Season 8, Episode 3: The Long Night

DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.

Here’s an idea for the framework of a story. Let’s start off with a series of events that will initially seem like the main purpose of the story, say a battle for supremacy over a throne. Let’s weave in countless battles, twist and turns, all in the name of conquering that throne. Let’s then start to pivot a bit and make our story multi-dimensional. Let’s tickle the curiosities and spark the imaginations of our viewers by starting to slowly and methodically offer the idea that the original premise of this story is actually not the end-all be-all. Sure, that first story about the battle for that throne once seemed all-important, but what if we start to craft another story, which starts to make the first seem less significant? In doing so, we offer a powerful idea: relativity. A plot-line that once fully consumed us, may now start to feel more disposable, when considered relative to a much more powerful story we can tell. And, say, that more important story will be centered around a much more existential philosophy….Maybe good vs evil, light vs dark, Ice vs Fire.

Of course, as we start to build this seemingly much more significant story arc, we will do so in a slow and calculated manner. We will start by offering breadcrumbs, early on, maybe even teasing the villain, a mysterious White Walker, in the very first scene of the very first episode. From there, we will build slowly over nearly a decade of storytelling, consistently reinforcing to our audience that there is a much more important storyline lurking in the distance — one that will continue to come into greater focus with each passing day.

And as our story nears its ultimate conclusion and this seemingly all-important storyline appears to be reaching its climax — the point where our audience will finally be rewarded with a a more illuminated view into the true message or meaning underpinning this story — let’s do the following: In the blink of an eye, let’s completely pull the rug out from under them. Let’s offer up a huge plot twist that undermines everything we’ve been telling our audience for the past 10 years. That original story we hooked you with — the one about humans battling for a throne — the one we worked so hard to remind you is actually less significant than that bigger and more important plot-line — let’s do a complete 180′ on that and decide it’s going to be the plot-line that the ending of this story will be dedicated to.

How does this framework sound to you? Shocking? Frustrating? Downright idiotic?

The Game of Thrones was fun. But it was just the first book in the Song of Ice and Fire series. Which, as we saw in the show, meant that this story ultimately was about something so much greater than mere mortals battling for a throne — a story that’s been done a dozen times over. This story was going to explore a much deeper, more powerful theme — one that cuts to the very existential core of human nature. The eternal struggle between good and bad, light and dark, which in this story, will be embodied by Ice and Fire.

It was not long before we started to understand that the battle for the throne was small potatoes compared to The Great War to Come. You know, that war that was going to determine the very fate of human existence. The war that pitted the dark and mysterious Night King against pretty much the rest of humanity. The war that tied in elements of gods, magic, dragons, and so much more. And what this show more than succeeded at was the masterful nature in which they built this story. Visions, flashbacks, allusions to events that happened thousands of years ago — these were just a few of vehicles that allowed us to start to understand the power of this storyline being built.

First, it was just White Walkers — pretty badass creatures of darkness that certainly made it clear that there’s a real threat to humans — a threat that makes bickering over a throne quite futile. But this story became all the more intriguing when we were introduced to The Night King, the mysterious leader of the White Walkers. Slowly, we were offered breadcrumbs which built the anticipation of this story, but also generally raised more questions. In season four, we learned how White Walkers were created, when we saw The Night King touch his finger to the face of a baby.

Two years later, things got even more interesting, when we saw how The Night King himself was created. Through one of Bran’s visions, we learned that The Night King was created by the Children of the Forest after they inserted Dragonglass into his heart. This certainly raised many more questions. Why exactly did The Children do this? They mentioned to Bran it was to save their kind from The First Men who had been slaughtering them. But how does creating The Night King save their people? Wouldn’t you just want to kill the humans you are at war with? Why insert Dragonglass into his heart? Seems like a strange ritual. And did The Children know they would be creating The Night King? Was that their intention? And who was the human they chose? Was he random or a significant character? And what about those spirals? We know those spirals were used by The Children, and then The Night King started using them as well — why? What was the ultimate connection between The Night King and The Children?

So many questions to be answered, and it was never a guarantee that they all would be, but as this story approached its final hours, it became abundantly clear that at minimum, there was a major connection between The Night King, The Children of the Forest and Bran. So with just a few episodes left before this 10-year journey comes to a close, I was expecting to learn a lot more about who The Night King was, why he was created, what his ultimate motivations were, how he was connected to The Children, what was the significance between he and Bran, etc… I felt that this entire saga, A Song of Ice and Fire, would be just that — a beautiful harmony, that as it reached its crescendo, would delight me with a a moment of clarity — a moment that allowed me to understand what this whole thing really was about.

What actually happened in tonight’s episode couldn’t have been further from this. What we got tonight, in the most highly-anticipated Thrones episode of all time, was an edge-of-your-seat 80-minute battle scene, and a 2-minute mindblowingly disappointing ending. As for the battle itself, hats off to Thrones for once again delivering another absolutely epic battle — one that took 11 weeks to shoot and required over 750 actors on set! No small feat. And while it was pretty suspenseful, it was actually one of my least favorite battles to date. The Battle of Blackwater Bay, the first real battle we ever witnessed on Thrones, watching those ships light up the sky with green wildfire, will always be a special one. Watchers on The Wall, the penultimate episode of season four (and the only other episode besides tonight’s to be fully dedicated to one battle scene), was spectacular as we got to watch The Night’s Watch defend The Wall for the first time against The Wildlings. Even the more recent Battle of the Bastards grabbed me more than this battle tonight.

First, I really found the battle to be a bit too all over the place. No doubt, this is precisely what producers/directors were going for — trying to create the feeling that this was not a singular battle happening in one location, but rather spread throughout many parts of Winterfell. Yet still, I found it a bit disjointed trying to follow the many different characters battling wights in many different nooks and crannies of the castle. I also found the coloring of the episode to be challenging. Again, this was no doubt intentional, but the combination of darkness from this battle being fought at night, mixed with a lack of visibility from The Night King’s foggy mist, made a lot of simply hard to follow — a big miss in my opinion.

I also flat out did not enjoy the role of the dragons in this battle. It was hard to see who was riding what dragon, which dragon was which, and ultimately I just didn’t feel the dragons were used well in this battle. This is all the more disappointing given that dragons versus White Walkers is the embodiment of Ice vs Fire, and it’s been nearly 10 full years that we’ve been talking about that moment when we’d finally see a battle where dragons are going against the army of the dead. I can’t say I was too impressed with it. I also found it a bit tiring the number of times a main character was about to be consumed by a clan of wights, only to be saved by another. Sure, once or twice I can chalk it up to writers taking some liberties, but it happened a half-dozen times, and at a certain point, it just becomes gratuitous. I get we can’t kill off all our main characters in one episode, but we also can’t pretend that they are all capable of fighting off 10 zombies at a time, and set each up to appear as though it’s about to be their last moment, only for them to be miraculously saved just in the nick of time.

But I can put to the side the above grievances I had with the battle itself. What I cannot put to the side is the way the episode ended. It utterly and completely rocked my world, and undercut everything I thought this story would ultimately be about. This episode was the one. Bran and The Night King were likely going to come face to face, and something major had to happen. As the humans are losing the battle, and the very real possibility of The Night King winning starts to set in and the climax is upon us. The Night King approaches Bran, with nobody left to defend him (remind me why anybody thought Theon would be able to defend Bran from The Night King?), and something BIG is about to happen. On the edge of my seat, my heart was racing in anticipation, feeling as though I was finally about to learn what the hell it is that The Night King is really after.

But it just wasn’t in the cards. Arya jumps from what seemed like a solid 10 feet, but is caught by The Night King, and it looked like this might be Arya’s last moment. But she makes a nice maneuver to drop the dagger into her other hand, plunge it into his side, and just like that, poof, The Night King is no more. Nothing even special about the way he was destroyed. He able to be killed the same as all the other White Walkers, with Valyrian steel. And he exploded into glass pieces, just like the White Walkers when they are killed. This was The Night King — not just another White Walker — and not that he had any business dying here, but I was even disappointed with the fact there was nothing special about what it took to kill him or the display of his death.

The way he died also simply felt too easy, too quick, too unimportant. Not taking any credit away from my girl Arya, but a 12-inch dagger to the side and the all-evil Night King is dead? That’s it? Let’s not forget, this is a Night King that has been around for hundreds, if not thousands of years. And that’s all it took to defeat him? Big miss there.

Anyway, just like that, in the blink of an eye, everything changed. In anti-climatic fashion, all the White Walkers are destroyed, and then their wights. The great war is over, the humans have won, and I am left feeling as though this is an ending to a story I have seen 100 times over. But wait! We still get to see who is going to win the Iron Throne — totally more important than a great war intended to decide the very fate of mankind — a war that we had every reason to believe was going to reveal a great deal of what this story was ultimately all about. And now, sadly, it seems we’re back where we started, and that it’s simply about humans fighting for a Throne. Can’t wait for more blah blah blah from Cersei in King’s Landing!

Maybe it’s my fault. Maybe I gave Thrones too much credit. Maybe I shouldn’t have believed this story was about something a lot deeper. But then again, this is a story with a 10,000 year back-history, one that was referenced hundreds of times throughout the show. We were given every reason to believe that there was great magic and mystery that happened prior to the start of this story — things we were going to learn about before this story concluded — things that would underpin the true meaning of this story. One very simple example of this is in season six when the show decided to take us back in time to show us The Children of the Forest creating The Night King. That gave us every reason to believe that we were going to learn more about The Night King, who he was, why he was chosen, what The Children were trying to achieve, the connection between the spirals, etc… Why even show that scene if we are never going to unpack it further?

Now, before I conclude this post, let me acknowledge the chance that there are still some big reveals around some of these topics. Bran is still alive, which means we still have a portal into the past (and future). So, it’s still entirely possible we learn more about The Night King, The Children, and what A Song of Ice and Fire is truly about. And I really hope this is the case. But, with the entire army of the dead defeated, it seems like that is now in the rearview, and the last few episodes will go back to human vs human battle to determine who will sit upon the Iron Throne at the story’s completion.

I am saddened and shocked by all of this. I find it hard to believe that George R.R. Martin created this masterful story, the ending of which is not concerned with Ice and Fire, but rather humans competing for the throne. It seems beneath where the story was going and feels like we took 100 steps backwards to a much less intriguing storyline. I hope the next few episodes have some course-correcting surprises, otherwise Lost may have just lost its top spot as worst end to a TV show of all time.

Odds and Ends

Arya’s Dagger: We’ve touched upon this dagger in several previous posts, but the Valyrian steel dagger that Arya uses to kill The Night King has a pretty cool backstory. It was originally used by Baelish who gave it to an assassin to try and kill Bran in season one (Baelish’s goal was to blame the Lannisters for the assassination attempt on Bran, to pit House Stark and Lannister against each other, which is precisely what happened). After the assassination attempt failed, the dagger ended up back with Baelish, who gave it to Bran when they reunited at Winterfell earlier this season. Bran then gave it to Arya, telling her he had no use for it. Had he already seen the vision of how Arya would use it to defeat The Night King? (Arya also used this dagger to kill Baelish).

The Prince(ess) That Was Promised: Obviously a theory we’ve been touching upon for years now. In a recent episode, the idea of The Prince That Was Promised was being discussed in Valyrian. Missandei, who speaks this language well, corrects Dany and Lady Melisandre, telling them that in Valyrian, that word has no gender, meaning it could be a Prince or Princess. This created more speculation around who would play this prophesied roll, with many people now thinking Dany, and some more recently even believing Brienne. Looks like, after all, it was Arya.

Bran’s Warging: What exactly was Bran doing when he was warging for so long in this episode? We saw he warged into some ravens, seemingly to get a better glimpse of what was going on in the battle. But we never really saw where the ravens were going, or what Bran saw through their eyes, if anything. If nothing significant, then it felt kind of pointless that he was sitting there warging this entire scene.

The End: It’s important to remind that the show is now far ahead of the books, and while George R.R. Martin has definitely provided direction for the show to work around, they are taking more liberties now than ever before. The first six seasons were based directly off books that were written. Characters, events, even most dialogue was direct from the books. Starting last season, the show jumped ahead of the books, and as a result, it seems a lot more liberties are being taken. It’s hard to know if the books will culminate the same exact way the show does.

RIP: Rest in peace to Beric, Jorah, Theon and Melisandre. Beric’s death was not too eventful, but he served his role in The Great War and helped to save Arya who would ultimately take out The Night King. Jorah’s death was the most noble, and there is no way he would rather die than fighting to protect his beloved Khaleesi. Theon’s death was so-so. I appreciated that Bran told him that he was a good man and thanked him, giving him the closure he had been searching for, prior to his death. That said, I found it silly that he was out there in the first place trying to protect Bran from The Night King, as if Theon stood a chance. We’ve seen the last of Melisandre as well, as she harnessed the power of The Lord of Light, played her role, then faded off into the distance, dying as the old woman she is (remember, it was the necklace she removed that kept her youthful).

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Season 6, Episode 1: The Red Woman

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

FAITH HAS BEEN LOST

Just like that, we’re back in the wonderful world of Thrones, and without any hesitation, we already have much to ponder from the season’s first episode. In large, the premiere Thrones episode did what it always does — it picked up the pieces from where things left off last season and got viewers back in the swing of each character’s storyline. It served as much as a reminder as it did to offer any new information. And that’s okay — that’s what the first episode is supposed to do — it gently eases us back into the swing of things. That said, there were still several major twists and turns, some which left us scratching our heads in confusion, and others which will have major implications upon the story that is to unfold in the coming episodes.

I thought that the episode felt a little choppy — jumping around from one character to the next without necessarily establishing much of a rhythm. One moment we were in the freezing cold North and the next minute we were in the desert of Easteros. That is not to say that a normal Thrones episode doesn’t move around — of course, it does. But there is a generally a deeper exploration into what is going on in each location, whereas this episode seemed to just scratch the surface before passing onto the next location and story. Again, that’s okay. But even with the choppiness of the episode, there was one theme that seemed to be constant, regardless of character or location: a loss of faith.

In a world where the stakes are often so incredibly high, faith, and where each character chooses to put their faith, has been a common theme since the beginning. Whether it’s believing in a certain god, backing a certain character or house in war, or simply believing in one’s self, faith has been a driving force behind many of the characters’ actions and the plot’s story-lines. Yet, as we began our journey into the sixth season, we saw that many characters’ faith had begun to erode, if not vanish altogether. A once bold and confident Arya is now begging on the street, seemingly having lost faith in the Faceless Men and her mission to avenge the deaths of her loved ones. Cercei appears to have lost faith in the one thing she always had faith in —  herself. Roose Bolton hinted at beginning to lose faith in his son, Ramsay. The Sand Snakes lost faith in their Prince Doran, so much so that it led to a murderous coup. In her absence, Khaleesi’s followers appear to have lost faith, as Mereen has become a dark and empty city. And last, but certainly not least, we get glimpse of Melisandre as a 200-something-year-old weak and fragile woman, appearing to have lost all faith in the Lord of Light, tucking herself into bed as she resigns to her faithlessness. As this season continues, it will be interesting to monitor the arc of each character’s faith, and how that faith, or lack thereof, will drive the actions of each of the story’s characters.

YES, HE’S DEAD

For those viewers who spent all offseason asking, “Is he definitely dead?”, Thrones producers were sure to answer that question right off the bat. The answer: yes, Jon Snow is definitely quite dead. But, that of course doesn’t mean that he will stay dead. So, the real question is whether or not he is going to be brought back to life. If so, when, and by whom? My personal hope is that this question is answered sooner rather than later. If not, I fear that this question will linger in the mind of each viewer, and ultimately risk overshadowing everything else going on in the story.

As Jon Snow’s supporters group around his dead body, Ser Alliser Thorne boldly admits to the treason he and the others have committed, but justifies their actions. As Thrones so effectively and so often does, we are offered a glimpse into a certain characters vantage point, and shift our views on that character, even if just for the moment. Sure, we are all going to hate Ser Alliser and Olly and the other characters that murdered Jon Snow — we’ll hate them forever. But, after hearing Ser Alliser speak, I hated him just a little less. He did not make any excuses or hide the truth — he outright confessed to the treason they all committed. But he also explained it. He, and the others, have dedicated their lives to the Night’s Watch. They live a cruel and bitter existence in the freezing cold at the Wall, defending the realm from the evil that lurks beyond. It is a life that certainly no person could or would ever envy. And in their eyes, there was a crazy and radical Lord Commander who was making terrible decisions that not only put their lives at risk, but also compromised the Wall and everything south of it that they are sworn to protect. Keep in mind, in the thousands of years that the Wall has been around, no Lord Commander has ever let Wildlings through — the very thing Jon Snow was trying to do.

Sure, desperate times call for desperate measures, and I’m not saying that Jon Snow’s attempt to unit the Wildlings with the Night’s Watch wasn’t the right decision — maybe it was the only one that gave them a legitimate chance of fighting off the impending White Walkers. But that’s just our opinion. The opinion of the other brothers of the Night’s Watch was that he was insane for even considering doing this and it would put all their lives at risk. And, this was a sentiment that they often shared with Jon Snow throughout season 5. Remember, it was Ser Alliser that told Jon Snow, “You have a good heart, Jon Snow. It will get us all killed.” They often expressed their discontent with Jon Snow’s decisions, and that discontent later turned into warnings — but Jon Snow ignored them all. Part of being a good and effective leader is not just making the right decision, but also listening to those around you. And while Jon Snow might’ve been making the right decision, he was failing miserably at listening to those around him. So finally, when Jon Snow actually tried to return to the Wall with hundreds of Wildlings, the sworn enemies of the Night’s Watch, some of the brothers felt they had no choice but to remove the man who was putting all their lives at risk. As Ser Alliser stated, “Jon Snow forced this decision upon us; and I made it.”

To be clear, I am not defending the actions of Ser Alliser and the other brothers of the Night’s Watch. It was cold-blooded murder of the worst kind. But, it is important to stop and think about why these brothers did what they did. And up until Ser Alliser’s speech, that’s something that I had not done. I was too blinded by my hatred for them to stop and think about what actually drove them to this extreme — the fact that they actually thought that Jon Snow was risking all their lives, the Wall itself, and all that they were sworn to protect. It’s understandable that Snow’s extreme measures cornered them into feeling vulnerable and threatened. So finally, they did the one thing they thought they had to do — and I don’t believe they took any joy in it. Even though Ser Alliser never liked Snow, he himself proclaimed that he never once disobeyed an order. In some ways, looking back, Jon Snow’s continual ignorance of all the warnings he received about what he was doing with the Wildlings, reminds me of how his brother, Robb Stark, often ignored the counsel he was given. Both thought they knew best and were largely blinded by honor and duty. And both ended up betrayed and brutally murdered by the people they failed to listen to.

DAVOS & THE OTHERS

As Ser Alliser tries to unite the rest of the brothers, Ser Davos, Ghost and the others gather around Snow’s dead body. To date, Ser Davos has always played wingman to Stannis, though he often showed an ability to make important decisions of his own, even sometimes defying Stannis (i.e. setting Gendry free after Stannis and Melisandre decided to sacrifice him). So if you think about it, he always showed instances of stepping out and being a leader — and now he finally can. With Stannis gone, Melisandre in no shape to lead (we’ll get there), and Jon Snow laying there dead, Davos is thrusted into the position of having to lead, whether he likes it or not.

davos

One of Snow’s closest supporters from the beginning, Dolorous Edd makes a run for it to try and rally up support, after Davos tells them that they were not the only ones Jon Snow had helped (implying that there are others out there who will rally to support them). It’s not crystal clear to whom Davos is referring, but one guess is that Edd is off to find Tormund Giantsbane, the Wildlings and the Giants that Jon Snow had saved from the White Walkers at Hardhome. Even a small fraction of those Wildlings that Jon Snow saved, with the support of Tormund and/or a Giant or two, should easily be able to take on the 40 brothers of the Night’s Watch. But, time is ticking and Davos only has until nightfall to give Ser Alliser an answer. And, who knows if Ser Alliser will honor his offer of setting them free if they surrender, or just murder them on the spot. One thing is for sure, if Edd doesn’t return soon with some reinforcements, Davos and the others may be out of luck.

THE RED (AND VERY OLD) WOMAN

Davos and the others may be saved by somebody other than Dolorous Edd, or at least Ser Davos thinks so. He tells the others, “You haven’t seen her do what I’ve seen her do.” And just when we think the Red Woman, Lady Melisandre might be coming to the rescue, we are thrown a total curveball in the final scene of the premiere episode. As Lady Melisandre begins to take off her clothes, (and I begin to think to myself “Does this chick ever keep her clothes on?”), we see her stare into the mirror with hopeless eyes. Those very same eyes that once burned with faith for her fiery god, now appear cold and empty, no faith to be found. Then, she removes her choker that holds the fiery red gem, and we see that she now appears as an extremely old, weak and fragile woman, who crawls into bed, almost as if to say “I’m done. I’ve lost all faith. I’ve given up and now I am going to sleep for good.”

mel old

So let’s break it down for a minute and consider what we really just saw and what this might mean. The first option is that Melisandre is in fact a 200+ year old woman who has used her magic and potions to trick us this whole time and maintain the physical appearance of a young and beautiful woman. That is, she is an old woman simply masking her appearance — and this is what probably came to mind for most people. But, another theory could be the complete opposite — she is in fact a young woman who has physically aged so much as a result of all her blood magic and witchcraft. That is, the Melisandre we have seen to date is actually her real age, but all the dark magic she has practiced and sacrifices she has made to the Lord of Light have aged her so much that she actually looks like the woman we saw at the end of the show.

In either scenario, one question to be asked is: what is it that has kept her looking so young, and why all of a sudden did she look so old? The first assumption is that it was her magic choker necklace with the fiery red gem inside of it that keeps her young, and removing that revealed her true appearance. But, we can squash that theory, at least to some degree, by looking at the below photo, which shows Melisandre taking a bath, choker-free, and still looking young and beautiful.mel1

So, maybe it’s not the choker, or at least not only the choker. Another hypothesis is that it has something to do with those potions we saw on the table next to the mirror she was looking into. The camera was definitely focused on those potions, and as we know, Thrones is not the type of show to focus on something without there being a purpose to it. So, maybe, it was the potions that she has been taking to maintain a youthful appearance. What’s very interesting is to consider the below two photos/gifs, both from the very same bathtub scene as the photo above. The first shows a different angle of Melisandre in the bathtub, in which you see that although she is not wearing her choker, she actually has a bottle of one of her potions in hand! So maybe she pours that into her bathwater, a fountain of youth if you will. The second photo shows her standing near a whole array of elixirs and potions. So I’m definitely going with the potion theory here.

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One last theory is that maybe Melisandre’s constant desire to obtain king’s blood was not to sacrifice it to the Lord of Light, but rather because she needed it to stay young. Let’s recall, she seduced Stannis and had sex with him. She did the same with Gendry and used his blood as well. And, she attempted to seduce Jon Snow as well, though he withstood her attempts. Perhaps she needs contact or actual king’s blood to stay young, and now that she has none, this is why she is appearing as she did in the last episode.

So maybe that last scene signified her resignation; Melisandre is finally giving up, no longer taking any potions, and getting into bed as the old woman that she truly is. But this begs the question, why has she lost all her faith? Well, the answer to that question seems pretty simple. For seasons, she proclaimed that Stannis was the Prince Who Was Promised, the one true king who would fight back the darkness. After all, she herself had seen it in the flames. Well, that quickly turned out to be a false prophecy, as Stannis’ army got slaughtered by the Boltons. And, let’s not forget that Melisandre convinced Stannis to sacrifice his only daughter by burning her alive, as an offering to the Lord of Light. Then there was Jon Snow, who in the flames Melisandre saw fighting at Winterfell — wrong again about that one (or was she?). After all that Melisandre had seen in the flames, and all the faith she had acted upon, it’s natural that she is ready to give up after learning that she was wrong about everything.

But, let’s pause for a second. If Melisandre is truly hundreds of years old, that means she’s been around for quite some time and has many many years of experience with the Lord of Light and its mysterious ways. Even if she was wrong about Stannis, Jon Snow and the things that have transpired over the last couple of seasons, it seems odd that she would give up altogether, given all the years that it appears she has been practicing. In other words, if that’s really how old she is, it seems like she’s been doing this a really long time, and wouldn’t be so shaken or distraught by the recent happenings — it would just be a small dot on her timeline. Then again, maybe she’s been doing this for so long that she no longer has the will to go on. Or, back to one of the original theories above — maybe she in fact is not that old — maybe she is only the age of the Melisandre we’ve seen to date, but all the dark magic has taken a toll on her physical body — that’s the price she’s had to pay, and she’s now ready to give up.

And then, there’s one final theory. It’s not necessarily one that I believe, but it’s one worth pondering. Maybe Melisandre isn’t giving up. Maybe she hasn’t lost faith. Maybe, just maybe, she is making the ultimate sacrifice. She is taking off her jewelry, giving up her beauty, and perhaps even going to sleep forever — a final sacrifice to the Lord of Light — an ultimate show of her faith. Why you ask? To bring back Jon Snow of course! Again, this is not necessarily what I think to be, but it’s a theory worth keeping in mind. We’ll soon find out what comes next for Melisandre, but with her in no apparent condition to be saving the day, be on the lookout now more so than ever, for Thoros of Myr.

SNAKES IN THE SAND

Prince Oberyn’s bastard daughters, the Sand Snakes, really gave meaning to their name in this last episode. Like snakes in the sand, they colluded out of sight, and pounced to strike as they preyed upon the weak. Of course, it was Ellaria that orchestrated all of this and ultimate stuck her blade into Prince Doran, but the Sand Snakes were just as much a part of the plan, as one of them killed Prince Doran’s guard and the other two took care of Trystane. As Prince Doran took in his last breaths of air, Ellaria reminded him of why they did this: Prince Doran refused to take action to avenge the deaths of Elia Martell (Oberyn and Doran’s youngest sister who was married to Rhaegar Targaryen, and raped/murdered by the Mountain during the overthrowing of the Mad King), and also once again when Oberyn was murdered by the Mountain after he himself tried to avenge the death of his sister and her babies. The Dornish have always been a hotheaded people that seek revenge and are quick to strike. But, Prince Doran was different and cared more about keeping the peace. Ellaria and the Sand Snakes had enough of it, and to begin their quest for revenge, they first had to remove Prince Doran from the equation. It will be interesting to see what happens next and to what extent Ellaria and the Sand Snakes have the people of Dorne behind them. They may first face a civil war within Dorne, before they can pursue their larger war against the Lannisters, but that remains to be seen.

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US AGAINST THE WORLD

As Cercei looks out onto the boat returning from Dorne, she sees Jaime without Myrcella, and she already knows that she has lost another child. The feeling is all too familiar, and her motherly instincts have become keen to sensing the loss of a child. But we see a much different side of Cercei, a side that is without faith or conviction; she appears defeated altogether. Where she once would have responded with outrage, demanding to spill the blood of those who took her children from her, she now appears despondent — her instinct for vengeance has been dulled by all the suffering she has endured. Losing Joffrey to poison, losing Tommen to Margaery and the crown, being held prisoner until she was broken by the High Sparrow, and now losing Myrcella — the daughter that was “pure good.”

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The old Cercei would have screamed at Jaime, telling him that it was his fault for not protecting her; the new Cercei has lost all faith, telling Jaime it is not his fault, and stating that it was the prophecy of the witch she saw when she was child (see video below for refresher on this flashback). The old Cercei would have never believed in some tale from a witch in the forest. But the new Cercei is broken and faithless. Instead, it is now Jaime who tells Cercei that it is just the two of them against the world and that they will take back what they have lost and so much more. The Lannisters now have quite a few battles on their hands and we will need to see where their support will come from, and to what extent House Lannister has a standing army prepared at Casterly Rock.

THE BOLTONS

At Winterfell, Ramsay Bolton mourns the loss of Myranda, in his own sick and twisted way. Moments later, Roose Bolton chastises Ramsay for his loss of Sansa and Theon, heirs to the North and the Iron Islands, respectively. Once again, we see a loss of faith, and Roose seems to question the amount of trust he can truly put in Ramsay and all of his “little games.” So much so that Roose mentions that he is trying to put a baby in Walda, in which case he wouldn’t need Ramsay as an heir. As a refresher, Walda is one of the Frey daughters that Walder Frey gave to Roose Bolton as part of their collusion in the Purple Wedding. Roose also mentions that Ramsay’s victory over a depleted Baratheon army is nothing compared to the battle they will face against a well-provisioned Lannister army. Though the Lannisters now have other fish to try (namely against the Martells and possibly the High Sparrow), Roose Bolton defied the Lannisters by marrying Sansa to Ramsay, and that positions House Bolton and House Lannister as enemies.

SANSA, THEON, BRIENNE & POD

Elsewhere in the North, Sansa and Theon miraculously survived their jump from the top of the Winterfell walls, which was a bit inexplicable, but I guess unimportant to the story. As they run through the forest and arrive at a freezing river that they must cross, Theon talks Sansa through it and gets them safely across. This is a major progression for a character who was once no more than an obedient dog to Ramsay. In fact, so much so, that I almost feel that they are progressing his character too fast. For seasons, he appeared as an irreparably damaged thing — he couldn’t even be called a person. He was so far beyond coming back from whatever he had come. Then, all of a sudden, he is defying Ramsay, saving Sansa, jumping off walls of castles, and now even has the strength to calm Sansa and help guide her through the forest. I am all for the character progression and it’s great to see some semblance of Theon back, but it all just feels a bit rushed.

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Anyway, after Sansa and Theon embrace in a comforting hug, Theon risks his life to save Sansa as the Bolton bannermen find them. And just as it seems that George R.R. Martin might be the cruelest man alive and actually subject them (and us) to the idea of going back to Ramsay, Brienne and Pod arrive to save the day. But more significant than Brienne saving Sansa was her pledge to protect Sansa as she continues on her journey. As Sansa accepted Brienne’s pledge, it was a powerful and symbolic moment — a proverbial passing of the torch — as Sansa forms a union with Briene and takes ownership of House Stark, as her mother did before her. And with Arya in trouble in Easteros and Bran and Rickon both split up, Sansa is the only Stark that now appears to be headed in a positive direction. Maybe, just maybe, she is approaching the light at the end of the tunnel and will be able to restore some good to House Stark. Theon had told her to proceed north to the Wall to link up with Jon Snow, which might not be the best of ideas. We’ll see which direction they head, but with Theon, Brienne and Pod at her side, Sansa finally appears safe, even if just for the moment. We’re all rooting for House Stark, that’s for sure.

KHALEESI

When is the Khaleesi storyline ever going to go where we want it to go? It seems like every time she takes one step forward, she takes two steps back. She’s got 3 dragons, a huge army, a circle of loyal supporters — yet somehow she ends up alone and captive to the Dothraki. After the Khal tells her how he is going to rape her and kill her, he quickly changes his mind after she tells him that she was married to Khal Drogo. But, things are not looking so great for her, as they tell her that she will be brought to Vaes Dothrak to a temple with all the other Khals’ widows. It is safe to assume that rescue is not far away, but who will do the rescuing? Will it be Daario and Jorah, who fortuitously happened upon the ring that she dropped in the hundreds of miles of grassland? Will Drogon rescue her once again? And what about her other two dragons — are they still locked up? All I can say is that I hope it’s not another season of Khaleesi drama and that her storyline really takes us somewhere soon — ideally to Westeros.

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MEREEN

Back in Mereen, things are looking pretty bleak. What was recently a more vibrant and populous city under Khaleesi, now appears to be a dark ghost town. Where did everybody go? As Tyrion and Varys roam the streets, I couldn’t help but wonder where their protection was. Where are the dragons? Where are the Unsullied? Why are they walking the streets so freely, without any protection, as they discuss the threats that are still lurking out there — namely the person who must have been leading the Harpies. And just like that, a massive fire breaks out, as they note that they will not be going to Westeros anytime soon. Wonderful.

BLIND IN BRAAVOS

Elsewhere in Easteros, Arya is another character that appears to have lost all faith, not only in herself, but also in her quest to become a Faceless Man and avenge the deaths of her loved ones. She has resorted to sitting on the street, begging for change. Until the girl from the House of Black and White returns and beats her with a stick, telling her she’ll be back tomorrow. Needless to say, Arya’s training will resume, and she’ll be forced to learn how to become a blind warrior. It remains to be seen how this will fit back into the larger plot and intertwine with the other story-lines going on.

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THE TYRELLS & TOMMEN

And last, but not least, let’s not forget about House Tyrell and King Tommen. We see that Margaery is still being held captive, and it is presumed that her brother, Loras, is as well, though we don’t actually see him. It was one thing when Tommen didn’t rescue his mother, but it is another that he is not attempting to free Margaery, his wife and queen of the Seven Kingdoms. It makes us question what is going on with Tommen, and to what extent he even retains power and control. Also, keep in mind that Lady Olenna Tyrell is still out there, and in the past she has been a master schemer, always looking to improve the position of House Tyrell  and weaken those that she sees as threats (i.e. she colluded with Baelish to orchestrate the entire Red Wedding and get rid of Joffrey). Another Tyrell to remember is Mace Tyrell, Margaery/Loras’ father, who Cercei had shipped off to Braavos just before she got thrown in a cell. Keep an eye on how everything in King’s Landing plays out between the Tyrells/Lannisters/King Tommen/High Sparrow.

PEOPLE AND PLACES TO KEEP AN EYE OUT FOR…

Bran & Rickon Stark

Baelish

Thoros of Myr & Beric DondarrionthoroGendrygYara & Balon Greyjoy/Iron Islandsyara

Episode 7 Recap: Mockingbird

TYRION & JAIME

Episode Seven begins with an emotional exchange between Tyrion and Jaime, Lannister brothers that had grown accustomed to their high-born lives of power and entitlement. It was not long ago that Tyrion was on top of the world — more or less running the show in King’s Landing as Hand to the king, with Shae, the woman he loved by his side, and all the gold and wine that a man could ever desire. Similarly, Jaime had everything he could ask for — namely the woman he loved, and the hand that swung his sword from which his power derived. Now, he has neither of these things. And as the two sit in Tyrion’s cell, the deterioration of their situations is more apparent than ever. Everything has changed — Tyrion is powerless to the false verdict of a murder he did not commit, while Jaime is utterly helpless to defend and protect his own brother. However, the two agree that one thing has not changed — Lord Tywin would have once again gotten exactly what he desired had Tyrion stuck to the plan of confessing to the murder. Killing two birds with one stone, Lord Tywin would have been able to get rid of Tyrion by sending him to the Wall, while at the same time securing Jaime as a proper heir to Casterly Rock and the Lannister dynasty. However, after hearing Shae’s heartbreaking testimony, Tyrion decided he had nothing to lose and deviated from the plan, leaving his fate up to the gods in a trial by combat, ruining Lord Tywin’s master plan. As the scene comes to a close and we see the despair in both their eyes, it is sad to consider the unbelievable toll that being a Lannister has taken on both their lives. Their roles and duties as Lannisters have been dictated by Lord Tywin from day one, leaving them little opportunity for any kind of true freedom or happiness. But, for the moment, that has all changed, as Tyrion has taken the power and control from Lord Tywin and placed their fate in the hands of the gods in the imminent trial by combat.

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After realizing the sad reality that Jaime is unable to defend him in trial by combat, Tyrion summons Bronn and requests that he step up as his champion. However, Cercei has successfully manipulated the situation and arranged a marriage between Bronn and the highborn Lollys Stokeworth. Bronn’s already achieved knighthood and has plenty of gold — this marriage will solidify his status and put him in line to receive the castle of House Stokeworth. There is no longer anything Tyrion can offer Bronn that he does not already have, and in a final plea, Tyrion notes their friendship as a reason to fight for him. In response, Bronn states “Ay, we are friends, but when have you ever risked your life for me?” There is nothing left to say and the two shake hands, remembering the good days they’ve had together, realizing that this may be the last time they see each other. It seems like just episodes ago that Tyrion was a free man, using his gold to achieve anything he wanted, while Bronn was just a lowly sell-sword, subject to the power of Tyrion’s gold. Now Tyrion is locked in a cell with the possibility of imminent death, while Bronn is a free man with gold, knighthood and highborn wife-to-be…How quickly things do change in the Thrones world.

“NOTHING IS JUST NOTHING”

As Arya and the Hound continue on their journey, they come across a dying man, whom the Hound kills to put him out of his misery, telling Arya, “That’s where the heart is. And that’s how you kill a man.” But, before this, Arya and the man share some final words, as the man tells her that nothing could be worse than the slow death he is experiencing. With apathy in her eyes, Arya responds “Nothing isn’t better or worse than anything…Nothing is just nothing.” These are powerful words that demonstrate not only Arya’s apathetic attitude towards death, but also her connection to nothingness. Each time Arya has killed somebody, she has appeared emotionless — almost indifferent. And now, as she looks on at a man taking his last dying breaths, it is more clear than ever that she developed a completely apathetic attitude towards the idea of death, a concept that evokes much emotion in the average person. After losing almost every person around her, she has cut herself off from feeling anything at all towards the idea of death. And as she shares these words with the dying man, we see her unique perspective on the nothingness she feels after having lost everything — it isn’t better or worse than anything — it’s just nothing.

A moment later, two men appear in hopes of capturing or killing the Hound to receive the large bounty that Lord Tywin has placed on his head. After the Hound snaps the neck of the first man, Arya recognizes the second as one of the prisoners she freed along with Jaqen H’ghar. With her razor-sharp memory, Arya recalls this man telling her that he would “Fuck her bloody with a stick.” And as soon as she learns his name, she adds him to her list, before crossing him off a moment later by putting her sword through his heart. Again appearing undisturbed and emotionless at the sight of death, even death at her own hands, Arya continues to cross names off her list as she grows her kill count.

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Later, Arya suggests that the Hound use fire to burn his wound and prevent infection. Of course, the Hound jumps back at the site of fire, before telling Arya of how he got the burns on his face from his own brother, the Mountain. As the beloved relationship between these two characters continues to evolve, we see more emotion and sensitivity from the Hound than ever before. It was not the burns that scarred him the most, but rather that it was his own brother who did this to him, only for his father to protect his brother rather than care for the Hound. We now see more clearly that perhaps these two characters are not so different after all; both have lost their families in one way or another and are now out on their own. But with a large bounty on his head as a result of the soldiers he killed to protect Arya, it is unclear how much longer the Hound is interested in keeping Arya’s company. “No reward is worth this much trouble,” he tells her. That said, Arya is likely the only person that the Hound has had any emotional connection with since childhood, and in the end, the Hound agrees to let her physically care for his wound, symbolic of the the ways that their connection has also tended to some of his emotional wounds.

BRIENNE & PODRICK

Another unlikely duo, Brienne and Podrick are on their journey to find Sansa when they encounter Hot Pie, an old friend of Arya’s. After Brienne inquires about Sansa, Hot Pie tells them that Arya is in fact alive and likely with the Hound. Not seen since Ned’s beheading, it has been presumed that Arya was dead for some time now, and it is significant that Brienne and Podrick are now aware that she may be alive. Podrick states that the Hound is likely taking her to the Eyrie where he could receive reward from Lysa Arryn. Before leaving, Hot Pie gives them a bread baked in the shape of a wolf for Arya, something he had given to her once before they parted ways many episodes ago.

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JON SNOW

Jon Snow and the others return to Castle Black from north of the Wall, only to find continued scorn from Alliser Thorne. Speaking before the brothers, Jon Snow tells that the Wildling attack on the Wall is imminent and that steel gates will not keep out their army, which includes giants. Jon proposes that they seal the tunnels which would block out the Wildlings, but also prevent the Nights Watch from going north of the Wall. Lord Commander Alliser Thorne mocks Jon Snow and rejects his proposal, while ordering he and Samwell Tarly to patrol duty on top of the Wall.

“THEY CAN LIVE IN MY NEW WORLD OR THEY CAN DIE IN THEIR OLD ONE”

Daario Naharis once again makes a play at Khaleesi, bringing her wild flowers and telling her that he only lives for two things: war and women. He begs her to let him pursue his love of war, rather than merely patrolling the streets of Meereen; when she denies his first love, she offers him a chance at his second one. She tells him to get naked and although we do not see it, it is presumed that they finally have sex. Beyond the dicey implications of how sex could affect the dynamic of this relationship moving forward, this action was significant for Khaleesi’s character evolution. Going back to the first season, before she was Khaleesi, Daenerys was just a young girl who was forced by her brother, Viserys, to marry Khal Drogo. Still coming of age, Daenerys was forced into sexual situations against her will. And later, once she warmed up to Khal Drogo, she then had to learn how to use her power of sex to truly win him over. Her sexuality was a very large part of her identity throughout — in many ways, she was powerless without it. And now, as she has become Khaleesi, the Mother of Dragons, commanding an army of 10,000 soldiers, she has more power than perhaps any person alive. And for this reason, the sexual experience with Daario, one that came from a place of power and strength, was significant to Khaleesi’s character.

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The next morning, Jorah crosses paths with Daario who is leaving Khaleesi’s chambers. Ser Jorah questions how much faith Khaleesi has put into Daario — after all, he is just a sell-sword. Khaleesi tells Jorah that she has sent Daario and the Second Sons back to Yunkai to slaughter all the masters that have retaken the city. Ser Jorah objects and tells her that this would be no better than the barbaric crimes of which the masters themselves are guilty. He also reminds Khaleesi that he himself is guilty of slave-trade, a crime for which he was shown mercy by Ned Stark. Jorah adds that he would not be standing where he is today had Ned executed Jorah for his crimes, much the way Khaleesi is planning to in Yunkai. Moved by his words, Khaleesi changes her mind and decides to offer the slave masters a choice, “They can live in my new world or they can die in their old one.”

THE RED PRIESTESS

At Dragonstone, Lady Melisandre converses with Lady Selyne about the magic potions that she has used to trick people into considering the Lord of Light. However, the Lord of Light is still very real and these potions are only a gateway to get people to see the truth of the Lord of Light. Lady Selyne then mentions that she does not think they should bring their daughter, Shireen, on their journey to the Wall. However, the Red Priestess tells her that the Lord needs her daughter — it has been seen in the flames.

“THAT’S NOT A MONSTER…THAT’S JUST A BABY”

In the middle of the night, Tyrion receives another visit, this time from Prince Oberyn. The Red Viper first tells Tyrion of Cercei’s attempt to manipulate him, but he sees through her Lannister tactics, and what he sees is an opportunity for revenge. But first, he tells Tyrion a story of the the time he traveled from Dorne to Casterly Rock to meet the monstrous baby that was Tyrion. After having been described as a terrible monster, Prince Oberyn was dissapointed to see that Tyrion was in fact not a monster, but just a baby. Tyrion’s eyes fill with tears as he realizes that even as a helpless and innocent baby, Cercei wanted him dead; so many years later and nothing has changed. As Prince Oberyn has learned that Cercei has named the Mountain to fight on her behalf, Oberyn is eager for the opportunity to avenge the murder of his sister and her two babies. The Red Viper has been waiting for this revenge for many years, and the opportunity has finally presented itself, giving Tyrion a champion to fight on his behalf. And so the combat is confirmed: the freakish size and strength of the Mountain versus the speed and agility of the Red Viper.

“GIVEN THE OPPORTUNITY, WHAT DO WE DO TO THOSE WHO HURT THE ONES WE LOVE?”

In the courtyard of the Eyrie, Sansa reconstructs Winterfell, the place she once knew as home. However, it is not long before Robin demolishes Sansa’s castle, just as the actual Winterfell itself had been destroyed. Sansa slaps Robin and he runs off, just as Littlefinger appears to reassure Sansa that everything will be okay. Sensing that he has not been completely forthright, Sansa again asks him exactly why he killed Joffrey. Petyr makes it very clear that he murdered Joffrey out of revenge as he states, “Given the opportunity, what do we do to those who hurt the ones we love?” He goes on to tell Sansa that in a world where love prevails over war, she could have been his daughter, but unfortunately they do not live in that world. And then he kisses her, as Lysa Arryn looks on.

Later, Lysa Arryn confronts her niece and becomes hysterical as she threatens to throw Sansa through the moon door. Petyr calms his wife before telling her that he has only ever loved one woman — “your sister.” He then pushes Lysa through the moon door, raising many questions about what his next steps are and how Sansa fits into those plans.

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