Season 8, Episode 6: The Iron Throne

DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.

What Just Happened?

Shocked. Confused. Disappointed. Baffled. There is no shortage of adjectives to describe the way I feel after the final installment of Game of Thrones, but simply put, it was an emphatic explanation point on an utterly disappointing season. At its best, Game of Thrones took us to highs that few stories have before; and as we saw in this finale episode, at its worst, Thrones was capable of reaching equally extreme lows. With each episode that passed this season, the simple (and terribly sad) reality became more and more apparent: the folks producing this show simply were not going to be able to deliver a successful end to this story. And despite a season defined by poor story telling, inexplicable character development, pacing of events that often made no sense — despite all of that — I still held out a bit of hope that the final episode would have one final magical twist or turn that would help to make things right. After all, this is Game of Thrones we are talking about — this was the one show that simply would not, and could not, mess up the end to its story the way so many other shows have.

But the truth is now plain to see and there is no hiding from it. The reality is that the magic of this world we became so captivated by — the characters, the history, the locales, the families, the lore, the mythology — all of it — it all lived in a series of books. And while HBO did an absolutely masterful job at adapting the magic of those books to TV, the reality is that we were always destined, to some extent, to end up exactly where we did. George R.R. Martin took the better part of 20 years to create the enthralling world that we fell in love with over the first six seasons. But those six seasons were based on the five books he had written — two short of the seven books that will (hopefully) be published to bring the A Song of Ice and Fire saga to a close. Writing for the sixth book, The Winds of Winter, began over eight years ago, and is still not out. It’s anybody’s guess when final book, A Dream of Spring, will be published, but it likely will not be for another 10 years or so.

So what does this tells us? It tells us that the homestretch of this story, a story that has taken over 25 years to write, simply does not yet exist, and likely won’t for many years to come. There is a reason George R.R. Martin takes so many years to write each book and it’s not simply because the writing itself takes so long. It’s because he is actually taking an incredible amount of time to continue to create and develop the story itself. And as the story starts getting towards it’s final chapter, it becomes increasingly more challenging to think about how each character’s journey comes to an end, how various storylines converge, and how this epic saga ultimately reaches its finale.

The predicament we find ourselves in is that while George R.R. Martin will take as much time as is required to finish this story the right way, HBO could not. So, what we were left with for the last two seasons, was a story that was based on loose directional feedback provided by George R.R. Martin, which left Thrones writers and producers filling in some very large gaps. Sure, George R.R. may have been able to tell Thrones producers what the singular endpoint of this story was, but he simply hasn’t yet conjured up and all the intricate subplots and character journeys that lead us to that endpoint. And without having his story to tell, we were left with a watered down, overly simplified, dumbed down version of what I believe the ending to this story will be when he tells it through the books. To some extent, the show was always destined to end this way, only I don’t think anybody thought it could ever get this bad.

The finale episode, entitled The Iron Throne, was riddled with one cringe-worthy cliche after the next. As has been the case throughout most of the season, the pacing felt totally off, with certain moments being totally rushed, and other less significant ones dragging on. The writing, specifically much of the dialogue, landed somewhere between embarrassing and comical. The aftermath of last week’s total destruction of King’s Landing simply felt totally contrived, with writers bringing rather abrupt endings to each character’s story. So much so, that it almost felt as if this finale episode was disjointed from the entire story that preceded it. It was as if this finale episode was given to a brand new team of writers that knew absolutely nothing about the story that has spanned the last 10 years, and were asked to do their best to synthesize some sort of close that forced endings for each character. One moment I felt I was watching a soap opera, the next I felt I was stuck in a bad SNL skit. How could this be? I mean I wasn’t expecting a whole ton after how disappointing this entire season has been, but really, I never could have imagined the new lows that were reached. There was absolutely nothing interesting. Nothing unique. No twists or turns. Very little emotion. Only cheap storytelling that made this episode feel like it was an obligation — a chore to get this thing wrapped up — rather than a vehicle to truly end this story in a meaningful way.

A Mess in King’s Landing

The episode begins as we see Tyrion and others taking in the aftermath of Dany’s fire and blood escapades. King’s Landing has now become a wasteland, with only skeletons and ash to speak of, which further underscored the ridiculousness of how far Dany took things last week. As Tyrion continues through King’s Landing, he eventually makes his way below the Red Keep where he finds Cersei and Jaime’s final resting place. Despite all his efforts, Tyrion could not stop all the death that was to come, and all he can do now is look on at his last remaining family members, gone forever. As Jaime and Cersei lay together, it was a poetic reminder that Tyrion really has been alone in this world most of his life, and even though Jaime cared about him a great deal, he was always an outsider compared to the twin bond that Cersei and Jaime shared.

Continuing her plunge into madness, we see Dany standing over a ruined King’s Landing, delivering an impassioned speech to her army, in which she basically tells them that this was just the beginning, and she plans to take her show on the road. While we all saw her evolve into The Mad Queen last week (at a pace that made absolutely no sense), the door was still left open for her to show some remorse in this finale episode. But that door shut pretty quickly and it became evident that no amount of death and destruction would be too great a cost for her to “break the wheel.” In reality, Dany herself sounded like a ruthless tyrant, one capable of committing devastating acts — the very type of ruler she has so badly wanted to rid from the world. It continued to be frustrating to watch just how cruel and vicious she has become so quickly, and it felt totally contradictory to who Dany was for the better part of the last 10 years.

Realizing he was on the wrong side of things, Tyrion gave Dany a big “f you” as he denounces her slaughter and abandons his post of hand to the queen. He’s quickly taken as her prisoner as Jon can only look on. Jon then goes to visit Tyrion, where they continue to go back and forth about whether or not Dany must be stopped. In their exchange, Jon references something Maestar Aemon told him all the way back in season one, “Love is the death of duty.” At the time, Maestar Aemon was explaining to Jon why brothers of the Night’s Watch could not have families — love would interfere with their duty to protect the realm. In response, Tyrion flips the idea that Maestar Aemon presented, and tells Jon that “sometimes, duty is the death of love.” No doubt, a suggestion that Jon’s duty to protect the realm might bring about the death of his love with Dany. Before Jon departs, Tyrion urges him that he must decide and he must decide now.

Moments later, surprise surprise, we see Dany in the Throne Room, a replay of basically the same vision she had in an earlier season where we saw the ruined Throne Room that she is now walking through. Once again, a reminder that she has become nothing more than queen of the ashes. If you asked me a few years ago what one of the most powerful moments in this story could have possibly been, I would have told you that at the top of the list would be the moment Dany finally reaches the Throne Room and ascends the Iron Throne that her ancestor, Aegon Targaryen, built 300 years before her. Sadly, the realization of this moment felt plain and unemotional, probably because of how little was left of the Throne Room itself, thanks to Dany’s temper tantrum that brought about the destruction of King’s Landing on the whole. She had finally reached the Iron Throne — the powerful symbol of all she had wanted — all she had sacrificed so much to achieve — and all for what?

Duty Over Love

The predictable and soap opera nature of the episode continued as Jon arrives, right on cue, and reprimands Dany for the slaughter she carried out. The two go back and forth about their differences of opinion, blah blah blah, which once again ends in a Dany/Jon kiss. But then, out of nowhere, Jon puts his dagger through her heart. And by out of nowhere, I mean everybody saw that coming from a mile away and it was totally unsurprising. The whole thing felt like “okay, everybody knows this is coming, let’s just get it over with.” But worse than this moment’s predictability was how emotionless and fleeting the scene was as a whole. Out of a 90-minute episode, much of which was filled with gratuitous and irrelevant banter, we can only spare 60 seconds to the death of the show’s most powerful character? I mean come on. Just like that, Dany is gone, and before we even have a moment to really soak it in, I’ve got this dragon in my face…again.

Talk about a botched opportunity. You have Daenerys Targaryen, one of the most beloved characters ever created in any fictional format; opposite her, the equally beloved Jon Snow; and between them, a magical story that intertwines the ideas of power, morality, duty and love. And though many people saw it coming, even so, that this story would end with Jon choosing duty over love, and sacrificing the woman he truly loved, is incredibly powerful. So why didn’t I feel that way watching it? And then just like that, Drogon scoops up Dany and flies her out of there. Oh, but not before melting the Iron Throne, the very throne the Targaryens created in the first place. I’m not sure there’s any real explanation for Drogon flying away with Dany’s dead body, other than a setup for somehow bringing her back to life for some future Thrones spinoff, which seems highly unlikely. The end to Dany and Jon’s story was a total miss of epic proportions.

One Strange Council

Just a moment later, we’re past the emotionless death of Dany, and we’re now all business as the “who’s who” of Westeros have gathered to determine the fate of the realm. It kind of felt like all the unimportant remaining characters were scrapped together and this is when the episode went from bad to just silly. First of all, half of these characters had absolutely no business being there. Edmure Tully, Catelyn’s brother is all of a sudden making a return after having had zero role in this story for many seasons? Yara Greyjoy is back, without anything from her since she went back to The Iron Islands? Oh and let’s not forget about introducing a brand new Dornish prince (who doesn’t even speak) to join this mish-mosh of a crew. And perhaps the absolute funniest of all is Robert Arryn, the sickly son of Lysa Arryn, who previously didn’t know how to do anything other than breastfeed…He’s now got a seat on this council? There were a few others that I did not even recognize, furthering the ridiculousness of this gathering.

The group goes back and forth about what to do next, and apparently after all that has transpired, after King’s Landing has basically been totally destroyed and the world of Westeros has been turned upside down, this silly council is going to solve for the future of the realm in one simple conversation. And all of a sudden Grey Worm is mr chatterbox, driving much of the direction of the council’s decisions. In this one episode, Grey Worm speaks more than he has in the past seven seasons combined. After the death of Dany, he wants revenge, but Tyrion reminds him that it’s not his decision to make, which leads to the debate of who should take power next. Comically, Edmure Tully stands up to state his case, before Sansa tells him to sit down. Why? Why would the writers choose to include dialogue in this final episode that sees Edmure Tully, a completely irrelevant character, stand up and make a claim for the throne? Unless they were going for some sort of comedic relief, it just doesn’t belong. But the comedy didn’t stop there. Samwell suggests they consider a more democratic election where the people have a say, and for some reason, others found this to be comical, poking fun and sarcastically asking if their dogs and horses would get a say. The whole thing felt like a bad SNL skit.

Finally, we arrive at the moment that pretty much caps this entire story — the reveal of who would end on the throne. And to be quite honest, I couldn’t have cared less at this point. The realization of who would take the Throne was not decided by any significant final moment in the story, but rather by a cast of irrelevant characters making forced decisions, so the reveal of who would end on the Throne simply felt like an anticlimactic “who cares” moment. But the only thing that could have been less sensible than everything that has already transpired would be to make Bran the one to end on the throne. And of course, that’s precisely what happens. The logic behind it makes sense — Tyrion paints the picture that the most powerful thing in life is a story and we know Bran is keeper of all stories and memories. So we get it. But, we are talking about a guy that has totally lost his human mind. He’s been on a multiyear journey where his entire life has been dedicated to an existential evolution, which saw him become the Three-Eyed-Raven. In doing so, he has experienced all kinds of visions, past, present and future, that revealed powerful moments which changed him forever. We’re talking Children of the Forest, White Walkers, The Night King — Bran was in the thick of it all. When all of those mythological elements of the show died along with The Night King in an unbelievably disappointing fashion, it definitely created some question marks for what was left for Bran in this story, if anything. I mean we haven’t even seen the guy in several episodes. Now, all of a sudden, he’s being named the king of Westeros? Talk about delivering a cheap ending to this story — did nobody working on this show stop to realize how senseless this was? We are talking about the character who had reached total enlightenment, so much so, that he didn’t even really know how to be a human anymore. And now we are going to plunge him into the politics of being the ruler of the realm?

But he won’t be the king of the Seven Kingdoms. He only gets six. Sansa had to get her two cents in and tell Bran that she wants The North to remain its own independent kingdom as it had been for thousands of years before Aegon’s Conquest. And that’s fine, but the only problem is that ALL the kingdoms had been independent prior, so why would the representatives of Dorne and The Vale and The Iron Islands all be okay with The North not bending the knee while they have to? Also, given that it was another member of House Stark ending up on the throne, Sansa’s desire to annex The North just makes that much less sense — it’s her own brother on the throne. Totally illogical storytelling and it just felt like a forced way to be able to show Sansa as the queen of The North, without regard for the fact it did not make sense to the story itself. But hey, not much has to really make sense anymore, so let’s go with it.

Back to The Wall

So that’s that. Bran is some sort of Three-Eyed-Raven king and Sansa is queen in the North. But we’ve got to come up with some sort of contrived ending for Jon, right? How about we send him back to The Wall, where his story began. That sounds like a cheap, easy and poetic ending for his character — so let’s go with that. I also found it strange that while the council was trying to figure out who should take the throne, Jon wasn’t mentioned once. True, he had just killed Dany, but if we subscribe to the idea that he was the rightful heir, then it was Dany who was revolting and trying to claim a throne that was not hers. That would provide some justification for Jon having to kill Dany, to eliminate a usurper. So, with her gone, and everybody grasping at straws to figure out who should be next in line, why is nobody bringing up Jon, the actual rightful heir?

Anyway, just like that, he’s back in his Night’s Watch garb, hair back down like it used to be in the old days, and headed back to The Wall. Another character with a massive arc that gets a senseless ending. We are talking about the guy that was arguably the most important character; the guy that became Lord Commander of The Night’s Watch; the guy that risked it all to put the world on alert about The Night King; the guy that fought and won in countless fate-determining battles; the guy that was brought back from the dead; and the guy that made the ultimate sacrifice as he took the life of Daenerys Targaryen. And after all of that, we just send him to The Wall? I mean what an unbelievably disappointing, unsatisfying and silly way to end his story.

But before he departs, we get a round of cliche goodbyes with each of his siblings, the best of which reveals that Arya is now channeling her inner Christopher Columbus/Dora the Explorer. She’s off to explore the world, whatever is west of Westeros. I mean how cheesy do we want to get here? If they wanted to set up Arya for her own spinoff, they certainly left that door open, but man, after all that Arya has gone through and all her incredible character development, that’s where we end her story? Sending her to cheerfully explore westward made her feel more like a Disney character than anything else. A Cheap and easy cop-out, just like all the others. It’s also confusing to consider how central she was to last week’s episode, with no follow up in the finale. She was a major point of view character last week, running through the streets and the episode ending with her riding out on her white horse. It seemed like she was being set up for some major ending to her character. But it ended up being all for her to play basically zero role in the story’s end. If you think about, since killing The Night King (which was another big screw-up), she basically had zero involvement in the story since — just noise.

Before the episode comes to a close, we get to see the new council that will support King Bran, and it’s a total joke. Tyrion as hand; Davos a Master of Ships; Bronn as Master of Coin; Samwell as archmaestar; Brienne as commander of the King’s Guard. It felt like the writers threw darts at the wall to see who they’d randomly choose to fill each of these roles. The council meeting itself was so comical that it’s hard to believe writers were going for anything else. In the finale episode of this entire story, we have to listen to their light-hearted banter about what their first objectives will be and whether they’re going to rebuild ships or brothels first? And what about Samwell Tarly, casually presenting Tyrion with a book of recent history called A Song of Ice and Fire. Talk about forcing something into the script and an egregious namedrop. Embarrassing stuff.

Assembling a hodgepodge council like this simply disrespects the greatness of the history of the council, one that was once comprised of characters like Tywin Lannister, Varys, Littlefinger, etc… Now we’ve got Bronn and Davos joking about where they’ll allocate their funds first, as if King’s Landing wasn’t only recently completely decimated. Speaking of which, Bran asks if anybody has heard about the location of Drogon, but nobody has. In another weird moment, Bran tells them not to worry and that he’ll take care of figuring out where Drogon is. My first question: given the entire series is about to come to a close, why are we wasting time talking about where the dragon went? My second question: Bran, you are the Three-Eyed-f*cking-Raven — why are you going to this council of C-listers for advice in the first place — aren’t you the all-knowing one? What a total mess.

Finally, Jon returns to The Wall, where of course there will be a couple more cliche reveals. Tormund and Ghost are both waiting for him there, and eventually, they continue north of The Wall, presumably to live a life with The Free Folk. As they enter into the depth of the forest, the show comes to an end, and the confusion reaches its climax. Why is that the final image of this entire story? Jon walking into the forest with the Wildlings hardly seems like the final takeaway to leave viewers with.

And just like that, it’s all over. It was an ending that was obvious, uninspiring and simply silly in many ways. It was so beneath the greatness of Thrones and I cannot think of many ways they could have delivered a more disappointing end to this story. All that said, it would be a mistake to overlook the greatness that this show offered for so many years. Game of Thrones took television to heights it had never been before and captivated a global audience with its magic. Though I will forever be confused and disappointed by how the show brought closure to this story, I will also be thankful for all that it offered for so many years. I would highly encourage each of you to consider picking up the books and starting this journey over the right way, setting yourself up to experience the true ending to this story once it is properly told by George R.R. Martin himself.

Finally, thanks to all the fans and readers of ThronesLife. It has been great to share the passion with so many of you. Keep an eye out for what comes next : )

— Jacob Kent, ThronesLife Creator & Author

08.21.17

by throneslifeblog

SEASON 7, EPISODE 6: BEYOND THE WALL

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

BEYOND THE WALL

In typical Thrones fashion, this year’s penultimate episode did not disappoint. As we’ve come to see, the second-to-last episode of each season generally accounts for some of the shows biggest and most dramatic events (i.e. Ned’s beheading, The Battle of Blackwater Bay, The Red Wedding, etc…) But this season’s penultimate episode, entitled Beyond the Wall, took us to entirely new heights. This episode was not just beyond the wall, it was beyond. Period. This behemoth of an episode featured the most significant battle we’ve seen to date — one that brought the all-important entities of fire and ice face to face for the first time. But there was much more. This installment offered the most extended look we’ve ever had into the army of the dead; the biggest dragon scene to date; and this season’s most important moment between two of its most important characters (Jon and Dany). As if all of that was not enough, there were some significant deaths, as well as an awesome surprise entrance from a character we haven’t seen in a while. There was also a crucial reveal about how team humans can possibly defeat team White Walkers in this battle for survival. Oh, and as if all of that was not enough, the Night King now has a dragon to call his own!

FIRE AND ICE

If you don’t yet know that this entire story created by George R.R. Martin is entitled A Song of Ice and Fire, then shame on you. In adapting his multi-book series for TV, HBO decided that Game of Thrones (which was the title of the first book in this series) would be more marketable. And while the latter may roll off the tongue a bit better, there is one pitfall — the importance of fire and ice gets lost. The Game of Thrones titles makes it seem as though this story is ultimately about a game whose winner will ascend the Iron Throne. And while that was the game being played in the first few books/seasons (and to some extent still is), we know that the endgame here is something much greater, which is what the title of the series spoke to. Kings and thrones are insignificant in the face of fire vs ice, light vs darkness, good vs evil. And though the show has obviously made it quite clear, especially as the story has progressed, that fire and ice is where this whole thing is headed, it still seemed unclear how and when these opposing elements would face off.

Well, heading into tonight’s episode, there were just seven episodes remaining, so we knew it couldn’t be too much longer. Yet still, I’m not sure anybody was wagering that this episode would bring a full-on collision between fiery dragons and icy White Walkers. But that’s precisely what we got as Dany flies her dragons into the deep north to save Jon and the Dream Team from certain death at the hands of the army of the dead. And boy was it a powerful sight to see.

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Hitting rewind for a moment, Jon and company venture into the deep north on their quest to find a wight. I get questions each week about what a wight is, so let’s quickly clear this one up. In the show, the wights are the undead zombies which account for most of the army of the dead. The wights are led by the more powerful and mythical White Walker creatures. If it seems confusing that the story would refer to the zombies as wights and their leaders as White Walkers, given that wights/Whites sound the same, well, it is. But, in the books, this confusion did not exist, as the White Walkers were called The Others. So, in the books, you had wights (zombies) being led by The Others. After the hit show Lost popularized the moniker The Others, referring to the other inhabitants of the island, HBO decided not to use the term The Others and came up with a new name for them — The White Walkers. So, today you have the wights and the White Walkers. But let’s get back to more important things.

Jon and squad don’t make it too far north before a run-in with an enormous undead bear. Because the bear has been turned by the White Walkers, it is uncharacteristically aggressive in its pursuit to kill the humans. But, the bear being turned does not explain its size — so it was pretty cool to see how big this bear was (more like a mini dinosaur). It was our first time seeing a creature like this in Thrones and builds on some of the other unusually large/mythical creatures we’ve seen (giants, direwolves, dragons, etc…) As the team bands together to fight off the bear, Thoros gets pinned down and The Hound is the closest one able to assist. Underscoring the juxtaposition of fire and ice, The Hound was literally frozen by the fire and we see that his fear of the flames still runs deep. As a result, Thoros gets badly mauled, though not killed, as Beric cauterizes his wound.

jon and co

Fast forward, Jon and company find themselves deserted on an island of ice, surrounded by not only thousands of wights, but also the Night King and his highest-ranking White Walkers. After Jon instructed Gendry to run back to Eastwatch to send a raven to Daenerys, the table was set, and it all of a sudden became entirely feasible that fire would meeting ice very soon. As night turns into day, the men wake up to find themselves still surrounded, only now with one less man. Thoros has not survived the night and Beric sets his corpse aflame to prevent the White Walkers from being able to turn him into a wight. I found it somewhat strange that the story had Thoros surviving the bear attack, only to die the next morning. In any event, it was sad to see Thoros go and he was definitely one of the more enjoyable characters of the show — a man who fought for those who could not fight for themselves — and a man who ultimately gave his life to serve what he believed to be a greater purpose. Most significant, this means that whatever role Beric is to play, he must make this life count as he likely will not have another to live. Thoros is no longer around to bring him back to life as he has done many times in the past, underscoring once again, that this story is nearing its end.

The Hound had already lost some points in my book for not saving Thoros from the bear. He now loses additional points for deciding that it would be a wise idea to start throwing rocks at the wights. Sure enough, the wights realize that the water has frozen back over and they can now resume their attack on Jon and company. Somehow, this single-digit group of men are able to fight off what felt like several hundred wights. While I was ecstatic to not see any more of them die, there were points where they appeared so engulfed by a sea of wights that it seemed unrealistic for them to survive, yet they somehow continued to fight them off. No doubt, we got to see the fighting prowess of each of these men — some of the realms greatest warriors, assembled together, each fighting with their weapon of choice. And though The Hound made some poor decisions in this episode, he’s back in my good graces after saving Tormund from what looked like a certain death. I’m not sure I could have handled losing Thoros and Tormund all in one episode.

Though they were able to fight off hundreds of wights, no matter how many they killed, more kept coming. Eventually, they were completely surrounded, and we went into a slow motion sequence where everything quieted down. This sequence was mostly focused on Jon and offered a slower, more focused vantage point of what it might feel like to acknowledge the imminent death that you and your men are facing. We saw a very similar sequence in the Battle of the Bastards when everything slowed down for Jon and it seemed like their defeat was certain. But just as Jon and his men were saved in the Battle of the Bastards by a surprise entrance, the same would happen in this battle, as Daenerys arrives with all three of her dragons and sets everything ablaze.

Her powerful flames engulf the wights by the hundreds, if not thousands, and in that moment, fire finally meets ice. For the first time, we see with our own eyes what we’ve been imagining for so long — how the dragons will ultimately help to defeat the army of the dead. Things are looking great for the good guys (well, I will pause on calling them the good guys, because that implies that the Night King and White Walkers are bad guys, and I believe it’s too early to determine that given that we don’t truly understand the Night King and what he is trying to achieve yet. But we’ll save that for another time). Everything changes as the Night King picks up his ice spear and takes down one of Daenerys’ dragons, Viserion, from what seemed like hundreds of yards away. The Night King must have been spending some serious bro-time with Tom Brady, because that dragon was hundreds of yards away and flying at a pretty high elevation.

Just like that, the tables are dramatically turned, and Daenerys is helpless as she watches her beautiful dragon fall from the sky like a plane that has been shot down out of the air. Her other two dragons let out a painful cry as they watch their sibling fall to its death. Seeing this, Jon Snow advances for the Night King, who attempts to take down Drogon, the dragon that Daenerys and the others are aback. Jon is attacked by more wights and pulled underwater, and Daenerys is forced to abandon Jon, though reluctantly, in order to save her two remaining dragons.

When Jon does reemerge from the water, he is frozen stiff and appears to have no chance at fighting off the new pack of wights that are headed his way. Not to fear, Uncle Benjen is here. We hadn’t seen Benjen since last season when he had to part ways with Bran because he could not pass through The Wall. At the time, he explained that the dead cannot pass through The Wall, due to powerful magic The Children of the Forest used in helping to build The Wall, thus confirming he was in fact technically dead. When Bran asked him what he would do, he confirmed that he would continue to fight off the dead for as long as he could, and in this episode, he made good on his word. Fighting with his flaming ball-and-chain, Benjen takes out a bunch of the wights and buys Jon just enough time to escape back to Eastwatch. Benjen is consumed by the wights and the assumption is now that he is fully dead…Or maybe he will be turned into a wight… But safe to assume he’s gone as the Uncle Benjen we know. What was most significant, and also most sad about this, is that Uncle Benjen (Ned’s brother) and Jon Snow were very close. Uncle Benjen was a big reason that Jon joined the Night’s Watch in the first place, and when Benjen went missing north of The Wall in the first season, Jon tried to go after him. Ironically, Benjen’s disappearance north of The Wall so many seasons ago is what would turn him into what he is today, and set him on the track to save his nephew when it really counted. Sadly, after all these years, their reunion was just a couple of seconds.

Jon and Uncle Benjen atop The Wall in Season 1

A SILVER LINING

Coming into this episode, the dragon count was 3-0 in favor of the humans. After this episode, the count is now much more even at 2-1. Whereas the humans once had 3 more dragons, they now only have 1 more. That’s because not only did the Night King take out Viserion, but he wisely turned him into a wight that he will now be able to use in his army. This of course begs a ton of questions about how Viserion will be used and what he will be able to do. Will he now breathe ice instead of fire? Will he be able to freeze over entirely masses of land and kill all life? Will his newfound dragon allow The Night King to quickly and easily fly over The Wall and pose a greater threats to the humans? And how do you kill Viserion? The other wights can be killed by fire, but dragons are immune to fire, so is Valyrian steel/dragonglass the only way kill Viserion? Time will tell, but it raises all kinds of interesting questions. Also, as a sidenote, to turn Viserion into a wight, The Night King placed his hand upon the dead dragon’s snout, much the same as Jon Snow had touched Drogon a couple episodes back.

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No matter which way you slice it, The Night King getting his hands on a dragon is a huge blow to Daenerys and all of humanity. Though the Night King always posed a great threat, Daenerys was always approaching the level of invincibility with three full-grown dragons. But now, the playing field is a lot more level and The Night King may have what he needs to launch a full-blown offensive. All that said, there were some very significant silver linings to be found in this episode, some of which will have huge implications on how this all unfolds.

Silver lining number one: mission accomplished. The men did not go home empty-handed and they achieved what they had set out for — capturing a wight that they could present to Cersei, and presumably anybody else who is a nonbeliever. Arguably, the biggest problem the humans have faced in the great war to come is that they simply do not know it is coming. Jon Snow and a few others have been trying to spread the word, but most of the realm still regards the entire thing as mythology. But now, they have hard proof and it will be interesting to see how people react.

Silver lining number two: a very significant reveal about how the humans can possibly win this war. We knew a few things coming into this episode: 1) White Walkers can be killed with Valyrian steel or dragonglass; 2) wights can be killed with either of those, but are best defeated with fire. What we did not know, and learned tonight, is that there is some sort of link between White Walkers and wights, and killing a White Walker can actually take out many more wights in one fell swoop. As Jon battled and eventually defeated a White Walker, we saw several wights around him collapse and crumble. The assumption is that if you take out a White Walker, so too are you killing the wights that White Walker had turned. This is critical as it implies that killing a few hundred or even a few dozen White Walkers could wipe out a huge volume of the army of the dead. But what was even more significant, was Beric’s assertion that perhaps taking out The Night King would wipe out all the White Walkers and wights at once. We don’t know if this is true, but perhaps we just learned how this entire war can be won.

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Silver lining number three: Jon and Dany are in a great place. It was no secret that something was brewing between these two, yet Dany was still quite focused on fighting Cersei for the Iron Throne and wasn’t totally sure how credible Jon’s claims were regarding the army of the dead. But now, Dany has seen the threat with her own two eyes. What’s more, she’s lost one of her children at the hands of the Night King, so she is now more invested in this war than anybody. Alignment between Jon and Dany as it pertains to them coming together to defeat the Night King is absolutely huge.

But that’s not where the alignment stops. The emotions and potential romance continued to elevate in this episode and the two even ended up in a bed together, holding hands. Jon has declared Dany his queen, after an interesting dialogue with Tormund earlier in the episode where Tormund reminded Jon of Mance Rayder, the king of the Wildlings, who refused to bend the knee to any southern ruler. Tormund reminds Jon that Mance’s pride ultimately got him killed. Jon takes this advice to heart and decides that others must see the greatness that he sees in Dany. No doubt, he will face real backlash, especially amongst the Northerners, who view House Targaryen as definitive enemies. This should set up for a very interesting dynamic in the North, and the potential that the Northerns choose to no longer follow Jon, opening the door for a new Northern leader, which plays right into the Arya-Sansa drama we are seeing unfold — but more on that in just a bit.

One other thing to point out is that it was not just Jon that is buying into Dany and declaring her his queen, but also she that is buying more into him, especially after she sees the wounds that he sustained when he was murdered. Recall that in the fist scene they met, Ser Davos mentioned that Jon Snow was brought back from the dead, and Dany took particular interest to this. When she asked about it, Jon made it seem like he was not really brought back from the dead and that Ser Davos was embellishing. Just last episode, Dany asked Jon about this again, but before he could respond, Ser Jorah returned and stole the spotlight. Now, she is seeing first-hand the brutal wounds he sustained and she realizes that he did in fact die and come back to life. Ultimately, though Viserion’s death was tragic, you could make the argument that it was a cost well worth paying if it resulted in Jon and Dany coming together the way they did, Jon declaring Dany his queen, and that queen now being fully invested in the war against darkness.

Also, one smaller but additional silver lining is that we got some more color on the “who will be the 3 riders of Dany’s 3 dragons?” As we know, Aegon, alongside his two sisters, rode their three dragons during his Conquest. Many have theorized that there would have to be two additional riders to ride alongside Dany, but that theory now seems to be out the window.

DRAMA IN WINTERFELL

Though it seems much less significant than what we saw unfold north of The Wall, the tensions building at Winterfell will have important implications. After all, don’t forget, Winterfell and The North are one of the first lines of defense south of The Wall. So, if the White Walkers do pass through The Wall, Winterfell is one of the first places they will reach. Having a definitive leader at Winterfell who can unite The North will be critical. And that’s the opposite of what we are seeing today.

Picking up on last week’s episode, Sansa and Arya are falling right into Baelish’s trap. Unbeknownst to her, Baelish planted a note for Arya to find which presents Sansa as a Joffrey-loving traitor who was willing to denounce her own father in support of the Lannisters. What we know as viewers (as does Baelish because he was there at the time), is that Sansa was forced to write this latter as she was more or less Cersei’s prisoner. Sansa attempted to plead this case to Arya, though Arya’s mind seems to be made up about who her sister is and where her loyalties lie. Interestingly, the show has seemed to present this conflict much more from Arya’s vantage point than from Sansa’s. Both girls have been through trying times and actually appear to both want to do what’s best for Winterfell, yet the show has made Arya feel like the protagonist who is onto her antagonist sister.

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Just as Baelish had hoped, he is able to find himself in private quarters with Sansa, offering her advice of how to proceed. He notes that Brienne has sworn an oath to protect both sisters, and as such, is a valuable asset to rely upon. Sansa takes this advice and sends Brienne to King’s Landing after her attendance was requested. Brienne objects to going and tells Sansa that she cannot trust the people around her, especially Baelish, even if she is home at Winterfell. Naively, Sansa believes that because she is at home that she is safe. With Brienne gone and Arya and Sansa at odds, Baelish is setting the table for him to make his next move — whatever move that might be.

Another sidenote on Winterfell — where has Bran been as all of this drama is unfolding between his sisters? After all of this time, he has finally returned to Winterfell, so where is he hiding? As an all-knowing being, you would think he’d be able to step in and drop some knowledge on his sisters to help them navigate their issues. Also, speaking of things missing at Winterfell, where the hell is Jon’s wolf, Ghost? We have not seen him this entire season, so keep an eye out for that.

HISTORY THROUGH DIALOGUE

In the first few minutes of their journey north of The Wall, there was some incredibly rich dialogue amongst the men, most of which recounted some important Thrones history. Here’s a recap:

Jon and Jorah talk further about their past as Jon reveals that Jorah’s father had given him Longclaw, a Valyrian steel sword that was meant for Jorah. Jon offers the sword to Jorah, but Jorah admits that he is unworthy. But it is not just Jon that knows Jorah’s father; Jorah also knew Jon’s father (well, he knew the man Jon currently believes to be his father, Ned. Jorah recalls that Ned wanted Jorah executed (which is why he had to flee Westeros and eventually ended up meeting Khaleesi in Essos). You can read more about why Ned wanted him executed here.

Jorah and Thoros recount their time in battle together during Robert’s Rebellion. They fought together for the rebels in a battle where they stormed Pyke (seat of the Iron Islands). History tells that Thoros rode into battle with his flaming sword and helped to win this decisive victory.

Tormund and The Hound end up discussing Brienne, though their interactions with her could not be further apart. Tormund tells The Hound of his affections for Brienne and how he hopes to marry her and have giant children together. Though The Hound does not reveal it, we know that it was Brienne that nearly killed The Hound a few seasons back.

Gendry and Thoros also recall some history as Gendry calls them out for selling him to Lady Melisandre. He tells them what she did to him though they appear to move past it pretty quickly.

07.31.17

by throneslifeblog

SEASON 7, EPISODE 3: THE QUEEN’S JUSTICE

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

THE QUEEN’S JUSTICE

It seemed like just moments ago we were gearing up for season seven to kick off. In the blink of an eye, we are nearly halfway through the season with a full-blown war underway. And as the game rages on, it’s hard to even know what winning looks like anymore. Lines have become blurred, characters have become severely intertwined and what the future holds is less clear than ever before. In this week’s episode, entitled The Queen’s Justice, team Cersei delivered several more crippling blows to the efforts of Daenerys, likely backing the Mother of Dragons into a corner. And we all know what happens when a wild animal, much less a dragon, gets backed into a corner.

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But this episode was about much more than the “justice” Cersei served. This episode saw several important characters come face to face. After years apart, Bran returned home to Winterfell to be reunited with his sister, Sansa. And let’s not forget about ice and fire, aka Jon Snow and Daenerys. The meeting of these two is arguably the most important moment we’ve witnessed to date. As Lady Melisandre states, she did her job and brought together ice and fire. To understand the significance of this, you need not look any further than the title of this entire story — A Song of Ice and Fire (Game of Thrones was merely the title of the first book in this series, which HBO adapted for the show as it was easier to market than ASOIAF). Jon and Dany coming together has massive implications not only upon the future of this story, but also the future of all of humanity. So let’s jump in.

A SONG OF ICE AND FIRE

If this story is about A Song of Ice and Fire, then we just met our two main characters. Or better yet, they just met each other. No time was wasted as the episode opened with Jon Snow’s arrival at Dragonstone, Ser Davos by his side. No doubt, the last time Davos was at Dragonstone, things looked a lot different — there were no dragons flying overhead nor was there a Targaryen on the throne. But one thing remained the same — Melisandre was present, playing an influential role in what is to unfold. This time, she points out that she has fulfilled her duty to bring ice and fire together. Wanting to avoid punishment from Jon Snow, who banished her for the role she played in sacrificing Princess Shireen, Melisandre tells Varys that she will return to Volantis. Varys tells her that she should stay in Essos, but she responds that she will return to Westeros again, to “die in this strange country.” Building on what has been alluded to several times over the course of the last few seasons, Melisandre tells Varys that he too will die, casting an ominous shadow around his future. Could she be referencing what Kinvara, the High Priestess of Volantis also mentioned to Varys when she came to see him last season and said “Do you remember what you heard that night? You heard a voice call out from the flames, do you remember? Should I tell you what the voice said? Should I tell you the name of the one who spoke?” It is clear that whatever Varys heard in the flames many years ago is quite significant, and the Red Priestesses seem to have some idea of who that voice was and the words that it spoke.

But back to the main attraction here — Jon Snow and Daenerys. What was most interesting about their meeting was how similar their positions actually are, yet how little either of is able to realize it. For the better part of the show, both have been fighting off evil in one form or another. Both have made tremendous sacrifices (Jon Snow sacrificed his life, Daenerys sacrificed her husband, son etc). At their core, both characters are guided by their morals and principles — they are driven to do what they believe to be just and necessary for the greater good. Yet neither of them realizes this as neither really knows what the other has been up to the last few years. If Jon and Daenerys sharing important similarities but not realizing it sounds familiar — that’s because it is. Let’s not forget that they are both Targaryens, related by blood, yet neither is aware.

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Like ice and fire, on the surface, Jon and Daenerys meet as stark contrasts — polar opposites. But the main components of both ice and fire are carbon dioxide and oxygen — so look a little bit closer and you will see that these things are actually not so dissimilar at all — in fact, they share some of the most fundamental characteristics. And now, it is just a matter of time until Jon and Daenerys start to realize this. But until then, Jon will have to settle for the Dragonglass that Daenerys has allowed him to mine at Dragonstone, in hopes of turning this into weapons to be used against the White Walkers. In return, Daenerys is hoping to secure a new ally, one that is needed now more than ever.

There were some interesting things to point out in the dialogue between these two. First, we get another historical reference as Daenerys reminds Jon that Torrhen Stark bent the knee to Aegon Targaryen 300 years ago. At the time, each of the kingdoms were independent and Torrhen was the king of the Kingdom of the North. However, when Aegon arrived with his three dragons, Torrhen bent the knee and pledged the North’s fealty to House Targaryen. Though it was likely the wise decision, history would remember Torrhen as The King Who Knelt, and House Stark would become wardens of the North under Targaryen rule for the next 300 years. Daenerys brings this up to remind Jon Snow of the oath that was sworn — one that she urges him to honor. However, Jon Snow has some history of his own to point out — specifically that Daenery’s father, the Mad King, was responsible for the death of his uncle and grandfather (Brandon and Rickard Stark, killed leading up to Robert’s Rebellion). Jon tells Daenerys that if she does not want to be beholden to the actions of her father, then he too should not be obligated to an oath made by his ancestors. An additional sidenote that is particularly interesting to consider is that the Mad King he speaks of who killed his family is actually his grandfather. Jon’s father is Rhaegar Targaryen and his father was the Mad King, which makes the Mad King Jon’s grandfather. And since it was the Mad King who killed Jon’s grandfather on his mother’s side (Lyanna Stark’s father, Rickard Stark), what this means is that one of Jon’s grandfathers (the Mad King) actually killed his other grandfather (Rickard Stark). Lots of interesting stuff here to consider once you realize that Jon ties together Houses Stark and Targaryen.

KING’S LANDING

Back in King’s Landing, Cersei scores another win as Euron returns with not one, not two, but three of her enemies. He brings Ellaria and her daughter, the last remaining Sand Snake, as well as Yara Greyjoy. Cersei decides that the most cruel punishment is to force her to watch her daughter to die a slow and painful death. Cersei knows the pain of losing a daughter, having lost Myrcella at the hands of Ellaria. She chooses to force that same pain upon Ellaria, while making her watch each step of the way. We’ll have to wait to see what Cersei has in store for Yara Greyjoy, another one of her enemies that Euron has brought back to King’s Landing.

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Speaking of Euron, he has proven to be a more than valuable asset, particularly on the waters. And now, Cersei has named him head of the royal navy, while Jaime will command the army. While Euron is keen to wed Cersei now, she tells him that he will get his wish once the war is won. In meantime, she chooses to focus her lust towards Jaime, a strategic play to increase her influence over him and keep her brother right where she wants him. And if you thought Euron and Jaime were enough for Cersei, you were wrong. She is finding time to also manipulate the man sent from the Iron Bank of Braavos. As we’ve learned in previous seasons, the Iron Bank of Braavos is the wealthiest bank in the world and has backed the winning side in most all of history’s wars. This man has arrived to call in the crown’s debt as they no longer believe Cersei can win the war. Though, she quickly flips the script and points out that she is in fact the most likely to repay her debts, and requests that the Iron Bank maintain support of her cause for a while longer.

WINTERFELL

At Winterfell, Sansa has taken ownership of her new duties and quickly shows the valuable insight she can provide. At the same time, Baelish continues to try and put in work, though Sansa remains less penetrable than ever before. Baelish imparts another Baelish-esque piece of wisdom and tells Sansa that rather than focusing on one game at a time, that she should “Fight every battle, everywhere, always.” These words seems to have an effect on her and time will tell how things play out with Baelish and Sansa.

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Moments later, Bran shows up on the scene, to a rather unemotional reunion with Sansa. As viewers, we long for an emotional moment here, especially considering all that the Starks (and we) have endured over the seasons. And, in most shows or movies, this would be a storybook reunion full of scripted emotion. But this is not any show — and in this show, a story is put forth that aims to mirror real life. And in real life, not all reunions are happy and joyous, as the realities of life can take their toll on people. And that’s precisely what has happened here. While Sansa is full of emotion to see her brother, Bran looks off into the distance as he is embraced by his sister. It appears as though he doesn’t even value this moment enough to put forth the effort to try and hug her back. Which of course makes perfect sense. Bran is not Bran. Bran is now the Three Eyed Raven. He has lost a lot of himself in his travels through space and time, consuming his mind with everything that has ever happened. He knows what is to come and in the battle for the survival of humanity, a reunion between two people is irrelevant.

TRUTH IN DEATH

Last week, Tyrion’s plan to send their fleet back to Dorne to pick up the Dornish army went terribly wrong after they were ambushed by Euron. As a result, they lost most of their fleet as well as significant allies. This week, things went from bad to worse, as the other part of Tyrion’s strategy went sideways. His plan was to take Casterly Rock, the stronghold of House Lannister. However, Cersei learned that they were coming, and decided to concede the castle, as it is of little importance to her at this point. Rather than sacrificing thousands of Lannister soldiers that she will desperately need in the coming days, she decides to send these men to Highgarden. At Casterly Rock, the Unsullied realize that much of the Lannister army is not present, but they realize too late. Euron’s fleet has attacked the precious ships that Daenerys had left, not only destroying her naval force, but also leaving the Unsullied stranded at Casterly Rock. This is another decisive blow against Daenerys, whose forces are being diminished by the minute. If Daenerys was questioning Tyrion’s judgement before, she must be considering finding a new Hand altogether now. One can only assume that Daenerys will take matters into her own hand and be the dragon that Lady Olenna told her to be last week.

Speaking of Lady Olenna, her time has come to an end. Killing two birds with one stone, by pulling the Lannister army out of Casterly Rock, not only did Cersei avoid losing more of her men, but she also laid siege to Highgarden and eliminated yet another enemy. After easily ridding of the Tyrell forces, Jaime descends upon Lady Olenna who knows the fate she is facing. Yet, before she dies, she will make every last word count, as she often does. She reminds Jaime how truly crazy Cersei is and admits that she regrets the role she played in enabling Cersei to spread her disease. She tells Jaime that he too will regret his involvement. She observes that Jaime is helplessly in love with his sister and is sucked into her madness, to which he does not disagree. I find it hard to believe that this is the final path that Jaime will ultimately go down, being a henchman to Cersei, especially after how far we saw his character come in previous seasons.

In her final moments, after drinking the poison and knowing that death is imminent, Lady Olenna makes her last words count as she informs Jaime that it was her that was responsible for the death of Joffrey many years back. As viewers, we knew that Lady Olenna had slipped poison into Joffrey’s wine during his wedding to Margaery, but few others knew. Cersei immediately blamed Tyrion, which set off a massive chain of events. Tyrion was thrown in a cell and eventually put on trial for the crime he did not commit. This led to a trial by combat where The Mountain eventually killed Prince Oberyn. And on and on the game went. What Jaime finds out all this time later, and what he may or may not tell Cersei, is that it was in fact Lady Olenna, not Tyrion, that was responsible for Joffrey’s death. Though Lady Olenna is the one that ends up dead, it felt more like she was the one who put her dagger into Jaime (and Cersei).

ODDS & ENDS

We got a quick glimpse of Bronn, riding alongside Jaime. It’s worth pointing out that Bronn had a fling with one of the Sand Snakes when he ventured with Jaime to Dorne (to save Myrcella). It is also worth pointing out that this is the Sand Snake that is still alive in King’s Landing. With Bronn close to Jaime and there being a decent chance he makes it back to King’s Landing, is there any chance he saves the Sand Snake? Probably a long shot, but it’s worth noting.

It looks like Jorah is cured and now off to try and sync back up with Khaleesi. If he does meet back up with Khaleesi, this will only strengthen the Jon Snow/Daenerys opportunity, as the people once closest with Jon and Daenerys (Sam and Jorah) are now strongly intertwined.

When Sam is asked by the archmaestar how he learned to cure Jorah, he simply states that he read it in a book. We once again are reminded of Sam’s strong love for books. What else will he discover in his readings? And will Sam be the person to eventually write the book and retell the story that we are seeing today?

In the first episode, Jon sent Tormund to Eastwatch by the Sea. We’ve not seen him since but we know that this is where the army of the dead is marching. We should see his arrival pretty soon.

05.02.16

by throneslifeblog

Season 6, Episode 2: Home

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

HOMECOMING

After a slower kickoff episode to Season 6 in which viewers were reminded where each character stood, the next episode catapulted us back into action. And, as I wrote about in the Season 6 primer, I think the entire season will continue at this pace of action. So let’s jump into it. In an episode entitled Home, we certainly saw homecomings for many characters in the show. Some were literal, some were symbolic, but all were rather meaningful. Whether it was Bran traveling back in time to his home of Winterfell to catch a glimpse of Ned as a kid, Ramsay killing his father to claim lordship over his new home of Winterfell, Tommen finding himself back in the home of his mother’s arms, Arya returning back home with Jaqen or Theon deciding to return home to the Iron Islands, almost every character in this episode embarked upon a journey back home, or at least upon a journey towards forging a new one. Oh, and I almost forgot…This guy named Jon Snow found his way back home…But who could have seen that one coming?

THE RETURN OF BRAN

For me personally, the most enjoyable part of this episode was seeing Bran. It had been so long, and I was always most intrigued by the power of the journey that he was on, and the role he will likely play in the “war that is to come.” No doubt, we were quickly reminded of this war, as one of the Children of the Forest tells Meera of the important role that she will play in supporting Bran once they leave the cave. So let’s not forget, the White Walkers are still out there, and war is impending — my guess is that we’ll be reminded of this in the next episode and get first glimpse of White Walkers this season.

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What I loved about this episode was the use of flashback to see Winterfell as a thriving, happy place — the seat of the Starks and the stronghold of the North. Theon, and later Ramsay, totally destroyed that image of Winterfell, and turned it into a dark and cruel place — so it was nice to be reminded of what Winterfell once was — and maybe a foreshadow of what it could perhaps return to be? What we see in this flashback is the three Stark brothers (Ned, Benjen, and Brandon), as well as their sister Lyanna. It is interesting to note that of the four siblings, all are now dead, with the possible exception of Benjen (aka Jon Snow’s Uncle Benjen), who disappeared north of the Wall in Season 1, and has not been seen since. The Season 6 primer offered that Uncle Benjen is still alive, somewhere out there, and I think seeing this flashback supports this theory. But we’ll have to wait and see on that one.

Benjen Stark before he disappeared

The significance of the flashback is not so much about what Bran saw in that moment, but more likely what he will see in his flashbacks to come. In all likelihood, his flashbacks will continue to follow his deceased father, Ned, and Bran will likely learn something that will guide him on his journey. And, if you looked very closely at the preview for next week’s episode, we see Bran in another flashback, with what appears to be a young Ned Stark fighting against Targaryen knights (see photos below, pardon the poor quality). So, this flashback was more of a table-setter or introduction, with future flashbacks to likely be more meaningful.

Targaryen Knight

Young Ned Stark?

It was also interesting to see that Hodor spoke as a kid, which naturally raises the question of what happened to him to make him the way he is today. I have to believe that this question would not be introduced if it won’t be eventually answered, so look out for an event in which we see what actually happened to Hodor. Is it possible that he is a more significant character to this story than we originally assumed? Time will tell. But I continue to be most excited for Bran’s story, especially as his flashbacks shed light on the events that took place before the beginning of this show’s timeline.

WELCOME BACK MR. SNOW

It was less of a question IF Jon Snow would be brought back and more of a question WHEN. My concern was that he might not be brought back until later in the season, and until he did, it would weigh on the minds of viewers, distracting them from the rest of the story. Thankfully, producers decided to bring him back in the second episode, and we can now stop talking about whether or not Jon will be coming back. But let’s backtrack for a minute. How awesome was it to see Tormund, Wun Wun the Giant, and the rest of the Wildlings raid through the Wall’s gate and reclaim power over Ser Alliser and the other traitors of the Night’s Watch? After Wun Wun literally decimated one of the brothers, the others lay down their weapons, before Dolorous Edd threw them in the cells to be held as prisoners. First off, props to Dolorous Edd for rounding up Tormund and the others to save the day, and second, nice to see that honor has not been lost as he chooses to throw them in the cells rather than condemn them to execution.

Later in the episode, we see Melisandre, back in her younger form, but continuing to have lost all faith. She tells Davos that everything she believed all along was a lie. But Davos feels differently and even though he is not a pious man and does believe in any of the gods, one thing was for sure: Melisandre had convinced him that miracles were real. And with that, she was willing to give a shot at bringing Jon Snow back to life. What was great about this exchange, and is a common thread to the Thrones story, is the continual shifting of relationships between characters. One minute two characters are juxtaposed as complete opposites or enemies, and the next they are finding that they actually need each other (i.e. Sansa/Theon is another current example of this).

And just like that, we had to endure the most anxiety-provoking few minutes that I can recall, as we wait to see if Jon Snow’s eyes are going to open. One by one, Tormund, then Melisandre, then Davos each leave the room, as her magic appears to have been unsuccessful. For a second, I actually thought that maybe, just maybe, Thrones was going to do what it always does — surprise the crap out of us — and not bring Snow back! And then, it happened, his eyes opened, he took in a gasp of air, and the episode came to a close. But before that happened, let’s also consider the focus that was put on Ghost. As Jon Snow lay dead on the table, Ghost appeared in some sort of deep sleep or trance. And just seconds before Jon Snow comes back to life, Ghost comes back to consciousness. This could just be symbolic of the human/direwolf connection that exists between Jon and Ghost, as existed between most of the Stark children and their wolves. Or, it could mean more, that maybe Jon also has some sort of warg or skin-shifting capabilities, and perhaps had been living in Ghost’s consciousness.

In any event, Jon Snow is back, and things are all set up for him to really kick some ass. The traitor brothers of the Night’s Watch have been removed from power; Tormund, the Giant, and the Wildlings are back at the Wall, as are his loyal brothers, as well as Ser Davos and Melisandre. Or at least, we assume Melisandre will still be in the picture — but it’s conceivable that maybe her final act was bringing Jon Snow back to life, and perhaps she’ll fade off now as the old woman we saw her as in the last episode. It will be very interesting to see Jon Snow’s first interactions, especially with the traitors who killed him — how will he handle them? And, does this confirm that Jon is indeed Azor Ahai, the Prince Who Was Promised? Maybe not yet…

THE LORD OF WINTERFELL

Elsewhere in the North, Walda Frey gave birth to Roose Bolton’s son, making him the rightful heir to Winterfell. Naturally, this did not sit well with Ramsay, and he ruthlessly murdered his father, making Ramsay the new Lord of Winterfell. Of course, he had probably been planning this for some time. As if that wasn’t enough, the sadistic Ramsay had to kill Walda and her new baby (his new brother), and in the most brutal fashion possible — letting the dogs rip them to shreds. Ramsay’s sick and twisted actions continue to know no bounds, and with the killing of his own father, Ramsay has emerged as the ultimate villain. There is nothing he won’t do in his quest for power, and he now has the support of House Karstark, after Robb Stark executed Rickard Karstark for murdering the Lannister children (as revenge for Jaime murdering Rickard’s son). We see Robb’s actions all the way back from Season 2 coming back into play, as the Karstarks are one of the most powerful Northern houses, and they are now backing Ramsay. House Umber is the next most powerful house, and it will be interesting to see where their allegiance lies, though Ramsay mentioned that he has won their support.

SANSA, THEON AND THE IRON ISLANDS

Now that Sansa is safe with Brienne and Pod, Theon tells her that he will return home to the Iron Islands. As he continues to gain back more and more of his Theon identity, he cannot bare the guilt for the actions he has taken against the Starks, and he tells Sansa that he would’ve died protecting her in her quest to get to the Wall. But now that she’s safe, he feels that returning home to the Iron Islands is his only choice, since he does not want to be forgiven. What is most striking to me is how quickly and willingly Sansa has been willing to forgive Theon. After all, he was single-handedly responsible for betraying the Starks, laying siege to Winterfell, killing two innocent boys and pretending they were Bran/Rickon and also killing the beloved Maestar Lewin. At the time, we hated him perhaps more than we even hated Joffrey. But the moment he came to Sansa’s rescue and helped her escape, she was able to look past all of that and forgive him — so much so that they continue to hug each other in warm embraces. Kind of shocking that she is able to show so much emotion towards the person that wronged her family so greatly. Separately, in speaking with Brienne, Sansa learns that Arya is in fact alive; she now knows that Arya, Bran and Rickon are all alive.

So, Theon is going to embark upon a journey back home, which takes us back to the Iron Islands. Pyke to be more precise, which is the seat of House Greyjoy, from which Balon rules over the Iron Islands. It was nice to see the Iron Islands again after so long away, the massive towers of Pyke constructed along the thunderous wrath of the sea. Picking back up where we left off, Yara Greyjoy is arguing with her father Balon, after they just lost control over the last mainland stronghold that they possessed, Deepwood Motte. Without control over that castle, the Greyjoys are confined to the Iron Islands and do not have a base on the mainland that they can use to capture more land. Wisely, Yara suggests that the Greyjoys can defeat anybody at sea, but her father Balon is old and stubborn and has always been intent on growing his mainland footprint, no matter what the cost.

But what he wants becomes irrelevant, and we meet his brother, Euron Greyjoy, who murders him and throws him off the roped bridge. As they send Balon’s body out to the ocean, Yara swears revenge for whoever was responsible for the death of her father, and notes that she will rule over the Iron Islands. However, her other uncle (and Balon’s other brother), Aeron (otherwise know as Damphair), tells her that there must be a kingsmoot, which is an ancient ceremony where the captains of the Iron Islands vote on who the next ruler will be. The takeaway here is that power over the Iron Islands is now up for grabs, with different players vying for the power position. Considering the context that the Iron Islands are one of the Seven Kingdoms, the decision of who the next ruler will be is a very important one.

On a totally separate note, there is another interesting thought about Balon’s death. If you recall, he was one of the kings fighting for the Throne during the War of the Five Kings (the other 4 being Renly, Robb, Joffrey and Stannis). First, it is interesting to consider that ALL 5 of these “kings” are now dead. This reinforces the idea that this show was never actually about the war for the Iron Throne, even though that was the storyline that dominated the first few seasons. That was always just a smaller game being played, with much larger games on the horizon. But more significantly, it is also interesting to consider the episode in which Balon died — the same episode in which Melisandre’s magic resurfaced, and perhaps the last episode we’ll ever see Melisandre. Seasons ago, back at Dragonstone, it was Melisandre who used Gendry’s king’s blood to prey for the death of the other four false kings, referring to them all as “usurpers.” As she threw the bloody leeches into the fire, she cast down Robb, Renly, Balon and Joffrey — all the kings that were not Stannis. One by one, they all fell, and seasons later, Balon marks the death of the final king. It is interesting that the final king she cast down died in the very same episode that her magic returned to bring Jon Snow back to life.

OVERTHROWING AN EMPIRE

For some time now, it appeared very unclear where the lines of power were drawn in King’s Landing. Did Tommen really control the king’s army? If so, why hadn’t he stepped in to free his mother and wife (Cercei and Margaery) from the cells of the High Sparrow? How much power did the High Sparrow actually have? What did the High Sparrow actually want? But, after this most recent episode, the lines became a lot more clear, and we start to better understand how things might play out in King’s Landing.

Jaime is now back and has already professed in episode 1 that he plans to take back everything that he and Cercei have lost. He convinces Tommen that he must go to see his mother, and in doing so, Tommen confesses that he has been a weak king and asks his mother for help. No doubt, that was music to Cercei’s ears, as she finally has Tommen right where she wants him — under her control. And by extension, she will also have control over the king’s army, which she will surely need for the impending battles that she’ll have to fight. She also has the freakish Mountain, who we see get his first kill after he smashes a man’s head like a peanut. With Jaime and Cercei back together, Tommen under the control, and the king’s army/the Mountain at their backs, they are starting to strengthen their position.

Yet, it still remains unclear what the High Sparrow truly wants. Is he truly a pious and humble man that wants nothing more than to cleanse King’s Landing of sin? If so, his means of doing so are unorthodox to say the least. After an exchange with Jaime in the Sept of Baelor, the threat is clear: even a group of powerless men can overthrow an empire by banding together. Will the High Sparrow in fact try to overthrow the empire altogether and claim the Iron Throne? We will find out…

“I DRINK AND I KNOW THINGS”

In Mereen, Khaleesi’s council gathers and Tyrion suggests that they must free the two captive dragons in order to ensure their health. Certainly, he has never had experience with dragons, but he already begins to show the value he brings to the table — his knowledge and cunning. But let’s not forget about his bravery; Tyrion is willing to go face to face with two giant flesh-eating dragons (who have not eaten in days) in order to set them free. This is not the first time that we’ve seen Tyrion use his cunning to devise a gameplan, and also his bravery in willing to be the one to risk his life to execute that plan (the other time being the Battle of Blackwater Bay). Tyrion is a big talker, but he backs it up when it counts, and you must respect him for this (among other things).

A GIRL IS NOBODY

Elsewhere in Easteros, Arya may have finally become nobody in Braavos. After begging on the streets and suffering with her blindness, Jaqen (who is really nobody, wearing Jaqen’s face), tempts Arya with food and shelter if she will say her name, but she insists that she is nobody. Finally, Arya if offered her vision back, if she will state her name, and even to this, she insists she is nobody. Willing to trade her vision to become nobody, it appears that Arya is finally ready to abandon her identity and join the Faceless Men. Things should start heating up for Arya in Braavos.

04.14.14

by throneslifeblog

Episode 2 Recap: Lion & the Rose

OVERVIEW

Though not usually aware of it, as viewers of television and cinema, we are constantly making certain anticipations or predictions about what we’re watching. We suppose that there are certain “givens,” or things we know are safe to assume. We are able to do this because most of these shows or movies abide by a certain set of “rules” with which we’ve become familiar. It doesn’t mean we know every little thing that is going to happen, but we achieve an understanding of what’s in the realm of possibility and what simply isn’t. We can safely assume that there is no way Character A can die in this movie or Thing B can happen in that show. And while there is generally comfort for the viewer in being able to make certain assumptions, these very assumptions ultimately take away from the “realness” of what we are watching. The predictability, however small it may be, reminds us that we are in fact being told a predetermined story, bound by limitations of what we know can and cannot happen, rather than watching a real experience unfold before our eyes.

And this is one of the many brilliant ways that Thrones sets itself apart from just about everything else out there. George R.R. Martin has ignored all the conventional “rules” that often limit the possibilities of a story. Instead, he created a world that mirrors our own; one where possibility is endless, things are unpredictable and we are not always in control of what will come next. As a result, his story is not only more authentic, but also more relatable. It feels more real because it is more real.

While most of us will take away from this episode the death of King Joffrey, in reality, this was not necessarily the most significant plot-point of the episode. Rather, this was a simple reaffirmation that there is no “safe-zone” in this world; no assumptions can be made and no one life is more or less important than any other. We have been reminded of this fact time and time again, first with the death of beloved Ned Stark, then with the behanding of Jaime, and finally the unforgettable Red Wedding. Death is random, life is chaos and nothing can be taken for granted. Forget that, and you are in for a rude awakening, often without any warning at all.

And while the death of Joffrey was shocking, it should not be the only takeaway of this episode. Bran’s continued journey and the visions he experienced are far more meaningful than the loss of one life, even the death of a king. Moreover, Tyrion was forced to pretend that he no longer loves Shae; Lord Bolton finds out a powerful piece of information that few others know — the Stark children are still alive and rightful heirs to the North; Theon has gone completely mad; and Sansa appears to be on the run. Each of these events in their own right are quite significant, and despite Joffrey’s death being the headlining event of the episode, it would be a mistake to overlook all the other things that happened.

THE DWARF, THE CRIPPLE & THE MOTHER OF MADNESS

As Tyrion and Jaime catch up, Tyrion notes the unenviable position that the three Lannister children find themselves in: a dwarf, a cripple and a mother of madness. For them, power does not imply happiness. On the contrary, they have each had great prices to pay in order to help their family achieve this power. And now that they have it, their personal happiness appears to be more deteriorated than ever. After Jaime acknowledges to Tyrion that he is no longer an effective swordsman, Tyrion suggests that he needs a paid sword with whom he can train. Tyrion arranges for Jaime to meet and train with Bronn.

“YOU’RE NOT A BOLTON, YOU’RE A SNOW”

In another one of his perverse games, Ramsay Snow chases through the forest one of the girls that had been at his service previously. Claiming that she had been making his other girl jealous, they hunt her down and feed her to the dogs. At the Dreadfort, seat of House Bolton, Roose Bolton returns home after playing his part in the Red Wedding. We now see that the months of extreme torture have broken Theon; he has lost his mind and has become an obedient servant to Ramsay Snow. However, when Roose Bolton learns of this, he scolds Ramsay and reminds him of his bastard status, telling him “you’re not a Bolton, you’re a Snow.” The ironborn currently hold Moat Cailin, a strategic stronghold of the North that allows for passage from the south. Lord Bolton’s plan was to return Theon to his father, Balon, in exchange for Balon pulling all the ironborn from Moat Cailin. Thanks to Ramsay, Theon is now useless and Lord Bolton has lost his leverage.

Theon, after learning of Robb Stark’s death

However, Ramsay did accomplish one thing — through all the torture and “training” of Theon, Ramsay was able to learn that Bran and Rickon Stark are not in fact dead. After their escape from Winterfell, Theon killed two other boys and burned their bodies, pretending that they were the Stark boys to cover up that he let them escape. Only Theon and a couple others knew this very important fact — with Bran and Rickon still alive, they are the the rightful heirs to Winterfell and present a major threat to Roose Bolton, new warden of the North. Lord Bolton learning this information is a game-changer and he orders Vargo Hoat, the man who cut off Jaime’s hand, to lead a party in the search of the Stark boys. Theon also offers to them that Jon Snow is at Castle Black and could be protecting them. Last season, after Bran and Rickon split, it was decided that in fact, Rickon would head to Castle Black with Asha to seek out Jon Snow. Lord Bolton offers Ramsay a chance to prove that he is a Bolton and tells him to round up whatever men he can and to take back Moat Cailin for the family.

Of course, it was very significant that Lord Bolton learned of the Stark boys survival, as well as his order to Ramsay to take back Moat Cailin from the ironborn. However, the most powerful part of this all was to see the transformation of Theon. Episode after episode, we witnessed the brutal physical and emotional torture that he had to endure. And now, we see the full effects of what that torture has done to him. Like a dog, he has been fully trained to be obedient to his master. So much so that Ramsay trusted him to hold a blade to his neck. And, even as Theon held this blade to his neck and Ramsay told Theon that Lord Bolton had killed Robb Stark, Theon was still unable to do anything other than follow order.

THE COST OF LOVE

For much time, Tyrion has expressed to Shae the dangers of their relationship. And, now that Tyrion is married to Sansa, their relationship only grew more complicated and dangerous. After Varys tells Tyrion that Lord Tywin has threatened to hang the next whore that Tyrion is caught with, Tyrion realizes that he must take drastic action to get Shae out of King’s Landing. He has tried many times to tell her how dangerous it is, but she refuses to listen. So, now, he must lie to her and endure the pain of acting as if he doesn’t truly love her. The sad irony is that he is actually doing it all for love and trying to save her life. He tells her that she is a whore and not fit to be with him. He declares, “I have enjoyed my time with you most of all, but now that time is over.”

To save her life, Tyrion must break her heart and pretend that he does not love her

We once again see the recurring theme which reminds us that love will not always prevail. Though Tyrion loves Shae and she loves him back, there are other variables that simply make a life together impossible. It is sad to watch, but offers a more realistic view of love, rather than the romanticized storybook version we are used to seeing. Sometimes love is not enough and the realities of life can get in the way.

“THERE IS ONLY ONE HELL…AND WE ARE LIVING IN IT”

At Dragonstone, Stannis sacrifices several more of his men to the Lord of Light, including his own brother-in-law. True to form, Ser Davos is against these actions and tells Stannis that they were innocent men merely worshipping the gods of their fathers. Interesting to see, Stannis’ wife, Lady Selyse, appears to have become passionate about the Lord of Light. During dinner, she tells Stannis that their daughter, Shireen, needs to rot, claiming that the marks on her face show that she has been cast out by the Lord of Light. However, Stannis orders that he will not strike down his own daughter.

At Selyse’s recommendation, Melisandre goes to visit Shireen and they have a discussion about the gods. Shireen notes that she has read about the Faith of the Seven, though Melisandre quickly replies that these are only lies and fables. There are only two gods, one representing fire, good and light and the other representing cold, fear and darkness. She explains that these two gods are forever locked in an eternal struggle against one another. Asking about the many heavens of the Faith of the Seven, Shireen asks, “so there are not seven heavens?” to which Melisandre coldly responds, “there is only one hell and we are living in it.”

“IF WE LOSE YOU, WE LOSE EVERYTHING”

Though most viewers are probably still thinking about the death of Joffrey, it was Bran’s role in this episode that was truly major. Once again, we are taken into one of Bran’s skinchanger states where he has inhabited the mind of his direwolf, Summer. This one was longer and more personal than any we’ve seen before; we were able to feel what Bran might feel controlling the mind and body of his direwolf. When he is woken up, he tells that he was hungry and was just eating. The connection between he and Summer grows stronger, and it appears that he is starting to blur the line between his own identity and that of his direwolf. Jojen reminds him that he cannot survive off the food his direwolf eats and that Bran himself is not a direwolf.

Through his power of skinchanging, Bran is able to transcend the limits of his actual human life. As a cripple, Bran has lost his mobility — once a great climber, Bran can now barely move. However, all this changes when he takes over the mind and body of Summer. He is liberated, he is free. Able to run freely through the forest, hunt down food and feel the cold ground beneath him, Jojen acknowledges that it must be glorious for Bran to feel whole again. However, Jojen reminds Bran that spending too much time in the skin of another can be dangerous and Bran could start to forget what it is to be human. Reaffirming the importance of Bran’s journey, Meera chimes in telling Bran “if we lose you, we lose everything.”

As they continue through the forest, Bran sees Summer standing beneath a weirwood tree, illuminated by a mysterious light. As he approaches the tree, we see a face carved into it, a traditional practice of the Children of the Forest from thousands of years ago. As Bran connects with the tree, he again experiences greensight, or prophetic visions — this time, more powerful than any other we’ve seen.

The weirwood tree that Bran connects with

In a brief moment, it appears he learns of everything that has happened, seeing visions of the past and learning clues of the future. Most of the things he sees were pulled from all different scenes of all different episodes that we’ve seen to date, though certain images we have never seen before. He first sees the three-eyed raven flying beneath the crypts of Winterfell, then a vision of Ned Stark being held a prisoner in King’s Landing. The three-eyed raven then lands on what appears to be a tree in the North, and we see a glimpse of a beautiful weirwood tree. Bran then sees the wight that we saw in the very first episode of Thrones, followed by the flock of crows that we saw after Samwell Tarly killed the White Walker. A mysterious voice says “look for me beneath the tree” as we again see a beautiful weirwood tree that is glowing in the light, followed by a brief glimpse of the roots below the tree. He then sees the dead horse missing half its face, resurrected back to life and ridden by a White Walker.

The weirwood tree in Bran’s vision; he hears the words “Find me, beneath the tree.”

Interestingly, he then sees a vision which Khaleesi also saw in the Season 2 finale, when she entered the House of the Undying and fell under the magic of the Warlocks. It was during this “dream” that she was reunited with Khal Drogo and saw their baby. What she also saw, was a very dark and bleak vision of the Great Hall, the powerful room from where the king resides over the Iron Throne. In her vision, the Great Hall was completely empty and desolate. Walls were torn down and snow covered the hall. It was a powerful vision, and one that Bran is now sharing himself.

The desolated Throne room, a vision Bran and Khaleesi both saw.

Bran then sees some sort of face, either being reflect by, or peering through what looks to be ice. It is not clear what this is a face of, but does not look human. He then sees the vision of himself being pushed by Jaime from Winterfell, and for the first time, remembers what happened. He sees the shadow of dragons flying over King’s Landing. And finally, he once again sees the beautiful weirwood tree, with the same voice proclaiming “North!”

A mysterious face that appears for a brief moment in Bran’s vision

To say the least, it was a lot to take in. There were so many images and visions and it happened so quickly. It is important to realize the visions he had and the select things that he saw. Several of the images we had seen already, and appear to simply provide Bran insight on some of the things that we as viewers already know. Bran being pushed by Jaime, what happened to Ned, and the existence of the White Walkers are all realizations that Bran now has, but did not before. However, there were also several powerful visions he had which were not about filling him in on the past, but rather about providing him clues of the future or guiding him on his journey. Several times we saw the same beautiful weirwood tree and the mysterious voice exclaimed “look for me beneath the tree,” before adding the clue “North.” When Bran regains his human consciousness, he now knows where he needs to go.

To understand the power of this scene, it is essential to stop and consider the power of the weirwood trees, their historical significance and the role these mystical trees played with the Children of the Forest thousands of years ago. For thousands of years, before anybody else arrived to Westeros, the magical Children of the Forest lived in harmony with the weirwood forests and worshipped these trees. They derived much of their power and magic from these trees and many of the Children of the Forest, like Bran, were greenseers who were able to connect with the trees and realize prophetic visions. After the First Men and the Andals invaded, most of the weirwood trees were cut down and the Children of the Forest were pushed near extinction; yet thousands of years later, Bran has powerful visions as he connects with a weirwood tree, and it appears that there is another weirwood tree, somewhere in the North, that Bran must find.

THE DEATH OF ANOTHER KING

In a scene that lasted 23 minutes, we finally see the grandiose wedding of King Joffrey and Margaery Tyrell. As the wedding party begins, Jaime bumps into Ser Loras Tyrell, who is set to marry Cercei. Jaime tells Ser Loras that he will not marry Cercei, in a way which implied Ser Loras would have no say in the matter.

Prince Oberyn comes face to face with Lord Tywin, and though no direct threat is made in this episode, Prince Oberyn, through backhanded remarks, makes it clear that there is still much bad blood between the Martells and Lannisters.

And finally, after Margaery announces that all the leftovers from the wedding feast will be donated to the poor of King’s Landing, Cercei orders Maestar Pycelle to feed the leftovers to the dogs. At this point, it is clear that Cercei is threatened by Margaery and attempts to thwart her plan, which would help Margaery to gain the love and support of the people of King’s Landing’s. When Maestar Pycelle notes that Margaery is now queen and that he must obey her orders, Cercei makes it clear who still holds the power and threatens his life should he disobey her orders.

And finally we arrive to the part of the episode that we all secretly hoped would happen, but still were not expecting — the death of King Joffrey. After Joffrey makes a point of publicly humiliating Tyrion and making him his cupbearer, he begins to cough violently, before falling to the ground and dying several moments later. As he gasps for air, it is Jaime Lannister that tries to revive him — one last attempt to save a son that he was never able to truly father.

It was unclear whether Joffrey was choking or was poisoned. It was also unclear who was behind this, if anybody. Though, in his last breathing moments, Joffrey points at Tyrion and Cercei immediately accuses her brother of the murder. Tywin does not object, and Tyrion is taken by the Kingsguard. In the madness of it all, we again see Ser Dontos, who grabs Sansa and tells her it is time to go. With Joffrey dead, his younger brother, Tommen, is next in line for the Throne. Though, like Joffrey, Tommen was born of incest and has no true claim to the throne, as he is actually a Lannister, not a Baratheon.

Ser Dontos tells Sansa that it’s time to leave

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Season 8, Episode 6: The Iron Throne

DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.

What Just Happened?

A Mess in King’s Landing

Duty Over Love

One Strange Council

Back to The Wall

SEASON 7, EPISODE 6: BEYOND THE WALL

Disclaimer: There are no spoilers in this article. I have no knowledge of what is to transpire in this story. Any views or content expressed are solely personal theories, opinions and insights.

SEASON 7, EPISODE 3: THE QUEEN’S JUSTICE

Season 6, Episode 2: Home

Episode 2 Recap: Lion & the Rose