Season 8, Episode 6: The Iron Throne

DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.

What Just Happened?

Shocked. Confused. Disappointed. Baffled. There is no shortage of adjectives to describe the way I feel after the final installment of Game of Thrones, but simply put, it was an emphatic explanation point on an utterly disappointing season. At its best, Game of Thrones took us to highs that few stories have before; and as we saw in this finale episode, at its worst, Thrones was capable of reaching equally extreme lows. With each episode that passed this season, the simple (and terribly sad) reality became more and more apparent: the folks producing this show simply were not going to be able to deliver a successful end to this story. And despite a season defined by poor story telling, inexplicable character development, pacing of events that often made no sense — despite all of that — I still held out a bit of hope that the final episode would have one final magical twist or turn that would help to make things right. After all, this is Game of Thrones we are talking about — this was the one show that simply would not, and could not, mess up the end to its story the way so many other shows have.

But the truth is now plain to see and there is no hiding from it. The reality is that the magic of this world we became so captivated by — the characters, the history, the locales, the families, the lore, the mythology — all of it — it all lived in a series of books. And while HBO did an absolutely masterful job at adapting the magic of those books to TV, the reality is that we were always destined, to some extent, to end up exactly where we did. George R.R. Martin took the better part of 20 years to create the enthralling world that we fell in love with over the first six seasons. But those six seasons were based on the five books he had written — two short of the seven books that will (hopefully) be published to bring the A Song of Ice and Fire saga to a close. Writing for the sixth book, The Winds of Winter, began over eight years ago, and is still not out. It’s anybody’s guess when final book, A Dream of Spring, will be published, but it likely will not be for another 10 years or so.

So what does this tells us? It tells us that the homestretch of this story, a story that has taken over 25 years to write, simply does not yet exist, and likely won’t for many years to come. There is a reason George R.R. Martin takes so many years to write each book and it’s not simply because the writing itself takes so long. It’s because he is actually taking an incredible amount of time to continue to create and develop the story itself. And as the story starts getting towards it’s final chapter, it becomes increasingly more challenging to think about how each character’s journey comes to an end, how various storylines converge, and how this epic saga ultimately reaches its finale.

The predicament we find ourselves in is that while George R.R. Martin will take as much time as is required to finish this story the right way, HBO could not. So, what we were left with for the last two seasons, was a story that was based on loose directional feedback provided by George R.R. Martin, which left Thrones writers and producers filling in some very large gaps. Sure, George R.R. may have been able to tell Thrones producers what the singular endpoint of this story was, but he simply hasn’t yet conjured up and all the intricate subplots and character journeys that lead us to that endpoint. And without having his story to tell, we were left with a watered down, overly simplified, dumbed down version of what I believe the ending to this story will be when he tells it through the books. To some extent, the show was always destined to end this way, only I don’t think anybody thought it could ever get this bad.

The finale episode, entitled The Iron Throne, was riddled with one cringe-worthy cliche after the next. As has been the case throughout most of the season, the pacing felt totally off, with certain moments being totally rushed, and other less significant ones dragging on. The writing, specifically much of the dialogue, landed somewhere between embarrassing and comical. The aftermath of last week’s total destruction of King’s Landing simply felt totally contrived, with writers bringing rather abrupt endings to each character’s story. So much so, that it almost felt as if this finale episode was disjointed from the entire story that preceded it. It was as if this finale episode was given to a brand new team of writers that knew absolutely nothing about the story that has spanned the last 10 years, and were asked to do their best to synthesize some sort of close that forced endings for each character. One moment I felt I was watching a soap opera, the next I felt I was stuck in a bad SNL skit. How could this be? I mean I wasn’t expecting a whole ton after how disappointing this entire season has been, but really, I never could have imagined the new lows that were reached. There was absolutely nothing interesting. Nothing unique. No twists or turns. Very little emotion. Only cheap storytelling that made this episode feel like it was an obligation — a chore to get this thing wrapped up — rather than a vehicle to truly end this story in a meaningful way.

A Mess in King’s Landing

The episode begins as we see Tyrion and others taking in the aftermath of Dany’s fire and blood escapades. King’s Landing has now become a wasteland, with only skeletons and ash to speak of, which further underscored the ridiculousness of how far Dany took things last week. As Tyrion continues through King’s Landing, he eventually makes his way below the Red Keep where he finds Cersei and Jaime’s final resting place. Despite all his efforts, Tyrion could not stop all the death that was to come, and all he can do now is look on at his last remaining family members, gone forever. As Jaime and Cersei lay together, it was a poetic reminder that Tyrion really has been alone in this world most of his life, and even though Jaime cared about him a great deal, he was always an outsider compared to the twin bond that Cersei and Jaime shared.

Continuing her plunge into madness, we see Dany standing over a ruined King’s Landing, delivering an impassioned speech to her army, in which she basically tells them that this was just the beginning, and she plans to take her show on the road. While we all saw her evolve into The Mad Queen last week (at a pace that made absolutely no sense), the door was still left open for her to show some remorse in this finale episode. But that door shut pretty quickly and it became evident that no amount of death and destruction would be too great a cost for her to “break the wheel.” In reality, Dany herself sounded like a ruthless tyrant, one capable of committing devastating acts — the very type of ruler she has so badly wanted to rid from the world. It continued to be frustrating to watch just how cruel and vicious she has become so quickly, and it felt totally contradictory to who Dany was for the better part of the last 10 years.

Realizing he was on the wrong side of things, Tyrion gave Dany a big “f you” as he denounces her slaughter and abandons his post of hand to the queen. He’s quickly taken as her prisoner as Jon can only look on. Jon then goes to visit Tyrion, where they continue to go back and forth about whether or not Dany must be stopped. In their exchange, Jon references something Maestar Aemon told him all the way back in season one, “Love is the death of duty.” At the time, Maestar Aemon was explaining to Jon why brothers of the Night’s Watch could not have families — love would interfere with their duty to protect the realm. In response, Tyrion flips the idea that Maestar Aemon presented, and tells Jon that “sometimes, duty is the death of love.” No doubt, a suggestion that Jon’s duty to protect the realm might bring about the death of his love with Dany. Before Jon departs, Tyrion urges him that he must decide and he must decide now.

Moments later, surprise surprise, we see Dany in the Throne Room, a replay of basically the same vision she had in an earlier season where we saw the ruined Throne Room that she is now walking through. Once again, a reminder that she has become nothing more than queen of the ashes. If you asked me a few years ago what one of the most powerful moments in this story could have possibly been, I would have told you that at the top of the list would be the moment Dany finally reaches the Throne Room and ascends the Iron Throne that her ancestor, Aegon Targaryen, built 300 years before her. Sadly, the realization of this moment felt plain and unemotional, probably because of how little was left of the Throne Room itself, thanks to Dany’s temper tantrum that brought about the destruction of King’s Landing on the whole. She had finally reached the Iron Throne — the powerful symbol of all she had wanted — all she had sacrificed so much to achieve — and all for what?

Duty Over Love

The predictable and soap opera nature of the episode continued as Jon arrives, right on cue, and reprimands Dany for the slaughter she carried out. The two go back and forth about their differences of opinion, blah blah blah, which once again ends in a Dany/Jon kiss. But then, out of nowhere, Jon puts his dagger through her heart. And by out of nowhere, I mean everybody saw that coming from a mile away and it was totally unsurprising. The whole thing felt like “okay, everybody knows this is coming, let’s just get it over with.” But worse than this moment’s predictability was how emotionless and fleeting the scene was as a whole. Out of a 90-minute episode, much of which was filled with gratuitous and irrelevant banter, we can only spare 60 seconds to the death of the show’s most powerful character? I mean come on. Just like that, Dany is gone, and before we even have a moment to really soak it in, I’ve got this dragon in my face…again.

Talk about a botched opportunity. You have Daenerys Targaryen, one of the most beloved characters ever created in any fictional format; opposite her, the equally beloved Jon Snow; and between them, a magical story that intertwines the ideas of power, morality, duty and love. And though many people saw it coming, even so, that this story would end with Jon choosing duty over love, and sacrificing the woman he truly loved, is incredibly powerful. So why didn’t I feel that way watching it? And then just like that, Drogon scoops up Dany and flies her out of there. Oh, but not before melting the Iron Throne, the very throne the Targaryens created in the first place. I’m not sure there’s any real explanation for Drogon flying away with Dany’s dead body, other than a setup for somehow bringing her back to life for some future Thrones spinoff, which seems highly unlikely. The end to Dany and Jon’s story was a total miss of epic proportions.

One Strange Council

Just a moment later, we’re past the emotionless death of Dany, and we’re now all business as the “who’s who” of Westeros have gathered to determine the fate of the realm. It kind of felt like all the unimportant remaining characters were scrapped together and this is when the episode went from bad to just silly. First of all, half of these characters had absolutely no business being there. Edmure Tully, Catelyn’s brother is all of a sudden making a return after having had zero role in this story for many seasons? Yara Greyjoy is back, without anything from her since she went back to The Iron Islands? Oh and let’s not forget about introducing a brand new Dornish prince (who doesn’t even speak) to join this mish-mosh of a crew. And perhaps the absolute funniest of all is Robert Arryn, the sickly son of Lysa Arryn, who previously didn’t know how to do anything other than breastfeed…He’s now got a seat on this council? There were a few others that I did not even recognize, furthering the ridiculousness of this gathering.

The group goes back and forth about what to do next, and apparently after all that has transpired, after King’s Landing has basically been totally destroyed and the world of Westeros has been turned upside down, this silly council is going to solve for the future of the realm in one simple conversation. And all of a sudden Grey Worm is mr chatterbox, driving much of the direction of the council’s decisions. In this one episode, Grey Worm speaks more than he has in the past seven seasons combined. After the death of Dany, he wants revenge, but Tyrion reminds him that it’s not his decision to make, which leads to the debate of who should take power next. Comically, Edmure Tully stands up to state his case, before Sansa tells him to sit down. Why? Why would the writers choose to include dialogue in this final episode that sees Edmure Tully, a completely irrelevant character, stand up and make a claim for the throne? Unless they were going for some sort of comedic relief, it just doesn’t belong. But the comedy didn’t stop there. Samwell suggests they consider a more democratic election where the people have a say, and for some reason, others found this to be comical, poking fun and sarcastically asking if their dogs and horses would get a say. The whole thing felt like a bad SNL skit.

Finally, we arrive at the moment that pretty much caps this entire story — the reveal of who would end on the throne. And to be quite honest, I couldn’t have cared less at this point. The realization of who would take the Throne was not decided by any significant final moment in the story, but rather by a cast of irrelevant characters making forced decisions, so the reveal of who would end on the Throne simply felt like an anticlimactic “who cares” moment. But the only thing that could have been less sensible than everything that has already transpired would be to make Bran the one to end on the throne. And of course, that’s precisely what happens. The logic behind it makes sense — Tyrion paints the picture that the most powerful thing in life is a story and we know Bran is keeper of all stories and memories. So we get it. But, we are talking about a guy that has totally lost his human mind. He’s been on a multiyear journey where his entire life has been dedicated to an existential evolution, which saw him become the Three-Eyed-Raven. In doing so, he has experienced all kinds of visions, past, present and future, that revealed powerful moments which changed him forever. We’re talking Children of the Forest, White Walkers, The Night King — Bran was in the thick of it all. When all of those mythological elements of the show died along with The Night King in an unbelievably disappointing fashion, it definitely created some question marks for what was left for Bran in this story, if anything. I mean we haven’t even seen the guy in several episodes. Now, all of a sudden, he’s being named the king of Westeros? Talk about delivering a cheap ending to this story — did nobody working on this show stop to realize how senseless this was? We are talking about the character who had reached total enlightenment, so much so, that he didn’t even really know how to be a human anymore. And now we are going to plunge him into the politics of being the ruler of the realm?

But he won’t be the king of the Seven Kingdoms. He only gets six. Sansa had to get her two cents in and tell Bran that she wants The North to remain its own independent kingdom as it had been for thousands of years before Aegon’s Conquest. And that’s fine, but the only problem is that ALL the kingdoms had been independent prior, so why would the representatives of Dorne and The Vale and The Iron Islands all be okay with The North not bending the knee while they have to? Also, given that it was another member of House Stark ending up on the throne, Sansa’s desire to annex The North just makes that much less sense — it’s her own brother on the throne. Totally illogical storytelling and it just felt like a forced way to be able to show Sansa as the queen of The North, without regard for the fact it did not make sense to the story itself. But hey, not much has to really make sense anymore, so let’s go with it.

Back to The Wall

So that’s that. Bran is some sort of Three-Eyed-Raven king and Sansa is queen in the North. But we’ve got to come up with some sort of contrived ending for Jon, right? How about we send him back to The Wall, where his story began. That sounds like a cheap, easy and poetic ending for his character — so let’s go with that. I also found it strange that while the council was trying to figure out who should take the throne, Jon wasn’t mentioned once. True, he had just killed Dany, but if we subscribe to the idea that he was the rightful heir, then it was Dany who was revolting and trying to claim a throne that was not hers. That would provide some justification for Jon having to kill Dany, to eliminate a usurper. So, with her gone, and everybody grasping at straws to figure out who should be next in line, why is nobody bringing up Jon, the actual rightful heir?

Anyway, just like that, he’s back in his Night’s Watch garb, hair back down like it used to be in the old days, and headed back to The Wall. Another character with a massive arc that gets a senseless ending. We are talking about the guy that was arguably the most important character; the guy that became Lord Commander of The Night’s Watch; the guy that risked it all to put the world on alert about The Night King; the guy that fought and won in countless fate-determining battles; the guy that was brought back from the dead; and the guy that made the ultimate sacrifice as he took the life of Daenerys Targaryen. And after all of that, we just send him to The Wall? I mean what an unbelievably disappointing, unsatisfying and silly way to end his story.

But before he departs, we get a round of cliche goodbyes with each of his siblings, the best of which reveals that Arya is now channeling her inner Christopher Columbus/Dora the Explorer. She’s off to explore the world, whatever is west of Westeros. I mean how cheesy do we want to get here? If they wanted to set up Arya for her own spinoff, they certainly left that door open, but man, after all that Arya has gone through and all her incredible character development, that’s where we end her story? Sending her to cheerfully explore westward made her feel more like a Disney character than anything else. A Cheap and easy cop-out, just like all the others. It’s also confusing to consider how central she was to last week’s episode, with no follow up in the finale. She was a major point of view character last week, running through the streets and the episode ending with her riding out on her white horse. It seemed like she was being set up for some major ending to her character. But it ended up being all for her to play basically zero role in the story’s end. If you think about, since killing The Night King (which was another big screw-up), she basically had zero involvement in the story since — just noise.

Before the episode comes to a close, we get to see the new council that will support King Bran, and it’s a total joke. Tyrion as hand; Davos a Master of Ships; Bronn as Master of Coin; Samwell as archmaestar; Brienne as commander of the King’s Guard. It felt like the writers threw darts at the wall to see who they’d randomly choose to fill each of these roles. The council meeting itself was so comical that it’s hard to believe writers were going for anything else. In the finale episode of this entire story, we have to listen to their light-hearted banter about what their first objectives will be and whether they’re going to rebuild ships or brothels first? And what about Samwell Tarly, casually presenting Tyrion with a book of recent history called A Song of Ice and Fire. Talk about forcing something into the script and an egregious namedrop. Embarrassing stuff.

Assembling a hodgepodge council like this simply disrespects the greatness of the history of the council, one that was once comprised of characters like Tywin Lannister, Varys, Littlefinger, etc… Now we’ve got Bronn and Davos joking about where they’ll allocate their funds first, as if King’s Landing wasn’t only recently completely decimated. Speaking of which, Bran asks if anybody has heard about the location of Drogon, but nobody has. In another weird moment, Bran tells them not to worry and that he’ll take care of figuring out where Drogon is. My first question: given the entire series is about to come to a close, why are we wasting time talking about where the dragon went? My second question: Bran, you are the Three-Eyed-f*cking-Raven — why are you going to this council of C-listers for advice in the first place — aren’t you the all-knowing one? What a total mess.

Finally, Jon returns to The Wall, where of course there will be a couple more cliche reveals. Tormund and Ghost are both waiting for him there, and eventually, they continue north of The Wall, presumably to live a life with The Free Folk. As they enter into the depth of the forest, the show comes to an end, and the confusion reaches its climax. Why is that the final image of this entire story? Jon walking into the forest with the Wildlings hardly seems like the final takeaway to leave viewers with.

And just like that, it’s all over. It was an ending that was obvious, uninspiring and simply silly in many ways. It was so beneath the greatness of Thrones and I cannot think of many ways they could have delivered a more disappointing end to this story. All that said, it would be a mistake to overlook the greatness that this show offered for so many years. Game of Thrones took television to heights it had never been before and captivated a global audience with its magic. Though I will forever be confused and disappointed by how the show brought closure to this story, I will also be thankful for all that it offered for so many years. I would highly encourage each of you to consider picking up the books and starting this journey over the right way, setting yourself up to experience the true ending to this story once it is properly told by George R.R. Martin himself.

Finally, thanks to all the fans and readers of ThronesLife. It has been great to share the passion with so many of you. Keep an eye out for what comes next : )

— Jacob Kent, ThronesLife Creator & Author

Season 8, Episode 5: The Bells

DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.

The Bells

By now, everybody knows that in the world of Thrones, penultimate episodes are a big deal. Ned’s beheading, The Battle of Blackwater Bay, The Red Wedding, The Battle of the Bastards — some of the most epic and memorable events in Thrones history, all happened in the second to last episode of their respective seasons. So, in what was not only the penultimate episode to this season, but the penultimate episode to the entire series, things were taken to a whole new level. In trying to balance the sheer “hugeness” of this episode, with writing and storytelling that continues to feel uneven and ill-conceived, I suspect that many viewers will be left asking themselves how content they truly are with this episode.

To that end, I’d like to point out that in any given episode, there is no harm in separating an assessment of the episode’s production from the actual story told. On the production side, there are many technical and artistic disciplines at work. To name a few, there’s the director’s overall vision of how an episode will be delivered, special effects, music, cinematography, etc… And on the storytelling side, the same can be said: writing and dialogue, character development, pace of storytelling — these all shape the overall narrative we are experiencing. So, it would be foolish to try and lump all of these together with a wholesale assessment of the success of a given episode. When you go to a restaurant, you may ultimately determine whether it was good or bad, but more likely, you pass judgement on the food, the ambiance, the service — all distinct elements — one of which could be great, while another not so much.

So before we jump into a more detailed assessment of this week’s episode, I’d like to separate the production from the story. Without doubt, from a production standpoint, tonight’s episode was one of the most successful we’ve seen to date. Delivering 80 minutes of epic chaos and destruction and fire and blood and everything else that went into this episode is no easy feat. The “hugeness” of this episode cannot be denied, and Thrones once again set a new standard for the production value of a television show — a standard once reserved only for the big screen. I start by calling out the success of tonight’s production for a smaller and bigger reason. The smaller reason: because it truly was special and commands tremendous admiration; the bigger reason: I want to get it out of the way early so that it does conflate further commentary which will be focused on the story itself. After all, it is the Game of Thrones story — the magic of its characters, the richness of its history; the intrigue of its myth and legend — that won my heart so early on. And while I would never want to minimize all that this show has achieved on the production front, the story itself will simply always be much more important to me.

So, with that in mind, let’s jump into the story.

The Bells

The second to last episode in the Game of Thrones series was entitled The Bells, a symbolic foreshadowing of some of the milestone events that would unfold in the episode. The ringing of King’s Landing’s bells generally means one of three things: a city under siege, surrender, or the death of a king (or queen). Given the gravitas of these events, when you hear the ring of a King’s Landing bell, you know there is some serious weight to what it signifies. And tonight, the ringing of King’s Landing’s bells underscored all three: the siege of the city, the surrender of its troops, and the death of its queen.

But tonight we saw so much more — enough to keep those bells ringing for many days to come. Destinies were fulfilled as Dany followed in the footsteps of her father and became The Mad Queen. Heartbreaking final goodbyes were said between Tyrion and Jaime; The Hound and Arya. Regret is everywhere, as characters such as Tyrion and Jon realize their mistakes — ones that may well alter the course of history. And the consequences of those mistakes — almost too much to watch — could not have been higher. Fire and blood is everywhere, and death is ubiquitous. There is no coming back from tonight’s episode, and although there is still one final twist to be told in the finale episode, this story is all but told.

Dragonstone

The episode kicks off at Dragonstone as we see Varys writing letters stating that Jon, not Dany, is true heir to the Iron Throne. Over the years, there were many questions as to the true motives of Varys, and at times, it was not clear if he could be trusted. Well, it’s become quite clear that unlike many other characters in the show, Varys was always forthright about his true motives: to protect the realm and its impoverished citizens who couldn’t protect themselves. To that end, he is steadfast in his belief that the realm is best off in the hands of Jon, so much so that he is willing to die for it. In last week’s episode, he was forthright with Tyrion about his feelings regarding Dany’s claim to the throne. He could have been deceptive about it, but he wasn’t. Again, in tonight’s episode, he did not try to mask his true motives. Sitting in a room at Dragonstone, with Dany just a few doors down, Varys is preparing to send ravens discrediting her claim to the throne. Varys knew what he was risking and was willing to die to protect the realm.

As Varys is brought down to the beach, there is no secret as to what is about to happen. John and Tyrion are forced to look on, rather helplessly, as Dany used her dragon’s fire to take the life of Varys. No doubt, a foreshadowing of what was just around the corner; perhaps Jon and Tyrion should have trusted their instincts the way Varys had his. Sadly, Varys, the one who had the correct hunch about Dany, ends up dead, while Jon and Tyrion, who had gravely misjudged their queen, are the ones who end up living. Interestingly, Varys being burned on the beach mirrors a scene from the first episode of season two when Melisandre and Stannis also harness the Lord of Light’s fire, using it to burn those who question this religion. Many seasons later, Varys suffered a similar death, which was quite fitting, given his mysterious connection to the flames and the Lord of Light.

In season three, Varys reveals to Tyrion how he was mutilated by a sorcerer as a young boy. The sorcerer threw Varys’ “parts” into the fire, and Varys heard a voice call out from the flames, a voice that haunted him forever since. In a more recent season, The High Red Priestess Kinvara visited Varys in Mereen, and reminded him of the voice he had heard in the flames. She told him that as long as he was a friend of the queen’s, then he had nothing to fear from The Lord of Light. Well, he eventually turned away from being her friend, and the Lord of Light did not take kindly to this, begging the question: is the Lord of Light actually good? Of course, this question assumes that there is a “good” and a “bad,” when in reality, this story has reminded us that often the line between the two is not that simple. But still, after The Lord of Light’s fire played a pivotal role in eliminating The Night King’s army, it felt as thought The Lord of Light was guiding us in the right direction. But maybe not. It was the Lord of Light’s highest priestess, Kinvara, who all but threatened Varys; it was the Lord of Light’s fire that eventually took the life of Varys; and it was the Lord of Light’s fire that brought the ultimate destruction to King’s Landing. Where’s The Night King’s wintery frost when you need it?

The Mad Queen

From the moment we lay eyes on Dany in this episode, we can tell that something is very wrong. She looks disheveled to say the least — her usually neatly braided hair is all out of sort and her eyes dark. She hasn’t eaten in days and it’s clear that she is quickly becoming unhinged, maybe even inching closer to becoming The Mad Queen. It’s not just her physical appearance, but also her tone, that starts to sound like that of her father, The Mad King, before her. She is becoming increasingly paranoid, and doesn’t accept the idea that it is Varys who betrayed her, but also believes Jon betrayed her by telling Sansa of his true identity, Sansa who betrayed her by telling Tyrion, and Tyrion who betrayed her by telling Varys. She tells Tyrion that the next time he fails her will be his last — a flat out death threat. It seems that any semblance of the sweet and compassionate Khaleesi that we once new is all but gone.

And this is confirmed moments later in a scene that included an embrace which could be the last between Jon and Dany. Dany tells Jon, “I don’t have love here, I only have fear.” As the two come together, Dany makes one last attempt to keep their love affair alive, but Jon just isn’t having it. It appeared he already had some misgivings about the relationship before learning of his true identity. Once he learned that she was his aunt, that was just too much. While the Targaryens have a long lineage of incestuous marriages, Jon is still a northerner at heart and just doesn’t roll like that. As Dany steps back from him, the two literally separated by Targaryen fire, she decides, “Alright. Let it be fear.” Though Dany has experienced a ton of loss in recent episodes, capped by Missandei’s beheading last week, it was ultimately Jon’s decision to not love her the way she wanted that pushed her over the edge. All she had left was fear.

But before the idea of having to resort to ruling through fear gets the best of her, Tyrion tries to make one last plea. He begs Dany to end her siege if he is able to get Cersei’s forces to surrender, which he will signal by ringing the city bells. Dany does not respond to Tyrion’s request, and instead looks at Grey Worm and gives him a small head nod. At the time, I felt that perhaps she was affirming to Grey Worm that his troops should stand down should Tyrion be able to negotiate Cersei’s surrender, but in retrospect, we realize she was giving a totally different type of nod to Grey Worm. It was a show-no-mercy head nod; a fire and blood to avenge Missandei’s death head-nod.

Tyrion, attempting to avoid mass carnage at all costs, even commits treason against his queen by freeing her prisoner, Jaime. Tyrion convinces Jaime to save Cersei, escape King’s Landing and ride off into the sunset to start a new life together. This was a direct allusion to a conversation Missandei and Grey Worm had a few episodes back, in which they discussed sailing back to Missandei’s homeland to have a life together. Well, if Missandei and Grey Worm can’t have it, neither can Jaime and Cersei (but we’ll get there later). I had mixed feelings about this scene (as I did Jaime’s uneven character arc as a whole). On the one hand, I was touched by the heartfelt goodbye between the brothers. In a season that has botched so many of these moments, they managed to get this one right (perhaps that full credit should go to the acting of Peter Dinklage). In one of the biggest moments, with a huge war impending, we are reminded of Tyrion’s humanness as he breaks down to Jaime, telling him that he was all he had. The relationship shared between Tyrion and Jaime was always complex but beautiful and one of the heartwarming parts of this story. On the other hand, I took slight issue to the convenient spontaneity of the plan Tyrion proposed, as well as Jaime’s willingness to accept it. All of a sudden, Jaime is going to just convince Cersei to surrender, the two will escape King’s Landing, and ride off into the sunset no strings attached? To me, this felt like another example of the show getting ahead of the books, the writers not knowing how these characters’ journeys will end, and lazy writing leading to the creation of an implausible event to get Jaime from point A to point B. Had this not been the 100th example of this type of thing this season, I probably wouldn’t even mention it. Anyway, moving on…

King’s Landing

At this point, battle is imminent and there’s no turning back. The impoverished of King’s Landing flood into the city gates by the tens of thousands. Outside the gates, The Golden Company (Cersei’s paid mercenaries), oppose what’s left of Jon’s northern forces alongside The Unsullied and Dothraki. On the water, Euron mans his ships with their dragon-slaying weapons ready to go. Only this time, Dany swoops in from a much steeper angle, making it difficult for their weapons to be utilized, and in a matter of moments, Dany takes out all of Euron’s ships. The fact that Dany was able to take out all of these ships with such ease undermines the fact that she lost a dragon to these very same ships last week. Again, uneven storytelling in my opinion.

Dany had three dragons — the first dragons born into the world in hundreds of years — massive beasts that fly the sky and breathe fire. They should be extremely difficult to take out. I looked the other way when the Night King threw his ice spear thousands of feet into the sky and took out Dany’s first dragon, but I felt frustrated when Euron was able to take out a second dragon by shooting a fairly immobile projectile at a dragon flying through the sky at a high speed. But okay, it happened. But then one week later, Dany is able to eliminate this very same fleet in a matter of moments? It makes the death of her dragon feel like it was so avoidable.

After burning Euron’s fleet, Dany sets her sights to the city walls, and lays the initial round of fiery destruction, allowing for Jon and Grey Worm to lead their troops into the city on foot. Dany provides aerial support, and it’s only a matter of moments before it becomes abundantly clear that this battle was over before it started. Cersei’s troops lay down their weapons, and at this point, the battle has been won. Team Dany could have reinforced their position, sacked the city and Dany could have been sitting on that shiny Iron Throne by nightfall. But as Dany sat atop her dragon overlooking King’s Landing, a strange combination of sadness, excitement and terror came over her face all at once. Ladies and gentleman, The Mad Queen had arrived, and King’s Landing would stand no chance.

“Madness and greatness are two sides of the same coin. Every time a new Targaryen is born, the gods toss the coin in the air and the world holds its breath to see how it will land.” As those bells rang loud and clear, signifying the surrender of King’s Landing, it became crystal clear which side of the coin had landed. The Mad Queen and Grey Worm shared in a thirst for blood and revenge, as he led the slaughter on the ground, while from the air, Dany burned the city to a crisp. Symbolic of the broader dynamic he is caught in, Jon literally got stuck in the middle as he had no desire to slaughter the surrendered troops, but was forced to keep fighting, as he also attempted to get his troops to fall back. Jon’s morality was outmatched and he could not stop the fire and blood that was to come.

Arya & The Hound

It’s no secret, The Hound has been my favorite character in this story for many years. There have been many great duos in this story, but the journey he shared with Arya was by far my favorite. So it was exciting to see them sneak into King’s Landing together and arrive at The Red Keep, though also nerve-wracking as a sense of death was imminent. The Hound and Arya arrived at King’s Landing for the very same thing — revenge. For pretty much as long as we have known these characters, they have both been driven by their unrelenting quest for vengeance. The Hound has been wanting to exact revenge on his older brother, The Mountain, who held his face to the fire as a young boy and forever changed his physical and emotional identity. Similarly, Arya was forever changed when she lost her father (and others) at the hands of The Lannisters, and for that, Cersei has always been at the top of her hit list.

But as the two reach their moment of destiny, their roads fork in different directions. The Hound knows that ascending The Red Keep will only lead to death, and though he has not been able to find it himself, knows that there is more to life than revenge. The Hound delivers an absolutely masterful performance in this final scene between the two, a final moment that reminds us of what we always knew and loved about him — beneath that tough and damaged exterior, there is a great man. His words were powerful enough to convince Arya to walk the other way, and before they part, Arya calls out to him “Sandor, thank you.” It has only been a couple of times that anybody has called him Sandor, and this was a powerful reminder that he is not a hound, but a human, and a great one at that.

I’ve included two videos below. The first is an audition tape of Rory McCann reading for the part of The Hound. I’ve included this video because 1) it captures how perfect Rory McCann was for the part of The Hound, even from his first read; 2) the lines he reads tells the story of what his brother did to him; 3) at about 1:08 in, he has a line where he yells “look at me!” The producers of GoT said right after that part of the audition, they were sold that he was the one for this part. Writers chose to use that same “look at me!” line in the final exchange between The Hound and Arya tonight (at about 48 seconds in the second video). Pretty amazing that they went all the way back to his audition from about 10 years ago and used his performance of that line as one of his very last lines he would speak before dying.

As The Hound faces off with The Mountain, it quickly began to feel like his death was imminent. There was no coming back from this — something he himself had already known. The Hound fought with great determination, but we quickly learned that this zombie-version of The Mountain simply couldn’t be killed. In some ways, this felt very frustrating — the revenge The Hound had been searching for all his life simply wasn’t attainable. Though, his death was poetic, as he realized he too would have to die in order to eliminate his brother. And, in doing so, he tackles his brother off the ledge as the two fall into the fire below, the very fire that The Hound had been scarred by his entire life.

I would like to offer a heartfelt RIP to Sandor Clegane, aka The Hound. In my opinion, he was one of the most beautifully complex and sadly tragic heroes of this entire story. In the earliest days of the show, when he was protector of Joffrey, we thought he was nothing but a grotesque monster. But then we saw the ways in which he protected Sansa from Joffrey’s cruelty, eventually trying to get her to escape King’s Landing with him (though she refused). In his own way, he began on a path towards righteousness, first protecting Arya on their journey together and later serving his purpose in The Great War against The Night King. The juxtaposition of his hardened exterior next to his warmer interior made him such a wonderful character. At the same time, it is so tragic to consider the life he was condemned to; betrayed by his older brother at such a young age, physically and mentally scarred forever as a result. This changed the way he would see the world, yet still, he was able to show in his own ways what a good man he truly was. RIP Sandor, we will miss you.

What’s The Deal with Arya?

While I always enjoy screentime with Arya and The Hound together, once she went out on her own, I was rather confused by what the hell was going on with her story. For starters, I felt like she was a rat in a maze, running along the streets of King’s Landing with no discernible destination. I totally appreciate that she pivoted from her plan to exact revenge on Cersei, and now is playing the role of hero in helping others try to escape the fiery mess, but I mean what is going on with her story arc here? She comes back to King’s Landing and ends up being the one to take out The Night King. Cool. Then she learns of Jon’s true identity and it seems like she is going to take a stand against Dany and push him to pursue his claim to the throne. That then goes out the window as she joins up with The Hound to head to Kings Landing. Okay, I can live with it. But, then she gets to King’s Landing, and in a matter of 30 seconds, she is completely talked out of the very reason she came there. This is where my issue starts.

While I don’t want to take anything away from The Hound and the beauty of him ultimately protecting Arya from the death that was awaiting her above, this storytelling just didn’t feel right. First off, Arya has been wanting to kill Cersei for years now; Cersei was at the top of her list and at times, it was the only thing that got her through the day. After all of those years, in a matter of mere seconds, she can so easily be talked out of her grand plan? And if so, why didn’t they have this conversation in Winterfell? Or, better yet, along the two-week journey from Winterfell to King’s Landing? Were they that busy during the two weeks it took them to get to King’s Landing, that they couldn’t have spoken about Arya not living a life fueled by revenge? Did it need to wait to the very moment that they had finally reached The Red Keep and Cersei was just a few more steps from Arya?

And, food for thought, given how the next scene played out where Cersei simply walked by The Hound untouched, Arya actually could have very quickly taken her out without dying. All that withstanding, I found the rest of Arya’s involvement in this episode frenetic and confusing. It felt like she was running around for the sake of it, getting knocked out several times, then getting back up, all for what? In the end, she didn’t save anybody. And then she just rides off on her white horse? I could write five different things her riding off on that horse could be symbolic of, but honestly, I don’t want to bail out the poor storytelling. It’s been rather unclear for most of this season what Arya is really after, and though I enjoyed the fact that it was The Hound that saved her, I simply don’t feel her character arc is being closed out soundly.

Jaime & Cersei

Speaking of uneven character arcs, what the hell kind of ending is this for Jaime? Another one of this story’s more complex characters, he went through much self-discovery and we saw the many different sides of who Jaime truly was at his core. If the show wanted to end his story with the message that his identity was ultimately defined by his love for Cersei, I am okay with that, but why so much back and forth in between? He went from bad guy at the beginning of the story, to good guy when he saved Brienne, back to questionable guy who returned to King’s Landing to support Cersei, then again to good guy who went to Winterfell and fought to save humanity. At that point, it seemed like his good-guy status was cemented, especially after his deepened relationship with Brienne, but then with the flip of a switch, he’s off in the middle of the night to return back to Cersei. Many hypothesized that he was putting on an act and that he was actually returning to King’s Landing to take out his sister, but that turned out not to be the case. He actually returned to try and once again support her, which in my opinion, simply undermines so much of his previous story.

Sure, it was a storybook ending to see Cersei and Jaime go out of this world the same way they came in — together. But what was it all really about? Again, I have to believe this is just another example of the writers not really knowing how Jaime’s character arc truly arrives to his final moments, and the show having to come up with something. I also felt a little underwhelmed with Cersei’s ultimate demise. I didn’t need an expected ending such as her being killed by Arya, but I did expect a bit more from her on her way out. After all, since The Night King got killed earlier in the season, didn’t that mean she was the ultimate villain? She basically just stood there, looking on, for the entire episode, as Dany burned the city. All of a sudden Cersei doesn’t have a counterpunch planned or trick up her sleeve? This battle was supposed to be Cersei vs Dany, but ended up being Dany vs nobody, and I was a bit flabbergasted that the story ends with Cersei simply watching on and doing nothing.

Lastly, I have to ask, what in the world was the deal with Cersei’s “baby?” First she was pregnant and it was Jaimes. Next she’s drinking copious amounts of wine as if she’s not pregnant at all. Then Euron wants to put a baby in her belly, and then out of nowhere, she tells him that the baby is his. Was she pregnant? Was she not pregnant? Who was the father? Does it even matter? The answer seems to be no, and if it ended up not mattering at all, why so much dialogue in so many episodes about this damn baby? Not cool.

Oh, and I forgot to mention that Jaime fought Euron. Perhaps, because it was completely forgettable, as is Euron’s entire character in this show since day one. Another example of not having any better way to end Euron’s story, an obligatory fight between he and Jaime is thrown into the story. How fortuitous that the very moment that Jaime is trying to sneak into King’s Landing through a hidden entrance, Euron happens to be stumbling onto the very same shore after his boat just got blasted by dragon-fire. The fight was nothing special, and I found it particularly strange that they chose to write him a final line of “I’m the man who killed Jaime Lannister,” given that he didn’t kill Jaime, and Jaime ended up dying with Cersei after being buried beneath the destruction of The Red Keep.

Who’s at Fault?

One of the more powerful parts of this episode was watching Tyrion rummage through the rubble of the utter death and destruction that Dany had caused. This was obviously painful for Tyrion to see, knowing just how badly he wanted to avoid this very outcome. And all the more so given that he is hand to the very queen that was capable of such brutal destruction. But above all else, the sharpness of this moment is the realization that he was totally and completely wrong, in almost every way possible. In the episode prior, when Varys had been questioning Dany, Tyrion told him “It’s about picking one person you believe in and defending that person.” Well, boy did Tyrion pick the wrong person.

But I believe it goes a layer deeper than just picking the wrong person. After all, it’s not as if he just picked her and walked away, unable to have any affect on the outcome. It was the opposite. He was her hand — her closest adviser — he had more ability to influence her decisions and their outcomes than anybody else in Westeros. And yet, he finds the capital city burnt to a crisp with tens of thousands of innocents dead. So, it begs the ultimate question: was Tyrion a good adviser to Dany?

I say no. Tyrion is a lot of things; he is kind, he is compassionate, he is clever — the list goes on. And I think he would make an excellent hand to many, given his wonderful balance of these critical attributes — but not to Dany. In the end, I believe it was Tyrion’s sense of compassion that led to Dany becoming The Mad Queen. What we know about Dany, above all else, is that she is not only the mother of dragons, but a dragon herself. She came out of the fire unburnt, she brought dragons into the world, and she is as fierce a Targaryen as they come. We always knew Dany had both compassion and ferocity in her, the balance of which would make her a great ruler. She had the capacity to show kindness and empathy when needed, and did want to make the world a better place if given the chance. At the same time, she was fierce and ruthless when she needed to be. Possessing such diametrically opposed attributes, I would argue that the most important task of Dany’s hand would be to keep these two sides of the coin in check. And that is something Tyrion failed to recognize altogether.

Tyrion was always encouraging Dany to be patient, to be compassionate, to be merciful. He wanted her to be how he himself would be in the situations she faced. And in doing so, he often kept her Targaryen fire extinguished. Dany is a dragon, and if it were up to Tyrion, that dragon would have always been kept in its cage. Looking back, Dany’s decision to lay waste to King’s Landing had been foreshadowed many times and Tyrion knew this, but was ignorant to it. For instance, in season six, when Mereen was at conflict with other slave cities, Dany told Tyrion “I will crucify the masters. I will set their fleets afire. I will kill every last one of their soldiers and return their cities to the dirt. That’s my plan.” And what did Tyrion do? He talked her out of it, pushing the dragon back into her cage. Even before that, in season two, Dany talked about how she planned to “lay waste to armies and burn cities to the ground.”

As we can see above, Dany decided to crucify the slave masters as punishment for their actions. While I’m sure none of us felt bad for them, it does take a certain kind of crazy to stake humans to a post while they are still alive and breathing. Looking back on all of this, we always knew Dany possessed the fiery madness to take things too far when provoked. Tyrion had a single-minded approach of trying to always extinguish Dany’s fire, and he was successful in doing so for quite some time. She listened to him time after time as he coached her to take the highroad, to avoid becoming the kind of tyrant that she herself wanted to rid from the world. What he didn’t realize, though, was that he was helping to create that very person. His guidance of continuing to show restraint, coupled with some poor military decisions, led to Dany losing a lot of what she held most dear, including two of her dragons, half her army, Jorah and Missandei. Not all of these losses were Tyrion’s fault, but he shares in plenty of the blame and played a large role in the back-against-the-wall scenario that Dany found herself in. Great a man as he may be, Tyrion simply was not the right hand for Dany, and ultimately played as large a role as anybody in turning her into The Mad Queen.

Queen of the Ashes

I cannot say Dany’s character turning into The Mad Queen came as a surprise, though I can say I am somewhat irked by it. I get all the reasons why it happened, but I do feel that A) it was a bit rushed and B) it undermines her seemingly never-ending journey leading up to this moment. On the first point, I think her transition into becoming The Mad Queen simply could have been a bit slower and more developed. For 67 episodes she was on a mission to rid the world of the cruel rulers, and for the last five she all of a sudden started to show signs of a transition into The Mad Queen. Yes, I recognize how much she lost in the last few episodes — but that too was rushed — and I simply feel there is great incongruity between the amount of time she spent being one person, and how quickly she was able to full-fledge become another. As I pointed out above, there were certainly flashes of her madness along the way, so it’s not as if this came out of the blue, but still, her transition could have been developed at a pace that was a lot more balanced.

But more so than the pace at which this all happened, I feel like the first seven seasons of her story were totally undermined. We are talking about the girl that went to the end of the earth and back; the mother of dragons; the breaker of chains; the girl who so many times could have taken the easy route and ended things with fire and blood, but chose not to, because her entire character’s motivation was built around the idea of leaving the world a better place. The lengths she went through to preserve this very idea are mind-boggling. At times, it truly felt like she was on a never ending journey, solely guided by the faith in her desire to change the world. And tonight’s episode simply made all of that worthless. She could have done what she did tonight years ago, and saved a whole lot of people a whole lot of time. But she didn’t, because she was meant for something greater. Why save so many slaves only to kill so many innocents? Why save an entire city only to destroy another? I get that character arcs can change and that is often what makes characters in this story so wonderful — the unpredictable nature in which their motivations and actions may pivot. But this was different. This was too much of a pivot, all too quickly, and it simply undermined way too much of her backstory for it to be understandable.

The irony of it all? Dany destroyed the very city that her ancestors built. It was 300 years ago that Aegon Targaryen landed ashore Westeros and eventually united The Seven Kingdoms under his kingship. As new king, he founded the capital city at the spot where he had landed his dragons, and named the city King’s Landing. Over the years, House Targaryen built a great capital city as they ruled for 300 years, and in just one day, Dany destroyed almost all of it. Her father, The Mad King, is regarded as an absolute madman for his intense paranoia, obsession with fire, and the cruelty he demonstrated in punishing people with death by fire. If that’s the reputation he built for those actions, how will history remember the woman that burnt down the entire capital city that her ancestors built, killing thousands of innocents along the way?

Season 8, Episode 4: The Last of the Starks

DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.

Moving On

After significant tragedy, many experience the five stages of grief and loss, which are: 1. Denial and isolation; 2. Anger; 3. Bargaining; 4. Depression; 5. Acceptance. Safe to say, after last week’s episode, I went through almost every one of these five stages. Denial was stage one; I simply couldn’t believe what I had witnessed. Truly, I actually had trouble believing that after all this time, after everything we had been conditioned to believe about what The Night King represented, that in the blink of an eye, he was gone…just like that. Next came stage two: anger. Had I wasted the better part of the last decade enveloping myself in a story that I wholeheartedly trusted was destined for an ending that could be nothing short of greatness? Stage three kicked in soon thereafter with bargaining. Wasn’t there something that could have been done differently? If only the writers knew what they were doing to us, wouldn’t they have offered a more satisfying ending? Stage four: depression. The black cloud lingered, and normal life moments would be interrupted by that depressing reminder that this had actually happened, and there was nothing I could do to change it. And finally, stage 5: acceptance. Unfortunately, I’m not quite there yet, but this week’s episode has helped me to take a step, if only a little one, towards accepting the disappointment of epic proportions that was thrusted upon us last week.

First, the bad: whatever hope was being held out that this week’s episode would offer some closure to the abrupt death of Westeros’ ultimate villain, was likely met with great disappointment. After The Night King’s unspectacular slaying, which was surely unbefitting of the world’s most terrifying villain, many hoped there would be more to his story in the follow-up episode. Of course, this was not an unreasonable hope, given that the Thrones story conditioned us to believe The Night King and all the mythological components tied to him were central to the ending of this story. Who was The Night King? Why, of all the humans, was he chosen by The Children? Did The Children know what they were creating when they inserted dragonglass into his heart? Sure, we were told of his desire to wipe out the world’s memory, but was that truly his only motivation? Was there no deeper connection between he and Bran/The Three-Eyed Raven? The list of questions can go on; but the answers do not. The story has moved on, and moved on quickly, from The Night King and all his legend…almost as if he never existed at all.

How could that be? How could we move on so quickly from the greatest villain known to mankind? Well, the answer presented tonight was quite simple: the greatest threat to mankind is not any singular individual, but rather the complexities and identities that live within each and every one of us. Don’t get me wrong, I will not defend this idea or the show’s decision to end The Night King’s story the way they did, leaving so many intriguing questions totally unanswered. In fact, I am now altogether dubious of an ending to this show that will satisfy the desires created within me to understand the more existential themes presented in this show that I thought underpinned the story’s true meaning (i.e. Ice vs Fire, gods and religion, light vs dark, The Children of the Forest, etc..). But, we all must move on. Even though when compared to the battle for humanity’s existence, a battle between mere mortals for a throne feels like the wrong battle to be “the last one,” I have to admit that this episode started to reinvigorate some excitement. After last week’s episode, I felt completely deflated; after this week’s episode, only partially.

I am also rather dissatisfied with the overall soap-opera feel of the show. There’s no question that the writing has gone considerably downhill, ever since the show surpassed the books in season six, and writers have more or less been on their own. The speed of various character journeys and storylines has felt jumbled and bumpy at times. There’s a bit of drama that I feel is beneath this story, and certain characters have just started to feel a bit too winey.

All that said, I generally try to measure the quality of a story, or a given episode, not by how much or little I “liked” it, but rather by how well it succeeded at whatever it was trying to achieve. Following last week’s Battle of Winterfell, this follow-up episode had one clear goal: to turn our attention towards, and build suspense for, the final battle to come. And to that end, this episode was a great success, certainly achieving its intended purpose. So much so, that The Night King feels like old news, and I’m inching closer to that fifth stage of acceptance (well, only sort of).

A week ago, it felt like intra-human dynamics were irrelevant, and all that mattered was humanity banding together to preserve its existence. It was a homogenous and uniform view of the human race — that is, all humans were basically the same, coming together as one massive force to. One week later, and we are at the opposite end of the spectrum — the varied and often divergent spirit of human nature is highlighted. We are quickly reminded of the complexities of the human way, and the way these complexities can cause great divide amongst characters in this story. And while we can analyze each of the last two episodes independently, the true beauty is realized when taken in tandem. Only when forced to band together to fight for its existence could mankind show union and cooperation. The moment that threat is eradicated, we are back to seeing the truth of human nature — one that reminds us of mankind’s inherent propensity to create, perceive, and rationalize reasons for divide. The human inability to stand together unless out of necessity is indeed a sad reminder of the world we live in today. Nonetheless, bravo to the success this episode achieved in highlighting the often flawed nature of humanity, while building a wonderful sense of suspense for the final two episodes of this story. Let’s dig in:

Identity

As grave a threat as was brought about by The Night King’s army, it allowed most characters to temporarily suspend their more intricate cognitions and individual identities. Whose side will I take? With whom can I create an ally? How can I advance in this game? None of these questions mattered as fighting to live took precedent over all. But as that threat abruptly disappeared, characters were immediately thrusted back into decision-making mode. Allegiances, loyalties, secrets, love — all of these behavior-shaping ideas — immediately came back into play. And as they did, we saw several characters navigate the complexities of their “humanness,” in an attempt to make a decision that felt right to them.

We saw this theme start to play out after Dany names Gendry Lord of Storm’s End, the historic great castle of House Baratheon. Without hesitation, Gendry asks Arya to be his wife so that he can share life’s offers with the woman he loves. True to her self, Arya turns down his proposal, reminding us that she has never been a lady. In a Thrones world where so many characters are battling to figure out their true identity, Arya knows hers quite well. This, of course makes great sense, given the years she spent training in Braavos, when “a girl had no name,” and was forced to examine the truth of her identity. She emerged more connected to her truth and sure of her identity than probably any character in this story, giving her the strength and resilience to do great things.

But while Arya’s perception of self might be iron-clad, the same cannot be said for all. Jaime’s character continued along his complex character-journey, one that has been marked by a conflicting self-identity. As Jaime reminded us in this episode, he did terrible things in the earlier days of this story, including crippling Bran and murdering innocents, all in the name of love. But then something changed. His identity, which was largely built upon a representation of him being a great warrior, was torn down when he lost his fighting hand — and lost it as a result of him protecting Brienne. Literally and figuratively, his identity changed overnight, and we started to realize that perhaps the handsome knight willing to do anything for Cersei was just a mask that he wore, and there was a lot more to the truth of his character. In a powerful scene between he and Brienne, we saw great pain and vulnerability, and realized that there was a lot more to the man we had come to know only as The Kingslayer.

Eventually, Jaime fell back in the hands of Cersei, and it was unclear whether the “good guy” or “bad guy” Jaime would prevail (though, in reality, the point is that there really is no good or bad to human nature, only the complex makeup of each human, as we see in Jaime). This week, Jaime and Brienne finally lay together, which seemed to have cemented the side that Jaime would ultimately fight for in the battle to come. But after hearing word that Cersei had killed one of Dany’s dragons and realizing the imminent attack that Dany would bring to King’s Landing, Jaime decided he must return to his sister (or at least, that’s what he tells Brienne).

Brienne begged Jaime to stay, reminding him that he is a good and honorable man, only for him to remind her, in heartbreaking fashion, that he is in fact, anything but. This was devastating on so many levels. First, it was painful to hear Jaime profess how low he truly thinks of himself. Often, identity is less about how others perceive you, but more about how you perceive yourself. Of course, many are not even aware of their true self-perceptions, and if they are, often struggle to acknowledge them. But in this moment, Jaime is not only true with Brienne, but true with himself. He tells Brienne, and himself, that he essentially believes himself to be a terrible person. In this Thrones story, Jaime is the closest thing to a Greek Tragedy. In so many ways, he is a tragic hero; his greatest flaw, his massive vulnerability that prevents him from realizing the good man that he is. And can you blame him? After being casted out as “Kingslayer” and “Oathbreaker,” for so many years, is it really any surprise that his self-esteem is nonexistent? Sure, on the outside, he has worn the mask of knight in shining armor well, but beneath it, he is deeply pained by the wrongs he has committed, so much so that he believes there to be no good in him at all. The worst part? All the crimes he committed were to protect the ones he loved; at no point did he do any evil out of malice or selfish motives.

And while Jaime’s story is incredibly tragic, perhaps this moment is even more heartbreaking for Brienne’s character. For as long as we’ve know Brienne, her identity has been defined by a total lack of femininity. For all intents and purposes, Brienne has been characterized as a man, from her appearance to her desires. This very episode highlighted that idea by calling out her virginity — after all of these years, she had never even lay with a single man. Yet, Jaime changed all of that. And while their sleeping together certainly has significant physical meaning for Brienne, it really underscores the emotional tie between the two characters. If Jaime was the tragic hero unable to see the good in himself, Brienne was the one person who understood his vulnerabilities, and truly knew the honor that lived within Jaime. Coupled with the fact she truly loved him, it was not enough for her to know he was a good man — she needed him to know it as well. Several times throughout this story, even when on opposing sides, Brienne has reminded Jaime of his goodness. Often, it almost felt like a plea, like she was begging him to realize the same.

And finally, as the story is headed towards its closing moments, it seems as though Jaime has settled into the idea that he is in fact a decent man. He has chosen the right side, he is going to remain at Winterfell, with the woman who loves him — all is well. Absolutely nobody could be happier about this than Brienne herself, knowing that not only has she received love back from the man she loves, but she has finally gotten him to realize his goodness. But, in typical Thrones style, everything changes with the flip of a switch, and Brienne’s world is turned upside down as she finds Jaime set to depart Winterfell in the middle of the night.

A character who rarely displays any emotion, Brienne is devastated, tears streaming down her face, as the man she loves is leaving her, and reminding her of what a horrible person he believes himself to be. His words go in the face of everything she has believed; in many ways, her world is turned upside down. For the first time, Brienne let herself be vulnerable; vulnerable to love, vulnerable to her femininity, vulnerable to emotion — and it all came crumbling down. How truly heartbreaking. I can only hope that Jaime ends up on the right side of this fight, if not to see his story end realizing his own heroism, than at least for Brienne’s sake, so that she doesn’t lose the man she loves to a false sense of identity.

The complicated nature of the human makeup and identity continues to shine through elsewhere in Winterfell. Sansa continues to display a mistrust for anybody outside of her family, putting her at great odds with Daenerys. When we size up Sansa’s identity, it’s a pretty simple diagnosis. Her trust was betrayed by so many at such a young age, from Cersei and Joffrey to Ramsay Bolton to Littlefinger. At this point, how could she ever trust anybody other than her own? In an exchange between her and The Hound, he tells her that she should have left King’s Landing with him when she had the chance — had she done so, she would have avoided all those that wronged her along the way. Sansa responds to The Hound, telling him that had she left with him, she would still be “a little bird” today. You can watch the video below, from season two, when The Hound tried to save Sansa from King’s Landing.

Sansa’s response to The Hound makes it clear that she understands who she is and has grown smarter from all those that have wronged her. But, one must ask the question: is it advantageous to be guided by a general distrust for all those around you? Sure, being able to outsmart others is a good thing, but not being able to trust anybody outside of your family, maybe not as much. And this is the very conflict that will soon reach climax, between her and Jon. While Jon wants to honor his Queen Daenerys, Sansa is unable to trust Daenerys, or even trust Jon who is willing to vouch for her. Interestingly, Arya has picked her side in this conflict, and strongly voices her distrust for Daenerys as well.

And, all of that is before they even learn that Jon is not in fact their brother, but rather their cousin. Though the scene cuts away, Jon tells Bran to reveal the truth of who he really is to Sansa and Arya. This news only serves to embolden Sansa’s distrust for Daenerys, as learning Jon’s true identity also reveals that he, not Daenerys, is the rightful heir to the throne. Sansa’s identity, largely defined by her inability to trust anybody, is at odds with her loyalty to family, and she is going to have decide between the two. From her conversation with Tyrion where she reveals she thinks there is somebody better than Daenerys to to rule, it seems as though she will not be able to shake her achilles heal, and this is going to set up a very tricky dynamic in the final episodes, where Jon and Sansa may actually find themselves in direct opposition.

As the episode continues, we see Jon’s secret quickly starting to spread — a secret that Dany begged him to keep. But, Jon, being the honorable (and sometimes foolish) man that he is, decided he must tell his sisters. Sansa broke her oath to keep this secret, by telling Tyrion, who then told Varys. Rightfully so, and as Dany predicted, this news is already starting to cause greater divide, at a time when Team Dany/Jon can ill afford it. Sansa and Arya are not the only ones starting to defect from Dany’s claim to the throne. Varys, pointing out that Jon is the rightful heir, a male, and more even-tempered, also now believes Jon is the one to be backed, not Dany. Though Varys and Tyrion have generally seen eye to eye, their sense of identity will bring about an abrupt departure. While Tyrion is defined by his ability to see and support the best in others, Varys’ identity is centered around protecting those who cannot protect themselves. Born a pauper and sold to a sorcerer who committed terrible acts to Varys when he was just a boy, Varys now uses his cunning to try and “protect the realm.” He and Tyrion now have differing views of who is best suited to do this, and Varys makes it clear that he will do what he must to protect those in need. Keep an eye out for what Varys’ next move will be.

Fire and Blood

And just as the episode was starting to feel like it was going to be another setup for next week’s battle, things go haywire. Things go from bad to worse for Dany, and out of nowhere, Rhaegal is taken out with three harpoons. Dany can do nothing but watch as she loses yet another one of her children. In a state of blood-seeking fury, Dany flies her dragon straight into the danger, but eventually retreats as she cannot risk losing her last dragon. Euron’s fleet destroys Dany’s ships, and in doing so, takes Missandei prisoner.

At this point, Dany has had enough. Her plan to show restraint and minimize the loss of innocent life is not working. In the span of days, she lost Jorah, one of her most loyal advisers; her entire Dothraki army; half of her Unsullied army; the second of her three dragons; and Missandie, her most trusted adviser. Things have gone from bad to worse, fast. Though Tyrion and Varys beg her to continue to show restraint and to not pursue Cersei at the cost of killing thousands of innocents, Dany is at her breaking point. She agrees to offer Cersei the opportunity for surrender, so the people of King’s Landing can know that it was Cersei who refused surrender.

In a powerful final scene, Tyrion makes one last desperate plea, first with Qyburn, and then directly to his sister. In this plea, we can feel just how badly Tyrion truly wants to avoid the loss of innocent life — something we can see he knows is imminent. But even Tyrion’s clever words are not enough, and Cersei gives him a big “f**k you” by not only refusing surrender, but beheading Missandei first. The pain felt by Dany and Grey Worm was palpable; and the look on Dany’s face was clear as day: all bets are off. Fire and blood is coming, which begs the question, will she become The Mad Queen, just as her father was The Mad King? Clearly, this is Varys’ concern, but which side of Dany will prevail? The one that has defined her identity for many years — the one that wants to leave the world a better place than she found it? Or will her Targaryen wrath prevail and will her desire for revenge get the better of her? With just two episodes remaining, things are more up in the air than ever before, and great battle is upon us.

Odds and Ends

  • Jaime and Cersei: It’s worth pointing out, that it’s possible Jaime was tricking Brienne in order to get out of Winterfell, perhaps to get to King’s Landing to kill Cersei himself.
  • The Hound and Arya: The ultimate duo are back together again on their way to King’s Landing. They both have unfinished business, namely killing their ultimate foes. Arya will surely want to be the one to take out Cersei and cross that name off her list. At the same time, The Hound will want to take out his brother, The Mountain, who burned him as a young boy and is responsible for all the identity issues that The Hound suffers today.
  • Other Allies: Though Dany’s forces have been significantly diminished, there are other allies out there. In this episode, it was mentioned that a new Dornish Prince has declared for Dany. Dorne has not played much of a role in this story as of late, but it’s safe to assume that they will show up in the final battle. It’s also worth remembering that Cersei still has Ellaria Sand and her sandsnake daughter locked in a cell beneath King’s Landing. Presumably, they are not yet dead, and could have a role to play as well. Yara Greyjoy is also still alive and has retreated to The Iron Islands — additional allies for Team Dany.
  • Bronn: A character I’ve generally enjoyed throughout the show, I was disappointed to see Bronn turn on Jaime and Tyrion. I’m not quite sure how his story finishes up, and with only two episodes to go, and it doesn’t seem very relevant that Tyrion promised him Lordship over Highgarden if they win the war. But, we’ll see how this one develops.
  • Cersei’s Baby: It’s unclear what’s happening here. Question 1: Is Cersei pregnant? Question 2: Who is the father? Neither answer is very clear, but it seems this will be somewhat important as the story comes to a close. Cersei first told Jaime the baby was his, but this could have been a lie to keep him close. In this last episode, Cersei tells Euron that she’s pregnant with his baby — again, unclear what the truth is. Going back to season five, we saw a flashback of Cersei as a young girl, encountering Maggy the Frog, a witch who offered Cersei a prophecy. She basically told Cersei that she would have three children, all of whom would eventually die. We saw this prophecy come true, as all three of Cersei’s children were eventually killed. Again, this prophecy stated Cersei would have three children (not four), so if we believe this prophecy to be true, than Cersei is either not actually pregnant, or will have her baby killed.

Season 8, Episode 3: The Long Night

DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.

Here’s an idea for the framework of a story. Let’s start off with a series of events that will initially seem like the main purpose of the story, say a battle for supremacy over a throne. Let’s weave in countless battles, twist and turns, all in the name of conquering that throne. Let’s then start to pivot a bit and make our story multi-dimensional. Let’s tickle the curiosities and spark the imaginations of our viewers by starting to slowly and methodically offer the idea that the original premise of this story is actually not the end-all be-all. Sure, that first story about the battle for that throne once seemed all-important, but what if we start to craft another story, which starts to make the first seem less significant? In doing so, we offer a powerful idea: relativity. A plot-line that once fully consumed us, may now start to feel more disposable, when considered relative to a much more powerful story we can tell. And, say, that more important story will be centered around a much more existential philosophy….Maybe good vs evil, light vs dark, Ice vs Fire.

Of course, as we start to build this seemingly much more significant story arc, we will do so in a slow and calculated manner. We will start by offering breadcrumbs, early on, maybe even teasing the villain, a mysterious White Walker, in the very first scene of the very first episode. From there, we will build slowly over nearly a decade of storytelling, consistently reinforcing to our audience that there is a much more important storyline lurking in the distance — one that will continue to come into greater focus with each passing day.

And as our story nears its ultimate conclusion and this seemingly all-important storyline appears to be reaching its climax — the point where our audience will finally be rewarded with a a more illuminated view into the true message or meaning underpinning this story — let’s do the following: In the blink of an eye, let’s completely pull the rug out from under them. Let’s offer up a huge plot twist that undermines everything we’ve been telling our audience for the past 10 years. That original story we hooked you with — the one about humans battling for a throne — the one we worked so hard to remind you is actually less significant than that bigger and more important plot-line — let’s do a complete 180′ on that and decide it’s going to be the plot-line that the ending of this story will be dedicated to.

How does this framework sound to you? Shocking? Frustrating? Downright idiotic?

The Game of Thrones was fun. But it was just the first book in the Song of Ice and Fire series. Which, as we saw in the show, meant that this story ultimately was about something so much greater than mere mortals battling for a throne — a story that’s been done a dozen times over. This story was going to explore a much deeper, more powerful theme — one that cuts to the very existential core of human nature. The eternal struggle between good and bad, light and dark, which in this story, will be embodied by Ice and Fire.

It was not long before we started to understand that the battle for the throne was small potatoes compared to The Great War to Come. You know, that war that was going to determine the very fate of human existence. The war that pitted the dark and mysterious Night King against pretty much the rest of humanity. The war that tied in elements of gods, magic, dragons, and so much more. And what this show more than succeeded at was the masterful nature in which they built this story. Visions, flashbacks, allusions to events that happened thousands of years ago — these were just a few of vehicles that allowed us to start to understand the power of this storyline being built.

First, it was just White Walkers — pretty badass creatures of darkness that certainly made it clear that there’s a real threat to humans — a threat that makes bickering over a throne quite futile. But this story became all the more intriguing when we were introduced to The Night King, the mysterious leader of the White Walkers. Slowly, we were offered breadcrumbs which built the anticipation of this story, but also generally raised more questions. In season four, we learned how White Walkers were created, when we saw The Night King touch his finger to the face of a baby.

Two years later, things got even more interesting, when we saw how The Night King himself was created. Through one of Bran’s visions, we learned that The Night King was created by the Children of the Forest after they inserted Dragonglass into his heart. This certainly raised many more questions. Why exactly did The Children do this? They mentioned to Bran it was to save their kind from The First Men who had been slaughtering them. But how does creating The Night King save their people? Wouldn’t you just want to kill the humans you are at war with? Why insert Dragonglass into his heart? Seems like a strange ritual. And did The Children know they would be creating The Night King? Was that their intention? And who was the human they chose? Was he random or a significant character? And what about those spirals? We know those spirals were used by The Children, and then The Night King started using them as well — why? What was the ultimate connection between The Night King and The Children?

So many questions to be answered, and it was never a guarantee that they all would be, but as this story approached its final hours, it became abundantly clear that at minimum, there was a major connection between The Night King, The Children of the Forest and Bran. So with just a few episodes left before this 10-year journey comes to a close, I was expecting to learn a lot more about who The Night King was, why he was created, what his ultimate motivations were, how he was connected to The Children, what was the significance between he and Bran, etc… I felt that this entire saga, A Song of Ice and Fire, would be just that — a beautiful harmony, that as it reached its crescendo, would delight me with a a moment of clarity — a moment that allowed me to understand what this whole thing really was about.

What actually happened in tonight’s episode couldn’t have been further from this. What we got tonight, in the most highly-anticipated Thrones episode of all time, was an edge-of-your-seat 80-minute battle scene, and a 2-minute mindblowingly disappointing ending. As for the battle itself, hats off to Thrones for once again delivering another absolutely epic battle — one that took 11 weeks to shoot and required over 750 actors on set! No small feat. And while it was pretty suspenseful, it was actually one of my least favorite battles to date. The Battle of Blackwater Bay, the first real battle we ever witnessed on Thrones, watching those ships light up the sky with green wildfire, will always be a special one. Watchers on The Wall, the penultimate episode of season four (and the only other episode besides tonight’s to be fully dedicated to one battle scene), was spectacular as we got to watch The Night’s Watch defend The Wall for the first time against The Wildlings. Even the more recent Battle of the Bastards grabbed me more than this battle tonight.

First, I really found the battle to be a bit too all over the place. No doubt, this is precisely what producers/directors were going for — trying to create the feeling that this was not a singular battle happening in one location, but rather spread throughout many parts of Winterfell. Yet still, I found it a bit disjointed trying to follow the many different characters battling wights in many different nooks and crannies of the castle. I also found the coloring of the episode to be challenging. Again, this was no doubt intentional, but the combination of darkness from this battle being fought at night, mixed with a lack of visibility from The Night King’s foggy mist, made a lot of simply hard to follow — a big miss in my opinion.

I also flat out did not enjoy the role of the dragons in this battle. It was hard to see who was riding what dragon, which dragon was which, and ultimately I just didn’t feel the dragons were used well in this battle. This is all the more disappointing given that dragons versus White Walkers is the embodiment of Ice vs Fire, and it’s been nearly 10 full years that we’ve been talking about that moment when we’d finally see a battle where dragons are going against the army of the dead. I can’t say I was too impressed with it. I also found it a bit tiring the number of times a main character was about to be consumed by a clan of wights, only to be saved by another. Sure, once or twice I can chalk it up to writers taking some liberties, but it happened a half-dozen times, and at a certain point, it just becomes gratuitous. I get we can’t kill off all our main characters in one episode, but we also can’t pretend that they are all capable of fighting off 10 zombies at a time, and set each up to appear as though it’s about to be their last moment, only for them to be miraculously saved just in the nick of time.

But I can put to the side the above grievances I had with the battle itself. What I cannot put to the side is the way the episode ended. It utterly and completely rocked my world, and undercut everything I thought this story would ultimately be about. This episode was the one. Bran and The Night King were likely going to come face to face, and something major had to happen. As the humans are losing the battle, and the very real possibility of The Night King winning starts to set in and the climax is upon us. The Night King approaches Bran, with nobody left to defend him (remind me why anybody thought Theon would be able to defend Bran from The Night King?), and something BIG is about to happen. On the edge of my seat, my heart was racing in anticipation, feeling as though I was finally about to learn what the hell it is that The Night King is really after.

But it just wasn’t in the cards. Arya jumps from what seemed like a solid 10 feet, but is caught by The Night King, and it looked like this might be Arya’s last moment. But she makes a nice maneuver to drop the dagger into her other hand, plunge it into his side, and just like that, poof, The Night King is no more. Nothing even special about the way he was destroyed. He able to be killed the same as all the other White Walkers, with Valyrian steel. And he exploded into glass pieces, just like the White Walkers when they are killed. This was The Night King — not just another White Walker — and not that he had any business dying here, but I was even disappointed with the fact there was nothing special about what it took to kill him or the display of his death.

The way he died also simply felt too easy, too quick, too unimportant. Not taking any credit away from my girl Arya, but a 12-inch dagger to the side and the all-evil Night King is dead? That’s it? Let’s not forget, this is a Night King that has been around for hundreds, if not thousands of years. And that’s all it took to defeat him? Big miss there.

Anyway, just like that, in the blink of an eye, everything changed. In anti-climatic fashion, all the White Walkers are destroyed, and then their wights. The great war is over, the humans have won, and I am left feeling as though this is an ending to a story I have seen 100 times over. But wait! We still get to see who is going to win the Iron Throne — totally more important than a great war intended to decide the very fate of mankind — a war that we had every reason to believe was going to reveal a great deal of what this story was ultimately all about. And now, sadly, it seems we’re back where we started, and that it’s simply about humans fighting for a Throne. Can’t wait for more blah blah blah from Cersei in King’s Landing!

Maybe it’s my fault. Maybe I gave Thrones too much credit. Maybe I shouldn’t have believed this story was about something a lot deeper. But then again, this is a story with a 10,000 year back-history, one that was referenced hundreds of times throughout the show. We were given every reason to believe that there was great magic and mystery that happened prior to the start of this story — things we were going to learn about before this story concluded — things that would underpin the true meaning of this story. One very simple example of this is in season six when the show decided to take us back in time to show us The Children of the Forest creating The Night King. That gave us every reason to believe that we were going to learn more about The Night King, who he was, why he was chosen, what The Children were trying to achieve, the connection between the spirals, etc… Why even show that scene if we are never going to unpack it further?

Now, before I conclude this post, let me acknowledge the chance that there are still some big reveals around some of these topics. Bran is still alive, which means we still have a portal into the past (and future). So, it’s still entirely possible we learn more about The Night King, The Children, and what A Song of Ice and Fire is truly about. And I really hope this is the case. But, with the entire army of the dead defeated, it seems like that is now in the rearview, and the last few episodes will go back to human vs human battle to determine who will sit upon the Iron Throne at the story’s completion.

I am saddened and shocked by all of this. I find it hard to believe that George R.R. Martin created this masterful story, the ending of which is not concerned with Ice and Fire, but rather humans competing for the throne. It seems beneath where the story was going and feels like we took 100 steps backwards to a much less intriguing storyline. I hope the next few episodes have some course-correcting surprises, otherwise Lost may have just lost its top spot as worst end to a TV show of all time.

Odds and Ends

Arya’s Dagger: We’ve touched upon this dagger in several previous posts, but the Valyrian steel dagger that Arya uses to kill The Night King has a pretty cool backstory. It was originally used by Baelish who gave it to an assassin to try and kill Bran in season one (Baelish’s goal was to blame the Lannisters for the assassination attempt on Bran, to pit House Stark and Lannister against each other, which is precisely what happened). After the assassination attempt failed, the dagger ended up back with Baelish, who gave it to Bran when they reunited at Winterfell earlier this season. Bran then gave it to Arya, telling her he had no use for it. Had he already seen the vision of how Arya would use it to defeat The Night King? (Arya also used this dagger to kill Baelish).

The Prince(ess) That Was Promised: Obviously a theory we’ve been touching upon for years now. In a recent episode, the idea of The Prince That Was Promised was being discussed in Valyrian. Missandei, who speaks this language well, corrects Dany and Lady Melisandre, telling them that in Valyrian, that word has no gender, meaning it could be a Prince or Princess. This created more speculation around who would play this prophesied roll, with many people now thinking Dany, and some more recently even believing Brienne. Looks like, after all, it was Arya.

Bran’s Warging: What exactly was Bran doing when he was warging for so long in this episode? We saw he warged into some ravens, seemingly to get a better glimpse of what was going on in the battle. But we never really saw where the ravens were going, or what Bran saw through their eyes, if anything. If nothing significant, then it felt kind of pointless that he was sitting there warging this entire scene.

The End: It’s important to remind that the show is now far ahead of the books, and while George R.R. Martin has definitely provided direction for the show to work around, they are taking more liberties now than ever before. The first six seasons were based directly off books that were written. Characters, events, even most dialogue was direct from the books. Starting last season, the show jumped ahead of the books, and as a result, it seems a lot more liberties are being taken. It’s hard to know if the books will culminate the same exact way the show does.

RIP: Rest in peace to Beric, Jorah, Theon and Melisandre. Beric’s death was not too eventful, but he served his role in The Great War and helped to save Arya who would ultimately take out The Night King. Jorah’s death was the most noble, and there is no way he would rather die than fighting to protect his beloved Khaleesi. Theon’s death was so-so. I appreciated that Bran told him that he was a good man and thanked him, giving him the closure he had been searching for, prior to his death. That said, I found it silly that he was out there in the first place trying to protect Bran from The Night King, as if Theon stood a chance. We’ve seen the last of Melisandre as well, as she harnessed the power of The Lord of Light, played her role, then faded off into the distance, dying as the old woman she is (remember, it was the necklace she removed that kept her youthful).

Season 8, Episode 2: A Knight of the Seven Kingdoms

DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.

The end of an era. The dark before the dawn. A preamble to death. Call it what you’d like, but make no mistake, the end is here. Now.

The thing is, we always knew this moment was coming. It’s been clear for some time that the finality of this story was lurking around the corner, perhaps just out of sight. But knowing that the end is near in your head, truly feeling it in your heart, are two very different things. And tonight, for the very first time, we were forced to feel the weight of the end, and all the consequences that will come along with it. What was once out of sight, is now in crystal clear focus, and there is no turning back.

After a rather slow setup episode to kick off the season, many anticipated an action-packed episode this week. I myself suspected that we might get our first battle tonight. But what we were offered tonight was more profound — more emotional — than perhaps any battle scene ever could be. In a subtle, yet powerful way, we were reminded of all that has happened over the past 10 years — intense character journeys that saw foes become friends; great sacrifice and heart-wrenching loss; glorious victory and crushing defeat — all that has led us to this very final moment. And as we processed the great journey that led us here today, we were reminded of the great fragility that characterizes the world we live in — a reminder that overnight, everything can change; life can turn to death, while the things we hold most dear can be taken away in the blink of an eye.

The great paradox, and genius of this episode, was that we were ultimately reminded of what we will soon forget. Like a montage of memories before our eyes, it will all soon be over, and most of it will soon be forgotten. The ingenuity of this concept is that it speaks true both externally, of us viewers, who likely will forget most of what we’ve witnessed over the past decade, once this great saga comes to an end and the years go by. But on a meta level, the same can be said true of the characters in the story. As the end approaches, so does the very real possibility of human extinction, which would bring about the end of all recollection and memory. And, as we learned from Bran in this episode, that is precisely what The Night King is after (we’ll get to that more later).

The last night of sleep-away camp where you stay up all night, knowing that morning will bring about the moment where you’re forced to say goodbye to those friends who you may not see again until the following summer. Those last moments leading up to college graduation before you close the chapter on your college days and embark upon that next phase of life. This was all of those goodbye moments rolled into one and amplified times 100. We were readied for what may be the final goodbye. Life is not guaranteed. Death is imminent. Loss is certain. And tomorrow may not come at all, which forces us to reflect back upon the most magical of journeys, which in concert, create what we have come to know as A Game of Thrones.

All You Need is Love

To date, character relationships have often been complicated and unpredictable, but as the end nears, all of that has begun to change. Staring down the face of death, what we saw in this episode was characters mostly stripped of all the layers that no longer matter. And when you peel back all those layers, we’re left with relationships that are defined by one simple constant: love. And it is the power of this love, combined with an awareness of how quickly this love can come to an end, that made this episode so sad, yet beautiful. Characters coming together, knowing full well that this might be their last sip of wine together; their last laugh; their last kiss. Their realization of the impending finality allowed us to view these characters stripped of what has defined their very existence in this story for so many years — the lies, the schemes, the deception, the games…None of that matters anymore, and we got to see the true essence of these wonderful characters.

This theme starts early in the episode when Jaime is reunited with Brienne, one of the few people in all of Westeros who got to hear his side of the story regarding his slaying of The Mad King. Their journey was intensely powerful, and it was Brienne’s character that served as the foil for Jaime’s first evolution. It was through her that we first saw a different side of Jaime — a more vulnerable character that had been carrying the burden of being unfairly labeled Kingslayer and Oathbreaker. Below is a clip from season three in which Jaime breaks down to Brienne and she learns who he really is. This scene is hugely important as it allowed Brienne to understand what Jaime had been through and the truth of his character — the very character she would come to the defense of all these years later in his moment of judgement.

As we heard Brienne recount in tonight’s episode, it was Jaime that saved her life, and lost his hand for it, back in season three. Years later, it is now Brienne saving Jaime. And if all that is not poetic enough, with death at Winterfell’s doorstep, it is Jaime who is able to give Brienne what she wants most in the world, her knighthood. Underscoring the importance of this moment, Thrones producers chose to name the episode after it, A Knight of the Seven Kingdoms. Whether it is a love of romance or a love of loyalty and admiration (likely the latter), the feelings displayed between Jaime and Brienne offer a shimmering light before the darkness that is just around the corner.

The moments of love continued between many other characters, again offering reminders of the richness and depth of experiences that have shaped these relationships in seasons past. The reunion between Theon and Sansa proved that even a short-lived exchange can be powerful and emotional, when delivered the right way (something the premiere episode seemed to be totally unaware of). Theon’s return to Winterfell only lasted about 30 seconds, but his pledge to fight for Sansa and Winterfell brought things full circle for him. His character has been tormented for years as to who he should try to be: a Greyjoy or a Stark. He has made some excruciating decisions along the way as he battled this identity crisis, but his return to Winterfell signals that he has found some closure and realizes who he ultimately wants to be in the final moments of this story.

But what made this scene even more emotional was the embrace shared between Sansa and Theon. Both characters have been through some unimaginable circumstances, and their experiences intersected at the hands of the sadistic Ramsay Bolton, who held both of them prisoners. At the end of season five, the two came together to escape Winterfell, a moment that liberated them both literally and figuratively. They went separate ways shortly thereafter, but they will forever share a powerful bond built upon a shared understanding of what it meant to endure Ramsay’s torturous ways, as well as knowing that they came together to escape. Their present-day reunion is a reminder of all that they had been through, and their embrace reminds us of the ways in which shared adversity can bring us closer together, perhaps more-so than anything else.

Lastly, this scene reminds us that perhaps Theon’s tale is ultimately about one thing above all else: redemption. Lost in the fray of hating so many others (i.e. Ramsay Bolton, Joffrey, Walder Frey, etc), you may not remember it, but there was a time when you hated Theon more than anybody in the entire Thrones universe. This was the guy that turned on the family that raised him as he brought destruction to House Stark and Winterfell. Some time thereafter, he was taken prisoner by Ramsay and turned from Theon into Reek, and became such a broken man that there was nothing left to hate. And then for some time following his escape, he vacillated back and forth, trying to figure out whether he was Reek, Greyjoy or Stark, and as viewers, it was unclear where his path would lead. But, after rescuing his sister Yara, and now returning to Winterfell to fight alongside House Stark, Sansa’s embrace reminds us that redemption is possible, almost always. Looking back, Theon’s character offered viewers an unbelievably complex and rich character journey. Given that he’s arguably not even one of the top-ten most important characters in the story, this is just another testament to the absolute genius of George R.R. Martin. In any other story, a character of such complexity would be the main star of the show — but in George R.R. Martin’s world, each character, no matter how prevalent or how peripheral, is exceptionally well-developed and never overlooked.

The theme of characters coming together in their final hour did not stop there. Arya made it clear that she’s all grown up and did not want to die a virgin, as she took control of Gendry. I guess one needle wasn’t enough for her. (For anybody who didn’t catch that one, the name of her sword is Needle). Before seducing him, he presented her with the weapon she’d been asking him to make — a fighting stick adorned with Dragonglass on either end. Again, even in a small detail such as the presentation of a singular weapon, we are reminded of the incredible journey that Arya has been on — one that will be altogether forgotten if darkness prevails.

Back in season six, Arya endured great sacrifice, including total loss of vision, as she trained to become a Faceless Man under Jaqen H’ghar in Braavos. This part of her journey, more-so than any other, ultimately shaped who she would become, so it is powerful to see that in what might be her final moments, she chooses to fight with a weapon similar to that which she trained with in Braavos. In this scene, we also heard that mysterious Braavosi music in the background, which once again begs the question: will we ever see Jaqen H’ghar again?

The unions continued throughout the episode, including one last kiss between Missandei and Greyworm. I must say, I am still puzzled by this part of the story. I never understood what the significance of their relationship is or what purpose it serves. Nonetheless, we are reminded that in the face of darkness, this might be the last kiss they ever share together. Same goes for Sam and Gilly as they are shown laying in bed with their baby boy between them, perhaps the last time they will ever be united as a family.

Finally, on the topic of this episode bringing characters together that remind us of the past, I’d like to point out one other scene that hardly anybody will talk about, but I found emotional: the scene between Ser Davos and the little girl in the square of Winterfell. For many seasons, Davos’ one true love was Princess Shireen, the daughter of Stannis Baratheon. Because she was afflicted with Greyscale, Stannis kept her contained to a cell beneath Dragonstone, where Davos would often sneak down; he would tell her stories while she would affectionately teach him to read. It was a loving and heart-warming relationship, which ultimately ended with her death at the hands of her own parents, who sacrificed her at the advice of Lady Melisandre. This was heartbreaking for Ser Davos, and ultimately led him to depart from the service of Stannis, and brought him to where he is today. Make no mistake about it, the girl in this last episode with the scar on her face was not randomly placed. The intent was to remind viewers of the love Davos had for Princess Shireen, a love that will fuel him to continue to fight for life against the army of the dead.

After a disappointing and underwhelming reunion last week, Arya and The Hound had another moment together, which did a slightly better job at recognizing the history they had together. Arya questions what The Hound is doing in Winterfell, asking him “When have you ever fought for anybody but yourself?” He looks back at her, and responds, “I fought for you, didn’t I?” In this simple dialogue, we are reminded of the great journey Arya and The Hound shared together, and that neither would be standing where they are today if not for that journey. After all that they’ve been through together, it’s painful to consider that we have witnessed their very last exchange. I could see The Hound making one final sacrifice, giving his life to save Arya in battle.

Last, but certainly not least, towards the end of the episode we see another wonderful reunion which reminds us of an important past that we cannot forget. Jon is reunited with what you could argue was his first true love — his brothers of the Night’s Watch. Standing beside his brothers, Sam says “Think back to where it all started,” before they repeat their words, probably for the last time, “And now our watch begins.” After having spent years defending The Wall and building a bond that most could never imagine, it is unlikely that these three will ever stand together again. What a sad thought.


The King and I

If the planned Thrones spinoff proves unsuccessful, HBO could always pivot to a Thrones satire featuring The Night King and Bran, entitled The King and I. All joking aside, in this episode we got a bit more color on The Night King’s intentions as well as his connection to Bran.

For starters, Samwell flat out asked the question we’ve all been asking for quite some time now: what does The Night King want? Bran provided a fairly direct response: “He wants an endless night. He wants to erase this world, and I am its memory. He’ll come for me, he’s tried before many times with many Three-Eyed-Ravens.”

So while Bran provides some more color on what The Night King wants, I can’t say it was a real “ah-ha” moment. I still don’t quite understand what The Night King wants to achieve. Or better yet, maybe I just don’t understand why he wants to. Sure, he wants an endless night where the world is erased. But why? Say he wipes out humanity and gets his endless night, then what? I still believe, and really hope, that there’s more to the Night King’s true ambitions than what Bran has divulged. There has to be more to what he’s after and why he’s after it. I am hoping we’ll still have a big reveal of who The Night King really is, why The Children of the Forest created him, and what this eternal battle between Ice and Fire is really about.

What’s also interesting to think about is that Bran alluded to the fact that The Night King has tried “many times with many Three-Eyed-Ravens before.” How many Three-Eyed-Ravens have there been before Bran? And does this dispel the theory that Bran was the earlier Three-Eyed-Raven all along, essentially the future version of himself guiding the present-day version of himself? What has happened to the other Three-Eyed-Ravens, and what has their role been compared to Bran’s? No answers for you on these questions, but interesting to think about.

Another takeaway from this scene was that Bran was speaking to a room filled with all the key players in the story (Dany, Jon, Tyrion, Arya, Davos, etc). Of all these characters that could have responded to Bran’s declaration about what The Night King wants, it was Samwell who responded, stating “That’s what death is…Forgetting, being forgotten…If we forget where we’ve been and what we’ve done, we’re not men anymore, just animals. Your memories don’t come from books, your stories aren’t just stories. If i wanted to erase the world, I’d start with you.”

What’s interesting about this is that it ties back to an idea that we’ve spoken about in earlier posts — that perhaps Samwell will be the ultimate storyteller — perhaps the very person narrating the story we are being told today. This idea has never held more weight than after this episode, in which Bran declares that The Night King’s entire mission is to erase the world and its memory. If that is the case, than the Night King’s ultimate opposition would be the storyteller who possesses the power to perpetuate the story of humanity. As we know, there is nobody that has embraced the power of books, story and recorded history more-so than Samwell Tarly. You can read a more detailed account about that theory here, but I found it very telling that Samwell was the one to respond to Bran in this scene.

After learning that The Night King will come after Bran, team humanity decides their best play is to set him out in the weirwood forest as bait in an attempt to lure in The Night King. Theon offers to protect Bran, though alone, he’ll be no match for The Night King. This raises the ultimate question: how do you kill The Night King? It’s unclear whether Valyrian steel, Dragonglass or even dragon fire will work.

The Crypts of Winterfell

The crypts of Winterfell were mentioned no less than a dozen times in this episode. And each time, they were mentioned as the “safest” place to be. I get the sneaking suspicion that perhaps they are not as safe as everybody assumes. Or that there will be a major reveal about the crypts in the coming episode(s).

After Thrones producers chose for the location of the season eight teaser to be the the crypts of Winterfell, I dedicated a post to a theory about these crypts and their very mysterious history. Given how much these crypts were mentioned in tonight’s episode, I would highly recommend reading that theory here.

Discord in Winterfell

As the story nears its end, everybody in Winterfell seems to be on the same page. Well, almost everybody. Sansa and Dany have a heart-to-heart and it seems as though they are going to emerge the better for it, until Sansa asks the difficult question: what are Dany’s intentions if the war against death is won? Dany makes it clear that she intends to reclaim the Iron Throne, and Sansa makes it clear that The North does not intend to bend the knee again. With just four episodes to go, it seems unlikely that we ever see this conflict play itself out, but what’s important to note is that the very fact this conflict is lurking in the distance could cause enough discord between these characters as to affect their much-needed union today.

Making matters even more confusing, Jon reveals to Dany his true identity, and she quickly realizes that if true, he would be heir to the Iron Throne, not her. Her first reaction was one of disbelief, but she told Sansa just moments before that she knows Jon is a man of his word, so it will be difficult for her to deny the truth of his identity. The question is, will she be able to accept it. Unfortunately, this is not something she’ll have much time to ponder, as their conversation gets interrupted by the war horns that signal the army of the dead have arrived and the battle is just moments away. Without time to further discuss, how will this impact Dany’s loyalty to Jon, House Stark and her prioritization of this battle versus the battle for the Iron Throne? In short order, we will see Dany’s true colors, and while it feels unlikely, it is possible that she could turn on Jon if she now views him as a threat to the Iron Throne.

And just like that, The Great War is here. As the episode comes to an end, we see the front line of The Night King’s army, and he’s not messing around with any wights out there. His front line is comprised of all White Walkers, many more of them together than we have ever seen. Expect next week’s episode, all 82 minutes of it, to be edge-of-your-seat battle action. A word of advice: prepare yourself mentally and emotionally, because many great characters will die.

Odds and Ends

  • With The Great War upon us, will The Prince That Was Promised finally emerge to lead the war against death and darkness as the prophecy states? If so, who will it be? If you aren’t familiar with the theory of The Prince That Was Promised, read here. Lady Melisandre originally, and incorrectly, believed Stannis to be The Prince, while the popular theory then became Jon, and more recently Dany. With Jaime back in Winterfell and Bran alluding to the role he has to play in The Great War to Come, Jaime could in fact emerge as The Prince That Was Promised. And with Brienne’s recent knighthood, it could even be her.
  • If you didn’t catch it, Jon’s wolf, Ghost, is back. This begs the question of whether or not we’ll see Arya’s wolf, Nymeria. I say yes.
  • In the scene between Jaime and Bran under the weirwood tree, Jaime asks Bran what will happen afterwards, to which Bran responds “How do you know there is an afterwards?” An ominous response to say the least, which highlights the very real possibility that darkness does in fact prevail.
  • Samwell gave Jorah Heartsbane, a great Valyrian sword that has been in House Tarly for centuries. Jorah would have been in line to receive Longclaw, the great Valyrian longsword that belonged to his father, Lord Commander Jeor Mormont, but because of Jorah’s exile, the sword instead went to Jon. We know that Jorah was one of Westeros’ greatest warriors, and now he has an epic sword with which he can slay some White Walkers.
  • Where was Varys in this episode? We know he was in Winterfell, but it was peculiar that he was not involved in any of the key scenes or dialogues. Keep an eye on this. And remember that we still do not know what he heard in the fire all those years back.
  • Which major characters that have been killed off will we see reemerge as wights in The Night King’s army? I think it’s safe to say we’ll have to see at least one or two characters that have been turned into zombies. Stannis would make a pretty wicked wight.

Season 8, Episode 1: Winterfell

DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.

At long last, the wait is over. Don’t feel totally satisfied? That’s okay, don’t beat yourself up over it. While the season eight opener was devoid of any major jaw-dropping moments, it achieved exactly what it set out to — it laid the ground work for what will no doubt be a massive conclusion to this epic saga.

Sure, after waiting almost two years, we all would have enjoyed a classic Thrones battle scene. We even would have settled for a more subtle reveal that perhaps would shed light onto any one of the many burning questions we have. Be patient, young grasshoppers — all of that will come.

What the premiere episode, entitled Winterfell, lacked in big moments, it made up for in powerful (and often awkward) reunions. These reunions paid homage to the past; they served as a subtle reminder of all the story’s twists and turns that have led these characters to where they are today. But these reunions also starkly foreshadow the future, reminding us that it is the present-day configuration of characters that will likely determine the very fate of mankind. The past, present and future are all here, now. So before you tell all your friends and co-workers how disappointed you were with the season-opener, take a moment to appreciate it for what it was — the quiet before the storm. There will be no shortage of action to come in the remaining five episodes, so let’s take a moment to analyze and appreciate all the nuances from the season premiere.

A Credit to the Credits

The opening credits are an often overlooked and under-appreciated facet of most TV shows. In the past decade or so, HBO has started to change that in a big way, as productions of some of their biggest shows have brought the opening credits to the forefront. From True Detective, to Westworld, to Game of Thrones — opening credits have morphed from obligatory bore to masterful pieces of art. None more-so than Game of Thrones. Could there be a more triumphant blend of imagery, music and motif? I say not. Thrones transformed the way we think about the opening credits altogether. No longer just a static introduction to offer information about the show’s cast and crew, but rather an immersive vehicle to enhance and evolve the storytelling itself.

So as the final season approached and you asked yourself what Thrones producers would choose for the very first scene, you likely overlooked considering the opening credits themselves. And that is where, once again, Thrones delivered in a way we could have never seen coming. In short, the opening credits were completely revamped, in just about every way possible. The scope of locations presented? Different. The sequence in which they were presented? Different. The looks and feel? Different. The astrolabe that offers up Westeros’ biggest historical events? Different. With all this change, before you even think about breaking down the show, you must dive deeper into the credits themselves to truly appreciate the first episode.

For starters, the opening credits simply looked a lot cooler. They looked newer, shinier, sleeker — almost as if this version of the credits was produced 10 years after the original version. Oh wait, it was. But the “coolness” of the credits is just the beginning. There were a bunch of very material changes, the first of which can be seen on the astrolabe, an object that has served as the central motif to the show’s opening credits since day one (and likely has a great significance that I hope will be revealed before the show’s culmination). If you’re not sure what the hell an astrolabe is, see below.

As you’ll see in the above photo, which features an astrolabe from the older credits, we can see images recorded on it which tell the story of Westeros’ history. The major historical events that have always been displayed are The Doom of Valyria, Robert’s Rebellion and the rise of House Baratheon. These three events, the fall of the greatest civilization, Valyria, (~400 years ago), the great war that would see the Targaryen dynasty overthrown (~20 years ago), and Robert Baratheon usurping the Iron Throne (~20 years ago), would set into motion the story we would then begin watching. So, it made sense that the astrolabe in the opening credits captured these three major historical events — they clued us into the important moments that transpired before our time.

But in the course of the last 10 years, there have been entirely new events, ones that will likely change the course of history, so it was only right that the opening credits of season eight featured a much-updated astrolabe. As you’ll see in the photos below, three new historical events are highlighted: the reemergence of dragons into the world, The Red Wedding and The Night King using his undead dragon to tear down a chunk of The Wall. Check them out below:

Dany’s dragons being the first Westeros has seen in many generations
The Red Wedding
The Night King blows out a chunk of The Wall

If you were too hyped up for the opening scene and overlooked the show basically telling you that history has been rewritten in front of your very eyes, not to worry, you weren’t alone. But the magic of the opening credits continued from there. One huge change in approach is the direction in which locations were presented. Historically, viewers were always taken on a journey from south to north, generally ending around The Wall. The new credits did a complete 180, starting at The Wall (which now has a huge hole in it), and working down south. For one, this was an out-of-the-gate reminder that The Night King and his army have done something that has never been done before: they have successfully destroyed a chunk of The Wall, a magical structure built over 8,000 years ago. And as such, they are now on the loose, making death and destruction imminent.

As we continue just past The Wall, the opening credits used a new technique to offer viewers a glimpse into where the Night King and his army are lurking. The terrain they present is made up of tile-like pieces, which they flip from normal snowy white to icy White Walker blue to show the march of the Night King’s army. As the story evolves and their march continues, my guess is that we’ll see a lot more of these icy blue tiles being flipped.

Speaking of the Night King’s descent south, we are introduced to a brand new location, The Last Hearth, which was a castle belonging to House Umber. We see the army of the dead’s tracks leading right up to this castle, and to no surprise, we find out by the end of the episode that The Night King had definitely been there (we’ll get more into that later). What you also might have missed in the opening credits, is that they showed this castle built upon a small spiral mountain — the same spiral that has been synonymous with The Night King/White Walkers (we’ll get more into that one later as well).

The opening credits just got better from there, as we were offered new perspective into some of the most important castles, locations we now know will be central to the end of this story. At Winterfell, for instance, we got so much more than the castle exterior we have seen the past seven seasons. The opening credits took us deep into the interior of the castle, through the Great Hall, and more importantly, deep below, into the almighty crypts. (As an aside, before the start of this season, I wrote a deep theory about the significance of the crypts of Winterfell. That theory is only underscored by the opening credits choosing to show them once again. If you haven’t already, I would recommend reading it here).

Similarly, our arrival to King’s Landing took us deep into the castle, from The Red Keep to the Throne Room. It is no surprise that the locations ended there — a reminder that the majority of Westeros’ other locations are no longer as relevant to this story, one that has become acutely focused around just a few locales. What’s also worth noting is that the credits end in The Throne Room, with a final glimpse of the good ole’ Iron Throne. As of late, we’ve been told time and time again that the Iron Throne simply doesn’t matter all that much when compared to the war to save the human race. But the opening credits, which come to a close at the foot of the Iron Throne, perhaps would tell us otherwise…

If nothing else happened in this episode, I was enthralled by the magic of these newly revamped opening credits. Take a minute to soak it in one more time. Bravo…

A Melodrama in Winterfell

If I had one knock against this episode, it was not the lack of entertainment or action, but rather that it often felt more like soap opera than epic fantasy. I appreciate the nuanced conflicts presented by the many character reunions that took place in this episode, but the ensuing drama felt a bit tiresome, especially given the backdrop of fire-breathing dragons patrolling the skies and a freakin’ army of the dead at the doorsteps of Winterfell. Given these fantastical elements, the absolutely dire situation that every person in The North (and beyond) faces, I found it frustrating and childish some of the melodrama that took place. Sansa, there’s no time for you to be a whimpering child just because you are not as pretty or powerful as Daenerys. Northerners, there’s no time for you all to continue to be stupidly naive in condemning Jon for joining forces with Daenerys. Yet, this is the drama that I felt consumed Winterfell, and I simply thought we were past it.

What quickly became clear is that a story once characterized by a plethora of teams all trying to out-strategize each other, has condensed into just two sides. And what we quickly see from the opening scene is that it seems like just about everybody not named Cersei is on team Dany/Jon. Characters from all corners of the world, entangled by a complicated series of events over the years, have now all united where it all began: Winterfell. The once-enslaved Unsullied soldiers, the nomadic Dothraki warriors, even Dany and her dragons — all of which would have otherwise existed thousands of miles from Winterfell, have come together to fight back the army of the dead (who are just miles away).

As so many of the story’s main characters descend upon Winterfell, awkward reunions are inevitable. For starters, this couldn’t have been the homecoming Jon Snow was hoping for. All he did was put aside his King in the North crown in an attempt to forge an alliance with allies that could help protect The North. Oh, and he also ventured north of The Wall (again) and led a battle against The Night King’s army, while successfully capturing a wight and proving to the world that the army of the dead exists. No big deal. What should have been a hero’s welcome was anything but.

Sansa continues to be a whiny pain in the a**, continuing to chastise Jon for “abandoning” The North, despite the reality that he was trying to save it. But it doesn’t stop there — Sansa has something new to be upset about — a prettier and more powerful female. She makes clear her distaste and distrust of Daenerys, despite the clear facts: 1) Daenerys has the strongest army in the world; 2) Jon risked everything to forge this alliance; 3) Nothing else matters other than the fight against the dead. But still, Sansa is having a tough time backing Jon, and as a result, Jon is left having to continue to argue with Sansa behind closed doors. Their conversation culminates when she asks if he bent the knee because he believes in her or because he loves her. They are interrupted before he can respond, though the answer is likely both.

Jon’s reunion with his younger brother, Bran, whom he had not seen in many years, was also nothing to write home about. He wasn’t able to get more than a stoic word or two out of his younger brother. Even his reunion with Sam, his closest friend, was pretty quickly soured by Sam informing Jon that Daenerys had executed Sam’s father and brother. The poor guy, Jon risks it all, only to return home to a temperamental sister, a younger brother that has now turned into a Three-Eyed Raven, and a best friend whose family has been executed by the woman he’s brought into the fold. Not exactly a storybook homecoming. But if there was a silver lining, it was his long-awaited reunion with Arya. Of all the Stark children, Jon and Arya were always the closest, sharing the bond of being the outsiders of the family. Standing beneath the sacred weirwood tree, we are reminded of the Northern blood that runs through their veins, and that in many ways, they are all that’s left of House Stark.

Jon aside, there were a handful of other reunions, none of which offered much satisfaction. The one I have been waiting on for so many years finally happened between The Hound and Arya. Their storyline together was always one of my favorites, and I was hoping for more, if and when their paths crossed again. Comprised of just a few meaningless words, their reunion was short-lived and unmemorable. Arya also reunited with her longtime friend, Gendry, who to no surprise, is using his smith skills to oversee the construction of White-Walker-killing weapons made of dragonglass. There wasn’t much to this reunion either, again, a bit disappointing. After storylines that spanned several seasons and characters that developed deeply rich relationships, I couldn’t help but feel the show really missed capturing the power and emotion that should have been present for some of these reunions. But then again, compared to the impending war to preserve humanity, how important are any of these relationships really?

Last, but not least, we had a couple Lannister reunions worth mentioning. Tyrion and Sansa, once man and wife, shared a brief exchange, in which Sansa continued on her mission to let everybody know how displeased she is. After Tyrion mentions that Cersei is sending the Lannister troops north to join the fight, Sansa insults Tyrion by telling him that he was once the cleverest man she knew. In fact, Sansa’s instincts are correct, and we know as viewers that Cersei does not intend to send her troops north. The only other person who knows that, is the person she told it to: Jaime, who makes an appearance at King’s Landing in the final scene.

Speaking of awkward reunions, the first person he makes eye contact with is Bran, whom he pushed off the ledge and paralyzed all the way back in season one. If that’s not enough for all of the Starks to want to execute him, Jaime is all the Kingslayer, the man who killed Daenery’s father. It’s safe to say he hasn’t exactly stumbled upon an audience of allies, and he’s going to really need some good defense if he’s to stay alive. Lucky for Jaime, Brienne cannot be too far (strange that we did not see her in this episode), and she knows a side of Jaime that few other do. During their travels together, Jaime opened up to Brienne in a way that we had never seen before, and we started to realize the impossible situation he found himself in (sworn to protect the Mad King as he served in his Kingsguard, yet also sworn to uphold the honor of his father, Tywin, who was plotting to overthrow The Mad King during Robert’s Rebellion). I imagine Daenerys will want to execute Jaime for these crimes, while Brienne will come to his defense. Given Bran’s visions of the future, perhaps he too will come to Jaime’s defense, especially if he has seen a role Jaime will play in the Great War to Come.

Before we move on from Winterfell, there was one more scene that really rubbed me the wrong way. Jon and Dany riding their dragons together felt more a scene out of a Disney kids movie than it did a serious fantasy drama. It also felt incredibly rushed and contrived. I get it, Jon is a Targaryen, and he’s the one that is meant to ride one of Dany’s dragons with her. But anybody other than Dany mounting a dragon for the first time should be an incredibly powerful moment. It should be slow. It should be thoughtful. It should be emotional. This was anything but. One minute he’s talking to Daenerys, the next he’s full blown riding this dragon like it’s no big deal. And the way they swished and swooped through the air together just undercut what should have otherwise been a major moment in this story — two Targaryens riding their dragons together, something that has not happened for hundreds of years.

To top it all off, they made an already cheesy moment cringe-worthy as Jon comments “You’ve ruined horses forever for me,” before he and Dany kiss, while their dragons look on as two parents would look onto their teenage kids kissing for the first time. Eek. If this is the kind of thing I’m looking for, I’ll tune into the Disney channel. Disappointing stuff for what should have otherwise been a monumental moment in this story. Also, for what it’s worth, there are many characters I would be okay with mounting Dany’s other dragon, but Jon Snow just isn’t one of them. There is no person in this world that more strongly defines the character that rides a horse, sword in hand, ready for battle, than Jon Snow. The idea that he will abandon that to now fly through the skies on a dragon just doesn’t feel right.

King’s Landing

King’s Landing feels quieter than ever, but there are still some things brewing in the country’s capital. Most notably, Cersei (via Euron Greyjoy), has secured The Golden Company, a paid army of 20,000 soldiers. This will certainly get her a lot closer to leveling the playing field against Dany’s army, though no amount of soldiers truly pose a threat to dragons that breathe fire from the skies. After Euron secures this army for Cersei, he pursues the prize he has been after. While Cersei initially shuts him down, she appears to have a pretty quick change of heart, and just moments later, the deed is done. Again, the pacing of this felt a bit off, and something about Cersei sleeping with Euron feels a bit forced, but maybe that’s the point. The two have a strange exchange, which culminates with Euron rubbing her belly and telling her he is going to impregnate her with a prince. Not exactly sweet nothings in her ear, but hey, to each his own.

What was peculiar about this exchange is last season Cersei had led us to believe she was pregnant with Jaime’s baby. Was that perhaps a lie to try and keep Jaime’s loyalty and make others believe she had something to live for? Note that in this very scene, she is drinking wine, which points to the fact that perhaps her pregnancy was nothing more than a manipulative ploy. In any event, with five episodes to go, I find it hard to believe that her pregnancy, or lack thereof, will have a material impact upon this story.

While Euron was off sexing up Cersei, Theon was able to rescue his sister, Yara. It all felt like a bit too easy of a rescue given this is Euron’s prized prisoner, but we’ll let that one go. Yara plans to reclaim the Iron Islands and mentions it could be refuge should the army of the dead take the land of Westeros. Yara gives her blessing for Theon to return to Winterfell to fight alongside the Starks.

In other King’s Landing news, Bronn, one of the few remaining characters in the city, is approached by Maestar Qyburn and asked to hunt down Tyrion and Jaime. He is given the very same crossbow that Tyrion used to kill his father, Tywin, several seasons back. It feels hard to believe that Bronn would kill Tyrion or Jaime, the two people he forged bonds with throughout this story, though perhaps for the right price he would. More likely than not, this is a plot-point to get him to Winterfell, where perhaps he will have another role to play. Before he departs King’s Landing, does he save the Sand Snake that Cersei still presumably has locked up in a cell?

The Mystery Spiral

In what was the most entertaining sequence of the episode, Tormund, Beric and several brothers of the Night’s Watch arrive to The Last Hearth to find that The Night King has made mincemeat of whatever humans were at the castle. But before he departed, he left a very clear message, which centered around a symbol we have now seen numerous times throughout the show: the mystery spiral.

So what does this spiral signify? Well, it’s hard to really know at this point, but there are a couple important takeaways. First, the spiral is connected all the way back to The Children of the Forest who were the first inhabitants of Westeros, before The Night King, or man even existed. This spiral arrangement was significant to them. In the image below, from one of Bran’s vision, we can see the spiral arrangement that they created:

In the image below, we can also see an inscription in the caves below Dragonstone, which Jon discovered last season when mining for dragonglass. He explained to Dany that these inscriptions were made thousands of years ago by The Children of the Forest. One of those inscriptions again shows this very same spiral:

So we’ve established that this spiral was significant to The Children of the Forest. The other key thing we know is that it was these very same Children of the Forest that were responsible for creating The Night King in the first place by inserting dragonglass into the heart of a human (see below).

From there, we know The Night King adapted the spiral and this marking started appearing throughout the show, generally associated with death.

Spiral of corpses from the very first episode
Spiral of more corpses found by the Night’s Watch

So while we don’t know exactly what the spiral represents, we do know it underscores the connection between The Children of the Forest and the Night King. There are major questions to be answered, which have significant implications around what this story is ultimately about. The first question is why did The Children create the Night King as we saw above? Was there some type of balance they needed to create between good and evil, light and darkness, fire and ice? The next question is who was the human they turned into The Night King and why was he chosen? As mentioned in a previous post, that scene takes place in The North, so it is likely a Northerner, and perhaps even a Stark, which would further explain the connection between The Night King and Bran, who is now the Three-Eyed Raven. This all leads to perhaps the most important questions, which is: is The Night King actually evil? My money says no. I believe he was a human that was turned into The Night King against his will and he has been in some eternal struggle to accomplish something we are not yet sure of. I don’t believe he is killing humans to just kill humans — that’s too simple. I think there is a greater task at hand, one we will learn more about in this season. And the spiral may be a major clue to unearthing answers to some of these game-changing questions.

Aegon Targaryen

Before the first episode comes to a close, Jon finally learns his true identity, thanks to Samwell. Sam breaks the news that Jon is in fact the son of Rhaegar Targaryen and Lyanna Stark, and that his real name is Aegon Targaryen. This means that he, not Daenerys, is the rightful heir to the Iron Throne. Sam asks Jon, “You gave up your crown to save your people — would she do the same?” In addition to dealing with the psychological baggage of learning that his entire life has been a lie, Jon also must now figure out how he is going to play his cards with Daenerys. Does he establish that he is rightful heir to the throne and ask her to step aside? If so, is she willing to? Furthermore, how does this impact their relationship? Jon’s father, Rhaegar, was Daenerys’ older brother, making her Jon’s aunt. Do they continue their romantic relationship after learning of their aunt/nephew connection?

Lots of questions to be answered here and lots of different ways this could play out. Yet, like many other parts of this episode, I felt this was another moment that should have been a lot more powerful than it was. This storyline has been building for years now and was one of the most popular fan theories. Once we learned the truth of who Jon really was, it was just a waiting game until he himself found out the same. I imagined something more impactful than a quivering Sam Tarly just coming out with it. And Jon’s reaction rubbed me the wrong way — he seemed to be more focused on the fact that Ned had been lying to him than the fact he just learned he was half Stark, half Targaryen, has two totally different parents than he’s thought his whole life, and is also heir to the Iron Throne. I would have hoped for more from a scene like this, period.

Season 8 Primer: The Beginning of the End

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

So, here we are. The beginning of the end is less than one week away. This awe-inspiring, magical journey that has been part of our lives for the better part of the last decade — it all comes to an end in just six short episodes. It’s hard to imagine such an unbelievably rich and complex story actually coming to a singular endpoint, but that is what is about to happen, so it’s time to get caught up on everything that should be top of mind as we head into the final season. Heads up, this post is long, so don’t try to rush few it in a few minutes. This is the end of a saga, so give it the time it deserves : )

Targaryens Unite at Dragonstone

For nearly 5,000 years, The Targaryens lived in Old Valyria, capital city of the Valyrian Freehold, which consumed almost the entire continent of Essos. Approximately 400 years ago, The Doom occurred, obliterating Old Valyria and forcing the few remaining Targaryens to migrate westward. Fleeing their homeland, a select few Targaryens arrived at a small island off the coast of Westeros, where they would go on to build the great castle of Dragonstone. It was from this castle that Aegon Targaryen, alongside his two sisters, would plot their conquest of the kingdoms of Westeros (which at that point were independent kingdoms with separate rulers). After living the Targaryens lived at Dragonstone for about 100 years, Aegon and his sisters launched Aegon’s Conquest, about 300 years ago, as they rode their three dragons across Westeros and eventually united all the kingdoms under one king. Aegon Targaryen would be the first Targaryen king to rule over Westeros, and his Targaryens descendents would rule over the continent for the next 300 years, until Robert’s Rebellion.

Understanding that Dragonstone was home to the last remaining Targaryens and their dragons after they fled Valyria, and that it was from this castle that Aegon plotted his conquest of Westeros, makes Daenery’s arrival to this castle in the first episode of Season 7 an incredibly powerful moment. To no surprise, like Aegon before her, Dany spends much of season seven plotting her strategy to conquer and unite the lands of Westeros, focusing on the removal of Cersei Lannister from the Iron Throne. To start the season, Dany and her advisors (primarily Tyrion and Varys), have assembled what appears to be an unstoppable force. She already had the powerful armies of the Unsullied and Dothraki, as well as three full-grown dragons at her disposal — likely enough firepower to conquer Westeros in short order. But Dany’s army got even stronger in season seven as she forged an alliance with Ellaria Sand and the Sand Snakes of Dorne, while securing some of Iron Island the naval forces through an alliance with Theon and Yara Greyjoy. And let’s not forget that Ser Jorah Mormont returns to Dany’s side at Dragonstone after his greyscale disease is cured at the Citadel by none other than Samwell Tarly (who served under Jorah’s father, Lord Commander Jeor Mormont, when Samwell was still a brother of the Night’s Watch).

But the various key players from many of the Great Houses uniting on Dragonstone would not end there; there would be one more character to join, and though unknowing, he too would be a Targaryen. After receiving a raven from Samwell Tarly who had learned that Dragonstone was built atop a mass of dragon-glass (which can kill White Walkers), Jon Snow travels to Dragonstone in an effort to try and secure dragon-glass and convince Dany to join the Northern forces in the Great War to Come. However, Dany has other ideas and is focused on winning the Iron Throne. Though he refuses her request to bend the knee, Dany does ultimately agree to allow Jon to mine for dragon-glass, and in doing so, Jon discovers ancient cave images from thousands of years ago which depict the First Men and Children of the Forest banding together to fight the White Walkers — a chilling reminder of the Long Night and the the threat of darkness has been present since near the beginning of time. Though Jon is starting to win over Dany, she is still unconvinced of the White Walker’s existence, as is most of Westeros, and Jon soon realizes he must find a day to prove to Dany and the rest of Westeros the real threat that everybody should be focused on.

The Dream Team Goes Beyond the Wall

Once again, Jon shows his heroism and understanding of the risks he must take to preserve humanity as he decides to lead a raid beyond The Wall to capture a wight (reminder: the wights comprise the army of the undead, led by the White Walkers and Night King). He is join by a cast of some of my absolute favorite characters who come together through a random (or perhaps not so random) series of events — I like to call them The Dream Team.

The Dream Team starts to take form when Ser Jorah, who recently joined Daenerys at Dragonstone after being cured by Samwell at The Citadel, joins Jon and his trusted advisor, Davos Seaworth. But before they head into the deep North, Tyrion must meet with his brother, Jaime, to ensure that they will have an audience with Cersei if they are able to successfully capture a wight as proof of the army of the dead. Ser Davos offers to travel to King’s Landing alongside Tyrion, and while Tyrion is off meeting with Jaime, Ser Davos’ true intentions for returning to King’s Landing are revealed as he seeks out Gendry, Robert Baratheon’s bastard son who Davos saved many seasons earlier. All the way back in season three, it was Gendry who was being held at Dragonstone by Stannis Baratheon and the Red Priestess Melisandre, who used his King’s Blood (remember, he was the son of King Robert Baratheon), and eventually planned to sacrifice him to the Lord of Light. Not agreeing with Melisandre’s blood magic and unwilling to stand by while the innocent Gendry was sacrificed, Ser Davos defies Stannis and risks his life to set Gendry free. The last we saw of Gendry, he was rowing away from the shores of Dragonstone in a tiny rowboat, and it is not until all these years later that Davos rediscovers him, still working as a smith in the streets of King’s Landing. Without hesitation, Gendry joins Davos and volunteers to join the Dream Team in their quest beyond The Wall. It is worth pointing out that unlike most characters, Gendry does not choose to fight with a sword, but rather a warm hammer. Going back many years, it was his father, Robert Baratheon, who is described as a legendary warrior who swung a powerful war hammer (with which he defeated Rhaegar Targaryen, Jon Snow’s father, during Robert’s Rebellion). It’s also worth pointing out that given Jon’s newfound stockpile of dragon-glass, he will need a skilled smith to help craft White Walker-killing weapons, and Gendry may likely play this important role in the final season.

Elsewhere, the remaining Brotherhood without Banners, Beric Dondarrion and Thoros of Myr, unite with The Hound, bringing together three of the show’s greatest characters. Despite his extreme fear of fire, The Hound starts to believe in Lord of Light, after he sees in the fire the army of the dead marching south, past Eastwatch by the Sea (the most eastward castle of the Night’s Watch). After seeing this, The Hound agrees to venture north with Beric and Thoros, to fulfill their purpose in the Great War to Come. At the same time, Jon, Gendry, Davos and Jorah also head to Eastwatch by the Sea, where Tormund Giantsbane, who had been manning the castle for Jon, reveals to Jon and company that he’d been holding prisoner Beric, Thoros and the Hound after their capture.

In this moment, many characters are reunited which reveals a great mistrust amongst many of them. Gendry tells Jon not to listen to anything Beric and Thoros have to say, since they sold Gendry to the Red Priestess, Lady Melisandre, all the way back in season four. Similarly, Tormund does not trust Ser Jorah, since his father was Lord Commander of the Night’s Watch and battled Tormund’s people, the Wildlings, for many years. Despite all the history and many of these characters having been on opposite sides at times, Beric and Jon remind the group that none of this matters and that they all share a common cause — to serve their purpose in the Great War to Come as the Lord of Light commands. And just like that, their differences become a thing of the past as the Dream Team unites to head north of The Wall.

As they march into the frigid depths of the deep North, the group comes upon a band of wights, led by their White Walker master. As a small battle ensues, Jon eventually eliminates the White Walker, which causes all the other wights to fall like dominos. This was not the first time we have seen a White Walker killed, but it was the first time we were exposed to the idea that if you kill a White Walker, the wights that White Walker has turned also perish. We know that the army of the dead numbers in the hundreds of thousands, so the realization that you need not kill each wight individually, but rather you can take them out in much bigger numbers by killing a White Walker, is critical to know in the war to come. It also begs the question: if killing a White Walker ends the existence of all the wights that White Walker has turned, does killing the Night King end all of the White Walkers he has created? If so, and killing the Night King destroys all White Walkers, which then destroys all wights, then killing the Night King could bring an end to the entire army of the dead.

But this battle was a mere scuffle compared to the fight that lays ahead for the Dream Team. As they continue deeper into the North, they are eventually discovered by a massive army of the dead, led by several more White Walkers, and the appearance of the Night King himself. Despite being vastly outnumbered, the Dream Team fights valiantly, and destroys hundreds of wights — a reminder that we are watching an assemble of some of the greatest warriors Westeros has ever known. But eventually, the men are outnumbered and their deaths appear imminent — until Daenerys arrives with her dragons, and for the first time, we see a direct face-off between Ice and Fire. Remember, this entire story is entitled A Song of Ice and Fire, and seeing these powerful elements go toe to toe is a signal that the end is near. Dany and her dragons burn the wights by the thousands, but not before The Night King lands an icy spear into one of Dany’s dragons, Viserion, sending it plummeting to its death.

And just like that, the tables are dramatically turned — Daenerys can only helplessly watch her beautiful dragon fall from the sky like a plane that has been shot down out of the air. Her other two dragons let out a painful cry as they watch their sibling fall to its death. Seeing this, Jon Snow advances for the Night King, who attempts to take down Drogon, the dragon that Daenerys and the others are aback. Jon is attacked by more wights and pulled underwater, and Daenerys is forced to abandon Jon, though reluctantly, in order to save her two remaining dragons.

When Jon does reemerge from the water, he is frozen stiff and appears to have no chance at fighting off the new pack of wights that are headed his way. Not to fear, Uncle Benjen (Ned’s brother) is here. Fighting with his flaming ball-and-chain, Benjen takes out a bunch of the wights and buys Jon just enough time to escape back to Eastwatch. Jon had not seen his Uncle Benjen since the very first season, when they were together at Castle Black (remember, Jon was very close with Uncle Benjen and he was a big part of the reason why Jon joined the Night’s Watch in the first place). When Benjen went missing north of The Wall in the first season, Jon tried to go after him. Ironically, Benjen’s disappearance north of The Wall so many seasons ago is what would turn him into what he is today, and set him on the path to save his nephew when it really counted. Just another ingenious example of how Thrones sets a character on a path at a certain point in time, for them not to be seen for many years, and to ultimately reemerge in the distant future to play a major role. Sadly, after all these years, the reunion between Jon and Uncle Benjen lasted only a couple of seconds, but Uncle Benjen served his purpose and saved Jon when it counted most.

We also must say RIP to one of the story’s greatest (even if not most popular) characters, Thoros of Myr, who does not make it out alive. He too served his purpose, bringing Beric Dondarrion back to life many times over the years. With Thoros finally gone, Beric is likely now on his last life, again a reminder that the end is near.

A Winterfell Reunion

As Jon departs Winterfell to meet with Daenerys and eventually go north beyond The Wall, he leaves Sansa to look after Winterfell and maintain order in the North. Had he stayed just a little while longer, he would have found out his true identity, as it was not long after he left that Bran, who knows the truth of who Jon is, returns to Winterfell. Only Bran is no longer Bran — he is now the Three-Eyed Raven, seemingly devoid of all human emotion or feeling. After years of travels throughout the North without having any contact with any Stark family member, Bran finally returns home to Winterfell to be reunited with sister, Sansa. What would be expected to be an emotional and heartfelt reunion was anything but; Bran lacks the human emotion to even hug her, as he tells her how he can remember what it felt like to be Bran, but now he remembers so much else… He even dismisses Meera, who had been traveling with him for the last several years, who lost her brother, Jojen, and risked her life many times to keep Bran alive. What’s clear is that Bran is completely gone at this point, consumed by his all-knowingness, and we will likely never see him again.

The Stark sibling reunion continues from there, as Arya too finally makes her way back to Winterfell after a harsh and long journey. Like Bran, she returns home as a totally different person, no longer a young and innocent girl, but now a hardened assassin trained by the Faceless Men. While Arya and Sansa are happy to see one another after all these years, their differences and distrust quickly reemerge. It is important to remember that Arya and Sansa did not get along when they were younger, and one of Arya’s last memories of Sansa was her older sister sucking up to Prince Joffrey and the Lannisters in an attempt to become princess. Years later, Arya believes that Sansa has not defended the honor of their brother, Jon, and that Sansa has again made a play for power as the acting Lady of Winterfell.

Conversely, Sansa does not recognize the sister that has returned home, and starts to believe that perhaps Arya has intentions of killing her. Baelish, who has been hanging around at Winterfell, does not miss his opportunity to capitalize off this discord and attempts to strengthen his position by driver a further wedge between the sisters. Knowing that Arya has been following him, he plants an old note that Sansa had sent back to Winterfell all the way back in season one, when she was being held by Cersei in King’s Landing. In the note, Sansa notes that Ned has been a traitor and urges her family to pledge fealty to the Lannisters. What’s not clear from reading this note is that Sansa was forced to write this note under duress, and Baelish purposely plants this note for Arya to find, in an attempt to further Arya’s distrust and hatred for Sansa. At the same time, Baelish speaks with Sansa and furthers the idea that Arya has perhaps returned to Winterfell to kill her so that she can become the lady of Winterfell. Baelish’s plot dates all the way back to season one and is incredibly intricate — see the bottom half of this episode recap which provides a lot more detail about what Baelish went through to set up this scheme.

Throughout several episodes, it appears as though Baelish’s schemes are working perfectly, leading up to a final scene where Sansa calls Arya into the great hall in front of all the Northern lords. Sansa, prepared to pass judgement, states “You stand accused of treason. You stand accused of murder.” All appears as though Baelish has pulled off another epic manipulation, and that Arya will pay the price, until Sansa looks over towards Littlefinger and adds “How do you answer to these charges…Lord Baelish?” The tables are quickly turned, and we realize that Sansa and Arya had actually been working together to outsmart Baelish. Littlefinger does all he can to beg Sansa for mercy, but his many years of lies, schemes and manipulation have finally caught up with him. He cannot talk his way out of this one, and though Sansa passes the judgement, it is Arya that plays executioner.

What’s interesting to note is the weapon she uses to take his life. All the way back in second episode of season one, an assassin almost takes Bran’s life, though Bran’s direwolf, Summer, jumps in to save him. At the time, Baelish tells the Starks that it was the Lannisters who sent the assassin, which is what sends Ned Stark to King’s Landing and ultimately leads to his death and many of the events that would follow. What we later find out is that it was not the Lannisters that sent this assassin, but rather Baelish himself, in an attempt to pit the Starks against the Lannisters (which he succeeded in doing). It was Baelish himself who equipped the assassin with the dagger, which ends up back in Baelish’s possession after the failed assassination attempt. All these years later, Baelish gives the dagger to Bran as a reminder of the man who attempted his life. In a later scene, Bran gives this dagger to Arya, telling her has no use for it. In his all-knowing wisdom, perhaps Bran already saw the future and knew Arya would use this dagger to kill Baelish, which is exactly what happened. Again, this is just another example of how Thrones does such a masterful weaving plot-points that span from the first season to the seventh. Baelish gives a dagger to an assassin to kill Bran; the assassination goes wrong and Baelish recovers the dagger; Baelish gives the dagger to Bran; Bran gives the dagger to Arya; all comes full circle as Arya uses this dagger to end the life of the all-cunning Littlefinger. RIP.

King’s Landing

Though King’s Landing and the Iron Throne is becoming increasingly less relevant in comparison to the Great War to Come, there is still quite a bit happening in the capital of Westeros, with Cersei at the helm. Just as Daenerys has made alliances with other great houses, Cersei too has forged a union with Euron Greyjoy, who strengthens her army with his naval prowess and strong fleet of ships. As a reminder, Euron is the uncle of Theon and Yara, and killed their father, Balon, back in season six, in an attempt to take control of their homeland, the Iron Islands. Theon and Yara fled the Iron Islands with their forces (and forged a union with Daenerys), while Euron sailed to King’s Landing to secure an alliance with Cersei.

This alliance quickly proves valuable for Cersei, as Euron strikes first blood in the war between Cersei and Daenerys. Carrying out a battle strategy devised by Tyrion, the Greyjoys are en route to escort Ellaria Sand and her three Sand Snake daughters back to their home of Dorne to rally the Dornish troops with the plan to lay siege to King’s Landing. However, Euron is one step ahead of them and shows his naval strength as he intercepts their ships with an attack in the night. His men kill two of the three Sand Snakes, while capturing the third, along with her mother, Ellaria Sand. As well, Euron captures Yara Greyjoy, while Theon jumps ship and leaves his sister behind.

Euron returns to King’s Landing and delivers Cersei the gift he had promised her — Ellaria Sand along with her daughter, Tyene. Back in season five, it was Ellaria that killed Cersei’s daughter, Princess Myrcella, by kissing her and poisoning her with a poison called The Long Farewell. This was Dornish revenge for the Lannisters killing Elia Martell (Rhaegar Targaryen’s wife), during Robert’s Rebellion, as well as the more recent death of Oberyn Martell (aka The Red Viper) at the hands of The Mountain. Now, Cersei has her daughter’s murderer right where she wants her, and kisses Ellaria’s daughter, Tyene, with the same poison that Ellaria used on Myrcella. Only whereas Myrcella died far from Cersei, Ellaria will have to watch her daughter die right before her eyes as they are locked up in a cell together.

That said, we did not see Tyene die, which in the Thrones world, often hints that she may yet survive and have a role to play in the days to come. One prediction is that perhaps she will be saved by Bronn. Why you ask? Well, back in season five, when Bronn ventured south to Dorne alongside Jaime in an attempt to rescue Princess Myrcella, Bronn himself was poisoned with the same Long Farewell poison. And, as you will see in the video below, who was it that saved him? None other than Tyene Sand, the Sand Snake who he says is the most beautiful woman int he world. So, is it possible that Bronn will return to King’s Landing and save Tyene who is poisoned in a cell, much the way she did for him? Time will tell. Let’s not forget that Dorne is still a major part of Westeros and it’s hard to imagine the Dornish not having a role in the final season.

But Ellaria and Tyene were not the only captives Euron secured during his attack — they were just the gifts he presented to Cersei. But, he kept a gift for himself, Yara Greyjoy. It is unclear what his plans for her are, but in one of the final scenes of the season, Theon comes alive and is hellbent on saving his sister. In brutal hand-to-hand combat, he defeats one of the other Ironborn who was opposed to saving Yara, takes command of a small crew and sets sail to rescue Yara from Euron.

Dany Strikes Back

Back at Dragonstone, Daenerys has been letting Tyrion act as military strategist, only to find that his first two plans have backfired miserably. After losing several of her alliances as well as her naval fleet at the hands of Euron Greyjoy, Dany suffers a second defeat after Tyrion advises her to have the Unsullied attack Casterly Rock, the castle of the Lannisters. He believes that if they can take Casterly Rock, they will be in a stronger position to eventually take King’s Landing. However, the Lannisters are one step ahead of Tyrion’s plan, and while Dany sends her troops to attack Casterly Rock, the Lannisters have already pulled their forces from Casterly Rock and sent them to lay siege to Highgarden, castle of House Tyrell. While there is not much left of House Tyrell, besides Lady Olenna, Highgarden has the most fertile land in all of Westeros, as well as plenty of gold. While Dany’s forces are attacking an empty Casterly Rock, the Lannisters successfully sack Highgarden and all its riches. During this siege, Jaime kills Lady Olenna, but not before she admits to being the mastermind behind the death of his son, King Joffrey. Though many, including Cersei and Tywin Lannister, accused Tyrion of being behind the murder of Joff, we knew it was actually Lady Olenna who orchestrated his murder, to prevent her granddaughter Margaery from having to marry such a monster. However, not many were aware of this, and Lady Olenna reveals this to Jaime just before she dies. And with her death, just like that, one of the noblest and greatest houses of Westeros is all but wiped out.

But for every one of Cersei’s moves, Dany has had a counter. No longer willing to sit back and listen to Tyrion’s conservative military strategy, she decides to take action into her own hands and show the Lannisters the true power of her dragons. As the Lannister forces are traveling from Highgarden to King’s Landing, Daenerys unleashes her dragons in a southern battle for the first time. Dany roasts the Lannister army by the hundreds, showing just how devastating her dragons can be in war. But, she does not kill them all. She gives the remaining men the chance to bend the knee and pledge their fealty. Two men in particular choose to defy her and refuse to bend the knee — Randyll Tarly and his son, Dickon (Samwell Tarly’s father and brother). Though Tyrion cautions Daenerys to show restraint, she ignores his advice and burns them alive, showing the others what is to come should they not pledge their fealty. This scene is an allusion to The Field of Fire, a legendary event 300 years ago when Aegon Targaryen battled the Lannisters and forced them into bending the knee.

In addition to seeing the sheer power of dragons in battle and the devastation they can cause, this scene was critical in that was the first time that anybody in the south of Westeros has seen a dragon. Jaime and the rest of the Lannister forces now know what they are up against, and he rides back to King’s Landing to warn Cersei that they do not stand a chance. Daenerys has put the world on notice, and though she chooses not to take Westeros with fire and death, she has shown that she is willing to when she must.

The Dragonpit Summit

After such extraordinary recent events, all sides are trying to figure out what their next move is. Daenerys, once focused on taking out Cersei and restoring rightful Targeryen rule to the Seven Kingdoms, has now seen the army of the dead and understands that this is the only war that matters. Yet, if she invests her forces into fighting the war in the North, she allows Cersei to strengthen her position and reclaim more of Westeros. So, the only way Daenerys can focus on joining Jon in fighting the Night King is if Cersei agrees to a temporary armistice. Even better would be if Cersei agrees to lend her troops to fight in the Great War to Come.

So, Dany, Jon and their team risk it all by traveling to King’s Landing to meet with Cersei. Of course, they do not arrive empty-handed, and they bring the wight that they captured during their raid north of The Wall. Cersei now sees what few others in the world have, and must decide whether she wants to continue her war against Dany for Westeros, or put aside their differences and focus on the much important war to come. After much deliberation, Cersei agrees to a temporary truce and offers to direct her troops north to join in the fight against the dead.

The End is Near

Just as it looks like the good guys humans are banding together to fight the dead, things go a bit haywire and reach an absolute climax as season seven comes to a close. To start, we learn that Cersei was full of sh*t and lied to Jon and Dany when pledging her troops to join the fight against darkness. After they depart, she tells Jaime that she intends to continue to fight against her true enemies, even if it leads to their death. Jaime attempts to reason with her, explaining that if they do not do all they can to fight back the dead, everybody in King’s Landing will eventually die. Yet, Cersei is blinded by the only thing that she has left to live for — revenge against those who have wronged her. No longer able to stand by the madness of his sister, Jaime rides off from King’s Landing, just as the snow begins to fall. Snow, all the way south over King’s Landing? The end must be near…

But before season seven comes to a close, we see the two elements that this story has already centered around, Fire and Ice, take center stage and set up the Great War to Come in season eight.

First, we see Fire emerge stronger than ever, personified by who we once believed to be Jon Snow, but now know to be Aegon Targaryen. Thanks to one of Bran’s visions, for some time now, we have known that Jon was birthed by Lyanna Stark after being impregnated by Rhaegar Targaryen. This was an absolutely massive reveal in season six, when Bran sees a young Ned Stark sitting over his dying sister, Lyanna, with baby Jon in hand. The implications were huge as we realized that Ned had sacrificed his honor, the thing he valued most, and pretended to have an extramarital affair in order to explain the birth of his bastard son, Jon. This false understanding of who Jon really was led to a series of events, too long to lay out here, so the reveal of who Jon’s true identity was massive. But even with Bran’s visions and wisdom, he only got half the story — the half that allowed him to understand that Jon’s parents were Rhaegar Targaryen and Lyanna Stark. But, since Rhaegar was married to Elia Martell, Bran incorrectly assumed that Jon was a bastard born out of wedlock, and since he was born in the south, his bastard name would be Jon Sand instead of Jon Snow (each region of Westeros has a different last name that bastards take, in the North it’s Snow, in the south it’s Sand, etc).

However, there was another half to this story that even the all-knowing Bran had not figured out. Earlier in season seven, Gilly was reading through an old Maestar’s record at the Citadel, and she came across a passage that talked about a Maestar performing an annulment for Prince Rhaegar Targaryen and performing a secret wedding ceremony to another. Unknowingly, Gilly came across a passage that contains one of the most confidential and important secrets across the entire continent of Westeros — one that changes everything. Gilly uncovers the fact that Prince Rhaegar annulled his marriage to Elia Martell, and then remarried to Lyanna Stark in a secret wedding ceremony.

The implications of this reveal are massive. First, Robert’s Rebellion was built upon a complete lie. As we know, Robert was in love with Lyanna Stark, and launched his rebellion against the Targaryens primarily under the premise that Rhaegar had kidnapped his beloved Lyanna, rode off with her and raped her. He joined forces with her brother, Ned, and together they led much of the North to King’s Landing to overthrow The Mad King and usurp the Targaryen dynasty. Before taking the Iron Throne for himself, Robert killed Rhaegar during The Battle of the Trident. With Lyanna and Rhaegar both dead, the truth of Jon’s parents could only be found within the pages of this old Maestar’s private journal, discovered by the unlikeliest of characters.

Perhaps more important than the fact Robert’s Rebellion was built upon a lie is what this reveals about Jon’s true identity. He is not a bastard as Bran assumed, but rather the true and lawful son of Rhaegar and Lyanna who were in love and legally married. As we later hear when Bran revisits his vision, Jon’s true name is Aegon Targaryen. No big deal that he’s named after the man that conquered the Seven Kingdoms and the first Targaryen king to rule over Westeros. This also makes him one of the first, if only, throughout history to have both Targaryen and Stark blood — some would argue a mix of Fire and Ice. Most of all, this means that Jon (or Aegon), not Daenerys, is the rightful heir to the Iron Throne (Rhaegar was the older brother of Daenerys, so after their father, The Mad King died, the throne would have gone to Rhaegar, not Daenerys. And after Rhaegar, it would go to his son, Jon/Aegon). Of course, Jon still does not know any of this, but it now appears only a matter of time until Bran/Samwell fill him in on who he really is.

In the Thrones world, Targaryens equal fire, so learning that Jon is one of the last remaining Targaryens, and arguably the most powerful, amplifies the existence of Fire heading into the final season. But the season does not end without Ice making its counterpunch. In the final scene of the season, we see the army of the dead reemerge once more, this time looking to get past The Wall, something they’ve been unable to do for thousands of years since The Long Night.

In a story that centers around Ice and Fire, evil and good, light and dark, it is The Wall that symbolizes the fine line between these ever-opposing forces. The Wall was not built yesterday; or a few years ago; or even a few hundred years ago. The Wall was built 8,000 years ago when The Children of the Forest, The First Men and the Giants all came together to fight for their survival against the White Walkers. For 8,000 years, The Wall was more than a structure that kept out the dead — it was an indestructible symbol that divided good from evil, light from dark, Ice from Fire. And now, we have just seen that wall fall. A structure that protected the realm for thousands of years has finally been breached, and now, nobody is safe.

As the Night King rides on the back of his undead dragon, Viserion, he unleashes a fury of icy fire that is able to easily reduce a portion of The Wall to rubble. What’s important to remember is that The Wall was constructed using powerful magic from The Children of the Forest — magic that has kept the White Walkers out for thousands of years. And since The Wall is more than just ice and is also made up of this magic, it would take more than just ordinary force to destruct The Wall. Which is why the Night King, on the back of a dragon — representing the union of fire and ice — is able to destroy a good chunk of The Wall. Seeing this also again reminds us of the ties that the Night King has to the Children of the Forest. After all, it was the Children that created the Night King in the first place and he has shown to carry some of their magical powers. It then makes perfect sense that he is the one who is able to counteract the power of their magic used to build The Wall as he tears it down.

Some Final Thoughts & Theories

As we reflect back upon the last seven seasons, there are so many storylines that feel unfinished, characters whose destinies have not been revealed, and plot-points that lend to certain theories which or may not come to fruition in the final season. I thought I’d call out just a few that I have found most intriguing.

What Does the Night King Really Want?

I often get asked who I think is going to win the war and how this story will end. I generally respond that I think darkness will prevail. Unlike most stories, George R.R. Martin has a proclivity for reminding us that in real life, good does not always win and life can be full of darkness and hardship. For that reason, I am intrigued by the idea of evil prevailing and the “good guys” not necessarily winning.

But this leads me to the realization that the Night King and White Walkers are not necessarily evil. Sure, that’s how we’ve perceived them thus far — I mean anytime you have an army of zombies led by an evil Night King trying to destroy humanity, you are going to assume they’re pretty evil, right? But that’s a simple interpretation of what we’ve actually witnessed. If you go a layer or two deeper, you start to realize that things are not that simple, and the line between good and evil may not be that clear.

For starters, the Night King did not choose to be the Night King. He was not born into being the Night King, nor did he decide for this to be his life. It’s important to remember that he was a human, who against his will, was turned into the Night King. And by who? By the Children of the Forest, the ones who are supposed to be “the good guys.” You can rewatch the scene below in which the Night King is created. Of course, we don’t know exactly why The Children did this and what they were actually trying to achieve. Presumably, they were not trying to create the Night King, but who knows. We also don’t yet know who this human was and why he was chosen — was he just a random sacrifice or perhaps somebody more significant? From the context, we can see this happened at a weirwood tree in the North, so it’s safe to assume he was a Northerner, perhaps even a Stark? If you believe that, it leads to further theories around the close ties between the Night King and the Starks, and the possibility that the Night King could even be Bran Stark, who we now see as the Three-Eyed Raven. But that’s another theory for another day.

So, as we saw above, the Night King didn’t set out to become the Night King. He was turned into what he became, and once he became it, presumably has some objective he is trying to accomplish. I do not believe for a second that it’s as simple as killing humans for the sake of killing humans. I believe there is something greater he is driven to accomplish. Perhaps he is fighting for the preservation of his people, much the same way the humans are. Perhaps to survive they must get south of The Wall to accomplish some unknown feat. It’s hard to know exactly what his motivation is, but without knowing, and considering the fact he was forced into becoming The Night King, can we really call him evil? My money says that in the final season, we will learn a lot more about who he is and what he is trying to achieve, and that perhaps our perception of him being evil will change. George R.R. Martin has an uncanny ability to constantly force us to reassess our perception of a given character (i.e. consider how many times we have reassessed how we felt about a character like Jaime? First he was bad, then showed signs of being good, then got sucked back into Cersei’s games, and now has reemerged as a potential good guy). I think something similar might happen with the Night King, and we might be reminded that the lines between good and evil can often be unclear.

Who is the Prince That Was Promised?

As we’ve talked about many times throughout the seven seasons, during the Long Night, Azor Ahai was an ancient warrior that led the fight against darkness and saved humanity from the White Walkers. He was known as The Prince That Was Promised and there is a prophecy in the religion of the Lord of Light that has stated The Prince That Was Promised will be reincarnated to fight back the darkness once more. In the first few seasons of the show, Lady Melisandre incorrectly believed Stannis to be The Prince That Was Promised, but things did not end up well for him (although we never actually saw him die, and it’s still theoretically possible he is alive). So, the question remains, will The Prince That Was Promised once again reemerge? This question may never get answered outright, but it seems like it may be either Jon or Daenerys. One interesting callout: In the second episode of season seven, Daenerys is speaking in High Valyrian with Lady Melisandre, who once again references The Prince That Was Promised, the person that will fight back the darkness once more. Missandei, whose native language is Valyrian, interjects and corrects them, stating that the word they are using in Valyrian actually has no gender, meaning it can be a Prince or Princess. This of course leads us to believe that perhaps Daenerys could be the Princess That Was Promised. (See video below, starting at 1:10).

What’s Up with the Direwolves?

The Starks’ direwolves were very present in the first few seasons, until things started to go haywire for the Starks, and so too for their wolves. You probably don’t recall exactly where things left off and which wolves are still out there. Well, sadly, only two of the original six direwolves are alive, and I’m guessing they’ll have a role to play in the final season. With everything else going on in the show, and the wolves being absent for the better part of the last few seasons, it’s fair that we’ve forgotten about them. But don’t overlook their significance as the story comes to an end. Remember, direwolves are not just big wolves — there is a magical connection they have to their Stark owners and they should reemerge into the story in the final season.

The two wolves left are Nymeria and Ghost, belonging to Arya and Jon, respectively. Last season, Arya actually encountered Nymeria, who had grown quite large and was leading a pack of pretty ferocious wolves. It’s fair to assume that this pack of wolves will fight for Arya/the Starks at some point in the final season. We last saw Jon’s wolf, Ghost, before The Battle of the Bastards, at which point Jon held Ghost back to avoid him being harmed. The assumption is that Ghost has been hanging around Winterfell ever since, though we have not seen him.

One other interesting thought to consider is that thus far, the Starks that have been killed who have wolves that have also been killed, have been killed by the same people. Robb Stark was killed by the Freys at the Red Wedding, as was his wolf, Greywind. Rickon Stark was killed by the Boltons, as was his wolf Shaggydog. If we are to believe this pattern will hold true, this means that Bran, if killed, will die at the hands of the White Walkers (who killed Summer when they attacked the cave he was in with the Three-Eyed-Raven), and Sansa will die at the hands of a Stark (Ned swung the sword that killed Lady after Cersei demanded Lady’s death for attacking Joffrey, even though it was actually Arya’s wolf, Nymeria, that attacked Joff).

Samwell As The Final Storyteller?

When Samwell arrived at The Citadel in season six, I was fascinated by those giant astrolabes hanging in The Citadel. What were they? What purpose did they serve? Most viewers probably did not realize that we have been seeing those astrolabes since the very first episode, and in every single episode since. Yes, that’s right, they appear in the opening credits of every episode. As you can see from the image on the right below, the top half shows a more detailed view of the astrolabe from the Citadel, and the bottom right shows a strikingly similar image from the opening credits. This is not something that can be overlooked, and upon digging deeper, it lends some very interesting insights as to what Sam’s role in this story may end up being. One thought is that if darkness prevails and humanity perishes, there will need to be somebody left to tell this story — the very story that we are watching unfold before our eyes. We know Sam has always been obsessed with books, preserving history and storytelling, and it just may be Samwell Tarly that is telling the very story we are witnessing today. For more color, read the full post on this theory here.

Significance of the Spirals We’ve Seen

Throughout the show, we’ve seen a specific spiral design that seems to be shared by both The Children of the Forest and the White Walkers. It’s unclear what these spirals signify, but given that some of the images we’ve seen date back thousands of years, and that they’re shared by two of the most significant/magical groups of beings in the show, I am willing to bet it’s something significant. It may even lend a clue to the link between The Children and the Night King. You can see below for a few examples of these spirals that we’ve seen, and read the episode recap here that explains this theory in much greater detail.

Are Syrio Forell and Jaqen H’ghar the Same Person?

Another theory we’ve talked about for many seasons on this blog, and another burning question that may or not get answered in the final season of this story. But there’s a lot of credence to the fact that Syrio Forell, Arya’s Braavosi fighting instructor, could have been Jaqen H’ghar all along. For starters, back in season one, the last we see of Syrio is when he is attacked by Lannister guards and Arya is forced to flee. It is assumed that he will be killed, but we never see him die, keeping the door open for the fact he may be alive.

After Arya flees, she cuts her hair to look like a boy and joins a group heading North. In that group, there are several men locked up in a cage, one of which is Jaqen H’ghar. If you think about this for a moment, it makes no sense. We go on to learn that Jaqen H’ghar is one of the most cunning, nimble and outright magical assassins in all of the land. We seem him perform incredible feats that few others could. Yet, this same man finds himself locked up in a rickety cage as a prisoner? It doesn’t add up, not one bit. An entirely more plausible explanation would be that Syrio Forell was Jaqen H’ghar the whole time, just wearing the face of Syrio. He never got killed and was able to escape after Arya ran away, and to avoid being detected, he changed his face to that of the Jaqen we saw throughout most of the show, and allowed himself to appear as a prisoner. He continued to look over Arya as she continued north, and at the right time, revealed himself to Arya as the Faceless Man we came to know. For several more years, he would continue to train Arya, just as Syrio (who was really Jaqen) had been doing since the very beginning in King’s Landing. If you compare the two men, they are quite similar. Both were excellent fighters, both hailed from the secret land of Braavos, both spoke of the Many-Faced God and saying no to death. The list goes on. Again, who knows if this is something that will be addressed in the final season, but at minimum, it would be great to see Jaqen reemerge before the story comes to an end.

What Did Varys Hear in the Flames?

Back in season six, Varys and Tyrion are visited by The High Red Priestess, Kinvara, one of the highest ranking officials of the Lord of Light. Though her appearance was brief, she dropped a pretty big question that has never been answered. As Varys is typically skeptical of religion, he questioned The Lord of Light, to which Kinvara references a voice that Varys heard in the flames when he was castrated as a young boy. Usually cool and collected, Varys’ face becomes flush with fear, making it clear that he knows what she is talking about. Will we ever learn what Varys heard in the flames? As we’ve highlighted many times, it’s rare that Thrones inserts these kinds of plot-points if not to come back to them at a later point in time, so I would hope to learn more about this. But then again, with only a handful of episodes left, it’s entirely possible that we never learn what Varys heard in the flames.

Other Odds and Ends

  • The Three-Eyed Raven told Bran that he will never walk again, but he will fly. Will we see Bran fly? Perhaps he will warg into a dragon?
  • Is Stannis definitely dead? Seems like yes, but I’m always wary when we don’t see the character actually die.
  • What is the connection between Bran and the Night King? Every time the Night King sees Bran in one of his visions, Bran is pulled from his vision. It seems like there is a deeper connection between the two.
  • In season seven, I wrote an interesting theory about The Eye of the Giant. You can read more about that here.
  • More recently, I wrote a theory on the significance of what’s beneath the crypts of Winterfell. The teaser for the upcoming season focused on the crypts of Winterfell, so I think it will have significance on the season eight. You can read that here.

That’s it folks. Enjoy the countdown to season eight and savor each minute!

What’s Hiding Beneath the Crypts of Winterfell?

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

After what has felt like an eternity of an offseason, the end is now in sight as we are just 2 months away from the final season of Thrones. Hard to believe this epic journey that has consumed us for the better part of the last decade will all boil down to just six more episodes. The early word is that the first two episodes will each clock in at the standard 60-minute length, while the last four will each be 80 minutes long. And so, as we set our sights upon the beginning of the end, HBO recently released an official Season 8 teaser, and boy was there a lot to take from it. In this post, we will break down the teaser and some of the significant takeaways. So, if you haven’t yet seen it, watch it below. And if you have seen it, watch it again!

For starters, let’s reestablish something we’ve talked about before: HBO and the Thrones writers/producers do not do anything by accident. There are no random choices in this show; from each character and location, down to every word that is spoken, everything is thoughtfully chosen to serve a purpose. Remember, Thrones producers are tasked with cramming nearly 7,000 pages worth of George R.R. Martin’s story into what will amount to a total of 67 episodes when all is said and done — that’s over 100 pages of super rich text packed into each episode — so there is absolutely no reason for the show to incorporate any fluff or irrelevant content. Every single thing you see and hear is carefully selected to be there for a reason.

With that in mind, it would be foolish to casually gloss over the above teaser and not give it a thorough examination. After all, this is the very first footage that producers are choosing to expose you to — and not just footage to tease any season — it’s to tease the final season. Again, consider that everything you just watched in this teaser has great significance, especially as we embark upon the conclusion of this epic saga. So, let’s jump in and analyze what I found to be two extremely important takeaways from this teaser: The first, a bold reminder that the Starks of Winterfell have always been, and will always be, at the center of this entire story; the second, the significance of the crypts of Winterfell, and what might be hiding within.

Let’s begin by breaking down the first 50 seconds of the teaser, in which we see Jon, Arya and Sansa walking beneath the crypts of Winterfell. For starters, this is a powerful reminder that the remaining Stark children (not including Bran, who has now turned into the Three-Eyed-Raven) are all reunited at their home of Winterfell. It’s hard to believe, but for the entirety of this story, we have only witnessed the children together at Winterfell for just one episode — the very first one! In just the second episode of the series, Jon leaves for The Wall, and the other Stark children start to go their separate ways from there. So, if nothing else, seeing Jon, Sansa and Arya back together at Winterfell, where it all started, and perhaps where it will all end, is incredibly significant.

But the teaser quickly reminds us that House Stark is made up of so much more than just the three children we see; the crypts of Winterfell lay rest to some of the most important Stark family members — ones that the teaser quickly brings back to life by replaying  some of their most important quotes. Though they may be physically dead, we get the feeling that their influence and impact is very much alive, and it is this very idea that gives such great drive and power to House Stark. What we can also take away is that three of the most influential members of House Stark (Lyanna, Ned and Catelyn) sacrificed their lives so that the present-day members of House Stark could serve their future purpose in the great war to come. As we see the statues of each of these dead members of House Stark, accompanied by their words, we are reminded of a rich history of Stark lineage, filled with great death and sacrifice, all of which is presented in a way that makes us feel like everything that has happened has been leading up to this very moment. Particularly, leading up to Jon’s final moments, given that all three quotes we hear in this teaser relate to him. So let’s dig a bit deeper into the statues we saw and the words we heard from some of the late great Stark family members.

The first part of this teaser shows Jon passing the statue of Lyanna Stark, who we know (though he doesn’t) to be his mother. As a quick refresher, in the finale of season six, Bran travels back in time to the Tower of Joy, where we see Ned arrive to his dying sister, Lyanna, who has recently given birth. In season seven, through another one of Bran’s vision, we see the joyous wedding between Lyanna Stark and Rhaegar Targaryen, confirming that Jon is half Stark and half Targaryen (and also debunking the idea widely spread across much of Westeros that Lyanna was kidnapped and raped by Rhaegar; rather we see that they were in love. This is hugely significant as it was Robert Baratheon who was in love with Lyanna and used the false premise that Lyanna had been kidnapped by Rhaegar Targaryen as the main justification to launch Robert’s Rebellion and overthrow the Mad King, setting the entire Thrones story into motion. But I digress…)

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While we as viewers, as well as Bran, know the truth of Jon’s parents, he himself does not. As he walks past the statue of his mother, we hear the words she spoke to Ned, as her soft and dying voice tells him, “You have to protect him.” Honoring the last dying wish of his sister, Ned does just this, and fools the world into thinking that Jon Snow is his bastard son. Ned was willing to sacrifice his own honor, the very thing he valued most, by making others believe he impregnated a whore who birthed his bastard son. All of this to conceal the true fact that Jon was not a bastard, but rather was half Targaryen. Had Robert Baratheon (or many others who believed the Targaryens to be a threat) learned this truth, he likely would have killed Jon. Thinking about the great lengths Ned went to in order to protect Jon, the impact it had on Catelyn Stark who hated Jon because she incorrectly believed him to be a reminder of the affair Ned (never) had, and then listening to Lyanna’s words one more time “You have to protect him,” provides such meaning to the opening of this teaser. And that Jon does not even realize this is his mother provides all the more poetic irony.

One other interesting thing to call out here is the feather that we see fly out of the hands of Lyanna’s statue (go back and watch the beginning of the teaser if you did not catch this). For one, we have to ask ourselves what is the significance of this feather? As we spoke about earlier, absolutely nothing is random or by chance in this story, so why show a feather flying out of her hand and landing upon the ground? (Later in the teaser, at about 1:04, you will see the feather again, this time starting to freeze over as the frigid air creeps in, but we’ll get to that later). So where did this feather come from?

Well, the answer is simple. In the very first episode of the entire series, we see Robert Baratheon place this feather into the hand of Lyanna’s statue. See below:

Of course, eight years ago, in the very first episode of this story, when we saw Robert place this seemingly insignificant feather in Lyanna’s hand, we thought nothing of it. And therein lies the genius of this show — eight years later, as we near the end, things come full circle as we once again see this feather.

But that wasn’t the only time we saw this feather. Four years later, halfway through the fifth season, we again see this very same feather. This time, it’s Sansa down in the crypts of Winterfell, and she comes across the feather which must have fallen out of Lyanna’s hand. She picks it up, dusts it off and places it back in her aunt’s hand. See video below at about 35 seconds in (feel free to watch the entirety of the video, in which Baelish and Sansa talk about Lyanna Stark, and Sansa repeats the incorrect theory that Rhaegar had kidnapped her Aunt Lyanna, to which Baelish smirks, insinuating he knows that is not the truth of what happened).

We need not spend any more time talking about the feather, but it is worth pointing out that there is likely a significance to it, given that we saw it in the very first episode, midway through this series in season five, and now again in the teaser for the final season. But while the feather may have a significance, let’s not forget Lyanna herself, one of the most significant Starks of all time — the one who forged a union with House Targaryen, gave birth to Jon and gave her life in doing so. Now, all these years later, we are reminded of her contribution to House Stark and hear her last dying words as her unknowing son walks past her statue.

Next, we see Sansa walk past the statue of Catelyn, as we hear her words, “All this horror that has come to my family, all because I couldn’t love a motherless child.” This quote comes all the way back from the beginning of season three, where Cat is talking with Lady Talisa. As a quick refresh, you can watch the clip below:

What’s most interesting is the juxtaposition of seeing Catelyn’s statue and hearing these words right after seeing the statue of Lyanna with her words. It was actually the first set of words we heard (Lyanna asking Ned to protect Jon) that caused the second set of words we heard (Catelyn believing she caused all the death that had fallen upon House Stark because she couldn’t love a motherless child). As we talked about above, Lyanna asking Ned to protect Jon led him to pretend Jon was a bastard child birthed out of wedlock. This lie caused Catelyn great pain, and as she talks about in the clip above, she even wished Jon death as a sick baby. But she soon changed her mind, and prayed to the gods to save him and swore that she would love him as her own if they did. Well, Jon did not die, but she confesses to being unable to hold up her end of the promise as she was unable to love him. She talks about him being a reminder of the affair Ned had. Again, this is all actually not true and she was completely mistaken in her belief of all of this (as most people were). In the end, like Lyanna, Catelyn died trying to protect her children, and seeing both their statues with some of their last words serve as an important reminder of the sacrifices they made to House Stark.

As the first two quotes both pertained to Jon, so does the third, as we see Jon walk past the statue of Ned and we hear “You are a Stark. You might not have my name, but you have my blood.” Of course, these are the final last words Ned will ever speak to Jon, all the way back in the second episode, as Jon says goodbye to Ned and departs for The Wall. In this scene, Ned also tells Jon that the next time they see each other, they’ll have a talk about Jon’s mother. But, as Ned gets killed at the end of this season while Jon is still at The Wall, they never get a chance to talk again, and Jon never learns the true identity of his mother. As we see the Herculean grandeur of Ned’s statue, it is again a strong reminder of the influential Starks that have come before, many of which gave their lives to lead up to this very moment. While the show started in The North and centered around House Stark of Winterfell, things quickly went awry for this honorable house, and as viewers, we probably lost sight of the importance of House Stark. In fact, after all the turmoil suffered, many of us probably wondered if we’d ever see House Stark really come together again. This teaser put that thought to rest, and then some. It boldly reminded us of the deep and rich Stark heritage — one that cannot be forgotten — and one that continues on within the living Starks of today. No doubt, just as the story started with the Starks of Winterfell, so too it shall end with them.

So, we’ve covered the first major takeaway from this teaser: House Stark and Winterfell have always been and will continue to be central to this story, particularly as we near the end. And, we were reminded of the strength of House Stark — much of which is derived from the deep lineage of Starks that have come before those alive today. But there’s another, perhaps more interesting, topic to dive into. The question is: What’s the significance of the crypts of Winterfell? After all, this teaser could have taken place in 50 other locations and still stressed the importance of House Stark — but it took place in the crypts. There must be a reason why.

From the past seven seasons, and even more so from the books, we know that the crypts of Winterfell are extremely important to the Starks. It’s the place where they bury their loved ones. But it’s certainly seemed as more than just a resting place for the dead — the crypts of Winterfell have always been wrapped in a veil of mystery — why? And why now, as we near the end of this story, would HBO choose to make this the only location that we see in the teaser. And perhaps the most important question is, what’s with the freezing air that starts to creep into the crypts towards the end of the teaser? Sure, at first glance, it could just be symbolic that Winter has come, that the Night King is near, that the White Walkers are coming, etc… Or, is there an entirely deeper and more revealing explanation? By starting to add up everything we’ve learned about the crypts throughout the seven seasons thus far, much of which was via character dialogue that viewers likely skipped over, and also sprinkling in some excerpts about the crypts from the early books, we start to see an entirely different view of what the crypts might be. The hypothesis: perhaps the crypts were built not just as a resting place for deceased Starks, but perhaps as a prison to keep darkness locked within. Let’s start to unpack this thing.

In order to consider the true purpose of the crypts of Winterfell, we must first reexamine their origin. That would require us to go back in time to The Age of Heroes, about 8,000 years ago (if you want some quick context on The History of The Known World, see here for a great timeline). It was at this time that The Long Night swept across Westeros — the longest winter that Westeros had ever seen — and with it came the White Walkers, who nearly wiped out all of humanity. Azor Ahai (aka The Prince Who Was Promised), led the great fight against the White Walkers, pushing them back into the deep north. It was at this time that Brandon Stark (aka Brandon the Builder, founder of House Stark), along with the help of The Children of the Forest and Giants, built The Wall, a defense to keep the White Walkers out. Subsequently, The Night’s Watch was founded to man The Wall and keep the realm protected from White Walkers.

So after humanity is almost wiped out and Brandon Stark builds a great magical wall to keep the realm safe, what does he do next? He builds the first line of defense south of The Wall: Winterfell. And what part of Winterfell does he build first? You guessed it — the crypts! If the very first thing the legendary founder of House Stark did after building The Wall was build the crypts of Winterfell, there must be major significance. In trying to understand that significance, it’s important to realize just how big the crypts were, which is hard to tell from the few scenes in which we’ve seen the Starks walking its corridors. But the second book in the series, A Clash of Kings, offers some more color on the crypts: “The crypts were located beneath Winterfell and contained the tombs of the members of House Stark. The cavernous vault is larger than Winterfell itself, with older Starks buried in the deepest and darkest levels. The lowest level is said to be partly collapsed. The statues have large stone direwolves curled at their feet. According to tradition, iron longswords lay across each lord’s lap to keep vengeful spirits within the crypts.

Let’s break that description down for a moment. First of all, it’s remarkable to consider that the crypts themselves are larger than the entirety of the Winterfell fortress. From the show, it’s always seemed like the crypts was simply a long hall lined with statues. But, the description above paints an entirely different picture and presents the crypts as an absolutely massive cavern of tombs that goes many levels beneath the earth. Surely, something this large and magnificent would not have been built solely to house the tombs of deceased Starks.

But, the last sentence of the description is perhaps most intriguing — that iron longswords lay across each lord’s lap to keep vengeful spirits within the crypts. It is this breadcrumb that makes me wonder what vengeful spirits George R.R. Martin was referring to? And the fact that it reads that they wanted to keep these spirits withinpresents an entirely new vantage point as to what these crypts may have been built for — not just a resting place for the Starks, but perhaps as a prison to keep dark spirits, perhaps those of the White Walkers, within. After all, remember that Brandon Stark built these crypts right after The Long Night. He would have just been returning from a long war in which humanity was almost wiped out by darkness — is it possible that he could have had White Walkers or other evil darkness that needed to be locked up somewhere? Perhaps it was even the Night King himself that needed a place to be buried. It’s hard to say for sure, but the description of the crypts in conjunction with it appearing to have been such a high priority for Brandon Stark to build, as well as the sheer size of the crypts, certainly makes it plausible that this was a place used to keep darkness locked up. But that’s just the beginning of evidence to support this theory…

The description above also reveals one more important piece of information — it talks about iron longswords being laid across each lord’s lap to keep the spirits within. But why iron longswords? Was there any significance to iron being in the crypts or did the longswords simply happen to be made out of iron? Well, later in that very same book, Bran has a quote where he states, “The door to the crypts was made of ironwood. It was old and heavy and lay at a slant to the ground. The door was located in the oldest section of Winterfell.” And just like that, we have another mention of iron in the crypts, seeming to demonstrate that there’s something to this whole iron thing. What’s more, Bran’s quote calls out that this ironwood door was located in the oldest section of Winterfell, which means it was the part that was constructed first by Brandon Stark, builder of Winterfell. So there you have it — iron longswords that sit across the statues to keep evil spirits within, as well as an ironwood door to the crypt that was built in the oldest part of Winterfell. So, clearly there’s a great significance to the iron in the crypts, and possibly as a means to keep evil within, but why iron? Have we ever heard that the White Walkers are averse to iron? Well, actually yes, we have — but I’m sure none of us caught it at the time.

You may recall Old Nan, the very old lady who used to sit bedside with Bran and tell him old tales. In many ways, she was a conduit to a lot of the ancient mythology of the Thrones world, and it was never clear how much of her tales were fact and how much were fiction. In one of those tales, she tells Brans about The Long Night, “In the darkness, the White Walkers came for the first time. They were cold things, dead things, that hated iron and fire and the touch of the sun, and every creature with hot blood in its veins.” Of course, none of us could have known at the time that her reference to iron meant anything. In fact, without reading this post, even if you went back and watched that scene 100 times over, you still would not know that there was any significance to her reference of the White Walkers hating iron. It’s only when we start to put the pieces of the puzzle together does this dialogue seem to be significant. So combining this information from just a few parts of the books/show, we know: A) the statues in Winterfell had iron longswords across them to keep evil spirits within; B) the door to the crypts in the oldest part of Winterfell was also made of iron; and C) the White Walkers hated iron. Piecing this all together and it surely does not seem coincidental that the Starks had so much iron in the crypts, and it starts to become a real possibility that the crypts of Winterfell were some type of prison for the dead and the iron was there to keep them within.

So let’s go with this theory for a minute and assume the crypts are some sort of prison for the dead. What’s the significance and how does that tie back to what we saw in the teaser? Well, the back half of the teaser shows that winter frost starting to creep into the crypts. First thought is to assume that just represents that winter is here, the Night King is coming, etc… But what if there’s a greater significance that ties back to this theory? What if rather than this symbolizing the Night King or White Walkers coming into the crypts, it’s a foreshadowing of these dark prisoner spirits coming out? Just a theory, you might say. But what if I told you that Jon Snow had one dream and Ned had two, both of which alluded to this very idea? Again, let’s not forget, George R.R. Martin would not include characters’ dreams in the books without some purpose.

In the first book, George RR Martin tells us of a dream Jon had: “He was wandering the empty castle, searching for his father, descending into the crypts. Only this time the dream had gone further than before. In the dark, he heard the scrape of stone on stone. When he turned, he saw the vaults were opening, one after the other. As the dead kings came stumbling from their cold black graves.” In this dream, Jon flat out sees the dead kings coming out from their graves. Sure, this could just be a reference to past Stark kings that are coming alive, but it could also be a reference to Night Kings or kings of darkness. After all, the dream does mention “cold, black graves,” the type of grave an ancient White Walker would be climbing out of.

But it doesn’t stop there. In that very same book, Ned has a dream: “He was walking through the crypts beneath Winterfell, as he had walked a thousand times before. The Kings of Winter watched him with eyes of ice.” First, let’s point out the significance that there is yet another dream happening in the crypts. Second, let’s acknowledge the dark and ominous tone to the dream, similar to that of Jon’s. Lastly, it’s worth noting that George R.R. Martin calls out “the Kings of Winter” and their “eyes of ice.” Again, the Kings of Winter could refer to past Stark kings, or it could refer to previous Night Kings or Kings of the White Walkers. After all, why would Stark kings have “eyes of ice”? We know that it is the Night King/White Walkers that have these eyes of ice. Speaking of which, let’s rewind to the very first pages of the prologue of the very first book — the first words any Game of Thrones reader would have read — which is also the very first scene of how the show started. If you recall, Will, a deserter of the Night’s Watch, encountered a White Walker, and the book starts “Will saw its eyes; blue, deeper and bluer than any human eyes; a blue that burned like ice.” Interesting to consider that the series of books (and show) begins with Will seeing the icy eyes of a White Walker, nearly identical to the way George R.R. Martin describes the eyes of ice on the statues of the Kings of Winter that Ned sees in his dream in the crypts.

But if there really were some dark White Walker-esque spirits buried down in the crypts beneath Winterfell, why would they be creeping free now? After all, we established that they hate iron and the iron longswords + iron door should keep them contained. Well, what if that iron was starting to fade? Turns out Ned has one more dream in the first book that speaks to this very idea: “By ancient custom an iron longsword had been laid across the lap of each of who had been a Lord of Winterfell, to keep the vengeful spirits in their crypts. The oldest had long ago rusted away to nothing, leaving only a few red stains where metal had rested on stone. Ned wondered if that meant the ghosts were free to roam the castle now. He hoped not.” Another rather eerie dream which notes that some of these very old iron longswords had started to fade, which led Ned to wonder if the vengeful spirits were able to roam free. If Brandon Stark did in fact bury these first evil bodies 8,000 years ago when he built the crypts, it makes perfect sense that the iron would have started to disintegrate, possibly allowing these spirits to break free. Which again begs the question of the wintery ice we saw creeping into the crypts at the end of the teaser: was it a simple reminder of army of the dead that is soon to arrive to Winterfell, or was it an allusion to something more — dark spirits that have been prisoner to the crypts of Winterfell, that are finally breaking free.

Only time will tell, and perhaps the crypts will not turn out to be as significant as this theory assumes. But if I had to bet, I would say that there will be some sort of major reveal tied to the crypts of Winterfell before this story comes to an end…

 

 

SEASON 7, EPISODE 7: THE DRAGON AND THE WOLF

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

THE DRAGON AND THE WOLF

24 months. 104 weeks. 730 days. This is roughly how long we will have to wait until we embark upon the 8th and final season of Thrones. That’s right — it will be approximately two years (if we are lucky, it could be as little as 18 months) until Thrones returns to bring this epic saga to a close. The good news is that this finale episode left us with so much to think about as we enter the Thrones off-season. In just one episode, the army of the dead has finally broken through The Wall; a fairly-major character, Baelish, is killed off; Jon Snow’s legitimate Targaryen identity is confirmed; and the dragon and the wolf finally come together. If it hadn’t already, after tonight, this story has definitely reached its climax and with just 6 episodes remaining, we are truly approaching the end.

A HOLE IN THE WALL

In an episode filled with monumental moments, the most significant was the (partial) destruction of The Wall at the hands of the Night King and his newly turned undead dragon. At first glance, this was a crucial development for obvious reasons — it allowed the White Walkers and their army of the dead to pass The Wall and begin their march on the Seven Kingdoms. But digging a bit deeper and considering the full context of The Wall will allow you to consider the magnitude of this moment in a whole other perspective.

In a story that centers around Ice and Fire, evil and good, light and dark, it is The Wall that symbolizes the fine line between these ever-opposing forces. The Wall was not built yesterday; or a few years ago; or even a few hundred years ago. The Wall was built 8,000 years ago — that’s right — eight-thousand years ago. And it wasn’t built by mere mortals using mundane means. It was built when The Children of the Forest, The First Men and the Giants all came together to fight for their survival against the White Walkers. During The Long Night, the White Walkers brought the longest and darkest winter that Westeros had ever experienced, and they nearly wiped out all life that inhabited the continent. However, The First Men and Children of the Forest banded together to push back the White Walkers, and then built The Wall to keep them out. It is said that Brandon Stark, otherwise known as Brandon the Builder, a legendary architect (and founder of House Stark), had the vision to build The Wall. Using magic from The Children of the Forest and the manpower from many giants, Brandon the Builder successfully built The Wall, which stretched 300 miles across and stood 700-feet tall. After the completion of the The Wall, the Night’s Watch was formed to man the wall and defend the realm from the dead that lurked beyond.

For 8,000 years, The Wall was more than a structure that kept out the dead — it was an indestructible symbol that divided good from evil, light from dark, Ice from Fire. And now, we have just seen that wall fall. A structure that protected the realm for thousands of years has finally been breached, and now, nobody is safe. As the Night King rode on the back of his undead dragon, he unleashed a fury of icy fire that was able to easily reduce The Wall to rubble. What’s important to remember is that The Wall was constructed using powerful magic from The Children of the Forest — magic that has kept the White Walkers out for thousands of years. And since The Wall is more than just ice and is also made up of this magic, it would take more than just ordinary force to destruct The Wall. Which is why the Night King, on the back of a dragon — representing the union of fire and ice — is able to destroy a good chunk of The Wall. Seeing this also again reminds us of the ties that the Night King has to the Children of the Forest. After all, it was the Children that created the Night King in the first place and he has shown to carry some of their magical powers. It then makes perfect sense that he is the one who is able to counteract the power of their magic used to build The Wall as he tears it down.

In just a few minutes, the Night King was able to completely eradicate a good chunk of The Wall and also took out Eastwatch by the Sea, the Night’s Watch castle built into that portion of The Wall. If he was able to destroy that much of The Wall that quickly, one could deduce that it would only be a matter of weeks before he was able to take out The Wall in its entirety. But perhaps he won’t have to — perhaps all he really needed was a singular entry point for the army of the dead to march through. Now, that is exactly what he has and the army of the dead have reached the other side of The Wall. And what will be the first meaningful destination they arrive at? More likely than not, good old Winterfell.

“THE LONE WOLF DIES”

“When the snows fall and white winds blow, the lone wolf dies, but the pack survives.” These were the words originally spoken by Ned Stark, and repeated by Sansa to her sister Arya, as the finale episode comes to a close. How poignant these words are. Though it has become more and more of a distant memory as the years have passed, the death of Ned and Catelyn Stark still remain a major driving force behind the actions of each Stark child. After all, they were both betrayed and brutally murdered at the hands of people they trusted. Arya realized a measure of revenge in the premiere episode this season as she killed Walder Frey, the man who colluded with the Lannisters to kill her brother and mother during the Red Wedding. And she seeks further revenge for the death of her father, which is why Cersei Lannister remains at the top of Arya’s kill-list. Yet these were/are the obvious enemies — the ones who boldly claimed responsibility for the deaths of several Stark family-members. But there were others; there were snakes in the grass who’ve continued to slither along, concealing their true motives.

Of course, there was no greater snake in the grass than Baelish — the master manipulator and ultimate schemer. Sure, Joffrey (and Cersei) ordered the beheading of Ned Stark, but it was Baelish that played such a pivotal role in setting that stage. Even worse, it was Baelish that the Starks had trusted, namely because Catelyn had been so close to him since a young age. And now, all these years later, the Stark children are enacting their measure of revenge. The scene is set up beautifully, as viewers are led to believe that Baelish’s plan to drive a wedge between Sansa and Arya has reached its tipping point. That is, it appeared as though Baelish had successfully manipulated Sansa into believing that Arya was going to kill her and that she must execute her sister first. As Arya is brought into the great hall of Winterfell and stands before her brother and sister, Sansa declares that “You stand accused of murder and treason,” before turning her focus to Baelish and shifting these charges from Arya to he. That’s right — it was not Arya that Sansa is charging these crimes to, but rather the unassuming Lord Baelish. With the help of Bran’s visions and knowledge, Sansa is finally able to piece together the whole puzzle. What she reveals is significant not just because it renders Baelish the guilty party, but rather because it shows the immense role that Baelish played in triggering many of the show’s most important events.

So, let’s rewind for a minute to recap the full extent of how far back Baelish’s scheming actually goes. The show began with Catelyn Stark receiving a raven from her sister, Lysa Arryn, stating that her husband, Jon Arryn had been killed. At the time, Jon Arryn war Lord of the Vale and was serving as Hand of the King to Robert Baratheon. Though he died before the show started and we never got to see him, Jon Arryn was revered as a great man and father figure to both Robert Baratheon and Ned Stark. The raven that Lysa Arryn sent to Cat went on to state that she suspected the Lannisters were responsible for Jon Arryn’s death. When Catelyn shared this message with her husband, Ned, he of course immediately became suspicious of the Lannisters. He set out for King’s Landing, and upon his arrival, he started digging into what he thought Jon Arryn may have discovered — the possible reason why the Lannisters may have had him killed. This led to Ned’s discovery that Joffrey (and his siblings) were not the children of Robert Baratheon, but rather the products of Cersei and Jaime’s incest. This was an important learning for Ned as it illegitimized Joffrey’s claim to the Throne. In King’s Landing, without many trustworthy peers, Ned confided in Baelish and shared with him the damaging information he learned about the Lannisters. Ned made a big mistake in trusting Baelish, who went back to Cersei and warned her that Ned was uncovering some of the Lannisters biggest secrets. With the help of Baelish, Cersei was able to get one step ahead of Ned and had him arrested, which led to his eventual beheading.

However, very few people knew that role Baelish played in getting Ned Stark killed. Now, thanks to Bran’s visions, all the Stark children are made aware that their father’s blood is all over Baelish’s hands. But that’s not all that Sansa revealed as she berated Baelish with a recount of the elaborate scheme he put into place many years ago. You see, it wasn’t that Ned simply became suspicious of the Lannisters, at which point Baelish betrayed Ned’s trust and informed Cersei of Ned’s suspicions. Rather, it was Baelish who purposefully deceived Ned by supplying him with false information. As we mentioned above, Lysa Arryn sent her sister Catelyn a raven stating that her husband Jon Arryn had been murdered — probably poisoned by the Lannisters. The problem here is that Jon Arryn was not murdered by the Lannisters, but rather by Baelish himself, who supplied Lysa with a poison to slip her husband. Baelish would then persuade Lysa to mislead her sister into thinking the Lannisters were responsible, which set Ned down the path that would eventually lead to his tragic demise. But it doesn’t stop there. What was also revealed/confirmed is that Baelish was responsible for the attempted murder of Bran back in season one. In an attempt to further implicate the Lannisters, Baelish told Catelyn when she supplied him with the dagger that the assassin used, that he had lost that dagger in a bet to Tyrion. Again, Baelish is attempting to make the Starks believe that the Lannisters are their enemies by painting the picture that Tyrion had something to do with the attempt on Bran’s life.

As Baelish stands before Bran, Sansa and Arya — the judge, jury and executioner — we are able to look back and realize the incredible impact Baelish has had upon a good chunk of the story that we’ve seen unfold to date. He fabricated a completely fictional context which would serve as the backdrop for some of the show’s most important events. And this fictional reality that he created would not only lead to the death of Ned, but it would serve as the foundation upon which much of the story’s conflict was built. Ned’s beheading led to Robb Stark declaring himself King in the North with the intention to seek revenge against the Lannisters. Of course, that then led to the Red Wedding and many more Starks dying. You can continue to unravel the storyline and attribute many more major events to the master manipulator — Petyr Baelish.

But the deception has come to an end. The Stark children finally pieced together all of his manipulations and have found him guilty. As Baelish drops to his knees and begs for his life, we see the truth of his character. He is out in the open, exposed and totally vulnerable. There are no more games to play or stories for him to whisper. His attempt to drive a wedge between Arya and Sansa would prove to be less successful than his attempts to do the same between Houses Stark and Lannisters. And just like that, Littlefinger’s time comes to an end as Arya cuts his throat. The irony — she takes his life with the very dagger that belonged to him — the one used in the assassination attempt on Bran’s life in season one.

Most rewarding is that the season comes to a close with House Stark in a good place. For the last few episodes, things seemed very shaky and the possibility of Arya or Sansa turning on the other seemed very real. But, the tables were quickly turned and the children are reminded that when winter comes, the lone wolf dies while the pack survives. These were Ned’s words, repeated by Sansa after his death was avenged. And it’s a good thing that the Starks were able to come together, because the White Walkers are just a hop, skip and a jump away.

THE DRAGON AND THE WOLF

From Bran’s previous visions, we learned that Jon Snow was not the son of Ned and Catelyn Stark. It was confirmed that Jon was actually the son of Lyanna Stark and that Ned was protecting Jon’s true Targaryen identity. However, what was not clear at the time was whether or not Jon was a legitimate Targaryen or if he was still a bastard, just of a different father. In other words, did Lyanna Stark and Rhaegar Targaryen legitimately birth Jon, or was Lyanna raped by Rhaegar, making Jon Rhaegar’s bastard? Well, a couple episodes back, when Gilly was stumbling through a book, that question was answered. In reading the High Septon’s personal record, she discovered that the High Septon had performed an annulment, followed by a secret wedding in Dorne. In short, this confirmed that Rhaegar’s marriage to Elia Martell was annulled, and that he was legitimately married to another (safe to assume Lyanna Stark).

Though Bran was aware through his vision who Jon’s parents were, he assumed him to be a bastard of Rhaegar. After all, the scene he saw of Lyanna laying bloody and dying, seemed to confirm the idea that Rhaegar had raped and harmed Lyanna. However, Samwell Tarly offered to Bran what Gilly had discovered, and all of the information was pieced together. Rhaegar and Lyanna were legitimately wed, making Jon Snow a true Targaryen. What’s more, we are taken back to Bran’s vision and we are able to hear the name that Lyanna whispered to her brother Ned — the true identity of the man we’ve known as Jon Snow. AEGON TARGARYEN. As we know, the original Aegon Targaryen is arguably the most important Targaryen of all time. He is the man who conquered the independent kingdoms of Westeros and united them under his rule as the first Targaryen king. So, Jon not just being a Targaryen, but named after the most important Targaryen ever, is quite the reveal. As a result of Aegon’s Conquest, the Targaryens would rule over Westeros for the next 300 years, until Robert Baratheon usurped the throne during Robert’s Rebellion.

Speaking of Robert’s Rebellion, what we saw tonight answers one of the most important and controversial questions around the entire Thrones story. Was Lyanna wrongfully kidnapped by Rhaegar Targaryen or did she choose to ride off with him to follow their love? As we know, Robert’s Rebellion was the multi-year war that would put Robert Baratheon, Ned Stark and the Northern rebels against the Targaryen armies, as the rebels sought to overthrow the Mad King and the Targaryen dynasty. But what caused Robert’s Rebellion? Why did they want to overthrow the Targaryens after 300 years of rule? Well, the biggest catalyst for Robert’s Rebellion was the disappearance of Lyanna Stark. She was betrothed to Robert Baratheon and was the sister of Ned Stark, so both men had a deep love for her. When she disappeared, Robert and Ned clung to the idea that she was kidnapped by Rhaegar Targaryen. They rallied the North behind this idea and launched Robert’s Rebellion. However, there has also been plenty of whisper that has alluded to a contrary idea — one that paints Rhaegar as a great man and contradicts the idea that he would kidnap Lyanna. This version of the story says that Lyanna and Rhaegar were madly in love and rode off together to tie the knot. The truth of this debate has been hidden until tonight.

Through Bran’s vision, we saw that Rhaegar and Lyanna, the dragon and the wolf, were truly in love. Learning that Rhaegar did not kidnap Lyanna is so significant because it invalidates the very justification for Robert’s Rebellion. Had Ned and Robert known the truth, it is entirely possible that this rebellion never would have even taken place. Which means that Rhaegar would probably still be alive (he was killed in battle by Robert), the Targaryens would likely still be on the throne, and Jon would have grown up as Aegon Targaryen, son to Lyanna and Rhaegar Targaryen. It is absolutely incredible to think that an entire multi-year war which shaped the entire story we are seeing today was built upon a lie. It is even more incredible to consider we are finding this out so many years later.

But here’s what’s not a lie. Jon Snow is a Targaryen — a legitimate one. And because his father, Rhaegar, was next in line for the Throne, Jon is now the legitimate heir to the Iron Throne. He supersedes Daenerys’ claim to the Throne, as he is Rhaegar’s son while she is Rhaegar’s sister. But they’ll have plenty of time to figure that out down the road. Right now, Jon and Daenerys have more important matters to focus on as they finally come together intimately. In an episode entitled The Dragon and the Wolf, we learn of Jon’s true identity as we see the original dragon and wolf that came together (Rhaegar Targaryen and Lyanna Stark), while simultaneously seeing another dragon and wolf (Daenerys and Jon) also getting together. So, now it’s official. There is no Jon Snow. There is no bastard. There is only Aegon Targaryen, son of Rhaegar and true heir to the Iron Throne. Bran tells Samwell, “He needs to know, we need to tell him.”

CERSEI AGAINST THE WORLD

In King’s Landing, we get almost all of the story’s most significant characters together at once. To date, we’ve never seen anything like this. Once again, there are all kinds of reunions between characters that have great history with one another. Jaime is reunited with Brienne, who he was on an epic journey with a few seasons ago, which culminated with him risking his life to save hers. Tyrion was reunited with his longtime squire, Pod, as well as Bronn, with whom he fought closely in the Battle of Blackwater Bay. The Hound comes face to face with Brienne, who left him for dead a few seasons back. He us also reunited with his zombie-brother, The Mountain, and reminds him that death is coming for him.

As Tyrion and company enter the dragon-pit and are surrounded by Lannister soldiers, the suspense begins to set in. It is entirely possible that they could all be killed and if anybody is capable of such a thing, it would be Cersei. Despite coming face to face with a wight, Cersei is unwilling to join their cause to fight the army of the dead. Tyrion risks his life to talk some reason into his sister and it appeared as though his attempts were successful. Cersei returns to the dragon pit and declares that she will join their fight. It seemed as though this was a big moment for Cersei who finally saw the bigger picture, and that the stage was now set for basically all of humanity to band together to fight back the army of the dead.

However, moments later, behind closed doors, Cersei reveals to Jaime that she will say anything to anybody to win the war against those who have wronged her. She does not actually intend to lend them any men, even though Jaime proposes the very obvious lose-lose scenario for them if she does not. Once known as the Oathbreaker for killing the Mad King, Jaime refuses to again break his oath and tells Cersei that she will have to kill him to stop him. Unable to do so, Jaime leaves King’s Landing and rides off to join the fight against darkness. Seasons ago, when Jaime was on his journey with Brienne, it appeared as though his character had gone through a major transformation. But then, he got sucked back into Cersei’s wicked games and it was unclear whether he would finish this story by her side or not. Now, he has finally left King’s Landing and is off to join the war that everybody seems to realize is most important, except for Cersei. And not a minute too soon. Snowfall has made its way down south and begins to descend upon King’s Landing. If the southerners didn’t yet know, they will now see that Winter Is Here.

ODDS & ENDS

  • We as viewers were not the only ones who saw the Night King take out a chunk of The Wall. We actually saw this through Bran’s vision as he warged into the crows that sat atop the wall. So, the good news is that Bran is well aware of what just happened and Winterfell can prepare accordingly as the first line of defense.

 

  • Cersei confirms she has secured a contract with the Golden Company, an army of 20,000 men who will fight for her. How will this army help her against Cersei’s forces? Perhaps they will end up being more manpower for the fight against darkness.

 

  • Theon receives forgiveness from Jon Snow and is now off to save his sister, Yara. I think the show did a pretty poor job at demonstrating what happened to make Theon strong again. Last we saw him, he had reverted back to being Reek and jumped off the ship, leaving his sister stranded. Now, all of a sudden, he’s once again back to being the Theon that wants to save his sister? Seems very wishy-washy.

 

  • With Baelish now dead, that’s another face that Arya could possibly use. We know her goal is to kill Cersei — could she possibly use his face to get back in front of Cersei at King’s Landing?

 

  • At Eastwatch when the Night King attacked, did Tormund and Beric survive? The obvious guess is yes, but worth the thought.

 

  • With Jaime having fled King’s Landing, what will Bronn do? We mentioned in a post a few weeks back the possibility that Bronn will save the Sand Snake who he had a fling with in Dorne, who is now locked in the dungeons below King’s Landing. With Jaime now gone, it’s entirely possible that he does save the Sand Snake and flee King’s Landing.

SEASON 7, EPISODE 6: BEYOND THE WALL

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

BEYOND THE WALL

In typical Thrones fashion, this year’s penultimate episode did not disappoint. As we’ve come to see, the second-to-last episode of each season generally accounts for some of the shows biggest and most dramatic events (i.e. Ned’s beheading, The Battle of Blackwater Bay, The Red Wedding, etc…) But this season’s penultimate episode, entitled Beyond the Wall, took us to entirely new heights. This episode was not just beyond the wall, it was beyond. Period. This behemoth of an episode featured the most significant battle we’ve seen to date — one that brought the all-important entities of fire and ice face to face for the first time. But there was much more. This installment offered the most extended look we’ve ever had into the army of the dead; the biggest dragon scene to date; and this season’s most important moment between two of its most important characters (Jon and Dany). As if all of that was not enough, there were some significant deaths, as well as an awesome surprise entrance from a character we haven’t seen in a while. There was also a crucial reveal about how team humans can possibly defeat team White Walkers in this battle for survival. Oh, and as if all of that was not enough, the Night King now has a dragon to call his own!

FIRE AND ICE

If you don’t yet know that this entire story created by George R.R. Martin is entitled A Song of Ice and Fire, then shame on you. In adapting his multi-book series for TV, HBO decided that Game of Thrones (which was the title of the first book in this series) would be more marketable. And while the latter may roll off the tongue a bit better, there is one pitfall — the importance of fire and ice gets lost. The Game of Thrones titles makes it seem as though this story is ultimately about a game whose winner will ascend the Iron Throne. And while that was the game being played in the first few books/seasons (and to some extent still is), we know that the endgame here is something much greater, which is what the title of the series spoke to. Kings and thrones are insignificant in the face of fire vs ice, light vs darkness, good vs evil. And though the show has obviously made it quite clear, especially as the story has progressed, that fire and ice is where this whole thing is headed, it still seemed unclear how and when these opposing elements would face off.

Well, heading into tonight’s episode, there were just seven episodes remaining, so we knew it couldn’t be too much longer. Yet still, I’m not sure anybody was wagering that this episode would bring a full-on collision between fiery dragons and icy White Walkers. But that’s precisely what we got as Dany flies her dragons into the deep north to save Jon and the Dream Team from certain death at the hands of the army of the dead. And boy was it a powerful sight to see.

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Hitting rewind for a moment, Jon and company venture into the deep north on their quest to find a wight. I get questions each week about what a wight is, so let’s quickly clear this one up. In the show, the wights are the undead zombies which account for most of the army of the dead. The wights are led by the more powerful and mythical White Walker creatures. If it seems confusing that the story would refer to the zombies as wights and their leaders as White Walkers, given that wights/Whites sound the same, well, it is. But, in the books, this confusion did not exist, as the White Walkers were called The Others. So, in the books, you had wights (zombies) being led by The Others. After the hit show Lost popularized the moniker The Others, referring to the other inhabitants of the island, HBO decided not to use the term The Others and came up with a new name for them — The White Walkers. So, today you have the wights and the White Walkers. But let’s get back to more important things.

Jon and squad don’t make it too far north before a run-in with an enormous undead bear. Because the bear has been turned by the White Walkers, it is uncharacteristically aggressive in its pursuit to kill the humans. But, the bear being turned does not explain its size — so it was pretty cool to see how big this bear was (more like a mini dinosaur). It was our first time seeing a creature like this in Thrones and builds on some of the other unusually large/mythical creatures we’ve seen (giants, direwolves, dragons, etc…) As the team bands together to fight off the bear, Thoros gets pinned down and The Hound is the closest one able to assist. Underscoring the juxtaposition of fire and ice, The Hound was literally frozen by the fire and we see that his fear of the flames still runs deep. As a result, Thoros gets badly mauled, though not killed, as Beric cauterizes his wound.

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Fast forward, Jon and company find themselves deserted on an island of ice, surrounded by not only thousands of wights, but also the Night King and his highest-ranking White Walkers. After Jon instructed Gendry to run back to Eastwatch to send a raven to Daenerys, the table was set, and it all of a sudden became entirely feasible that fire would meeting ice very soon. As night turns into day, the men wake up to find themselves still surrounded, only now with one less man. Thoros has not survived the night and Beric sets his corpse aflame to prevent the White Walkers from being able to turn him into a wight. I found it somewhat strange that the story had Thoros surviving the bear attack, only to die the next morning. In any event, it was sad to see Thoros go and he was definitely one of the more enjoyable characters of the show — a man who fought for those who could not fight for themselves — and a man who ultimately gave his life to serve what he believed to be a greater purpose. Most significant, this means that whatever role Beric is to play, he must make this life count as he likely will not have another to live. Thoros is no longer around to bring him back to life as he has done many times in the past, underscoring once again, that this story is nearing its end.

The Hound had already lost some points in my book for not saving Thoros from the bear. He now loses additional points for deciding that it would be a wise idea to start throwing rocks at the wights. Sure enough, the wights realize that the water has frozen back over and they can now resume their attack on Jon and company. Somehow, this single-digit group of men are able to fight off what felt like several hundred wights. While I was ecstatic to not see any more of them die, there were points where they appeared so engulfed by a sea of wights that it seemed unrealistic for them to survive, yet they somehow continued to fight them off. No doubt, we got to see the fighting prowess of each of these men — some of the realms greatest warriors, assembled together, each fighting with their weapon of choice. And though The Hound made some poor decisions in this episode, he’s back in my good graces after saving Tormund from what looked like a certain death. I’m not sure I could have handled losing Thoros and Tormund all in one episode.

Though they were able to fight off hundreds of wights, no matter how many they killed, more kept coming. Eventually, they were completely surrounded, and we went into a slow motion sequence where everything quieted down. This sequence was mostly focused on Jon and offered a slower, more focused vantage point of what it might feel like to acknowledge the imminent death that you and your men are facing. We saw a very similar sequence in the Battle of the Bastards when everything slowed down for Jon and it seemed like their defeat was certain. But just as Jon and his men were saved in the Battle of the Bastards by a surprise entrance, the same would happen in this battle, as Daenerys arrives with all three of her dragons and sets everything ablaze.

Her powerful flames engulf the wights by the hundreds, if not thousands, and in that moment, fire finally meets ice. For the first time, we see with our own eyes what we’ve been imagining for so long — how the dragons will ultimately help to defeat the army of the dead. Things are looking great for the good guys (well, I will pause on calling them the good guys, because that implies that the Night King and White Walkers are bad guys, and I believe it’s too early to determine that given that we don’t truly understand the Night King and what he is trying to achieve yet. But we’ll save that for another time). Everything changes as the Night King picks up his ice spear and takes down one of Daenerys’ dragons, Viserion, from what seemed like hundreds of yards away. The Night King must have been spending some serious bro-time with Tom Brady, because that dragon was hundreds of yards away and flying at a pretty high elevation.

Just like that, the tables are dramatically turned, and Daenerys is helpless as she watches her beautiful dragon fall from the sky like a plane that has been shot down out of the air. Her other two dragons let out a painful cry as they watch their sibling fall to its death. Seeing this, Jon Snow advances for the Night King, who attempts to take down Drogon, the dragon that Daenerys and the others are aback. Jon is attacked by more wights and pulled underwater, and Daenerys is forced to abandon Jon, though reluctantly, in order to save her two remaining dragons.

When Jon does reemerge from the water, he is frozen stiff and appears to have no chance at fighting off the new pack of wights that are headed his way. Not to fear, Uncle Benjen is here. We hadn’t seen Benjen since last season when he had to part ways with Bran because he could not pass through The Wall. At the time, he explained that the dead cannot pass through The Wall, due to powerful magic The Children of the Forest used in helping to build The Wall, thus confirming he was in fact technically dead. When Bran asked him what he would do, he confirmed that he would continue to fight off the dead for as long as he could, and in this episode, he made good on his word. Fighting with his flaming ball-and-chain, Benjen takes out a bunch of the wights and buys Jon just enough time to escape back to Eastwatch. Benjen is consumed by the wights and the assumption is now that he is fully dead…Or maybe he will be turned into a wight… But safe to assume he’s gone as the Uncle Benjen we know. What was most significant, and also most sad about this, is that Uncle Benjen (Ned’s brother) and Jon Snow were very close. Uncle Benjen was a big reason that Jon joined the Night’s Watch in the first place, and when Benjen went missing north of The Wall in the first season, Jon tried to go after him. Ironically, Benjen’s disappearance north of The Wall so many seasons ago is what would turn him into what he is today, and set him on the track to save his nephew when it really counted. Sadly, after all these years, their reunion was just a couple of seconds.

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Jon and Uncle Benjen atop The Wall in Season 1

A SILVER LINING

Coming into this episode, the dragon count was 3-0 in favor of the humans. After this episode, the count is now much more even at 2-1. Whereas the humans once had 3 more dragons, they now only have 1 more. That’s because not only did the Night King take out Viserion, but he wisely turned him into a wight that he will now be able to use in his army. This of course begs a ton of questions about how Viserion will be used and what he will be able to do. Will he now breathe ice instead of fire? Will he be able to freeze over entirely masses of land and kill all life? Will his newfound dragon allow The Night King to quickly and easily fly over The Wall and pose a greater threats to the humans? And how do you kill Viserion? The other wights can be killed by fire, but dragons are immune to fire, so is Valyrian steel/dragonglass the only way kill Viserion? Time will tell, but it raises all kinds of interesting questions. Also, as a sidenote, to turn Viserion into a wight, The Night King placed his hand upon the dead dragon’s snout, much the same as Jon Snow had touched Drogon a couple episodes back.

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No matter which way you slice it, The Night King getting his hands on a dragon is a huge blow to Daenerys and all of humanity. Though the Night King always posed a great threat, Daenerys was always approaching the level of invincibility with three full-grown dragons. But now, the playing field is a lot more level and The Night King may have what he needs to launch a full-blown offensive. All that said, there were some very significant silver linings to be found in this episode, some of which will have huge implications on how this all unfolds.

Silver lining number one: mission accomplished. The men did not go home empty-handed and they achieved what they had set out for — capturing a wight that they could present to Cersei, and presumably anybody else who is a nonbeliever. Arguably, the biggest problem the humans have faced in the great war to come is that they simply do not know it is coming. Jon Snow and a few others have been trying to spread the word, but most of the realm still regards the entire thing as mythology. But now, they have hard proof and it will be interesting to see how people react.

Silver lining number two: a very significant reveal about how the humans can possibly win this war. We knew a few things coming into this episode: 1) White Walkers can be killed with Valyrian steel or dragonglass; 2) wights can be killed with either of those, but are best defeated with fire. What we did not know, and learned tonight, is that there is some sort of link between White Walkers and wights, and killing a White Walker can actually take out many more wights in one fell swoop. As Jon battled and eventually defeated a White Walker, we saw several wights around him collapse and crumble. The assumption is that if you take out a White Walker, so too are you killing the wights that White Walker had turned. This is critical as it implies that killing a few hundred or even a few dozen White Walkers could wipe out a huge volume of the army of the dead. But what was even more significant, was Beric’s assertion that perhaps taking out The Night King would wipe out all the White Walkers and wights at once. We don’t know if this is true, but perhaps we just learned how this entire war can be won.

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Silver lining number three: Jon and Dany are in a great place. It was no secret that something was brewing between these two, yet Dany was still quite focused on fighting Cersei for the Iron Throne and wasn’t totally sure how credible Jon’s claims were regarding the army of the dead. But now, Dany has seen the threat with her own two eyes. What’s more, she’s lost one of her children at the hands of the Night King, so she is now more invested in this war than anybody. Alignment between Jon and Dany as it pertains to them coming together to defeat the Night King is absolutely huge.

But that’s not where the alignment stops. The emotions and potential romance continued to elevate in this episode and the two even ended up in a bed together, holding hands. Jon has declared Dany his queen, after an interesting dialogue with Tormund earlier in the episode where Tormund reminded Jon of Mance Rayder, the king of the Wildlings, who refused to bend the knee to any southern ruler. Tormund reminds Jon that Mance’s pride ultimately got him killed. Jon takes this advice to heart and decides that others must see the greatness that he sees in Dany. No doubt, he will face real backlash, especially amongst the Northerners, who view House Targaryen as definitive enemies. This should set up for a very interesting dynamic in the North, and the potential that the Northerns choose to no longer follow Jon, opening the door for a new Northern leader, which plays right into the Arya-Sansa drama we are seeing unfold — but more on that in just a bit.

One other thing to point out is that it was not just Jon that is buying into Dany and declaring her his queen, but also she that is buying more into him, especially after she sees the wounds that he sustained when he was murdered. Recall that in the fist scene they met, Ser Davos mentioned that Jon Snow was brought back from the dead, and Dany took particular interest to this. When she asked about it, Jon made it seem like he was not really brought back from the dead and that Ser Davos was embellishing. Just last episode, Dany asked Jon about this again, but before he could respond, Ser Jorah returned and stole the spotlight. Now, she is seeing first-hand the brutal wounds he sustained and she realizes that he did in fact die and come back to life. Ultimately, though Viserion’s death was tragic, you could make the argument that it was a cost well worth paying if it resulted in Jon and Dany coming together the way they did, Jon declaring Dany his queen, and that queen now being fully invested in the war against darkness.

Also, one smaller but additional silver lining is that we got some more color on the “who will be the 3 riders of Dany’s 3 dragons?” As we know, Aegon, alongside his two sisters, rode their three dragons during his Conquest. Many have theorized that there would have to be two additional riders to ride alongside Dany, but that theory now seems to be out the window.

DRAMA IN WINTERFELL

Though it seems much less significant than what we saw unfold north of The Wall, the tensions building at Winterfell will have important implications. After all, don’t forget, Winterfell and The North are one of the first lines of defense south of The Wall. So, if the White Walkers do pass through The Wall, Winterfell is one of the first places they will reach. Having a definitive leader at Winterfell who can unite The North will be critical. And that’s the opposite of what we are seeing today.

Picking up on last week’s episode, Sansa and Arya are falling right into Baelish’s trap. Unbeknownst to her, Baelish planted a note for Arya to find which presents Sansa as a Joffrey-loving traitor who was willing to denounce her own father in support of the Lannisters. What we know as viewers (as does Baelish because he was there at the time), is that Sansa was forced to write this latter as she was more or less Cersei’s prisoner. Sansa attempted to plead this case to Arya, though Arya’s mind seems to be made up about who her sister is and where her loyalties lie. Interestingly, the show has seemed to present this conflict much more from Arya’s vantage point than from Sansa’s. Both girls have been through trying times and actually appear to both want to do what’s best for Winterfell, yet the show has made Arya feel like the protagonist who is onto her antagonist sister.

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Just as Baelish had hoped, he is able to find himself in private quarters with Sansa, offering her advice of how to proceed. He notes that Brienne has sworn an oath to protect both sisters, and as such, is a valuable asset to rely upon. Sansa takes this advice and sends Brienne to King’s Landing after her attendance was requested. Brienne objects to going and tells Sansa that she cannot trust the people around her, especially Baelish, even if she is home at Winterfell. Naively, Sansa believes that because she is at home that she is safe. With Brienne gone and Arya and Sansa at odds, Baelish is setting the table for him to make his next move — whatever move that might be.

Another sidenote on Winterfell — where has Bran been as all of this drama is unfolding between his sisters? After all of this time, he has finally returned to Winterfell, so where is he hiding? As an all-knowing being, you would think he’d be able to step in and drop some knowledge on his sisters to help them navigate their issues. Also, speaking of things missing at Winterfell, where the hell is Jon’s wolf, Ghost? We have not seen him this entire season, so keep an eye out for that.

HISTORY THROUGH DIALOGUE

In the first few minutes of their journey north of The Wall, there was some incredibly rich dialogue amongst the men, most of which recounted some important Thrones history. Here’s a recap:

Jon and Jorah talk further about their past as Jon reveals that Jorah’s father had given him Longclaw, a Valyrian steel sword that was meant for Jorah. Jon offers the sword to Jorah, but Jorah admits that he is unworthy. But it is not just Jon that knows Jorah’s father; Jorah also knew Jon’s father (well, he knew the man Jon currently believes to be his father, Ned. Jorah recalls that Ned wanted Jorah executed (which is why he had to flee Westeros and eventually ended up meeting Khaleesi in Essos). You can read more about why Ned wanted him executed here.

Jorah and Thoros recount their time in battle together during Robert’s Rebellion. They fought together for the rebels in a battle where they stormed Pyke (seat of the Iron Islands). History tells that Thoros rode into battle with his flaming sword and helped to win this decisive victory.

Tormund and The Hound end up discussing Brienne, though their interactions with her could not be further apart. Tormund tells The Hound of his affections for Brienne and how he hopes to marry her and have giant children together. Though The Hound does not reveal it, we know that it was Brienne that nearly killed The Hound a few seasons back.

Gendry and Thoros also recall some history as Gendry calls them out for selling him to Lady Melisandre. He tells them what she did to him though they appear to move past it pretty quickly.

SEASON 7, EPISODE 5: EASTWATCH

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

EASTWATCH

Without question, Eastwatch was the most important episode in Thrones history. Yes, you read that correctly — let it sink in for a moment. Tonight’s episode was so critical for three reasons: 1) It sets the stage in a major way for the great war that is to come — the only war that matters — the event that will dictate the outcome of this entire saga; 2) There were some HUGE reveals which brought to light some very important things from the past — things that most viewers likely did not register in this extremely fast-paced episode; 3) There were some incredibly important reunions in this episode which bring back events from the past, but also point to what is to come in the future.

If we know anything about Thrones, we know that the penultimate (second to last) episode of each season is the one in which big things go down. Season 1 — Ned’s beheading; Season 2 — The Battle of Blackwater Bay; Season 3 — The Red Wedding; Season 6 — The Battle of the Bastards. All of these major events occurred in the second to last episode of their respective seasons. So gear up, because in this shortened season, the second-to-last episode will arrive next week and we are in for a huge adventure as Jon and Co. venture north of the Wall.

THE AFTERMATH

Last week we saw fire; this week we saw ashes. The episode opens with Jaime and Bronn emerging from the water (surprise, surprise). Jaime immediately realizes the magnitude of the enemy that the Lannisters are facing and doesn’t seem to like his odds. Bronn tells Jaime that he will be long gone before Khaleesi’s dragons burn King’s Landing.

Not too far away, Tyrion surveys the battlefield, or what is left of it. Last week, Tyrion looked on as Khaleesi’s dragons brought fire and blood. Now, this week, Tyrion experiences the ashes and ruins — the death and destruction. To say the least, he doesn’t seem so comfortable with it. But things are about to get worse. The remaining Lannister soldiers are rounded up, offered the choice to bend the knee or face death. Of course, this is a significant event, as it mirrors Aegon’s Conquest, in which he offered the same choice to one kingdom at a time, before eventually uniting them all and establishing the Seven Kingdoms under Targaryen rule.

Most of the men wisely bend the knee, but Randyl Tarly, as well as his son, Dickon, choose honor, even at the cost of death. This is somewhat ironic in that just a few episodes prior, Randyl Tarly objected to serving Cersei and did not want to break his oath to House Tyrell. Now, just a few weeks later, he is willing to die for for Cersei — or better yet — he is willing to die if that is the price of refusing to bend the knee to a foreign invader. His son makes the same choice and Khaleesi lines them up for imminent death. Looking increasingly uncomfortable and wanting to save the lives of these men, Tyrion tries his best to provide an alternative to Khaleesi. He proposes that they send them to The Wall to serve out their days on the Night’s Watch, followed by suggesting that they lock them up in a cell until they agree to bend the knee. His clever words bear no fruit and Khaleesi is firm in her decision; she will give all men the opportunity to bend the knee or die — the choice is theirs.

Just like that, Drogon unleashes a massive ball of fire, engulfing the Tarly men in flames. Just like that, Samwell becomes heir to House Tarly. But there is a bigger takeaway here. The Tarly’s perception of Daenerys as a foreign invader underscores a major issue she will have to face as an overwhelming majority of Westeros will likely see her as the same. If this is the case, it begs some questions: How many people will Khaleesi have to kill, or threaten to kill, in order to secure the fealty of Westeros’ citizens? And is offering somebody the choice to bend the knee or die really much of a choice at all? The actions required for Khaleesi to become queen seem to be at odds with the queen she wants to be and her M.O. of leaving the world a better place than she found it.

DRAGONSTONE

Back at Dragonstone, Khaleesi casually pulls up on her dragon as Jon Snow watches on. As Drogon lands and Khaleesi remains on his back, Drogon locks eyes with Jon and slowly inches closer. One wrong move and Jon could have been set aflame, but he stood his ground and looked deep into the eyes of the dragon. As Drogon comes face to face with him, Jon removes his glove and slowly places a hand against the dragon — a physical connection to cement the deeper connection we see in this scene. In the Thrones world, dragons are said to be extremely intelligent creatures with a keen sense of awareness to the people around them. With this in mind, it is a powerful moment to see Khaleesi’s main dragon see something in Jon Snow.

What’s more, Khaleesi witnesses the entire encounter, and is drawn even closer to Jon Snow as a result. After all, these dragons are Khaleesi’s children, so seeing them connect with Jon is an emotional moment for her. Following this, we see the way she looks at Jon — a look that speaks to a combination of admiration, attraction and possibly love. She seems captivated by Jon, something we’ve not seen from her before, even with Khal Drogo who she married or Daario Naharis who she became intimate with in Mereen. As viewers, we are left scratching our heads and wondering when Jon will find out what we all know — the reason Drogon recognized him is because he is in fact a Targaryen. And not just any Targaryen, but Khaleesi’s nephew. The show is doing a masterful job of building this up and it will certainly be a magical moment when the truth comes to light for Jon and Daenerys.

In an incredibly fast-paced episode, we didn’t even have a moment to let the Drogon/Jon/Khaleesi moment fully sink in, because just like that, Ser Jorah is on the scene. Yes, that’s right, after all this time, Jorah is back in the presence of his beloved Khaleesi, cured and ready to serve his queen. While it was great to see Jorah back where he belongs, I was more interested in the significance of Jon and Jorah now meeting. As we know, Jorah’s father, Jeor Mormont, was the Lord Commander of the Night’s Watch when Jon arrived at The Wall. To say the Lord Commander trained Jon would be a major understatement. From the very moment Jon arrived at The Wall, Lord Commander Mormont knew there was something special about Jon. He believed in him and instilled in Jon the importance of believing in himself — a quality that drives Jon on his challenging journey today. Jon saved the Lord Commander’s life early in season one (against the attack of a wight), and the Lord Commander later gave Jon his epic Valyrian steel sword, Longclaw. At the time, Lord Commander Mormont mentioned that the sword would have gone to his son had he not been exiled from the Seven Kingdoms (Jorah was banished from Westeros for his involvement in slave trade). Little did we know that six years later, Jon, with Longclaw at his side, would meet this son that the Lord Commander had spoken of. In many ways, Lord Commander Mormont was the father Jon never had, which in some ways, makes Jorah the brother he never knew.

Sitting in the Throne room, Tyrion and Varys talk about Khaleesi’s recent victory. Only, it doesn’t feel like a victory. Tyrion has seen too many people die and Varys has no stomach for the destruction that Khaleesi has recently brought to Westeros. Varys implores Tyrion to find a way to make Khaleesi listen to him, underscoring the importance of Tyrion’s role. Khaleesi is walking a fine line between being an inspirational figure and a ruthless invader, and there are very few people that can influence which side of the line she lands on, Tyrion being one of those people.

Later, Khaleesi gathers her entire cabinet as they contemplate their next move. After receiving a raven and learning that Bran and Arya are not only both alive, but home at Winterfell, Jon informs Khaleesi that he must return back to the North. The show moved past this revelation so quickly that it felt entirely unimportant. So to restate the significance — after all these years of thinking two of his siblings were dead, Jon finds out that they are in fact both alive and safe at Winterfell. Though it may have felt like this learning was unimportant to Jon, another way to look at it is that it puts into context the massive significance of the great war that he knows is to come. In other words, it’s not that learning his sibling were alive is unimportant, it’s just that the great war to come is so much more important. How excited can Jon actually get about Arya and Bran being alive, if he knows of the war to come that could quickly take the lives of not only Arya and Bran, but also the rest of humanity.

Jon is now committed to return back to Winterfell to fight the impending war with whatever men he has. He offers Khaleesi to join, but she notes that she cannot join this fight and open up the country for Cersei to retake. Enter Tyrion with a clever strategy. He notes that Cersei believes White Walkers to be nothing more than myth, but if she could be convinced of the imminent threat to the realm, perhaps she can be won over. This sets into motion the mission for Jon Snow to venture north of The Wall to capture a wight so that a soldier of the dead army can be presented to Cersei. But first they would need to know they have an audience with Cersei, something that Ser Davos and Tyrion will work on. But, before Tyrion departs Dragonstone, he reconnects with Ser Jorah, just another one of several meaningful reunions in this episode. Like so many things in this episode, the significance of this moment was quickly glossed over, but don’t look past this moment between Tyrion and Jorah. They spent the better part of an entire season on an adventurous journey together, including their passing through Old Valyria, where they came into contact with the Stone Men (and Jorah contracted Grey Scale). They eventually became separated, and now all of this time later, they are reunited in a position to serve their queen.

KING’S LANDING

Back at good old King’s Landing, Jaime returns to tell his sister of the defeats they’ve suffered at the hands of Daenerys. He reveals that their odds to win this war do not look good and that they should reconsider their position. Cersei makes it clear that she will die fighting before she gives up. Having faced near-certain death, Jaime feels differently, and as viewers, we sensed that a split between Jaime and his sister could be imminent. And then she tells him that she is pregnant with his baby. If there was one thing in the whole world that could be used to bind Jaime to Cersei, it was this — the idea that they are bringing another child into the world — and that Cersei would tell the world it was Jaime’s. Joffrey, Tommen and Myrcella were all Jaime’s children as well, but they were presented to the world as the children of Cersei and Robert Baratheon. As a result, Jaime had to watch his kids grow up, unable to influence their lives in any meaningful way. Though the show does not go into this subject, the books elaborate on the struggle Jaime dealt with, unable to be a father to his own children. So now, learning that they are bringing a new child into the world, and one that he could tell the world is his own, is perhaps the greatest gift Jaime could have ever asked for. And this will be the glue that holds Jaime and Cersei together. Of course, there is the possibility that Cersei made this up, or that there is in fact a child, but that it is not Jaime’s. Either way, for now, Cersei has Jaime exactly where she wants him.

As if we didn’t have enough reunions so far, we see another huge moment when Tyrion comes face to face with his brother, Jaime. There is so much built-up emotion inside both of these characters around what has transpired over the last couple years. Jaime is relieved that he saved his brother years ago, after more recently finding out that it was Lady Olenna who killed Joffrey, not the wrongfully-accused Tyrion. At the same time, some part of him has to regret setting Tyrion free, as that led to Tyrion being able to murder their father. Even more, it led to Tyrion joining sides with Daenerys and becoming Jaime’s de facto enemy. But still, in this moment, Jaime knows, as he always has, that Tyrion has lived a difficult life, one in which he has been punished for things out of his control (the death of his mother at birth and being a dwarf). With tears in his eyes and passion in his voice, Tyrion shows a side of himself that we rarely see, as he pleads his case to Jaime, explaining that their father, Tywin, would have executed him for a crime he knew he did not commit, all because he was a dwarf. In another life, Jaime would have probably loved to have been the caring older brother to console Tyrion in this moment, but in this life, at this moment, that was not possible. In this life, Tyrion is the enemy to Cersei — and Cersei is the mother of Jaime’s unborn child. We do not see how the conversation ends, but Jaime later tells Cersei of his encounter with Tyrion and that Daenerys has requested an audience to present them with proof of the army of the dead. Cersei seems to agree to grant this audience, and notes that if they want to win the war, they will have to outsmart Daenerys. It sounds like she has a trick or two up her sleeve.

While Tyrion, Jaime and Cersei are engaging in their Lannister drama, Ser Davos has other plans in King’s Landing. He heads to Flea Bottom, the slums of King’s Landing, where he lived most of his life. Knowing how to navigate these parts of the city, he quickly finds Gendry, who is back at work crafting swords and other weaponry. It was just a matter of time before we saw Gendry, and I had a million ideas of where he might be since Ser Davos saved him in season three, but King’s Landing never crossed my mind. After Ser Davos risked his life to set Gendry free from Dragonstone (because Lady Melisandre and Stannis were going to sacrifice him), Davos once again risks his life to find him. As if he has been waiting all these years for the day Davos would come back for him, Gendry grabs a bag and is ready to join the fight. But a bag is not all he grabs — he also grabs a war hammer — his preferred weapon of choice. Though we never got to see it in the show, we know from stories that Robert Baratheon also fought with a legendary war hammer. In fact, Robert used his war hammer to defeat Rhaegar Targaryen during the Battle of the Trident (the last major battle before the rebels stormed King’s Landing). As we know, Gendry is the bastard son of Robert, and rather than choosing to fight with a sword, he too will go into battle with a war hammer. Before Tyrion, Davos and Gendry depart, we see Gendry make quick use of his war hammer as he bashes in the skulls of two King’s Guard.

Robert Baratheon defeats Rhaegar Targaryen with his war hammer during the Battle of the Trident

THE CITADEL

Sitting beside a Weirwood tree, Bran has warged into a flock of ravens and has them flying north of The Wall, near Eastwatch by the Sea. It is worth pointing out that in the past, we’ve seen Bran warg into one entity, but not multiple at the same time. Bran’s abilities continue to develop, as he is now able to control an entire flock. To no surprise, Bran sees the army of the dead marching around The Wall, on the sea that has frozen over. This of course supports several things we have seen/heard this season. First, what you might not have noticed in the opening credits, is that the sea to the east of Westeros has completely frozen over. That’s right, the wintery cold that the White Walkers have brought has frozen the entire sea. What does this mean? It means that The Wall is no longer protecting the realm from the White Walkers, as they can now simply go right around it. The image below shows the sea in the opening credits from seasons 1-6, versus the frozen sea that you can see in the opening credits from this season.

Bran’s vision shows us that the army of the dead is in fact marching along this frozen sea. This vision also confirms what The Hound saw in the flames a few episodes back, when he said “I see where The Wall meets the sea. There’s a castle. The dead are marching past it. Thousands of them.” As we see later in the episode, this vision The Hound saw in the flames led them to go to Eastwatch by the Sea, but we’ll touch more upon that later.

After flying over the enormous army of the dead, Bran sees the Night King himself. As the Night King turns his head to see the flock of birds, Bran is shaken from his vision. This is not the first time we’ve seen the Night King do this. It appears as though the Night King is well aware of Bran’s presence and is able to affect Bran once he acknowledges him. As Bran comes out of his vision, he alerts the Maestar that they must send ravens to alert the Seven Kingdoms of what he’s just seen. Moments later, we see Sam at the Citadel as the archmaestar and his top advisers read over the raven they have received from Winterfell. Most believe the message to be fictitious but Sam steps in to convince them that the threat is real. Interesting to note is that these men are supposed to be the most knowledgable and wise of any men in the world, yet they themselves do not believe in the existence of White Walkers. If the most scholarly of men are not open to considering this possibility, we can imagine how the rest of the Seven Kingdoms will react. And though the archmaestar does not dismiss Sam, he also does not act with the urgency that is required.

Sam’s frustration reaching a boiling point, he decides to take matters into his own hands. He steals some important books and scrolls before departing The Citadel with Gilly and the baby. On his way out, he looks back once more to glance at that giant astrolabe object hanging in the middle of The Citadel. I still believe there is going to be a huge reveal about the importance of this object, and that Sam Tarly is ultimately going to be the one narrating the story we are seeing today.

Before Sam leaves, there is a MAJOR REVEAL, which once again, was skipped over incredibly quickly. As Gilly is reading through a book, she asks Sam what an annulment is. Sam explains that it is a process to void a marriage, and Gilly goes on to read from High Septon Maynard’s record book. The book reveals that the High Septon performed a secret annulment in Dorne for Prince Rhaegar, followed by a marriage ceremony to somebody else. What Gilly, the unlikeliest of characters, coincidentally stumbled upon in this book, is a piece of information which has HUGE IMPLICATIONS. Ironically, the implications are for Jon, Sam’s best friend, and Sam was not even focused enough to catch onto the meaning of what Gilly had read.

As we know, Prince Rhaegar was The Mad King’s eldest son (and older brother of Daenerys). Prince Rhaegar was married to Elia Martell (sister of The Red Viper, Prince Oberyn) of Dorne. During Robert’s Rebellion, Rhaegar was killed in battle by Robert, and Elia plus their two babies were eventually murdered by The Mountain (at the orders of Tywin Lannister). Had he not died, Rhaegar would have been next in line to become king of the Seven Kingdoms. But Rhaegar’s character is most significant to this story for an entirely different reason. As we’ve learned through bits and pieces of dialogue, Rhaegar rode off with Lyanna Stark (Ned’s sister) many years ago. Some say it was mutual and that the two were in love, while others claimed Rhaegar kidnapped Lyanna (the latter viewpoint was held by Robert and Ned, which would ultimately be the catalyst for Robert’s Rebellion against the Targaryens). Through Bran’s vision last season, we saw the Tower of Joy, where a young Ned finds his sister dying. She gives the baby (Jon Snow) to Ned and whispers something in his ear — presumably the truth, that Jon’s father is Rhaegar and that Ned must protect Jon. As we know, Ned went on to claim that Jon was his bastard son and concealed that Jon’s father was a Targaryen. So, while we learned that Jon’s parents were Lyanna Stark and Rhaegar Targaryen, there were still a lot of questions around what happened between Lyanna and Rhaegar. More specifically, the most important question of whether or not Rhaegar raped Lyanna, making Jon a bastard (albeit Rhaegar’s bastard instead of Ned’s), or if Jon was a legitimately conceived Targaryen.

Well, all of that was just answered, as Gilly unknowingly informs us that Rhaegar had a secret annulment performed, voiding his marriage to Elia Martell, followed by a marriage ceremony, which we can assume with near certainty was to Lyanna Stark. This means that Lyanna Stark was no longer Lyanna Stark, but rather Lyanna Targaryen. And more importantly, that Jon is a fully legitimate Targaryen, born to two Targaryen parents who were lawfully married. What’s even more, after Rhaegar, this makes Jon the next in line for the Iron Throne! The normal succession would have been The Mad King –> Rhaegar Targaryen (The Mad King’s Son) –> Jon (Rhaegar’s son). Today, this means that it is actually Jon that has the claim to the Iron Throne, not Daenerys! This is a huge revelation with new knowledge about what happened in the past and implications about how this could affect things moving forward. Based on what we’ve learned, it now seems like the theory that Rhaegar and Lyanna were in love and ran off together, and eventually got married, is a lot more likely than the theory which hypothesizes that Rhaegar kidnapped Lyanna. It is insane to consider that Robert and Ned’s principal reason for starting an entire rebellion was under false pretenses, given that it looks like Lyanna was not in fact kidnapped. That’s right — an entire rebellion which would bring most of the realm into war and cause years of struggle for control of the Iron Throne, was all based on an idea that we are now finding out might be totally erroneous. You would be fair to assume that a revelation of this magnitude would be spelt out explicitly for viewers, but you would also be wrong. Rather, all of this was wrapped up in a 15-second dialogue where Gilly, who we’ve barely seen in ages, stumbles upon this fact that has such enormous meaning.

WINTERFELL

At Winterfell, tension is continuing to build between Arya and Sansa and there was another major reveal around the letter that Arya found. Arya watches on as some of the Northern lords complain to Sansa about Jon’s decisions, namely that he should be in the North and not at Dragonstone. Arya confronts Sansa for not sticking up for Jon and criticizes her older sister for caring too much what other people think. Later in the episode, Arya uses her stealth to spy on Baelish, who she first sees give a coin to an unknown woman, before then seeing him speaking with some of the Northern lords. Finally, she sees him speaking to the Maestar Kressen, who provides Baelish with a message and confirms that it is the only copy of that message. Arya, like us, really wants to know what that message is about, so she breaks into his room and finds the message. But before we go into the contents of that message, let’s remember that after Arya sneaks out of the room, we see Baelish watching on. While we initially thought Arya was outsmarting Baelish, we soon realize that Baelish in fact had the upper hand and that he led Arya to the message he wanted her to find.

Back in episode three of this season, there was a very brief piece of dialogue, which at the time did not seem important. Maestar Kressen mentioned to Baelish that Maestar Luwin kept a copy of every raven scroll. As a reminder, Maestar Luwin was the original Maestar of Winterfell, serving House Stark for many years, until he was killed by Theon when after he sacked Winterfell. In the third episode of this season, the new Maestar — Meastar Kressen — is telling Baelish that the old Maester Luwin kept a record of every raven scroll that was ever sent to Winterfell (see below).

So what does Baelish do with this knowledge? He uses it to his advantage. If only there was some raven scroll that he knew was sent to Winterfell that he could use as part of his game. Well, there is, and it is another example of Thrones incredible ability to tie back an event from many seasons ago into the current day story. All the way back in season one, after Ned was beheaded, Cersei had to decide what to do with Sansa. A young and frightened girl, Sansa of course swore to Cersei that she would be a good wife to Joffrey. Cersei orders Sansa to write a message to Robb, who was King in the North at the time, telling him that he should pledge House Stark’s fealty to King Joffrey. Because she was writing this letter under duress, she of course could not tell Robb the truth about why the Lannisters beheaded Ned or that she was being help captive against her will. Instead, she had to go along with Cersei’s story that Ned was a traitor and also had to pretend that she loved Joffrey. The full message she sent is below, as is a video of the scene from the first season. What is critical to note, is that Baelish was present during this scene and was/is fully aware of this message Sansa was forced to send to Winterfell.

“Robb, I write to you with a heavy heart. Our good king Robert is dead, killed from wounds he took in a boar hunt. Father has been charged with treason. He conspired with Robert’s brothers against my beloved Joffrey and tried to steal his throne. The Lannisters are treating me very well and provide me with every comfort. I beg you: come to King’s Landing, swear fealty to King Joffrey and prevent any strife between the great houses of Lannister and Stark.” — Sansa

Given that Baelish knew Sansa sent this raven to Winterfell, and that Maestar Kressen just informed Baelish a few episodes back that every raven ever sent to Winterfell was kept, Baelish can piece one and one together and deduce that Sansa’s message is lying around somewhere to be found at Winterfell. Then, the question for Baelish simply becomes how he can use this as a tool in his game. And right now, the objective of his game is to take advantage of the tensions he sees mounting between Arya and Sansa. You will recall last week’s episode, when Baelish and Sansa look down at Arya fighting with Brienne. After Arya defeats Brienne, Sansa walks off frustrated and Baelish smirks down at Arya, realizing his opportunity to capitalize off the tensions brewing between the sisters.

So, Baelish has Maestar Kressen bring him the scroll that Sansa sent to Robb many years ago. Though he is fully aware that Sansa sent this message under duress and that these are not her own words, Arya does not have the benefit of this context. As such, getting this scroll in the hands of Arya would further her belief that Sansa is willing to lean away from her own family to gain acceptance and status. It would make her think that Sansa was so desperate to become a noble princess/queen, that she was willing to betray their father and encourage Robb to bend the knee to the Lannisters (remember, Cersei is #1 on Arya’s kill-list, so nothing would make her more angry than believing Sansa would support the Lannisters). So, Baelish pretends that he is not aware that Arya is spying on him and sets the mousetrap for her. Sure enough, she goes for the cheese and reads the message from Sansa. She sees Sansa referring to Joffrey as her “beloved” and also calling their dead father a traitor who tried to steal the throne.

It is also important to remember that Arya’s last memories with Sansa go all the way back to season one. At the time, Sansa was trying to win over Prince Joffrey and this is what Arya probably remembers. Even then, Sansa chose to defend Joffrey over her own sister. The video below shows this, and also is a reminder of Nymeria, Arya’s direwolf, jumping in to save Arya from Joffrey. Interestingly, as a result, Cersei ordered Nymeria to be executed, and to save her wolf, Arya set Nymeria free. In Nymeria’s place, Sansa’s wolf, Lady, was executed. Looking back on this, there was a ton of early foreshadowing even in the first season of the riffs that would build between the sisters.

Now, all these years later, Arya reads a letter that essentially has Sansa throwing their father under the bus and declaring her love for Joffrey and the Lannisters. Coupled with memories from the video above, as well as just seeing Sansa’s failure to defend their brother Jon to the Northern lords, Baelish has successfully planted the perfect seed to put a major wedge between Sansa and Arya. What’s more is that Baelish is fully aware of Arya’s discovery and continues to maintain the upper-hand.

THE DREAM TEAM

Ser Davos arrives with Gendry at Dragonstone and introduces him to Jon Snow. Gendry comes right out and tells Jon that he is the bastard son of Robert Baratheon. Again, we have an incredibly important meeting between two characters. For years, Houses Baratheon and Stark fought alongside one another. Most recently, their “fathers” Ned and Robert fought together during Robert’s Rebellion. Gendry is the last living Baratheon (which is quite significant in and of itself) and he is prepared to fight alongside his “Stark” counterpart. As a sidenote, we see the backdrop of their meeting being the cave where men have begun to mine the Dragonglass that will soon be needed.

Jon, Gendry, Davos and Jorah depart for Eastwatch where they catch up with Tormund. They explain to him their plan to capture a wight to bring it back to Cersei as proof of the army of the dead’s existence. He informs them that they aren’t the only ones who want to go north of The Wall, and brings them down to a cell where Thoros, The Hound and Beric Dondarrion are locked up. And the reunions continue one after the next.

Jon immediately recognizes The Hound, who he saw back in season one when he came to Winterfell as Joffrey’s protection. Beric jumps in to tell Jon that they must go beyond The Wall and that the Lord of Light has commanded it. And yet another reunion as Gendry jumps in, recognizing Thoros and Beric, who sold him to Lady Melisandre, which almost got him killed. Gendry tells Jon not to trust any of them. But before Jon can respond, another set of characters identify each other. Jorah recognizes Thoros of Myr, and though we never saw them on screen together, in the third season, Jorah recounts to Ser Barristan Selmy the story of when Robert’s army laid siege to the Iron Islands during Robert’s Rebellion. Ser Jorah and Thoros fought together during that battle, which is how they know each other. It looks as though they will soon fight together once again. But not just yet. Once Tormund hears that Jorah is a Mormont, he jumps in, realizing that Lord Commander Mormont was his father — a man who killed many of Tormund’s people. In no more than 60 seconds, we see half a dozen characters who have been intertwined over the years, come together and recount a significant amount of history.

Finally, Beric jumps back in and says “Here we all are, at the edge of the world, at the same moment, heading in the same direction for the same reasons. There’s a greater purpose at work and we serve it together, whether we know it or not.” Jon Snow responds, “He’s right. We’re all on the same side. We’re all breathing.” And just like that, one of the greatest crews of all time is assembled. Thoros of Myr who is able to bring people back from the dead; Beric Dondarrion who fights with a flaming sword; The Hound who is just the greatest of all time; Jon Snow who needs no introduction; Tormund who is the bad-ass Wildling leader; Gendry, the last Baratheon, back on the scene with his war hammer; Ser Jorah who is one of the greatest sword-fighters in the land; and of course Ser Davos, who’s not much of a fighter, but a great addition to this already fantastic crew.

If there was ever an unlikely band of characters, this is it. To stop and think about each of these seven characters’ journeys and what it took for them to all come together in this very moment is rather mind-blowing. Yet here they are, united in their realization of the threat that is out there. They are the first line of defense, protecting an entire realm that doesn’t even know it needs protecting. Next week, they will head beyond The Wall to try and capture a wight, but as we saw from Bran’s vision, they are outnumbered by thousands. Buckle up, because there are only eight episodes left until this story comes to a close and next week’s episode is sure to be a wild one.

 

THEORY: EYE OF THE GIANT

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

In the very first season, we were introduced to Old Nan, the grandmother-like figure who would look after the Stark children, especially young Bran. She often told Bran whimsical fairytale stories as he lay in bed. Early in the first season, Old Nan told Bran a fairytale, and after Old Nan left the room, Bran’s older brother, Robb entered. Robb told Bran that Old Nan’s stories were just fictional tales. He added “One time, she told me the sky is blue because we live inside the eye of a blue-eyed giant named Macumber.” Acknowledging the possible truth to Old Nan’s story, Bran responds “For all we know, maybe everybody does.”

This dialogue is significant for several reasons. First, it introduced the idea of Macumber, who is referenced several times in the books, as a legendary giant with beautiful blue eyes. According to legend, the reason the sky is blue is because the entire world is merely a tiny object floating in the eye of a cosmically immense, blue-eyed giant named Macumber. What is even more interesting about this dialogue, is Bran’s response, which suggests that perhaps there is truth to Old Nan’s story and the possibility that everybody is in fact living inside the eye of a blue-eyed giant. It is significant that George R.R. Martin would choose to have Bran suggest the plausibility of this story, after his older brother, Robb, presented it as folklore. What make’s Bran commentary even more critical, is that fast forward many years, Bran has become the all-knowing Three-Eyed Raven. So, in short, anything Bran has suggested, especially about the truth of the world, carries even more weight.

And yet, the idea of the world existing within the eye of a blue-eyed giant comes up again in season four. Again, we must ask ourselves, why George R.R. Martin would choose to mention this legend, several seasons later, if it is only an irrelevant fairytale? In the fourth season, after Joffrey is poisoned at the Red Wedding, Lord Tywin is discussing the cause of Joffrey’s death with Prince Oberyn (aka The Red Viper). Tywin notes, “Some believe the king choked,” to which Oberyn responds, “Some believe the sky is blue because we live inside the eye of a blue-eyed giant.” Oberyn’s remark, like Robb’s, was meant to cast doubt upon this legend. Even so, that another set of characters allude to the idea of living inside the eye of a giant, is important.

Sure, the idea that this entire story is taking place in a world that is inside the eye of a blue-eyed giant sounds ridiculous… Until we examine the season seven teaser and trailer that were released back in March. See below and focus on what we see in the last few seconds:

In this trailer, we see Cersei, Daenerys and Jon Snow ascending their respective thrones, before the scene briefly fades to black — that black quickly becomes the pupil of an eye, surrounded by a sea of blue. If you watch again, you will see that this trailer is quite literally positioning everything that happens inside this deep blue eye that we see at the end.

But it didn’t stop there. Below is a season seven teaser which presents a similar circumstance:

This (very cool/powerful) teaser shows the various sigils of the major houses, with sound bites that capture some of the most significant events to date (i.e. The Red Wedding, Ned’s beheading, etc…) The sigils then begin to crumble apart, and the scene fades into a layout of the fragmented pieces of the sigils, arranged in the shape of that mysterious spiral. We won’t go back into the significance of this spiral shape right now, but if you did not catch this week’s episode recap, read it here, as it presents an in-depth explanation of the importance of these spirals. As the camera pulls out on this spiral of broken sigils, Jon Snow tells that “There is only one war that matters — The Great War — and it is here.” Of course, he is referring to the imminent war against the White Walkers. As the camera pulls out even further, we once again realize that the scene we saw prior is actually presented inside a deep blue eye. And, the significance of this one is arguably even greater than the previous trailer, as this one presents that mysterious (and likely very significant) spiral just before zooming out to the blue eye.

Quickly watching these teasers/trailers, most viewers probably assumed we were merely seeing the eye of the Night King, but further examination of these two eyes shows that these could be an entirely different eyes we are seeing.

The eye we see in the second video above is below:

The eyes of the Night King can be seen below:

When comparing the first eye, we see that the nose looks much larger, almost that of a giant or monster, whereas the nose seen above on the Night King does not seem to be as wide or giant-like. So, one idea is that we are in fact seeing the eye of Macumber, the blue-eyed giant referenced several times throughout the show, and in his eye exists the entire world that we are seeing today.

Another simpler explanation is that perhaps we are seeing the blue eye of Wun Wun the Giant, or another giant that was killed and turned into a zombie to join the army of the dead. If you recall, Wun Wun was one of the Wildling giants that fought alongside Jon Snow and the Wildlings. He was killed in the Battle of the Bastards and in the first episode of this season, we see that he (or another giant) has been turned by the White Walkers into the army of the dead. See below:

It is possible that the eye we are seeing is not that of Macumber, but rather the eye of a giant that has joined the Night King’s army of the dead. Below, you can see that eye super-imposed onto the face of Wun Wun — it fits pretty well. And below that is a side by side comparison, showing that this eye seems to fit a lot better on the face of a giant (whether that giant is Macumber or a present-day giant in the show), than it does on the Night King.

But what is more interesting than the eye we analyzed above from the second trailer, is the eye we see in the first one — the one that we see just after seeing that mysterious spiral. The reason this eye perhaps has deeper meaning, is that it looks completely different than the eye of any other White Walker we have seen. Below are a handful of the eyes we have seen, including the human who was turned into the Night King by the Children of the Forest, one of the traditional White Walkers we’ve seen, and the baby we saw the Night King transform into a White Walker. You will notice that all of their eyes are a very deep blue with little beams of light running through them, almost like ripples:

However, if you watch the teaser again (second video), you will see that the eye in that video looks entirely different. This eye is considerably less blue than the eye of every other White Walker we have seen. Furthermore, it does not have those little ripples of light running through it in all different directions. Rather, this eye has very straight and organized  lines extending from the pupil out. See below:

So, it seems that this eye is quite distinct from all the others eyes we have seen, especially that of the Night King. Given that we see that spiral just before we zoom out to this eye, is it possible that there is deeper meaning here? Could this in fact be the eye of Macumber, the giant whose eye the entire world exists within? Only time will tell…

SEASON 7, EPISODE 4: THE SPOILS OF WAR

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

THE SPOILS OF WAR

Clocking in at a duration of 46 minutes, the shortest episode in Thrones history felt anything but. In just one short episode, Arya makes it back to Winterfell after an impossibly challenging journey; things heat up between Jon Snow and Dany in the caves below Dragonstone; and last, but certainly not least, we see Dany ride a dragon into battle for the very first time. Oh, and let’s not forget about the ancient inscriptions we saw in the caves below Dragonstone. These symbols are thousands of years old and point to some of the most significant hidden truths of this world — truths that may just determine how this entire story ends. But we’ll get to that. Any of these developments were meaningful enough to carry an entire episode, so getting all at once was quite a bit to process. So let’s begin.

TO THE VICTOR GOES THE SPOILS

In an episode entitled The Spoils of War, there were many “spoils” of recent battles revealed in this episode, both good and bad. The most obvious spoils were those won by Cercei in her siege of Highgarden, which we see as the episode opens up with Jamie sending all of Highgarden’s gold off to King’s Landing. Cercei is seen moments later talking with Tycho of the Iron Bank, reminding him that his gold is on the way and that a Lannister always pays their debts. But Cercei mentioned something else — something many may have missed — something which revealed a part of her future plan. Cercei tells Tycho that she has reached out to the Golden Company to help her secure some of the things that belong to her.

As a quick refresher, the Golden Company is an Essos-based army of sellswords who do not fight for any house or ruler, but rather for whoever contracts and pays them. We’ve heard of the Golden Company in the past as Daario Naharis once fought for the Golden Company, prior to pledging his allegiance to Khaleesi. (Speaking of Daario Naharis, what’s he been up to and when will we see him again? I digress…) Anyway, it was a very quick nugget of dialogue, but not one that was coincidental, so it’s worth considering what Cercei is hiring the Golden Company for and what it is that she hopes they can return to her. But back to Jaime and Bronn at Highgarden, as they send their newfound gold back to King’s Landing, they instruct Randyll and Dickon Tarly to collect all the farmland produce of Highgarden, an additional spoil of war (remember, Highgarden has the most fertile lands in all of the Seven Kingdoms). Little do they know that those carts of food are never making it back to King’s Landing…

A MYSTERIOUS DAGGER

Things have been quite busy at Winterfell as of late and that trend surely continued this week. We arrive at Winterfell as we see Bran sitting in his new wheelchair, looking just as distant and aloof as he did last week. Knelt before him is Baelish, who presents him with the Valyrian steel dagger that was used in the attempt to kill Bran back in season one. Bran asks Baelish if he knows who the dagger belonged to and Baelish tells Bran that he does not. For starters, this is inconsistent with what he told Catelyn Stark back in season one, so Baelish was either lying to Catelyn or is now lying to Bran. Let’s do a quick recap of what we know about this dagger — because my bet is that there is more to come on this.

Back in season one, Bran was climbing the walls of Winterfell and saw Jaime and Cercei sleeping together, at which point Jaime pushed Bran from the wall to protect the secret of their incest. But when Bran survived the fall and lay comatose in bed, somebody came to finish the job — a man with the Valyrian dagger we saw this week. Catelyn tried to save Bran, but it was Bran’s direwolf, Summer, who killed the assassin and saved Bran’s life. Catelyn then left for King’s Landing (with the Valyrian dagger) to inform Ned (who was already at King’s Landing at the request of King Robert) of the attempt to kill Bran. In a scene at Baelish’s brothel, Catelyn presents the dagger, at which point Baelish tells her that the dagger had belonged to him but that he had lost it to Tyrion in a bet. Believing this to be true, Catelyn had Tyrion arrested when she encountered him on her trip back to Winterfell (this led to Tyrion being held prisoner at the Vale, before demanding a trial-by-combat, at which point Bronn fought for Tyrion and won, gaining him his freedom). After Ned was arrested in King’s Landing, Baelish retook possession of the dagger and has presumably had it ever since. Now, years later, he chooses to present it to Bran, but tells Bran that he does not know who it belonged to, which is quite different from what he told Catelyn years prior.

Going one step further, a few episodes back, we saw a dagger that looked quite similar in one of the books that Sam Tarly was reading. My guess is that they were not showing a different dagger that looked very similar to this one, but rather that they were the same dagger, which further amplifies the significance of the dagger we saw today. There are some definite question marks around this Valyrian steel dagger, but it seems to be a safe assumption that it is of moderate to major significance.

After Baelish presents Bran with the dagger, he tries to appear empathetic to the “chaos” Bran has returned home to. However, Bran cuts him off and reminds him that “chaos is a ladder.” Bran is referring to the “chaos is a ladder” speech that Baelish gave to Varys in the third season. Baelish’s face turns stern and he appears threatened by the fact that Bran is aware of these words he once spoke. After all, if Bran knows this, what else might he know about Baelish? But looking one layer deeper — what does this “chaos is a ladder” reference tell us? After all, if the sole intention of this scene was to expose Baelish and show us that because Bran is now the Three-Eyed Raven, he is aware of something Baelish once said, well then writers could have chosen any of Baelish’s wise words for Bran to repeat. But they chose these words for a reason. Baelish’s full quote follows, with the video below: “Chaos isn’t a pit. Chaos is a ladder. Many who try to climb it fail, and never get to try again. The fall breaks them. And some, given a chance to climb, they refuse. They cling to the realm, or the gods, or love. Illusions. Only the ladder is real. The climb is all there is.

Now, let’s piece that quote together with present-day context. Baelish has been lurking around Winterfell, often hidden in the shadows, leaving all of us to wonder what he’s up to and what his true intentions are. Well perhaps these words — the words he spoke many years back — words the all-knowing Bran chooses to repeat — sum up Baelish’s true intentions. For him, the climb is all there is. It is not so much about the endpoint, as much as it is the climb to get there. In short, it is all about the game and how you play it — to him, that is the very purpose of life. If the words he speaks are true, then he is not interested in love or the gods or the good of the realm — his only interest is the climb itself and Bran appears to be aware of this.

And yet, there is another interesting layer to this scene, one that can only be understood when considering Baelish’s history. About 20 years ago, it was Brandon Stark (Ned’s oldest brother and heir to Winterfell) who was set to marry Cat. Baelish, a young boy in love with Cat, challenged Brandon to a duel to win the hand of Cat. Brandon agreed to the duel, promising Cat that he would not kill Baelish. Brandon was a powerful warrior and Baelish was far from a fighter, so as one would assume, Baelish was badly beaten and severely injured. Brandon would later ride to King’s Landing to free his sister Lyanna, and would be killed by the Mad King, which resulted in Ned marrying Cat instead of Brandon. In any event, this experience would forever impact Baelish, as he was severely humiliated, physically beaten and also lost the woman of his dreams. Though he would not admit it, he developed a strong jealousy and hatred for the Starks as a result, and many believe this is why he would betray Ned and have him arrested in King’s Landing many years later.

Now, in this scene, Baelish tells Bran “Anything I can do for you Brandon, you need only ask.” When assessing the authenticity of Baelish’s statement, it’s significant to note that he refers to him as Brandon instead of Bran. Very few have referred to Bran as Brandon. Couple that with the fact that it was Brandon Stark (Bran’s uncle) who badly defeated Baelish, and there is some definite undertone to Baelish’s choice to refer to Bran and Brandon. And going back to Baelish’s earlier quote: “Many who try to climb it fail, and never get to try again. The fall breaks them.” Baelish’s fall was his defeat at the hands of Brandon Stark — a fall that would not break him as it has broken so many others. For Baelish, it was that very fall that serves as the driving factor for him to keep climbing the “ladder of chaos.”

HOMECOMING

Elsewhere in Winterfell, Arya finally makes her return home. After years separated, the reunions of so many of the Stark children so close together seems a bit odd, but let’s look past that. Let’s reflect upon all that Arya has been through to lead up to this moment. Witnessed your father’s beheading? Check. Present for the Red Wedding when your mother and brother are ruthlessly murdered? Check. Spent years getting beaten, blinded and tortured in Braavos? Check. Arya has been through enough pain and torture to last 10 lifetimes, yet she has overcome it all and prevailed as an incredibly powerful character who has willed herself back to Winterfell against all odds.

But, similar to the reunion last week between Sansa and Bran, the reunion this week between Arya and Sansa was less than emotional. After all the time these family members have spent apart, we all assumed their reunions would be wonderful and emotional and joyous. But, the reality is that these characters have experienced an incredible amount of hardship and have been reunited as very different people. That said, what is interesting about the reunion between Sansa and Arya is that the juxtaposition of their characters is still quite similar to what it was all the way back in season one. At that time, Sansa only wanted to be a lady and Arya was the rebel who wanted to fight with the boys. Fast forward years later and they are reunited with Sansa being the lady of Winterfell and Arya being a ruthless assassin. Ironically, in many ways, they’ve both become the people they always wanted to be — albeit neither forecasted the pain they’d experience to become those people.

While it is nice to see these characters reunite, there are giant question marks around what comes next for these siblings and whether or not they are even truly on the same team. As they stood in the crypts of Winterfell, Arya tells Sansa about her list — the list of people she wants to kill. Sansa laughs this off, assuming her sister must be joking. Yet, moments later, she sees the skilled fighter Arya has become as she is able to best Brienne, one of the most skilled fighters in the land. Interestingly, when Brienne asks Arya who taught her, she cleverly responds, “Nobody.” As Sansa witnesses this, she realizes the truth of what her little sister had revealed about her list and the person Arya has become. She seems displeased to say the least, and she walks away, Baelish looks on with a grin, perhaps identifying a new opportunity that he can leverage.

Out in the Godswood, Bran, Sansa and Arya are all reunited together, in a place that is most sacred to House Stark (and now, especially to Bran). Sansa casually reveals to Arya that Bran is able to see everything that any person has ever experienced. Moments later, Bran gives that mysterious dagger to Arya, furthering the significance of this weapon. Given Bran’s wisdom, it is unlikely that he gave it to Arya simply because he did not have use for it. Rather, it is more likely that Bran is aware of the significance of this dagger and the role it may play in the hands of Arya. Looking on, Sansa seemed somewhat displeased, furthering the tension that exists between the two.

IT’S ALL ABOUT THE SPIRAL

At Dragonstone, Jon Snow has discovered the cache of Dragonglass and takes Dany into the cave to see it. The scene (intentionally) felt intimate and steamy, with Jon and Dany alone in a dark cave — a familiar setting to Jon Snow (it was in a dark cave that he first got it on with Ygritte many seasons ago). It felt as though there was potential for Jon and Dany to get it on right then and there, and though this never would have happened that quickly, the stage is certainly set for the possibility of it happening in the future. Yes, they are blood and she is his aunt, but they don’t know that yet. And even if they did, remember that the Targaryens practiced incest for thousands of years to keep their bloodline pure. And while the alone time Jon and Dany had was a nice buildup to what might come, there was a much bigger takeaway from this scene.

First, Jon discovered the Dragonglass — enough of it to presumably make weapons for an entire army to fight off the White Walkers. But even that was not the biggest takeaway here. Imagine that — supplies were just discovered which will enable the humans to possibly fight off an army of the dead that threatens the very existence of humanity — and that wasn’t even the most important discovery! So what was the biggest takeaway here? The answer is the inscriptions on the walls, more specifically, the spirals. Though we do not fully understand what the spirals represent, we do know they are extremely significant and possibly represent the ultimate clue to how this entire story will play out.

So here’s what we know. The inscriptions on the walls were made by the Children of the Forest thousands of years ago. As we know from this story, the Children were the very first inhabitants of Westeros, having lived off the land for thousands of years before the First Men ever arrived. You can read more about the Children of the Forest and the First Men here — and if you aren’t fully clued in on this history, I would highly recommend you refresh yourself. Though the Children lived without humans for thousands of years, the inscriptions on the wall show the Children and the First Men together. As Jon explains to Dany, they banded together to fight off the White Walkers, which we also saw on the wall. But that wasn’t all we saw on the wall. Perhaps most significant were the spirals — a symbol we have seen throughout the show since the very first season — and one that is going to be extremely important. So let’s recap where we’ve seen this symbol to date.

In the very first episode, a ranger of the Night’s Watch stumbled upon some dead bodies north of the Wall. When he returned, he saw the corpses mutilated and rearranged in the below orientation.

A few seasons later, again north of the Wall, we see a bunch of dead horses arranged in an even more definitive spiral (below), again the work of the White Walkers.

But things get a lot more interesting, because we later learn in season six, that it is not just the White Walkers that deal in these spirals, but also the Children of the Forest. In one of Bran’s vision, and in an incredibly important reveal, we learn that it is actually the Children of the Forest that create the very first White Walker (who is probably the Night King we see today) by inserting Dragonglass into his heart (see below for a refresher).

What we also see in this vision is a bird’s-eye-view of the tree where the Children created the first White Walker. At this very important location, we see a similar spiral (below).

And last, but certainly not least, the teaser trailer for this season culminated with another similar spiral, before it is engulfed by the blue eye of the Night King (below). The importance of this spiral and what it has to do with the White Walkers could not be made any more clear.

So what does all of this tell us? Well, we may not know exactly what the spiral represents, but we know it is important. Perhaps the spiral represents some sort of balance between dark and light, good and evil, fire and ice. Whatever it represents, what we do know is that it was something significant to the Children of the Forest, who were a magical species. What’s more, we know that the White Walkers learned this truth from the Children and are referencing it today. Bringing it full circle to tonight’s episode, we see that these very same spirals were carved into the cave thousands of years ago. And not just in any cave — into the cave which shares the story of the Children banning together with the First Men to fight off the White Walkers — and the cave that also contains the Dragonglass needed to fight off the White Walkers today. In short, these spirals are extremely significant and could contain the secret to what is really going on here — a fundamental truth shared between the Children and the White Walkers — and one we will likely find out before this story comes to an end.

FIRE AND BLOOD

It was only a matter of time until Khaleesi flew a dragon into battle, and after being dealt several decisive blows in the last few weeks, she decided to take matters into her own hands. Khaleesi, on the back of Drogon, flew into battle with her Dothraki army and decimated the unsuspecting Lannister army. For the first time, we saw the full impact that a dragon can have in battle, burning men by the hundreds with each breath of fire. And we saw the destruction that Targaryens have inflicted for hundreds of years, scorching alive those who defy them, watching their flesh melt and burn. This battle was a direct allusion to the Field of Fire — perhaps the most famous battle of Aegon’s Conquest.

As Khaleesi approached, Bronn encouraged Jaime to flee but Jaime refused to abandon his men. Incredibly, Jaime and Bronn both managed to remain unscathed (at least for most of the battle). One of the more powerful moments of this battle was Tyrion ascending over the hill to look on at the Lannister army being destroyed, men being burnt alive. Though he is obviously not a typical Lannister, the reality is that these are still the people that he called his own his entire life. It is one thing to strategize about how to defeat your family when they are halfway across the world; it is another to come face to face with the realities of your decision, especially when those realities result in the death and destruction of your people. As much hate as Tyrion had for Tywin and still has for Cersei, a part of him had to be questioning his decision as he watched the Lannisters forces being burned alive.

And then he sees Jaime, who he can only hope is smart enough to flee. The timing could not be more poignant, as just last week, Jaime learns that he made the right decision in saving his brother Tyrion, who was in fact not responsible for the death of Joffrey for which he was accused. Yet one week later, Jaime’s life is at risk, in large due the brother he saved. Jaime sees a vulnerable Khaleesi within striking distance, and decides to go after her, no doubt willing to risk his life to eliminate the principal threat to his sister’s reign. Just feet away from taking out Khaleesi, who has been grounded after Drogon was harpooned, Drogon turns to Jaime and breathes fire in his direction. Jaime is all but dead, until he is tackled off his horse and into a body of water, just in the nick of time. It appears to be Bronn that saves Jaime, but this is not definite. It also appears that Jaime avoided the fire, though the nature in which he continues to sink deeper, seemingly lifeless, brings question to this. Assuming that he is alive, will the tables now be turned, with Tyrion having the opportunity to save his brother, the way Jaime once saved him?

Above all, one thing is abundantly clear. The world will soon know of the fire and blood that Khaleesi’s dragons can bring. How will the people of Westeros react when they hear this? Will they support the return of a rightful ruler or fear the madness of a Targaryen?

ODDS & ENDS

  • Meera informs Bran that she must return home to her family. She knows the White Walkers are coming and she must be there to protect her family. (Though the show does not really touch upon it, House Reed is a major house in the North and it will be interesting to see if we get to see Meera’s family). Much like when he was reunited with Sansa last week, Bran once again shows no emotion as he says goodbye to Meera. Meera reminds Bran of all the people that died to save him, and though he understands her point, he reminds her that he is no longer Bran, but rather the Three-Eyed Raven.

 

  • Though Drogon was wounded, he will likely be okay. A non-lethal wound might turn out to be a small price to pay for Team Khaleesi to have learned about the secret weapon Cersei has been working on.

 

  • When Brienne asks Arya who trained her, she responds “Nobody.” She could have been referring to Jaqen H’ghar, the Faceless Man who trained her quite some time. But the man who truly taught her what we witnessed in this scene, was Syrio Forel, the man who taught her the Water Dance (a Bravoosi way of fighting) all the way back in season one. While Jaqen was a Faceless Man and it would make sense to refer to him as “nobody,” the same cannot be said of Syrio, unless Syrio was in fact Jaqen H’ghar all along. It is entirely possible that Jaqen was training Arya since the very beginning, pretending to be Syrio Forel in the first season.

 

  • Dany again asks Jon Snow to bend the knee and the next thing we see is the two walking out from the cave. It is possible that he bent the knee without us seeing.

 

  • Jon Snow comes face to face with Theon and does a pretty good job at composing himself.

SEASON 7, EPISODE 3: THE QUEEN’S JUSTICE

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

THE QUEEN’S JUSTICE

It seemed like just moments ago we were gearing up for season seven to kick off. In the blink of an eye, we are nearly halfway through the season with a full-blown war underway. And as the game rages on, it’s hard to even know what winning looks like anymore. Lines have become blurred, characters have become severely intertwined and what the future holds is less clear than ever before. In this week’s episode, entitled The Queen’s Justice, team Cersei delivered several more crippling blows to the efforts of Daenerys, likely backing the Mother of Dragons into a corner. And we all know what happens when a wild animal, much less a dragon, gets backed into a corner.

snow davos

But this episode was about much more than the “justice” Cersei served. This episode saw several important characters come face to face. After years apart, Bran returned home to Winterfell to be reunited with his sister, Sansa. And let’s not forget about ice and fire, aka Jon Snow and Daenerys. The meeting of these two is arguably the most important moment we’ve witnessed to date. As Lady Melisandre states, she did her job and brought together ice and fire. To understand the significance of this, you need not look any further than the title of this entire story — A Song of Ice and Fire (Game of Thrones was merely the title of the first book in this series, which HBO adapted for the show as it was easier to market than ASOIAF). Jon and Dany coming together has massive implications not only upon the future of this story, but also the future of all of humanity. So let’s jump in.

A SONG OF ICE AND FIRE

If this story is about A Song of Ice and Fire, then we just met our two main characters. Or better yet, they just met each other. No time was wasted as the episode opened with Jon Snow’s arrival at Dragonstone, Ser Davos by his side. No doubt, the last time Davos was at Dragonstone, things looked a lot different — there were no dragons flying overhead nor was there a Targaryen on the throne. But one thing remained the same — Melisandre was present, playing an influential role in what is to unfold. This time, she points out that she has fulfilled her duty to bring ice and fire together. Wanting to avoid punishment from Jon Snow, who banished her for the role she played in sacrificing Princess Shireen, Melisandre tells Varys that she will return to Volantis. Varys tells her that she should stay in Essos, but she responds that she will return to Westeros again, to “die in this strange country.” Building on what has been alluded to several times over the course of the last few seasons, Melisandre tells Varys that he too will die, casting an ominous shadow around his future. Could she be referencing what Kinvara, the High Priestess of Volantis also mentioned to Varys when she came to see him last season and said “Do you remember what you heard that night? You heard a voice call out from the flames, do you remember? Should I tell you what the voice said? Should I tell you the name of the one who spoke?” It is clear that whatever Varys heard in the flames many years ago is quite significant, and the Red Priestesses seem to have some idea of who that voice was and the words that it spoke.

But back to the main attraction here — Jon Snow and Daenerys. What was most interesting about their meeting was how similar their positions actually are, yet how little either of is able to realize it. For the better part of the show, both have been fighting off evil in one form or another. Both have made tremendous sacrifices (Jon Snow sacrificed his life, Daenerys sacrificed her husband, son etc). At their core, both characters are guided by their morals and principles — they are driven to do what they believe to be just and necessary for the greater good. Yet neither of them realizes this as neither really knows what the other has been up to the last few years. If Jon and Daenerys sharing important similarities but not realizing it sounds familiar — that’s because it is. Let’s not forget that they are both Targaryens, related by blood, yet neither is aware.

snow dany

Like ice and fire, on the surface, Jon and Daenerys meet as stark contrasts — polar opposites. But the main components of both ice and fire are carbon dioxide and oxygen — so look a little bit closer and you will see that these things are actually not so dissimilar at all — in fact, they share some of the most fundamental characteristics. And now, it is just a matter of time until Jon and Daenerys start to realize this. But until then, Jon will have to settle for the Dragonglass that Daenerys has allowed him to mine at Dragonstone, in hopes of turning this into weapons to be used against the White Walkers. In return, Daenerys is hoping to secure a new ally, one that is needed now more than ever.

There were some interesting things to point out in the dialogue between these two. First, we get another historical reference as Daenerys reminds Jon that Torrhen Stark bent the knee to Aegon Targaryen 300 years ago. At the time, each of the kingdoms were independent and Torrhen was the king of the Kingdom of the North. However, when Aegon arrived with his three dragons, Torrhen bent the knee and pledged the North’s fealty to House Targaryen. Though it was likely the wise decision, history would remember Torrhen as The King Who Knelt, and House Stark would become wardens of the North under Targaryen rule for the next 300 years. Daenerys brings this up to remind Jon Snow of the oath that was sworn — one that she urges him to honor. However, Jon Snow has some history of his own to point out — specifically that Daenery’s father, the Mad King, was responsible for the death of his uncle and grandfather (Brandon and Rickard Stark, killed leading up to Robert’s Rebellion). Jon tells Daenerys that if she does not want to be beholden to the actions of her father, then he too should not be obligated to an oath made by his ancestors. An additional sidenote that is particularly interesting to consider is that the Mad King he speaks of who killed his family is actually his grandfather. Jon’s father is Rhaegar Targaryen and his father was the Mad King, which makes the Mad King Jon’s grandfather. And since it was the Mad King who killed Jon’s grandfather on his mother’s side (Lyanna Stark’s father, Rickard Stark), what this means is that one of Jon’s grandfathers (the Mad King) actually killed his other grandfather (Rickard Stark). Lots of interesting stuff here to consider once you realize that Jon ties together Houses Stark and Targaryen.

KING’S LANDING

Back in King’s Landing, Cersei scores another win as Euron returns with not one, not two, but three of her enemies. He brings Ellaria and her daughter, the last remaining Sand Snake, as well as Yara Greyjoy. Cersei decides that the most cruel punishment is to force her to watch her daughter to die a slow and painful death. Cersei knows the pain of losing a daughter, having lost Myrcella at the hands of Ellaria. She chooses to force that same pain upon Ellaria, while making her watch each step of the way. We’ll have to wait to see what Cersei has in store for Yara Greyjoy, another one of her enemies that Euron has brought back to King’s Landing.

sand

Speaking of Euron, he has proven to be a more than valuable asset, particularly on the waters. And now, Cersei has named him head of the royal navy, while Jaime will command the army. While Euron is keen to wed Cersei now, she tells him that he will get his wish once the war is won. In meantime, she chooses to focus her lust towards Jaime, a strategic play to increase her influence over him and keep her brother right where she wants him. And if you thought Euron and Jaime were enough for Cersei, you were wrong. She is finding time to also manipulate the man sent from the Iron Bank of Braavos. As we’ve learned in previous seasons, the Iron Bank of Braavos is the wealthiest bank in the world and has backed the winning side in most all of history’s wars. This man has arrived to call in the crown’s debt as they no longer believe Cersei can win the war. Though, she quickly flips the script and points out that she is in fact the most likely to repay her debts, and requests that the Iron Bank maintain support of her cause for a while longer.

WINTERFELL

At Winterfell, Sansa has taken ownership of her new duties and quickly shows the valuable insight she can provide. At the same time, Baelish continues to try and put in work, though Sansa remains less penetrable than ever before. Baelish imparts another Baelish-esque piece of wisdom and tells Sansa that rather than focusing on one game at a time, that she should “Fight every battle, everywhere, always.” These words seems to have an effect on her and time will tell how things play out with Baelish and Sansa.

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Moments later, Bran shows up on the scene, to a rather unemotional reunion with Sansa. As viewers, we long for an emotional moment here, especially considering all that the Starks (and we) have endured over the seasons. And, in most shows or movies, this would be a storybook reunion full of scripted emotion. But this is not any show — and in this show, a story is put forth that aims to mirror real life. And in real life, not all reunions are happy and joyous, as the realities of life can take their toll on people. And that’s precisely what has happened here. While Sansa is full of emotion to see her brother, Bran looks off into the distance as he is embraced by his sister. It appears as though he doesn’t even value this moment enough to put forth the effort to try and hug her back. Which of course makes perfect sense. Bran is not Bran. Bran is now the Three Eyed Raven. He has lost a lot of himself in his travels through space and time, consuming his mind with everything that has ever happened. He knows what is to come and in the battle for the survival of humanity, a reunion between two people is irrelevant.

TRUTH IN DEATH

Last week, Tyrion’s plan to send their fleet back to Dorne to pick up the Dornish army went terribly wrong after they were ambushed by Euron. As a result, they lost most of their fleet as well as significant allies. This week, things went from bad to worse, as the other part of Tyrion’s strategy went sideways. His plan was to take Casterly Rock, the stronghold of House Lannister. However, Cersei learned that they were coming, and decided to concede the castle, as it is of little importance to her at this point. Rather than sacrificing thousands of Lannister soldiers that she will desperately need in the coming days, she decides to send these men to Highgarden. At Casterly Rock, the Unsullied realize that much of the Lannister army is not present, but they realize too late. Euron’s fleet has attacked the precious ships that Daenerys had left, not only destroying her naval force, but also leaving the Unsullied stranded at Casterly Rock. This is another decisive blow against Daenerys, whose forces are being diminished by the minute. If Daenerys was questioning Tyrion’s judgement before, she must be considering finding a new Hand altogether now. One can only assume that Daenerys will take matters into her own hand and be the dragon that Lady Olenna told her to be last week.

Speaking of Lady Olenna, her time has come to an end. Killing two birds with one stone, by pulling the Lannister army out of Casterly Rock, not only did Cersei avoid losing more of her men, but she also laid siege to Highgarden and eliminated yet another enemy. After easily ridding of the Tyrell forces, Jaime descends upon Lady Olenna who knows the fate she is facing. Yet, before she dies, she will make every last word count, as she often does. She reminds Jaime how truly crazy Cersei is and admits that she regrets the role she played in enabling Cersei to spread her disease. She tells Jaime that he too will regret his involvement. She observes that Jaime is helplessly in love with his sister and is sucked into her madness, to which he does not disagree. I find it hard to believe that this is the final path that Jaime will ultimately go down, being a henchman to Cersei, especially after how far we saw his character come in previous seasons.

In her final moments, after drinking the poison and knowing that death is imminent, Lady Olenna makes her last words count as she informs Jaime that it was her that was responsible for the death of Joffrey many years back. As viewers, we knew that Lady Olenna had slipped poison into Joffrey’s wine during his wedding to Margaery, but few others knew. Cersei immediately blamed Tyrion, which set off a massive chain of events. Tyrion was thrown in a cell and eventually put on trial for the crime he did not commit. This led to a trial by combat where The Mountain eventually killed Prince Oberyn. And on and on the game went. What Jaime finds out all this time later, and what he may or may not tell Cersei, is that it was in fact Lady Olenna, not Tyrion, that was responsible for Joffrey’s death. Though Lady Olenna is the one that ends up dead, it felt more like she was the one who put her dagger into Jaime (and Cersei).

ODDS & ENDS

  • We got a quick glimpse of Bronn, riding alongside Jaime. It’s worth pointing out that Bronn had a fling with one of the Sand Snakes when he ventured with Jaime to Dorne (to save Myrcella). It is also worth pointing out that this is the Sand Snake that is still alive in King’s Landing. With Bronn close to Jaime and there being a decent chance he makes it back to King’s Landing, is there any chance he saves the Sand Snake? Probably a long shot, but it’s worth noting.

 

  • It looks like Jorah is cured and now off to try and sync back up with Khaleesi. If he does meet back up with Khaleesi, this will only strengthen the Jon Snow/Daenerys opportunity, as the people once closest with Jon and Daenerys (Sam and Jorah) are now strongly intertwined.

 

  • When Sam is asked by the archmaestar how he learned to cure Jorah, he simply states that he read it in a book. We once again are reminded of Sam’s strong love for books. What else will he discover in his readings? And will Sam be the person to eventually write the book and retell the story that we are seeing today?

 

  • In the first episode, Jon sent Tormund to Eastwatch by the Sea. We’ve not seen him since but we know that this is where the army of the dead is marching. We should see his arrival pretty soon.

SEASON 7, EPISODE 2: STORMBORN

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

STORMBORN

Since the end of last season, one thing was clear: Winter Is Here. Now, just as quickly, war is here. The premiere episode last week more than set the stage and made clear the alliances that were being formed in the war to come. Just one week later, first blood has been drawn and the war is officially on. The first battle came rather abruptly and it is clear that there will be several more battles to unfold before this war is decided. And while the epic sea battle might be what is most remembered from this episode, there were several other significant developments, from Arya turning back for Winterfell to Sam Tarly attempting to save the life of Ser Jorah. Another consistent theme throughout this episode was past events and relationships affecting present day decisions, from Jon Snow’s decision to head to Dragonstone because of the relationship he developed with Tyrion in the first season, to Samwell’s willingness to risk his life to cure Jorah because of the relationship he had with Jorah’s father, Lord Commander Mormont. The dots continue to be connected as characters continue to move closer and closer towards one another. And as these characters continue to be pulled towards one another, the stage is set for several key reunions and also some powerful first meetings.

DRAGONSTONE

The episode opens up at Dragonstone as a powerful storm sends waves crashing upon the towering Targaryen castle. It is this storm that the episode, entitled Stormborn, derives its name from. The opening dialogue of the episode have Varys and Tyrion talking about the storm 20 years ago that came across Westeros as Daenerys was birthed at Dragonstone. Now, 20 years later, another storm is upon the land as Daenerys and her advisers plot their next move. Daenerys shifts her attention to Varys and attacks him for the manner in which he has conspired behind the backs of previous rulers. In response, Varys delivers an impassioned speech to defend his actions, telling that he has always been a man of the people who refuses to pledge blind allegiance to incompetent rulers. Daenerys seems to work past her distrust of Varys after he pledges his loyalty and promises to tell her directly if he ever disagrees with the manner in which she rules.

Moments later, The Red Lady, Melisandre, arrives at Dragonstone to speak with Daenerys. We saw her last in season six, ordered by Jon Snow to ride south after having learned about the role Melisandre played in sacrificing and burning Princess Shireen. Ironically, it was Jon Snow’s order that would send Melisandre to Daenerys, where the topic of conversation would be Jon Snow himself. Melisandre tells Daenerys that she believes she is the Prince (or Princess) That Was Promised. As we’ve discussed before, The Prince That Was Promised is a prophecy in the religion of the Lord of Light, which says that the ancient warrior, Azor Ahai, who fought back the White Walkers during The Long Night, will eventually be reincarnated to fight back death and darkness once more. At first, Melisandre believed Stannis was the Prince That Was Promised, which turned out to be incorrect. Since then, many have argued that it will either be Daenerys or Jon Snow that will turn out to be TPTWP.

Beyond this, Melisandre tells Daenerys of Jon Snow and how he is now the King in the North. She also tells Daenerys of how Jon Snow has done something nobody else has ever done — he let the Wildlings south of The Wall and successfully united the Wildlings with the great houses of the North. Melisandre encourages Daenerys to summon Jon Snow to come to Dragonstone so that she can hear first hand of the things that Jon Snow has seen. So, while Jon Snow may have banished Melisandre, in reality, it is Melisandre who is advocating for Jon Snow and setting up the meeting between the two. While she often slips off our radar, it is important to remember that Melisandre, perhaps more so than any other character, is well aware of the war against darkness that is coming and will do anything within her power to win it. She knows that Daenerys and Jon Snow must meet, and thanks to her actions, it seems as though this will happen sooner than later.

WINTERFELL

Right on queue, Jon Snow receives not one but two ravens, each carrying an important message. Samwell Tarly has passed along the valuable information that Dragonstone is built upon a cache of Dragonglass — an important material that they will need to turn into weapons to battle the White Walkers. This message is juxtaposed perfectly against the next, which is raven from Tyrion, inviting Jon to meet Daenerys at Dragonstone. To no surprise, his supporters react adversely, stating that neither a Targaryen nor a Lannister is to be trusted. What they do not realize is that Daenerys and Tyrion are outliers — they are not typical Targaryens or Lannisters. Jon Snow argues that he must go to Dragonstone, as they are in great need of both Dragonglass and a powerful ally. So just like that, after six years of Thrones, in just one episode, Daenerys is made aware of Jon Snow and Jon Snow is made aware of Daenerys. What neither of them have been made aware of yet is that Daenerys is Jon’s aunt and Jon is Daenerys’ nephew. Of course, Jon is not yet even aware that he is half Targaryen. But, with the way ravens have been flying around and dropping knowledge in these first two episodes, it might not be much longer until he finds that out.

As I often try to do with these recaps, let’s dig a little bit deeper into this plot-point and acknowledge some of the amazing development that has led us to where we are today. Rightfully so, the Northerners argue against Jon Snow going to Dragonstone as they do not trust a Targaryen or a Lannister. But Jon Snow does not listen to any of them, not even to Lyanna Mormont who has been his strongest advocate to date. Why doesn’t he listen? Sure, in part, it is because he knows the threat they are facing and is willing to take a risk to acquire the Dragonglass and the powerful ally that he needs. But it is more than that. It is also because he trusts Tyrion, the very man who sent him this raven. And six years ago, we witnessed the establishment of their relationship, the very basis for why Jon Snow will decide to trust him and head to Dragonstone six years later. In the very first season, Jon and Tyrion travel to The Wall together and develop a real bromance. In many ways, they were both bastards, even though in fact, neither actually are. At the time, Tyrion empathizes with Jon Snow and tells him, “All dwarfs are bastards in their father’s eyes.” Six years later, these are the same words he adds to the raven he sends to Jon Snow, referencing the connection they made many years back. Now, at the time, not a person in the world could have thought the casual trip they made together could have had any sort of significant impact upon the future. But as we’ve seen time and time again, it is this kind of development that makes the Thrones story so beautiful and ingenious. That George R.R. Martin had this kind of foresight to establish a relationship between the two unlikeliest of characters, only for it to turn out to be extremely meaningful so many years later, is nothing short of brilliant.

So now, Jon Snow is headed to Dragonstone, despite the pleas of everybody around him, including his own sister. Sansa reminds him of what happened to their grandfather the last time a Stark was summoned by a Targaryen. She is referring to an event that was the catalyst for Robert’s Rebellion. After Rhaegar Targaryen “captured” Lyanna Stark and rode off with her, her brother, Brandon rode to King’s Landing to demand her release. The Mad King arrested Brandon for treason and sent raven to Lyanna/Brandon’s father, Rickard, demanding that he ride to King’s Landing to answer for his children’s crimes. When Rickard arrived at King’s Landing, he was also arrested and then burned alive, while his son Brandon was forced to watch, before eventually being strangled to death. With this in mind, it is no surprise that Sansa does not want Jon to RSVP ‘yes’ to the next invitation that has been extended to a Stark by a Targaryen. But Jon knows the odds they are facing and departs for Dragonstone, leaving Sansa in charge of Winterfell. This of course leaves the door wide open for Baelish and whatever his next move might be.

KING’S LANDING

At King’s Landing, Cersei continues to develop her army and has assembled many of the powerful lords to the Throne Room. She manipulates them with a fabricated story of another mad Targaryen that is coming to bring destruction to Westeros, and asks them to join her fight against Daenerys. Most of these lords have pledged fealty to House Tyrell, so while they may be willing to join Cersei’s side to oppose a Targaryen invader, this will by default also position them against House Tyrell. One man that appears unwilling to break his oath is Randyll Tarly, father of Samwell. He is a proud and powerful man who has known Olenna Tyrell since birth. Jaime tries to persuade him to join their side by offering to appoint him as a key general of the Lannister army, and also offers him position of Warden of the South after the war is won. It’s unclear whether Randyll will join or not, but it seems as though he can be convinced. Separately, we see Dickon Tarly, Randyll’s son and Samwell’s younger brother. He is heir to House Tarly and will likely have an important role to play. Again, this is another example of sides being chosen, and this decision will have interesting implications down the road. One thing we know is that Samwell will not be on the side of Cersei, and it is entirely possible that at some point, Samwell will come face to face with his father and brother, potentially in a time of war.

SAM & THE CITADEL

Randyll is not the only Tarly who has a critical decision to make in this episode. Again proving to be one of the more knowledgable characters in the story, Sam shares with the archmaestar his awareness that Princess Shireen was cured of her greyscale disease as a baby. However, the archmaestar dismisses Sam and gives Jorah one more day before sending him off to Old Valyria to join the others afflicted with greyscale. Looking over at his sword, Jorah considers taking his own life before accepting the archmaestar’s scenario, and we see Jorah preparing what was likely a goodbye letter to his Khaleesi. But then enters Sam, with a plan to perform a risky procedure to save Jorah’s life. Once again, we see a relationship from many years ago having significant impact upon the decisions being made by characters in present day. Years ago, Sam joined the Night’s Watch and served under Lord Commander Mormont, for whom he developed tremendous respect and admiration. When Sam learns that Jorah is the Lord Commander’s son, he is willing to risk not only being exiled from the Citadel, but also his own life, in the attempt to save Jorah’s. We do not see how things play out, but it seems as though Jorah may have found his lucky star and could be back in action sooner than later.

At the end of last season, when Samwell finally reached the Citadel, I wrote an interesting piece about the significance of the Citadel and what Samwell’s role could be in the future of this story. You can read more about that here. In that piece, I explored the idea that it is possible that it is in fact Samwell that is the narrator of the entire story we are being told today. First, we know that Sam is obsessed with books and storytelling, so if there is any character that recognizes the importance of recording and retelling history, it’s Sam. His arrival at the Citadel only strengthens this theory, as this is the very place where history is recorded and eventually retold to those who care to listen. When you consider this, coupled with the fact that we know the war against darkness is coming, this theory starts to seem even more possible. If you are open to the idea that it is possible that the humans lose the war against darkness, or at least a large percentage of humanity is wiped out, then it follows that somebody will need to be around to tell the story we are seeing today. Who better than Sam? And, in this most recent episode, there was another tidbit which strengthens this theory. When the archmaestar told Samwell of the book he was writing about Robert’s Rebellion, Sam responds that he would personally choose a title that was “a bit more poetic.” Perhaps something like “A Song of Ice and Fire” or “Game of Thrones.” As we have seen time and time again, there is no coincidental dialogue in Game of Thrones — things are said for a reason, even if we don’t find out that reason for many years to come. The writers would not choose to randomly include a line in this episode where Sam comments on the title of a story which recounts the events of recent history, unless it was supposed to mean something. I believe that this is a subtle hint which points to Sam eventually recording and retelling the story that is unfolding before our eyes today.

THE WOLVES REUNITE

On her way for King’s Landing to take out Cersei, Arya stops at the inn where she last split with her good friend Hot Pie. The relationship that developed between the two many years ago would prove to be quite valuable, as Hot Pie informs Arya that the Boltons no longer occupy Winterfell. He tells her of how Jon Snow defeated Ramsay and reclaimed Winterfell. Learning she now has a home to return to and family possibly waiting for her, Arya looks ahead at the road to King’s Landing, before deciding to turn back to head home. This moment again speaks to the ongoing development of Arya’s character and the question of who she wants to be. Is she Arya Stark of Winterfell, or a cold-blooded assassin whose sole purpose is to cross names off her list? With each episode, it appears more and more that she is some combination of the two. In this episode, we see that she values being Arya Stark and returning home to Winterfell more than she does the pursuit of avenging those she has lost.

In one episode, Arya reunites with her old friend Hot Pie, and the information he presented her with now presents the opportunity for her to reunite with her family. But the reunions did not stop there. Sitting over a fire in the woods, Arya is surrounded by a pack of wolves. She is outnumbered and out of luck, until the leader of the pack emerges. Two or three times the size of all the other wolves, this must be a direwolf and Arya immediately recognizes her to be Nymeria. Nymeria was Arya’s direwolf who she set free all the way back in the first season after Cersei ordered for Nymeria to be executed for biting Joffrey. For many years, Arya and Nymeria have been separated, and just like Arya has emerged a much more powerful version of herself, so too has Nymeria. Demonstrating the clear connection the Starks have with their direwolves, Nymeria appears to recognize Arya and looks deeply into her eyes. Arya pleads with Nymeria to come back to Winterfell with her, but Nymeria backs away with the rest of her pack. Arya whispers “That’s not you,” maybe trying to convince herself that it was a different wolf, but we all well know that it was in fact Nymeria. And though they did not immediately join together, Nymeria is out there, with a pack of wolves and it’s a safe bet that we’ll see them again.

“BE A DRAGON”

At Dragonstone, we see Tyrion’s role continuing to grow by the week, as too is his influence over Khaleesi. Tyrion tells her that she is not meant to be the queen of the ashes, a line that she directly repeats to the Greyjoys and Martells who are encouraging her to attack King’s Landing now. And when these allies question her, it is Tyrion that puts forth their military strategy. His strategy is for the Tyrell and Martell armies to surround King’s Landing, while Greyworm and the Unsullied attack the Lannister stronghold, Casterly Rock. The Greyjoys, Martells and Tyrells are amenable to this plan and it appears to be a sound strategy. But while Tyrion continues to put forth a more diplomatic and peaceful plan, Lady Olenna has other advice for Khaleesi.

Sitting alone, the wise Lady Olenna tells Khaleesi that Tyrion is a very clever man and that she has been around many clever men in her life, all of whom she has managed to outlive. She has done so by simply ignoring these clever men, a strategy she is subtly encouraging Khaleesi to employ with Tyrion. More explicitly, she tells Khaleesi that all the others are sheep, but that Khaleesi is a dragon. She tells her to “Be a dragon.” As usual, Lady Olenna shows her wisdom and offers a new vantage point. Khaleesi has been so concerned with being a fair, peaceful and diplomatic ruler, that she has perhaps suppressed the dragon inside of her. While nobody wants to see her repeat the madness or cruelty of her father, at the same time, it is important that Khaleesi remembers who she is. She is the Mother of Dragons, and to get to where she needs to be, she will have to be willing to embrace the fire, even if that fire produces ashes.

WAR HAS BEGUN

Without warning, battle breaks out and the Cersei vs Khaleesi war has officially begun. As the Greyjoys and Martells follow Tyrion’s plan and ride to Dorne to bring the Dornish army back to King’s Landing, Euron Greyjoy attacks and all hell breaks loose. Suffice it to say, nobody does battles scenes like Game of Thrones, and the last few minutes of this episode delivered heart-pounding action. First, it was very cool to see a landless battle. We’ve all seen dozens of portrayals of battles that have taken place on land, but much less have we seen battles that have taken place on the sea. It was powerful to see Euron’s fleet descend upon the unsuspecting Greyjoy fleet and the all-hands-on-deck (pun intended) battle that would ensue.

We got first look at Euron’s fighting skills and see that he not only talks the talk, but can walk the walk. He takes down dozens of Ironborn, followed by taking out two of the three Sand Snakes. He was badly wounded several times, but continued fighting and seemed to embrace the bloody chaos — a true pirate. We also saw the Greyjoys, both Theon and Yara, show off their fighting skills. Below deck, Euron’s men surround Ellaria and the remaining Sand Snake, at which point Ellaria begs for death. But Euron has other plans for her, and she will likely be the gift that Euron promised to bring Cersei. Above deck, Euron has his blade to the throat of his niece, Yara, giving Theon the opportunity to protect his sister as he has pledged to do. As he looks around and sees death and destruction all around him, he is reminded of the torture he inflicted at the hands of Ramsay. He reverts back into his oldself — Reek — and jumps overboard.

And just like that, Euron has delivered the decisive first blow, weakening Khaleesi’s position. In one battle, Khaleesi has lost both of her Greyjoy supporters, their Iron Fleet, as well as her Martell supporters. Tyrion’s proposed strategy is now in serious jeopardy. They do not have the ships to bring back the Dornish army, nor do they have the Martell leaders to lead the Dornish army. Additionally, she’s lost the Greyjoy support and ships she had. Nobody is feeling too bad for Khaleesi with her three dragons and thousands of soldiers, but this definitely was not the start she wanted. As the episode comes to a close and Theon floats away like a piece of driftwood, Lady Olenna’s advice rings loud and true. Khaleesi must be wary of listening to the wise advisers around her and instead must embrace her inner dragon.

 

HONORABLE MENTION

  • Missandei and Greyworm finally get together. Not sure what this is about.

 

  • Qyburn has worked up another one of his mysterious inventions and shows Cersei a giant dragon-killing weapon.

 

  • Through two episodes, we’ve still not seen much from Bran, other than his brief arrival to The Wall.

 

  • Last, but certainly not least, there is a very significant reveal in the season seven intro segment. As you can see in the pictures below, The Wall was built to span the entire width of Westeros, blocking off the White Walkers from traveling north to south. There are seas to the east and west of the land, where the Night’s Watch has castles to ensure the White Walkers cannot pass by water. But now that Winter Is Here, the White Walkers have actually frozen over the seas, allowing them to simply walk around The Wall. This revelation can be seen in the new opening segment. (See below) The White Walkers have brought winter and frozen the entire sea!! This is what The Hound saw last week in the fire when he said “It’s where The Wall meets the seas. The dead are marching past it. Thousands of them.”

SEASON 7, EPISODE 1: DRAGONSTONE

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

DRAGONSTONE

The wait is over and we can all take a deep sigh of relief — we’re back in the game. Aside from an opening scene that nobody could have predicted, the premiere episode, Dragonstone, picked up right where last season left off. There were not many surprises or curveballs to contend with, but rather an obvious progression of the powerful alliances being formed and impending wars on the horizon. Now, what we are seeing more than ever before, is an awareness amongst most characters — an awareness of what is to come. As a result, and what we saw in this episode, is quite a bit of strategic planning. Cercei is turning a King’s Landing courtyard into a map of Westeros to plot out her enemies; Sam is trying to ascertain whatever information he can to help with Jon’s game-plan in the North; and perhaps most powerfully, the episode ends with Khaleesi at Dragonstone, ready to start mapping out her own game-plan, she asks “Shall we begin?” The game being played has evolved, and to stand a chance in this new game, people are realizing that wit, strategy and knowledge will be more critical than ever before.What is also interesting, and particularly unique to this premiere episode, is the many different dynamics that were presented. A typical Thrones episode feels more unified from scene to scene — even if they are halfway across the world, characters feel as though they are participating in the same game. But, in this episode, things felt disparate from one scene to the next, particularly because of the varying dynamics offered. Arya is committing a mass murder while The Hound is having a major transformation; Sam feels alone and isolated at The Citadel while Khaleesi arrives to Dragonstone with her massive army. It felt like people were on very different pages, but not in a bad way. Each character is inching closer to realizing the roles they will play in the great game that is to come, and episode one did a wonderful job to set this stage. So, without further ado, let’s dive in.

THE NORTH REMEMBERS

Am I watching the wrong episode? Are we seeing a flashback to show the moments prior to Arya killing Walder Frey? What is going on here? Don’t panic — Walder Frey hasn’t come back to life and this is not a flashback. Rather, it’s good old Arya continuing to utilize the ways of the Faceless Men, and this time taking out pretty much all of House Frey. Killing Walder Frey in the finale episode of last season was not enough — Arya has now devised a plan to get all the men of House Frey into the hall, before orchestrating a mass execution. No amount of revenge will ever make us feel better about The Red Wedding, but this was pretty damn good. More satisfying than watching the Freys die were the words that Arya left them with, “Leave one wolf alive and the sheep are never safe.” This is a powerful reminder that Arya will always be out there, a lone wolf, with the potential to take out her enemies at any given moment. Before the scene ends, Arya instructs the remaining Frey girl, “Tell them winter came for House Frey. The North Remembers.”

After leaving The Twins, Arya stumbles upon a group of young Lannister soldiers that have headed into the Riverlands after hearing about the massacre. (Yes, that was Ed Sheeran, and he definitely felt out of place). No doubt, the Lannisters are enemies to Arya, and it appeared that she was originally joining the unsuspecting group to add their names to her kill list. She looked over and saw that none of them were carrying their swords and we got the feeling that she might make her move. But then emotion set in. Often in the Thrones world, characters are defined by the house they fight for the colors they wear. And based on this, Arya would have, and almost did kill these men. But we saw something more — we saw that they were people, just like you and I, with emotions, families and desires. For so long, Arya has been living in a very black and white world. She has names on her list and an objective to cross those names off. This scene was significant in that it blurred those lines for a moment and also offered a more human side of Arya — one where we saw her smile, laugh and seem to enjoy the company of the people around her. This goes back to the larger question — the one that asks who is Arya really? Is she nobody — a cold, ruthless killer? Is she Arya Stark — the girl that was raised with strong values and morals? Likely, she is somewhere in between, and in a short period, we saw both sides of her — the side capable of ruthlessly killing those who deserved it, mixed with the side capable of judging it wrong to take the lives of these innocent men just because they were wearing Lannister colors. It will be interesting to keep an eye on this as Arya goes after bigger kills (i.e. Cersei) — to what extent, if any, will Arya be willing to sacrifice her morals to get the kills she so desperately seeks?

KING’S LANDING

The game of strategy plays on as Cersei creates a larger map to be able to visualize all her enemies. She points out the obvious — they are surrounded by enemies on all sides. The Martells to the south in Dorne, the Tyrells to the west in Highgarden, the Starks to the north in Winterfell and now Khaleesi to the east at Dragonstone. The irony is that Cersei finally holds the Iron Throne, but is perhaps more weak and vulnerable than ever before. Jaime points this out and appears more realistic to their weakened position, but Cersei, as always, is out for blood. At this point, it’s anybody’s guess how things will play out with Cersei and Jaime and whether or not they will stick together.

As predicted, Euron Greyjoy shows up to King’s Landing to try and strike a deal with the new queen. He will offer her the Iron Fleet, presumably the most powerful naval force in the world, in exchange for her hand in marriage. On paper, it sounds pretty good. In their eyes, they’ve both been betrayed by their family members, they both want revenge and they share a common enemy. Together, they could accomplish a lot — but Cersei points out that she cannot trust him — not yet at least. He promised to come back with a present to show his good intentions. One can only assume that he will now be on a quest to take out one of Cersei’s enemies and maybe bring her back a head or two. In all likelihood, Cersei and Euron will join forces as it seems like neither of them have great alternatives.

A HOUSE DIVIDED

After defeating the Boltons and reclaiming Winterfell, things were looking up for Jon Snow in the North. But through a more discerning lens, one could see that Sansa was displeased with her brother becoming King in the North and Baelish doesn’t help that situation one bit. Things picked up right where they left off in the North and tensions are running high between Jon and Sansa. As Jon addresses the northern houses, a difficult question is presented — what is to become of the castles of House Umber and House Karstark, the two northern houses that betrayed the Starks and fought for Ramsay. It is proposed that they be stripped of their houses and that the land should be presented to other, more loyal houses. However, Jon points out that the Karstarks and Umbers have fought alongside the Starks for thousands of years and that he will not disregard this history because of a few traitors. He is correct and noble in his decision, but so too were Ned and Robb when faced with similar decisions, and they both ended up dead. Realizing that maintaining the loyalty of your men is more important than being fair, Sansa challenges Jon and does so publicly. Jon is firm on his decision and lets Houses Karstark and Umber back into the fold.

Behind closed doors, Jon and Sansa bicker some more. Jon does not want Sansa to undermine him publicly and Sansa wants Jon to listen to her more. #SiblingProblems. Realizing an opportunity to capitalize on this discord, Baelish swoops in and tries to further his agenda with Sansa. However, having become much wiser in recent days, Sansa is not interested in hearing it. However, she must keep him around as he controls the Knights of the Vale and they need all the men they can get. Baelish is of course still a major X-factor and it is challenging to figure out what it is that he truly wants. In the finale last season, he came right out and told Sansa that he wants her and the Iron Throne, but it’s hard to take anything Baelish says at face value.

Elsewhere in the North, Bran and Meera arrive at the Wall, just after Bran sees the White Walkers continuing to march. As if an army of the dead wasn’t enough, they’ve now got three of the giants on their side as well. To defend against the White Walkers, Jon dispatches Tormund and the Wildlings to Eastwatch-by-the-Sea, the easternmost castle of the Night’s Watch. Originally, the Night’s Watch built and manned 19 castles along the Wall, but as the White Walker threat dissipated over the years, so too did the perceived importance of the Night’s Watch. As a result, they’ve gotten less and less men and slowly abandoned most of the castles they were once guarding. Today, Castle Black is the only real castle the Night’s Watch maintains, but Jon has now sent men, led by Tormund, to guard Eastwatch-by-the-sea. Because it is the easternmost castle along the Wall, it is very isolated, and should be very eerier to see for the first time.

THE CITADEL

At the Citadel, Sam has gotten more than he bargained for. After how things left off in the finale episode with Sam arriving at the magical Citadel, one might have thought he’d be knee-deep in all kinds of ancient books, learning the secrets of how to defeat the White Walkers. The reality could not have been further and Sam has been given the most disgusting responsibilities at the Citadel. As a sidenote, it was interesting (and out of place, in my opinion), to see the way the director of this episode delivered this sequence. Typically, Thrones is shot and cut in a very classic and formal manner. For this segment, though, the director offered a 30-second montage of repeated quick cuts to show the monotony and ridiculousness of Sam’s unenviable responsibilities. This style of shooting felt totally out of place and not something we’ve ever seen in an episode of Thrones. But don’t let this choppy segment distract you from some of the key takeaways here.

First, let’s not forget the very first thing that producers chose to show us inside the Citadel — those astrolabes. We still don’t know exactly what they do, but they seem very important. I wrote a piece on this after the finale last year, and it’s very interesting to consider. Moving on from the astrolabes, Sam had a very interesting conversation with the archmaestar, in which Sam was basically told to stop worrying. As the archmaestar explained, there have been many times throughout history where people thought the end was here. He referenced the Long Night, the coldest and darkest winter that ever came, and brought the White Walkers with it, threatening to wipe out all of humanity. He also referenced Aegon’s Conquest, when Aegon arrived to Westeros and presented the possibility of wiping everybody out with his dragons. It was interesting perspective from the archmaestar, who made it clear that he did believe Sam that the White Walkers were coming. To his point, though, winters come, winters go and life moves on. But he may be wrong about this one. What was also interesting was his reference to the Citadel serving as “the world’s memory.” Over the thousands of years, there has been a tremendous history of events, and it is the maestars of the Citadel that record, preserve and ultimately retell this history, truly acting as the world’s memory. Will it be Sam that will record and eventually tell the story that is unfolding before our eyes?

Tired of washing poop buckets, Sam takes matters into his own hands and steals a few of the locked up books. To no surprise, he learns that there is a lot of dragonglass to be found at Dragonstone. This will be invaluable information to Jon, who already told his men at the beginning of the episode that they must find as much Valyrian steel and dragonglass as possible. Will this dragonglass be the very thing that gets Jon to Dragonstone? Will this be the basis for Jon and Khaleesi to meet? But back to Sam… While making his rounds for pickup, he is nearly grabbed by a man with a disfigured arm. We quickly realize that this is Jorah and his greyscale disease has gotten pretty bad. The assumption is that he’s come to the Citadel to try and find a cure, but it’s unclear whether he’s being held against his will. He asks if Khaleesi has arrived to Westeros yet and it is unknown whether he will reunite with her.

IN THE FIRE

In the Riverlands, The Hound continues to ride along with Thoros and Beric Dondarrion and they stumble upon a small farmhouse that The Hound stayed at with Arya. As a refresher, a farmer and his daughter lived in the house, and provided food and shelter to The Hound and Arya. On their way out, the Hound wounded the man and stole his gold. Arya hated The Hound for doing this. Of course, nobody was thinking about this so many seasons later, but Thrones once again shows its masterful storytelling, as this comes back to haunt The Hound years later.

His character evolution in full swing, The Hound immediately recognizes the house and suggests that they stay away. He was obviously troubled by the memory of what he had done, which was only worsened when he saw the two dead bodies. The old Hound would not have cared — killing and dead bodies was a way of life for him. But the new Hound is showing that he can still be human. As Beric said to him last season, there’s still time for him to do some good.

Later, The Hounds looks into the fire with Thoros and sees not only The Wall, but also White Walkers marching. This is significant for several reasons. First, it reaffirms that validity of the Lord of Light and those that are following it. If The Hound, a man that has shown no interest in religion and has cursed the gods his whole life, is now seeing visions in the flames, then there’s something to the Lord of Light. Second, there is a great irony here, in that The Hound absolutely hates fire after his brother, The Mountain, burned his face as kids. The Hound has stayed away from fire at all costs, and his willingness to now not only get closer to the fire, but to accept the flames and see visions in them, speaks great volumes to the changes he is going through. Moved by what he has seen, The Hound decides to bury the two bodies and he even makes an attempt at a prayer. The evolution we are seeing of The Hound is spectacular and though it still seems unclear what role these three will play in the coming wars, it is clear that it should be a big one.

DRAGONSTONE

And so we end at Dragonstone, in many ways the place where it all began. To appreciate the enormity of Khaleesi’s arrival at Dragonstone, it is critical to understand the history of this castle. For hundreds of years, the Targaryens lived in Old Valyria and ruled over much of the land with their dragons. However, about 500 years ago, a Targaryen girl named Daenys had a dream that Valyria was going to be destroyed. She told her father, Aenar, about the dream and he decided to relocate his family to a small island off the coast of Westeros, naming it Dragonstone. Aenar became known as Aenar the Exile, a nickname given after he deserted Valyria. History would remember his daughter as Daenys the Dreamer, after her dream proved to be true. 12 years after relocating, Valyria was wiped out by The Doom. Just like that, all of House Targaryen (and their dragons) was wiped out, except for Aenar and his family who had moved 12 years prior and built Dragonstone. Over the next 100 years, the Targaryens strengthened their bloodline from the seat of Dragonstone.

After 100 years on Dragonstone, Aegon Targaryen had a plan that would change the world forever. Along with his two sisters, they flew their three dragons from Dragonstone to the Westeros mainland with the mission to subdue all of the independent kingdoms and unite them into the Seven Kingdoms. Aegon’s Conquest was successful and after conquering Westeros, he became the first king of the Seven Kingdoms. Aegon decided to build a new castle to rule from, and symbolic of the first location he landed when he flew from Dragonstone, the new capital city of Westeros he built would forever be known as King’s Landing. And while Aegon’s Conquest is arguably the most important historical event this world has ever seen, the important takeaway here is that it was from the castle of Dragonstone that Aegon planned his entire takeover of Westeros. 300 years before Stannis did more recently, it was Aegon that stood over the wooden map table and strategized how he would conquer each kingdom of Westeros. It is incredible to imagine Aegon Targaryen, standing over that map and figuring out how to conquer Westeros. Now, 300 years later, it is Khaleesi that has arrived at Dragonstone, the ancestral seat of House Targaryen, faced with very same task of figuring out how to conquer Westeros.

It is also significant to note that Khaleesi was born at Dragonstone, making her return all the more powerful as she is truly coming home. During Robert’s Rebellion, as the rebels got closer to King’s Landing and the Targaryens were at risk, the Mad King sent Khaleesi’s mother to Dragonstone for protection. She went with Khaleesi’s older (and now dead) brother, Viserys, and during the night of a great storm, gave birth at Dragonstone to Daenerys. The storm was so legendary that it earned her the nickname Daenerys Stormborn. Now, years later, things have come full circle as Khaleesi returns home to the place she was born, the place her ancestors built.

What was also quite special about Dragonstone in this episode was the way it was presented. We’ve seen Dragonstone many times throughout the years, but it’s always been a very zoomed-in version of it. We’ve really only gotten to see Stannis in the map room, along with a few other rooms here and there, and it has generally been a dark presentation of it. But, what we’ve never gotten is context. We’ve never zoomed out to understand the enormity or grandeur of this castle. But, that’s exactly what we got in this episode. As Khaleesi takes her first step onto Westeros, we see the full context of the island and castle, with its extravagant architecture. As Khaleesi’s dragons fly overhead, we finally get the feeling that they are exactly where they are meant to be. And as the episode comes to a close, Khaleesi stands over the table, ready to get to work, she asks “Shall we begin?” With Dragonstone being quite close to King’s Landing, Khaleesi is within definite striking distance of the capital. The Iron Throne has never been closer.

 

Season 7 Primer

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

SEASON SEVEN PRIMER

With just about one week until GoT Season 7 kicks off, the wait is officially over.  Though this year-long delay between seasons has felt like an eternity, it’s safe to assume that this wait will be well worth it. The seventh (and penultimate) season is sure to be nothing short of epic, spectacular, heart-pounding action from start to finish. Producers took an extra three months on this season, namely to wait for the right climate in the areas around the world they are shooting. After all, winter is here, and producers wanted to make sure the geographies they were shooting in were colder than ever before.

Before we jump into recapping where last season left off and where season seven will pick up, it’s important to step back for a moment and consider where we stand in this seven-year journey. It’s hard to believe how quick time flies and that it was seven full years ago that good old Ned was preaching that winter was coming, Daenerys was just a young girl with no dragons or army, the Starks were living peacefully in Winterfell, and the only battle that seemed to matter was the one for the Iron Throne. How things have changed. Fast forward seven years and Ned is dead, winter is here, Daenerys is now a Khaleesi with three full-grown dragons, and some of the much larger impending battles that are soon to unfold make the battle for the Iron Throne seem petty and insignificant.

So here we are…the the beginning of the end. With 60 episodes behind us, and only 13 episodes to go, it’s important to realize that we are truly embarking upon the final chapter of the Thrones saga. Everything we have witnessed over the last seven years has led up to this very moment. It’s the final act, and boy are we in for a treat. This season will consist of just seven episodes, and though that seems like we are being shorted from an already-brief 10-episode season, you can be sure that each of these seven episodes will be nothing short of spectacular. There will be no filler episodes and no time to waste. Each second of each episode will be carefully calculated and masterfully executed. Producers have even gone as far as to confirm that there will be two episodes that exceed the ordinary 60-minute airtime, one of which will be as long as 90 minutes! In short, you can think of each of these episodes as a full-fledged movie, and with a budget of approximately $15 million per episode, these 7 episodes actually far exceed the cost of producing an average Hollywood film (this season’s 7 episodes cost about $100 million, compared to average Hollywood budget of $60 million per film). Pretty incredible to consider.

So, my advice to all viewers in the coming days before the seventh season kicks off and we head towards the beginning of the end, is to spend some time appreciating thinking about all that has transpired to bring us to where we are today. Prepare mentally for the epic saga which is coming to a close. Think about all the magic we have witnessed over the last seven years. The powerful stories that have been told; the incredible character journeys and transformations that have unfolded before our eyes; the joy, the pain, the shocks and laughter we have experienced. For then, and only then, will you truly be able to savor season seven and the precious few moments we have left before Thrones comes to an end.

And now, let’s kick off the recap…

KING’S LANDING

The last few episodes of season six were action-packed, and things progressed very quickly around the world, but perhaps nowhere more so than King’s Landing. The final episode of last season was to include Cercei’s trial, where she would be tried for the sins she had confessed to the High Sparrow. Heading into the trial, the Tyrell’s appeared to be on top, with a weakened Cercei more vulnerable than ever. Many thought that she would be found guilty and perhaps even executed…boy was Cercei underestimated.

Cercei cleverly used her trial as an opportunity to secure all of her enemies in one place. She used stockpiles of Wildfire (which Tyrion previously used to fend off Stannis’ attack on King’s Landing), and blew up the Great Sept of Baelor, killing Margaery, Loras and Mace Tyrell, along with the High Sparrow and Faith Militant. In one fell swoop, Cercei took out her most immediate threats, once again showing that there are no lengths she won’t go to in order to eliminate her enemies and remain on top. However, there is another death that Cercei is responsible for — that of her last remaining child, Tommen. Realizing all the people that have just died in the explosion, and no longer able to handle the pressures of being King, Tommen jumps out of the window to his death. Without question, Cercei is directly responsible for her son’s death, ironically fulfilling the prophecy that Cercei had been told as a young girl (which was revealed to us nearly 20 episodes prior, in the first episode of season five), which stated that she would eventually lose all of her children.

With her enemies eliminated and the king now dead, Cercei takes the Iron Throne for herself, underscoring what she has demonstrated from day one — that she is the most cunning and capable, even as a woman in world ruled by men. And even though we’ve seen some evil kings to date (i.e. Joffrey), the Throne Room has a whole new darkness to it as Cercei ascends the Iron Throne, dressed in all black. Though she has always had an evil side, the one thing that humanized Cercei was her extreme love for her children. Having now lost not one, not two, but all three children, Cercei takes the Iron Throne, colder and more evil than ever before. With nothing left to lose, now more than ever, there is nothing Cercei will not do to avenge the deaths of her children. We know that at the top of her hit list will be the Martells of Dorne, who were responsible for the death of her daughter, Myrcella.

It will be interesting to see how things play out in King’s Landing with just 13 episodes to go, and whether or not season seven will end with Cercei still on the Throne. Moreover, there are big question marks around how  Jaime will fit into this new picture. Once willing to do anything to protect one another, Cercei and Jaime have become more and more estranged over time. Jaime’s character evolution and seeming desire to do good is fundamentally at odds with Cercei’s plans, and he will soon need to decide the man he wants to be.

THE NORTH

The North… Home to the Starks, Winterfell, the Wall, and the first line of defense against the impending White Walkers. There is no part of the world more significant to this story, so let’s recap where things left off.

For quite some time, House Bolton has claimed the North and Ramsay was calling the shots. Things started to take a turn for Ramsay and House Bolton when Sansa escaped (aided by Theon), who eventually reunited with her brother, Jon Snow. After being resurrected by Lady Melisandre, Jon is faced with the enormous task of taking down House Bolton and reclaiming the North. He is supported by the few remaining loyal brothers of the Night’s Watch, Tormund and the Wildlings, Ser Davos and Sansa.

In the penultimate episode of last season, we witnessed the Battle of the Bastards, where Jon’s army defeats Ramsay and reclaims Winterfell. In truth, it was Sansa that won this war and not Jon. Having been exposed to Ramsay and his sick games, Sansa knew their enemy better than Jon, and tried to warn him not to fall into any of Ramsay’s traps. Sure enough, Ramsay baited Jon into a trap by putting his little brother, Rickon, in between their armies, where Jon had the chance to ride out and save him. Sure enough, Jon Snow took the bait and fell into the trap. After a bloody and brutal battle, Jon and what was left of his army, was surrounded by the Bolton’s with death just moments away. Then, Sansa, Baelish and the Knights of the Vale appear, taking down the unsuspecting Bolton army. Ramsay retreats behind the walls of Winterfell, where he is eventually beaten by Jon Snow, before Sansa feeds him to the hounds.

There are a few very significant takeaways here leading into season seven. First and foremost, the Starks have reclaimed Winterfell and a good chunk of the North. They have gotten many of the Northern houses to pledge their allegiance, an effort that was led by the young Lyanna Mormont. In the final episode, Jon was hailed as the King in the North, much the same as his older brother Robb was years before. However, unlike Robb who faced battling an army of men, Jon knows all too well that there is an impending war against the dead, and the North will be the first line of defense in protecting the rest of the realm against the darkness that is coming.

Another important takeaway is the relationship between Sansa and Jon and the role that Baelish will play in the near future. Sansa could have told Jon that she had written Baelish and secured the Knights of the Vale, but she chose not to. Through all the traumatic experiences she has endured (Joffrey, Ramsay, Baelish, etc), she has become wiser and learned to play the game. She trusts nobody, not even her own blood, and would not let herself be vulnerable as she has been so many times before. The Knights of the Vale were her last line of defense — her safety net — and she would not tell anybody about this, not even Jon. Although they reclaimed Winterfell, Sansa did not appear too pleased that Jon was being hailed the new King in the North, and she had subtle interactions with Baelish which alluded to the fact that she may have other plans in mind. Those plans could include joining Baelish on his quest for the Iron Throne. When Sansa finally asked Baelish the question we’ve all been wondering — what exactly it is that he wants — he finally came right out and told her that he wants “everything there is,” including to marry her and rule over the Iron Throne together. Keep an eye on Baelish’s role as he has been a master manipulator behind the scenes and still likely has a few tricks up his sleeve.

BRAN KNOWS R+L=J

On the topic of Jon Snow and the Starks, the season six finale had arguably the biggest reveal in Thrones history, though many had seen this coming for quite some time. That reveal is a simple equation: R + L = J, short for Rhaegar (Targaryen) + Lyanna (Stark) = Jon Snow, the theory that Rhaegar and Lyanna were Jon’s biological parents. In the final episode, we witnessed one of the most famous scenes from the books — The Tower of Joy — and learned what Ned Stark found out 20+ years ago. What is most interesting is that it is Bran that found out the true identity of his brother, and not Jon Snow himself.

After the three-eyed-raven that had been guiding Bran dies and Bran is told he now must become the raven, Bran’s vision takes him to the Tower of Joy, where the younger Ned ascends the tower to find his sister Lyanna, bloody and dying. After many years of hearing about Lyanna, we finally get to see her. Before she passes, she tells Ned that he must take her baby and protect him. If they figure out who he really is (a Targaryen), they will kill him, she says.

First, we now understand that Ned raised Jon to be his own, even though he in fact was not. This point backs to the nobility of Ned’s character and what a great man he was. So much so, that he made up a story which reduced his character, claiming that he had a relation with a whore who gave birth to the bastard Jon Snow. Of course, when you consider Ned’s character, this story never made any sense, as his defining characteristic was his morality. What’s more, his wife Catelyn always resented Ned for this, and every time she saw Jon Snow, she was reminded of this “affair” that Ned had. She hated Jon Snow because of something that never actually happened. In reality, none of it was true. Ned never had an affair and Jon wasn’t a bastard. But Ned had to protect Jon Targaryen. If anybody found out he was Targaryen, especially Robert Baratheon, he would have likely been killed.

So, looking back, it’s pretty powerful to think of everything Ned did to protect Jon Snow. But, looking forward, there’s even more to consider. First, like we said, Jon is a Targaryen. Moreover, he’s half Stark as well, which is quite genetic makeup, arguably the two greatest families. He could be the link between uniting the strength of the North with the power of his Aunt Khaleesi and her Targaryen bloodline. Yes, Khaleesi is Jon’s aunt (her older brother, Rhaegar, was Jon’s father). And perfect timing as Khaleesi is headed to Westeros with her dragons and all. Naturally, this begs the question of when Jon will find out who he is and what type of union might follow between Khaleesi and Jon.

ARYA

Sticking with the Starks, Arya went through quite a journey in season six, and seems to have emerged as the person she will be for the final stretch of the story. For what seemed like an eternity, Arya trained to become nobody. She was instructed that in order to become nobody and learn to become a Faceless Man, she would have to strip herself of her identity as Arya Stark. She spent years in brutal training, only to realize in the end, that she was Arya Stark. If you think about the transformation, it feels like a waste of time, but then again maybe Jaqen H’ghar was pushing her to become nobody in the hopes that it would actually make her somebody — Arya Stark — and a stronger version of that somebody.

Having now reclaimed her identity and appearing stronger than ever (not to mention trained in the ways of the Faceless Men), Arya appears back on Westeros and crosses another name off her list. She slits the throat of Walder Frey, the man responsible for a good chunk of the Red Wedding that killed her brother Robb and mother Cat. What’s next for Arya is anybody’s guess. Now that she’s in the Riverlands of Westeros, she’s not terribly far from Sansa or Jon, and with Winterfell reclaimed, perhaps she’ll go reunite with her siblings. Or, even better yet, perhaps she’ll reunite with the Hound, who is also not far away. Which takes us to…

THE HOUND

After Arya leaves the Hound for dead in the finale of season four, I was heartbroken. Not just because the Hound was my favorite character, but because the bond that had developed between these two characters was unlike any other, and I couldn’t believe it was coming to an end. So I refused to believe the Hound was dead, and 17 episodes later, it was magical to learn that the Hound was still alive! He had fallen in with a small religious village and living a simple life, removed from the violence with which we have come to associate him.

That quickly changed though as a few rogue members of the Brotherhood Without Banners slay the village. The Hound eventually catches up with them as they are being held by the leaders of the Brotherhood Without Banners, Thoros of Myr and Beric Dondarrion, whom we had also not seen for several seasons. In the end, they grant the Hound his wish of killing these murderers, and the Hound agrees to join them in their mission. It is interesting to see the Hound join Thoros and Beric, as these were the very men he fought in a trial-by-combat many seasons prior. Worth noting, in that trial-by-combat, he killed Beric, though Beric was quickly brought back to life by the Red Priest, Thoros. We know that Thoros has been able to bring Beric back many times before, once again demonstrating that the Lord of Light does in fact have true power, and also highlighting the importance of the role that Beric, Thoros and likely the Hound will have to play in the coming episodes.

KHALEESI & CO.

So after five seasons of wandering through the desert and freeing a bunch of slaves, my least favorite story line, Khaleesi’s, finally advanced to where we all had hoped it would. But before we dive into that, let’s quickly recap the squad that she has assembled overt he years. Khaleesi has Grey Worm, in command of 8,000 Unsullied soldiers and Daario Naharis, in command of 2,000 Second Sons soldiers. On top of that, she has thousands of Dothraki soldiers that she won over after defeating the Khals and walking through fire. Her original advisers, Ser Barristan Selmy and Ser Jorah Mormont are both gone, with the former dead and the latter banished to find a cure for his greyscale disease. In their place, Khaleesi has received new counsel in the form of Tyrion and Varys. Tyrion has quickly become Khaleesi’s most trusted and wisest adviser, and in the finale episode, she names him Hand of the Queen. Khaleesi also has Missandei, who has has a slow-developing romance with Grey Worm, which has seemed like a waste of time, but could impact things as they unfold.

Adding to this crew that she had for most of season six, Khaleesi strikes a pact with Yara and Theon of House Greyjoy. Yara and Theon pledge their allegiance to Khaleesi and promise her their support and 100+ ships, if she will allow them lordship over the Iron Islands when she sits upon the Throne. Khaleesi agrees, but explains something very powerful: they will leave the world a better place than they found it. This means that the Ironborn will not be able to go back to their savage ways of raiding the mainland, stealing, raping and pillaging. Yara reminds Khaleesi that this is their way of life, but Khaleesi does not budge on her terms. She also reminds them that all three of their fathers (the Mad King, Lord Tywin and Balon Greyjoy) were ruthless men who brought much evil into the world. The parallels that were drawn between the previous rulers of their powerful houses and the next generation of rulers is very important to consider.

What’s more is that this scene is a direct allusion to Aegon Targaryen and his Conquest of the Seven Kingdoms, during which he made very similar pacts with the powerful houses of Westeros. Like Khaleesi did, he granted them lordship and autonomy over their regions of Westeros, so long as they pledged their allegiance to him — the new Targaryen king that would unite all of Westeros for the first time. Those who refused ultimately suffered catastrophic losses, while those who bent the knee (House Stark, House Tully, House Greyjoy, etc) were allowed to live in peace and oversee their lands and smaller-houses autonomously. 300 years later, Khaleesi is once again striking similar pacts as Aegon Targaryen did before her.

But back to the Greyjoys for a minute — it is important to remember that the reason Yara and Theon struck this alliance with Khaleesi is because they are on the run from Euron Greyjoy — their uncle who killed their father and is now on the quest for power. From what we’ve seen of him, and what the books have also described, he is a crazy man that will do anything to achieve what he wants. It will be interesting to see what alliances he forms, and one can only guess that he may join up with the Khaleesi’s number one enemy — Cercei and the Lannisters.

And if 3 dragons, tens of thousands of soldiers, and a new fleet of ships is not enough power for Khaleesi to storm Westeros, let’s not forget that it looks like she will also be backed by two more very powerful houses — House Martell and House Tyrell. In the finale of season six, we see Lady Olenna meeting with the Sand Snakes (who have recently killed Prince Doran and taken control of Dorne), telling them that all she has left in this world is the opportunity to avenge the deaths of her son, Mace Tyrell, and grandchildren, Margaery and Loras. She has come to the right place, as the Sand Snakes too have longed wanted revenge against the Lannisters for the role they played in murdering several Martells.

As a refresher, during Robert’s Rebellion, after the Mad King was overthrown, Tywin Lannister ordered The Mountain to kill any remaining Targaryens in King’s Landing. At the time, Prince Rhaegar (The Mad King’s son/Khaleesi’s oldest brother) had been wed to Elia Martell (The Red Viper/Prince Doran’s sister) and had two babies, which were half Martell and half Targaryen. Following Tywin’s orders, The Mountain raped and killed Elia Martell, before killing her two babies. House Martell has wanted revenge against House Lannister for many years, and most recently, The Red Viper had a chance to avenge these deaths when he battled The Mountain in Tyrion’s trial-by-combat. Unfortunately, he lost and was killed by the Mountain, only furthering the revenge that the Sand Snakes and House Martell seek against the Lannisters.

So, Lady Olenna, representing House Tyrell, the largest and arguably most powerful/wealthy house in Westeros today, is banding together with the Martells in their quest for revenge. Conveniently, Lord Varys joins the scene offering “fire and blood” if they join Khaleesi, who also wants revenge against the Lannisters. Assuming they join her cause, Khaleesi now not only has dragons, a fleet of ships and likely the largest army in the world, but also backing from two of the most powerful houses in Westeros (and partial backing from a third, House Greyjoy). It’s hard to imagine that anybody will be able to stop her.

SAM TARLY AND THE CITADEL

In the final episode of last season, Sam Tarly arrives at the city of Oldtown which is the second largest city in all of Westeros, and by far the oldest, dating back thousands of years. The most important feature of Oldtown is that it is the home of the Citadel, where the ancient Order of the Maestars train and study to become wise scholars. So, what is the significance of Sam finally arriving to the legendary Citadel? Well, for starters, we know that the Citadel houses tens of thousands of books which cover the history of the known world. We see the massive library that Sam walks into and it is magical to consider the rich detail of the history of the world that is contained inside those books.

In the war that is to come against darkness and death, humanity will certainly need to band together. But having a chance to win this war will require more than just soldiers — it will require wisdom and knowledge. This is likely where Sam will come into play. First, we already know that Sam killed a White Walker back in season three, using the Dragonglass that he found. Not only does this make Sam one of the very few humans alive to have killed a White Walker, but it provides him with the knowledge that Dragonglass can be used to kill the White Walkers. He will likely be able to use this knowledge, and other wisdom that he’ll need to discover from the Citadel, in order to support Jon Snow and the rest of humanity in their battle against the White Walkers. There was another very interesting reveal in the finale episode last season regarding Sam and the Citadel, and what we might have seen when he entered the library — you can read more about that here.

THE BIG PICTURE

As this recap comes to a close and we’ve recapped where things left off in season six, let’s quickly look forward to “the big picture” and the stage that has been set for season seven. The biggest takeaway is that many smaller sides are coming together to form larger alliances, and we are likely to witness some very big battles this season — bigger than anything we’ve seen to date. In the past, there were so many different games being played by so many different players. There were fights for land, houses, religion, and of course the Iron Throne. But now, as we approach the end, these smaller and less significant games will all start to come together, as will the players involved. And, as this recap has more or less outlined, we can already see the teams that are coming together.

The biggest battle that seems imminent is that between Cercei, who holds the Iron Throne, and Khaleesi, who is coming for it. With her, Khaleesi will likely be joined by houses Tyrell, Martell and part of Greyjoy. On her side, Cercei will have the power of the Lannister army, possibly the other half of House Greyjoy (if Euron joins with Cercei) and likely some other players that will join Cercei’s fight to keep the Targaryens away from the Iron Throne. In short, most of the great houses of Westeros have picked sides and a massive battle is in store.

In the North, Jon Snow is rebuilding his own northern fleet and gaining the backing of many northern houses. It will be interesting to see what role he and the North play in the battle that will take part in the south, and if they get involved at all, or solely focus on the larger war that he knows is coming — the war against death and darkness.

There are of course tons of other players to consider and it will be great to see how they pick sides, as it seems inevitable that eventually, as the many games narrow down to just one or two, everybody will have to choose a side.

OTHER THINGS TO KEEP AN EYE ON

As we know, Thrones and it’s story arc is quite detailed and intricate. Characters and plot-points are sometimes introduced in certain episode, and then not touched upon again until many episodes, or even seasons later.There have been countless instances of this, and it is this depth of plot development that is so unique to Thrones. So, as we come into the home stretch with just 13 episodes left to go, you can bet that we are going to have a bunch of “Aha! moments” where something from a long while ago, that we probably forgot about, comes back into focus. So here are some interesting tidbits to keep your eye on:

  • Gendry, who we’ve not seen in many seasons, could turn out to be a very significant character that will reemerge at some point in the near future. We have not seen Gendry since Lady Melisandre and Stannis held him prisoner in the third season so that Melisandre could use his King’s Blood (remember, he is the son of King Robert Baratheon). After Melisandre convinced Stannis that they must execute Gendry as a sacrifice to the Lord of Light, Davos undermines their efforts and sets Gendry free. Gendry took off in a small row boat, never to be seen again. But here’s what we know. First, Gendry has King’s Blood which is in important. Second, Ser Davos went through a lot of trouble and risked his life to save Gendry, so it probably wasn’t for us to never see Gendry again. Third, and arguably most important, with the recent death of Tommen (who was actually a Baratheon), Gendry is officially the last living Baratheon that we know of. When the show started, House Baratheon was one of the most powerful, with many important players (Robert, Stannis, Renly, etc). Historically, House Baratheon has been one of the most powerful houses for hundreds of years. Yet today, it has become all but extinct. Enter Gendry, the last living Baratheon who represents the possibility of reviving this once powerful house. And yet, there is one more very interesting tidbit about Gendry to consider. We were first introduced to Gendry as a bastard boy who was the apprentice to Tobho Mott. Before coming to King’s Landing and serving as a master blacksmith, Tobho Mott was originally from Qohor (in Essos), a city that is famed for producing blacksmiths that are masters in forging Valyrian steel. In an early episode, while in King’s Landing, it is mentioned that Tobho has the ability to reforge Valyrian steel. Though we never saw him do it, and it was only touched upon for a brief moment, it is entirely reasonable to consider that Tobho may have passed on this ancient skill to his apprentice, Gendry. If that is the case, Gendry would be one of the few men alive with the knowledge and ability to forge Valyrian steel, which makes him all the more significant as Valyrian steel weapons will be needed to defeat the White Walkers in the coming war.

  • Jorah Mormont is another character that is out there somewhere, though we haven’t seen him in some time and can’t be sure what he’s up to. We’ve not seen him since midway through the sixth season, at which point Khaleesi ordered him to find a cure for his greyscale, so that he can stand beside her as she retakes the Seven Kingdoms. There are some definite question marks here around whether or not he’ll be able to find a cure and whether he’ll ever reunite with Khaleesi. There is another intriguing scenario to consider — the distinct possibility that he somehow makes it back to Westeros and House Mormont, which is currently being led by the young Lyanna Mormont. Since Lyanna has pledged her support to Jon Snow/House Stark, if this did happen, Jorah could end up aligning with Jon Snow. This would be particularly powerful as Jon Snow was trained by Jorah’s father, Lord Commander Mormont, and fights with Longclaw, the Lord Commander’s Valyrian steel sword, which he gave to Jon because with Jorah banished from Westeros, he had no heir to pass it onto. It’s a very interesting scenario to consider.

  • The Prince That Was Promised: You can read more about The Prince That Was Promised here, but in short, 8,000 years ago the Long Night came, which is regarded as the longest winter ever known to man — one that brought cold and darkness to an entire generation. During the Long Night, the White Walkers came from the deep North and nearly pushed humanity to extinction. A great battle took place, led by the legendary warrior, Azor Ahai, who fought with a flaming sword called Lightbringer. Azor Ahai fought back the White Walkers, at which point the Wall was built to prevent them from ever invading again. When Azor Ahai died, it was prophesized that at some time in the future, the White Walkers would come again, and Azor Ahai would be reincarnated as the Prince That Was Promised, to once again lead the fight against darkness. Since the beginning of the show, Lady Melisandre believed Stannis was the Prince That Was Promised and destined to fight back the White Walkers, but she turned out to be wrong about that. Since then, some have thought Jon Snow to be the Prince That Was Promised, while others have noted it could be Khaleesi. Whether or not the show will definitively answer this is TBD, but it’s an interesting theory to keep your eye on.

  • Speaking of Lady Melisandre, there are some rather large question marks surrounding her and what role she might play in the future. Having once believed Melisandre was an all-knowing priestess who could interpret the words of the Lord of Light, she revealed herself last season to actually be an old decrepit woman, who has masked her appearance through the use of her potions and elixirs. She has shown clear powers many times, whether it was the ability to birth the shadow that killed Renly Baratheon or her ability to resurrect Jon Snow, but she was also wrong many times, particularly about all the faith she put into Stannis. After being banished from the North by Jon Snow for sacrificing Princess Shireen, where will Melisandre surface and what role will she play in the final hours of this story?

  • To say Direwolves are important to this story would be an understatement. After all, it was the very first episode of this series when the Starks found the six Direwolf pups, one for each child. Sadly, four of the six have been killed throughout the years. But, the good news is that there are still two living Stark wolves, one of which we have not seen since the first season!  Jon’s wolf, Ghost, is the only one that has been in the picture recently. But, Nymeria, Arya’s wolf, we have not seen since midway through the very first season. After Cercei ordered Nymeria to be executed for biting Joffrey, Arya set Nymeria free so they could not execute her (instead, they executed Sansa’s wolf, Lady). With Arya back in Westeros, and very close to the place where she originally set Nymeria free, it is worth keeping your eye out for the possibility of Arya and Nymeria being reunited.

  • Benjen Stark is also out there somewhere. After disappearing north of the Wall in season one, most of us probably forgot about Benjen altogether, and it was not until five years later, in season six, that Benjen makes a surprise return. Benjen aided Bran and Meera on their journey north of the Wall, but had to part ways once they passed south of the Wall, as he explained the Wall had ancient magic preventing the dead from passing through (thus also revealing that he is technically dead). Benjen is particularly significant because he is Ned’s brother, and thus the closest thing any of the Stark children have left to a parent. The fact that he is half-dead and has knowledge of fighting the White Walkers reveal that he will likely play a role in the war that is to come.

  • What did Varys hear in the flames? This is another important question that has been touched upon a few times throughout the seasons, most recently last season when Tyrion and Varys are visited by Kinvara, the High Red Priestess of Volantis. She asks Varys if he remembers what he heard from the flames and who the voice was that he heard, the night that he was mutilated. She is referring to what Varys revealed in an earlier season when he told the story of how he was drugged by a sorcerer when he was a small boy. As he lay helpless and paralyzed, the sorcerer castrated him and tossed his “parts” into the fire. Varys recalls hearing a voice call out to him from the flames, but adds that he was drugged and in much pain, so he could not make out what he heard. Many seasons later, this resurfaces when Kinvara visits them and tells them that she will spread the word that Khaleesi is the one who was promised (alluding to her belief that Khaleesi is the Prince That Was Promised), and the one who will fight back the darkness with her dragons. Varys is skeptical of Kinvara, as he is generally skeptical and averse to “blood magic” due to what happened to him as a child. He challenges Kinvara, noting the other Red Priestess, Melisandre, had said something similar of Stannis but was wrong. Kinvara responds to Varys, and asks “Do you remember what you heard that night? You heard a voice call out from the flames, do you remember? Should I tell you what the voice said? Should I tell you the name of the one who spoke?” Is it possible that Varys heard the voice of the Lord of Light when he was just a small boy, and has been unknowingly serving the Lord of Light ever since? It’s hard to imagine what he actually heard, but clearly it was something important, and could be something we find out in the coming episodes.

SAMWELL TARLY & THE CITADEL

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

SAMWELL, THE CITADEL AND WHAT IT ALL MIGHT MEAN

There is always so much going on in Game of Thrones, that we often miss over smaller points of an episode, because they simply don’t stick out in our mind after we think about all the bigger things that happened in a given episode. And often, parts of an episode which may seem insignificant, later turn out to be very important breadcrumbs that were left for the viewers to pick up on. For instance, as we talked about in the finale episode recap, the most perceptive viewers might’ve noticed that the wildfire explosion that consumed the Sept of Baelor was actually already shown to us in a quick glimpse of Bran’s visions many episodes earlier this season. Of course, with everything else that happened in that episode and the other more obvious visions he had, most of us probably did not recognize this, much less think about it at the end of the episode.

Well, this very same thing may have just happened in the finale episode, perhaps in a larger way than ever before. When we reflect back on the finale, we are thinking about Cercei’s wildfire explosion and ascension of the Iron Throne, Arya’s return to Westeros and murder of Walder Frey, Jon Snow becoming King in the North, and Khaleesi’s grand departure for the Westeros. Each one of these events were hugely significant and powerful to watch. What may have slipped through the cracks, though, was Samwell Tarly’s arrival to the Citadel. After all, it was sandwiched between so many other huge revelations, most of us probably forgot it even happened. No doubt, some of your questions have gone unanswered. What is the Citadel? Where is the Citadel? What happens there? Why is Sam there? What is the significance of what he saw there? And so on… For starters, let’s try to answer some of those questions. Then, let’s move on to a deeper analysis of why this event might be so incredibly significant.

For the basics… The Citadel is located in the city of Oldtown, which is located in the far southwest of Westeros, next to Dorne. Oldtown is actually the second largest city in all of Westeros, and by far the oldest, dating back thousands of years to the First Men. As such, there is immense history and culture to be found in the ancient city of Oldtown. But, the most important feature of Oldtown is that it is the home of the Citadel. So what is the Citadel? The Citadel is where the ancient Order of the Maestars train and study to become Maestars. Think of it as an ancient and sacred university where men from all over the world come to learn the disciplines of science, medicine, astrology and so on. Most of these Maestars then go on to serve various houses of the world, so that each house may have a wise man who can treat the sick and offer scholarly advice across the many areas they’ve been trained.

oldtown

The ancient city of Oldtown

In addition to training new Maestars, the Citadel is also the seat of the council of archmaestars, the wisest and eldest Maestars which provide knowledge and wisdom to the rest of the Seven Kingdoms. For instance, in the finale episode, the archmaestars sent a white raven to Winterfell (and presumably elsewhere), officially advising that summer has come to an end and winter is now here. The archmaestars have been around for thousands of years, providing invaluable knowledge and wisdom to every corner of the Seven Kingdoms.

In the books, Oldtown and the Citadel is a major location where a lot more of the story takes place. In the show, we did not see this location until the very end of the sixth season, when Sam arrives with Gilly and the baby. The show could’ve left this location out altogether like they have with many other parts of the books, but they chose not to, which means it has an important role to play. And that they chose to include it in the finale episode, alongside all the other significant things that happened, only underscores the importance of Sam’s arrival at the Citadel.

So where does this leave us, what else can we takeaway from the glimpse we got of the Citadel and how does Sam play into all of this? Well, for starters, we know that the Citadel houses tens of thousands of books which cover the history of the known world. We see the massive library that Sam walks into, and it was a magical moment to say the least. To think of the rich detail of the history of the world that is contained inside those books is pretty powerful. Point is, this is where history is recorded and ultimately retold.

But upon further analysis, there are some even deeper takeaways for those who really look very close. As Sam walks into the grand library, he sees giant hanging objects which appear to reflect light into the library, but also look to serve some other purpose of measurement or science. These objects are called astrolabes and are used to measure the movements of the stars to understand the change in seasons. They probably serve other purposes as well. What’s more interesting, is that upon comparison, you will realize that these objects that Sam sees are the very same objects that are so prominent in the opening credits of Game of Thrones (see below).

ballcitadel circle

Now, for an even closer look:

closeup

For quite some time, you’ve probably been wondering what that glowing object was that you’ve been seeing for six years throughout the opening credits. Well, now you know. So while larger and more obvious reveals were thrown at us, like Cercei ascending the Iron Throne, a much quieter, but arguably more significant one was whispered for us to hear, if we were listening. And no doubt, you can bet that if this object is so prominent in the opening credits, that there is a great significance to finally finding it in the show.

So now we know what this object is and we’ve also connected it to the opening credits of the show, so we know it’s important. But is there anything more? Well, if you dig a bit deeper into the opening credits, you’ll notice that many of the areas of the maps are being looked at through some type of lenses. It gives the feel that we are not just looking at locations on a map, but rather that somebody is adjusting several lenses which allow us to then see these locations. See below:

73584a79cb84e3d82d81abb8e7d3cd9e

Well, it just so happens that we saw a bunch of lenses surrounding these objects as well:

sam citadel 2

So, in the opening credits, there is some sort of astrolabe figure which appears several times, and there are also clearly lenses that are focusing in on the different parts of the map that we see. In the finale episode, Sam encounters what appear to be these very same objects, with lenses surrounding them. The opening credits tell us that that this object and its lenses allow us to see the different parts of the world. Applying this to the real-life objects that Sam sees, perhaps these objects and their lenses can be manipulated by the Maestars to see the different parts of the world as well. Perhaps this is how they know what’s going on around the world, and maybe even beyond the known world.

But yet, there is perhaps another layer to it. These were not the only lenses we saw in the finale episode. The photo below shows another set of lenses, and these lenses allowed a Maestar to better view and understand the history of whatever he was reading:

lens maestar

So, another interpretation of the opening credits could be that somebody is looking through another set of lens to understand the history and story that is being told. Now, one more time, let’s look at Sam’s position relative to all of this:

sam citadel

Clearly, Sam is positioned right in the thick of all of this, even if we don’t yet understand what it all means. So, when you connect all of these dots, my hypothesis is that these objects are some way of not only understanding, but also recording the stories that are happening around the world. And, if you now subscribe to the idea that Samwell is going to be in the middle of all of this, it leads to an interesting conclusion: Samwell Tarly will be the Maestar to record and ultimately retell the Game of Thrones story. Perhaps, today, it is him adjusting the lens that we see in the beginning of the Thrones credits and it is he who is telling us the story as it unfolds. Who knows how this story will end. Maybe with glory, maybe with defeat…But however it ends, there will need to be someone to tell it. And we may have jus discovered who that person is.

SEASON 6, EPISODE 10: THE WINDS OF WINTER

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

THE WINDS OF WINTER

Put in the books…Season six is officially over, which means we have about a full year to wait until the return of Thrones. But if there was ever a season which delivered enough magic, enough surprise and enough excitement to last us until next season, this was it. And putting an exclamation point on this incredible season was the finale episode, The Winds of Winter, which delivered enough major plot-twists for multiple finale episodes. In past seasons, we would’ve gotten one major event in the finale episode to make us go “wow, that was amazing,” and hold us over until the following season. In this episode, we got four or five of those moments, seemingly one after the next. Cercei blowing up the Holy Sept of Baelor and killing all her enemies in one fell swoop, including basically all of House Tyrell. Oh, and doing it with wild fire no less. Tommen casually jumping out the window to his death. Jon Snow being declared King in the North. Cercei assuming the freakin’ Iron Throne. Arya revealing she’s already back in Westeros and taking out her enemies. After six years, Khaleesi is actually leaving Easteros to take what is hers — the Iron Throne of Westeros. Oh, and did we mention that Winter is officially here?

loras

Any one of these events could’ve been enough to end the finale on, especially after last week’s epic Battle of the Bastards. But as season six came to an end, we didn’t get one major event, we got them all. Because whereas the objective of past seasons’ finales was to wind the show down and bring things to a close, the purpose of this finale was the exact opposite: to propel the show to all-time highs and position characters for the final lap ahead. That’s right, there’s not much left and the end is near. Likely split over two more seasons, we are looking at 12-14 more episodes total, and that’s it for Game of Thrones, folks. So there is no wind-down at this point. There is no deliberation or hiatus. We are in the thick of it now, full force, and The Winds of Winter pointed us in the direction we are headed.

But before we jump into a recap of the episode, let’s explore what the show is really about at this point. To date, Thrones has been about a lot of things: power, loyalty, war, love, vengeance, deception, to name a few. But as the show has evolved through the years, and now nears its end, what is it really about? As I asked myself this question and reflected back on the finale episode and this season as a whole, I thought about thing: survival. It was once about who could play the Game of Thrones, now it’s about who can survive it. In this finale episode, we saw three major characters who have survived and now risen to the top: Khaleesi, Cercei and Jon Snow, each of whom is now a King/Queen.

What is also interesting when thinking about the survival of characters is how dominant the females are as season six comes to a close. For a show that was often-criticized about the subjection of its female characters (which hit an all-time high last season after the rape of Sansa by Ramsay), it is now the females who are in positions of power and dictating the outcome of this story. Cercei has ascended the Iron Throne and is the Queen of the Seven Kingdoms. Khaleesi is the Mother of Dragons and commands an army of loyal followers that appears to be growing by the day. Yara, not Theon, is calling the shots for House Greyjoy and has joined up with Khaleesi. Arya is crossing names off her list in Westeros. Sansa won the battle against Ramsay and got her revenge, and also pushes off Baelish in this episode. In Dorne, it is the Tyrell and Martell females that convene to discuss their revenge against the Lannisters. Even Lyanna Mormont, an 11-year-old girl, appears more powerful than all the men of the North, as she reminds that House Mormont stands with House Stark and that the North remembers, ultimately swaying the other Northern houses to support the Stark cause. Even once-powerful men like Tyrion and Varys have now abandoned their personal endeavors to support the greater cause of a female character. In fact, when you stop and look around, it’s almost hard to name the major male characters that are really in the picture, other than Jon Snow. We’ve come a long way since the earlier seasons which covered the Battle of the Five Kings, mostly all males fighting for the Iron Throne. And now, winter is no longer coming. Winter is here.

DARKNESS IN KING’S LANDING

Many people, including myself, were predicting a possible death for Cercei in the finale episode. She was weakened by her walk of shame, never seemed to quite recover from it and appeared relatively powerless this entire season. And when trial-by-combat was ruled out, it looked like the end might be near for Cercei. Boy, were we wrong. The episode opens as we see various characters dressing for the trial. Margaery and Tommen both dress in regal garb, fit of a king and queen, while the High Sparrow throws on his minimalist robes. But Cercei is preparing for something entirely different, as she dresses in an all black piece that almost resembles armor. This entire segment, which was one of the longest we’ve seen, was accompanied by a beautiful piano arrangement called Light of the Seven by Ramin Djawadi, which can be heard in the video below. It was unlike any other music that has ever been played in an episode before, and captured a particular eeriness, hinting that something terribly out of the ordinary was going to happen. It was masterfully executed, and though I don’t think it’s worthwhile to compare the books to the show, since they’re both genius in different ways, this was an example of how music, and visuals and directorial vision can setup a major event that was to come in a way that the books never could.

As everybody stands around the Sept of Baelor, it is Queen Margaery who realizes that something is wrong after Cercei and Tommen both no-show. She warns that everybody must leave the Sept, but the High Sparrow’s stubborn faith gets the best of him as he instructs the Faith Militant to prevent anybody from leaving. Elsewhere, Maestar Pycelle is tricked into entering the tunnels below King’s Landing, as is one of the Faith Militant, Lancel Lannister, both of whom are stabbed by Qyburn’s little birdies. It’s unclear what Qyburn has done to these little peasant children or why children were needed to do the actual killing, and maybe we’ll find that out down the road, but we did see Qyburn with these children in an earlier episode this season, so we knew he was up to something. What we also saw a few episodes back, after Tommen declared that trial-by-combat would be illegal moving forward, was Cercei asking Maestar Qyburn whether the rumors were true, to which he responded that they definitely were, more so than she could even imagine. We now know that she was asking him about the wild fire, which she would use to blow up the Sept of Baelor and kill everybody inside.

sept explosion

Beyond the power of this scene and the way it unfolded, there are some very interesting takeaways. First, we got a glimpse of this wild fire explosion many episodes back in one of Bran’s visions, which very quickly showed the green flames engulfing the tunnels below King’s Landing (see photo below). So, Bran saw this before it actually happened, and so did we. This speaks volumes to other visions he may have of events that are yet to unfold, with the potential to stop them before they happen. Next, it is very powerful to consider that Cercei did the very thing that her brother killed the Mad King to avoid from happening. Going back to the Mad King Aerys Targaryen (Khaleesi’s father), when Robert’s Rebellion succeeded and the rebels arrived at King’s Landing, rather than surrender, the Mad King kept saying “Burn them all.” He was obsessed with wild fire and wanted to use the wild fire to blow up all of King’s Landing and burn everybody alive, rather than let the rebels usurp the Iron Throne. Though he was sworn to protect the king, Jaime put his sword through the Mad King’s back, and would forever be known as Kingslayer. He broke his sworn oath to protect the king in order to save tens of thousands of innocent lives who otherwise would’ve been burned alive. Ironically, years later, it is his own sister who ends up doing this very same thing, albeit in a more controlled fashion as to eliminate her enemies in the Sept of Baelor and not all of King’s Landing.

wildfire

From Bran’s vision

As Tommen looks on and sees the Sept explode into the sky, realizing everybody has just died, including his Queen Margaery, he is in total disbelief. He is just a boy — a boy that watched his older brother murdered when he was king and who then lost his sister to murder as well. His mother was locked away and then forced into a humiliating walk of shame. The High Sparrow and Margaery have been in his ear telling him to follow the Faith. Rumors swirl around about who his true parents are. Talk about stress — the things Tommen has dealt with since being a little boy are enough to drive anybody to suicide. So now, after watching the Sept explode, he’s had enough, and in an indifferent fashion, decides to simply fall to his death. This marks the third child that Cercei has lost, and unlike the murders of her first two children, Cercei has nobody to blame but herself for the death of Tommen. Interestingly, in the premiere episode of season five, we saw a flashback of Cercei as a child as she wanders into the woods to find a witch. The witch tells her of a prophecy in which all of her children would eventually die (see video below). Now, decades later, this prophecy has been fully realized and Cercei has lost all of her children. Well, at least most of the prophecy has been realized. The witch also tells Cercei that she will eventually be replaced by another queen, younger and more beautiful. It’s safe to assume that this will be Khaleesi.

Perhaps, in some ways, Cercei wanted Tommen to die, even if subconsciously. After all, as she stated so many times, her purpose in life was to protect and defend her children. Well, clearly she wasn’t so good at that. Or maybe, it was a greater drive that she had which outweighed her ability to truly protect her children. Maybe it was her undying quest for power. And after losing two-thirds of her children and sort of already losing the third to all the madness of King’s Landing, she was ready to rid herself of all her motherly baggage, which is in fact what happened. And now, free of any responsibility or burden to her children, Cercei is able to ascend the Iron Throne and take what is hers. Dressed in all black, the Throne Room looks darker than ever before, nobody daring to question her claim. She appears cold and ruthless, hardened by the deaths of her children and the torture she experienced at the hand of the Faith. Now that Cercei has taken the Throne, she’ll be free to pursue vengeance against the murderers of her children, namely the Martells of Dorne. But how will Jaime fit into this? He looked rather unpleased, if not shocked, at the scene he saw upon arriving back to King’s Landing. Perhaps, Cercei and Jaime’s union is starting to unravel, and maybe Jaime resists Cercei’s pull to the dark side.

KING IN THE NORTH

We get first glimpse of Jon Snow in the halls of Winterfell as he stands with Melisandre, moments before Davos storms in commands Lady Melisandre to tell Jon Snow what she’s done to Princess Shireen. Davos is more emotional and angry than we’ve ever seen him before and it is clear that he truly loved Princess Shireen like a father. Melisandre confesses to her crimes, but adds that she has only done what the Lord of Light commanded. Once again juxtaposing Melisandre’s faith to her god against Davos’ commitment to morality and reason, Davos exclaims “If your god commanded you to burn an innocent little girl, then your god is evil!” Davos appeals to Jon Snow and demands that Melisandre be executed, to which Melisandre tells Jon Snow that her work is not done. Clearly, Jon Snow believes this, and knows that he may yet need her down the road. He commands her to ride south, rather than executing her.

As Melisandre rides off, Jon Snow and Sansa stand atop the ramparts of Winterfell. Jon Snow acknowledges that it was Sansa who won the battle by securing the Knights of the Vale, but notes that they must trust each other moving forward. He tells her that he is not a Stark, and wishes for Sansa to be the Lady of Winterfell, rather than he. Sansa also tells Jon that a white raven has come from the Citadel and the Maestars have determined that winter is officially here. As if we didn’t already realize that the show is really reaching an all-time highpoint, we just got explicit confirmation — after six years of waiting, winter has now come.

Standing beneath a weirwood tree, Sansa tells Baelish that she no longer prays and is done with the gods. As they discuss what it is that Baelish really wants, a question we would all love answered as well, Baelish tells Sansa that he wants to sit on the Iron Throne as king with Sansa as his queen. As he goes into kiss her, she pushes him off and tells him that it’s a “pretty picture.” Again, we see that Sansa is not a naive child and will not be easily manipulated. But more importantly, we finally hear Baelish explicitly reveal what he wants, which is ultimate power. Throughout the last six seasons, there have been breadcrumbs along the way which have pointed us in the direction of Littlefinger’s true intentions. In the very first season, Baelish has a conversation with the keep of his whorehouse in King’s Landing, and he retells the story of how he challenged Brandon Stark (Ned’s older brother) to a duel, to win the love of Catelyn Tully. He lost that duel to the much fiercer Stark warrior and was badly embarrassed and injured that day. “You know what I learnt losing that duel? I learnt that I’ll never win. Not that way. That’s their game, their rules. I’m not going to fight them: I’m going to fuck them. That’s what I know, that’s what I am, and only by admitting what we are can we get what we want.” When she asks him what it is that he wants, he responds “Oh, everything, my dear. Everything there is.” Littlefinger has also often referenced investments he has made, some good and some bad, in an effort to achieve his means. In an earlier season, Varys also noted “Baelish would let the whole country burn if he could be king of the ashes.” And finally, years later, he comes right out and tells Sansa what he wants — the Iron Throne with her beside him.

Later, in Winterfell, the remaining houses of the North gather and Jon Snow makes his case for their support. Winter is here and the North will be the front line against the White Walkers that are coming — nobody knows this better than Jon Snow. Still, the Northern houses have doubt and express uncertainty about once again supporting House Stark. Lyanna Mormont, not only the only female in the room (besides Sansa), but also youngest in the room, delivers a passionate speech noting that House Mormont stands with House Stark and that the North remembers. Houses Manderly and Glover are moved by her words and pledge their support of House Stark, declaring Jon Snow the King in the North. Before long, the whole hall is shouting for Jon Snow as King in the North, much the way they once did for Robb Stark — hopefully this one has a better ending.

king north

Certainly, Jon Snow will be a much different kind of king. He has no interest in the Iron Throne or petty battles — his eyes are set on defending humanity from the army of the dead. Moreover, he’s seen a lot and experienced much more than his brother Robb ever did, including dying and being brought back from the dead. Jon Snow now has the beginning of an army, but it’s unclear how Sansa feels about this. Just moments before, he was telling her that it should be her who leads House Stark, not him. Sansa exchanges a glance with Baelish, who quietly observes like a fly on the wall. The look they exchanged was almost as if Baelish was saying “Hey, my offer is still on the table. I am still on the quest for power and you can share that quest with me, rather than going back to being the sister of the King in the North.” We’ll have to wait until next season to see how this all unfolds, but to see Jon Snow brought back from the dead, defeat Ramsay to reclaim Winterfell and now to be declared King in the North with House Stark finally supported again by the other Northern houses, is a welcomed and long-awaited turn of fortune for the Starks. And let’s not forget, both Bran and Arya are not not too far away from Winterfell.

NEW FRIENDS

After not having seen Dorne since the first episode when the Sand Snakes executed Prince Doran, we are taken back to the southernmost region of Westeros, where Lady Olenna Tyrell is convening with the Sand Snakes. Lady Olenna has basically lost everything, including her son and two grandchildren, with no apparent heir to Highgarden. She makes it clear that all the world can offer her is revenge. Perfect timing, as Varys enters the scene, offering fire and blood. The Martells and Tyrells both have a common enemy in the Lannisters, namely Cercei. Luckily for them, the Lannisters are also the enemy of Khaleesi (it was Jaime who killed her father and Lord Tywin who orchestrated much of the rebellion). So, Varys offers the Martells and Tyrells to join Khaleesi’s cause, with the promise of imminent revenge.

This is an extremely significant development for Khaleesi’s camp, which was already in great shape with three dragons, a wise and loyal small council, armies of the Dothraki and Unsullied, support of House Greyjoy and 100 ships to travel to Westeros. Now, Khaleesi has landed the support that she’ll need when she finally arrives to Westeros. And not just any support. House Tyrell is the wealthiest and largest house in all of Westeros, making them an incredibly important asset to Khaleesi. The support of the fierce Dornish people is also very valuable, but not as valuable as their land. Dorne is the southernmost region of Westeros, isolated from all the other kingdoms, making it a great landing place for Khaleesi, her dragons and her army. Outside of Dorne, there are not many places on Westeros Khaleesi could land without being thrown right into conflict with other houses. But because Dorne is so far removed from the rest of the continent, it makes the most ideal landing place. It is also interesting to note that during Aegon’s Conquest 300 years ago, Aegon was able to conquer and unite six of the Seven Kingdoms, with Dorne being the only one he was unable to hold. The reason being that it was too far from the rest of the continent, proving too difficult to conquer. It wasn’t until many years later that Dorne became the seventh kingdom through an arranged marriage between Houses Martell and Targaryen. Unlike Aegon, the first Targaryen to conquer the land of Westeros, Khaleesi is now entering Westeros with an alliance with the Martells of Dorne, which should prove hugely valuable to her conquest of the Iron Throne.

ONE MORE NAME OFF THE LIST

As Walder Frey continues to gloat upon his recent successes, Jaime reminds him that it was House Lannister that was responsible for these victories, and that House Frey is dispensable. Proving this true, moments later, we learn that Arya is not only back in Westeros, but is crossing names off her kill list. And, even more, she made sure to grab some faces from The House of Black and White before she left Braavos. Arya killed the two Frey sons and cooked them into a pie that she fed to Walder. She reveals all of this just moments before slitting his throat.

arya frey

Besides the awesomeness of seeing Arya back in Westeros and avenging the deaths of her family murdered in the Red Wedding, there was another layer to the way she did it, which goes back to a season three episode in which Bran told the story of the Rat Cook. According to legend, thousands of years ago, a King once visited a castle of the Night’s Watch. During his stay, the King offended members of the Night’s Watch, and as revenge, the cook killed the king’s son, baked him into a pie and served the pie to the king. The king enjoyed the pie so much that he asked for a second helping. The gods punished the cook by turning him into a giant rat, forced to run the halls of the castle and eat his own offspring. According to Bran, the gods were not offended by the murder or even by the cook feeding the king his own son. Rather, the gods could not forgive the ancient law of guest right which the cook had violated. This scared law dictates that a person shall commit no harm to any other person who’ve they’ve taken in as their guest. Bran tells, “It wasn’t for murder the gods cursed the Rat Cook, or for serving the King’s son in a pie… he killed a guest beneath his roof… that’s something the gods can’t forgive.” Many years later, Walder Frey would commit this very same crime as he brutally murdered the Starks who he had taken in as his guests. Rather than just killing him, Arya feeds his sons to him, an allusion back to the story of the Rat Cook and the violation of guest right. It will be interesting to see what comes next for Arya. She is as close to home as she has ever been, but something tells me she’s not quite ready to journey back to Winterfell just yet.

R+L=J

Still north of the Wall, Benjen tells Bran that he cannot join him south as he cannot pass under the Wall. He reminds us of what we’ve heard before: the Wall was built with powerful magic of the Children of the Forest, preventing the dead White Walkers from passing through. Benjen confirms that he is in fact considered dead as he cannot pass under the Wall. So, he will go his separate way and continue to fight off the dead for as long as he can. The reunion between Bran and Benjen was short-lived, but we will likely see Benjen again at some point.

As Bran looks up, he sees a weirwood tree, the magical trees of the Children of the Forest, and he goes to connect with it. Before he does, Meera questions if he is ready, to which he responds that he is now the Three Eyed Raven and he must be ready. This statement can be taken figuratively, as he is now taking on the responsibilities of the Three Eyed Raven. But, maybe it can also be taken literally. What if Bran actually is the Three Eyed Raven? What if they are the same person? The Three Eyed Raven that we saw in the show could be Bran thousands of years in the future, coming back to guide a younger version of himself along his journey to save the world. After all, The Three Eyed Raven stayed propped up in his tree and we never saw him move, just like Bran cannot move. So, maybe Bran and the Three Eyed Raven literally are the same person.

In any event, Bran’s vision takes him to the final reveal of the Tower of Joy, where the younger Ned ascends the tower to find his sister Lyanna, bloody and dying. After many years of hearing about Lyanna, we finally get to see her. Before she passes, she tells Ned that she must take her baby and protect him. If they figure out who he really is (a Targaryen), they will kill him, she says. And just like that, we get confirmation of the most popular fan-theory, R+L=J (Rhaegar Targaryen + Lyanna Stark = Jon). This might not have come as a shock, since it was in fact such a popular fan theory. But, this is arguably the most important reveal that we’ve seen in the entire six seasons. The implications of this reveal are huge.

First, we now understand that Ned raised Jon to be his own, even though he in fact was not. This point backs to the nobility of Ned’s character and what a great man he was. So much so, that he made up a story which reduced his character, claiming that he had a relation with a whore who gave birth to the bastard Jon Snow. Of course, when you consider Ned’s character, this story never made any sense, as his defining characteristic was his moral character. What’s more, his wife Catelyn always resented Ned for this, and every time she saw Jon Snow, she was reminded of this “affair” that Ned had. She hated Jon Snow so much because of this. In reality, none of it was true. Ned never had an affair and Jon wasn’t a bastard. But Ned had to protect Jon Targaryen. If anybody found out he was Targaryen, especially Robert Baratheon, he would have immediately been killed.

So, looking back, it’s pretty powerful to think of everything Ned did to protect Jon Snow. But, looking forward, there’s even more to consider. First, like we said, Jon is a Targaryen. Moreover, he’s half Stark as well, which is quite genetic makeup, arguably the two greatest families. He could be the link between uniting the strength of the North with the power of his Aunt Khaleesi and her Targaryen bloodline. Yes, Khaleesi is Jon’s aunt (her older brother, Rhaegar, was Jon’s father). And perfect timing as Khaleesi is headed to Westeros with her dragons and all. Naturally, this begs the question of when Jon will find out who he is and what type of union might follow between Khaleesi and Jon. But, this also debunks the idea that Jon is Ned’s son, which weakens his claim as King in the North. It was this very episode that Lyanna Mormont stated that Jon had Ned’s blood running through his veins, which we now know to be false. All in all, this was a mind-blowing reveal which will have a huge impact on what is to come.

HOMEWARD BOUND

In Mereen, Khaleesi makes the difficult decision to leave Daario behind to protect the city of Mereen. She notes that in order to make allegiances, she may have to marry, and having him around would be a liability. Even after a heartfelt plea, she remains stone-cold and commands him to stay behind. As she convenes with Tyrion, we learn that this was his advice, to which she once again listened. Quicker than anybody before him, Tyrion has had a major influence on Khaleesi and she continues to value his counsel. Tyrion and Khaleesi have a wonderful exchange, in which she expresses doubt and fear for what is to come next, but he reassures her that he believes in her more than anything in his life. She formalizes their relationship by naming him Hand of the Queen. In a world where nothing is as it seems and peoples intentions have to be constantly questioned, the support that Tyrion and Varys were offering Khaleesi was not necessarily 100% pure. But now that Tyrion has become Hand, we get the feeling that Tyrion is going to be by her side until the end, as one of the wisest strategists and politicians in the world.

khaleesi ships

And as if all of this was not enough to end the episode on, we get one final truly epic scene, in which Khaleesi and her entire following finally departs Mereen. For six seasons we have seen her endure to build the army and following of loyalists that she has today. She never forced anybody to join her cause; rather they all saw her greatness and made the decision to follow. And now, all united, they head for Westeros, stronger than ever before. Fire and blood will surely be coming….

SEASON 6, EPISODE 9: BATTLE OF THE BASTARDS

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

BATTLE OF THE BASTARDS

This may not have been the episode we wanted, but it was the episode we needed. After a week’s worth of buildup leading up to the ninth episode, and what feels like years worth of buildup leading to the battle for the North, expectations were sky-high for the Battle of the Bastards. This excitement was heightened even further by the fact that the penultimate (second to last) episode of each season is generally the boldest and most shocking (the ninth episode of previous seasons included the killing of Ned Stark, the Battle of Blackwater Bay, the Red Wedding, etc). So it was no surprise that the Thrones world was hyped like never before for the battle that would pit the beloved Jon Snow and Sansa against the hated Ramsay Bolton, with the future of the North and glory of House Stark/Winterfell on the line. In turn, it was also no surprise that the episode simply didn’t live up to these lofty expectations. But like I said, this may not have been the episode you wanted, but it was certainly the one that we needed.

snow.2jpg

This episode lacked the surprise factor that we’ve come to expect from previous ninth episodes — it was not the beheading of Ned Stark or the Red Wedding massacre, events which nobody saw coming. The battle itself was not glorious, like the Battle of Blackwater Bay that lit up the King’s Landing sky with fantastic green mysterious wildfire. This battle was down and dirty. It was bloody. It was muddy. It exposed the brutal realities of hand-to-hand combat, a form of battle that we haven’t really seen in-depth to date. And to the extent that one of the goals of this episode was to do just that — make you feel the fear, the adrenaline, the rush, the bloody nature of hand-to-hand battle, well then this episode excelled as measured against that goal.

But there was so much more than just bloody battle. In fact, you could argue that the high-points of the episode were found outside the boundaries of the battle altogether. The exchange between Ser Davos and Tormund prior to battle — the most unlikely of characters to have ended up united in their support for Jon Snow. The palpable uneasiness of it being the night before battle, and Jon Snow’s camp not having much of a strategy at all. Jon Snow and Ramsay finally coming face to face as Sansa looks on — the hatred could be felt through the TV screen. These were just some of the moments leading up to the battle itself, which evoked a range of emotion.

Then there is still so many other aspects of the episode to consider. One of the most important, the fact that Sansa totally distrusted Jon Snow and did not reveal the support she had from Baelish and the Knights of the Vale. Good thing this was the case, for if she did reveal this, it is entirely likely that they would’ve gone down with the rest of Jon’s army and the battle would’ve been lost. There was also Sansa finally getting her revenge and symbolically feeding Ramsay back to his dogs. Oh, and let’s not forget finally getting to see the Stark banner fly over Winterfell, as it has for thousands of years. Ser Davos found Princess Shireen’s toy, and is likely onto Melisandre. And then there’s everything that happened in Mereen. In truth, this episode was more important than probably any to date…So again, I remind that this was the episode we needed.

SANSA & JON

A huge piece of this episode which will likely fly under the radar is the fact that Sansa won the battle. She may not have been physically fighting, but it was her newfound attitude which lends her to really trust nobody that ultimately won the battle at a time when all hope was lost. But let’s backtrack for a moment. It is the night before battle and Jon Snow doesn’t have much of a gameplan. He’s outnumbered and even his closest advisors in Ser Davos and Tormund can’t seem to conjure up a plan that makes us feel as though they really stand a chance against the Bolton forces. Jon Snow is so desperate for answers that he pays a visit to Melisandre, who still appears to be in a funk. There’s not much she can tell him, other than that Jon Snow is here for a reason, and that she will bring him back if he dies again, if that is the Lord of Light’s command. Melisandre has been pretty absent from the show as of late, and I thought many episodes back after she revived Jon Snow, that she would fade into the darkness. But, she’s still around, so keep an eye out for what comes next, which will likely involve Ser Davos and his realization that Melisandre was behind the burning of Princess Shireen. But I digress…

Jon Snow can’t seem to muster up a plan, and it is finally Sansa who scolds him for seeking the advice of all his advisors, without turning to her. After all, Sansa lived with Ramsay and knows him better than anybody, wouldn’t Jon Snow want that insight? As it turns out, not really, and see that in many ways, Jon Snow still knows nothing. But he placates and offers her an opportunity to speak, at which point she explains that it will not be Jon Snow laying any trap, but rather Ramsay who will be setting up Jon Snow’s army to fall into his trap. She knows that nobody is better at playing these games than Ramsay, and boy is she right. She also tells Jon that if they are to lose the battle, she will not be taken alive — death is preferable to reassuming her position as Ramsay’s prisoner and play-thing. Jon Snow insists that he will protect her, but Sansa tells him that nobody can protect her…Nobody can protect anybody.

snow rises

What we are really seeing here is the coming of age of Sansa’s character, which we’ve of course been seeing unfold over recent episodes. She was once the foolish, naive little child who only wanted to marry Joffrey and become queen. Well, after years of torture at the hands of Joff and then Ramsay, any semblance of innocence or youth has been taken from her. She’s also been burned by Baelish, who she trusted to protect her after being freed from King’s Landing, only for him to be the one to turn her over to Ramsay. So now, years later, can we blame her from feeling like nobody can protect her, not even her brought-back-to-life brother?

But the depth of her mistrust runs much deeper. In the face of being drastically outnumbered and desperately needing more men, you would think that Sansa might mention the Knights of the Vale so that he could account for them in his battle plan. After all, if he knew he had them as reinforcements, he could’ve planned accordingly and stood a much better chance at defeating the Boltons. But Sansa doesn’t trust Jon. Sansa doesn’t trust anybody. Not only does she not mention the Knights of the Vale, she doesn’t even let on to the fact that she is in touch with Baelish, or that there could be any possibility of additional troops to support their cause. It’s a pretty bold decision on her part, but she did not trust anybody but herself to control these additional troops. They were her last line of protection for when everything else went wrong. And as everything does in fact start to go wrong, we see what a wise decision she made.

Jon Snow does just what Sansa warned him not to — he falls into Ramsay’s trap. Nobody should have to watch a family member die, but sacrificing Rickon would be a price Jon Snow would have to be ready to pay if he wanted to win this battle. But that’s not who Jon Snow is. So he rides out into hostile territory to save his little half-brother, only for Ramsay to put an arrow through Rickon’s heart as Jon Snow took his front-row seat to watch his brother die. At this point, Jon Snow could’ve retreated, but he takes the bait and rides full force towards the Bolton army, one man against thousands. Sure to be slaughtered, the rest of Jon’s army is forced to charge at his back. Of course, the very limited battle strategy they did have was to force the Bolton’s to charge at them — so now they’re totally screwed, all because Jon Snow fell right into Ramsay’s trap, even against the warning of Sansa. And as Jon Snow is thrown from his horse and the Bolton forces are riding full force towards Jon, it looks like he may just die again. But Jon’s army collides full speed with the Bolton cavalry and we feel the immense impact of two forces charging each other full speed to engage in war.

What happens next is about 20 minutes of bloody, brutal, hand-to-hand combat. This wasn’t the movie version of war, where things are organized and tactical, if not predictable. This was the messy, chaotic, fight-for-your-life version of warfare, which was so unbelievably intense, that it was almost difficult to watch. One of the most powerful takeaways for me in this battle was watching Jon Snow fight, free of any fear of death. We always knew Jon Snow was one of the greatest warriors and swordsmen, but like any man, a natural fear of death can inhibit you in a life-threatening war like this. But Jon Snow has died. And been brought back. He believes that he has a purpose, and he is freed from any fear of death. So he fights like no other man on that battlefield — the weight of death has been lifted from him and he knows no fear.

snow

But that doesn’t mean he is superhuman or supernatural. He eventually gets buried beneath a mound of bodies, and the suspense is overwhelming as we feel the very real possibility that he could die from simply being stampeded and suffocated. But his journey isn’t done, and he rises up, only to find that his depleted forces have been surrounded by Bolton men. In Greek-Trojan style, the Bolton’s form a shielded perimeter, and simply constrict what’s left of Jon’s army, slaughtering them a few at a time. Tormund was prepared to die as he fights with Lord Karstark (once-supporter of House Stark), and eventually kills him by stabbing him in the gut and biting into his throat. But all hope seems lost, and even worse than watching the good guys run almost come to an end, was feeling the emotion of this group of men who now know that their death is imminent. Jon Snow, Tormund, Ser Davos — none of them can do or say anything — they are out of options and out of time.

That is, until Sansa arrives on the scene with Baelish to save the day with the Knights of the Vale, who easily mow down the unsuspecting Bolton troops. We see that Sansa’s distrust of Jon Snow as a commander eventually wins the battle. Her insistency on keeping these resources close to the chest and not telling anybody about them, ensured that the Knights were not swallowed up by the Bolton army, the way the rest of Jon’s army was, and Sansa’s decision saved the day. And just like, Ramsay retreats to hide behind the walls of Winterfell, walls which he believes cannot be sieged. But Jon Snow advances with Wun Wun the giant, who is able to break down the doors of Winterfell, as he is wounded with arrow after arrow. As he serves his fulfills his duty and breaches Winterfell, it is none other than Ramsay who delivers the last arrow to Wun Wun, putting the giant to sleep for good. For context, giants were once powerful creatures that existed north of the Wall for thousands of years, but today there are only a handful left. So, to see Wun Wun die, like we saw some of the Children of the Forest die to save Bran in a recent episode, is sad and powerful. It also speaks to the role that Jon Snow (and likely Bran) will have to play in the greater war that is to come.

wun

With no more games to play, Ramsay challenges Jon to hand-to-hand combat, to which Jon gladly excepts. We once again see that he is totally unbounded by any fear of death, so much so that he throws down his sword and approaches Ramsay as arrows are shot his way. When he gets his hands on Ramsay, he beats him to a pulp, finally looking over at Sansa as to acknowledge that they’ve accomplished what they came for. Winterfell is theirs and Ramsay has been defeated. But Ramsay is not Jon’s to kill, and we see Sansa get her final revenge — the revenge that she has been wanting for so long — as she tells Ramsay that his house will be wiped out and his name will be forgotten. And just like that, Ramsay’s dogs tear him to shreds, as he had done to so many before him. Sansa walks away with a grin on her face, knowing that she has no doubt not only gotten revenge, but also regained some of her freedom, knowing that Ramsay is gone for good. For me personally, I would’ve liked to see Ramsay suffer a bit more. Being torn apart by the hounds is of course an excruciating way to go, but after all the torture, after all the sick and twisted games, after all the terror he inflicted upon Theon, Sansa and so many others, I would’ve surely liked to have seen him tied up and tortured for a while. But, that is not the Stark way, and they have bigger issues to contend with.

The Stark banner once again flies over Winterfell, as it has for thousands of years ago, and the Starks have reclaimed their ancestral home. But what comes next? Well, for starters, Jon and Sansa are going to have to work out their trust issues. The North is still divided, and though they will surely regain a lot of Northern support, they also still have enemies in the North, especially what’s left of some of the houses that chose to back the Boltons. But that’s small potatoes. What really matters is the fact that Winterfell is on front lines with the war against the White Walkers that is heading their way, and nobody is more familiar with this impending war than Jon Snow. Having reclaimed Winterfell, Jon Snow will now have to assemble a much larger army if they are to stand any chance.

There are a lot of question marks about what comes next. Who stays at Winterfell? Who leaves? Who becomes Lord of Winterfell? How does Baelish fit into the picture and what does he actually want? Where is Ghost? Most of this probably will not be tied up in the finale episode next week, as there are larger stories they have to turn back to (Bran, Arya, Cercei/King’s Landing). But for now, we can and should all rejoice in knowing that Ramsay is dead, Jon and Sansa have won the battle and House Stark is back where it belongs — at Winterfell.

KHALEESI, DRAGONS AND A NEW ALLIANCE

As if all of that was not enough, a totally separate and pretty intense battle rages on across the Narrow Sea in Mereen. Picking up where last episode left off, Mereen continues to be assaulted by fiery catapults as Khaleesi and Tyrion discuss their next moves. Khaleesi tells Tyrion that she will use her dragons to burn the slave-cities to the ground. But, Tyrion reminds her that her father, the Mad King, once also planned to burn the city of King’s Landing to the ground. In her father’s plan, like hers, thousands of innocent would have died. It was Tyrion’s brother, Ser Jaime, who prevented that from happening by putting his sword through the back of the Mad King, earning him the honor-less nickname of Kingslayer. In reality, had he not done this, King’s Landing and all those who inhabited it may have been burned to the ground. Drawing an interesting parallel, years later, it is once again a Lannister preventing a Targaryen from burning a city to the ground. However, unlike the Mad King, Khaleesi is receptive to Tyrion’s words, and will settle for simply killing the masters and their army, and letting word spread to the rest of Slaver’s Bay about what happens to anybody who crosses Khaleesi.

dragon

We are once again reminded why Tyrion is there and the value he brings to the table. This was a major building block for the relationship between Khaleesi and Tyrion. Following his plan, Khaleesi rides Drogon and burns the masters’ ships, or at least some of them, while Grey Worm executes two of the three masters, leaving the third to go back home and spread the word of what he has seen. In short, the time for peace-talks and half-measures is over, and Khaleesi, under advisement from Tyrion, burns her enemies to ashes. This was the first time we really see Khaleesi fly on her dragon into battle, but it certainly won’t be the last. We also see her other two dragons join as Khaleesi and her three dragons fly the sky. Wisely, they do not burn all the ships, and they claim many of the masters’ ships for themselves.

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Speaking of ships, Theon and Yara arrive to Mereen and stand before Khaleesi to plead their case. They explain that they come with the offering of 100 ships and their support for Khaleesi’s claim to the Iron Throne. All they ask in return is that they are allowed to remain leaders and Lords of the Iron Islands. Khaleesi agrees, but explains something very powerful: they will leave the world a better place than they found it. This means that the Ironborn will not be able to go back to their savage ways of raiding the mainland, stealing, raping and pillaging. Yara reminds Khaleesi that this is their way of life, but Khaleesi does not budge on her terms. She also reminds them that all three of their fathers (the Mad King, Lord Tywin and Balon Greyjoy) were ruthless and power-hungry men who brought much evil into the world. The parallels that were drawn between the previous rulers of their powerful houses and the next generation of rulers is very important to consider. What’s more is that this scene is a direct allusion to Aegon Targaryen and his Conquest of the Seven Kingdoms, during which he made very similar pacts with the powerful houses of Westeros. Like Khaleesi did, he granted them lordship and autonomy over their regions of Westeros, so long as they pledged their allegiance to him — the new Targaryen king that would unite all of Westeros for the first time. Those who refused ultimately suffered catastrophic losses. Those who bent the knee (House Stark, House Tully, House Greyjoy, etc) were allowed to live in peace and oversee their lands and smaller-houses autonomously.

Going even a step further, as mentioned above, House Greyjoy was one of the houses that pledged their fealty to Aegon Targaryen. At the time, the evil King Harren Hoare otherwise known as Harren the Black ruled over the Iron Islands and the Riverlands. House Hoare had ruled as kings of the Iron Islands for hundreds of years, and had invaded and conquered much of the western coast of Westeros, including the Riverlands. An oppressive leader, King Harren ruled from his newly built castle, Harrenhal, the strongest castle that Westeros had ever seen. When Aegon Targaryen arrived to Westeros, the first kingdom he sought to overthrow was King Haren and the Iron Islands. At the time, House Greyjoy was a smaller house, but pledged their allegiance to Aegon if he would help them overthrow the oppressive King Harren. When King Harren refused to bend the knee, Aegon and his sisters flew their dragons right over the walls of Harrenhal and destroyed it with fire. Not only did they burn Harrenhal, but they incinerated King Harren Hoare and the entire Hoare bloodline. To this day, Harrenhal appears burnt and black from Aegon’s dragons. As a result of House Greyjoy pledging their allegiance over 300 years ago, Aegon raised House Greyjoy up as lords of the Iron Islands. With this in mind, it is all the more powerful and significant to consider that 300 years later, the Greyjoys are once again pledging their allegiance to a Targaryen leader who is pledging to retake the Seven Kingdoms and award them lordship over the Iron Islands.

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This is of course a big win for Yara and Theon, who face a great threat from their Uncle Euron. But, it is also a coup for Khaleesi, who has made her first significant alliance with a major house of the Westeros. With her loyal council, three dragons, armies of the Unsullied and Dothraki, and now the support of House Greyjoy and 100+ ships, things are starting to look pretty good for Khaleesi. My guess is that we won’t see her depart for Westeros until next season, though.

HEADING INTO THE FINALE…

So, heading into the finale, there’s a lot of unfinished business. And unlike previous seasons that had great penultimate episodes with disappointing finales, I think this finale episode will be extremely exciting. So here are a lot of open-ended items, some larger than others, but all good to be thinking about:

  • Bran hasn’t been in quite a few episodes and we’re not quite sure what he’s been up to with Meera and Uncle Benjen. I think we’ll see a major development in his storyline that might shed some more light on the ultimate direction he’s headed and the role he’s to play in the war to come. He’s not all that far from Winterfell, so a possible reuniting with Jon and Sansa is possible, though it seems unlikely.
  • Arya is another character that was not in this last episode, and while I don’t think Khaleesi will yet sail across the Narrow Sea, my guess is that the finale episode will feature Arya returning back to Westeros. It would be pretty special to see her finally make it back to Winterfell and to reunite with Jon Snow — as Jon and Arya were always very close.
  • Perhaps the most important development in the finale episode will take place in King’s Landing, where Ser Loras and Cercei are both due to stand trial. Things will have to come to a head, with Margaery deciding whether or not she will continue to play the High Sparrow’s game, Tommen likely being faced with some important decisions as well, and these very important trials unfolding. After all, let’s not forget the House Tyrell is arguably the most powerful in all of the Seven Kingdoms right now (as measured by wealth, land, standing army, etc) and Ser Loras is heir to Highgarden, so even though he’s been locked up in a cell and off-screen for a while, he’s a very important character. And of course, so is Cercei, but things are looking pretty bleak for her after Tommen outruled trial-by-combat, eliminating her advance of the Mountain. Let’s also remember that Jaime is not in King’s Landing to protect her either, not that he necessarily could anyway. My prediction is that Cercei’s road will come to an end in this finale episode, freeing Jaime from the very thing that has always held him back from being a truly good man — his devotion to Cercei. With her out of the picture, Jaime would be liberated to become the good character that we’ve always wanted him to fully become, and go on to play a larger role in the story to come. It just feels like the days of Jaime and Cercei as a duo are coming to an end.
  • The Hound has joined the Brotherhood Without Banners, and it would be nice to see what direction they’re heading in.
  • There are still two living Stark wolves out there; Jon’s Ghost, which I would’ve expected to see in this battle, and also Arya’s Nymeria who we haven’t seen in many seasons. With Arya headed back to Westeros, expect her to be reunited with Nymeria at some point.
  • I also noted in the primer I wrote before this season started that Gendry is still out there somewhere. Ser Davos risked an awful lot to save his life, and considering he does have King’s Blood, I think we’ll have to see him at some point, though very possibly not in this finale episode.

SEASON 6, EPISODE 8: NO ONE

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

For a while, it seemed like the great battle against the White Walkers, the one that will decide the fate of all humanity, was getting closer than ever. But, outside of Bran’s storyline, we really haven’t seen much of the White Walkers at all. And, several of the times we did see the White Walkers in Bran’s storyline, it was via his visions, and not actually happening in real present-day life. At the end of last season, when Jon Snow traveled to Hardhome with Tormund and ended up battling the White Walkers (and saving many of the Wildlings), it certainly felt like it wouldn’t be too much longer until the White Walkers made their move. And even though most viewers assume that this major battle won’t happen for some time, as it will likely be the ultimate battle that decides the fate of this story as a whole, it still felt like all the other “games” were starting to take a backseat to the only “game” that really mattered — the one against the Night King and his White Walkers.

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But, in recent episodes, that has started to shift and we’ve been reminded that although that may in fact be the greatest game of all that viewers need to always be aware of, there are still many smaller games that need to unfold first. In many ways, the last few episodes, especially last night’s No One have felt like early-season episodes, in that they are focused around lots of smaller games with smaller characters jockeying for position. However, the one main difference is that in the first couple seasons, it felt as though most characters were playing a certain role in their respective game due to the position they were put in. This character was fighting for that king’s claim because his house pledged fealty, and so on. But at this point in the story, most of those notions have been broken down, and characters are acting on free will and making their own choices. The lines have all been blurred, the “rules” of which house is suppose to be pledged to another house have all been broken, most characters are far away from their starting points, and ultimately each is making decisions as to who they want to be and what role they want to play in their respective game. And now, as we approach the final two episodes of the season, it is starting to become more clear than ever the role that each character will in fact play in the wars to come.

NO ONE

This episode was entitled No One, pointing to the fact that Arya has officially become no one, as Jaqen tells her in the final moments of the episode. But in fact, Arya is somebody — she boldly responds that she is Arya Stark of Winterfell and she is going home. Rewinding a few minutes, Arya’s story in Braavos opens with Lady Crane playing the part of Cercei in the local play. This time, she takes Arya’s advice and portrays Cercei’s anger caused by losing the one she loved before she got to say goodbye, and her pledge to avenge the death of her son. As we talked about in earlier recaps, the moment Arya gave Lady Crane this advice seemed to be the very moment that Arya’s journey turned and she realized she did not want to kill Lady Crane or join the Faceless Men. Rather, like the advice she was giving Lady Crane, she wanted to avenge the death of those she had lost before she got to say goodbye. And in order to do this, she must in fact be somebody — she must be Arya Stark. So watching the episode open with Arya’s advice to Lady Crane come to life, certainly pointed at the fact that this would be the episode was Arya finally becomes Arya.

After Lady Crane dresses Arya’s wounds and attempts to nurse her back to safety, we see that Arya’s saving Lady Crane’s life would in turn result in Lady Crane saving Arya’s. What wasn’t quite clear was how a few bandages from Lady Crane was able to save Arya — after all, she got stabbed pretty intensely in the gut, the type of thing that doesn’t just get resolve by a few bandages, but we’ll let that one go. As we suspected, the Waif comes for Arya and kills Lady Crane before chasing Arya throughout the city of Braavos. Arya finally ends up in a dark cavern, the very place where she had lay Needle to rest a few episodes back. No doubt, this makes us wonder whether Arya somehow had this whole thing planned out. In any event, we see that all the blind training that Arya endured, mostly at the hands of the Waif, turned out to be her ultimate savior, as she cuts out the light and defeats the Waif by being the superior fighter in the dark. Arya takes the face back to the House of Black and White, a final gesture, where she finds Jaqen who tells her that she has finally become “no one.” Arya tells him who she really is, and you could send a slight grin on the face of Jaqen, as if this was his plan for her all along.

Maybe Jaqen was some sort of magical man who was pushing her to become nobody in the hopes that it would actually make her somebody — Arya Stark — and a stronger version of that somebody. Or, maybe Jaqen was trying to protect her from the dangers that come along with being Arya and trying to kill all the names on her list — so he was training her to become no one. Or maybe it was neither. Regardless, what continues to be confusing to me is the idea of becoming no one. It seems like Arya became no one so many times. After she became blind and Jaqen offered Arya her vision back if she would say that she was Arya, she refused, showing that she was willing to sacrifice her vision in order to remain nobody. At this point, she was told that she was ready. Then, she drank from the fountain that we know causes death, again showing that she was ready to become nobody and was even willing to risk death to do so, and once again, she was told that she was ready to become nobody, and even got her eyesight back as a show of this. So now, in their final moment together, for Jaqen to once again tell her that she is ready to become no one was just old news to me. Ya ya, we get it, we’ve heard it before. I was hoping Jaqen would tell her something more meaningful, something more profound — but we just got more of the same. I’m left scratching my head trying to understand the true meaning of Arya’s journey over the last few years. She traveled halfway across the world, dedicated her entire being to joining the Faceless Men, took countless beatings, begged on the street, lost her eyesight — the list goes on — all to eventually realize this isn’t who she wanted to be and that it was Arya all along that she truly way. I understand the premise of going through a journey of self-realization and don’t deny that she will now come out a stronger Arya, ready to kick some ass, but still — it seemed like a very long and confusion journey that was destined for some greater ending — and instead we just got Arya realizing she wants to be Arya and not no one. Feels like a waste of time, and probably a realization she could have had after one season in Braavos, not several, but none the less, Arya’s now destined for Westeros as a more seasoned fighter. It will be exciting to see whether she heads back to Winterfell to join her Stark siblings, or whether she has other business to attend to first. Reuniting with the Hound could also be on the table.

I CHOOSE VIOLENCE”

These were the infamous words spoken by Cercei that have been all over the season six trailers for many months. So naturally, I was expecting a bit more violence in King’s Landing this episode when those words were finally spoken. Instead, we got the Mountain just ripping off one of the Faith Militant’s heads. So for now, the fight in King’s Landing is still not here, but we see Tommen further himself down the path of being a complete pussy. In his latest decree, he announces that trial-by-combat is outlawed, no doubt a decision aimed towards weakening the position of Cercei, who will now face a normal trial in front of seven priests who will decide her fate. Even more disappointment than Tommen who dooms his own mother, was the realization that we might not get to see the Mountain fight in another trial by combat.

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So what comes next? Well, Cercei asks Qyburn if the rumors are true, and he responds that they are definitely true, more so than they had even thought. We’re left to wonder what these rumors might be, and we presume them to be a rumor that could maybe save Cercei. But, let’s explore another possibility. Maybe Cercei doesn’t get saved. Maybe she faces trial, is found guilty, and maybe, just maybe, is executed. Sure, our natural reaction is to say that there’s no way Cercei can die just yet. But, as we know all too well, anybody can die at any moment. And, it’s been a minute since any major character has been killed off. So, why not Cercei? The way I see it, Cercei has been holding Jaime back for quite some time, as was reconfirmed in this episode when Jaime tells Edmure that everything he is doing is just to get back to his sister. But what if his sister wasn’t in the picture? Think about who Jaime could become. He wouldn’t be tied to the evils of his sister or House Lannister. He’d be free to become the truly good man that we’ve seen glimpses of — the one that we want him to fully embrace. As the story starts to approach its final lap, and characters begin to assume their final position, it just feels like Jaime needs to be out there on his own, uninfluenced by his sister — and maybe that’s the direction this whole thing is headed.

RIVERRUN

Speaking of Jaime, we move over to Riverrun where he engages in a conversation with his prisoner, Edmure. This reminded me of earlier seasons and similar conversations, namely when Catelyn had Jaime as prisoner in the Riverlands. It was eerily similar — same location, same families (Lannister and Tully), only now the tables have turned and Jaime has the upper hand. We haven’t seen or heard from Edmure in many seasons, and he’s in no mood for Jaime’s small talk. He cuts right at the core of Jaime’s character, asking how he truly sleeps at night and accepts himself as a man. After all, Jaime is the guy who threw Bran from the walls of Winterfell (which should’ve killed him), put his sword through the back of the Mad King, and committed many other honorless acts. Edmure’s poignant words seem to cut through Jaime’s crimson and gold armor, as he looks off and appears to pondering the truth of himself. But then he quickly moves past these words, reminding himself of why he’s there — for Cercei — and tells Edmure that he would slaughter every last Tully to get back to Cercei. We’ve heard words like these before, and it goes back to the idea presented above — the idea that Cercei has consistently brought out the worst in Jaime, and that he’s been willing to commit terrible acts for the sake of Cercei.

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Moments later, we see Edmure enter the walls of Riverrun and command that the Tully forces lay down their weapons. He also demands that Blackfish is turned over to the Freys. The assumption here is that Jaime’s words got through to him and that Edmure does not want to see any more Tullys killed. To avoid this, he’s willing to part with the castle of Riverrun. It seemed as though Jaime made good on his word and took over the castle without shedding any blood. As this is all happening, Brienne and Pod make off in a small boat, and it looked for a moment as though Blackfish would join them at Winterfell to help the rest of his family. But instead, he stays back to fight and die. After watching this, I kind of questioned Blackfish’s reinsertion into the story. After not seeing him for many seasons, we learn of his return and that he’s reclaimed the castle of Riverrun. At the same time, Jaime’s army is heading to Riverrun to retake the castle, and Brienne is headed that way as well to get Blackfish to join Sansa’s fight in the North. Certainly, we’d get to see at least one of these plots unfold — maybe even both. Blackfish would fight Jaime to keep the castle, or maybe Jaime would in fact take the castle peacefully, allowing Blackfish to take his men north to join Sansa. Instead, neither of these things happen and Blackfish apparently dies off-camera fighting a few insignificant men. So again, I ask, what was the purpose of reinserting Blackfish into the story many seasons later, for him to do not much of anything and go on to die an insignificant death? A bit disappointing for a character that was an epic fighter and legendary character in the books. And now, as Brienne heads back to Winterfell without any more men than she left with, we must assume that Sansa’s letter has landed in the hands of its recipient (likely Baelish) and that Stark-supporting men are on the way (likely the Knights of the Vale). If not, Sansa, Jon and company simply do not have enough men to even attempt to overthrow the Boltons.

MEREEN

For those who read this blog weekly, you know that I am generally not too high on Khaleesi’s slow-moving storyline in Mereen and the surrounding areas. After so much time, it just adds up to a whole lot of nothing. Most of the time, I readers tell me that they agree with this assessment, but every now and then there are some who disagree. So, I try to open myself up to Khaleesi’s story each week and approach it with an open mind. But like last night, time after time I continue to be disappointed. I’m not going to rant about how little Khaleesi’s story has progressed over the last few seasons, but let’s just look at last night’s Khaleesi story as a microcosm of her overall journey.

A solid 3-5 minutes was wasted as Tyrion drinks wine with Missandei and Grey Worm and encourages them to tell some jokes. Sure, it was nice to see Grey Worm and Missandei smile and laugh, something we’ve not yet seen to date. But with everything going on in the story right now, can anybody really tell me that this is not an utter waste of time? Even worse, this is not the third or fourth time we’ve had to watch Tyrion have a meaningless dialogue in Mereen. It’s almost as if Khaleesi’s storyline is so boring, that in her absence, the other characters literally have nothing to do other than drink wine and have insignificant conversation.

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Then, a bit of excitement, as least compared to Tyrion’s converation. The Masters of Yunkai and Astapor have arrived to attack Mereen as a result of Tyrion’s negotiations. Khaleesi and her dragons are gone and Tyrion and company appear vulnerable. So what could happen next? Of course, Khaleesi is back with her dragon. But do we get to see what happens once she returns? Nope. Only that she’s now back. But for how long? The entire struggle of the slavery plotpoint consumed Khaleesi’s storyline a long time ago, and we’re still seeing that today. Of course, Khaleesi had to grow as a character and evolve with her dragons before being ready to take back Westeros, but the way the story has tried to achieve this, namely through an ongoing and never-ending saga centered around the slaves that she is trying to keep free versus those that want them in chains, has just been boring. No other way to say it. Oh, and Varys left Mereen to presumably head back to Westeros after telling Tyrion that the queen will need friends in Westeros.

IT’S NEVER TOO LATE

If there was one saving grace in this otherwise boring episode (though I’m okay with it being boring since this season has been so amazing), it was watching the Hound fall in with the Brotherhood Without Banners. The Hound stumbles upon a few of them and totally decimates them with his ax, which is a totally awesome weapon for him. He then arrives at the others who were responsible for the massacre of his village, who have nooses around their necks, thanks to the Brotherhood Without Banners. As I predicted in my last recap, these man were rogue members of the Brotherhood and their actions were not sanctioned by the Brotherhood, who are generally good men. As a result, the Brotherhood is making them pay for their crimes and sentencing them to death.

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The Hound arrives on the scene and tells Beric and Thoros that he wants to be the one to kill these man. As usual, Beric and Thoros are reasonable men and offer up two of the three men. Yet, they will not let the Hound butcher these men, only kill them as humanely as possible. The Hound tells them that there was a time that he would’ve fought all seven of the Brothers, just to kill these three men the way he wanted. No doubt, that is true. But that time is in the past, and the Hound is a different kind of man these days. As they sit around the fire, Thoros sends a very similar message as did the priest the Hound was with. He tells him that everybody has a purpose and it’s never too late to do some good. They mimic the priest’s words in telling him that there is something greater than them and a great war is coming. Thoros reminds the Hound that the Lord of Light has saved Beric from death many times and that Thoros will have a great role to play. Though we haven’t seen these character in several seasons, and never saw much of them to begin with, it will be interesting to see what kind of role Beric does in fact play. The Hound seems sold and appears to be falling in with the Brotherhood, and he fits right in with these band of men who are rough around the edges, don’t kiss ass or serve any particular house and ultimately fight for the good of mankind.

SEASON 6, EPISODE 7: THE BROKEN MAN

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

THE BROKEN MAN

Seven episodes down, three more to go. And after this season, only approximately 13 more episodes to go…For the entire show. As I talked about in the season six primer, the entire show and its vast storyline is a lot closer to coming to an end than most people realize. And, last week, Thrones producers confirmed that after this season, there will only be about 13 episodes left, split into two seasons — meaning we’ll get a seventh and eight season, each of which will be shorter 6 or 7 episode seasons.

So why is this so important? Well, it changes how each of  us should be viewing and thinking about each episode at this point. For a long time, it seemed like we were just at the beginning of a story that would take years to unfold. So, everything we watched seemed a little less important, because we knew that a lot more still had to transpire before we started to near the end. But all of that has changed; we are there now. The finish line is in sight, and every episode, every scene, every dialogue should be relished at this point. There is no more room for any filler episodes or even filler scenes. Everything we see now is important. We are inching towards the end, and the glorious end that we will see shortly down the road is being set up right here, right now.

In the seventh episode, entitled The Broken Man, we saw just that — a lot of broken characters, trying to put themselves back together. More importantly, we saw these characters starting to cement their positions — the positions that will likely dictate how they fit into the greater end of this entire story. Theon made the decision to no longer be a broken man, and to serve his sister as the strong Theon that she needs him to be, as we learn of their plan to sail to Mereen to parlay with Khaleesi — no doubt a decision that will shape how they fit into this story’s final act. We see another broken character, Cercei, who has pretty much reached rock bottom, and is attempting to piece things back together by proposing a union with the Tyrells. Unfortunately for her, she is rejected by Lady Olenna, and it seems like desperate times will call for desperate measures as violence is imminent for Cercei in  King’s Landing. In Braavos, Arya certainly has become the broken man, now fighting just to stay alive, putting her voyage back to Westeros in jeopardy.

The list goes on. But perhaps the most obvious broken man of them all, and also the greatest surprise (for me personally) to date, is The Hound. Dreams do come true, and The Hound is alive! For several seasons, I have been saying that The Hound must still be alive. After Arya left him bloody and wounded, it was assumed that he was left for dead — after all, he was in pretty bad shape. But generally speaking, if Thrones is going to kill off a major character, they are going to milk it for all the dramatic value that death is worth. So, to not show the death itself, led me to believe that The Hound would find a way to survive and eventually reemerge.

After being Hound-less for a couple seasons, and witnessing his amazing reemergence, let’s explore the greatness of his character for a moment. The Hound was always my favorite character, especially after the evolution of his character via his bond with Arya. The show originally presented him as the ultimate villain — Joffrey’s dog who would carry out whatever brutal acts Joff commanded. And of course, his appearance made him look all the scarier and less likable. But slowly, we came to see that this man was not all evil and surprised us all with a conscience. Several times he protected Sansa from Joffrey and even offered to help get her out of King’s Landing. Then, we learned about his brutal disfigurement at the hand of his brother, The Mountain, when they were just small boys. We learned that this was the cause for his deep fear of fire and we started to develop a sense of sympathy for this once brutal villain — we began to see his humanity. But at the same time, there was a realness to his character — even as we began to see his softer side, he did not hide the fact that he was driven by one thing — his love of killing.

To me, this was the beauty of his character. On the one hand, he had a conscience that guided his actions and ultimately made him a purer character than most of the sinners in the Thrones world. On the other hand, he loved nothing more than the ultimate sin — taking lives. And this is what made him so real. In a Thrones world full of pretenders, schemers and social-climbers, The Hound knew exactly who he was and he did not try to hide it. The juxtaposition of the good and bad in him made him such an interesting, wonderful and relatable character. And then he joined up with Arya and we got to see the continued exploration of this as his good shined through in trying to protect Arya, but his love of killing was also brought out by Arya, who also shared a similar love for killing, albeit hers driven by revenge. So when Arya was the one to leave him for dead, it was heartbreaking, when we knew deep down that this was a good guy who got dealt a bad hand. But The Hound was strong and survived, and now reappears as another broken man, trying to rebuild himself and figure out exactly who he wants to be.

KING’S LANDING

For some time, the stew has been simmering in King’s Landing, and there’s no doubt that it’s about to come to a boil. Between the Tyrells, the Lannisters, the Faith Militant and everything else going on, blood will definitely be spilt very soon. We start in King’s Landing with Margaery studying the holy text, continuing to play the part of the pious repenter. In fact, she is playing the part so well, that some of us might be wondering whether she is acting at all; perhaps she has truly turned to the Faith of the Seven. But, Margaery has always been the master manipulator, with her eyes set on becoming queen and raising House Tyrell to the top, so my money is on the fact that she’s just playing the game. It seems to be working as she has Tommen fooled into prioritizing the Faith Militant over his own family, weakening the positions of Cercei and Jaime. She also appears to have the High Sparrow himself fooled into thinking that she is on his side. So, she takes his advice and tells her grandmother, Lady Olenna, that she must return to Highgarden, while secretly slipping her a piece of parchment. On that parchment turned out to be a rose, the sigil of House Tyrell, implying that Margaery is in fact still in favor of her own house and just playing this role to help strengthen the position of House Tyrell.

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Separately, Cercei pays Lady Olenna a visit and proposes a union between the two houses. But, Lady Olenna is getting out of town and has no interest in any sort of coalition with Cercei or House Lannister. She is quick to point out the truth, which is that Cercei is single-handedly responsible for all the trouble they are facing now. After all, it was Cercei who put her trust in the High Sparrow in an effort to further her cause. That eventually backfired when we learned who the High Sparrow and Faith Militant really were, which ended up crippling those in power in King’s Landing — the Lannisters and the Tyrells. Lady Olenna chose some particularly poignant words, appearing to honestly reflect as she tells Cercei “I wonder if you might be the most horrible person I’ve ever met.” Rubbbing salt in Cercei’s wounds, she continues “You’ve lost, Cersei — it’s the only joy I can find in all this misery.”

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So in an episode entitled The Broken Man, we see that Cercei may be the most broken of them all. She’s now endured the deaths of two children — both murdered, while her third has been all but taken from her, under the spell of Margaery and the High Sparrow’s manipulation. Jaime is off fighting in Riverrun. She has so little at the moment that she might have even realized some solace from having Tyrion around — the brother that she always hated. So here she is, in the middle of King’s Landing, almost completely alone and more powerless than ever. But what she does have is her undying vengeance. As she’s stated dozens of times before, she tells Lady Olenna that she is driven by her mother’s love, and we know that Cercei will stop at nothing to protect Tommen from those using him and to avenge the deaths of the children she’s lost thus far. Since her great walk of shame, Cercei has appeared weak and fragile, but let us not forget who she truly is. She is fierce, she is cold and she will stop at nothing. Let’s also not forget that she’s got the freekish Mountain at her side, sworn to fight for her; it seems like that fight is about to take place.

RIVERRUN

It’s good to see the Riverlands again, the middle area of Westeros which was a common setting in previous seasons, especially for the Hound and Arya. We arrive at the seat of the Riverlands, Riverrun, home to House Tully, or what’s left of it, which is really just The Blackfish (Catelyn and Edmure’s uncle). We see House Frey attempting to lay siege to Riverrun, as commanded in last week’s episode by Walder Frey. Their attempt to win over the castle by threatening to kill Edmure does not even command the attention or respect of Blackfish. He’s much wiser than them and knows that they will not kill Edmure — they need him as a bargaining chip. The Freys are also a bunch of bumbling fools and just simply do not know what they’re doing.

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Enter Jaime and Bronn, with a sizable Lannister army at their backs. Jaime lets it be known that the siege is now under his command and Bronn barks out orders to start to set up a perimeter for an actual siege. But before blood is shed, Jaime wants to speak face to face with the Blackfish. As we know, Jaime is not a bad man, and he has no desire to engage in an unnecessary war, especially against a side that he does not feel to be his true enemy. So the men talk face to face, and Jaime tells the Blackfish that the war is over and there is no reason to shed any additional blood. But which war is Jaime really talking about? The war for the Iron Throne? Sure, that war might be over, but there are many more wars to fight. Starks vs Boltons, Lannisters vs Faith Militant, dead vs living, etc… Surely, war is not over. That aside, the Blackfish tells Jaime that Riverrun is his home, the place of his birth, and he will not simply turn the castle over to the Lannisters. Furthermore, there is no doubt that he too is driven by vengeance for the death of his family and all the horror the Lannisters have inflicted upon the Starks and Tullys. Before he retreats into his castle, the Blackfish tells Jaime that he simply wanted to measure him up, and that he is unimpressed with what he saw.

It seems like battle is imminent in the Riverlands, save for one possible X-factor, Brienne of Tarth. Sansa sent Brienne to Riverrun several episodes ago once she learned that Blackfish had retaken the castle. Sansa wants Brienne to get the Blackfish to join their northern cause in the fight against the Bolton. That was several episodes ago, so it’s a bit illogical that Jaime arrived to Riverrun before Brienne has. But, in any event, it sets up the perfect scene. Brienne arrives to Riverrun as battle is impending between the Lannisters and Tullys, with Brienne appealing to Jaime, the character with which she had once grown so close. Jaime will be pitted between helping Brienne and fighting for the Lannister cause. It will be an interesting dynamic and ultimately the most important outcome will likely be whether or not Blackfish and his army can/will join the Stark cause in the North.

A NORTH DIVIDED

Speaking of the North, Jon, Sansa and Davos are on the campaign trail, trying to win as many supporters to their cause as they can. With the help of Tormund, they win over the Wildlings, about 2,000 in all. They next stop at House Mormont, where we find the 10-year-old Lyana Mormont sitting in power. After Jeor Mormont joined the Night’s Watch, his son Jorah was exiled from Westeros and many more Mormonts died during Robb’s war, there is little left of House Mormont. And Lyanna appears unwilling to sacrifice any more life to support the Stark cause, until Ser Davos steps in and explains to her that this is not a matter of a Stark war, but a matter of the war that is coming for everybody — the war of the living vs the dead. And if the North is divided, they will stand no chance against fighting the dead.

When all hope seemed lost, Ser Davos proves himself once again as an invaluable asset. In this example specifically, perhaps it was his love for Princess Shireen (Stannis’ daughter) and his experience in talking with her that allowed him to speak to Lyanna in a way that resonated with her. House Mormont only has 62 men to offer, but the Starks will take what they can get. It will be interesting to see whether Jorah plays any role in this storyline at all. We know he’s on the move to find a cure and perhaps his journey will take him back to Westeros? After all, his exile was lifted a couple seasons back (note of the termination of his exile was intercepted by Ser Barristan, who forced Jorah to confess to Khaleesi, which is what got him banned from her). So, it’s entirely possible that he makes it back to Westeros and sits as the rightful Lord of House Mormont, and joins the Northern cause…But maybe a long shot.

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Next they arrive at House Glover, where they are again met with hostility. As viewers, we are getting to see all the Northern houses that once supported House Stark and fought behind Robb without hesitation. But Robb’s poor decisions didn’t just cause his own demise, but also great loss for all the other Northern houses that followed him into war. So now, today, when asked to do the same again, most Northern houses are not interested. This time, in the face of rejection, Sansa reminds House Glover that it is their sworn duty to pledge their allegiance to House Stark. It was a bold statement, met with an equally bold response, “House Stark is dead.” Certainly, for quite some time, we have always felt that House Stark was dead. It was only until recent episodes that some hope is starting to brew for House Stark. But, we’ve never really heard anybody say outright, that House Stark is dead, until now. Sansa, having heard this bold proclamation, and perhaps finding some truth in it, resorts to sending a raven, presumably asking for help. We can only assume that she is reaching out to Littlefinger, who can support with the Knights of the Vale. Hopefully, she isn’t making a mistake by reaching out to him.

THEON, YARA (AND KHALEESI?)

Having stolen some of the best ships with a fleet of their best men, Yara and Theon arrive at Volantis and enjoy themselves at a brothel. Well, at least Yara does. The idea of naked women, once Theon’s greatest joy, now appears to trigger the Reek inside of him. Without his manhood, it’s hard for him to be around this, and he starts to regress into his Reek shell. But Yara pulls him out quickly with some tough love. Some very tough love. She tells him to be the Theon she needs him to be, or to kill himself. Harsh, for sure, but it’s the words Theon has needed to hear for some time now. It’s enough of him wimpering around and time for him to step up and be the hard, bold, brave Ironborn brother that Yara needs. He nods at this, before Yara tells him that they will sail to Mereen to convene with Khaleesi.

A few things to consider are: 1) Will they get to Mereen before Euron, their uncle, does? 2) How will Khaleesi receive them? 3) Most importantly, if they do join forces with Khaleesi, what will their cause be? For so long, Khaleesi’s goal was to reclaim the Iron Throne that rightfully belonged to House Targaryen. But, in recent episodes, we’ve seen Khaleesi become more of a conqueror than a ruler. And, in last week’s episode, Daario explicitly told her that she is meant to conquer, not to sit on a Throne. Similarly, we know that the Greyjoys want to conquer and take back the Iron Islands, and perhaps more. So this begs the question, what will their goals actually be? Are they the good guys who will take back what is rightfully theirs? Or do they become the bad guys who conquer and destroy? It’s hard to think that it will be the latter, but maybe that’s the direction this is headed.

ARYA IS IN TROUBLE

Before we talk about Arya’s story in this episode, I have to say, I am still having trouble understanding how Arya did a complete 180 so quickly. For many seasons, she was training to join the Faceless Men. She slept on the streets, she begged, took countless beatings, lost her eyes and even swallowed poison and risked her life to show that she was willing to part with her Arya identity and truly become nobody. And then, just like that, in the course of one episode, all that goes out the window and she suddenly wants to become Arya again. Now, to be clear, I am not complaining about it. We all love Arya and Arya as nobody just wasn’t the same. We want Arya as Arya, with Needle at her side and the kill-list on her tongue. And I understand why she turned back to Arya — her conversation with Lady Crane about Cercei (who Lady Crane was portraying in the play) wanting to avenge the deaths of those who were taken from her before she got to say goodbye, made Arya realized that she wanted the same. She also seemed to disapprove of killing somebody without knowing why she was killing them or what they did to deserve it. Arya kills, but she has a code. She kills those who deserve it. So it all makes sense — but it just happened very fast.

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Anyway, that train has left the station and Arya is back to being Arya. And she can’t wait to get the hell out of Braavos as she books passage to Westeros. She then looks out at the Titan of Braavos, the ultimate symbol of all things Braavos, and the object under which she’ll have to sail to leave Braavos. But she becomes sloppy. She becomes Arya again and with that comes emotion and reflection as she gazes into the distance. Perhaps, a reminder that her identity could get the best of her. In any event, she lets her guard down and is fooled by the Waif, wearing the face of an old woman, who stabs her several times in the stomach. For a moment, my heart dropped and I thought maybe that was it for Arya, but she headbutts the Waif and rolls over the bridge into the water. She walks through the streets of Braavos, badly wounded and losing a lot of blood. We are left to ponder who might help her, and will she in fact make it out of Braavos? Could it be Lady Crane, the life she saved, who in turn saves Arya’s life? A more daring guess is Syrio Forel — Arya’s Braavosi sword-teacher who taught her many seasons back, and is presumed dead at the hands of the King’s Guard, those we never saw him die.

THE HOUND IS BACK

As Arya walks through the streets, blood oozing from her stomach, we fade back to The Hound, chopping trees in forest. It was an interesting transition of scenes, when considering that not long ago, the tables were turned and The Hound lay wounded and bloody, as Arya left him to die. Much has changed since then, and we now see The Hound has joined a small community somewhere in the hills of the Riverlands. They are a simple people, led by Brother Ray, a priest who confesses to not knowing if any of the gods are real. The Faith of the Seven, the Old Gods, the Lord of Light — who knows if any of them are real — or maybe they are all the same. What he does know, and all that matters to him, is that there is something greater than humans, whatever that may be. And he tells The Hound that this power of something greater has a plan for The Hound. Through their dialogue, we learn that Brother Ray found The Hound nearly dead and saved his life. He tells The Hound that he thought he’d die several times, but The Hound kept fighting for his life. When he asks him what drove him to keep fighting, The Hound states that it was hate. But Brother Ray doesn’t believe this, and insists that The Hound is part of a greater plan.

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During his small sermon, Brother Ray confesses that he once was ordered to murder a boy and felt tremendous guilt for the things that he had done. But that it is never late too late to make a change, to start doing good, to start helping the people around you. It’s unclear whether this was a real story, or one he made up for The Hound to hear, but either way, it seemed to strike a chord with The Hound as he realized that he no longer needs be a broken man, and ponders who he wants to become next. And then a few men from the Brotherhood Without Banners arrive, all but promising to return to take what they want. The Hound tells Brother Ray that they will return, but their options are limited as none of them, minus The Hound, are fighters. Still, neither assumed that the Brotherhood would slaughter the entire village. The Hound, off chopping wood, somehow misses the entire slaughter, but returns to see the entire village dead, with Brother Ray hanging before his eyes.

This was a bit of a strange event. The Brotherhood Without Banners have been presented to date as good characters, who do not pledge their allegiance to any one king or house, which is why they have no banners. Instead, they roam the lands, protecting the people from evil. They might be a bit rough around the edges, and need to do some amoral things to get by, but we’ve surely never seen them commit murder of the innocent, much less slaughter an entire village. So, my assumption is that these brothers went rogue and acted on their own. Thoros of Myr and Beric Dondarrion (leaders of the Brotherhood), wherever they might be, will not be okay with what these men have done. But The Hound has seen enough. He knows who he is and who wants to be. He is on the hunt, now with an axe as his weapon of choice.

SEASON 6, EPISODE 6: BLOOD OF MY BLOOD

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

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The Mad King, Aerys Targaryen, seen for a glimpse in Bran’s vision

In the season six primer I wrote before this season started, I discussed the importance of understanding the context of where the Thrones story currently is in its timeline. In that post, I wrote “For many of the earlier seasons, it always felt like there was so much of the story that still needed to unfold — there was a feeling that we were still just scratching the surface of the story and that it would be a very long time before we really started to near the climax of this magical journey. Well, my Thrones loyalists, I am here to tell you that the time is here…now. As we embark upon Season 6, it is crucial to understand that there will likely only be about 10-12 more episodes after this season. So, in short, we are in the homestretch…The 4th quarter…The final act… There will be no filler episodes or slow-moving plots. We are arriving at our final destination, and it will be a fast-moving and bumpy ride, so buckle up and savor every minute of what’s left.”

Well, six episodes in and we can definitely confirm the above to be true. Things are moving faster than ever, with major advancements in each episode of many of the storylines. Most of the episodes have been action-packed, and each seems to get better than the one before it. After such a busy episode last week that included the major reveal that the Children of the Forest created the first White Walker (the Night King), and learning the reason behind Hodor’s condition while simultaneously viewing his tragic death, I figured that this episode would be an opportunity for the show to pull back a bit and offer up a slower-moving episode. After all, that’s how the show has always been in the past — generally following up an action-packed episode with a more subdued one. But not this season; not when we are so deep in the thick of things like we are now. And with four episodes to go this season, don’t expect things to slow down now. The show’s foot is pressed to the gas pedal and it’s not coming off anytime soon.

BRAN’S VISIONS & UNCLE BENJEN

Bran’s storyline continues to be the most facinating and enjoyable for me as it continues to offer a glimpse into scenes and moments that predate the start of this story. In short, Bran’s visions are allowing us to see things that we’ve only heard about through other characters. And we aren’t just seeing any old scenes — we are seeing flashes of hugely momentous and history-changing events. And while it’s quite interesting and exciting for us to see these as viewers, it’s important to remember the person these visions are really intended for — Bran. As Bran now continues along his path towards becoming the Three Eyed Raven, he is being downloaded on more knowledge than ever before. If he is to fulfill his destiny and play a major role in saving the world, he’ll have to be equipped with a weapon greater than all others — the knowledge of everything that is happening all around him, past, present and future.

So let’s freeze-frame some of the visions Bran saw, most of which only appear on the screen for one second, and could be easily missed. Let’s start with the things Bran saw, that we as viewers had already experienced. Bran got first-hand glimpse of Khaleesi and her dragons, the execution of his father Ned in King’s Landing, the executing of his mother Catelyn at the Red Wedding and the Night King turning a baby into White Walker — all pretty significant learnings (see below). And not only is Bran getting to learn about these happenings, but he’s getting to experience them…He’s getting to relive them…

So now that Bran has seen a lot of the things we’ve seen, let’s talk about the visions he had of things that we had never seen before…Most of which were extremely significant events in recent history. For starters, we got first glimpse of the Mad King as he sits on the Iron Throne and screams “burn them all!” To date, we have heard a lot about the Mad King (Khaleesi’s father), and know that he began to lose his mind and became obsessed with fire, to the point he was burning a lot of people alive. He was the object of Robert’s Rebellion and overthrowing the Mad King was really the event that set in motion most of the story that we are watching today. After all, it affected so many characters so greatly (Jaime murdered the Mad King, Robert/Ned were central to overthrowing him and Robert became king, Khaleesi and her brother had to flee King’s Landing, etc…) So after all of this time, to get first glimpse of the Mad King, to see the last Targaryen king that ever sat on the Iron Throne as he screams to “burn them all” was powerful to say the least. In conjunction with seeing the Mad King, we see his maestars pouring the green wildfire that he often used to burn people alive (the same wildfire that we saw Tyrion use to fend off Stannis during the Battle of Blackwater Bay). And as if all of that was not enough, we actually got to see the moment that Jaime earned his infamous nickname of Kingslayer as he puts his sword into the back of the Mad King.

These were pretty incredible images to see and it cannot be understated the importance that these events had upon setting in motion the story we are seeing today. The overthrowing of the Mad King changed everything for just about everybody, and set up the Game of Thrones. One last image we saw that was less clear is an image of what looks to be a bloody hand touching a wounded body. We saw this image just after Bran saw the young Ned Stark ask where his sister was at the Tower of Joy. I’m guessing that this is an image that we’ll see more of, as Ned arrives to his sister Lyanna to find her dying. This would also add more firepower to the R+L=J theory, assuming that Ned may find his sister dying (along with the baby that she had with Rhaegar Targaryen), and decides to save the baby that will go on to be Jon Snow.

Another significant vision that Bran has, which we’ve seen before, is the shadow of a dragon flying over King’s Landing (seen below). We’ve seen this in Bran’s earlier visions from seasons past, so it seems like it’s just a matter of time until Khaleesi makes her way to Westeros and sees her dragons fly over King’s Landing.

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And as if all of that amazingness isn’t enough for the opening scene, there’s much more to come. Bran regains consciousness and tells Meera that they’ve been found. What I loved about this moment was the calmness with which Bran tells Meera. He was not panicked or scared — those are mere human emotions. And while Bran is of course still human, he’s on his journey to becoming something much greater. He is taking steps towards becoming all-knowing, and even as they are found by the wights, Bran is calm and seems to know that everything will be okay. And boy was he right.

Just like that, a dark figure wielding a fire-mace weapon comes out of nowhere to fight off the wights and save Bran and Meera. And who else could it be but Uncle Benjen — or at least a semi-alive/semi-wight version of Uncle Benjen. But before we get into what happened to Uncle Benjen and what this might mean, let’s refresh on who Benjen was. Benjen Stark was the younger brother of Ned, and in Bran’s visions we’ve recently seen him and Ned as young boys. After Ned came of age and became Lord of Winterfell as the eldest Stark, Benjen joined the Night’s Watch to protect the realm. He quickly rose in the ranks and became First Ranger, a position responsible for leading explorations north of the Wall. 63 episodes ago, in the third episode of the first season, Benjen goes north of the Wall to investigate claims of White Walkers, but he never returns. He is presumed dead after this much time, though many of my posts have hypothesized that he is still out there somewhere and will return at a significant time. 63 episodes later, Benjen makes his return to save his nephew Bran…Though he’s not the same Benjen.

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This Benjen has a cold, white face, looking semi-dead. Well, that’s because he is kind of somewhat dead. He explains to Bran that he went north of the Wall to find the White Walkers, only the White Walkers found them first. One of the White Walkers plunged his icy sword into Benjen, which would’ve resulted in his death and his turning into a wight. But the Children of the Forest intervened and saved Benjen by inserting dragonglass into his heart (the same magic in reverse as when we saw them create the first White Walker by inserting dragonglass into his heart). This is a very important piece of information, because it teaches us that there is a way to perhaps stop the White Walkers from growing their army of the dead, and to even perhaps bring those who are already dead back to life. The Children’s magic resulted in Benjen staying alive, and presumably working with the Children of the Forest and the Three Eyed Raven over the last five years to become some sort of White-Walker assassin. Benjen seems to know what’s going on, and tells Bran that when the Night King comes for Bran, Bran will be ready.

Finding out that Benjen is still alive all this time later was a huge reveal. Finding out what happened to him, and learning that he will now join Bran in his mission is even bigger. It’s also very significant, as it comes at a time when Bran really needs some support besides just Meera. I am very excited to see Bran and Benjen join forces to take down the White Walkers. But before we totally move on from Benjen, let’s talk about Cold Hands. For non-book-readers, you’ve never heard of Cold Hands, so allow me to share this tidbit with you. And for book-readers, seeing Benjen emerge and appearing to be Cold Hands gives his presence in this episode whole new meaning.

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Very early on in the books, a character emerges in the deep north called Cold Hands. He is a dark, shadowy figure that appears to be somewhat dead, and earns the name Cold Hands…well due to his cold, deathly hands. He is a significant character as he helps Bran on his journey much earlier in the story, assisting him in finding the Three Eyed Raven. He also intercepts Sam and Gilly early in the journey north and helps them as well. He was one of the more mysterious characters in the books, but the show completely left him out altogether. Bookreaders have often wondered who or what Cold Hands was, and if he’d ever return. Some hypothesized that Cold Hands could be Benjen, as it would make sense since Benjen disappeared in the deep north and could be this dark mysterious character that is helping Bran in his journey in the north. Well, it seems like there were some pretty clear answers here. Though the show did not mention the name Cold Hands or explicitly connect the dots, Benjen’s appearance and also the fact that he is semi-dead matches the description of Cold Hands perfectly. Maybe Cold Hands will turn out to be Benjen in the books. Or, maybe the show, as it often does, is taking some liberties and blurring the lines between the two characters by turning them into the same one. In any event, it’s pretty clear that the show is confirming Benjen as cold hands, that dark and mysterious character that had helped Bran along his journey much earlier on in the books, and is now doing so in the show. I am very interested to learn exactly what Benjen has been doing for the last five years and how advanced his White-Walker-killing powers are.

SAM & GILLY

Further south, Samwell and Gilly arrive to Sam’s home of Horn Hill. As Sam had mentioned many times throughout seasons past, his father is a powerful man and House Tarly is a prominent house of Westeros. Things appear well at first, with Sam’s mother pleased to see them both. But everything goes sour pretty quickly as Sam’s father does indeed appear to be the hateful and cruel man that Sam had cracked him up to be for many seasons. Watching him treat his own son with such cruelty reminded me scenes between Tywin and Tyrion, where it was unfathomable how a father could loathe their own son to such a great extent. I was really hoping that Sam would stand up for himself — after all, as Gilly pointed out, Sam killed not only a Then wildling, but also a freekin’ White Walker! What have you done Lord Tarly? Hunt a few boar?

Anyway, that didn’t happen, and Sam got chewed out pretty bad by his dad. But at least Sam took a stand, and decided that he would not split with Gilly or the baby, and that they’d stick together. Before leaving Horn Hill, Sam made a bold move and decided to take Heartsbane, the Valyrian steel sword that has been in his family for many centuries. As we know, swords in this show are very significant, especially ones that have names (and are generally Valyrian steel). Ice was Ned Stark’s sword, which eventually ended in the hands of Lord Tywin, who melted it down into two smaller Valyrian steel swords, one of which Brienne now has (Jaime gave it to her). Longclaw was Lord Commander Mormont’s Valyrian steel sword and he eventually gave it to Jon Snow. Heartsbane is one of the other significant Valyrian swords, and these swords should become all the more important as the war against the White Walkers becomes more prominent (we know that Valyrian steel can take down a White Walker after Jon Snow killed one at Hardhome last season). So, keep an eye on these beautiful Valyrian steel swords, and take not of who possesses them.

KING’S LANDING

In my least favorite storyline, things take an interesting turn in King’s Landing, as Margaery comes around to the High Sparrow and starts to see things his way. What’s more, she is able to convince Tommen to do the same. My money says that Margaery has not actually become a devout woman, and that she is manipulating Tommen to buy into the High Sparrow’s rhetoric. By doing so, and bringing the crown and the High Sparrow together, Margaery is weakening the position of House Lannister, which ultimately still remains an enemy to House Tyrell. Her reasoning worked out well for her, as we see Tommen relieve Jaime of his rank of Lord Commander of the King’s Guard. Needless to say, Jaime is furious and wants to kill the High Sparrow, though Cercei reminds him that he will probably die if he does this, and they need to stay alive for each other so they can strategically take down their enemies and restore glory to House Lannister.

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Cercei reminds Jaime that her trial is coming up but that she will demand a trial by combat and the Mountain will be her champion. The trial by combats we’ve seen to date have all been highly entertaining, most notably the last one that included the Mountain (vs the Red Viper), and actually was the reason that the Mountain is the way he is today. It should be quite exciting to see the Mountain fight in another trial by combat, assuming he does. It will also be interesting to consider who the hell would step in to fight against him?

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Last, but not least, Cercei tells Jaime that he should follow the orders of King Tommen and go to retake Riverrun from the Blackfish. We also see Walder Frey, in the same hall where he executed the Red Wedding, telling his sons to do the same and to take back Riverrun from the Blackfish. Walder Frey also mentions that the Brotherhood Without Banners has been raiding the Riverlands, causing additional difficulty for House Frey. We haven’t seen the Brotherhood Without Banners, led by Thoros of Myr and Beric Dondarrion, in quite some time, so it was exciting to hear their mention and hopefully we’ll see them soon.

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Thoros of Myr, saving Beric Dondarrion, both of who lead the Brotherhood Without Banners

The Frey sons tell Walder Frey that they do not have enough men, so it’ll be interesting to see just how large Blackfish’s army is. In any event, it seems like the Freys and Jaime are both headed for Riverrun. But they aren’t the only ones — let’s not forget that in last week’s episode, Sansa sent Brienne to Riverrun to speak with Blackfish and to hopefully unite forces. Which makes us wonder — will Jaime and Brienne reunite at Riverrun? If so, it should be quite interesting, consider that they’ll be on opposite ends of this fight. Brienne will be going to Riverrun as an ally of Blackfish, while Jaime will be going there as an enemy to retake Riverrun from him. Brienne and Jaime became quite close, Jaime even risked his life to save her, so perhaps there will be a middle-ground that can be found and the microcosm of the relationship between these two characters can bring a greater good to the sides that they represent. Oh, and one more note — we saw in this episode that Walder Frey still has Edmure Tully alive and has been holding him prisoner since his wedding night (the Red Wedding).

WHO IS A GIRL?

Talk about an identity crisis… Is Arya more confused than ever? Or has she perhaps finally found clarity as to who she wants to be? It seems like the latter. For a very long time, Arya was having trouble shaking her identity of Arya Stark, even as the Faceless Men trained her to do so. And finally, we saw a major breakthrough, as Arya was offered her vision back if she would say that she was Arya Stark, but she refused to do so, insisting that she was nobody. Then, going even a step further, to truly become nobody, Arya was willing to drink the poison and risk her own life. So, it seemed like after so many seasons of training to rid herself of her identity, she finally had done so and was willing to become nobody.

Then, just like that, Arya decides otherwise and doesn’t go through with her orders to execute Lady Krane. The dialogue between Lady Krane and Arya was very important and made Arya realize who she truly is. When Lady Krane asked Arya how she would change the play, Arya responds that the queen (Cercei) wouldn’t just be sad at the the loss of her son — she would be angry and want revenge against those who took him from her before she got to say goodbye. Of course, we know that Arya is really relating this back to herself, and the father, brother and others whom were taken from her before she got to say goodbye. Lady Krane then tells Arya that she has “very expressive eyes” and asks her if she likes to pretend to be other people (alluding to becoming an actress). Arya, who for quite some time had lost her eyes due to the Faceless Men, is now realizing the power of seeing things through her own eyes. And perhaps Lady Krane’s question about whether Arya would enjoy being other people made Arya realize that she did not want to wear other peoples faces and pretend to be other people. She wants her own face. She wants to see things through her own eyes. She wants to be herself — Arya Stark.

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I am definitely not complaining. Arya was one of my favorite characters and it was Arya’s identity — her sense of self — and her desire to avenge those who wronged her, that made her such a great character. Slowly, most of that had been stripped away from her as she stepped closer to becoming nobody. But who wants to be nobody? So now, it seems like Arya is on track to become Arya again. Maybe a different, smarter Arya — but Arya none the less. An Arya that now has more advanced training in the ways of the Faceless Men. And what could be more symbolic of this than Arya going back to retrieve her trademark sword, Needle. As Jaqen learns that Arya has failed in her mission, he gives the girl the green light to kill Arya, but tells her not to make her suffer. Little do either of them know, that Arya is waiting in the dark with Needle, prepared to take down the girl that has beaten her for so many seasons now. It seems that the real Arya has reemerged and remembered who she truly is — after all, she still has names on her list and Stark siblings in Westeros that could use her more now than ever.

KHALEESI THE CONQUEROR

In the final scene, we see Khaleesi riding next to Daario, with all of the Khal’s at her back. Each Khal leads thousands of Dothraki, and you add that to the army of Unsullied and Second Sons that she already has, plus three dragons, and you can’t blame Daario for telling Khaleesi that it is time for her to be the conqueror that she was meant to be. But, Daario also points out that Khaleesi wasn’t meant to just sit on a throne, which begs the question — what will Khaleesi do after she conquers? In any event, Khaleesi mentions riding across the Narrow Sea to arrive at Westeros, and Daario tells her that she’ll need about 1,000 ships, the  same exact number that Euron Greyjoy has set out to build. Maybe they will join forces after all, as Euron has planned. Khaleesi’s time on Easteros could be winding down, and my guess is that we may see her cross the Narrow Sea this season, perhaps in the finale episode.

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Before the episode comes to a close, Khaleesi rides off, seeming to apparently sense that Drogon was nearby. And after a moment, she returns, on the back of Drogon who appears larger than ever. I’m not quite sure where Drogon came from, or how Khaleesi knew he was nearby. And I was kind of left scratching my head, thinking to myself “why now?” We’ve seen Khaleesi ride on the back of Drogon before. We’ve also seen Khaleesi give a similar speech to inspire her followers. Both times we saw these things, they seemed to have more purpose. So why show us all of this again? It was kind of an anti-climatic finish to an action-packed episode. But, I guess the fact that Khaleesi is getting closer than ever to reaching Westeros was the main takeaway here. I hope she doesn’t take anymore steps backwards or get sidetracked with the slave cities of Easteros — time to look to the west.

SEASON 6, EPISODE 5: THE DOOR

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

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If season five ended here and now, I could wait until next season, fully satisfied with what I’ve gotten from this season thus far. More accurately, I would be fully content with what I got from the fifth episode, entitled The Door.

There were a number of reasons that I started this blog a few years back, but the number one reason was my fascination with the Thrones world that took place long before the time in history at which the show starts. The books touched upon so much of this rich history, which dates back over 12,000 years, and includes incredibly fascinating backstories of things such as the First Men to inhabit Westeros, the Children of the Forest whom they encountered, the founding of the Night’s Watch, and so much more (to learn more about this history, refer to this timeline I created which offers context of just how far the history of this world goes). I wanted to create a blog that offered viewers a bit more insight into this incredible history, which ultimately adds context to the show we are watching today, making it more enjoyable and hopefully, more meaningful. As much as I enjoy the story that is unfolding in present day, I have always been much more fascinated with questions about things that happened thousands of years ago, way before any of what we are seeing today. For that reason, I’ve really enjoyed Bran’s flashbacks as they’ve offered a window into significant events that predate the story we are watching today. But most of his flashbacks have been to relatively recent events that have occurred within the past 20-30 years. That all changed with this episode, as Bran flashes back more than 8,000 years ago to witness the creation of the very first White Walker. Yes, you heard that right — eight thousand years ago to witness the first White Walker being created. My mind was blown, and as far as Thrones is concerned, I could die a happy man. But there was a hell of a lot more that we found out in this episode, so let’s get into it.

SANSA & BAELISH

At the Wall, Sansa receives a raven from Littlefinger and she travels to Mole’s Town to meet him. But things are quite different from the last time they were together. Sansa is no longer the vulnerable and naive child who foolishly put her trust in Baelish to keep her safe. She is now a woman that is all too aware to the evils of the world, thanks to Ramsay, whom she was given to by Baelish. As she confronts Baelish, Sansa forces him to recognize the things that Ramsay has done to her — things that she can still feel today — not just in her heart — but things she can still physically feel. Sansa forces Baelish to guess the things Ramsay has done to her — in a way, forcing him to acknowledge and own the terrible things that he is responsible for her. At minimum, Baelish is terribly uncomfortable, not only by the position Sansa has put him in, but also in the fact that for once, he no longer has the manipulative upper hand in the situation he finds himself. Even more, Baelish may actually feel bad about what has happened to Sansa, and perhaps he truly did not know what Ramsay was capable of — but we never really know where the line between truth and lies starts and ends with each word that comes out of Baelish’s mouth, which is of course the genius of his character as a whole.

In any event, it was satisfying to see Sansa’s strength in forcing Baelish to acknowledge what he had done, and also that Sansa no longer has any illusions about who Baelish really is (even though we, as viewers, are still trying to figure that one out). Before he departs, he drops one pretty sizable bomb — Brynden Tully aka Blackfish, is not only alive, but has raised an army to retake the Tully stronghold of Riverrun. Last we saw Blackfish was in the third season, during the infamous Red Wedding episode. Just before the doors of the wedding hall were locked shut and the Red Wedding massacre began, Blackfish stepped outside to use the bathroom. We never saw what happened to him, but clearly he escaped and has been able to raise an army to retake Riverrun. Well, at least according to Littlefinger.

If true, this is a huge reveal, as it presents another ally that can join the Sansa/Jon Snow alliance in their quest to retake Winterfell. And even though we never got to see too much of him from the show, Blackfish is a pretty badass character, so it would be great to see him back in action. Sansa decides to send Brienne to seek him out, fearing that a raven could be intercepted by Ramsay. Meanwhile, Jon Snow has proposed trying to win the support of the 10-12 other smaller houses of the North, who Sansa believes will support their cause. After all, the North remembers. (One interesting tidbit to note is that one of these smaller northern houses that Jon Snow named was House Mormont. Perhaps the timing will work such as that Jorah returns back to Westeros to find his cure, just in time to unite with the Starks).

THE FACELESS MEN

Arya continues her training to join the ranks of the Faceless Men, but she is still questioned and told that she is not one of them. In another juicy historical reference, Jaqen tells Arya that the Faceless Men date back many thousands of years ago and that they came from the mines of Old Valyria (the same place dragons were discovered). After fleeing Valyria, the Faceless Men founded Braavos, and much like the elusive nature of the Faceless Men, Braavos was a hidden city, completely disguised from the rest of the world, until it revealed itself only a few hundred years ago.

Jaqen tasks Arya, or better yet a girl with no name, with killing a woman that serves as an actress in a local play. When Arya goes to scout her target, she stumbles upon a reinterpretation of the death of Robert Baratheon, the rise of King Joffrey and the beheading of Ned Stark. Whereas she was forced to look away when Ned was actually beheaded, this time she was forced to face it head-on (no pun intended). No doubt, this was a test of who she really is, and if she is truly just a girl with no name, then watching this should not have bothered her. She is able to get past what she sees without much emotion, and decides that she will execute her victim by poisoning her rum. Yet still, she notes to Jaqen that she seemed like a decent woman and asks questions about who wants her killed. Jaqen tells her that servants do not ask questions and that the price has already been paid — raising a separate set of questions about what that price was and who paid it.

THE FIRST WHITE WALKER

No big deal, Bran flashes back 8,000 years ago to see the Children of the Forest huddled around an ancient weirwood tree. But that’s not all he sees. A man is tied up to the tree, and one of the Children inserts what appears to be dragon-glass into his chest, taking his life and creating the very first White Walker. Since day one, if any of you are like me, you’ve been wondering how the hell these White Walkers came to be in the first place, and what exactly they are. And just like that, we got an answer — and a completely amazing answer at that. The fact that the Children of the Forest created the White Walkers is totally twisted and ironic and amazing all at the same time.

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As a quick refresher, the Children of the Forest were a magical humanoid species that lived peacefully on Westeros, namely in the forests from which they derived their magic and power. About 12,000 years ago, the First Men traveled from Easteros to Westeros, becoming the first humans to inhabit Westeros. For 2,000 years, they warred with the Children of the Forest, destroying their forests and nearly pushing them to the brink of extinction. Eventually, the Pact was signed, which brought thousands of years of peace and prosperity between the Children and the First Men. But before this would happen, in an effort to save their species, the Children used their magic to create the first White Walker. Presumably, the White Walkers were used by the Children to fight back the First Men, and at some point, things went terribly wrong and the White Walkers became their own evil order.

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It is ironic to consider that the Children of the Forest created the first White Walker to fight off man, only for the man to eventually band with the Children to fight off the White Walkers (most notably, during the Long Night, when the White Walkers nearly pushed all life to extinction). That aside, it was just amazing to get to see the creation of the very first White Walker, who we assume to the Night King that we see today. That the Children used dragon-glass to kill the human and create the White Walker would also explain their present-day vulnerability to dragon-glass. As Thrones so often does, this reveleation also forces us to reconsider our previous notions about the Night King, whom we perceived to be the embodiment of pure and absolute evil. However, after this scene, we actually realize that the Night King was in fact once a human, and in this scene, even appeared to be an innocent one. There is always more than meets the eye, and the Night King very well may have once been a good and just human. Separately, it was also interesting to see that the tree the Children used to kill the man and create the first White Walker, is the very same tree where the White Walkers and their army are camped presently, which we see in Bran’s second vision. And the spiral rocks we see at the tree of the Children, is a similar pattern that we saw used by the White Walkers in season three (photos further in this post).

THE IRON ISLANDS

We often forget that the Iron Islands are one of the Seven Kingdoms, and undoubtedly will have an important role to play in what is to come, but we were reminded of this