Season 8, Episode 4: The Last of the Starks

DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.

Moving On

After significant tragedy, many experience the five stages of grief and loss, which are: 1. Denial and isolation; 2. Anger; 3. Bargaining; 4. Depression; 5. Acceptance. Safe to say, after last week’s episode, I went through almost every one of these five stages. Denial was stage one; I simply couldn’t believe what I had witnessed. Truly, I actually had trouble believing that after all this time, after everything we had been conditioned to believe about what The Night King represented, that in the blink of an eye, he was gone…just like that. Next came stage two: anger. Had I wasted the better part of the last decade enveloping myself in a story that I wholeheartedly trusted was destined for an ending that could be nothing short of greatness? Stage three kicked in soon thereafter with bargaining. Wasn’t there something that could have been done differently? If only the writers knew what they were doing to us, wouldn’t they have offered a more satisfying ending? Stage four: depression. The black cloud lingered, and normal life moments would be interrupted by that depressing reminder that this had actually happened, and there was nothing I could do to change it. And finally, stage 5: acceptance. Unfortunately, I’m not quite there yet, but this week’s episode has helped me to take a step, if only a little one, towards accepting the disappointment of epic proportions that was thrusted upon us last week.

First, the bad: whatever hope was being held out that this week’s episode would offer some closure to the abrupt death of Westeros’ ultimate villain, was likely met with great disappointment. After The Night King’s unspectacular slaying, which was surely unbefitting of the world’s most terrifying villain, many hoped there would be more to his story in the follow-up episode. Of course, this was not an unreasonable hope, given that the Thrones story conditioned us to believe The Night King and all the mythological components tied to him were central to the ending of this story. Who was The Night King? Why, of all the humans, was he chosen by The Children? Did The Children know what they were creating when they inserted dragonglass into his heart? Sure, we were told of his desire to wipe out the world’s memory, but was that truly his only motivation? Was there no deeper connection between he and Bran/The Three-Eyed Raven? The list of questions can go on; but the answers do not. The story has moved on, and moved on quickly, from The Night King and all his legend…almost as if he never existed at all.

How could that be? How could we move on so quickly from the greatest villain known to mankind? Well, the answer presented tonight was quite simple: the greatest threat to mankind is not any singular individual, but rather the complexities and identities that live within each and every one of us. Don’t get me wrong, I will not defend this idea or the show’s decision to end The Night King’s story the way they did, leaving so many intriguing questions totally unanswered. In fact, I am now altogether dubious of an ending to this show that will satisfy the desires created within me to understand the more existential themes presented in this show that I thought underpinned the story’s true meaning (i.e. Ice vs Fire, gods and religion, light vs dark, The Children of the Forest, etc..). But, we all must move on. Even though when compared to the battle for humanity’s existence, a battle between mere mortals for a throne feels like the wrong battle to be “the last one,” I have to admit that this episode started to reinvigorate some excitement. After last week’s episode, I felt completely deflated; after this week’s episode, only partially.

I am also rather dissatisfied with the overall soap-opera feel of the show. There’s no question that the writing has gone considerably downhill, ever since the show surpassed the books in season six, and writers have more or less been on their own. The speed of various character journeys and storylines has felt jumbled and bumpy at times. There’s a bit of drama that I feel is beneath this story, and certain characters have just started to feel a bit too winey.

All that said, I generally try to measure the quality of a story, or a given episode, not by how much or little I “liked” it, but rather by how well it succeeded at whatever it was trying to achieve. Following last week’s Battle of Winterfell, this follow-up episode had one clear goal: to turn our attention towards, and build suspense for, the final battle to come. And to that end, this episode was a great success, certainly achieving its intended purpose. So much so, that The Night King feels like old news, and I’m inching closer to that fifth stage of acceptance (well, only sort of).

A week ago, it felt like intra-human dynamics were irrelevant, and all that mattered was humanity banding together to preserve its existence. It was a homogenous and uniform view of the human race — that is, all humans were basically the same, coming together as one massive force to. One week later, and we are at the opposite end of the spectrum — the varied and often divergent spirit of human nature is highlighted. We are quickly reminded of the complexities of the human way, and the way these complexities can cause great divide amongst characters in this story. And while we can analyze each of the last two episodes independently, the true beauty is realized when taken in tandem. Only when forced to band together to fight for its existence could mankind show union and cooperation. The moment that threat is eradicated, we are back to seeing the truth of human nature — one that reminds us of mankind’s inherent propensity to create, perceive, and rationalize reasons for divide. The human inability to stand together unless out of necessity is indeed a sad reminder of the world we live in today. Nonetheless, bravo to the success this episode achieved in highlighting the often flawed nature of humanity, while building a wonderful sense of suspense for the final two episodes of this story. Let’s dig in:

Identity

As grave a threat as was brought about by The Night King’s army, it allowed most characters to temporarily suspend their more intricate cognitions and individual identities. Whose side will I take? With whom can I create an ally? How can I advance in this game? None of these questions mattered as fighting to live took precedent over all. But as that threat abruptly disappeared, characters were immediately thrusted back into decision-making mode. Allegiances, loyalties, secrets, love — all of these behavior-shaping ideas — immediately came back into play. And as they did, we saw several characters navigate the complexities of their “humanness,” in an attempt to make a decision that felt right to them.

We saw this theme start to play out after Dany names Gendry Lord of Storm’s End, the historic great castle of House Baratheon. Without hesitation, Gendry asks Arya to be his wife so that he can share life’s offers with the woman he loves. True to her self, Arya turns down his proposal, reminding us that she has never been a lady. In a Thrones world where so many characters are battling to figure out their true identity, Arya knows hers quite well. This, of course makes great sense, given the years she spent training in Braavos, when “a girl had no name,” and was forced to examine the truth of her identity. She emerged more connected to her truth and sure of her identity than probably any character in this story, giving her the strength and resilience to do great things.

But while Arya’s perception of self might be iron-clad, the same cannot be said for all. Jaime’s character continued along his complex character-journey, one that has been marked by a conflicting self-identity. As Jaime reminded us in this episode, he did terrible things in the earlier days of this story, including crippling Bran and murdering innocents, all in the name of love. But then something changed. His identity, which was largely built upon a representation of him being a great warrior, was torn down when he lost his fighting hand — and lost it as a result of him protecting Brienne. Literally and figuratively, his identity changed overnight, and we started to realize that perhaps the handsome knight willing to do anything for Cersei was just a mask that he wore, and there was a lot more to the truth of his character. In a powerful scene between he and Brienne, we saw great pain and vulnerability, and realized that there was a lot more to the man we had come to know only as The Kingslayer.

Eventually, Jaime fell back in the hands of Cersei, and it was unclear whether the “good guy” or “bad guy” Jaime would prevail (though, in reality, the point is that there really is no good or bad to human nature, only the complex makeup of each human, as we see in Jaime). This week, Jaime and Brienne finally lay together, which seemed to have cemented the side that Jaime would ultimately fight for in the battle to come. But after hearing word that Cersei had killed one of Dany’s dragons and realizing the imminent attack that Dany would bring to King’s Landing, Jaime decided he must return to his sister (or at least, that’s what he tells Brienne).

Brienne begged Jaime to stay, reminding him that he is a good and honorable man, only for him to remind her, in heartbreaking fashion, that he is in fact, anything but. This was devastating on so many levels. First, it was painful to hear Jaime profess how low he truly thinks of himself. Often, identity is less about how others perceive you, but more about how you perceive yourself. Of course, many are not even aware of their true self-perceptions, and if they are, often struggle to acknowledge them. But in this moment, Jaime is not only true with Brienne, but true with himself. He tells Brienne, and himself, that he essentially believes himself to be a terrible person. In this Thrones story, Jaime is the closest thing to a Greek Tragedy. In so many ways, he is a tragic hero; his greatest flaw, his massive vulnerability that prevents him from realizing the good man that he is. And can you blame him? After being casted out as “Kingslayer” and “Oathbreaker,” for so many years, is it really any surprise that his self-esteem is nonexistent? Sure, on the outside, he has worn the mask of knight in shining armor well, but beneath it, he is deeply pained by the wrongs he has committed, so much so that he believes there to be no good in him at all. The worst part? All the crimes he committed were to protect the ones he loved; at no point did he do any evil out of malice or selfish motives.

And while Jaime’s story is incredibly tragic, perhaps this moment is even more heartbreaking for Brienne’s character. For as long as we’ve know Brienne, her identity has been defined by a total lack of femininity. For all intents and purposes, Brienne has been characterized as a man, from her appearance to her desires. This very episode highlighted that idea by calling out her virginity — after all of these years, she had never even lay with a single man. Yet, Jaime changed all of that. And while their sleeping together certainly has significant physical meaning for Brienne, it really underscores the emotional tie between the two characters. If Jaime was the tragic hero unable to see the good in himself, Brienne was the one person who understood his vulnerabilities, and truly knew the honor that lived within Jaime. Coupled with the fact she truly loved him, it was not enough for her to know he was a good man — she needed him to know it as well. Several times throughout this story, even when on opposing sides, Brienne has reminded Jaime of his goodness. Often, it almost felt like a plea, like she was begging him to realize the same.

And finally, as the story is headed towards its closing moments, it seems as though Jaime has settled into the idea that he is in fact a decent man. He has chosen the right side, he is going to remain at Winterfell, with the woman who loves him — all is well. Absolutely nobody could be happier about this than Brienne herself, knowing that not only has she received love back from the man she loves, but she has finally gotten him to realize his goodness. But, in typical Thrones style, everything changes with the flip of a switch, and Brienne’s world is turned upside down as she finds Jaime set to depart Winterfell in the middle of the night.

A character who rarely displays any emotion, Brienne is devastated, tears streaming down her face, as the man she loves is leaving her, and reminding her of what a horrible person he believes himself to be. His words go in the face of everything she has believed; in many ways, her world is turned upside down. For the first time, Brienne let herself be vulnerable; vulnerable to love, vulnerable to her femininity, vulnerable to emotion — and it all came crumbling down. How truly heartbreaking. I can only hope that Jaime ends up on the right side of this fight, if not to see his story end realizing his own heroism, than at least for Brienne’s sake, so that she doesn’t lose the man she loves to a false sense of identity.

The complicated nature of the human makeup and identity continues to shine through elsewhere in Winterfell. Sansa continues to display a mistrust for anybody outside of her family, putting her at great odds with Daenerys. When we size up Sansa’s identity, it’s a pretty simple diagnosis. Her trust was betrayed by so many at such a young age, from Cersei and Joffrey to Ramsay Bolton to Littlefinger. At this point, how could she ever trust anybody other than her own? In an exchange between her and The Hound, he tells her that she should have left King’s Landing with him when she had the chance — had she done so, she would have avoided all those that wronged her along the way. Sansa responds to The Hound, telling him that had she left with him, she would still be “a little bird” today. You can watch the video below, from season two, when The Hound tried to save Sansa from King’s Landing.

Sansa’s response to The Hound makes it clear that she understands who she is and has grown smarter from all those that have wronged her. But, one must ask the question: is it advantageous to be guided by a general distrust for all those around you? Sure, being able to outsmart others is a good thing, but not being able to trust anybody outside of your family, maybe not as much. And this is the very conflict that will soon reach climax, between her and Jon. While Jon wants to honor his Queen Daenerys, Sansa is unable to trust Daenerys, or even trust Jon who is willing to vouch for her. Interestingly, Arya has picked her side in this conflict, and strongly voices her distrust for Daenerys as well.

And, all of that is before they even learn that Jon is not in fact their brother, but rather their cousin. Though the scene cuts away, Jon tells Bran to reveal the truth of who he really is to Sansa and Arya. This news only serves to embolden Sansa’s distrust for Daenerys, as learning Jon’s true identity also reveals that he, not Daenerys, is the rightful heir to the throne. Sansa’s identity, largely defined by her inability to trust anybody, is at odds with her loyalty to family, and she is going to have decide between the two. From her conversation with Tyrion where she reveals she thinks there is somebody better than Daenerys to to rule, it seems as though she will not be able to shake her achilles heal, and this is going to set up a very tricky dynamic in the final episodes, where Jon and Sansa may actually find themselves in direct opposition.

As the episode continues, we see Jon’s secret quickly starting to spread — a secret that Dany begged him to keep. But, Jon, being the honorable (and sometimes foolish) man that he is, decided he must tell his sisters. Sansa broke her oath to keep this secret, by telling Tyrion, who then told Varys. Rightfully so, and as Dany predicted, this news is already starting to cause greater divide, at a time when Team Dany/Jon can ill afford it. Sansa and Arya are not the only ones starting to defect from Dany’s claim to the throne. Varys, pointing out that Jon is the rightful heir, a male, and more even-tempered, also now believes Jon is the one to be backed, not Dany. Though Varys and Tyrion have generally seen eye to eye, their sense of identity will bring about an abrupt departure. While Tyrion is defined by his ability to see and support the best in others, Varys’ identity is centered around protecting those who cannot protect themselves. Born a pauper and sold to a sorcerer who committed terrible acts to Varys when he was just a boy, Varys now uses his cunning to try and “protect the realm.” He and Tyrion now have differing views of who is best suited to do this, and Varys makes it clear that he will do what he must to protect those in need. Keep an eye out for what Varys’ next move will be.

Fire and Blood

And just as the episode was starting to feel like it was going to be another setup for next week’s battle, things go haywire. Things go from bad to worse for Dany, and out of nowhere, Rhaegal is taken out with three harpoons. Dany can do nothing but watch as she loses yet another one of her children. In a state of blood-seeking fury, Dany flies her dragon straight into the danger, but eventually retreats as she cannot risk losing her last dragon. Euron’s fleet destroys Dany’s ships, and in doing so, takes Missandei prisoner.

At this point, Dany has had enough. Her plan to show restraint and minimize the loss of innocent life is not working. In the span of days, she lost Jorah, one of her most loyal advisers; her entire Dothraki army; half of her Unsullied army; the second of her three dragons; and Missandie, her most trusted adviser. Things have gone from bad to worse, fast. Though Tyrion and Varys beg her to continue to show restraint and to not pursue Cersei at the cost of killing thousands of innocents, Dany is at her breaking point. She agrees to offer Cersei the opportunity for surrender, so the people of King’s Landing can know that it was Cersei who refused surrender.

In a powerful final scene, Tyrion makes one last desperate plea, first with Qyburn, and then directly to his sister. In this plea, we can feel just how badly Tyrion truly wants to avoid the loss of innocent life — something we can see he knows is imminent. But even Tyrion’s clever words are not enough, and Cersei gives him a big “f**k you” by not only refusing surrender, but beheading Missandei first. The pain felt by Dany and Grey Worm was palpable; and the look on Dany’s face was clear as day: all bets are off. Fire and blood is coming, which begs the question, will she become The Mad Queen, just as her father was The Mad King? Clearly, this is Varys’ concern, but which side of Dany will prevail? The one that has defined her identity for many years — the one that wants to leave the world a better place than she found it? Or will her Targaryen wrath prevail and will her desire for revenge get the better of her? With just two episodes remaining, things are more up in the air than ever before, and great battle is upon us.

Odds and Ends

Jaime and Cersei: It’s worth pointing out, that it’s possible Jaime was tricking Brienne in order to get out of Winterfell, perhaps to get to King’s Landing to kill Cersei himself.

The Hound and Arya: The ultimate duo are back together again on their way to King’s Landing. They both have unfinished business, namely killing their ultimate foes. Arya will surely want to be the one to take out Cersei and cross that name off her list. At the same time, The Hound will want to take out his brother, The Mountain, who burned him as a young boy and is responsible for all the identity issues that The Hound suffers today.

Other Allies: Though Dany’s forces have been significantly diminished, there are other allies out there. In this episode, it was mentioned that a new Dornish Prince has declared for Dany. Dorne has not played much of a role in this story as of late, but it’s safe to assume that they will show up in the final battle. It’s also worth remembering that Cersei still has Ellaria Sand and her sandsnake daughter locked in a cell beneath King’s Landing. Presumably, they are not yet dead, and could have a role to play as well. Yara Greyjoy is also still alive and has retreated to The Iron Islands — additional allies for Team Dany.

Bronn: A character I’ve generally enjoyed throughout the show, I was disappointed to see Bronn turn on Jaime and Tyrion. I’m not quite sure how his story finishes up, and with only two episodes to go, and it doesn’t seem very relevant that Tyrion promised him Lordship over Highgarden if they win the war. But, we’ll see how this one develops.

Cersei’s Baby: It’s unclear what’s happening here. Question 1: Is Cersei pregnant? Question 2: Who is the father? Neither answer is very clear, but it seems this will be somewhat important as the story comes to a close. Cersei first told Jaime the baby was his, but this could have been a lie to keep him close. In this last episode, Cersei tells Euron that she’s pregnant with his baby — again, unclear what the truth is. Going back to season five, we saw a flashback of Cersei as a young girl, encountering Maggy the Frog, a witch who offered Cersei a prophecy. She basically told Cersei that she would have three children, all of whom would eventually die. We saw this prophecy come true, as all three of Cersei’s children were eventually killed. Again, this prophecy stated Cersei would have three children (not four), so if we believe this prophecy to be true, than Cersei is either not actually pregnant, or will have her baby killed.

07.31.17

by throneslifeblog

SEASON 7, EPISODE 3: THE QUEEN’S JUSTICE

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

THE QUEEN’S JUSTICE

It seemed like just moments ago we were gearing up for season seven to kick off. In the blink of an eye, we are nearly halfway through the season with a full-blown war underway. And as the game rages on, it’s hard to even know what winning looks like anymore. Lines have become blurred, characters have become severely intertwined and what the future holds is less clear than ever before. In this week’s episode, entitled The Queen’s Justice, team Cersei delivered several more crippling blows to the efforts of Daenerys, likely backing the Mother of Dragons into a corner. And we all know what happens when a wild animal, much less a dragon, gets backed into a corner.

snow davos

But this episode was about much more than the “justice” Cersei served. This episode saw several important characters come face to face. After years apart, Bran returned home to Winterfell to be reunited with his sister, Sansa. And let’s not forget about ice and fire, aka Jon Snow and Daenerys. The meeting of these two is arguably the most important moment we’ve witnessed to date. As Lady Melisandre states, she did her job and brought together ice and fire. To understand the significance of this, you need not look any further than the title of this entire story — A Song of Ice and Fire (Game of Thrones was merely the title of the first book in this series, which HBO adapted for the show as it was easier to market than ASOIAF). Jon and Dany coming together has massive implications not only upon the future of this story, but also the future of all of humanity. So let’s jump in.

A SONG OF ICE AND FIRE

If this story is about A Song of Ice and Fire, then we just met our two main characters. Or better yet, they just met each other. No time was wasted as the episode opened with Jon Snow’s arrival at Dragonstone, Ser Davos by his side. No doubt, the last time Davos was at Dragonstone, things looked a lot different — there were no dragons flying overhead nor was there a Targaryen on the throne. But one thing remained the same — Melisandre was present, playing an influential role in what is to unfold. This time, she points out that she has fulfilled her duty to bring ice and fire together. Wanting to avoid punishment from Jon Snow, who banished her for the role she played in sacrificing Princess Shireen, Melisandre tells Varys that she will return to Volantis. Varys tells her that she should stay in Essos, but she responds that she will return to Westeros again, to “die in this strange country.” Building on what has been alluded to several times over the course of the last few seasons, Melisandre tells Varys that he too will die, casting an ominous shadow around his future. Could she be referencing what Kinvara, the High Priestess of Volantis also mentioned to Varys when she came to see him last season and said “Do you remember what you heard that night? You heard a voice call out from the flames, do you remember? Should I tell you what the voice said? Should I tell you the name of the one who spoke?” It is clear that whatever Varys heard in the flames many years ago is quite significant, and the Red Priestesses seem to have some idea of who that voice was and the words that it spoke.

But back to the main attraction here — Jon Snow and Daenerys. What was most interesting about their meeting was how similar their positions actually are, yet how little either of is able to realize it. For the better part of the show, both have been fighting off evil in one form or another. Both have made tremendous sacrifices (Jon Snow sacrificed his life, Daenerys sacrificed her husband, son etc). At their core, both characters are guided by their morals and principles — they are driven to do what they believe to be just and necessary for the greater good. Yet neither of them realizes this as neither really knows what the other has been up to the last few years. If Jon and Daenerys sharing important similarities but not realizing it sounds familiar — that’s because it is. Let’s not forget that they are both Targaryens, related by blood, yet neither is aware.

snow dany

Like ice and fire, on the surface, Jon and Daenerys meet as stark contrasts — polar opposites. But the main components of both ice and fire are carbon dioxide and oxygen — so look a little bit closer and you will see that these things are actually not so dissimilar at all — in fact, they share some of the most fundamental characteristics. And now, it is just a matter of time until Jon and Daenerys start to realize this. But until then, Jon will have to settle for the Dragonglass that Daenerys has allowed him to mine at Dragonstone, in hopes of turning this into weapons to be used against the White Walkers. In return, Daenerys is hoping to secure a new ally, one that is needed now more than ever.

There were some interesting things to point out in the dialogue between these two. First, we get another historical reference as Daenerys reminds Jon that Torrhen Stark bent the knee to Aegon Targaryen 300 years ago. At the time, each of the kingdoms were independent and Torrhen was the king of the Kingdom of the North. However, when Aegon arrived with his three dragons, Torrhen bent the knee and pledged the North’s fealty to House Targaryen. Though it was likely the wise decision, history would remember Torrhen as The King Who Knelt, and House Stark would become wardens of the North under Targaryen rule for the next 300 years. Daenerys brings this up to remind Jon Snow of the oath that was sworn — one that she urges him to honor. However, Jon Snow has some history of his own to point out — specifically that Daenery’s father, the Mad King, was responsible for the death of his uncle and grandfather (Brandon and Rickard Stark, killed leading up to Robert’s Rebellion). Jon tells Daenerys that if she does not want to be beholden to the actions of her father, then he too should not be obligated to an oath made by his ancestors. An additional sidenote that is particularly interesting to consider is that the Mad King he speaks of who killed his family is actually his grandfather. Jon’s father is Rhaegar Targaryen and his father was the Mad King, which makes the Mad King Jon’s grandfather. And since it was the Mad King who killed Jon’s grandfather on his mother’s side (Lyanna Stark’s father, Rickard Stark), what this means is that one of Jon’s grandfathers (the Mad King) actually killed his other grandfather (Rickard Stark). Lots of interesting stuff here to consider once you realize that Jon ties together Houses Stark and Targaryen.

KING’S LANDING

Back in King’s Landing, Cersei scores another win as Euron returns with not one, not two, but three of her enemies. He brings Ellaria and her daughter, the last remaining Sand Snake, as well as Yara Greyjoy. Cersei decides that the most cruel punishment is to force her to watch her daughter to die a slow and painful death. Cersei knows the pain of losing a daughter, having lost Myrcella at the hands of Ellaria. She chooses to force that same pain upon Ellaria, while making her watch each step of the way. We’ll have to wait to see what Cersei has in store for Yara Greyjoy, another one of her enemies that Euron has brought back to King’s Landing.

sand

Speaking of Euron, he has proven to be a more than valuable asset, particularly on the waters. And now, Cersei has named him head of the royal navy, while Jaime will command the army. While Euron is keen to wed Cersei now, she tells him that he will get his wish once the war is won. In meantime, she chooses to focus her lust towards Jaime, a strategic play to increase her influence over him and keep her brother right where she wants him. And if you thought Euron and Jaime were enough for Cersei, you were wrong. She is finding time to also manipulate the man sent from the Iron Bank of Braavos. As we’ve learned in previous seasons, the Iron Bank of Braavos is the wealthiest bank in the world and has backed the winning side in most all of history’s wars. This man has arrived to call in the crown’s debt as they no longer believe Cersei can win the war. Though, she quickly flips the script and points out that she is in fact the most likely to repay her debts, and requests that the Iron Bank maintain support of her cause for a while longer.

WINTERFELL

At Winterfell, Sansa has taken ownership of her new duties and quickly shows the valuable insight she can provide. At the same time, Baelish continues to try and put in work, though Sansa remains less penetrable than ever before. Baelish imparts another Baelish-esque piece of wisdom and tells Sansa that rather than focusing on one game at a time, that she should “Fight every battle, everywhere, always.” These words seems to have an effect on her and time will tell how things play out with Baelish and Sansa.

Screen Shot 2017-07-31 at 12.48.20 AM

Moments later, Bran shows up on the scene, to a rather unemotional reunion with Sansa. As viewers, we long for an emotional moment here, especially considering all that the Starks (and we) have endured over the seasons. And, in most shows or movies, this would be a storybook reunion full of scripted emotion. But this is not any show — and in this show, a story is put forth that aims to mirror real life. And in real life, not all reunions are happy and joyous, as the realities of life can take their toll on people. And that’s precisely what has happened here. While Sansa is full of emotion to see her brother, Bran looks off into the distance as he is embraced by his sister. It appears as though he doesn’t even value this moment enough to put forth the effort to try and hug her back. Which of course makes perfect sense. Bran is not Bran. Bran is now the Three Eyed Raven. He has lost a lot of himself in his travels through space and time, consuming his mind with everything that has ever happened. He knows what is to come and in the battle for the survival of humanity, a reunion between two people is irrelevant.

TRUTH IN DEATH

Last week, Tyrion’s plan to send their fleet back to Dorne to pick up the Dornish army went terribly wrong after they were ambushed by Euron. As a result, they lost most of their fleet as well as significant allies. This week, things went from bad to worse, as the other part of Tyrion’s strategy went sideways. His plan was to take Casterly Rock, the stronghold of House Lannister. However, Cersei learned that they were coming, and decided to concede the castle, as it is of little importance to her at this point. Rather than sacrificing thousands of Lannister soldiers that she will desperately need in the coming days, she decides to send these men to Highgarden. At Casterly Rock, the Unsullied realize that much of the Lannister army is not present, but they realize too late. Euron’s fleet has attacked the precious ships that Daenerys had left, not only destroying her naval force, but also leaving the Unsullied stranded at Casterly Rock. This is another decisive blow against Daenerys, whose forces are being diminished by the minute. If Daenerys was questioning Tyrion’s judgement before, she must be considering finding a new Hand altogether now. One can only assume that Daenerys will take matters into her own hand and be the dragon that Lady Olenna told her to be last week.

Speaking of Lady Olenna, her time has come to an end. Killing two birds with one stone, by pulling the Lannister army out of Casterly Rock, not only did Cersei avoid losing more of her men, but she also laid siege to Highgarden and eliminated yet another enemy. After easily ridding of the Tyrell forces, Jaime descends upon Lady Olenna who knows the fate she is facing. Yet, before she dies, she will make every last word count, as she often does. She reminds Jaime how truly crazy Cersei is and admits that she regrets the role she played in enabling Cersei to spread her disease. She tells Jaime that he too will regret his involvement. She observes that Jaime is helplessly in love with his sister and is sucked into her madness, to which he does not disagree. I find it hard to believe that this is the final path that Jaime will ultimately go down, being a henchman to Cersei, especially after how far we saw his character come in previous seasons.

In her final moments, after drinking the poison and knowing that death is imminent, Lady Olenna makes her last words count as she informs Jaime that it was her that was responsible for the death of Joffrey many years back. As viewers, we knew that Lady Olenna had slipped poison into Joffrey’s wine during his wedding to Margaery, but few others knew. Cersei immediately blamed Tyrion, which set off a massive chain of events. Tyrion was thrown in a cell and eventually put on trial for the crime he did not commit. This led to a trial by combat where The Mountain eventually killed Prince Oberyn. And on and on the game went. What Jaime finds out all this time later, and what he may or may not tell Cersei, is that it was in fact Lady Olenna, not Tyrion, that was responsible for Joffrey’s death. Though Lady Olenna is the one that ends up dead, it felt more like she was the one who put her dagger into Jaime (and Cersei).

ODDS & ENDS

We got a quick glimpse of Bronn, riding alongside Jaime. It’s worth pointing out that Bronn had a fling with one of the Sand Snakes when he ventured with Jaime to Dorne (to save Myrcella). It is also worth pointing out that this is the Sand Snake that is still alive in King’s Landing. With Bronn close to Jaime and there being a decent chance he makes it back to King’s Landing, is there any chance he saves the Sand Snake? Probably a long shot, but it’s worth noting.

It looks like Jorah is cured and now off to try and sync back up with Khaleesi. If he does meet back up with Khaleesi, this will only strengthen the Jon Snow/Daenerys opportunity, as the people once closest with Jon and Daenerys (Sam and Jorah) are now strongly intertwined.

When Sam is asked by the archmaestar how he learned to cure Jorah, he simply states that he read it in a book. We once again are reminded of Sam’s strong love for books. What else will he discover in his readings? And will Sam be the person to eventually write the book and retell the story that we are seeing today?

In the first episode, Jon sent Tormund to Eastwatch by the Sea. We’ve not seen him since but we know that this is where the army of the dead is marching. We should see his arrival pretty soon.

06.27.16

by throneslifeblog

SEASON 6, EPISODE 10: THE WINDS OF WINTER

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

THE WINDS OF WINTER

Put in the books…Season six is officially over, which means we have about a full year to wait until the return of Thrones. But if there was ever a season which delivered enough magic, enough surprise and enough excitement to last us until next season, this was it. And putting an exclamation point on this incredible season was the finale episode, The Winds of Winter, which delivered enough major plot-twists for multiple finale episodes. In past seasons, we would’ve gotten one major event in the finale episode to make us go “wow, that was amazing,” and hold us over until the following season. In this episode, we got four or five of those moments, seemingly one after the next. Cercei blowing up the Holy Sept of Baelor and killing all her enemies in one fell swoop, including basically all of House Tyrell. Oh, and doing it with wild fire no less. Tommen casually jumping out the window to his death. Jon Snow being declared King in the North. Cercei assuming the freakin’ Iron Throne. Arya revealing she’s already back in Westeros and taking out her enemies. After six years, Khaleesi is actually leaving Easteros to take what is hers — the Iron Throne of Westeros. Oh, and did we mention that Winter is officially here?

loras

Any one of these events could’ve been enough to end the finale on, especially after last week’s epic Battle of the Bastards. But as season six came to an end, we didn’t get one major event, we got them all. Because whereas the objective of past seasons’ finales was to wind the show down and bring things to a close, the purpose of this finale was the exact opposite: to propel the show to all-time highs and position characters for the final lap ahead. That’s right, there’s not much left and the end is near. Likely split over two more seasons, we are looking at 12-14 more episodes total, and that’s it for Game of Thrones, folks. So there is no wind-down at this point. There is no deliberation or hiatus. We are in the thick of it now, full force, and The Winds of Winter pointed us in the direction we are headed.

But before we jump into a recap of the episode, let’s explore what the show is really about at this point. To date, Thrones has been about a lot of things: power, loyalty, war, love, vengeance, deception, to name a few. But as the show has evolved through the years, and now nears its end, what is it really about? As I asked myself this question and reflected back on the finale episode and this season as a whole, I thought about thing: survival. It was once about who could play the Game of Thrones, now it’s about who can survive it. In this finale episode, we saw three major characters who have survived and now risen to the top: Khaleesi, Cercei and Jon Snow, each of whom is now a King/Queen.

What is also interesting when thinking about the survival of characters is how dominant the females are as season six comes to a close. For a show that was often-criticized about the subjection of its female characters (which hit an all-time high last season after the rape of Sansa by Ramsay), it is now the females who are in positions of power and dictating the outcome of this story. Cercei has ascended the Iron Throne and is the Queen of the Seven Kingdoms. Khaleesi is the Mother of Dragons and commands an army of loyal followers that appears to be growing by the day. Yara, not Theon, is calling the shots for House Greyjoy and has joined up with Khaleesi. Arya is crossing names off her list in Westeros. Sansa won the battle against Ramsay and got her revenge, and also pushes off Baelish in this episode. In Dorne, it is the Tyrell and Martell females that convene to discuss their revenge against the Lannisters. Even Lyanna Mormont, an 11-year-old girl, appears more powerful than all the men of the North, as she reminds that House Mormont stands with House Stark and that the North remembers, ultimately swaying the other Northern houses to support the Stark cause. Even once-powerful men like Tyrion and Varys have now abandoned their personal endeavors to support the greater cause of a female character. In fact, when you stop and look around, it’s almost hard to name the major male characters that are really in the picture, other than Jon Snow. We’ve come a long way since the earlier seasons which covered the Battle of the Five Kings, mostly all males fighting for the Iron Throne. And now, winter is no longer coming. Winter is here.

DARKNESS IN KING’S LANDING

Many people, including myself, were predicting a possible death for Cercei in the finale episode. She was weakened by her walk of shame, never seemed to quite recover from it and appeared relatively powerless this entire season. And when trial-by-combat was ruled out, it looked like the end might be near for Cercei. Boy, were we wrong. The episode opens as we see various characters dressing for the trial. Margaery and Tommen both dress in regal garb, fit of a king and queen, while the High Sparrow throws on his minimalist robes. But Cercei is preparing for something entirely different, as she dresses in an all black piece that almost resembles armor. This entire segment, which was one of the longest we’ve seen, was accompanied by a beautiful piano arrangement called Light of the Seven by Ramin Djawadi, which can be heard in the video below. It was unlike any other music that has ever been played in an episode before, and captured a particular eeriness, hinting that something terribly out of the ordinary was going to happen. It was masterfully executed, and though I don’t think it’s worthwhile to compare the books to the show, since they’re both genius in different ways, this was an example of how music, and visuals and directorial vision can setup a major event that was to come in a way that the books never could.

As everybody stands around the Sept of Baelor, it is Queen Margaery who realizes that something is wrong after Cercei and Tommen both no-show. She warns that everybody must leave the Sept, but the High Sparrow’s stubborn faith gets the best of him as he instructs the Faith Militant to prevent anybody from leaving. Elsewhere, Maestar Pycelle is tricked into entering the tunnels below King’s Landing, as is one of the Faith Militant, Lancel Lannister, both of whom are stabbed by Qyburn’s little birdies. It’s unclear what Qyburn has done to these little peasant children or why children were needed to do the actual killing, and maybe we’ll find that out down the road, but we did see Qyburn with these children in an earlier episode this season, so we knew he was up to something. What we also saw a few episodes back, after Tommen declared that trial-by-combat would be illegal moving forward, was Cercei asking Maestar Qyburn whether the rumors were true, to which he responded that they definitely were, more so than she could even imagine. We now know that she was asking him about the wild fire, which she would use to blow up the Sept of Baelor and kill everybody inside.

sept explosion

Beyond the power of this scene and the way it unfolded, there are some very interesting takeaways. First, we got a glimpse of this wild fire explosion many episodes back in one of Bran’s visions, which very quickly showed the green flames engulfing the tunnels below King’s Landing (see photo below). So, Bran saw this before it actually happened, and so did we. This speaks volumes to other visions he may have of events that are yet to unfold, with the potential to stop them before they happen. Next, it is very powerful to consider that Cercei did the very thing that her brother killed the Mad King to avoid from happening. Going back to the Mad King Aerys Targaryen (Khaleesi’s father), when Robert’s Rebellion succeeded and the rebels arrived at King’s Landing, rather than surrender, the Mad King kept saying “Burn them all.” He was obsessed with wild fire and wanted to use the wild fire to blow up all of King’s Landing and burn everybody alive, rather than let the rebels usurp the Iron Throne. Though he was sworn to protect the king, Jaime put his sword through the Mad King’s back, and would forever be known as Kingslayer. He broke his sworn oath to protect the king in order to save tens of thousands of innocent lives who otherwise would’ve been burned alive. Ironically, years later, it is his own sister who ends up doing this very same thing, albeit in a more controlled fashion as to eliminate her enemies in the Sept of Baelor and not all of King’s Landing.

From Bran’s vision

As Tommen looks on and sees the Sept explode into the sky, realizing everybody has just died, including his Queen Margaery, he is in total disbelief. He is just a boy — a boy that watched his older brother murdered when he was king and who then lost his sister to murder as well. His mother was locked away and then forced into a humiliating walk of shame. The High Sparrow and Margaery have been in his ear telling him to follow the Faith. Rumors swirl around about who his true parents are. Talk about stress — the things Tommen has dealt with since being a little boy are enough to drive anybody to suicide. So now, after watching the Sept explode, he’s had enough, and in an indifferent fashion, decides to simply fall to his death. This marks the third child that Cercei has lost, and unlike the murders of her first two children, Cercei has nobody to blame but herself for the death of Tommen. Interestingly, in the premiere episode of season five, we saw a flashback of Cercei as a child as she wanders into the woods to find a witch. The witch tells her of a prophecy in which all of her children would eventually die (see video below). Now, decades later, this prophecy has been fully realized and Cercei has lost all of her children. Well, at least most of the prophecy has been realized. The witch also tells Cercei that she will eventually be replaced by another queen, younger and more beautiful. It’s safe to assume that this will be Khaleesi.

Perhaps, in some ways, Cercei wanted Tommen to die, even if subconsciously. After all, as she stated so many times, her purpose in life was to protect and defend her children. Well, clearly she wasn’t so good at that. Or maybe, it was a greater drive that she had which outweighed her ability to truly protect her children. Maybe it was her undying quest for power. And after losing two-thirds of her children and sort of already losing the third to all the madness of King’s Landing, she was ready to rid herself of all her motherly baggage, which is in fact what happened. And now, free of any responsibility or burden to her children, Cercei is able to ascend the Iron Throne and take what is hers. Dressed in all black, the Throne Room looks darker than ever before, nobody daring to question her claim. She appears cold and ruthless, hardened by the deaths of her children and the torture she experienced at the hand of the Faith. Now that Cercei has taken the Throne, she’ll be free to pursue vengeance against the murderers of her children, namely the Martells of Dorne. But how will Jaime fit into this? He looked rather unpleased, if not shocked, at the scene he saw upon arriving back to King’s Landing. Perhaps, Cercei and Jaime’s union is starting to unravel, and maybe Jaime resists Cercei’s pull to the dark side.

KING IN THE NORTH

We get first glimpse of Jon Snow in the halls of Winterfell as he stands with Melisandre, moments before Davos storms in commands Lady Melisandre to tell Jon Snow what she’s done to Princess Shireen. Davos is more emotional and angry than we’ve ever seen him before and it is clear that he truly loved Princess Shireen like a father. Melisandre confesses to her crimes, but adds that she has only done what the Lord of Light commanded. Once again juxtaposing Melisandre’s faith to her god against Davos’ commitment to morality and reason, Davos exclaims “If your god commanded you to burn an innocent little girl, then your god is evil!” Davos appeals to Jon Snow and demands that Melisandre be executed, to which Melisandre tells Jon Snow that her work is not done. Clearly, Jon Snow believes this, and knows that he may yet need her down the road. He commands her to ride south, rather than executing her.

As Melisandre rides off, Jon Snow and Sansa stand atop the ramparts of Winterfell. Jon Snow acknowledges that it was Sansa who won the battle by securing the Knights of the Vale, but notes that they must trust each other moving forward. He tells her that he is not a Stark, and wishes for Sansa to be the Lady of Winterfell, rather than he. Sansa also tells Jon that a white raven has come from the Citadel and the Maestars have determined that winter is officially here. As if we didn’t already realize that the show is really reaching an all-time highpoint, we just got explicit confirmation — after six years of waiting, winter has now come.

Standing beneath a weirwood tree, Sansa tells Baelish that she no longer prays and is done with the gods. As they discuss what it is that Baelish really wants, a question we would all love answered as well, Baelish tells Sansa that he wants to sit on the Iron Throne as king with Sansa as his queen. As he goes into kiss her, she pushes him off and tells him that it’s a “pretty picture.” Again, we see that Sansa is not a naive child and will not be easily manipulated. But more importantly, we finally hear Baelish explicitly reveal what he wants, which is ultimate power. Throughout the last six seasons, there have been breadcrumbs along the way which have pointed us in the direction of Littlefinger’s true intentions. In the very first season, Baelish has a conversation with the keep of his whorehouse in King’s Landing, and he retells the story of how he challenged Brandon Stark (Ned’s older brother) to a duel, to win the love of Catelyn Tully. He lost that duel to the much fiercer Stark warrior and was badly embarrassed and injured that day. “You know what I learnt losing that duel? I learnt that I’ll never win. Not that way. That’s their game, their rules. I’m not going to fight them: I’m going to fuck them. That’s what I know, that’s what I am, and only by admitting what we are can we get what we want.” When she asks him what it is that he wants, he responds “Oh, everything, my dear. Everything there is.” Littlefinger has also often referenced investments he has made, some good and some bad, in an effort to achieve his means. In an earlier season, Varys also noted “Baelish would let the whole country burn if he could be king of the ashes.” And finally, years later, he comes right out and tells Sansa what he wants — the Iron Throne with her beside him.

Later, in Winterfell, the remaining houses of the North gather and Jon Snow makes his case for their support. Winter is here and the North will be the front line against the White Walkers that are coming — nobody knows this better than Jon Snow. Still, the Northern houses have doubt and express uncertainty about once again supporting House Stark. Lyanna Mormont, not only the only female in the room (besides Sansa), but also youngest in the room, delivers a passionate speech noting that House Mormont stands with House Stark and that the North remembers. Houses Manderly and Glover are moved by her words and pledge their support of House Stark, declaring Jon Snow the King in the North. Before long, the whole hall is shouting for Jon Snow as King in the North, much the way they once did for Robb Stark — hopefully this one has a better ending.

king north

Certainly, Jon Snow will be a much different kind of king. He has no interest in the Iron Throne or petty battles — his eyes are set on defending humanity from the army of the dead. Moreover, he’s seen a lot and experienced much more than his brother Robb ever did, including dying and being brought back from the dead. Jon Snow now has the beginning of an army, but it’s unclear how Sansa feels about this. Just moments before, he was telling her that it should be her who leads House Stark, not him. Sansa exchanges a glance with Baelish, who quietly observes like a fly on the wall. The look they exchanged was almost as if Baelish was saying “Hey, my offer is still on the table. I am still on the quest for power and you can share that quest with me, rather than going back to being the sister of the King in the North.” We’ll have to wait until next season to see how this all unfolds, but to see Jon Snow brought back from the dead, defeat Ramsay to reclaim Winterfell and now to be declared King in the North with House Stark finally supported again by the other Northern houses, is a welcomed and long-awaited turn of fortune for the Starks. And let’s not forget, both Bran and Arya are not not too far away from Winterfell.

NEW FRIENDS

After not having seen Dorne since the first episode when the Sand Snakes executed Prince Doran, we are taken back to the southernmost region of Westeros, where Lady Olenna Tyrell is convening with the Sand Snakes. Lady Olenna has basically lost everything, including her son and two grandchildren, with no apparent heir to Highgarden. She makes it clear that all the world can offer her is revenge. Perfect timing, as Varys enters the scene, offering fire and blood. The Martells and Tyrells both have a common enemy in the Lannisters, namely Cercei. Luckily for them, the Lannisters are also the enemy of Khaleesi (it was Jaime who killed her father and Lord Tywin who orchestrated much of the rebellion). So, Varys offers the Martells and Tyrells to join Khaleesi’s cause, with the promise of imminent revenge.

This is an extremely significant development for Khaleesi’s camp, which was already in great shape with three dragons, a wise and loyal small council, armies of the Dothraki and Unsullied, support of House Greyjoy and 100 ships to travel to Westeros. Now, Khaleesi has landed the support that she’ll need when she finally arrives to Westeros. And not just any support. House Tyrell is the wealthiest and largest house in all of Westeros, making them an incredibly important asset to Khaleesi. The support of the fierce Dornish people is also very valuable, but not as valuable as their land. Dorne is the southernmost region of Westeros, isolated from all the other kingdoms, making it a great landing place for Khaleesi, her dragons and her army. Outside of Dorne, there are not many places on Westeros Khaleesi could land without being thrown right into conflict with other houses. But because Dorne is so far removed from the rest of the continent, it makes the most ideal landing place. It is also interesting to note that during Aegon’s Conquest 300 years ago, Aegon was able to conquer and unite six of the Seven Kingdoms, with Dorne being the only one he was unable to hold. The reason being that it was too far from the rest of the continent, proving too difficult to conquer. It wasn’t until many years later that Dorne became the seventh kingdom through an arranged marriage between Houses Martell and Targaryen. Unlike Aegon, the first Targaryen to conquer the land of Westeros, Khaleesi is now entering Westeros with an alliance with the Martells of Dorne, which should prove hugely valuable to her conquest of the Iron Throne.

ONE MORE NAME OFF THE LIST

As Walder Frey continues to gloat upon his recent successes, Jaime reminds him that it was House Lannister that was responsible for these victories, and that House Frey is dispensable. Proving this true, moments later, we learn that Arya is not only back in Westeros, but is crossing names off her kill list. And, even more, she made sure to grab some faces from The House of Black and White before she left Braavos. Arya killed the two Frey sons and cooked them into a pie that she fed to Walder. She reveals all of this just moments before slitting his throat.

arya frey

Besides the awesomeness of seeing Arya back in Westeros and avenging the deaths of her family murdered in the Red Wedding, there was another layer to the way she did it, which goes back to a season three episode in which Bran told the story of the Rat Cook. According to legend, thousands of years ago, a King once visited a castle of the Night’s Watch. During his stay, the King offended members of the Night’s Watch, and as revenge, the cook killed the king’s son, baked him into a pie and served the pie to the king. The king enjoyed the pie so much that he asked for a second helping. The gods punished the cook by turning him into a giant rat, forced to run the halls of the castle and eat his own offspring. According to Bran, the gods were not offended by the murder or even by the cook feeding the king his own son. Rather, the gods could not forgive the ancient law of guest right which the cook had violated. This scared law dictates that a person shall commit no harm to any other person who’ve they’ve taken in as their guest. Bran tells, “It wasn’t for murder the gods cursed the Rat Cook, or for serving the King’s son in a pie… he killed a guest beneath his roof… that’s something the gods can’t forgive.” Many years later, Walder Frey would commit this very same crime as he brutally murdered the Starks who he had taken in as his guests. Rather than just killing him, Arya feeds his sons to him, an allusion back to the story of the Rat Cook and the violation of guest right. It will be interesting to see what comes next for Arya. She is as close to home as she has ever been, but something tells me she’s not quite ready to journey back to Winterfell just yet.

R+L=J

Still north of the Wall, Benjen tells Bran that he cannot join him south as he cannot pass under the Wall. He reminds us of what we’ve heard before: the Wall was built with powerful magic of the Children of the Forest, preventing the dead White Walkers from passing through. Benjen confirms that he is in fact considered dead as he cannot pass under the Wall. So, he will go his separate way and continue to fight off the dead for as long as he can. The reunion between Bran and Benjen was short-lived, but we will likely see Benjen again at some point.

As Bran looks up, he sees a weirwood tree, the magical trees of the Children of the Forest, and he goes to connect with it. Before he does, Meera questions if he is ready, to which he responds that he is now the Three Eyed Raven and he must be ready. This statement can be taken figuratively, as he is now taking on the responsibilities of the Three Eyed Raven. But, maybe it can also be taken literally. What if Bran actually is the Three Eyed Raven? What if they are the same person? The Three Eyed Raven that we saw in the show could be Bran thousands of years in the future, coming back to guide a younger version of himself along his journey to save the world. After all, The Three Eyed Raven stayed propped up in his tree and we never saw him move, just like Bran cannot move. So, maybe Bran and the Three Eyed Raven literally are the same person.

In any event, Bran’s vision takes him to the final reveal of the Tower of Joy, where the younger Ned ascends the tower to find his sister Lyanna, bloody and dying. After many years of hearing about Lyanna, we finally get to see her. Before she passes, she tells Ned that she must take her baby and protect him. If they figure out who he really is (a Targaryen), they will kill him, she says. And just like that, we get confirmation of the most popular fan-theory, R+L=J (Rhaegar Targaryen + Lyanna Stark = Jon). This might not have come as a shock, since it was in fact such a popular fan theory. But, this is arguably the most important reveal that we’ve seen in the entire six seasons. The implications of this reveal are huge.

First, we now understand that Ned raised Jon to be his own, even though he in fact was not. This point backs to the nobility of Ned’s character and what a great man he was. So much so, that he made up a story which reduced his character, claiming that he had a relation with a whore who gave birth to the bastard Jon Snow. Of course, when you consider Ned’s character, this story never made any sense, as his defining characteristic was his moral character. What’s more, his wife Catelyn always resented Ned for this, and every time she saw Jon Snow, she was reminded of this “affair” that Ned had. She hated Jon Snow so much because of this. In reality, none of it was true. Ned never had an affair and Jon wasn’t a bastard. But Ned had to protect Jon Targaryen. If anybody found out he was Targaryen, especially Robert Baratheon, he would have immediately been killed.

So, looking back, it’s pretty powerful to think of everything Ned did to protect Jon Snow. But, looking forward, there’s even more to consider. First, like we said, Jon is a Targaryen. Moreover, he’s half Stark as well, which is quite genetic makeup, arguably the two greatest families. He could be the link between uniting the strength of the North with the power of his Aunt Khaleesi and her Targaryen bloodline. Yes, Khaleesi is Jon’s aunt (her older brother, Rhaegar, was Jon’s father). And perfect timing as Khaleesi is headed to Westeros with her dragons and all. Naturally, this begs the question of when Jon will find out who he is and what type of union might follow between Khaleesi and Jon. But, this also debunks the idea that Jon is Ned’s son, which weakens his claim as King in the North. It was this very episode that Lyanna Mormont stated that Jon had Ned’s blood running through his veins, which we now know to be false. All in all, this was a mind-blowing reveal which will have a huge impact on what is to come.

HOMEWARD BOUND

In Mereen, Khaleesi makes the difficult decision to leave Daario behind to protect the city of Mereen. She notes that in order to make allegiances, she may have to marry, and having him around would be a liability. Even after a heartfelt plea, she remains stone-cold and commands him to stay behind. As she convenes with Tyrion, we learn that this was his advice, to which she once again listened. Quicker than anybody before him, Tyrion has had a major influence on Khaleesi and she continues to value his counsel. Tyrion and Khaleesi have a wonderful exchange, in which she expresses doubt and fear for what is to come next, but he reassures her that he believes in her more than anything in his life. She formalizes their relationship by naming him Hand of the Queen. In a world where nothing is as it seems and peoples intentions have to be constantly questioned, the support that Tyrion and Varys were offering Khaleesi was not necessarily 100% pure. But now that Tyrion has become Hand, we get the feeling that Tyrion is going to be by her side until the end, as one of the wisest strategists and politicians in the world.

khaleesi ships

And as if all of this was not enough to end the episode on, we get one final truly epic scene, in which Khaleesi and her entire following finally departs Mereen. For six seasons we have seen her endure to build the army and following of loyalists that she has today. She never forced anybody to join her cause; rather they all saw her greatness and made the decision to follow. And now, all united, they head for Westeros, stronger than ever before. Fire and blood will surely be coming….

05.23.16

by throneslifeblog

SEASON 6, EPISODE 5: THE DOOR

If season five ended here and now, I could wait until next season, fully satisfied with what I’ve gotten from this season thus far. More accurately, I would be fully content with what I got from the fifth episode, entitled The Door.

There were a number of reasons that I started this blog a few years back, but the number one reason was my fascination with the Thrones world that took place long before the time in history at which the show starts. The books touched upon so much of this rich history, which dates back over 12,000 years, and includes incredibly fascinating backstories of things such as the First Men to inhabit Westeros, the Children of the Forest whom they encountered, the founding of the Night’s Watch, and so much more (to learn more about this history, refer to this timeline I created which offers context of just how far the history of this world goes). I wanted to create a blog that offered viewers a bit more insight into this incredible history, which ultimately adds context to the show we are watching today, making it more enjoyable and hopefully, more meaningful. As much as I enjoy the story that is unfolding in present day, I have always been much more fascinated with questions about things that happened thousands of years ago, way before any of what we are seeing today. For that reason, I’ve really enjoyed Bran’s flashbacks as they’ve offered a window into significant events that predate the story we are watching today. But most of his flashbacks have been to relatively recent events that have occurred within the past 20-30 years. That all changed with this episode, as Bran flashes back more than 8,000 years ago to witness the creation of the very first White Walker. Yes, you heard that right — eight thousand years ago to witness the first White Walker being created. My mind was blown, and as far as Thrones is concerned, I could die a happy man. But there was a hell of a lot more that we found out in this episode, so let’s get into it.

SANSA & BAELISH

At the Wall, Sansa receives a raven from Littlefinger and she travels to Mole’s Town to meet him. But things are quite different from the last time they were together. Sansa is no longer the vulnerable and naive child who foolishly put her trust in Baelish to keep her safe. She is now a woman that is all too aware to the evils of the world, thanks to Ramsay, whom she was given to by Baelish. As she confronts Baelish, Sansa forces him to recognize the things that Ramsay has done to her — things that she can still feel today — not just in her heart — but things she can still physically feel. Sansa forces Baelish to guess the things Ramsay has done to her — in a way, forcing him to acknowledge and own the terrible things that he is responsible for her. At minimum, Baelish is terribly uncomfortable, not only by the position Sansa has put him in, but also in the fact that for once, he no longer has the manipulative upper hand in the situation he finds himself. Even more, Baelish may actually feel bad about what has happened to Sansa, and perhaps he truly did not know what Ramsay was capable of — but we never really know where the line between truth and lies starts and ends with each word that comes out of Baelish’s mouth, which is of course the genius of his character as a whole.

In any event, it was satisfying to see Sansa’s strength in forcing Baelish to acknowledge what he had done, and also that Sansa no longer has any illusions about who Baelish really is (even though we, as viewers, are still trying to figure that one out). Before he departs, he drops one pretty sizable bomb — Brynden Tully aka Blackfish, is not only alive, but has raised an army to retake the Tully stronghold of Riverrun. Last we saw Blackfish was in the third season, during the infamous Red Wedding episode. Just before the doors of the wedding hall were locked shut and the Red Wedding massacre began, Blackfish stepped outside to use the bathroom. We never saw what happened to him, but clearly he escaped and has been able to raise an army to retake Riverrun. Well, at least according to Littlefinger.

If true, this is a huge reveal, as it presents another ally that can join the Sansa/Jon Snow alliance in their quest to retake Winterfell. And even though we never got to see too much of him from the show, Blackfish is a pretty badass character, so it would be great to see him back in action. Sansa decides to send Brienne to seek him out, fearing that a raven could be intercepted by Ramsay. Meanwhile, Jon Snow has proposed trying to win the support of the 10-12 other smaller houses of the North, who Sansa believes will support their cause. After all, the North remembers. (One interesting tidbit to note is that one of these smaller northern houses that Jon Snow named was House Mormont. Perhaps the timing will work such as that Jorah returns back to Westeros to find his cure, just in time to unite with the Starks).

THE FACELESS MEN

Arya continues her training to join the ranks of the Faceless Men, but she is still questioned and told that she is not one of them. In another juicy historical reference, Jaqen tells Arya that the Faceless Men date back many thousands of years ago and that they came from the mines of Old Valyria (the same place dragons were discovered). After fleeing Valyria, the Faceless Men founded Braavos, and much like the elusive nature of the Faceless Men, Braavos was a hidden city, completely disguised from the rest of the world, until it revealed itself only a few hundred years ago.

Jaqen tasks Arya, or better yet a girl with no name, with killing a woman that serves as an actress in a local play. When Arya goes to scout her target, she stumbles upon a reinterpretation of the death of Robert Baratheon, the rise of King Joffrey and the beheading of Ned Stark. Whereas she was forced to look away when Ned was actually beheaded, this time she was forced to face it head-on (no pun intended). No doubt, this was a test of who she really is, and if she is truly just a girl with no name, then watching this should not have bothered her. She is able to get past what she sees without much emotion, and decides that she will execute her victim by poisoning her rum. Yet still, she notes to Jaqen that she seemed like a decent woman and asks questions about who wants her killed. Jaqen tells her that servants do not ask questions and that the price has already been paid — raising a separate set of questions about what that price was and who paid it.

THE FIRST WHITE WALKER

No big deal, Bran flashes back 8,000 years ago to see the Children of the Forest huddled around an ancient weirwood tree. But that’s not all he sees. A man is tied up to the tree, and one of the Children inserts what appears to be dragon-glass into his chest, taking his life and creating the very first White Walker. Since day one, if any of you are like me, you’ve been wondering how the hell these White Walkers came to be in the first place, and what exactly they are. And just like that, we got an answer — and a completely amazing answer at that. The fact that the Children of the Forest created the White Walkers is totally twisted and ironic and amazing all at the same time.

children killing

As a quick refresher, the Children of the Forest were a magical humanoid species that lived peacefully on Westeros, namely in the forests from which they derived their magic and power. About 12,000 years ago, the First Men traveled from Easteros to Westeros, becoming the first humans to inhabit Westeros. For 2,000 years, they warred with the Children of the Forest, destroying their forests and nearly pushing them to the brink of extinction. Eventually, the Pact was signed, which brought thousands of years of peace and prosperity between the Children and the First Men. But before this would happen, in an effort to save their species, the Children used their magic to create the first White Walker. Presumably, the White Walkers were used by the Children to fight back the First Men, and at some point, things went terribly wrong and the White Walkers became their own evil order.

eyes night king

It is ironic to consider that the Children of the Forest created the first White Walker to fight off man, only for the man to eventually band with the Children to fight off the White Walkers (most notably, during the Long Night, when the White Walkers nearly pushed all life to extinction). That aside, it was just amazing to get to see the creation of the very first White Walker, who we assume to the Night King that we see today. That the Children used dragon-glass to kill the human and create the White Walker would also explain their present-day vulnerability to dragon-glass. As Thrones so often does, this reveleation also forces us to reconsider our previous notions about the Night King, whom we perceived to be the embodiment of pure and absolute evil. However, after this scene, we actually realize that the Night King was in fact once a human, and in this scene, even appeared to be an innocent one. There is always more than meets the eye, and the Night King very well may have once been a good and just human. Separately, it was also interesting to see that the tree the Children used to kill the man and create the first White Walker, is the very same tree where the White Walkers and their army are camped presently, which we see in Bran’s second vision. And the spiral rocks we see at the tree of the Children, is a similar pattern that we saw used by the White Walkers in season three (photos further in this post).

THE IRON ISLANDS

We often forget that the Iron Islands are one of the Seven Kingdoms, and undoubtedly will have an important role to play in what is to come, but we were reminded of this tonight. A Kingsmoot is taking place, which is their semi-democratic process by which a new king is selected to lead the Iron Islands. Yara declares herself to be the first queen of the Iron Islands, and when it is pointed out that Theon would be the rightful heir over Yara, he steps up and delivers a passionate speech about why Yara would be the best leader. Notice that his hair is short again, his beard gone, and he is back in the armor of the Iron Islands — in short, pretty much all signs of Reek appear to be gone.

theon

Before Yara can be selected, Euron, Balon’s brother and their uncle, steps forward to declare himself king. Even more, he openly admits to killing Balon, and justifies it by noting that Balon was leading them nowhere at all. He tells the Islanders that he’s sailed all around the world and knows what’s out there. His campaign platform is to sail to Easteros, join up with Khaleesi, and offer her the strong fleet of ships that she has desperately needed to arrive to Westeros. Not a bad plan, kind of makes sense (minus the part about him fucking her, she probably won’t be down with that part). And like that, the Islanders are won over, and Euron receives the Iron Island version of a baptism as a ritual ceremony to officially become king.

While this is going on, Theon and Yara flee the scene along with some of their best men, and steal a handful of the best ships. It’s good thing they did, because Euron’s first words when he regains consciousness are to kill Theon and Yara. But, they’re long gone and Euron demands that all of the Iron Islands get to work to build 1,000 ships. It will be interesting to see where Theon and Yara are headed, and also whether or not Euron will follow through in his attempt to provide Khaleesi with the fleet of ships she has been waiting for. One other item worth noting is that the priest on the Iron Islands with the long grey hair who oversees the Kingsmoot — that’s Aeron Greyjoy — the other brother of Balon and Euron, and also uncle to Theon and Yara. In the books, he plays a central role in determining who the next king will be. In the show, they’ve all but cut him out, and most viewers probably do not even realize that he is also a Greyjoy.

JORAH AND KHALEESI

Across the sea, Jorah stands before Khaleesi, who notes that she has exiled him twice, yet both times he returned to save her. She cannot keep him, but she also cannot command that he leaves. But he will make her decision easier, as he reveals his greyscale and tells her that he will be leaving her for good. But not before finally confessing his love for her. Khaleesi shows great emotion, and commands him to find a cure for his disease, so that he can return to her side and help her rule over Westeros. It was a powerful moment, and a reminder that Jorah has been by her side since the beginning (even if as a spy for a short while). It will be interesting to see the journey that Jorah is taken on in an effort to find a cure. Recalling back to last season, Stannis told a story about his daughter Shireen, who also had greyscale, and noted that he had every doctor and maestar from across the world brought in to treat her. Finally, they were able to prevent the spreading of the disease which kept her alive. So, we do know that there is some sort of cure out there.

khaleesi

THE HIGH RED PRIESTESS

In Mereen, Tyrion proposes that they must find a way to spread the news that it is Khaleesi who is responsible for creating peace in the lands. They turn to the High Red Priestess, who proclaims that it is in fact Khaleesi who was the one that was born from the flames to save the world from darkness, so naturally she is willing to help. While Tyrion is glad to hear this, Varys is a bit more skeptical. He points out that another Red Priestess, Melisandre, had proclaimed that it was Stannis who was the savior. And though he doesn’t know it yet, as viewers, we know that Melisandre is now putting her faith in Jon Snow as the Prince That was Promised. So this kind of muddies the waters in terms of trying to figure out who the Prince That was Promised really is. The Red Priestess responds to Varys by telling him that there is still much that he does not know, and recalls the story of his mutilation, referencing a voice that spoke words as his parts were thrown into the fire. Varys face is taken by fear and wants no more part in this conversation, leaving us to wonder what those words were. Either way, at a time when some of us might have been doubting, the Lord of Light’s power and knowledge reemerges.

red woman

HOLD THE DOOR…

Bran embarks upon another vision, this one taking him to the very same place as his previous vision, though this one takes place in modern day, whereas his first was thousands of years ago. The below photos reveal some very interesting tidbits. First, the tree that Bran visited where he saw the Children create the Night King (first photo below), appears to be the very same tree that Bran visits in his second vision when he sees the White Walkers (second photo below). Of course, in the second photo, it’s thousands of years later and winter has made the whole landscape cold and icy. But it’s interesting to consider that thousands of years later, the Night King holds his army of the dead at the very location where he himself was turned from a human to a White Walker by the Children. Going a step further, the third photo below shows a scene from season three, where Jon Snow and the Night’s Watch stumble upon a whole bunch of dead and mutilated horses in the deep north, left by the White Walkers. You will notice that the spiral pattern follows the spiral pattern found in the first two photos, which was a pattern created by the Children and used in their magical rituals. So, in some way, the Night King and his White Walkers are still referencing the Children, which created the White Walkers in the first place.

Aerial view of of Bran’s first flashback to the tree where the Children of the Forest created the first White Walker

Aerial view of Bran’s second flashback. Thousands of years later, we see the White Walkers’s basecamp is the same location as where the Children created the first White Walker

Dead horses left by the White Walkers in a spiral configuration that matches the spiral of the Children

As Bran journeys through the sea of wights, he arrives at the Night King and a few White Walkers. To his surprise, the Night King is able to see him, and eventually touches him. As he regains consciousness, we see the mark on his arm, showing that what happens in his visions can have very real effects on his present-day life. The Three Eyed Raven tells him that the Night King can now find him, and that they must leave right away. But before they can pack up shop and get out of dodge, the Night King and his army are at the door of the cave and moving in quickly. The Children dispatch their firebombs and eventually set a ring of fire around the entrance, a very literal depiction of the battle between Ice and Fire that has already begun. Screenshot 2016-05-22 at 11.37.31 PM Meera runs back to get Bran, but he’s in another vision, this time back at Winterfell, looking at his grandfather, father and uncle, with Wylis (aka Hodor) in the background. All hell is breaking loose underneath the tree, as Meera, the Children and Summer (Bran’s wolf) try to fight off the wights. They fend off the first few, and Meera even kills a White Walker, which was pretty awesome. Sadly, Summer dies, leaving just Ghost and Nymeria (wolves of Jon Snow and Arya, even though we haven’t seen Arya’s in many seasons) as the only Stark wolves still alive. The death of Summer has both literal and metaphorical meaning; literal in the sense that Bran’s wolf Summer actually dies, and a deeper metaphorical significance in showing that summer really is over. No longer can we say winter is coming… Winter is here.

Hodor needs to help get Bran out of there, but is in one of his Hodor freak-outs, perhaps sensing his imminent death. Meera shakes Bran and shouts for him to wake up, and Bran begins to hear Meera’s voice, even though he is in a totally different time and place. He hears her tell him to warg into Hodor, and he does so, taking over Hodor’s body and helping to drag Bran’s body down a long tunnel leading to an exit. What is significant to note is that Bran was now occupying several consciousnesses; not only was he himself in his vision, but at the same time, he was also controlling Hodor’s consciousness — something we’ve never seen before.

Meanwhile, the Night King finds the Three Eyed Raven, and strikes him down, but not before the Three Eyed Raven tells Bran that it is time for Bran to become him. And just like that, the Three Eyed Raven that had been waiting thousands of years and watching Bran all his life, is now gone, adding even more pressure to what Bran must become. And as if all of this wasn’t enough — the flashbacks to the Children of the Forest, seeing the creation of the first White Walker, Bran seeing the White Walkers in his vision etc etc, the show takes us for one more final, but tragically sad turn, as we learn how Hodor became Hodor.

As they escape the cave and Meera drags Bran’s body as quickly as she can, she shouts over and over “hold the door!” to Hodor. At the same time, although actually many decades earlier, young Hodor appears to see Bran in his vision, and can also clearly hear Meera shouting “hold the door,”even though this event would not in fact take place for another 30-40 years. But the damage was done. Thanks to Bran, Wylis was experiencing his own future death, and a terrible death at that. He falls into a seizure, shouting “hold the door” over and over again, as his consciousness goes into present day Hodor to experience his own death as he is ripped to shreds by an army of the dead. What we then realize is that Hodor has been experiencing his own death ever since that moment, affecting him so greatly that he’s only ever been able to say “Hodor,” a variation of the words that would change him forever — “hold the door.” All at once, we learn the cause of Hodor’s condition, watch his excruciatingly painful death and realize the sad fact that Bran was responsible for both.

hodor

There were a few very key takeaways from this part of the story. First, there is a massive amount of pressure on Bran’s shoulders at this point. At the end of last season, Jojen Green (Meera’s brother) died to keep Bran alive. In this episode alone, Children of the Forest and the Three Eyed Raven, all of whom were thousands of years old, give their lives for Bran. Not to mention, Bran’s wolf, Summer dies to protect him, as does Hodor. Whatever role he is to play in the impending war can be nothing less than huge, after all the people that have died in recognizing the importance of keeping him alive. Speaking of which, let’s recall that in the finale episode two season ago, the Three Eyed Raven told Bran that he will never again walk, but he will fly. With Hodor, Bran’s primary source of transportation, now gone, we have to wonder how Bran will get around, and if he’ll start to use his warg abilities in a greater way.

The other thing I found amazing, albeit in a sad way, is how George R.R. Martin, through incredibly powerful storytelling, was able to make us feel deep emotion for a character we’ve otherwise probably never felt anything at all. After all, Hodor was the goofy oaf who literally spoke only one word — “Hodor.” There was no depth to his character, no real emotion and overall not much for us as viewers to really connect to. If there was one character on the show that you could cast off without thinking twice about, it probably would’ve been him — he just didn’t really offer much — he was just Hodor.

But in the course of just three minutes, that all completely changed, as we abruptly learn the cause of Hodor’s condition in the past, while also watching him die in the present…all at the same time. And that was the beauty of it — the fact that we watched present day Hodor dying at the very same time he was experiencing his own future death as a kid. We now understood that Hodor had been bearing a tremendous weight his entire life — knowing that he would eventually die, being ripped to shreds by the wights. But, we only learn this as we actually watch his death come to fruition, making this sad realization so much more impactful. That one word — Hodor — all of a sudden took on such meaning, as we realize each time he says Hodor, he is referencing the event in which his life will come to an end. The (sad) beauty about how George R.R. Martin chose to reveal this was by delivering that revelation at the same time as his death, forcing viewers to take it all in at once, making it such a tragic death. Poor Hodor, RIP.

05.26.15

by throneslifeblog

Season 5, Episode 7: The Gift

THE GIFT

The most recent Thrones episode, entitled The Gift, let viewers know that we’re coming into the stretch of season 5. That is, after this episode, there’s only 3 left — so buckle up, because things are really going to start picking up. The title of the episode, The Gift, has a couple of meanings. Most literally, The Gift is the name of the piece of land that was carved out for the Night’s Watch thousands of years ago by Brandon Stark aka Brandon the Builder. This land has much historical significance and plays a role in what is happening today between Jon Snow and his attempt to unite the Wildlings… But we’ll touch on that in just a moment… But that’s not the only thing The Gift refers to… This most recent episode seemed like Hanukah, Christmas and a decade’s worth of birthdays combined into one, because gifts were being given out all over the place. Some characters welcomed the gifts they received while others were unpleasantly surprised. But one thing is for sure — these gifts have quickly changed the landscape of where each character stands — and will play a large role in what is to come in the final three episodes of season five.

JON SNOW’S GIFT

In the Game of Thrones series, The Gift is the name of the piece of land that was carved out in the North thousands of years ago by Brandon Stark aka Brandon the Builder. Forget who that is? Brandon Stark lived thousands of years ago and was not only the founder of House Stark, but also credited with building the Wall as well as Winterfell (hence the the nickname Brandon the Builder). He’s arguably the most important Start character to have ever lived and one of the most significant characters in Thrones’ history. Anyway, after the Wall was constructed and the Night’s Watch was created to defend it, in exchange for their service, the Night’s Watch was given a very large piece of land south of the Wall, not far from Winterfell, as a gift for their service. This piece of land would go on to be known as “The Gift.” In the years that followed, this land was often raided by the Wildlings, since it was the first chunk of land they would hit south of the Wall. Because of this, the land known as The Gift played host to many battles between the Night’s Watch and the Wildlings.

A map of Westeros, showing the land known as The Gift, just south of the Wall

Interestingly enough, thousands of years later, it is Jon Snow who is now trying to unite the Wildlings and Night’s Watch and offering up the gift of peace. The way he sees it, without this peace offer, the Wildlings will die north of the Wall. After all, the snow is falling harder than ever before, and we feel that winter is closer than ever. And just like the Wildlings need him and the Night’s Watch, he too needs them. Without them, he does not have enough men to achieve any of what he’ll need to, such as defending the Wall or reclaiming the North lands from Roose Bolton. As we continue to see, many of the brothers of the Night’s Watch, namely First Commander Ser Alliser Thorne, do not agree with Jon Snow’s vision of uniting with the Wildlings. With Jon Snow gone, what will the other brothers do? Will they obey his commands or rebel as we’ve seen before?

AEMON’S GIFT (OF DEATH)

In life, death is usually a sad occurrence. And in the Thrones world, it is almost always a heart-wrenching fatality. Heads getting chopped off, painful betrayals, the good guys dying while the bad guys live on — death is almost always a curse in this world. And this is what makes Maestar Aemon Targaryen’s death a beautiful gift. Having lived over 100 years, Aemon Targaryen was not only the last living Targaryen that we know of (outside of Khaleesi), but he was also a man that we know lived a life full of rich experiences, which he often spoke of. He was content with the live he lived and the services he was able to offer. And when it was his time to die, he died peacefully, with Gilly’s beautiful baby by his side, who offered him memories of his baby brother, Aegon Targaryen, who he lovingly referred to as “Egg.”

Aemon Targaryen

If we peel back another layer, we see even further why his death was such a beautiful gift. In a world where nearly everybody is jockeying for position and battling for power, Aemon was a rare specimen — a man who did not care for power. Not only did he not engage in “The Game (of Thrones),” but when he was actually next in line for the Throne, he passed on the opportunity to rule as king. Yes, that’s right. He actually was next to sit the Throne — he didn’t have to lie, kill or scheme to win the Throne — it was his by right. All he had to do was say the words. But in his heart, he knew he was destined for a life of service, and he passed on the sitting atop the Iron Throne. When we think about this, the kind of man he was, he himself was a gift to the rest of the world, especially the Night’s Watch that he served for nearly 80 years. Though not a main character, we must not overlook what an absolutely rare and wonderful man Aemon Targaryen was, and the rare gift that we witnessed in this last episode — a peaceful death that happened exactly when it was supposed to.

SANSA, RAMSEY & THEON

Elsewhere in the North, Sansa is dealing with a far less desirable gift — her new husband, Ramsey Bolton. We learn that her situation has somehow gotten even worse, and that Ramsey comes to pay her a visit every night, while keeping her locked up by day. We are starting to question Baelish’s advice to Sansa in which he counseled Sansa to get close to Ramsey so she could exact revenge — it’s starting to look like Ramsey might be too smart for her and might not allow her the opportunity to get her revenge. Sansa pleads with Reek to help her and to simply light the candle in the watchtower so that help will come. Sansa reminds Reek that he in fact still Theon Greyjoy, and for a moment, it seemed like Sansa might’ve successfully convinced him. But like any good lapdog, Reek crawls right back to his master and tells Ramsey what Sansa had been planning. Will Sansa ever be able to get message to Brienne? And even if she does, how will Brienne be able to successfully rescue Sansa from the heavily guarded castle of Winterfell? Either way, it seems likely that the relationship between Theon and Sansa is not dead, and that Theon will likely find himself having to make a crucial decision of who to side with when the moment arises.

Sansa and Ramsey

STANNIS’ GIFT

Still in the North, we see that the harsh realities of the imminent winter are taking its tolls on Stannis’ army. Horses and men are dying, food rations are low and they are already fighting a battle against the elements before they even arrive to Winterfell. Davos offers Stannis the advice that they should turn back and march back on Winterfell when the weather passes; but Stannis is wiser than this and knows that winter is near and this will be a winter unlike any seen in many many years. They must attack now or risk never being able to ever again.

As Davos exits and Melisandre comes into focus, Stannis again questions her Red God, the Lord of Light. She reminds him that she saw the great battle in the snow that has yet to take place and, more importantly, that he is the one true king that must lead the living in battle against the dead — the battle that ultimately will decide the fate of all men. But the Red God requires a gift of his own and Melisandre suggests that they must sacrifice Stannis’ daughter, Shireen, as she too has king’s blood running through her veins. Coming on the heels of last episode where Stannis declared his love for his daughter and told the story of how he protected her when others wanted to discard her due to her Grayscale as a baby, Stannis will once again have to decide whether to protect his daughter. But this time, it will be a much more difficult decision, as he may have to decide between saving the life of one versus the lives of thousands.

THE GIFT OF TYRION

Finally, Jorah is reunited with Khaleesi. And better yet, he has a magical gift for her — the gift of Tyrion Lannister. But jeez, what a terrible job the show did at setting this whole thing up. After Khaleesi banished Jorah in heartbreaking fashion last season, there should have been a much more climatic reuniting of these two characters, who deep down care for each other very much. And add the fact that Jorah is now with Tyrion, and this should have been an epic scene between Khaleesi, Jorah and Tyrion. Instead, we got a half-baked setup with a relatively unexciting reveal. Khaleesi decides to visit a local slave fight — not even the grand fight that a queen would attend — but the uneventful fight that happens before that to decide who fill fight in the greater fighting pits. It made no sense that she was there in the first place. And of course, of all the fighting pits she decides to visit, it happens to be the very one that Jorah and Tyrion were brought to. And even worse, Jorah happens to be the one guy who is not originally entered in the fight, only for him to realize that Khaleesi is out there so he can come up and kill all the other guys before removing his helmet and anticlimactically reveal himself to Khaleesi. And with an equally unexciting reaction from her, she tells him to get out of her sight, just before he reveals his gift of Tyrion. I can’t help but think of 10 different ways they could’ve set up what should’ve been a powerful reuniting of Jorah and Khaleesi with Tyrion making it all the more exciting.

Khaleesi watching the fight

And with all that said, we’re now in for a very interesting dynamic between Khaleesi, Jorah and Tyrion. First and foremost, House Targaryen and Lannister aren’t exactly buddy-buddy. It was Tywin Lannister who was largely responsible for the execution of her entire family, which would ultimately force Khaleesi on the less-than-smooth journey that she is on today. So, she probably isn’t too thrilled to see Tyrion and there’s a very good chance she jumps the gun and sentences him to prison or death, before he inevitably talks his way out of it. But as we know, Tyrion is not your typical Lannister, which should setup a very interesting dynamic between he and Khaleesi. In many ways, they are characters that share many characteristics, namely wisdom and compassion. We are also left to wonder how Jorah will fit into this — will she forgive him? And how might his Greyscale play a factor? And will Varys somehow find his way back into this situation? After all, it was he that was escorting Tyrion to find Khaleesi to support her in her claim of the Iron Throne.

BRONN’S GIFT

In Dorne, Jaime comes face to face with Myrcella, who tells him that she does not want to be rescued and she is intent upon marrying Trystane, the Dornish prince. Jaime is at a loss for words and it’s unclear how things will shape up here.

Jaime & Myrcella

In another cell, Bronn engages in a seductive conversation with one of the Sand Snakes, only to learn that her spear which cut him was laced with a deathly poison. Going back to last season, we recall that Oberyn’s spear was laced with a similar poison, which badly wounded The Mountain, who is currently still on Qyburn’s operating table as some dark science experiment — will we see the Mountain before this season comes to an end? I digress… Before it’s too late, the Sand Snake throws Bronn the antidote for his poison, which will presumably keep him alive — maybe a play to win Bronn over to their side?

BAELISH, THE GREAT GIFT GIVER

And finally, we end with the greatest gift giver of them all, Baelish. And once again, there are some major reveals that expose the continued scheming that Baelish has been up to behind the scenes. As Baelish meets with Olenna Tyrell in his now-vacant brothel, she reminds him that if House Tyrell goes under, she will have nothing to lose and will expose the part he played in the murder of King Joffrey. Baelish alludes to the fact that his allegiance is in fact with the Tyrells, and tells Lady Olenna that he has a gift for her. When she asks what the gift is, he tells her that it is the same gift that he gave to Cercei, “a handsome young boy.” You might have been scratching your head trying to figure out what handsome young boy he was referring to and when he gave this gift to Cercei. Furthermore, what handsome young boy is he now offering as a gift to Lady Olenna?

Well, as for his gift for Cercei, the handsome young boy he gave her was the blonde-haired young man who had been manning Baelish’s brothel for him while Baelish was away. As we know, this young man engaged in sexual intimacies with Loras Tyrell. And for some time, Loras had been accused of being gay, but there was never any proof against him. And this — proof — is the very gift that Baelish gave to Cercei. This boy testified against Loras and confirmed the crimes that Loras had committed in the eyes of the High Sparrow. In short, Baelish helped Cercei put away Loras (and Margaery after she lied about having witnessed their sexual encounter).

But at the very same time, Baelish’s gift giving was not done. He had another gift, another handsome young boy, which would now help Lady Olenna. And, as we see at the end of the episode, this gift was Lancel Lannister, the once longhaired Lannister boy who slept with his cousin, Cercei, as she used him as a spy. Baelish facilitated Lancel turning against Cercei and providing all the dirt to the High Sparrow about her sins. And in an unexpected turn of events, we see that even Cercei is not free from judgment of the gods, and she too will be judged for her sins. Though she thought she was the cleverest of them all and was using the High Sparrow as her pawn, in reality, she misjudged the entire situation. The High Sparrow, unlike most, is indeed incorruptible, and he had every intention of judging all those who have sinned.

Lancel Lannister, before and after joining the High Sparrow

And just like that, Cercei gets the gift she had coming for quite some time… And Baelish emerges once again as potentially the wisest character of them all. He was able to gain the trust of House Lannister, while weakening House Tyrell by getting Loras and Margaery thrown in a cell. He was then able to regain footing with House Tyrell, while getting Cercei herself thrown in a cell. He has weakened two of the most powerful houses, all while leaving little trace of him having any involvement whatsoever. And perhaps that is the greatest genius of his character — his methodical ability to operate in the shadows — to make significant moves while nobody is looking — and to always ensure that there is no trail leading back to him. What’s next for Baelish? Who knows…But he’s taken another step closer to achieving his self-proclaimed desire of “conquering everything.”

05.04.15

by throneslifeblog

Season 5, Episode 4: Sons of the Harpy

WHO IS JON SNOW?

One of the most intriguing storylines in the GoT series is that of Jon Snow. On the surface, we go through each episode believing what we are told — that he is the bastard of Ned Stark. But, deep down, we know that Jon Snow is not just another bastard and that he’s something much more. Throughout the first five seasons, there have been many breadcrumbs left for viewers to pick up on which would support the theory that he is in fact, not a bastard. And in episode four, Sons of the Harpy, we got some major additional information which not only points to the possibility that he’s not a bastard, but also offers up a theory of who his actual parents could. But, before we go into any theories as to who Jon Snow is, let’s first analyze what we knew going into this episode which supports the idea of who he is not…a bastard.

1. Deep down, Jon Snow being a bastard never felt right. There’s nothing ordinary about him. He’s special. There’s a greatness about him. So the idea of him being just another bastard and his mother being just another tavern whore doesn’t quite add up.

2. We believed Jon Snow to be the bastard son of Ned Stark because it’s what we were told from the very moment this show began. But if you stop for a second to actually think about it, it makes no sense for Ned Stark to have a bastard son. It’s completely antithetical to everything that Ned’s character is about. Ned Stark was the most honorable man in all of Westeros. He died for his honor — something the show reminds us of quite often. So does it really make any sense that this very same Ned Stark would dishonor his wife, break his vows and birth a bastard son after fucking a whore?

3. In season one, when Ned Stark is leaving Winterfell to head for King’s Landing to serve as the Hand to Robert, Jon Snow asks Ned one more time about his mother. Ned responds that the next time they see each other, he’s going to tell Jon Snow all about his mother. Well, that never happens because Ned gets his head chopped off. But, the point is, Ned clearly implied that there was a story to tell about Jon Snow’s mother. This is not a show where dialogue is added for the sake of conversation, and when something like that is alluded to, it generally has a very real significance.

Ned tells Jon he will tell him all about his mother next time they meet

Now that we’ve considered the evidence to support the idea that Jon Snow might not be a bastard, let’s look at the major points that were offered in this last episode to guide us on the journey of figuring out who Jon Snow might actually be.

1. At the Wall, Stannis is conversing with his wife as they watch Jon Snow training some of the brothers of the Night’s Watch. After Stannis acknowledges that he sees something great in Jon Snow, his wife responds that he is just a bastard birthed by a tavern slut. Stannis responds, “Perhaps, but that wasn’t Ned’s way,” again reminding us that it really doesn’t make sense for the honorable Ned Stark to have cheated on his wife and that Jon Snow might not be a bastard.

2. Melisandre makes her move on Jon Snow and tells him, “There’s power in you, but you resist it.” We are again reminded that there is nothing bastard-like about Jon Snow and that he appears to be something greater. Even more powerful, as Melisandre walks out, she tells him “You know nothing, Jon Snow.” Of course, this is something Ygritte used to always tell him, but when the prophetic Melisandre says it to him, it appears to take on a totally new meaning. She says it in a way that implies that there is a great knowledge that he knows nothing of, perhaps the knowledge of who he actually is and the power that is inside of him.

Melisandre telling Jon Snow that he has great power inside of him

3. The plot really thickens when Sansa and Baelish are in the crypts below Winterfell and Baelish offers up what a very significant piece of history from the timeline before the show started. He tells Sansa about the tourney which took places about 20 years ago, when Rhaegar Targaryen, son of the Mad King and oldest brother of Khaleesi, dueled against Ser Baristan Selmy. After Rhaegar won the duel, he presented Lyana Stark with a bed of roses, choosing Lyana over his own wife, Elia Martell. It is unclear what happened after he declared his affection for Lyana, but Rhaegar and Lyana dissapeared — some say he kidnapped her while others believe she chose to go with him. Robert Baratheon, who loved Lyana and was supposed to marry her, believed that Rhaegar kidnapped her, and used this as justification for Robert’s Rebellion, a war started by he and Ned Stark to get back Lyana…a war that would put an end to the Mad King and the 300 year Targaryen dynasty and land Robert on the Iron Throne. Sure, there were other reasons for Robert’s Rebellion, such as the fact that the Mad King had completely lost his mind and was burning people for fun, or the fact that the Mad King killed Ned Stark’s brother and father. But, ultimately, it was Lyana Stark’s disappearance with Rhaegar Targaryen that would be the catalyst for Robert Rebellion’s. So, we know that when Baelish shares this story with Sansa, it’s extremely significant.

During the war of Robert’s Rebellion, tens of thousands of people died, some fighting to defend the Mad King and the Targaryen Dynasty, while others fought for the banners of the Stark/Baratheon/Arryn rebels. 20+ years later, Baelish references all these lives that were lost as he asks Sansa “How many thousands had to die because Rhaegar chose Lyana?” In response, Sansa states “He chose her. And then he kidnapped her and raped her.” Baelish responds with a quiet grin, as if to say “That’s not quite what happened,” and that there is more to the story than Sansa knows. Again, this is not a show where dialogue is in there for the sake of conversation, especially when it’s dialogue that is referencing historical events that took place before the show started. If Baelish is talking to Sansa about Lyana Stark and Rhaegar Targaryen, there’s a reason. And the quiet smile he offered in response to Sansa’s belief that Rhaegar kidnapped her and raped her implies that there’s more to the story.

All that, coupled with the focus on Jon Snow’s character in this episode, added with all the clues offered in the first few seasons, and a theory starts to take shape… Jon might not be a bastard… He might not even be the son of Ned Stark… But maybe, just maybe, he’s the son of Lyana Stark and Rhaegar Targaryen, which would make Khaleesi his aunt. Or it’s even possible that Lyana was raped by the Mad King himself, making Jon Snow Khaleesi’s brother! And when we then think about some other things we’ve learned throughout the show, there’s quite a bit we’ve seen to support this theory:

Baelish smirks as if to imply he knows more about Lyana and Rhaegar

1. We know that Rhaegar and Lyana ran off together. Whether they had consensual sex or she was raped, it’s entirely possible, if not probable, that a baby came from this.

2. Ned and Robert were on the warpath during Robert’s Rebellion, headed for King’s Landing to overthrow the Mad King and the entire Targaryen family, with Rhaeger being primary target #2 right after the Mad King. Along the way, it’s entirely possible that Ned discovered that Lyana had a baby with Rhaegar. And we know that if Robert discovered this, he would’ve likely had the baby killed, as it would’ve been the son of Rhaegar, and thus a Targaryen baby. We also know that the two babies Rhaegar had with his actual wife, Elia Martell, were killed at the end of Robert’s Rebellion (by the Mountain, which is why Prince Oberyn wanted revenge against the Mountain for the death of his sister, Elia, and her babies). So, in an effort to protect this baby, the baby of his own sister, Ned could’ve claimed the baby as his own. Of course, to have done this, he would’ve had to lie and pretend that he had sex with a whore and that the boy was a bastard.

2. In season one, when Ned and Robert were headed back to King’s Landing after Robert recruited him as Hand to the King, Robert mentioned that he heard whispers about a Targaryen girl who has three dragons and could be a threat to the Iron Throne. Robert suggests that they should eliminate this threat and have the girl killed. Immediately, Ned tells Robert that he cannot be serious and cannot consider murdering an innocent girl. But why would Ned object to eliminating a Targaryen threat? Well, If Jon Snow was in fact the son of Lyana and Rhaegar, that would mean he is technically a Targaryen himself, and Khaleesi would be his aunt (the sister of his father, Rhaegar). So naturally, Ned would object to the idea of murdering her.

3. Earlier this season, Jon Snow was elected as the new Lord Commander of the Night’s Watch. And who cast the final vote to break the tie and give Jon Snow the final vote he needed to win? Maestar Aemon Targaryen. Furthermore, Maestar Aemon mentioned in an earlier season that he and Rhaegar were quite close and corresponded through letters often. It’s possible that Maestar Aemon is actually aware of who Jon Snow really is. Which is all the more interesting, because two episodes back, Samwell mentioned to Jon that Maestar Aemon is sick — which again, we know would not be mentioned without cause. So it’s possible that Maestar Aemon is dying and might die with the knowledge of who Jon Snow really is — or maybe he’ll tell Jon Snow before he dies.

For now, this is just a theory. But when examining everything we know, it seems unlikely that Jon Snow is a bastard. And even more unlikely that the honorable Ned Stark would be the one to have a bastard son. And in this most recent episode, we got three more tidbits to build the case for Jon Snow not being a bastard, and one major piece to suggest who is actual parents could be. Stannis reaffirms that sleeping with whores was not Ned’s way. Melisandre tells Jon Snow that he knows nothing, in a way that implied there is something great about him that he is totally unaware of, such as who he might be. And finally, we learn all about Rhaegar and Lyana, a story that would not have been offered if there was nothing something meaningful to come from it. We will see what direction this heads in, but hopefully sooner than later we will find out what Ned was referring to, if anything, when he told Jon Snow that he would tell him all about his mother the next time he saw him.

RECAP OF EVERYTHING ELSE

Jaime and Bronn arrive to Dorne on their mission to rescue Jaime’s “niece,” Myrcella. Bronn questions why Jaime is there himself, versus sending a more capable, two-handed person on the mission, and Jaime insists that he must be the one to do this. The question is, who is he doing this for? Does he truly feel a need to be a father rescuing his daughter? Or is this all about getting the job done for Cercei? And speaking of Cercei, as Bronn and Jaime enjoy a Dornish viper for breakfast, Bronn asks Jaime how he’d want to die, to which Jaime responds “In the arms of the woman I love.” Bronn asks him if that woman wants the same, and we see Jaime look off into the distance, providing no answer to Bronn’s question. Which begs another question — what is the future of Jaime and Cercei and in what direction is their relationship headed? And after Bronn whoops some Dornish ass and he and Jaime take down the four Dornish riders, we see that Ellaria has rounded up the Sand Snakes, Oberyn’s bastard daughters, all of whom will support Ellaria’s campaign to go to war to avenge the death of Oberyn. Furthermore, they have been made aware that Jaime is already in Dorne to rescue Myrcella, and realize that they must not let Jaime get to Myrcella before they do, or else they will lose their only piece of leverage.

Ellaria and the Sand Snakes

In King’s Landing, Cercei is quickly shaking things up and we see now, more than ever, that she will not go down quietly. She will not be written off and continue to show her wit and strength, a cunning determination that is rivaled by few other characters in this show. She sends Mace Tyrell off to Braavos to meet with the Iron Bank, accompanied by none other than Sir Meryn Trant, Cercei’s sworn guard who will do as she commands. Perhaps she is getting him far away, or perhaps this is a play to kill him. Additionally, we see her reinstate the Faith Militant, a fanatical army of men who will serve the “justice of the gods.” But really, they appear to be serving Cercei, as she uses them to imprison Ser Loras Tyrell, further improving her position over House Tyrell. And when Margaery finds out and demands her King husband free Ser Loras, we see a weak boy who is unable to exercise his power to do what is needed in order to free him.

Cercei smirking after sending off Mace Tyrell

In Mereen, we see even more trouble for Khaleesi, who hasn’t mentioned trying to reclaim the Iron Throne of Westeros in what seems like ages. As the Sons of the Harpy kill in the streets, they draw the Unsullied into a trap where they are vastly outnumbered. After killing most of the Unsullied, we see Grey Worm fight valliantly to kill off many of the Sons of the Harpy. However, he can’t fight them all off and is about to be killed, when Ser Barristan comes onto the scene and we see why is revered as one of the greatest knights in all of the Seven Kingdoms. He too kills many, but not before he is outnumbered, and appears to be killed himself. We witness what looks to be the death of one of the few truly great men of Westeros. It is unclear whether he is definitely dead, or if Grey Worm is dead as well, but one thing is for sure: Khaleesi is going to need some new support by her side, and what perfect timing for Jorah, who is on his way back to Khaleesi, with the gift of Tyrion Lannister.

Ser Barristan laying dead next to Grey Worm

At the Wall, we also see a powerful scene between Stannis and his daughter Shereen, in which he shows rare emotion and tells her the story of how he fought to keep her alive when nobody else would. We see her eyes filled with tears as she gives her dad a big hug, and he slowly hugs her back, an affection we’ve not seen to date from Stannis. Furthermore, we also learn that Baelish must go back to King’s Landing to meet with Cercei. Sansa tells him that he cannot leave her alone, appearing to have completely put all her trust in him and having abandoned any doubts she once had about his true motives. He continues to off her guidance and gives her a kiss on the lips before departing, again leaving us to wonder what is going to happen between the two and what does Baelish ultimately want?

04.27.15

by throneslifeblog

Season 5, Episode 3: The High Sparrow

Disclaimer: There are no spoilers in this article. Any views or opinions expressed are based solely on where the Game of Thrones TV series currently is and no other knowledge or information is presented in this article.

THE GAME CONTINUES…AND NEW IDENTITIES ARE FORGED

In the third episode, entitled The High Sparrow, we see that “the game” continues to be played and all the players that continue to make their moves. Whereas the first two episodes of this season appeared to be “setup” episodes, in this episode, we see many new plot progressions and are offered insight into the direction that things seem to be headed. Some characters take on new roles as others plot revenge; once-powerful characters now appear all but powerless while some of the weaker characters have gained strength. Some characters finally return home, while others appear further away than ever before. But more apparent than anything, is the fact that many characters are emerging with newfound identities.

And now, there appear to be more games being played than ever before — and the “game of thrones,” that is the battle for the Iron Throne, appears to be one of the least important games being played at the moment. Unlikely allegiances appear imminent and new plots are starting to take shape. Characters are more mixed up than ever, and most importantly, in this chaotic world that seems less structured than ever before, everything seems to be up for grabs.

A GIRL MUST BE NOBODY

As the episode begins, we get first glimpse inside the House of Black and White, the temple of the Many-Faced God. Whereas most temples we are used to seeing are light, beautiful and full of life, this temple is dark and a place to serve death. As Jaqen H’ghar offers a man a drink from the temple’s pool, he kneels peacefully before dying a few moments later. And as his body and others are removed and washed, we are left to wonder what is done with these bodies?

Jaqen, offering a peaceful death from the fountain

Arya, tired of sweeping the floors, tells Jaqen that she is ready to become a Faceless Man, to which he responds “Valar Dohaeris,” meaning “all men must serve.” She tells him that she is ready to serve, but he reminds her that she is only ready to serve herself. “There is only one god,” he tells her, “and all men know his gift,” referring to the gift of death. Later, Arya again tells Jaqen that she is ready to become nobody, to which he asks her how nobody came to be surrounded by all of Arya Stark’s possessions. A girl cannot become nobody until she strips herself of her full identity, including all her belongings.

As Arya tosses her clothes and silver in the water, eyes full of tears, she holds Needle in her hand. Through the murder and death of so many of her family members, not once did we see Arya cry or show any emotion at all. Yet, as she is faced with the task of saying goodbye to the sword given to her by Jon Snow, tears come to her eyes, as she is ultimately unable to let go. And while there is surely some sentimental value associated with her sword as it was given to her by her older brother, at her home of Winterfell, at a time when her entire family was still alive, this is ultimately not what brings tears to her eyes. Rather, it was the idea of having to part with the symbolic identity of the one thing that she has been able to hold onto: revenge. In many ways, Arya has already stripped herself of much of her identity — she has lost so much of herself already — but the one thing she has always had was revenge. And Needle was the tool of her revenge — the one tangible thing in her life to give her hope. And now, as she is forced to let go of Needle, a symbol of her letting go of her need for revenge — she is unable to do so, a sign that she ultimately is not yet ready to fully let go of her identity as Arya Stark.

Arya, unable to let go of Needle

THE TABLES HAVE TURNED

In King’s Landing, Tommen is wed to Margaery, and unlike her last marriage, she is sure to consecrate this one. As they lay in bed together, Tommen innocently asks Margaery several times if he hurt her, a subtle demonstration of the difference between he and his older brother who only wanted to hurt people. Behind closed doors, we see the manipulative ways of Margaery as she uses her beauty, sex and age to wrap Tommen around her finger. She tells Tommen that she wants to know everything about him, and reminds him that Cercei will always be a lioness and Tommen her cub — an attempt to have Tommen put distance between he and his mother. And we see the affect of Margaery’s words, as the very next scene shows Tommen asking Cercei if she wants to return to Casterly Rock, where he thinks she would be happier.

Cercei, having lost much of her power, looking on at Margaery

While she may be losing her power, she is not losing her wit, and Cercei is well aware of Margaery’s influence over Tommen. And as she approaches Margaery, we see that the tables have turned big time. For so long, Margaery was forced to suffer and endure the cruelty of Cercei. But now, with Tywin and Joffrey dead, and Margaery officially the queen, Cercei has lost much of her power to Margaery. In short, Margaery has forged a new identity as Queen of the Seven Kingdoms, while Cercei has a new identity as well — that queen that used to be. And Margaery is keen to remind Cercei of this fact, as she asks Cercei if she should refer to her as Queen Mother or dowager queen, both references to her queenship only being of title, but not actual power. She also adds that it will not be long before Cercei is a grandmother, not only referring to the fact that she and Tommen will further consecrate their marriage by having children, but also a sarcastic reminder to Cercei that she is getting older. No longer able to make her usual threat or command, Cercei storms out, with a look on her face that tells us that she will not sit by idly or go down quietly.

HOME SWEET HOME

Further north, we see Winterfell for the first time since Theon burned it to the ground. More importantly, we see that Winterfell is being resurrected as the new seat of House Bolton, powerfully underscored by the flayed bodies we see hanging. But as Ramsey sits with his father, Roose tells his son that with Tywin dead, they no longer have the backing of the Lannisters, and that they must gain control over the smaller houses of the North, or risk being overrun by these houses. And as Winterfell is repaired, we see Theon roaming around, appearing completely lost, and we are left to wonder what role he will play, if any, in the coming days.

Baelish and Sansa

As Baelish and Sansa near Winterfell, Baelish tells Sansa that the marriage which had been accepted was the one he arranged between her and Ramsey Bolton. She refuses to marry him, telling him that she would die before marrying into the family that betrayed her family and killed her brother, Robb. Baelish reminds Sansa that she is the eldest surviving Stark and her home will always be Winterfell. He tells Sansa that he will not force her, and as he pulls her in close, almost like a father, he tells her, “You’ve been running all your life. You sit alone in a dark room mourning the fates of your family. You’ve been a bystander to tragedy. Stop being a bystander, stop running. There is no justice in the world…not unless we make it. You loved your family, avenge them.”

Sansa seems to have received the message, but the real question we are all left wondering, is does Baelish actually care about Sansa? When he pulls her close and kisses her head, is he truly trying to comfort her? Or is she merely a pawn in his game of chess? Is she just a means to his end? It’s still unclear whether we can trust this man or what his actual intentions are. And as they arrive to Winterfell, Sansa is forced to step back into the home that she has been away from for years now…a home that she no longer recognizes…a home that is now occupied by the man who put his dagger through the heart of Robb Stark. And she is forced to play her part, pretending that she is amenable to the marriage that has been arranged. Although forced by her external environment, Sansa too is forging a new identity, as soon-to-be wife of Ramsey Bolton. But even more so, she is assuming the identity as somebody who is learning to “play the game,” as she takes Baelish’s advice and looks to get close to House Bolton before exacting her revenge.

Baelish & Roose Bolton

Perhaps most significant is the conversation that transpires between two men that have both been scheming and plotting in their own rights, Roose Bolton, who has a new identity as Lord of the North and Petyr Baelish, also with a new identity as Lord of the Vale. Roose asks Littlefinger if he is prepared for the consequences when the Lannisters find out that he was responsible for helping Sansa escape from King’s Landing and that he is now marrying her to Ramsey Bolton. But, Littlefinger appears unworried, reminding Roose that House Lannister is not what it once was, with Tywin dead, Jaime having but one hand and Cercei no longer the true queen. But, Roose intercepts a message sent by Cercei to Littlefinger, which makes him further question Littlefinger’s motives. When Bolton asks Littlefinger why he would gamble with his position, Littlefinger tells Bolton that every ambitious move is a gamble, even Bolton’s betrayal of House Stark was a gamble, a gamble which clearly paid off. But Roose reminds Littlefinger that with Tywin dead, House Bolton remains vulnerable with little backing. Baelish tells him that because of his marriage to Lysa before her death, he is now Lord of the Vale, while Bolton is now Lord of the North. Littlefinger powerfully notes that the last time the Lords of the Vale and the Lords of the North came together, they brought down the most powerful dynasty the world had ever known, referring to when Jon Arryn of the Vale and Ned Stark of the North joined forces (along with House Baratheon) to overthrow the Mad King during Robert’s Rebellion. It’s unclear what will come next and with Stannis looking to overtake the North, things appear shaky at Winterfell for House Bolton.

Smaller, but also worth noting, is that twice in this episode we saw Ramsey’s girl, as she looked on while Ramsey was introduced due his future wife, Sansa. Last season, this girl killed Ramsey’s other girl, the blonde, when she became jealous of her. Rarely does this show put these kinds of characters on camera without foreshadowing something to come.

Ramsey’s old girl looking on at Ramsey and Sansa

BRIENNE THE AVENGER

Not too far away from Wintefell, Brienne and Pod are keeping a close eye on Sansa. More importantly, Brienne offered a powerful revelation in this episode and a rare show of emotion. Since we first met her, we knew Brienne loved Renley, but we never knew exactly why. And years later, through a conversation with the unlikeliest of people, we are offered a glimpse into Brienne’s past and why she loved Renley so much. She tells Pod a story about her father who set up a ball to arrange a suitor for her daughter. And as the boys fought over her, she felt special and beautiful, until learning that it was all a joke that the boys were in on. As she felt more foolish and ugly than ever before, she ran off, only to be stopped by the kind-hearted Renley, who reminded her that these shits were not worth her tears. He was the one person who comforted her, who truly cared for her. And for that, she would always love him. She tells Pod that she will avenge his death, mentioning the shadow with Stannis’ face who killed him, alluding to the fact that she seeks to kill Stannis. And we now question the true identity of Brienne — is it defined by her honor and duty to the words she swore to Catelyn Stark to protect her daughters, or is it the dark desire to avenge the death of her one true love, Renley Baratheon?

Brienne telling Pod of her love for Renley

LORD COMMANDER SNOW

Lord Commander of the Night’s Watch, Jon Snow is again offered the opportunity by Stannis to become Jon Stark and rule over the North. But again, he refuses the offer and we see the unwavering strength of Jon Snow who is completely dedicated to honor and duty, the words he swore and vows he must uphold. Stannis reminds Jon that it was this very same stubborn honor that got Ned killed. Interestingly, Jon Snow is actually torn between three different identities: Jon Snow the bastard, Jon Snow the new Lord Commander of the Night’s Watch, and Jon Stark, the Lord of Winterfell.

Before departing the room, Stannis mentions that Jon should talk to the Wildling prisoners one more time, and that perhaps Tormund Giantsbayne will be more reasonable than was Mance Rayder. After he leaves the room, Ser Davos sticks behind and tells Jon that Stannis sees something in him. He also offers that part of the Night’s Watch vow is to be “the shield that protects the realms of men,” pointing to the fact joining Stannis and protecting the North is in fact part of his duty.

The man who passes the sentence must swing the sword

In the dining hall, Jon Snow makes his identity clear as he gives his first commands as Lord Commander, but not before Samwell tells him that Maestar Aemon is not feeling well. Jon first appoints Ser Alliser Thorne the coveted position of First Ranger, perhaps because Ser Alliser was deserved of the position, or perhaps because Jon wanted to keep a potential enemy close. Either way, it was a honorable move — when Ser Alliser was Lord Commander, he did nothing but use his power to make life difficult for Jon; but Jon Snow as new Lord Commander shows that he is a better man. And as he appoints Janos Slynt with a more remedial task, Janos refuses, thinking that his once powerful position as Commander of the Kingsguard excuses him from such commands. Jon Snow must gain the respect of all the brothers and demonstrate his power, so he sentences Janos to death.

More importantly, he sets to carry out the execution himself, an allusion back to the very first episode of this series when Ned Stark beheads a deserter of the Night’s Watch and reminds his son that the man who passes the sentence must swing the sword. But as Janos confesses that he has always been a weak and scared man and begs for mercy, it looks as though Jon is going to grant his mercy and not go through with the execution. We’ve seen time and time again, Jon unable to carry out the executions that he must — once when he had to execute the Wilding Ygritte, and another time when he had to kill the horsebreeder for the Night’s Watch. But with all the brothers of the Night’s Watch looking on, Jon strikes true and carries out the execution — a powerful statement pointing to the identity transformation of Jon Snow’s character.

THE HIGH SPARROW

Back at King’s Landing, several of the sparrows, led by Lancel Lannister, take the High Septon from the brothel and beat him in the streets. When he demands Cercei to serve justice, she prefers to throw him in jail and go to visit the High Sparrow. Impressed with the man she finds, she tells him that faith and the crown are the two pillars that uphold the realm, and without one, everything crumbles. One cannot co-exist without the other and they must do everything in their power to help one another. Being that she appears to be losing powers over one of these pillars, the crown, perhaps she seeks to gain power over the other, religion. Though her exact intentions are unclear, Cercei is cultivating a new relationship that she will undoubtedly seek to use to her advantage.

Cercei & the High Sparrow

As she returns to the Red Keep, she gives Maestar Qyburn a message to send to Littlefinger, adding “make sure he is very clear on the word immediately.” This is the message that Roose Bolton will later intercept, though its contents are unclear. Most interesting is the “thing” that is being restrained under the sheet on Qyburn’s medical table. Of course, we are left to assume that this is the Mountain, Qyburn’s latest science experiment who will be brought back to life as an even greater monster than he already was.

VOLANTIS

And finally, Tyrion and Varys arrive at Volantis, and not a moment too soon as Tyrion was beginning to lose his mind, having been cooped up in one box after the next. As they venture through the market of Volantis, we are exposed to the newest of the Free Cities of Easteros, and we see many of the cultural differences of this city, namely the caste system where everybody has a clearly marked social status in society. They stumble upon another Red Priestess who speaks of the Mother of Dragons who has been sent by the Red God as a savior. As Tyrion watches her, she slowly glances up at him, before staring for several moments, with a look in her eye that almost gave the appearance that he is the savior she had been speaking of, not Khaleesi.

The Red Priestess staring at Tyrion

As they enter Tyrion’s most familiar home, a brothel, Tyrion engages in a conversation with one of the whores. But, when it is time to move forward, he is unable to. As she stands over him, a girl of Easteros, holding his hand, perhaps he is reminded of Shae, who was also a whore from Easteros. And as he becomes choked up, he cannot move forward. Also interesting to note was one of the whores who was dressed like Khaleesi, which demonstrates her widespread influence across Easteros. Varys adds, “Somebody who inspires both priestesses and whores is somebody worth taking seriously.”

And then we see Ser Jorah, drinking in his despair, before recognizing Tyrion. And as the episode comes to a close, Ser Jorah ties and gags Tyrion as he tells him, “I am taking you to the Queen.” But which queen will he be taking Tyrion to? Cercei, the queen who has a massive bounty out on Tyrion’s head, for which Ser Jorah will certainly receive a large reward? Or the one-true queen in his eyes, Khaleesi, whose father was killed by Jaime Lannister and whose Throne was usurped due to large support from House Lannister?

Ser Jorah kidnaps Tyrion

04.20.15

by throneslifeblog

Season 5, Episode 2: The House of Black and White

THE TRUTH OF EACH CHARACTER

While there are many wonderfully unique characteristics of the Game of Throne series, perhaps one of the most identifiable is the unpredictability of most of this worlds characters. In most television, we understand who each character is at their core, what motivates their action and what they ultimately want to achieve. However, in the GoT world, as viewers, we’ve often had a difficult time discerning the true nature of a character. What truly lies at the core of each character? What do they really want? For one thing — we know that what they say they want, and what they actually want, are often two very different things. And for the first few seasons, we were often completely lost in trying to figure out things such as who we could trust or when a character was telling a lie.

But as we continue deeper into the fifth season, much of that is beginning to change; the true nature of each character is coming more acutely into focus. We are moving further away from the surface layer “games,” which often confused or misled us, and we are now dealing more in truth. Of course, this is still Game of Thrones, and mystery is never far from sight, but that thick cloak of deception that surrounded so many characters is beginning to be pulled back, and what’s left for us to see is the truth of each character — a truth that will drive each character as they continue on their individual journeys. And as we look back at the second episode of season five, The House of Black and White, it is important to assess the truth that continues to emerge out of each character.

ARYA IS MORE FEARLESS THAN EVER

After four years in the making, Arya finally arrives to Braavos, the mystical Free City where we hope she will find the tools needed to become the revenge-fueled assassin she desperately wants to be. After a horn blows announcing their arrival, the captain of the ship tells her to have no fear. In response, she gives one her emotionless stares into the distance and responds, “I’m not afraid.” And while she might’ve been responding to the captain in that moment, as she stares off into the distance and went off to a deeper place, we know that she is reaffirming that she is not afraid…of anything..period. After losing most of her family and enduring a tremendously painful journey, what could she possibly have left to be afraid of? And it is this fearlessness, this idea of having absolutely nothing left to lose, that we see as the undeniable truth of Arya’s character.

Arya reciting the names on her list in front of the House of Black and White

As the wonderful Braavosi music plays in the background and the camera pans out to show Arya’s ship passing under the Titan of Braavos, the message is sent…finally, she has arrived. As she pulls into the harbor and looks on to see the local Braavosi merchants and villagers, we see a smile come across her face..that’s right — Arya shows a glimpse of joy and happiness. Perhaps there is hope for Arya after all in the land of Braavos. But things will not come easy. As she arrives at the colossal House of Black and White, the black man wearing all white tells her that there is no man there by the name of Jaqen H’ghar. But Arya is resolute, more determined than ever and driven by her fearless desire for revenge. She sits there day and night, repeating the names on her list: Cercei, Walder Frey, the Mountain and Meryn Trount — a list that has gotten much smaller.

Arya arrives to Braavos, passing under the Titan of Braavos

BRIENNE THE OATHKEEPER

As Brienne and Pod enjoy a meal at the inn, Pod spots Baelish with Sansa and we see that Arya’s journey is not the only one that seems to have reached a destination. Finally, after much time, Brienne has her sights on Sansa. Before being approached by Brienne, Sansa asks Baelish about the scroll he received in the previous episode, to which he responds that his marriage proposal has been accepted..but to whom?

As Brienne approaches and pledges her service to Sansa, Baelish reminds her that Brienne failed to keep safe Renley or Catelyn, and also that Brienne had been implicated in the murder of Renley. As Brienne swears her honor and is intent upon keeping the oath she swore to protect Sansa, we see that Baelish’s manipulation and cunning words will be more convincing than those of Brienne, which are rooted in truth and honor. And, we are sadly reminded that noble concepts such as honor and duty will not always prevail, and often in this world, as in real life, the deceptive manipulator might come out on top. We also see that Sansa quickly dismisses Brienne, showing no interest at all that Brienne had sworn an oath to her mother. It appears that Sansa continues to grow colder and darker — not the sweet little girl she once was. She also seems more willing to go along for Baelish’s ride and less questioning of what his motives might be.

Brienne and Baelish

As Baelish invites Brienne to travel with them, wanting to keep her close and eliminate a potential threat, Brienne makes a run for it and kills several of Baelish’s knights with her Valyrian steel sword, Oathkeeper, given to her by Jaime. After saving Pod from near-death, he suggests to Brienne that she might be free of her oath, considering that both Arya and Sansa refused her protection. But, Brienne does not think Sansa is safe with Baelish and refuses to abandon her vow. We continue to see a more realistic portrayal of the world around us, rather than the storybook version we are used to seeing in most television and film. That is, we did not see a picture-perfect reuniting when Brienne finally found Arya or Sansa. In this more realistic world, things do not go to plan and Brienne’s travels and hardships were all for nothing. But more importantly, we see what will continue to drive Brienne — the unrelenting dedication to her vow. Despite unfortunate results when she encountered the Stark girls, she will not give up and she will continue to be driven by the thing she holds more dear than all else — the words she swore to Catelyn Stark before she died.

KING’S LANDING

King’s Landing is appearing less and less like the grandiose capital city it once was, and more and more like a darker, grim place to be. It feels like a party — after most people have left and gone home — and there are just a few people left sticking around to clean up the mess. The cunning and deceptive characters of Varys and Baelish, so fundamental to the “game” once played at King’s Landing, are both gone. Tyrion as well. Joffrey and Tywin are both dead. Sansa has departed as well. King’s Landing is feeling less regal than ever before.

Lena Headey as Cersei Lannister and Nikolaj Coster Waldau as Jaime Lannister in Game of Thrones S5 Game of Thrones Season 5 Image Gallery Shows New Cast Members

Jaime and Cercei

But in the ashes that remain, we see a miserable Cercei who has received a threatening message, presumed to be sent from House Martell of Dorne. A viper, a symbol of House Martell, with her daughter, Myrcella’s necklace in it. Cercei tells Jaime that he has never been a father to any of their children, to which he responds that he had no choice as he had to protect the fact that they were born of incest. Cercei reminds him that in the end, his caution did nothing to actually save them — Joffrey was murdered, Tommen is going to be lost to Margaery Tyrell and Myrcella is hostage to House Martell in Dorne. Interestingly, in the previous episode, we recall that the witch Cercei went to see in her flashback who told her that “Gold will be their shrouds,” referring to the funeral shrouds of her future-children and alluding to their ominous fates.

Jaime tells Cercei that he will go to Dorne to rescue Myrcella and enlists the assistance of Bronn, who he tells they are headed “as far south as south goes.” And we again see the true nature of both Cercei and Jaime. The games, the politics, the schemes…those are all no longer important. Titles such as Kingslayer and Queen Regent no long matter. At their core, they are parents, and they will be driven to protect their children.

DORNE

And we finally get our first glimpse of Dorne, the most southern of the Seven Kingdoms, and home to House Martell. Princess Myrcella walks the Water Garden with a Martell prince, appearing to be safe after all. We also finally meet Prince Doran, the ruling prince of Dorne, and the older brother of Prince Oberyn. Suffering from the sickness of gout, what he lacks in physical ability, he appears to make up for in wisdom and patience. As Ellaria Sand, Oberyn’s lover, begs Doran to exact revenge for the death of the Red Viper, Doran reminds that his death in trial by combat was not murder, and that he will not go to war over this. Ellaria tells him that the Sand Snakes, the bastard daughters of Oberyn, support her and also seek revenge for the death of their father. She suggests that they torture Myrcella and send her mutilated body parts back to Cercei, to which Doran again refuses. He tells her that he will not let these things happen while he is still ruler, to which she responds “And for how long will that be?”

Prince Doran Martell of Dorne

While the scene in Dorne was brief, it is clear that Dorne will play an important role as a new locale for season five. Furthermore, it appears that House Martell will be a major new house in the mix in the aftermath of the death of the Red Viper. We also continue to see the hot-headed nature that drives many of the Dornish, which we saw in the Red Viper and now in his revenge-driven paramour, Ellaria.

MORE PROBLEMS FOR KHALEESI

In Khaleesi’s seemingly never-ending stop in Mereen, the problems continue to stack up as Daario Naharis and Grey Worm discover the Son of the Harpy responsible for the murder of one of the Unsullied soldiers. Discord amongst her advisors continues as they express differing opinions regarding what they should do with their prisoner. And as Ser Barristan tells her of her father, the Mad King, and his practices of burning people alive as punishment, she vows to give this man a fair trial. But before that can happen, her ex-slave-turned-advisor kills the Son of the Harpy and mounts his body in the city for all to see. He explains to Khaleesi that he did this to protect her and serve justice. Her hands were tied as she was forced to offer a fair trial, when in reality, the punishment that needed to be served was death, which he was willing to do for her.

The dead Son of the Harpy

Regardless of his loyal intentions, for his actions, Khaleesi sentences him to death. The irony is that she was unwilling to sentence to death the Son of the Harpy, who had committed the actual crime, while she was willing to sentence to death her own advisor who was acting loyally. Through these actions, we see what continues to drive Khaleesi: justice at any cost. She continues to make the difficult decisions, even sparing the lives of her own, if that is the cost of justice.

The ex-slave Khaleesi executes

So driven by the idea of maintaing justice, Khaleesi has not even mentioned taking the Iron Throne of Westeros in quite some time — after all, how can she rule the Iron Throne before she achieves justice in Mereen? And the problems continue, as the death of the ex-slave enrages the other ex-slaves, Khaleesi’s “children.” As a result, a riot ensues between her children and the Masters and chaos breaks loose. And just when things appear to have hit rock bottom for Khaleesi, Drogon returns, the largest of her dragons who had been missing for weeks. While his return is significant in showing that he’s still in the picture, it was the timing of his return that was even more significant — a reminder that Khaleesi truly is the Mother of Dragons, and that an emotional connection exists, as Drogon returns to her and lifts her up when she is at her lowest.

Drogon returns to Khaleesi

TYRION AND VARYS

It is undeniable that the characters created by George R.R. Martin are simply amazing. They are unique while still identifiable; they are bold while still rooted in reality; they are relatable, even if unlikable. He has created a depth to each character with which viewers can form a meaningful connection. And of course, the evolution of each character and the different perspective we’ve been exposed to, make them all the more amazing. One minute you thought you hated a certain character and the next you felt like you loved them.

And the only thing greater than these characters on their own is when they are together, particularly in twosomes and often on some sort of wonderful journey that forces them to grow together. Whether it was Brienne and Jaime, Arya and the Hound or now Tyrion and Varys, there is nothing quite like the way George R.R. Martin creates one-on-one relationships between characters who appear very different on the surface, only to show us that they ultimately are not very different at all.

Jaime and Brienne appeared to be characters completely antithetical to each other, only for their season-long journey to show us that in the end, they were not different at all, and they were binded by their true nature of honor and duty. Similarly, Arya and the Hound couldn’t have been more different at the onset of their relationship, but as they endured the troublesome journey through the Riverlands, we saw them united by their shared love of killing. And now, ass Tyrion and Varys continue on their journey from Pentos to Volantis to embark upon the road to Mereen, we are seeing the emergence of another of these priceless relationships.

Tyrion and Varys travel to Volantis

At first glance, Tyrion and Varys appear to be completely different characters. One is a a sarcastic dwarf from a very powerful Westeros family with an affinity for drinking and fucking. The other is a eunuch born into slavery on Easteros with a more serious disposition and no interest at all in the vices of sex or alcohol. Yet as they continue on their journey, we are beginning to see that when these surface features are stripped back, at their core, they are actually quite similar. They discuss the fact that they could both actually be quite good rulers, as they are two of the few men truly interested in making the world a better place to live in. Yet men like them could never rule as they are repulsive to society. And in turn, society is repulsive to them. And so they surround themselves with large comfortable boxes, such as the one they are confined to right now on their travel. Yet, at the end of the day, men like them are never really satisfied with being in the box…not for long.

And so we see the shared desire of each man to break out of the proverbial (and literal) box that they are in. They are driven by their true desires to make the world a better place. And while they cannot be the rulers themselves, Varys continues to try to sway Tyrion into realizing that this ruler does exist, and that they must find her to help her ascend the Iron Throne.

THE SMALL COUNCIL GETS SMALLER

Back at King’s Landing, we see the head of another dwarf brought to Cercei, albeit the wrong dwarf. Interestingly, Qyburn requests to keep the head as it may prove useful in his experiments. Which begs the question — what are these experiments he is working on? And what will they produce? And this also brings us back to the finale episode of last season when Qyburn performs one of his eery science-lab experiments in an attempt to save the life of the Mountain. He tells Cercei that if it saves him, it certainly will not make the Mountain any weaker. An already freakish monster — what happened to the Mountain and when, if ever, will we see him again?

Cercei and her new Small Council

At the Small Council, we see Cercei attempting to maintain control, though with little success. She appoints Qyburn new Master of Whispers in place of Varys, reminding the council of his qualification of loyalty. She appoints Mace Tyrell Master of Coin in addition to Master of Ships. And she appoints her uncle, Tywin’s brother, Kevan Lannister, Master of War. However, he refuses to acknowledge her authority and tells her that he will be returning to rule over Casterly Rock.

SOME BIG EVENTS AT THE WALL

At the Wall, Jon Snow tells Stannis that the Wildlings will never follow him after he killed their king, and that they will only follow one of their own. Stannis must figure out another way to win back the North, and he offers to remove Jon Snow’s bastard status and raise his up as Jon Stark, Lord of Winterfell. As such, he would have Jon Snow lead the North as part of Stannis’ cause. Becoming a Stark is all that Jon Snow has ever wanted his entire life, yet still, the truth of his character — his unrelenting dedication to the vows he took to the Night’s Watch, prevent him from accepting Stannis’ offer. The discipline Jon Snow shows creates a pretty amazing moment. We can all probably think of 1 or 2 things we have always wanted our entire lives — or at least a couple things we want more than anything right now in our lives. And for most of us, these things we want most would be impossible to turn away if ever presented to us. For Jon Snow to pass on the opportunity of no longer being the bastard of Winterfell, and to become not only a proper Stark, but Lord of Winterfell, shows unbelievable character and strength.

And moments later, after Samwell’s passionate speech about Jon Snow’s heroism, he is elected 998th Lord Commander of the Night’s Watch. There are many major implications about Jon Snow being Lord Commander of the Night’s Watch, such as how will Ser Allisor Thorne react and how will Jon Snow command over the depleted Night’s Watch.

Kit Harington as Jon Snow Stephen Dillane as Stannis Baratheon and Liam Cunningham as Davos Seaworth in Game of Thrones S5 Game of Thrones Season 5 Image Gallery Shows New Cast Members

Stannis offers to make Jon Snow a Stark

Also at the Wall, we see Shereen, Stannis’ daughter, teaching Gilly how to read. The two begin to discuss Grey Scale, the disease that has scarred Shereen’s face. Gilly tells Shereen of her two sisters who were inflicted with this disease, who eventually turned into grotesque monsters, before being put out of their misery. Interestingly, unlike them, Shereen appears to have been spared as the disease never took over her full body. It is also interesting to think back to last season when Lady Melisandre told Lady Selyse that Shereen must come with them to the Wall as she will have a role to play.

A GIRL MUST BECOME NOTHING

As the episode concludes, Arya crosses paths with a couple street bandits who she tells to turn the other way if they want to live. Despite being one small girl against three larger men, we again see the absolute fearlessness that drives Arya. But before any fight ensues, the men flee as they see the black man in the white hood that Arya encountered early in the episode. As they stand back in front of the House of Black and White, the man gives her the coin back that she threw in the water, before changing his face back to that of Jaqen H’ghar. When she asks why he told her earlier that there was no man by the name of Jaqen H’ghar at the House of Black and White, he tells her “A man is not Jaqen H’ghar. A man is nobody. And that is who a girl must be come.”

The face of Jaqen H’ghar returns and lets Arya into the House of Black and White

These words are interesting for several reasons. First, it continues to show the mysterious and magical side of the Faceless Man, a league of assassins that we are dying to learn more about. But more importantly, it is the idea of becoming nobody or nothing. In response to the words Valar Morghulis, meaning “all men must die,” the Braavosi respond Valar Dohaeris, meaning “all men must serve.” As Faceless Men, they appear to strip themselves of any true identity, becoming nothing, and dedicate themselves to their service. This seems to be just the place for Arya, a girl who already has been stripped of most of her identity and is driven by the sole desire for revenge. In many ways, she has already been reduced to nothing and she could be a perfect fit for the Faceless Men.

04.13.15

by throneslifeblog

Season 5, Episode 1: The Wars to Come

A NEW SEASON, A NEW WORLD

Finally…We can all breathe a sigh of relief, the wait is over and Thrones is back. Yet, after watching the Season 5 premiere, some of us may have been left feeling a bit underwhelmed, perhaps even a bit slighted. After all, we waited a full year for Thrones to return, shouldn’t the kickoff episode have been packed with a bit more action? No beheadings, no betrayals, no battles and no scandalous sex scenes at all — I mean come on — where were all the things that we’ve grown so accustomed to seeing out of Thrones on weekly basis?

And yet still, it would be foolish to not read between the lines and recognize the way that this premiere episode set the stage for the journey that we are about to embark upon. While there weren’t any major plot progressions or jaw-dropping reveals in this premiere episode, one very loud and unmistakable message was sent: viewers beware, we are in a bold new world. This is not the Thrones world you’ve come to know over the last four seasons and the whatever predictability of the world we grew to know is now gone. Tywin, the man responsible for directing so much of “the game” we’ve come to understand, is dead; Tyrion, another Lannister who kept much of the game in motion, is now halfway across the world; House Bolton officially rules from the seat of Winterfell; while Stannis now calls the shots at the Wall. And these were just a few of the major changes we faced in the opening episode. In this new world, there are new games to be played, new rules to those games and new players to play them. In an episode entitled The Wars to Come, it is important to recognize that the landscape of Westeros has vastly changed in the aftermath of Season 4, and believe it or not, what comes next in this new world appears even more unpredictable than ever.

THE END OF A LANNISTER ERA

Hinting at the fact that things are more different than ever, Season 5 kicks off with something viewers have never before seen — a flashback. We not only see the bratty malevolence that Cercei possessed even as a youth, but we also learn that much of the ill fate Cercei is experiencing before our eyes today, she was actually made aware of 20+ years ago. As Cercei goes to visit a witch in the woods, she tells the witch that she’s been promised to be married to a prince but the witch tells her that she will in fact marry a king. As viewers, we now know that the prince young Cercei was referring to was Rhaegar Targaryen, but that they never married, as he was killed by Robert Baratheon during Robert’s Rebellion. And instead, Cercei ends up marrying King Robert, as the witch told that she would. The witch goes on to tell her that she will be queen, until she is replaced by one younger and more beautiful (Margaery). Most important, referring to Cercei’s three future children, the witch states “Gold will be their crowns, gold will be their shrouds,” referring to their funeral shrouds, implying that death surrounds Cercei’s children. Having lost one child already during his reign as king, having a second son reigning as current king, and her third child, Myrcella, halfway across the world in the hands of their enemies, House Martell, perhaps Cercei should have listened a bit closer to the prophetic words of the fortune teller she sought out as a child.

The young Cercei

Flash forward, we see that Cercei’s problems extend beyond just her children, and that an enormous void is left by the death of Tywin Lannister. Though never actually king, as we look upon Lord Tywin laying dead in the Great Sept, we feel as though we have witnessed the death of a king, a testament to the immense power that Tywin commanded in his life. And as the morose notes of The Rains of Castamere play in the background, a song which once reminded of the strength of House Lannister, we now see a much different version of this once all-powerful house — one that appears to have been reduced to no more than the revenge-driven Cercei and one-handed Jaime. And as they discuss all that Lord Tywin built for their house, Jaime reminds his sister of all the schemers and plotters that will look to prey upon their weakness as he tells her, “they are going to try to take it away…all of it.” And while it appears that we’ve witnessed the end of the Lannister era as we once knew it, Jaime tells Cercei that they must stick together to defend what their father has built, while Cercei seems more intent upon focusing on the fact that Tyrion is still out there somewhere. To say the least, with Tywin dead and Tyrion across the Narrow Sea, there’s discord amongst the Lannister twins at a time when they can least afford it.

The death of Lord Tywin, marking the end of a Lannister era

OUT OF THE BOX

After weeks of being confined to a crate on a ship, Tyrion is finally released to see the realities of his new world — one where he finds himself in Pentos, with Varys, at the palace of Illyrio Mopatis, a character we’ve not seen since the first season. And right away, Varys reveals something very major. He tells Tyrion that he and Illyrio belonged to a group of people who saw King Robert’s reign as a disaster and aimed to do what was best for the realm by restoring the Targaryen dynasty. In other words, the two of them had been working together behind the scenes to help Khaleesi retake the thrown. Looking back to season 1, we can connect many of the dots. For starters, it was Illyrio Mopatis who hosted Khaleesi and her brother, Viserys, at his palace in Pentos when season 1 started.

From Season 1: Illyrio, in Pentos, harboring Viserys and Daenerys Targaryen

Illyrio brokered the marriage to Khal Drogo in an effort to put an army at the back of the Targaryens. It was also Illyrio who gave Khaleesi her three dragon eggs as a wedding present, which would go on to hatch into three living dragons — the first in hundreds of years. It had been clear that Illyrio was aiding the Targaryens, but it was not until halfway through the first season that we learned that Varys was equally involved with this plot, though much more behind the scenes. As Illyrio visits King’s Landing and walks the dungeons with Varys, Arya overhears them talking about the Targaryen claim which they are backing, and as they discuss the impending war between the Starks and the Lannisters, Illyrio notes that Khal Drogo and the Targaryens are not yet ready to make their move on Westeros, and that they need to buy more time. In short, this scene (see video below) showed us that Illyrio and Varys were plotting for a long time to back the Targaryen restoration. And now, four seasons later, it all comes full circle as Tyrion and Varys end up in Pentos at the palace of Illyrio, and Varys for the first time explicitly tells Tyrion of his plot, one that went terribly wrong.

And as we so often ask ourselves what the true motives of certain characters are, especially ambiguous ones such as Varys, we once again hear what Varys professes to want to most: peace and prosperity for Westeros. Though his plan to get Khaleesi back on the Throne did not yet come to fruition, he seems more decided than ever that she is the one true ruler who could achieve this — one that could strike fear in the powerful Lords of Westeros while inspiring greatness and compassion amongst the weaker. She has the army, the dragons and the right last name. And he now turns to Tyrion to assist him in the pursuit of helping Khaleesi to ascend the Iron Throne.

Speaking of which, it will be interesting to see what comes next for Tyrion. To date, he has been a character utterly defined by his Lannister last name. In Season 4, when Shae would so often beg Tyrion to leave King’s Landing and start a life elsewhere with her, he would always reply that he is a Lannister — what purpose would he possibly have in Easteros, away from “the game” taking place at King’s Landing? After professed that he was good at the game and he enjoyed playing it. Ironically — away from King’s Landing, halfway across the world in Easteros is now precisely where he finds himself, only under an entirely new set of circumstances. So far from his familiar world of King’s Landing and almost entirely removed from his Lannister landscape, will Tyrion find new purpose? What man will he become? And will he ultimately make his way to Mereen, along with Varys, and meet the Mother of Dragons?

tyrion

TROUBLE IN KHALEESI’S NEW WORLD

Which brings us to the new world that Khaleesi is trying to create amongst the slave cities of Easteros. Symbolic of the old ways she is uprooting and the new world she is creating, Khaleesi’s Unsullied tear the giant harpy off the Great Pyramid of Mereen. And as we recall from the end of Season 4, Khaleesi offers that the slave masters of Yunkai could “live in my new world, or die in their old one.” We see that the more Khaleesi tries to cultivate this new world, one where slavery is absolutely forbidden and justice will always be recognized, we also see the obstacles she faces — ones that may deter her from her eventual goal of reclaiming the Iron Throne. First, we see one of her Unsullied murdered by a member of the Sons of the Harpy, a resistance group that has raised up in defiance of the new world she is trying to create. Khaleesi insists that he be buried publicly in the Temples of the Graces, despite her advisors warning that this will further anger the Sons of the Harpy.

In addition to these issues she faces in Mereen, as Daario Naharis returns from Yunkai, Khaleesi learns that the ex-slave masters have asked her to allow the continuance of the fighting pit, something which she refuses. As she later chats about this with Daario in bed, he reminds her that she is the Mother of Dragons and that if she wants to have success in her new world, her dragons must be a part of it. But, when she goes to check on her two dragons which have been locked up for some time, we see that they have not only grown extremely large, but that they also appear more uncontrollable than ever. Furthermore, it’s been weeks since anybody has spotted Drogon, the largest of the three dragons. As this season unfolds, it will be interesting to see how dedicated Khaleesi remains to establishing her new world versus shifting her sights towards the ultimate goal of claiming the Iron Throne.

Khaleesi & her dragons

THE WALL

Elsewhere, we once again see that everything has changed with major unpredictably surrounding what comes next at the Wall. In the aftermath of the battle between the Night’s Watch and Mance Rayder’s army of Wildlings, we see a depleted Night’s Watch that is now somewhat backed by Stannis Baratheon’s army. As Jon Snow ascends the Wall, Melisandre asks him if he is a virgin. When he informs her that he is not, she responds, “good,” with a sinister grin. Atop the Wall, Stannis tells Jon Snow that he plans to retake Winterfell from House Bolton and wants the Wildlings to fight for him. All Mance has to do is bend the knee, to which he of course refuses. As Jon Snow tells Mance he is making a mistake, Mance responds “All I ever wanted was the freedom to make my own mistakes.” Even when faced with being burned alive, Mance would rather die a free man than acquiesce to the rules of the southern kingdoms and bend the knee. And as everybody looks on as he begins to burn, Jon Snow puts an arrow in his heart to prevent the horrible death Mance was about to experience.

EVERYTHING ELSE

In a roundup of some of the smaller scenes of the premiere episode, we see the continued journey of Brienne and Pod, who in their new world, appear to lack any true purpose or destination. Sansa, appearing darker than ever, continues to journey on with Littlefinger, and on their new path together, leave Robin Arryn with Lord Royce for safekeeping. We also see Lord Baelish receive a message, which undisclosed, he stashes in his sleeve. Once in private, Baelish tells Sansa that they are going somewhere so far away that even Cercei cannot find Sansa. And back in King’s Landing, Lancel Lannister, Cercei’s cousin, reappears as a Sparrow, stating that he has found peace in the Light of the Seven. He apologizes to her for their unnatural relations, and also for the part he played in serving Robert Baratheon the very strong wine, which led to his hunting accident and eventual death. Though it had been implied previously, we receive explicit confirmation of the role that Cercei played in killing her husband and the King. And as the season premiere comes to a close, while we may not have witnessed any singularly gamechanging events, this new season presents a new world, one where the game appears to be changing and anything could be possible.

Sansa, appearing darker than ever

06.16.14

by throneslifeblog

Episode 10 Recap: The Children

THE CHILDREN

Last week’s episode took place in just one location and was dedicated entirely to one plot-line. At the other end of the spectrum, the season finale not only catapulted us into the plot-lines of almost every character, but also progressed each of these stories rather abruptly. Outside of Sansa, nearly every character was featured in the finale and each one had a major development in one way or another. In a world where we’ve come to expect rather slow character and plot development, this episode was a smack in the face — a major departure from any episode we’ve seen in four years of Thrones.

But, what was actually so special about this episode? Sure, lots of “stuff” happened pretty quickly, but was there something more to the finale than just tons of action? The answer is yes. There were several layers at the core of the finale which made the episode special and are worth discussing. First, the ways in which several independent plot-lines all of a sudden began to intersect. Second, the many different plot-lines to which the episode’s title, The Children, significantly refers to, and the way these children have been both imprisoned and liberated. And finally, the many ways in which this “game” has changed drastically in just one episode.

CONVERGING STORIES

The finale episode did not only offer up major progressions of each character’s story, but it also offered a taste of the way several of these previously independent plot-lines will begin to merge into one. In any other fictional world, the intersection of characters would probably not be worth mentioning. Why? Because from the onset of almost any story, even if we do not know the exact roles each character will fulfill, we have a basic understanding of the ways each character shares in the world that we are experiencing. And this is just another way that Thrones is completely unique from almost everything else out there.

Rather than a set of characters in a shared world, Thrones is composed of so many characters with story arcs that have remained completely separate from one another, existing in parallel. It’s almost as if we have been watching many different shows — each about a different character with a story unique and exclusive from every other character. Ultimately, this has left us to wonder when, and more importantly, how these independent stories would start to bleed into one another. But in the season finale, some of these questions began to be answered as we were offered a glimpse into the way several characters’ plot-lines will begin to come crashing together. And this — the way the pieces of the puzzle will start to come together — made the finale uniquely special from all other episodes.

Right out of the gate, the plot-lines of Jon Snow and Stannis meet face to face. For so long, we have experienced the independent journeys of each character. Prior to a couple episodes ago when hints began to be offered that Stannis was going to make his way to the Wall, did you ever stop to consider the story-lines of Stannis and Jon Snow coming together? Probably not. But that is exactly what happened. Stannis, a man once committed to taking the Iron Throne which rightfully belonged to him, he later realized that the war over the Throne was meaningless compared to the imminent war in the North involving the Night’s Watch, Wildlings and possibly White Walkers. And Jon Snow, a character who started as a boy and has grown into a man while overcoming his bastard issues, he has infiltrated the Wildlings before making his way back to the Night’s Watch, ultimately appearing completely willing to give his life to defend the Wall. For four seasons we have seen these two characters develop, completely independent of one another. And in the blink of an eye, just like that, their stories come together as Stannis arrives at the Wall and crushes Mance’s camp of Wildlings. The arrival of Stannis has breathed new hope into the war on the Wall, which was all but lost by the Night’s Watch. More significantly, it crosses the paths of Stannis and Jon Snow, and is one of the first hints at the way major characters might begin to intersect one another to reveal the roles they will play in the greater storyline.

Similarly, the journeys of Brienne/Podrick and the Hound/Arya abruptly come together as Brienne stumbles upon Arya on her way to the Vale. For seasons now, Brienne has been on a journey to honor Catelyn Stark and find Sansa. Ironically, it is Arya that she stumbles upon rather than Sansa. Likewise, the Hound has been on a seemingly never-ending journey with Arya, arriving at the Twins just after the Red Wedding, and then getting to the Vale just days after Lysa Arryn was killed. And just like that, these journeys — ones that have developed over the course of so many episodes — come crashing together without any warning at all. But whereas the arrival of Stannis at the Wall gave us hope and probably felt good to watch, the clash of Brienne and the Hound’s stories was not as nice to watch. After Brienne insists on honoring her oath and refuses to leave without Arya, the Hound professes that he is a better fit to look after her. A brutal fight ensues in which Brienne is ultimately victorious and the Hound is thrown over a cliff and possibly left to die.

In the Thrones world, we’ve seen plenty of good guys fighting bad guys. We’ve even seen bad guys fighting bad guys. But this might be the first time that we saw a good guy fight a good guy, which probably left most of us wishing the fight never happened in the first place. In and of itself, the fact that we are calling the Hound a “good guy” speaks volumes to his character development. If you go back and watch the first couple seasons of Thrones, you probably would not have guessed that you would have grown to love the Hound — but most of us have. And after we came to see the warmer, more human side of him, and the many ways he opened up to and cared for Arya, it was painful to see him go down like that — especially in a fight to protect Arya. And as he lay there in brutal shape before the eyes of Arya, the irony of their situation could not have been any greater. Since season one, the Hound has been a name on Arya’s list — one of the people she has committed herself to eventually killing and crossing off her list. She has even told the Hound directly that she will one day kill him. Yet, when the opportunity presented itself, so much so that the Hound actually wanted her to kill him, she would not do it. As he pleaded with her to put him out of his misery, Arya looked on with cold eyes, almost immune to the immense pain you could hear in his voice. Emotionless, she took his gold and left him to die a more painful death than the one she could have offered.

THE CHILDREN AND THEIR LIBERATION

In the Thrones series, the title of each episode is often significant and generally speaks to an underlying message or overtone within each weekly installment. Perhaps more so than ever, the title of the finale, The Children, has many meanings all rolled into one. The most literal meaning, the finale episode refers to many of the characters’ identities which have been defined by the parent-child relationship that they exist within. And generally, these relationships have been imprisoning to several of these characters. But, in the finale episode, things changed for many of “the children,” and several of them were liberated, while others were further imprisoned.

Perhaps more so than any other characters in the show, the three Lannister children have been defined by their roles as children, to none other than Lord Tywin. From the first moments we’ve encountered them, we have known the Lannister siblings as children — their identies almost completely dictated by the fact that they were Lannister children. More times than not, it has seemed that their roles as children have been already decided for them and they’ve often had no free will what so ever. Cercei was used as a tool of marriage, forced to endure King Robert in order to become queen and further the Lannister cause. Jaime was forced to serve on the Kingsguard to the Mad King. And Tyrion was forced into a life of ridicule. Each had a role to play forced upon them as children to Lord Tywin, and for the most part, it seemed as if there was nothing they could do to change this.

But all of that changed in the finale, and we begin to see some of The Children that the episode title refers to. It all begins as Cercei refuses to marry Ser Loras Tyrell, another marriage Lord Tywin is set to force upon her. However, it is not because of her personal preferences or desires that she refuses, but rather a decision dictated by the children of her own. With Joffrey dead and Myrcella shipped off to Dorne, Tommen is the only child she has left, and she refuses to lose him to the self-serving influences of Margaery Tyrell and Lord Tywin. It’s an interesting juxtaposition as the child of Lord Tywin, Cercei, stands up to one of the most powerful men and threatens to do whatever she needs to in order to protect her own child. She tells Lord Tywin the truth of her incestuous relationship with Jaime, and threatens that she will ruin the Lannister legacy by letting it be known to all. She then goes and tells Jaime that he is the one she wants; she no longer wants to hide the truth and does not care what anybody thinks. She liberated herself from the prisoner she had been as a child to Lord Tywin. And, in certain ways, she also liberated Jaime, who was forced to keep his love for Cercei a secret for so many years.

The liberating continues as Jaime frees Tyrion and saves him from imminent execution. While Tyrion was the one literally freed, this was equally liberating for Jaime, who has desperately wanted to save his little brother, but has been ultimately helpless to the will of his father, Lord Tywin, who wanted Tyrion dead. Like Cercei, no longer would Jaime be prisoner to the commands of his father, and he frees his little brother. Ironically, this leads to the death of their father and the ultimate liberation for all three Lannister children. But before he kills Lord Tywin, Tyrion stumbles upon Shae, who not only betrayed him during his trial, but is now sleeping with the very man who threatened to kill her if he found her with Tyrion — the very reason Tyrion was forced to send her away — to save her life. A bittersweet revenge, Tyrion kills the woman he loves, before killing the father that never loved him. With Lord Tywin dead, what happens next in King’s Landing? Who will claim the power that was previously held by him?

Though only in the episode for a brief moment, Khaleesi is another story-line that the The Children refers to. Once a child, Khaleesi has quickly become a mother, which has become both liberating and imprisoning at the same time. Stepping into the fire and hatching petrified dragon eggs, Khaleesi first became the mother of dragons. And much the way Lord Tywin ultimately could not control of the actions of his own children, Khaleesi was told from the onset that she would not be able to fully control her dragon children. Khaleesi used these children to become the mother, or “mhysa,” to thousands of additional children as she freed the slaves of Yunkai, Astapor and Meereen.

Khaleesi has has achieved great power, but is beginning to struggle to successfully navigate it. Freeing these children while governing them at the same time often do not go hand in hand, and Khaleesi is beginning to experience a great paradox. She conquered cities and freed the slaves, only to find out that many of them have lost their purpose as free men and do not in fact wish to be liberated. She has grown dragons, one set of children, who are causing chaos amongst her other set of children, the freed slaves. As Khaleesi learns that one of her dragons has killed the three year-old daughter of a Meereenese man, she realizes what she must do. Khaleesi became the breaker of chains, making her “myhsa” to the slaves she freed, but in order to protect these children, she now must impose another set of chains to her other children — the dragons. Just as the Lannister children had so long been imprisoned by their roles as children, it appears that Khaleesi is beginning to become a prisoner to the burdens of her role as a mother, to both thousands of slaves that she has promised to lead and protect, as well as the dragons that she birthed from the fire.

THE CHILDREN (OF THE FOREST)

The more literal reference to the finale’s title is the Children of the Forest, a magical race of creatures that existed on Westeros prior to the arrival of the First Men from Easteros. Since the beginning of the Thrones series, there have been references to the Children of the Forest, especially in the North, where the current inhabitants are descendants of the First Men. But, it was entirely unclear, if not altogether doubtful, that the Children of the Forest still existed today. And just like that, we get first glimpse of the Children and the magic they possess.

In large part, this blog was started to provide background on the 12,000 year history of the Known World — a history that is incredibly rich and detailed — one that can be fully appreciated from reading the books, but is pretty much incredible to grasp from the show. In each 1000+ page book, there is more detail and reference to the history that occurred prior to the time period that we are currently experiencing. In the show, at best, there are quick references via character dialogue — and if you do not already have an understanding of the history being referred to, most of these historical mentions won’t mean much. And, this history — this unbelievable 12,000 year history, it all begins with the Children of the Forest. They existed on Westeros before anybody else got there. For how long they existed, it’s unknown. But they were there when the First Men arrived 12,000 years ago. And, after a period of initial war between the Children and the First Men, they lived together in peace for 4,000 years, until the Andals arrived and pushed the Children to the brink of extinction.

Today, much mystery surrounds the Children of the Forest — they have not been seen for thousands of years and some believe them to be a myth. But, history tells that the Children of the Forest lived amongst the weirwood trees and derived their magic from the forests. The First Men eventually adapted the practices of the Children, honoring the weirwood trees and praying to the Old Gods. This explains why today, in the North, where most are descendants of the First Men, they still pray to the Old Gods and honor the weirwoods — practices and customs that were originally learned from the Children of the Forest.

Before being nearly wiped off during the Andal Invasion, the Children of the Forest played an important role, and during the Long Night, it was the Children of the Forest that fought alongside the First Men to push back the White Walkers. It is also said that the Children of the Forest lent their magic in assisting Brandon Stark, founder of House Stark, in building the Wall nearly 8,000 years ago. In short, the Children of the Forest are incredibly significant, and to learn that there are still some alive today in the deep North is the greatest reveal that we’ve seen in 40 episodes to date.

To learn more about the Children of the Forest, check out this page, which was one of the first ever published on this blog. I would also recommend checking out this timeline which will provide some context on the history of the world we are experiencing and how far back it dates.

WHERE ARE WE AT NOW?

As the fourth season comes to a close and we reach the approximate midway point of this entire magical journey, it is important to not only reflect upon this individual episode and the craziness that unfolded, but also to step back and reflect upon how this entire “game” has changed in just one episode. So, here’s a quick recap:

The episode begins where last week left off, as Jon Snow journeys north of the Wall to find and kill Mance Rayder. However, before he has the chance to, Stannis’ forces arrive and crush the small band of Wildlings at Mance Rayder’s camp. Presumably, Stannis used his funding from the Iron Bank of Braavos to strengthen his army and fleet of ships, which he used to sail back to Westeros north of the Wall. Wanting no more Wildling bloodshed, Mance surrenders, and per Jon Snow’s advice, Stannis takes Mance prisoner. Also of interest, through the fire, Jon Snow and Melisandre exchange a long glance — was this a foreshadow of something to transpire between these two characters? A lot is left to wonder, but in the blink of an eye, the entire situation at the Wall has changed completely.

In King’s Landing, we discover that the Mountain is in fact still alive, though inflicted with poison from a rare venom that was on the spear of the Red Viper. Qyburn tells Cercei that he believes he can save the Mountain; his methods are unorthodox and he acknowledges it will change the Mountain, though not for the weaker. Will he in fact be able to save the Mountain? And, if so, could Qyburn actually be turning the Mountain into a greater monster than he is already?

As one brother is saved, another is left to die. Though, we would have hoped it was the other way around. After the powerful development of the relationship between Arya and the Hound, we might have guessed that Arya would have tried to save the Hound. Or, at least have granted him his wish and put him out of his misery. But, she did neither and instead stole his gold, much the way he had done to his victims in the past. In this moment, we see Arya’s true nature. She doesn’t just talk about killing, she means it. In her heart and at her core, she has been completely hardened by all the death and despair she experienced around her, losing her mother, father and brother. She has no compassion for the Hound, even though he at times expressed compassion for her. And as she journeys on alone, she finally uses the magical coin given to her by Jaqen H’ghar two seasons ago, and says those famous Braavosi words, “valar morghulis,” meaning “all men must die.” Instantly, she is granted passage on the Braavosi ship and just like that, she is on her way to Braavos. What will happen when she gets there? And will she reunite with Jaqen H’ghar?

Back in King’s Landing, after taking down Shae and Lord Tywin, Tyrion ends up with Varys, who he trusts to get him out of the capital city safely. Many of us have questioned Varys’ motives and whether or not he is a “good” character. During Tyrion’s trial, Tyrion reminded Varys that Varys once told Tyrion that he would never forget that he saved the city during the Battle of Blackwater Bay. When Tyrion asked Varys if he had forgotten, Varys replied, “Sadly, I do not forget a thing.” Additionally, it was Varys that attempted to get Shae out of King’s Landing, bribing her with gems. When she asked him why, Varys told her that he believed Tyrion was one of the few men that existed on Westeros who was truly capable of achieving good, and that Shae was a distraction to him. And, when Tyrion needed him most, Varys made good on his word, playing his part to save Tyrion, a man he clearly believes in. Turning back to return to King’s Landing, Varys hears the city bells erupt and realizes that Tyrion has committed a great act of murder. Rather than returning to this scene of chaos, Varys decides to join Tyrion on their journey to Easteros — Varys’ original birthplace and a location where he has many friends and resources, namely Illyrio Mopatis.

And finally, perhaps the most significant part of the episode, after a seemingly never-ending journey, Bran and company reach their destination — the great weirwood tree in the deep North. Just as they arrive, skeletons emerge from beneath the freezing snow, perhaps some sort of wights that exist in the deep North. Bran again showcases his ability to change into the skin of another human, fighting off many of these skeletons, before one of the Children of the Forest emerges, helping to protect them by shooting off magical rays of light. Jojen Reed is killed, though it is revealed that he knew the whole time it would end this way. After being led through a cavern of tree roots below the beautiful weirwood, Bran finally arrives to the three-eyed raven, who is now in the form of a mysterious old man. The man tells Bran that he has taken many different forms and has been watching each of them their entire lives through a thousand eyes. Though he will never walk again, Bran is told that he will fly. Naturally, tons of question marks are raised by this entire development. What exactly is this man and what kind of powers does he possess? Why was Bran specifically so special that he has been watched his entire life? What will his role be in the war coming and will he literally take flight, or perhaps he will fly in the skin of a dragon? Also, how many more Children of the Forest exist, if any?

All in all, the season four finale significantly progressed the plots of most of the stories we’ve been experiencing, setting up season five in a major way. Between Stannis’ arrival at the Wall, Arya leaving for Braavos, Tyrion killing Lord Tywin before leaving with Varys for Easteros and Bran discovering the Children of the Forest and the mysterious man, we’re in the thick of it now. For those disappointed with the lack of progression of Khaleesi’s story — don’t be. If you are watching the show through the lens of what you want it to be, rather than appreciating it for what it is, you are doing yourself a major disservice. As we’ve already touched upon, there are so many plot-lines, each which will organically develop at its own pace. Some will begin to intersect and mature sooner than others, while others may lead us down a longer and slower path. But, would you really want it any other way? If all the stories emerged at once, the Thrones world would be no different than most other shows on TV. It is the disciplined nature and meticulous development of each character that makes Game of Thrones so special. Two years ago Arya encountered Jaqen H’ghar and was given this magical coin. Did she use it in the following episode? Did she use it a few episodes down the road? Or even in the following season? The answer is no. It was not until two full seasons later that we saw that nuisance come to fruition. And when did, it makes it all the more powerful. It did not happen because the writers wanted to write it — it happened at the point it did because that is when it was supposed to happen. So for anybody getting impatient, take your eye off the destination and enjoy the ride that we are on to get there.

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Tag Archives: Varys

Season 8, Episode 4: The Last of the Starks

DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.

Moving On

Identity

Fire and Blood

Odds and Ends

SEASON 7, EPISODE 3: THE QUEEN’S JUSTICE

SEASON 6, EPISODE 10: THE WINDS OF WINTER

SEASON 6, EPISODE 5: THE DOOR

Season 5, Episode 7: The Gift

Season 5, Episode 4: Sons of the Harpy

Season 5, Episode 3: The High Sparrow

Season 5, Episode 2: The House of Black and White

Season 5, Episode 1: The Wars to Come

Episode 10 Recap: The Children