jaime could have ever asked for. And this will be the glue that holds Jaime and Cersei together. Of course, there is the possibility that Cersei made this up, or that there is in fact a child, but that it is not Jaime’s. Either way, for now, Cersei has Jaime exactly where she wants him.
As if we didn’t have enough reunions so far, we see another huge moment when Tyrion comes face to face with his brother, Jaime. There is so much built-up emotion inside both of these characters around what has transpired over the last couple years. Jaime is relieved that he saved his brother years ago, after more recently finding out that it was Lady Olenna who killed Joffrey, not the wrongfully-accused Tyrion. At the same time, some part of him has to regret setting Tyrion free, as that led to Tyrion being able to murder their father. Even more, it led to Tyrion joining sides with Daenerys and becoming Jaime’s de facto enemy. But still, in this moment, Jaime knows, as he always has, that Tyrion has lived a difficult life, one in which he has been punished for things out of his control (the death of his mother at birth and being a dwarf). With tears in his eyes and passion in his voice, Tyrion shows a side of himself that we rarely see, as he pleads his case to Jaime, explaining that their father, Tywin, would have executed him for a crime he knew he did not commit, all because he was a dwarf. In another life, Jaime would have probably loved to have been the caring older brother to console Tyrion in this moment, but in this life, at this moment, that was not possible. In this life, Tyrion is the enemy to Cersei — and Cersei is the mother of Jaime’s unborn child. We do not see how the conversation ends, but Jaime later tells Cersei of his encounter with Tyrion and that Daenerys has requested an audience to present them with proof of the army of the dead. Cersei seems to agree to grant this audience, and notes that if they want to win the war, they will have to outsmart Daenerys. It sounds like she has a trick or two up her sleeve.
While Tyrion, Jaime and Cersei are engaging in their Lannister drama, Ser Davos has other plans in King’s Landing. He heads to Flea Bottom, the slums of King’s Landing, where he lived most of his life. Knowing how to navigate these parts of the city, he quickly finds Gendry, who is back at work crafting swords and other weaponry. It was just a matter of time before we saw Gendry, and I had a million ideas of where he might be since Ser Davos saved him in season three, but King’s Landing never crossed my mind. After Ser Davos risked his life to set Gendry free from Dragonstone (because Lady Melisandre and Stannis were going to sacrifice him), Davos once again risks his life to find him. As if he has been waiting all these years for the day Davos would come back for him, Gendry grabs a bag and is ready to join the fight. But a bag is not all he grabs — he also grabs a war hammer — his preferred weapon of choice. Though we never got to see it in the show, we know from stories that Robert Baratheon also fought with a legendary war hammer. In fact, Robert used his war hammer to defeat Rhaegar Targaryen during the Battle of the Trident (the last major battle before the rebels stormed King’s Landing). As we know, Gendry is the bastard son of Robert, and rather than choosing to fight with a sword, he too will go into battle with a war hammer. Before Tyrion, Davos and Gendry depart, we see Gendry make quick use of his war hammer as he bashes in the skulls of two King’s Guard.
Robert Baratheon defeats Rhaegar Targaryen with his war hammer during the Battle of the Trident
Sitting beside a Weirwood tree, Bran has warged into a flock of ravens and has them flying north of The Wall, near Eastwatch by the Sea. It is worth pointing out that in the past, we’ve seen Bran warg into one entity, but not multiple at the same time. Bran’s abilities continue to develop, as he is now able to control an entire flock. To no surprise, Bran sees the army of the dead marching around The Wall, on the sea that has frozen over. This of course supports several things we have seen/heard this season. First, what you might not have noticed in the opening credits, is that the sea to the east of Westeros has completely frozen over. That’s right, the wintery cold that the White Walkers have brought has frozen the entire sea. What does this mean? It means that The Wall is no longer protecting the realm from the White Walkers, as they can now simply go right around it. The image below shows the sea in the opening credits from seasons 1-6, versus the frozen sea that you can see in the opening credits from this season.
Bran’s vision shows us that the army of the dead is in fact marching along this frozen sea. This vision also confirms what The Hound saw in the flames a few episodes back, when he said “I see where The Wall meets the sea. There’s a castle. The dead are marching past it. Thousands of them.” As we see later in the episode, this vision The Hound saw in the flames led them to go to Eastwatch by the Sea, but we’ll touch more upon that later.
After flying over the enormous army of the dead, Bran sees the Night King himself. As the Night King turns his head to see the flock of birds, Bran is shaken from his vision. This is not the first time we’ve seen the Night King do this. It appears as though the Night King is well aware of Bran’s presence and is able to affect Bran once he acknowledges him. As Bran comes out of his vision, he alerts the Maestar that they must send ravens to alert the Seven Kingdoms of what he’s just seen. Moments later, we see Sam at the Citadel as the archmaestar and his top advisers read over the raven they have received from Winterfell. Most believe the message to be fictitious but Sam steps in to convince them that the threat is real. Interesting to note is that these men are supposed to be the most knowledgable and wise of any men in the world, yet they themselves do not believe in the existence of White Walkers. If the most scholarly of men are not open to considering this possibility, we can imagine how the rest of the Seven Kingdoms will react. And though the archmaestar does not dismiss Sam, he also does not act with the urgency that is required.
Sam’s frustration reaching a boiling point, he decides to take matters into his own hands. He steals some important books and scrolls before departing The Citadel with Gilly and the baby. On his way out, he looks back once more to glance at that giant astrolabe object hanging in the middle of The Citadel. I still believe there is going to be a huge reveal about the importance of this object, and that Sam Tarly is ultimately going to be the one narrating the story we are seeing today.
Before Sam leaves, there is a MAJOR REVEAL, which once again, was skipped over incredibly quickly. As Gilly is reading through a book, she asks Sam what an annulment is. Sam explains that it is a process to void a marriage, and Gilly goes on to read from High Septon Maynard’s record book. The book reveals that the High Septon performed a secret annulment in Dorne for Prince Rhaegar, followed by a marriage ceremony to somebody else. What Gilly, the unlikeliest of characters, coincidentally stumbled upon in this book, is a piece of information which has HUGE IMPLICATIONS. Ironically, the implications are for Jon, Sam’s best friend, and Sam was not even focused enough to catch onto the meaning of what Gilly had read.
As we know, Prince Rhaegar was The Mad King’s eldest son (and older brother of Daenerys). Prince Rhaegar was married to Elia Martell (sister of The Red Viper, Prince Oberyn) of Dorne. During Robert’s Rebellion, Rhaegar was killed in battle by Robert, and Elia plus their two babies were eventually murdered by The Mountain (at the orders of Tywin Lannister). Had he not died, Rhaegar would have been next in line to become king of the Seven Kingdoms. But Rhaegar’s character is most significant to this story for an entirely different reason. As we’ve learned through bits and pieces of dialogue, Rhaegar rode off with Lyanna Stark (Ned’s sister) many years ago. Some say it was mutual and that the two were in love, while others claimed Rhaegar kidnapped Lyanna (the latter viewpoint was held by Robert and Ned, which would ultimately be the catalyst for Robert’s Rebellion against the Targaryens). Through Bran’s vision last season, we saw the Tower of Joy, where a young Ned finds his sister dying. She gives the baby (Jon Snow) to Ned and whispers something in his ear — presumably the truth, that Jon’s father is Rhaegar and that Ned must protect Jon. As we know, Ned went on to claim that Jon was his bastard son and concealed that Jon’s father was a Targaryen. So, while we learned that Jon’s parents were Lyanna Stark and Rhaegar Targaryen, there were still a lot of questions around what happened between Lyanna and Rhaegar. More specifically, the most important question of whether or not Rhaegar raped Lyanna, making Jon a bastard (albeit Rhaegar’s bastard instead of Ned’s), or if Jon was a legitimately conceived Targaryen.
Well, all of that was just answered, as Gilly unknowingly informs us that Rhaegar had a secret annulment performed, voiding his marriage to Elia Martell, followed by a marriage ceremony, which we can assume with near certainty was to Lyanna Stark. This means that Lyanna Stark was no longer Lyanna Stark, but rather Lyanna Targaryen. And more importantly, that Jon is a fully legitimate Targaryen, born to two Targaryen parents who were lawfully married. What’s even more, after Rhaegar, this makes Jon the next in line for the Iron Throne! The normal succession would have been The Mad King –> Rhaegar Targaryen (The Mad King’s Son) –> Jon (Rhaegar’s son). Today, this means that it is actually Jon that has the claim to the Iron Throne, not Daenerys! This is a huge revelation with new knowledge about what happened in the past and implications about how this could affect things moving forward. Based on what we’ve learned, it now seems like the theory that Rhaegar and Lyanna were in love and ran off together, and eventually got married, is a lot more likely than the theory which hypothesizes that Rhaegar kidnapped Lyanna. It is insane to consider that Robert and Ned’s principal reason for starting an entire rebellion was under false pretenses, given that it looks like Lyanna was not in fact kidnapped. That’s right — an entire rebellion which would bring most of the realm into war and cause years of struggle for control of the Iron Throne, was all based on an idea that we are now finding out might be totally erroneous. You would be fair to assume that a revelation of this magnitude would be spelt out explicitly for viewers, but you would also be wrong. Rather, all of this was wrapped up in a 15-second dialogue where Gilly, who we’ve barely seen in ages, stumbles upon this fact that has such enormous meaning.
At Winterfell, tension is continuing to build between Arya and Sansa and there was another major reveal around the letter that Arya found. Arya watches on as some of the Northern lords complain to Sansa about Jon’s decisions, namely that he should be in the North and not at Dragonstone. Arya confronts Sansa for not sticking up for Jon and criticizes her older sister for caring too much what other people think. Later in the episode, Arya uses her stealth to spy on Baelish, who she first sees give a coin to an unknown woman, before then seeing him speaking with some of the Northern lords. Finally, she sees him speaking to the Maestar Kressen, who provides Baelish with a message and confirms that it is the only copy of that message. Arya, like us, really wants to know what that message is about, so she breaks into his room and finds the message. But before we go into the contents of that message, let’s remember that after Arya sneaks out of the room, we see Baelish watching on. While we initially thought Arya was outsmarting Baelish, we soon realize that Baelish in fact had the upper hand and that he led Arya to the message he wanted her to find.
Back in episode three of this season, there was a very brief piece of dialogue, which at the time did not seem important. Maestar Kressen mentioned to Baelish that Maestar Luwin kept a copy of every raven scroll. As a reminder, Maestar Luwin was the original Maestar of Winterfell, serving House Stark for many years, until he was killed by Theon when after he sacked Winterfell. In the third episode of this season, the new Maestar — Meastar Kressen — is telling Baelish that the old Maester Luwin kept a record of every raven scroll that was ever sent to Winterfell (see below).
So what does Baelish do with this knowledge? He uses it to his advantage. If only there was some raven scroll that he knew was sent to Winterfell that he could use as part of his game. Well, there is, and it is another example of Thrones incredible ability to tie back an event from many seasons ago into the current day story. All the way back in season one, after Ned was beheaded, Cersei had to decide what to do with Sansa. A young and frightened girl, Sansa of course swore to Cersei that she would be a good wife to Joffrey. Cersei orders Sansa to write a message to Robb, who was King in the North at the time, telling him that he should pledge House Stark’s fealty to King Joffrey. Because she was writing this letter under duress, she of course could not tell Robb the truth about why the Lannisters beheaded Ned or that she was being help captive against her will. Instead, she had to go along with Cersei’s story that Ned was a traitor and also had to pretend that she loved Joffrey. The full message she sent is below, as is a video of the scene from the first season. What is critical to note, is that Baelish was present during this scene and was/is fully aware of this message Sansa was forced to send to Winterfell.
“Robb, I write to you with a heavy heart. Our good king Robert is dead, killed from wounds he took in a boar hunt. Father has been charged with treason. He conspired with Robert’s brothers against my beloved Joffrey and tried to steal his throne. The Lannisters are treating me very well and provide me with every comfort. I beg you: come to King’s Landing, swear fealty to King Joffrey and prevent any strife between the great houses of Lannister and Stark.” — Sansa
Given that Baelish knew Sansa sent this raven to Winterfell, and that Maestar Kressen just informed Baelish a few episodes back that every raven ever sent to Winterfell was kept, Baelish can piece one and one together and deduce that Sansa’s message is lying around somewhere to be found at Winterfell. Then, the question for Baelish simply becomes how he can use this as a tool in his game. And right now, the objective of his game is to take advantage of the tensions he sees mounting between Arya and Sansa. You will recall last week’s episode, when Baelish and Sansa look down at Arya fighting with Brienne. After Arya defeats Brienne, Sansa walks off frustrated and Baelish smirks down at Arya, realizing his opportunity to capitalize off the tensions brewing between the sisters.
So, Baelish has Maestar Kressen bring him the scroll that Sansa sent to Robb many years ago. Though he is fully aware that Sansa sent this message under duress and that these are not her own words, Arya does not have the benefit of this context. As such, getting this scroll in the hands of Arya would further her belief that Sansa is willing to lean away from her own family to gain acceptance and status. It would make her think that Sansa was so desperate to become a noble princess/queen, that she was willing to betray their father and encourage Robb to bend the knee to the Lannisters (remember, Cersei is #1 on Arya’s kill-list, so nothing would make her more angry than believing Sansa would support the Lannisters). So, Baelish pretends that he is not aware that Arya is spying on him and sets the mousetrap for her. Sure enough, she goes for the cheese and reads the message from Sansa. She sees Sansa referring to Joffrey as her “beloved” and also calling their dead father a traitor who tried to steal the throne.
It is also important to remember that Arya’s last memories with Sansa go all the way back to season one. At the time, Sansa was trying to win over Prince Joffrey and this is what Arya probably remembers. Even then, Sansa chose to defend Joffrey over her own sister. The video below shows this, and also is a reminder of Nymeria, Arya’s direwolf, jumping in to save Arya from Joffrey. Interestingly, as a result, Cersei ordered Nymeria to be executed, and to save her wolf, Arya set Nymeria free. In Nymeria’s place, Sansa’s wolf, Lady, was executed. Looking back on this, there was a ton of early foreshadowing even in the first season of the riffs that would build between the sisters.
Now, all these years later, Arya reads a letter that essentially has Sansa throwing their father under the bus and declaring her love for Joffrey and the Lannisters. Coupled with memories from the video above, as well as just seeing Sansa’s failure to defend their brother Jon to the Northern lords, Baelish has successfully planted the perfect seed to put a major wedge between Sansa and Arya. What’s more is that Baelish is fully aware of Arya’s discovery and continues to maintain the upper-hand.
THE DREAM TEAM
Ser Davos arrives with Gendry at Dragonstone and introduces him to Jon Snow. Gendry comes right out and tells Jon that he is the bastard son of Robert Baratheon. Again, we have an incredibly important meeting between two characters. For years, Houses Baratheon and Stark fought alongside one another. Most recently, their “fathers” Ned and Robert fought together during Robert’s Rebellion. Gendry is the last living Baratheon (which is quite significant in and of itself) and he is prepared to fight alongside his “Stark” counterpart. As a sidenote, we see the backdrop of their meeting being the cave where men have begun to mine the Dragonglass that will soon be needed.
Jon, Gendry, Davos and Jorah depart for Eastwatch where they catch up with Tormund. They explain to him their plan to capture a wight to bring it back to Cersei as proof of the army of the dead’s existence. He informs them that they aren’t the only ones who want to go north of The Wall, and brings them down to a cell where Thoros, The Hound and Beric Dondarrion are locked up. And the reunions continue one after the next.
Jon immediately recognizes The Hound, who he saw back in season one when he came to Winterfell as Joffrey’s protection. Beric jumps in to tell Jon that they must go beyond The Wall and that the Lord of Light has commanded it. And yet another reunion as Gendry jumps in, recognizing Thoros and Beric, who sold him to Lady Melisandre, which almost got him killed. Gendry tells Jon not to trust any of them. But before Jon can respond, another set of characters identify each other. Jorah recognizes Thoros of Myr, and though we never saw them on screen together, in the third season, Jorah recounts to Ser Barristan Selmy the story of when Robert’s army laid siege to the Iron Islands during Robert’s Rebellion. Ser Jorah and Thoros fought together during that battle, which is how they know each other. It looks as though they will soon fight together once again. But not just yet. Once Tormund hears that Jorah is a Mormont, he jumps in, realizing that Lord Commander Mormont was his father — a man who killed many of Tormund’s people. In no more than 60 seconds, we see half a dozen characters who have been intertwined over the years, come together and recount a significant amount of history.
Finally, Beric jumps back in and says “Here we all are, at the edge of the world, at the same moment, heading in the same direction for the same reasons. There’s a greater purpose at work and we serve it together, whether we know it or not.” Jon Snow responds, “He’s right. We’re all on the same side. We’re all breathing.” And just like that, one of the greatest crews of all time is assembled. Thoros of Myr who is able to bring people back from the dead; Beric Dondarrion who fights with a flaming sword; The Hound who is just the greatest of all time; Jon Snow who needs no introduction; Tormund who is the bad-ass Wildling leader; Gendry, the last Baratheon, back on the scene with his war hammer; Ser Jorah who is one of the greatest sword-fighters in the land; and of course Ser Davos, who’s not much of a fighter, but a great addition to this already fantastic crew.
If there was ever an unlikely band of characters, this is it. To stop and think about each of these seven characters’ journeys and what it took for them to all come together in this very moment is rather mind-blowing. Yet here they are, united in their realization of the threat that is out there. They are the first line of defense, protecting an entire realm that doesn’t even know it needs protecting. Next week, they will head beyond The Wall to try and capture a wight, but as we saw from Bran’s vision, they are outnumbered by thousands. Buckle up, because there are only eight episodes left until this story comes to a close and next week’s episode is sure to be a wild one.
Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.
The wait is over and we can all take a deep sigh of relief — we’re back in the game. Aside from an opening scene that nobody could have predicted, the premiere episode, Dragonstone, picked up right where last season left off. There were not many surprises or curveballs to contend with, but rather an obvious progression of the powerful alliances being formed and impending wars on the horizon. Now, what we are seeing more than ever before, is an awareness amongst most characters — an awareness of what is to come. As a result, and what we saw in this episode, is quite a bit of strategic planning. Cercei is turning a King’s Landing courtyard into a map of Westeros to plot out her enemies; Sam is trying to ascertain whatever information he can to help with Jon’s game-plan in the North; and perhaps most powerfully, the episode ends with Khaleesi at Dragonstone, ready to start mapping out her own game-plan, she asks “Shall we begin?” The game being played has evolved, and to stand a chance in this new game, people are realizing that wit, strategy and knowledge will be more critical than ever before.What is also interesting, and particularly unique to this premiere episode, is the many different dynamics that were presented. A typical Thrones episode feels more unified from scene to scene — even if they are halfway across the world, characters feel as though they are participating in the same game. But, in this episode, things felt disparate from one scene to the next, particularly because of the varying dynamics offered. Arya is committing a mass murder while The Hound is having a major transformation; Sam feels alone and isolated at The Citadel while Khaleesi arrives to Dragonstone with her massive army. It felt like people were on very different pages, but not in a bad way. Each character is inching closer to realizing the roles they will play in the great game that is to come, and episode one did a wonderful job to set this stage. So, without further ado, let’s dive in.
THE NORTH REMEMBERS
Am I watching the wrong episode? Are we seeing a flashback to show the moments prior to Arya killing Walder Frey? What is going on here? Don’t panic — Walder Frey hasn’t come back to life and this is not a flashback. Rather, it’s good old Arya continuing to utilize the ways of the Faceless Men, and this time taking out pretty much all of House Frey. Killing Walder Frey in the finale episode of last season was not enough — Arya has now devised a plan to get all the men of House Frey into the hall, before orchestrating a mass execution. No amount of revenge will ever make us feel better about The Red Wedding, but this was pretty damn good. More satisfying than watching the Freys die were the words that Arya left them with, “Leave one wolf alive and the sheep are never safe.” This is a powerful reminder that Arya will always be out there, a lone wolf, with the potential to take out her enemies at any given moment. Before the scene ends, Arya instructs the remaining Frey girl, “Tell them winter came for House Frey. The North Remembers.”
After leaving The Twins, Arya stumbles upon a group of young Lannister soldiers that have headed into the Riverlands after hearing about the massacre. (Yes, that was Ed Sheeran, and he definitely felt out of place). No doubt, the Lannisters are enemies to Arya, and it appeared that she was originally joining the unsuspecting group to add their names to her kill list. She looked over and saw that none of them were carrying their swords and we got the feeling that she might make her move. But then emotion set in. Often in the Thrones world, characters are defined by the house they fight for the colors they wear. And based on this, Arya would have, and almost did kill these men. But we saw something more — we saw that they were people, just like you and I, with emotions, families and desires. For so long, Arya has been living in a very black and white world. She has names on her list and an objective to cross those names off. This scene was significant in that it blurred those lines for a moment and also offered a more human side of Arya — one where we saw her smile, laugh and seem to enjoy the company of the people around her. This goes back to the larger question — the one that asks who is Arya really? Is she nobody — a cold, ruthless killer? Is she Arya Stark — the girl that was raised with strong values and morals? Likely, she is somewhere in between, and in a short period, we saw both sides of her — the side capable of ruthlessly killing those who deserved it, mixed with the side capable of judging it wrong to take the lives of these innocent men just because they were wearing Lannister colors. It will be interesting to keep an eye on this as Arya goes after bigger kills (i.e. Cersei) — to what extent, if any, will Arya be willing to sacrifice her morals to get the kills she so desperately seeks?
The game of strategy plays on as Cersei creates a larger map to be able to visualize all her enemies. She points out the obvious — they are surrounded by enemies on all sides. The Martells to the south in Dorne, the Tyrells to the west in Highgarden, the Starks to the north in Winterfell and now Khaleesi to the east at Dragonstone. The irony is that Cersei finally holds the Iron Throne, but is perhaps more weak and vulnerable than ever before. Jaime points this out and appears more realistic to their weakened position, but Cersei, as always, is out for blood. At this point, it’s anybody’s guess how things will play out with Cersei and Jaime and whether or not they will stick together.
As predicted, Euron Greyjoy shows up to King’s Landing to try and strike a deal with the new queen. He will offer her the Iron Fleet, presumably the most powerful naval force in the world, in exchange for her hand in marriage. On paper, it sounds pretty good. In their eyes, they’ve both been betrayed by their family members, they both want revenge and they share a common enemy. Together, they could accomplish a lot — but Cersei points out that she cannot trust him — not yet at least. He promised to come back with a present to show his good intentions. One can only assume that he will now be on a quest to take out one of Cersei’s enemies and maybe bring her back a head or two. In all likelihood, Cersei and Euron will join forces as it seems like neither of them have great alternatives.
A HOUSE DIVIDED
After defeating the Boltons and reclaiming Winterfell, things were looking up for Jon Snow in the North. But through a more discerning lens, one could see that Sansa was displeased with her brother becoming King in the North and Baelish doesn’t help that situation one bit. Things picked up right where they left off in the North and tensions are running high between Jon and Sansa. As Jon addresses the northern houses, a difficult question is presented — what is to become of the castles of House Umber and House Karstark, the two northern houses that betrayed the Starks and fought for Ramsay. It is proposed that they be stripped of their houses and that the land should be presented to other, more loyal houses. However, Jon points out that the Karstarks and Umbers have fought alongside the Starks for thousands of years and that he will not disregard this history because of a few traitors. He is correct and noble in his decision, but so too were Ned and Robb when faced with similar decisions, and they both ended up dead. Realizing that maintaining the loyalty of your men is more important than being fair, Sansa challenges Jon and does so publicly. Jon is firm on his decision and lets Houses Karstark and Umber back into the fold.
Behind closed doors, Jon and Sansa bicker some more. Jon does not want Sansa to undermine him publicly and Sansa wants Jon to listen to her more. #SiblingProblems. Realizing an opportunity to capitalize on this discord, Baelish swoops in and tries to further his agenda with Sansa. However, having become much wiser in recent days, Sansa is not interested in hearing it. However, she must keep him around as he controls the Knights of the Vale and they need all the men they can get. Baelish is of course still a major X-factor and it is challenging to figure out what it is that he truly wants. In the finale last season, he came right out and told Sansa that he wants her and the Iron Throne, but it’s hard to take anything Baelish says at face value.
Elsewhere in the North, Bran and Meera arrive at the Wall, just after Bran sees the White Walkers continuing to march. As if an army of the dead wasn’t enough, they’ve now got three of the giants on their side as well. To defend against the White Walkers, Jon dispatches Tormund and the Wildlings to Eastwatch-by-the-Sea, the easternmost castle of the Night’s Watch. Originally, the Night’s Watch built and manned 19 castles along the Wall, but as the White Walker threat dissipated over the years, so too did the perceived importance of the Night’s Watch. As a result, they’ve gotten less and less men and slowly abandoned most of the castles they were once guarding. Today, Castle Black is the only real castle the Night’s Watch maintains, but Jon has now sent men, led by Tormund, to guard Eastwatch-by-the-sea. Because it is the easternmost castle along the Wall, it is very isolated, and should be very eerier to see for the first time.
At the Citadel, Sam has gotten more than he bargained for. After how things left off in the finale episode with Sam arriving at the magical Citadel, one might have thought he’d be knee-deep in all kinds of ancient books, learning the secrets of how to defeat the White Walkers. The reality could not have been further and Sam has been given the most disgusting responsibilities at the Citadel. As a sidenote, it was interesting (and out of place, in my opinion), to see the way the director of this episode delivered this sequence. Typically, Thrones is shot and cut in a very classic and formal manner. For this segment, though, the director offered a 30-second montage of repeated quick cuts to show the monotony and ridiculousness of Sam’s unenviable responsibilities. This style of shooting felt totally out of place and not something we’ve ever seen in an episode of Thrones. But don’t let this choppy segment distract you from some of the key takeaways here.
First, let’s not forget the very first thing that producers chose to show us inside the Citadel — those astrolabes. We still don’t know exactly what they do, but they seem very important. I wrote a piece on this after the finale last year, and it’s very interesting to consider. Moving on from the astrolabes, Sam had a very interesting conversation with the archmaestar, in which Sam was basically told to stop worrying. As the archmaestar explained, there have been many times throughout history where people thought the end was here. He referenced the Long Night, the coldest and darkest winter that ever came, and brought the White Walkers with it, threatening to wipe out all of humanity. He also referenced Aegon’s Conquest, when Aegon arrived to Westeros and presented the possibility of wiping everybody out with his dragons. It was interesting perspective from the archmaestar, who made it clear that he did believe Sam that the White Walkers were coming. To his point, though, winters come, winters go and life moves on. But he may be wrong about this one. What was also interesting was his reference to the Citadel serving as “the world’s memory.” Over the thousands of years, there has been a tremendous history of events, and it is the maestars of the Citadel that record, preserve and ultimately retell this history, truly acting as the world’s memory. Will it be Sam that will record and eventually tell the story that is unfolding before our eyes?
Tired of washing poop buckets, Sam takes matters into his own hands and steals a few of the locked up books. To no surprise, he learns that there is a lot of dragonglass to be found at Dragonstone. This will be invaluable information to Jon, who already told his men at the beginning of the episode that they must find as much Valyrian steel and dragonglass as possible. Will this dragonglass be the very thing that gets Jon to Dragonstone? Will this be the basis for Jon and Khaleesi to meet? But back to Sam… While making his rounds for pickup, he is nearly grabbed by a man with a disfigured arm. We quickly realize that this is Jorah and his greyscale disease has gotten pretty bad. The assumption is that he’s come to the Citadel to try and find a cure, but it’s unclear whether he’s being held against his will. He asks if Khaleesi has arrived to Westeros yet and it is unknown whether he will reunite with her.
IN THE FIRE
In the Riverlands, The Hound continues to ride along with Thoros and Beric Dondarrion and they stumble upon a small farmhouse that The Hound stayed at with Arya. As a refresher, a farmer and his daughter lived in the house, and provided food and shelter to The Hound and Arya. On their way out, the Hound wounded the man and stole his gold. Arya hated The Hound for doing this. Of course, nobody was thinking about this so many seasons later, but Thrones once again shows its masterful storytelling, as this comes back to haunt The Hound years later.
His character evolution in full swing, The Hound immediately recognizes the house and suggests that they stay away. He was obviously troubled by the memory of what he had done, which was only worsened when he saw the two dead bodies. The old Hound would not have cared — killing and dead bodies was a way of life for him. But the new Hound is showing that he can still be human. As Beric said to him last season, there’s still time for him to do some good.
Later, The Hounds looks into the fire with Thoros and sees not only The Wall, but also White Walkers marching. This is significant for several reasons. First, it reaffirms that validity of the Lord of Light and those that are following it. If The Hound, a man that has shown no interest in religion and has cursed the gods his whole life, is now seeing visions in the flames, then there’s something to the Lord of Light. Second, there is a great irony here, in that The Hound absolutely hates fire after his brother, The Mountain, burned his face as kids. The Hound has stayed away from fire at all costs, and his willingness to now not only get closer to the fire, but to accept the flames and see visions in them, speaks great volumes to the changes he is going through. Moved by what he has seen, The Hound decides to bury the two bodies and he even makes an attempt at a prayer. The evolution we are seeing of The Hound is spectacular and though it still seems unclear what role these three will play in the coming wars, it is clear that it should be a big one.
And so we end at Dragonstone, in many ways the place where it all began. To appreciate the enormity of Khaleesi’s arrival at Dragonstone, it is critical to understand the history of this castle. For hundreds of years, the Targaryens lived in Old Valyria and ruled over much of the land with their dragons. However, about 500 years ago, a Targaryen girl named Daenys had a dream that Valyria was going to be destroyed. She told her father, Aenar, about the dream and he decided to relocate his family to a small island off the coast of Westeros, naming it Dragonstone. Aenar became known as Aenar the Exile, a nickname given after he deserted Valyria. History would remember his daughter as Daenys the Dreamer, after her dream proved to be true. 12 years after relocating, Valyria was wiped out by The Doom. Just like that, all of House Targaryen (and their dragons) was wiped out, except for Aenar and his family who had moved 12 years prior and built Dragonstone. Over the next 100 years, the Targaryens strengthened their bloodline from the seat of Dragonstone.
After 100 years on Dragonstone, Aegon Targaryen had a plan that would change the world forever. Along with his two sisters, they flew their three dragons from Dragonstone to the Westeros mainland with the mission to subdue all of the independent kingdoms and unite them into the Seven Kingdoms. Aegon’s Conquest was successful and after conquering Westeros, he became the first king of the Seven Kingdoms. Aegon decided to build a new castle to rule from, and symbolic of the first location he landed when he flew from Dragonstone, the new capital city of Westeros he built would forever be known as King’s Landing. And while Aegon’s Conquest is arguably the most important historical event this world has ever seen, the important takeaway here is that it was from the castle of Dragonstone that Aegon planned his entire takeover of Westeros. 300 years before Stannis did more recently, it was Aegon that stood over the wooden map table and strategized how he would conquer each kingdom of Westeros. It is incredible to imagine Aegon Targaryen, standing over that map and figuring out how to conquer Westeros. Now, 300 years later, it is Khaleesi that has arrived at Dragonstone, the ancestral seat of House Targaryen, faced with very same task of figuring out how to conquer Westeros.
It is also significant to note that Khaleesi was born at Dragonstone, making her return all the more powerful as she is truly coming home. During Robert’s Rebellion, as the rebels got closer to King’s Landing and the Targaryens were at risk, the Mad King sent Khaleesi’s mother to Dragonstone for protection. She went with Khaleesi’s older (and now dead) brother, Viserys, and during the night of a great storm, gave birth at Dragonstone to Daenerys. The storm was so legendary that it earned her the nickname Daenerys Stormborn. Now, years later, things have come full circle as Khaleesi returns home to the place she was born, the place her ancestors built.
What was also quite special about Dragonstone in this episode was the way it was presented. We’ve seen Dragonstone many times throughout the years, but it’s always been a very zoomed-in version of it. We’ve really only gotten to see Stannis in the map room, along with a few other rooms here and there, and it has generally been a dark presentation of it. But, what we’ve never gotten is context. We’ve never zoomed out to understand the enormity or grandeur of this castle. But, that’s exactly what we got in this episode. As Khaleesi takes her first step onto Westeros, we see the full context of the island and castle, with its extravagant architecture. As Khaleesi’s dragons fly overhead, we finally get the feeling that they are exactly where they are meant to be. And as the episode comes to a close, Khaleesi stands over the table, ready to get to work, she asks “Shall we begin?” With Dragonstone being quite close to King’s Landing, Khaleesi is within definite striking distance of the capital. The Iron Throne has never been closer.
Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.
THE BROKEN MAN
Seven episodes down, three more to go. And after this season, only approximately 13 more episodes to go…For the entire show. As I talked about in the season six primer, the entire show and its vast storyline is a lot closer to coming to an end than most people realize. And, last week, Thrones producers confirmed that after this season, there will only be about 13 episodes left, split into two seasons — meaning we’ll get a seventh and eight season, each of which will be shorter 6 or 7 episode seasons.
So why is this so important? Well, it changes how each of us should be viewing and thinking about each episode at this point. For a long time, it seemed like we were just at the beginning of a story that would take years to unfold. So, everything we watched seemed a little less important, because we knew that a lot more still had to transpire before we started to near the end. But all of that has changed; we are there now. The finish line is in sight, and every episode, every scene, every dialogue should be relished at this point. There is no more room for any filler episodes or even filler scenes. Everything we see now is important. We are inching towards the end, and the glorious end that we will see shortly down the road is being set up right here, right now.
In the seventh episode, entitled The Broken Man, we saw just that — a lot of broken characters, trying to put themselves back together. More importantly, we saw these characters starting to cement their positions — the positions that will likely dictate how they fit into the greater end of this entire story. Theon made the decision to no longer be a broken man, and to serve his sister as the strong Theon that she needs him to be, as we learn of their plan to sail to Mereen to parlay with Khaleesi — no doubt a decision that will shape how they fit into this story’s final act. We see another broken character, Cercei, who has pretty much reached rock bottom, and is attempting to piece things back together by proposing a union with the Tyrells. Unfortunately for her, she is rejected by Lady Olenna, and it seems like desperate times will call for desperate measures as violence is imminent for Cercei in King’s Landing. In Braavos, Arya certainly has become the broken man, now fighting just to stay alive, putting her voyage back to Westeros in jeopardy.
The list goes on. But perhaps the most obvious broken man of them all, and also the greatest surprise (for me personally) to date, is The Hound. Dreams do come true, and The Hound is alive! For several seasons, I have been saying that The Hound must still be alive. After Arya left him bloody and wounded, it was assumed that he was left for dead — after all, he was in pretty bad shape. But generally speaking, if Thrones is going to kill off a major character, they are going to milk it for all the dramatic value that death is worth. So, to not show the death itself, led me to believe that The Hound would find a way to survive and eventually reemerge.
After being Hound-less for a couple seasons, and witnessing his amazing reemergence, let’s explore the greatness of his character for a moment. The Hound was always my favorite character, especially after the evolution of his character via his bond with Arya. The show originally presented him as the ultimate villain — Joffrey’s dog who would carry out whatever brutal acts Joff commanded. And of course, his appearance made him look all the scarier and less likable. But slowly, we came to see that this man was not all evil and surprised us all with a conscience. Several times he protected Sansa from Joffrey and even offered to help get her out of King’s Landing. Then, we learned about his brutal disfigurement at the hand of his brother, The Mountain, when they were just small boys. We learned that this was the cause for his deep fear of fire and we started to develop a sense of sympathy for this once brutal villain — we began to see his humanity. But at the same time, there was a realness to his character — even as we began to see his softer side, he did not hide the fact that he was driven by one thing — his love of killing.
To me, this was the beauty of his character. On the one hand, he had a conscience that guided his actions and ultimately made him a purer character than most of the sinners in the Thrones world. On the other hand, he loved nothing more than the ultimate sin — taking lives. And this is what made him so real. In a Thrones world full of pretenders, schemers and social-climbers, The Hound knew exactly who he was and he did not try to hide it. The juxtaposition of the good and bad in him made him such an interesting, wonderful and relatable character. And then he joined up with Arya and we got to see the continued exploration of this as his good shined through in trying to protect Arya, but his love of killing was also brought out by Arya, who also shared a similar love for killing, albeit hers driven by revenge. So when Arya was the one to leave him for dead, it was heartbreaking, when we knew deep down that this was a good guy who got dealt a bad hand. But The Hound was strong and survived, and now reappears as another broken man, trying to rebuild himself and figure out exactly who he wants to be.
For some time, the stew has been simmering in King’s Landing, and there’s no doubt that it’s about to come to a boil. Between the Tyrells, the Lannisters, the Faith Militant and everything else going on, blood will definitely be spilt very soon. We start in King’s Landing with Margaery studying the holy text, continuing to play the part of the pious repenter. In fact, she is playing the part so well, that some of us might be wondering whether she is acting at all; perhaps she has truly turned to the Faith of the Seven. But, Margaery has always been the master manipulator, with her eyes set on becoming queen and raising House Tyrell to the top, so my money is on the fact that she’s just playing the game. It seems to be working as she has Tommen fooled into prioritizing the Faith Militant over his own family, weakening the positions of Cercei and Jaime. She also appears to have the High Sparrow himself fooled into thinking that she is on his side. So, she takes his advice and tells her grandmother, Lady Olenna, that she must return to Highgarden, while secretly slipping her a piece of parchment. On that parchment turned out to be a rose, the sigil of House Tyrell, implying that Margaery is in fact still in favor of her own house and just playing this role to help strengthen the position of House Tyrell.
Separately, Cercei pays Lady Olenna a visit and proposes a union between the two houses. But, Lady Olenna is getting out of town and has no interest in any sort of coalition with Cercei or House Lannister. She is quick to point out the truth, which is that Cercei is single-handedly responsible for all the trouble they are facing now. After all, it was Cercei who put her trust in the High Sparrow in an effort to further her cause. That eventually backfired when we learned who the High Sparrow and Faith Militant really were, which ended up crippling those in power in King’s Landing — the Lannisters and the Tyrells. Lady Olenna chose some particularly poignant words, appearing to honestly reflect as she tells Cercei “I wonder if you might be the most horrible person I’ve ever met.” Rubbbing salt in Cercei’s wounds, she continues “You’ve lost, Cersei — it’s the only joy I can find in all this misery.”
So in an episode entitled The Broken Man, we see that Cercei may be the most broken of them all. She’s now endured the deaths of two children — both murdered, while her third has been all but taken from her, under the spell of Margaery and the High Sparrow’s manipulation. Jaime is off fighting in Riverrun. She has so little at the moment that she might have even realized some solace from having Tyrion around — the brother that she always hated. So here she is, in the middle of King’s Landing, almost completely alone and more powerless than ever. But what she does have is her undying vengeance. As she’s stated dozens of times before, she tells Lady Olenna that she is driven by her mother’s love, and we know that Cercei will stop at nothing to protect Tommen from those using him and to avenge the deaths of the children she’s lost thus far. Since her great walk of shame, Cercei has appeared weak and fragile, but let us not forget who she truly is. She is fierce, she is cold and she will stop at nothing. Let’s also not forget that she’s got the freekish Mountain at her side, sworn to fight for her; it seems like that fight is about to take place.
It’s good to see the Riverlands again, the middle area of Westeros which was a common setting in previous seasons, especially for the Hound and Arya. We arrive at the seat of the Riverlands, Riverrun, home to House Tully, or what’s left of it, which is really just The Blackfish (Catelyn and Edmure’s uncle). We see House Frey attempting to lay siege to Riverrun, as commanded in last week’s episode by Walder Frey. Their attempt to win over the castle by threatening to kill Edmure does not even command the attention or respect of Blackfish. He’s much wiser than them and knows that they will not kill Edmure — they need him as a bargaining chip. The Freys are also a bunch of bumbling fools and just simply do not know what they’re doing.
Enter Jaime and Bronn, with a sizable Lannister army at their backs. Jaime lets it be known that the siege is now under his command and Bronn barks out orders to start to set up a perimeter for an actual siege. But before blood is shed, Jaime wants to speak face to face with the Blackfish. As we know, Jaime is not a bad man, and he has no desire to engage in an unnecessary war, especially against a side that he does not feel to be his true enemy. So the men talk face to face, and Jaime tells the Blackfish that the war is over and there is no reason to shed any additional blood. But which war is Jaime really talking about? The war for the Iron Throne? Sure, that war might be over, but there are many more wars to fight. Starks vs Boltons, Lannisters vs Faith Militant, dead vs living, etc… Surely, war is not over. That aside, the Blackfish tells Jaime that Riverrun is his home, the place of his birth, and he will not simply turn the castle over to the Lannisters. Furthermore, there is no doubt that he too is driven by vengeance for the death of his family and all the horror the Lannisters have inflicted upon the Starks and Tullys. Before he retreats into his castle, the Blackfish tells Jaime that he simply wanted to measure him up, and that he is unimpressed with what he saw.
It seems like battle is imminent in the Riverlands, save for one possible X-factor, Brienne of Tarth. Sansa sent Brienne to Riverrun several episodes ago once she learned that Blackfish had retaken the castle. Sansa wants Brienne to get the Blackfish to join their northern cause in the fight against the Bolton. That was several episodes ago, so it’s a bit illogical that Jaime arrived to Riverrun before Brienne has. But, in any event, it sets up the perfect scene. Brienne arrives to Riverrun as battle is impending between the Lannisters and Tullys, with Brienne appealing to Jaime, the character with which she had once grown so close. Jaime will be pitted between helping Brienne and fighting for the Lannister cause. It will be an interesting dynamic and ultimately the most important outcome will likely be whether or not Blackfish and his army can/will join the Stark cause in the North.
A NORTH DIVIDED
Speaking of the North, Jon, Sansa and Davos are on the campaign trail, trying to win as many supporters to their cause as they can. With the help of Tormund, they win over the Wildlings, about 2,000 in all. They next stop at House Mormont, where we find the 10-year-old Lyana Mormont sitting in power. After Jeor Mormont joined the Night’s Watch, his son Jorah was exiled from Westeros and many more Mormonts died during Robb’s war, there is little left of House Mormont. And Lyanna appears unwilling to sacrifice any more life to support the Stark cause, until Ser Davos steps in and explains to her that this is not a matter of a Stark war, but a matter of the war that is coming for everybody — the war of the living vs the dead. And if the North is divided, they will stand no chance against fighting the dead.
When all hope seemed lost, Ser Davos proves himself once again as an invaluable asset. In this example specifically, perhaps it was his love for Princess Shireen (Stannis’ daughter) and his experience in talking with her that allowed him to speak to Lyanna in a way that resonated with her. House Mormont only has 62 men to offer, but the Starks will take what they can get. It will be interesting to see whether Jorah plays any role in this storyline at all. We know he’s on the move to find a cure and perhaps his journey will take him back to Westeros? After all, his exile was lifted a couple seasons back (note of the termination of his exile was intercepted by Ser Barristan, who forced Jorah to confess to Khaleesi, which is what got him banned from her). So, it’s entirely possible that he makes it back to Westeros and sits as the rightful Lord of House Mormont, and joins the Northern cause…But maybe a long shot.
Next they arrive at House Glover, where they are again met with hostility. As viewers, we are getting to see all the Northern houses that once supported House Stark and fought behind Robb without hesitation. But Robb’s poor decisions didn’t just cause his own demise, but also great loss for all the other Northern houses that followed him into war. So now, today, when asked to do the same again, most Northern houses are not interested. This time, in the face of rejection, Sansa reminds House Glover that it is their sworn duty to pledge their allegiance to House Stark. It was a bold statement, met with an equally bold response, “House Stark is dead.” Certainly, for quite some time, we have always felt that House Stark was dead. It was only until recent episodes that some hope is starting to brew for House Stark. But, we’ve never really heard anybody say outright, that House Stark is dead, until now. Sansa, having heard this bold proclamation, and perhaps finding some truth in it, resorts to sending a raven, presumably asking for help. We can only assume that she is reaching out to Littlefinger, who can support with the Knights of the Vale. Hopefully, she isn’t making a mistake by reaching out to him.
THEON, YARA (AND KHALEESI?)
Having stolen some of the best ships with a fleet of their best men, Yara and Theon arrive at Volantis and enjoy themselves at a brothel. Well, at least Yara does. The idea of naked women, once Theon’s greatest joy, now appears to trigger the Reek inside of him. Without his manhood, it’s hard for him to be around this, and he starts to regress into his Reek shell. But Yara pulls him out quickly with some tough love. Some very tough love. She tells him to be the Theon she needs him to be, or to kill himself. Harsh, for sure, but it’s the words Theon has needed to hear for some time now. It’s enough of him wimpering around and time for him to step up and be the hard, bold, brave Ironborn brother that Yara needs. He nods at this, before Yara tells him that they will sail to Mereen to convene with Khaleesi.
A few things to consider are: 1) Will they get to Mereen before Euron, their uncle, does? 2) How will Khaleesi receive them? 3) Most importantly, if they do join forces with Khaleesi, what will their cause be? For so long, Khaleesi’s goal was to reclaim the Iron Throne that rightfully belonged to House Targaryen. But, in recent episodes, we’ve seen Khaleesi become more of a conqueror than a ruler. And, in last week’s episode, Daario explicitly told her that she is meant to conquer, not to sit on a Throne. Similarly, we know that the Greyjoys want to conquer and take back the Iron Islands, and perhaps more. So this begs the question, what will their goals actually be? Are they the good guys who will take back what is rightfully theirs? Or do they become the bad guys who conquer and destroy? It’s hard to think that it will be the latter, but maybe that’s the direction this is headed.
ARYA IS IN TROUBLE
Before we talk about Arya’s story in this episode, I have to say, I am still having trouble understanding how Arya did a complete 180 so quickly. For many seasons, she was training to join the Faceless Men. She slept on the streets, she begged, took countless beatings, lost her eyes and even swallowed poison and risked her life to show that she was willing to part with her Arya identity and truly become nobody. And then, just like that, in the course of one episode, all that goes out the window and she suddenly wants to become Arya again. Now, to be clear, I am not complaining about it. We all love Arya and Arya as nobody just wasn’t the same. We want Arya as Arya, with Needle at her side and the kill-list on her tongue. And I understand why she turned back to Arya — her conversation with Lady Crane about Cercei (who Lady Crane was portraying in the play) wanting to avenge the deaths of those who were taken from her before she got to say goodbye, made Arya realized that she wanted the same. She also seemed to disapprove of killing somebody without knowing why she was killing them or what they did to deserve it. Arya kills, but she has a code. She kills those who deserve it. So it all makes sense — but it just happened very fast.
Anyway, that train has left the station and Arya is back to being Arya. And she can’t wait to get the hell out of Braavos as she books passage to Westeros. She then looks out at the Titan of Braavos, the ultimate symbol of all things Braavos, and the object under which she’ll have to sail to leave Braavos. But she becomes sloppy. She becomes Arya again and with that comes emotion and reflection as she gazes into the distance. Perhaps, a reminder that her identity could get the best of her. In any event, she lets her guard down and is fooled by the Waif, wearing the face of an old woman, who stabs her several times in the stomach. For a moment, my heart dropped and I thought maybe that was it for Arya, but she headbutts the Waif and rolls over the bridge into the water. She walks through the streets of Braavos, badly wounded and losing a lot of blood. We are left to ponder who might help her, and will she in fact make it out of Braavos? Could it be Lady Crane, the life she saved, who in turn saves Arya’s life? A more daring guess is Syrio Forel — Arya’s Braavosi sword-teacher who taught her many seasons back, and is presumed dead at the hands of the King’s Guard, those we never saw him die.
THE HOUND IS BACK
As Arya walks through the streets, blood oozing from her stomach, we fade back to The Hound, chopping trees in forest. It was an interesting transition of scenes, when considering that not long ago, the tables were turned and The Hound lay wounded and bloody, as Arya left him to die. Much has changed since then, and we now see The Hound has joined a small community somewhere in the hills of the Riverlands. They are a simple people, led by Brother Ray, a priest who confesses to not knowing if any of the gods are real. The Faith of the Seven, the Old Gods, the Lord of Light — who knows if any of them are real — or maybe they are all the same. What he does know, and all that matters to him, is that there is something greater than humans, whatever that may be. And he tells The Hound that this power of something greater has a plan for The Hound. Through their dialogue, we learn that Brother Ray found The Hound nearly dead and saved his life. He tells The Hound that he thought he’d die several times, but The Hound kept fighting for his life. When he asks him what drove him to keep fighting, The Hound states that it was hate. But Brother Ray doesn’t believe this, and insists that The Hound is part of a greater plan.
During his small sermon, Brother Ray confesses that he once was ordered to murder a boy and felt tremendous guilt for the things that he had done. But that it is never late too late to make a change, to start doing good, to start helping the people around you. It’s unclear whether this was a real story, or one he made up for The Hound to hear, but either way, it seemed to strike a chord with The Hound as he realized that he no longer needs be a broken man, and ponders who he wants to become next. And then a few men from the Brotherhood Without Banners arrive, all but promising to return to take what they want. The Hound tells Brother Ray that they will return, but their options are limited as none of them, minus The Hound, are fighters. Still, neither assumed that the Brotherhood would slaughter the entire village. The Hound, off chopping wood, somehow misses the entire slaughter, but returns to see the entire village dead, with Brother Ray hanging before his eyes.
This was a bit of a strange event. The Brotherhood Without Banners have been presented to date as good characters, who do not pledge their allegiance to any one king or house, which is why they have no banners. Instead, they roam the lands, protecting the people from evil. They might be a bit rough around the edges, and need to do some amoral things to get by, but we’ve surely never seen them commit murder of the innocent, much less slaughter an entire village. So, my assumption is that these brothers went rogue and acted on their own. Thoros of Myr and Beric Dondarrion (leaders of the Brotherhood), wherever they might be, will not be okay with what these men have done. But The Hound has seen enough. He knows who he is and who wants to be. He is on the hunt, now with an axe as his weapon of choice.
Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.
The Mad King, Aerys Targaryen, seen for a glimpse in Bran’s vision
In the season six primer I wrote before this season started, I discussed the importance of understanding the context of where the Thrones story currently is in its timeline. In that post, I wrote “For many of the earlier seasons, it always felt like there was so much of the story that still needed to unfold — there was a feeling that we were still just scratching the surface of the story and that it would be a very long time before we really started to near the climax of this magical journey. Well, my Thrones loyalists, I am here to tell you that the time is here…now. As we embark upon Season 6, it is crucial to understand that there will likely only be about 10-12 more episodes after this season. So, in short, we are in the homestretch…The 4th quarter…The final act… There will be no filler episodes or slow-moving plots. We are arriving at our final destination, and it will be a fast-moving and bumpy ride, so buckle up and savor every minute of what’s left.”
Well, six episodes in and we can definitely confirm the above to be true. Things are moving faster than ever, with major advancements in each episode of many of the storylines. Most of the episodes have been action-packed, and each seems to get better than the one before it. After such a busy episode last week that included the major reveal that the Children of the Forest created the first White Walker (the Night King), and learning the reason behind Hodor’s condition while simultaneously viewing his tragic death, I figured that this episode would be an opportunity for the show to pull back a bit and offer up a slower-moving episode. After all, that’s how the show has always been in the past — generally following up an action-packed episode with a more subdued one. But not this season; not when we are so deep in the thick of things like we are now. And with four episodes to go this season, don’t expect things to slow down now. The show’s foot is pressed to the gas pedal and it’s not coming off anytime soon.
BRAN’S VISIONS & UNCLE BENJEN
Bran’s storyline continues to be the most facinating and enjoyable for me as it continues to offer a glimpse into scenes and moments that predate the start of this story. In short, Bran’s visions are allowing us to see things that we’ve only heard about through other characters. And we aren’t just seeing any old scenes — we are seeing flashes of hugely momentous and history-changing events. And while it’s quite interesting and exciting for us to see these as viewers, it’s important to remember the person these visions are really intended for — Bran. As Bran now continues along his path towards becoming the Three Eyed Raven, he is being downloaded on more knowledge than ever before. If he is to fulfill his destiny and play a major role in saving the world, he’ll have to be equipped with a weapon greater than all others — the knowledge of everything that is happening all around him, past, present and future.
So let’s freeze-frame some of the visions Bran saw, most of which only appear on the screen for one second, and could be easily missed. Let’s start with the things Bran saw, that we as viewers had already experienced. Bran got first-hand glimpse of Khaleesi and her dragons, the execution of his father Ned in King’s Landing, the executing of his mother Catelyn at the Red Wedding and the Night King turning a baby into White Walker — all pretty significant learnings (see below). And not only is Bran getting to learn about these happenings, but he’s getting to experience them…He’s getting to relive them…
So now that Bran has seen a lot of the things we’ve seen, let’s talk about the visions he had of things that we had never seen before…Most of which were extremely significant events in recent history. For starters, we got first glimpse of the Mad King as he sits on the Iron Throne and screams “burn them all!” To date, we have heard a lot about the Mad King (Khaleesi’s father), and know that he began to lose his mind and became obsessed with fire, to the point he was burning a lot of people alive. He was the object of Robert’s Rebellion and overthrowing the Mad King was really the event that set in motion most of the story that we are watching today. After all, it affected so many characters so greatly (Jaime murdered the Mad King, Robert/Ned were central to overthrowing him and Robert became king, Khaleesi and her brother had to flee King’s Landing, etc…) So after all of this time, to get first glimpse of the Mad King, to see the last Targaryen king that ever sat on the Iron Throne as he screams to “burn them all” was powerful to say the least. In conjunction with seeing the Mad King, we see his maestars pouring the green wildfire that he often used to burn people alive (the same wildfire that we saw Tyrion use to fend off Stannis during the Battle of Blackwater Bay). And as if all of that was not enough, we actually got to see the moment that Jaime earned his infamous nickname of Kingslayer as he puts his sword into the back of the Mad King.
These were pretty incredible images to see and it cannot be understated the importance that these events had upon setting in motion the story we are seeing today. The overthrowing of the Mad King changed everything for just about everybody, and set up the Game of Thrones. One last image we saw that was less clear is an image of what looks to be a bloody hand touching a wounded body. We saw this image just after Bran saw the young Ned Stark ask where his sister was at the Tower of Joy. I’m guessing that this is an image that we’ll see more of, as Ned arrives to his sister Lyanna to find her dying. This would also add more firepower to the R+L=J theory, assuming that Ned may find his sister dying (along with the baby that she had with Rhaegar Targaryen), and decides to save the baby that will go on to be Jon Snow.
Another significant vision that Bran has, which we’ve seen before, is the shadow of a dragon flying over King’s Landing (seen below). We’ve seen this in Bran’s earlier visions from seasons past, so it seems like it’s just a matter of time until Khaleesi makes her way to Westeros and sees her dragons fly over King’s Landing.
And as if all of that amazingness isn’t enough for the opening scene, there’s much more to come. Bran regains consciousness and tells Meera that they’ve been found. What I loved about this moment was the calmness with which Bran tells Meera. He was not panicked or scared — those are mere human emotions. And while Bran is of course still human, he’s on his journey to becoming something much greater. He is taking steps towards becoming all-knowing, and even as they are found by the wights, Bran is calm and seems to know that everything will be okay. And boy was he right.
Just like that, a dark figure wielding a fire-mace weapon comes out of nowhere to fight off the wights and save Bran and Meera. And who else could it be but Uncle Benjen — or at least a semi-alive/semi-wight version of Uncle Benjen. But before we get into what happened to Uncle Benjen and what this might mean, let’s refresh on who Benjen was. Benjen Stark was the younger brother of Ned, and in Bran’s visions we’ve recently seen him and Ned as young boys. After Ned came of age and became Lord of Winterfell as the eldest Stark, Benjen joined the Night’s Watch to protect the realm. He quickly rose in the ranks and became First Ranger, a position responsible for leading explorations north of the Wall. 63 episodes ago, in the third episode of the first season, Benjen goes north of the Wall to investigate claims of White Walkers, but he never returns. He is presumed dead after this much time, though many of my posts have hypothesized that he is still out there somewhere and will return at a significant time. 63 episodes later, Benjen makes his return to save his nephew Bran…Though he’s not the same Benjen.
This Benjen has a cold, white face, looking semi-dead. Well, that’s because he is kind of somewhat dead. He explains to Bran that he went north of the Wall to find the White Walkers, only the White Walkers found them first. One of the White Walkers plunged his icy sword into Benjen, which would’ve resulted in his death and his turning into a wight. But the Children of the Forest intervened and saved Benjen by inserting dragonglass into his heart (the same magic in reverse as when we saw them create the first White Walker by inserting dragonglass into his heart). This is a very important piece of information, because it teaches us that there is a way to perhaps stop the White Walkers from growing their army of the dead, and to even perhaps bring those who are already dead back to life. The Children’s magic resulted in Benjen staying alive, and presumably working with the Children of the Forest and the Three Eyed Raven over the last five years to become some sort of White-Walker assassin. Benjen seems to know what’s going on, and tells Bran that when the Night King comes for Bran, Bran will be ready.
Finding out that Benjen is still alive all this time later was a huge reveal. Finding out what happened to him, and learning that he will now join Bran in his mission is even bigger. It’s also very significant, as it comes at a time when Bran really needs some support besides just Meera. I am very excited to see Bran and Benjen join forces to take down the White Walkers. But before we totally move on from Benjen, let’s talk about Cold Hands. For non-book-readers, you’ve never heard of Cold Hands, so allow me to share this tidbit with you. And for book-readers, seeing Benjen emerge and appearing to be Cold Hands gives his presence in this episode whole new meaning.
Very early on in the books, a character emerges in the deep north called Cold Hands. He is a dark, shadowy figure that appears to be somewhat dead, and earns the name Cold Hands…well due to his cold, deathly hands. He is a significant character as he helps Bran on his journey much earlier in the story, assisting him in finding the Three Eyed Raven. He also intercepts Sam and Gilly early in the journey north and helps them as well. He was one of the more mysterious characters in the books, but the show completely left him out altogether. Bookreaders have often wondered who or what Cold Hands was, and if he’d ever return. Some hypothesized that Cold Hands could be Benjen, as it would make sense since Benjen disappeared in the deep north and could be this dark mysterious character that is helping Bran in his journey in the north. Well, it seems like there were some pretty clear answers here. Though the show did not mention the name Cold Hands or explicitly connect the dots, Benjen’s appearance and also the fact that he is semi-dead matches the description of Cold Hands perfectly. Maybe Cold Hands will turn out to be Benjen in the books. Or, maybe the show, as it often does, is taking some liberties and blurring the lines between the two characters by turning them into the same one. In any event, it’s pretty clear that the show is confirming Benjen as cold hands, that dark and mysterious character that had helped Bran along his journey much earlier on in the books, and is now doing so in the show. I am very interested to learn exactly what Benjen has been doing for the last five years and how advanced his White-Walker-killing powers are.
SAM & GILLY
Further south, Samwell and Gilly arrive to Sam’s home of Horn Hill. As Sam had mentioned many times throughout seasons past, his father is a powerful man and House Tarly is a prominent house of Westeros. Things appear well at first, with Sam’s mother pleased to see them both. But everything goes sour pretty quickly as Sam’s father does indeed appear to be the hateful and cruel man that Sam had cracked him up to be for many seasons. Watching him treat his own son with such cruelty reminded me scenes between Tywin and Tyrion, where it was unfathomable how a father could loathe their own son to such a great extent. I was really hoping that Sam would stand up for himself — after all, as Gilly pointed out, Sam killed not only a Then wildling, but also a freekin’ White Walker! What have you done Lord Tarly? Hunt a few boar?
Anyway, that didn’t happen, and Sam got chewed out pretty bad by his dad. But at least Sam took a stand, and decided that he would not split with Gilly or the baby, and that they’d stick together. Before leaving Horn Hill, Sam made a bold move and decided to take Heartsbane, the Valyrian steel sword that has been in his family for many centuries. As we know, swords in this show are very significant, especially ones that have names (and are generally Valyrian steel). Ice was Ned Stark’s sword, which eventually ended in the hands of Lord Tywin, who melted it down into two smaller Valyrian steel swords, one of which Brienne now has (Jaime gave it to her). Longclaw was Lord Commander Mormont’s Valyrian steel sword and he eventually gave it to Jon Snow. Heartsbane is one of the other significant Valyrian swords, and these swords should become all the more important as the war against the White Walkers becomes more prominent (we know that Valyrian steel can take down a White Walker after Jon Snow killed one at Hardhome last season). So, keep an eye on these beautiful Valyrian steel swords, and take not of who possesses them.
In my least favorite storyline, things take an interesting turn in King’s Landing, as Margaery comes around to the High Sparrow and starts to see things his way. What’s more, she is able to convince Tommen to do the same. My money says that Margaery has not actually become a devout woman, and that she is manipulating Tommen to buy into the High Sparrow’s rhetoric. By doing so, and bringing the crown and the High Sparrow together, Margaery is weakening the position of House Lannister, which ultimately still remains an enemy to House Tyrell. Her reasoning worked out well for her, as we see Tommen relieve Jaime of his rank of Lord Commander of the King’s Guard. Needless to say, Jaime is furious and wants to kill the High Sparrow, though Cercei reminds him that he will probably die if he does this, and they need to stay alive for each other so they can strategically take down their enemies and restore glory to House Lannister.
Cercei reminds Jaime that her trial is coming up but that she will demand a trial by combat and the Mountain will be her champion. The trial by combats we’ve seen to date have all been highly entertaining, most notably the last one that included the Mountain (vs the Red Viper), and actually was the reason that the Mountain is the way he is today. It should be quite exciting to see the Mountain fight in another trial by combat, assuming he does. It will also be interesting to consider who the hell would step in to fight against him?
Last, but not least, Cercei tells Jaime that he should follow the orders of King Tommen and go to retake Riverrun from the Blackfish. We also see Walder Frey, in the same hall where he executed the Red Wedding, telling his sons to do the same and to take back Riverrun from the Blackfish. Walder Frey also mentions that the Brotherhood Without Banners has been raiding the Riverlands, causing additional difficulty for House Frey. We haven’t seen the Brotherhood Without Banners, led by Thoros of Myr and Beric Dondarrion, in quite some time, so it was exciting to hear their mention and hopefully we’ll see them soon.
Thoros of Myr, saving Beric Dondarrion, both of who lead the Brotherhood Without Banners
The Frey sons tell Walder Frey that they do not have enough men, so it’ll be interesting to see just how large Blackfish’s army is. In any event, it seems like the Freys and Jaime are both headed for Riverrun. But they aren’t the only ones — let’s not forget that in last week’s episode, Sansa sent Brienne to Riverrun to speak with Blackfish and to hopefully unite forces. Which makes us wonder — will Jaime and Brienne reunite at Riverrun? If so, it should be quite interesting, consider that they’ll be on opposite ends of this fight. Brienne will be going to Riverrun as an ally of Blackfish, while Jaime will be going there as an enemy to retake Riverrun from him. Brienne and Jaime became quite close, Jaime even risked his life to save her, so perhaps there will be a middle-ground that can be found and the microcosm of the relationship between these two characters can bring a greater good to the sides that they represent. Oh, and one more note — we saw in this episode that Walder Frey still has Edmure Tully alive and has been holding him prisoner since his wedding night (the Red Wedding).
WHO IS A GIRL?
Talk about an identity crisis… Is Arya more confused than ever? Or has she perhaps finally found clarity as to who she wants to be? It seems like the latter. For a very long time, Arya was having trouble shaking her identity of Arya Stark, even as the Faceless Men trained her to do so. And finally, we saw a major breakthrough, as Arya was offered her vision back if she would say that she was Arya Stark, but she refused to do so, insisting that she was nobody. Then, going even a step further, to truly become nobody, Arya was willing to drink the poison and risk her own life. So, it seemed like after so many seasons of training to rid herself of her identity, she finally had done so and was willing to become nobody.
Then, just like that, Arya decides otherwise and doesn’t go through with her orders to execute Lady Krane. The dialogue between Lady Krane and Arya was very important and made Arya realize who she truly is. When Lady Krane asked Arya how she would change the play, Arya responds that the queen (Cercei) wouldn’t just be sad at the the loss of her son — she would be angry and want revenge against those who took him from her before she got to say goodbye. Of course, we know that Arya is really relating this back to herself, and the father, brother and others whom were taken from her before she got to say goodbye. Lady Krane then tells Arya that she has “very expressive eyes” and asks her if she likes to pretend to be other people (alluding to becoming an actress). Arya, who for quite some time had lost her eyes due to the Faceless Men, is now realizing the power of seeing things through her own eyes. And perhaps Lady Krane’s question about whether Arya would enjoy being other people made Arya realize that she did not want to wear other peoples faces and pretend to be other people. She wants her own face. She wants to see things through her own eyes. She wants to be herself — Arya Stark.
I am definitely not complaining. Arya was one of my favorite characters and it was Arya’s identity — her sense of self — and her desire to avenge those who wronged her, that made her such a great character. Slowly, most of that had been stripped away from her as she stepped closer to becoming nobody. But who wants to be nobody? So now, it seems like Arya is on track to become Arya again. Maybe a different, smarter Arya — but Arya none the less. An Arya that now has more advanced training in the ways of the Faceless Men. And what could be more symbolic of this than Arya going back to retrieve her trademark sword, Needle. As Jaqen learns that Arya has failed in her mission, he gives the girl the green light to kill Arya, but tells her not to make her suffer. Little do either of them know, that Arya is waiting in the dark with Needle, prepared to take down the girl that has beaten her for so many seasons now. It seems that the real Arya has reemerged and remembered who she truly is — after all, she still has names on her list and Stark siblings in Westeros that could use her more now than ever.
KHALEESI THE CONQUEROR
In the final scene, we see Khaleesi riding next to Daario, with all of the Khal’s at her back. Each Khal leads thousands of Dothraki, and you add that to the army of Unsullied and Second Sons that she already has, plus three dragons, and you can’t blame Daario for telling Khaleesi that it is time for her to be the conqueror that she was meant to be. But, Daario also points out that Khaleesi wasn’t meant to just sit on a throne, which begs the question — what will Khaleesi do after she conquers? In any event, Khaleesi mentions riding across the Narrow Sea to arrive at Westeros, and Daario tells her that she’ll need about 1,000 ships, the same exact number that Euron Greyjoy has set out to build. Maybe they will join forces after all, as Euron has planned. Khaleesi’s time on Easteros could be winding down, and my guess is that we may see her cross the Narrow Sea this season, perhaps in the finale episode.
Before the episode comes to a close, Khaleesi rides off, seeming to apparently sense that Drogon was nearby. And after a moment, she returns, on the back of Drogon who appears larger than ever. I’m not quite sure where Drogon came from, or how Khaleesi knew he was nearby. And I was kind of left scratching my head, thinking to myself “why now?” We’ve seen Khaleesi ride on the back of Drogon before. We’ve also seen Khaleesi give a similar speech to inspire her followers. Both times we saw these things, they seemed to have more purpose. So why show us all of this again? It was kind of an anti-climatic finish to an action-packed episode. But, I guess the fact that Khaleesi is getting closer than ever to reaching Westeros was the main takeaway here. I hope she doesn’t take anymore steps backwards or get sidetracked with the slave cities of Easteros — time to look to the west.