Season 8, Episode 3: The Long Night

DISCLAIMER: THERE ARE NO SPOILERS IN THIS ARTICLE. I HAVE NO KNOWLEDGE OF WHAT IS TO TRANSPIRE IN THIS STORY. ANY VIEWS OR CONTENT EXPRESSED ARE SOLELY PERSONAL THEORIES, OPINIONS AND INSIGHTS.

Here’s an idea for the framework of a story. Let’s start off with a series of events that will initially seem like the main purpose of the story, say a battle for supremacy over a throne. Let’s weave in countless battles, twist and turns, all in the name of conquering that throne. Let’s then start to pivot a bit and make our story multi-dimensional. Let’s tickle the curiosities and spark the imaginations of our viewers by starting to slowly and methodically offer the idea that the original premise of this story is actually not the end-all be-all. Sure, that first story about the battle for that throne once seemed all-important, but what if we start to craft another story, which starts to make the first seem less significant? In doing so, we offer a powerful idea: relativity. A plot-line that once fully consumed us, may now start to feel more disposable, when considered relative to a much more powerful story we can tell. And, say, that more important story will be centered around a much more existential philosophy….Maybe good vs evil, light vs dark, Ice vs Fire.

Of course, as we start to build this seemingly much more significant story arc, we will do so in a slow and calculated manner. We will start by offering breadcrumbs, early on, maybe even teasing the villain, a mysterious White Walker, in the very first scene of the very first episode. From there, we will build slowly over nearly a decade of storytelling, consistently reinforcing to our audience that there is a much more important storyline lurking in the distance — one that will continue to come into greater focus with each passing day.

And as our story nears its ultimate conclusion and this seemingly all-important storyline appears to be reaching its climax — the point where our audience will finally be rewarded with a a more illuminated view into the true message or meaning underpinning this story — let’s do the following: In the blink of an eye, let’s completely pull the rug out from under them. Let’s offer up a huge plot twist that undermines everything we’ve been telling our audience for the past 10 years. That original story we hooked you with — the one about humans battling for a throne — the one we worked so hard to remind you is actually less significant than that bigger and more important plot-line — let’s do a complete 180′ on that and decide it’s going to be the plot-line that the ending of this story will be dedicated to.

How does this framework sound to you? Shocking? Frustrating? Downright idiotic?

The Game of Thrones was fun. But it was just the first book in the Song of Ice and Fire series. Which, as we saw in the show, meant that this story ultimately was about something so much greater than mere mortals battling for a throne — a story that’s been done a dozen times over. This story was going to explore a much deeper, more powerful theme — one that cuts to the very existential core of human nature. The eternal struggle between good and bad, light and dark, which in this story, will be embodied by Ice and Fire.

It was not long before we started to understand that the battle for the throne was small potatoes compared to The Great War to Come. You know, that war that was going to determine the very fate of human existence. The war that pitted the dark and mysterious Night King against pretty much the rest of humanity. The war that tied in elements of gods, magic, dragons, and so much more. And what this show more than succeeded at was the masterful nature in which they built this story. Visions, flashbacks, allusions to events that happened thousands of years ago — these were just a few of vehicles that allowed us to start to understand the power of this storyline being built.

First, it was just White Walkers — pretty badass creatures of darkness that certainly made it clear that there’s a real threat to humans — a threat that makes bickering over a throne quite futile. But this story became all the more intriguing when we were introduced to The Night King, the mysterious leader of the White Walkers. Slowly, we were offered breadcrumbs which built the anticipation of this story, but also generally raised more questions. In season four, we learned how White Walkers were created, when we saw The Night King touch his finger to the face of a baby.

Two years later, things got even more interesting, when we saw how The Night King himself was created. Through one of Bran’s visions, we learned that The Night King was created by the Children of the Forest after they inserted Dragonglass into his heart. This certainly raised many more questions. Why exactly did The Children do this? They mentioned to Bran it was to save their kind from The First Men who had been slaughtering them. But how does creating The Night King save their people? Wouldn’t you just want to kill the humans you are at war with? Why insert Dragonglass into his heart? Seems like a strange ritual. And did The Children know they would be creating The Night King? Was that their intention? And who was the human they chose? Was he random or a significant character? And what about those spirals? We know those spirals were used by The Children, and then The Night King started using them as well — why? What was the ultimate connection between The Night King and The Children?

So many questions to be answered, and it was never a guarantee that they all would be, but as this story approached its final hours, it became abundantly clear that at minimum, there was a major connection between The Night King, The Children of the Forest and Bran. So with just a few episodes left before this 10-year journey comes to a close, I was expecting to learn a lot more about who The Night King was, why he was created, what his ultimate motivations were, how he was connected to The Children, what was the significance between he and Bran, etc… I felt that this entire saga, A Song of Ice and Fire, would be just that — a beautiful harmony, that as it reached its crescendo, would delight me with a a moment of clarity — a moment that allowed me to understand what this whole thing really was about.

What actually happened in tonight’s episode couldn’t have been further from this. What we got tonight, in the most highly-anticipated Thrones episode of all time, was an edge-of-your-seat 80-minute battle scene, and a 2-minute mindblowingly disappointing ending. As for the battle itself, hats off to Thrones for once again delivering another absolutely epic battle — one that took 11 weeks to shoot and required over 750 actors on set! No small feat. And while it was pretty suspenseful, it was actually one of my least favorite battles to date. The Battle of Blackwater Bay, the first real battle we ever witnessed on Thrones, watching those ships light up the sky with green wildfire, will always be a special one. Watchers on The Wall, the penultimate episode of season four (and the only other episode besides tonight’s to be fully dedicated to one battle scene), was spectacular as we got to watch The Night’s Watch defend The Wall for the first time against The Wildlings. Even the more recent Battle of the Bastards grabbed me more than this battle tonight.

First, I really found the battle to be a bit too all over the place. No doubt, this is precisely what producers/directors were going for — trying to create the feeling that this was not a singular battle happening in one location, but rather spread throughout many parts of Winterfell. Yet still, I found it a bit disjointed trying to follow the many different characters battling wights in many different nooks and crannies of the castle. I also found the coloring of the episode to be challenging. Again, this was no doubt intentional, but the combination of darkness from this battle being fought at night, mixed with a lack of visibility from The Night King’s foggy mist, made a lot of simply hard to follow — a big miss in my opinion.

I also flat out did not enjoy the role of the dragons in this battle. It was hard to see who was riding what dragon, which dragon was which, and ultimately I just didn’t feel the dragons were used well in this battle. This is all the more disappointing given that dragons versus White Walkers is the embodiment of Ice vs Fire, and it’s been nearly 10 full years that we’ve been talking about that moment when we’d finally see a battle where dragons are going against the army of the dead. I can’t say I was too impressed with it. I also found it a bit tiring the number of times a main character was about to be consumed by a clan of wights, only to be saved by another. Sure, once or twice I can chalk it up to writers taking some liberties, but it happened a half-dozen times, and at a certain point, it just becomes gratuitous. I get we can’t kill off all our main characters in one episode, but we also can’t pretend that they are all capable of fighting off 10 zombies at a time, and set each up to appear as though it’s about to be their last moment, only for them to be miraculously saved just in the nick of time.

But I can put to the side the above grievances I had with the battle itself. What I cannot put to the side is the way the episode ended. It utterly and completely rocked my world, and undercut everything I thought this story would ultimately be about. This episode was the one. Bran and The Night King were likely going to come face to face, and something major had to happen. As the humans are losing the battle, and the very real possibility of The Night King winning starts to set in and the climax is upon us. The Night King approaches Bran, with nobody left to defend him (remind me why anybody thought Theon would be able to defend Bran from The Night King?), and something BIG is about to happen. On the edge of my seat, my heart was racing in anticipation, feeling as though I was finally about to learn what the hell it is that The Night King is really after.

But it just wasn’t in the cards. Arya jumps from what seemed like a solid 10 feet, but is caught by The Night King, and it looked like this might be Arya’s last moment. But she makes a nice maneuver to drop the dagger into her other hand, plunge it into his side, and just like that, poof, The Night King is no more. Nothing even special about the way he was destroyed. He able to be killed the same as all the other White Walkers, with Valyrian steel. And he exploded into glass pieces, just like the White Walkers when they are killed. This was The Night King — not just another White Walker — and not that he had any business dying here, but I was even disappointed with the fact there was nothing special about what it took to kill him or the display of his death.

The way he died also simply felt too easy, too quick, too unimportant. Not taking any credit away from my girl Arya, but a 12-inch dagger to the side and the all-evil Night King is dead? That’s it? Let’s not forget, this is a Night King that has been around for hundreds, if not thousands of years. And that’s all it took to defeat him? Big miss there.

Anyway, just like that, in the blink of an eye, everything changed. In anti-climatic fashion, all the White Walkers are destroyed, and then their wights. The great war is over, the humans have won, and I am left feeling as though this is an ending to a story I have seen 100 times over. But wait! We still get to see who is going to win the Iron Throne — totally more important than a great war intended to decide the very fate of mankind — a war that we had every reason to believe was going to reveal a great deal of what this story was ultimately all about. And now, sadly, it seems we’re back where we started, and that it’s simply about humans fighting for a Throne. Can’t wait for more blah blah blah from Cersei in King’s Landing!

Maybe it’s my fault. Maybe I gave Thrones too much credit. Maybe I shouldn’t have believed this story was about something a lot deeper. But then again, this is a story with a 10,000 year back-history, one that was referenced hundreds of times throughout the show. We were given every reason to believe that there was great magic and mystery that happened prior to the start of this story — things we were going to learn about before this story concluded — things that would underpin the true meaning of this story. One very simple example of this is in season six when the show decided to take us back in time to show us The Children of the Forest creating The Night King. That gave us every reason to believe that we were going to learn more about The Night King, who he was, why he was chosen, what The Children were trying to achieve, the connection between the spirals, etc… Why even show that scene if we are never going to unpack it further?

Now, before I conclude this post, let me acknowledge the chance that there are still some big reveals around some of these topics. Bran is still alive, which means we still have a portal into the past (and future). So, it’s still entirely possible we learn more about The Night King, The Children, and what A Song of Ice and Fire is truly about. And I really hope this is the case. But, with the entire army of the dead defeated, it seems like that is now in the rearview, and the last few episodes will go back to human vs human battle to determine who will sit upon the Iron Throne at the story’s completion.

I am saddened and shocked by all of this. I find it hard to believe that George R.R. Martin created this masterful story, the ending of which is not concerned with Ice and Fire, but rather humans competing for the throne. It seems beneath where the story was going and feels like we took 100 steps backwards to a much less intriguing storyline. I hope the next few episodes have some course-correcting surprises, otherwise Lost may have just lost its top spot as worst end to a TV show of all time.

Odds and Ends

Arya’s Dagger: We’ve touched upon this dagger in several previous posts, but the Valyrian steel dagger that Arya uses to kill The Night King has a pretty cool backstory. It was originally used by Baelish who gave it to an assassin to try and kill Bran in season one (Baelish’s goal was to blame the Lannisters for the assassination attempt on Bran, to pit House Stark and Lannister against each other, which is precisely what happened). After the assassination attempt failed, the dagger ended up back with Baelish, who gave it to Bran when they reunited at Winterfell earlier this season. Bran then gave it to Arya, telling her he had no use for it. Had he already seen the vision of how Arya would use it to defeat The Night King? (Arya also used this dagger to kill Baelish).

The Prince(ess) That Was Promised: Obviously a theory we’ve been touching upon for years now. In a recent episode, the idea of The Prince That Was Promised was being discussed in Valyrian. Missandei, who speaks this language well, corrects Dany and Lady Melisandre, telling them that in Valyrian, that word has no gender, meaning it could be a Prince or Princess. This created more speculation around who would play this prophesied roll, with many people now thinking Dany, and some more recently even believing Brienne. Looks like, after all, it was Arya.

Bran’s Warging: What exactly was Bran doing when he was warging for so long in this episode? We saw he warged into some ravens, seemingly to get a better glimpse of what was going on in the battle. But we never really saw where the ravens were going, or what Bran saw through their eyes, if anything. If nothing significant, then it felt kind of pointless that he was sitting there warging this entire scene.

The End: It’s important to remind that the show is now far ahead of the books, and while George R.R. Martin has definitely provided direction for the show to work around, they are taking more liberties now than ever before. The first six seasons were based directly off books that were written. Characters, events, even most dialogue was direct from the books. Starting last season, the show jumped ahead of the books, and as a result, it seems a lot more liberties are being taken. It’s hard to know if the books will culminate the same exact way the show does.

RIP: Rest in peace to Beric, Jorah, Theon and Melisandre. Beric’s death was not too eventful, but he served his role in The Great War and helped to save Arya who would ultimately take out The Night King. Jorah’s death was the most noble, and there is no way he would rather die than fighting to protect his beloved Khaleesi. Theon’s death was so-so. I appreciated that Bran told him that he was a good man and thanked him, giving him the closure he had been searching for, prior to his death. That said, I found it silly that he was out there in the first place trying to protect Bran from The Night King, as if Theon stood a chance. We’ve seen the last of Melisandre as well, as she harnessed the power of The Lord of Light, played her role, then faded off into the distance, dying as the old woman she is (remember, it was the necklace she removed that kept her youthful).

Advertisements

SEASON 6, EPISODE 10: THE WINDS OF WINTER

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

THE WINDS OF WINTER

Put in the books…Season six is officially over, which means we have about a full year to wait until the return of Thrones. But if there was ever a season which delivered enough magic, enough surprise and enough excitement to last us until next season, this was it. And putting an exclamation point on this incredible season was the finale episode, The Winds of Winter, which delivered enough major plot-twists for multiple finale episodes. In past seasons, we would’ve gotten one major event in the finale episode to make us go “wow, that was amazing,” and hold us over until the following season. In this episode, we got four or five of those moments, seemingly one after the next. Cercei blowing up the Holy Sept of Baelor and killing all her enemies in one fell swoop, including basically all of House Tyrell. Oh, and doing it with wild fire no less. Tommen casually jumping out the window to his death. Jon Snow being declared King in the North. Cercei assuming the freakin’ Iron Throne. Arya revealing she’s already back in Westeros and taking out her enemies. After six years, Khaleesi is actually leaving Easteros to take what is hers — the Iron Throne of Westeros. Oh, and did we mention that Winter is officially here?

loras

Any one of these events could’ve been enough to end the finale on, especially after last week’s epic Battle of the Bastards. But as season six came to an end, we didn’t get one major event, we got them all. Because whereas the objective of past seasons’ finales was to wind the show down and bring things to a close, the purpose of this finale was the exact opposite: to propel the show to all-time highs and position characters for the final lap ahead. That’s right, there’s not much left and the end is near. Likely split over two more seasons, we are looking at 12-14 more episodes total, and that’s it for Game of Thrones, folks. So there is no wind-down at this point. There is no deliberation or hiatus. We are in the thick of it now, full force, and The Winds of Winter pointed us in the direction we are headed.

But before we jump into a recap of the episode, let’s explore what the show is really about at this point. To date, Thrones has been about a lot of things: power, loyalty, war, love, vengeance, deception, to name a few. But as the show has evolved through the years, and now nears its end, what is it really about? As I asked myself this question and reflected back on the finale episode and this season as a whole, I thought about thing: survival. It was once about who could play the Game of Thrones, now it’s about who can survive it. In this finale episode, we saw three major characters who have survived and now risen to the top: Khaleesi, Cercei and Jon Snow, each of whom is now a King/Queen.

What is also interesting when thinking about the survival of characters is how dominant the females are as season six comes to a close. For a show that was often-criticized about the subjection of its female characters (which hit an all-time high last season after the rape of Sansa by Ramsay), it is now the females who are in positions of power and dictating the outcome of this story. Cercei has ascended the Iron Throne and is the Queen of the Seven Kingdoms. Khaleesi is the Mother of Dragons and commands an army of loyal followers that appears to be growing by the day. Yara, not Theon, is calling the shots for House Greyjoy and has joined up with Khaleesi. Arya is crossing names off her list in Westeros. Sansa won the battle against Ramsay and got her revenge, and also pushes off Baelish in this episode. In Dorne, it is the Tyrell and Martell females that convene to discuss their revenge against the Lannisters. Even Lyanna Mormont, an 11-year-old girl, appears more powerful than all the men of the North, as she reminds that House Mormont stands with House Stark and that the North remembers, ultimately swaying the other Northern houses to support the Stark cause. Even once-powerful men like Tyrion and Varys have now abandoned their personal endeavors to support the greater cause of a female character. In fact, when you stop and look around, it’s almost hard to name the major male characters that are really in the picture, other than Jon Snow. We’ve come a long way since the earlier seasons which covered the Battle of the Five Kings, mostly all males fighting for the Iron Throne. And now, winter is no longer coming. Winter is here.

DARKNESS IN KING’S LANDING

Many people, including myself, were predicting a possible death for Cercei in the finale episode. She was weakened by her walk of shame, never seemed to quite recover from it and appeared relatively powerless this entire season. And when trial-by-combat was ruled out, it looked like the end might be near for Cercei. Boy, were we wrong. The episode opens as we see various characters dressing for the trial. Margaery and Tommen both dress in regal garb, fit of a king and queen, while the High Sparrow throws on his minimalist robes. But Cercei is preparing for something entirely different, as she dresses in an all black piece that almost resembles armor. This entire segment, which was one of the longest we’ve seen, was accompanied by a beautiful piano arrangement called Light of the Seven by Ramin Djawadi, which can be heard in the video below. It was unlike any other music that has ever been played in an episode before, and captured a particular eeriness, hinting that something terribly out of the ordinary was going to happen. It was masterfully executed, and though I don’t think it’s worthwhile to compare the books to the show, since they’re both genius in different ways, this was an example of how music, and visuals and directorial vision can setup a major event that was to come in a way that the books never could.

As everybody stands around the Sept of Baelor, it is Queen Margaery who realizes that something is wrong after Cercei and Tommen both no-show. She warns that everybody must leave the Sept, but the High Sparrow’s stubborn faith gets the best of him as he instructs the Faith Militant to prevent anybody from leaving. Elsewhere, Maestar Pycelle is tricked into entering the tunnels below King’s Landing, as is one of the Faith Militant, Lancel Lannister, both of whom are stabbed by Qyburn’s little birdies. It’s unclear what Qyburn has done to these little peasant children or why children were needed to do the actual killing, and maybe we’ll find that out down the road, but we did see Qyburn with these children in an earlier episode this season, so we knew he was up to something. What we also saw a few episodes back, after Tommen declared that trial-by-combat would be illegal moving forward, was Cercei asking Maestar Qyburn whether the rumors were true, to which he responded that they definitely were, more so than she could even imagine. We now know that she was asking him about the wild fire, which she would use to blow up the Sept of Baelor and kill everybody inside.

sept explosion

Beyond the power of this scene and the way it unfolded, there are some very interesting takeaways. First, we got a glimpse of this wild fire explosion many episodes back in one of Bran’s visions, which very quickly showed the green flames engulfing the tunnels below King’s Landing (see photo below). So, Bran saw this before it actually happened, and so did we. This speaks volumes to other visions he may have of events that are yet to unfold, with the potential to stop them before they happen. Next, it is very powerful to consider that Cercei did the very thing that her brother killed the Mad King to avoid from happening. Going back to the Mad King Aerys Targaryen (Khaleesi’s father), when Robert’s Rebellion succeeded and the rebels arrived at King’s Landing, rather than surrender, the Mad King kept saying “Burn them all.” He was obsessed with wild fire and wanted to use the wild fire to blow up all of King’s Landing and burn everybody alive, rather than let the rebels usurp the Iron Throne. Though he was sworn to protect the king, Jaime put his sword through the Mad King’s back, and would forever be known as Kingslayer. He broke his sworn oath to protect the king in order to save tens of thousands of innocent lives who otherwise would’ve been burned alive. Ironically, years later, it is his own sister who ends up doing this very same thing, albeit in a more controlled fashion as to eliminate her enemies in the Sept of Baelor and not all of King’s Landing.

wildfire

From Bran’s vision

As Tommen looks on and sees the Sept explode into the sky, realizing everybody has just died, including his Queen Margaery, he is in total disbelief. He is just a boy — a boy that watched his older brother murdered when he was king and who then lost his sister to murder as well. His mother was locked away and then forced into a humiliating walk of shame. The High Sparrow and Margaery have been in his ear telling him to follow the Faith. Rumors swirl around about who his true parents are. Talk about stress — the things Tommen has dealt with since being a little boy are enough to drive anybody to suicide. So now, after watching the Sept explode, he’s had enough, and in an indifferent fashion, decides to simply fall to his death. This marks the third child that Cercei has lost, and unlike the murders of her first two children, Cercei has nobody to blame but herself for the death of Tommen. Interestingly, in the premiere episode of season five, we saw a flashback of Cercei as a child as she wanders into the woods to find a witch. The witch tells her of a prophecy in which all of her children would eventually die (see video below). Now, decades later, this prophecy has been fully realized and Cercei has lost all of her children. Well, at least most of the prophecy has been realized. The witch also tells Cercei that she will eventually be replaced by another queen, younger and more beautiful. It’s safe to assume that this will be Khaleesi.

Perhaps, in some ways, Cercei wanted Tommen to die, even if subconsciously. After all, as she stated so many times, her purpose in life was to protect and defend her children. Well, clearly she wasn’t so good at that. Or maybe, it was a greater drive that she had which outweighed her ability to truly protect her children. Maybe it was her undying quest for power. And after losing two-thirds of her children and sort of already losing the third to all the madness of King’s Landing, she was ready to rid herself of all her motherly baggage, which is in fact what happened. And now, free of any responsibility or burden to her children, Cercei is able to ascend the Iron Throne and take what is hers. Dressed in all black, the Throne Room looks darker than ever before, nobody daring to question her claim. She appears cold and ruthless, hardened by the deaths of her children and the torture she experienced at the hand of the Faith. Now that Cercei has taken the Throne, she’ll be free to pursue vengeance against the murderers of her children, namely the Martells of Dorne. But how will Jaime fit into this? He looked rather unpleased, if not shocked, at the scene he saw upon arriving back to King’s Landing. Perhaps, Cercei and Jaime’s union is starting to unravel, and maybe Jaime resists Cercei’s pull to the dark side.

KING IN THE NORTH

We get first glimpse of Jon Snow in the halls of Winterfell as he stands with Melisandre, moments before Davos storms in commands Lady Melisandre to tell Jon Snow what she’s done to Princess Shireen. Davos is more emotional and angry than we’ve ever seen him before and it is clear that he truly loved Princess Shireen like a father. Melisandre confesses to her crimes, but adds that she has only done what the Lord of Light commanded. Once again juxtaposing Melisandre’s faith to her god against Davos’ commitment to morality and reason, Davos exclaims “If your god commanded you to burn an innocent little girl, then your god is evil!” Davos appeals to Jon Snow and demands that Melisandre be executed, to which Melisandre tells Jon Snow that her work is not done. Clearly, Jon Snow believes this, and knows that he may yet need her down the road. He commands her to ride south, rather than executing her.

As Melisandre rides off, Jon Snow and Sansa stand atop the ramparts of Winterfell. Jon Snow acknowledges that it was Sansa who won the battle by securing the Knights of the Vale, but notes that they must trust each other moving forward. He tells her that he is not a Stark, and wishes for Sansa to be the Lady of Winterfell, rather than he. Sansa also tells Jon that a white raven has come from the Citadel and the Maestars have determined that winter is officially here. As if we didn’t already realize that the show is really reaching an all-time highpoint, we just got explicit confirmation — after six years of waiting, winter has now come.

Standing beneath a weirwood tree, Sansa tells Baelish that she no longer prays and is done with the gods. As they discuss what it is that Baelish really wants, a question we would all love answered as well, Baelish tells Sansa that he wants to sit on the Iron Throne as king with Sansa as his queen. As he goes into kiss her, she pushes him off and tells him that it’s a “pretty picture.” Again, we see that Sansa is not a naive child and will not be easily manipulated. But more importantly, we finally hear Baelish explicitly reveal what he wants, which is ultimate power. Throughout the last six seasons, there have been breadcrumbs along the way which have pointed us in the direction of Littlefinger’s true intentions. In the very first season, Baelish has a conversation with the keep of his whorehouse in King’s Landing, and he retells the story of how he challenged Brandon Stark (Ned’s older brother) to a duel, to win the love of Catelyn Tully. He lost that duel to the much fiercer Stark warrior and was badly embarrassed and injured that day. “You know what I learnt losing that duel? I learnt that I’ll never win. Not that way. That’s their game, their rules. I’m not going to fight them: I’m going to fuck them. That’s what I know, that’s what I am, and only by admitting what we are can we get what we want.” When she asks him what it is that he wants, he responds “Oh, everything, my dear. Everything there is.” Littlefinger has also often referenced investments he has made, some good and some bad, in an effort to achieve his means. In an earlier season, Varys also noted “Baelish would let the whole country burn if he could be king of the ashes.” And finally, years later, he comes right out and tells Sansa what he wants — the Iron Throne with her beside him.

Later, in Winterfell, the remaining houses of the North gather and Jon Snow makes his case for their support. Winter is here and the North will be the front line against the White Walkers that are coming — nobody knows this better than Jon Snow. Still, the Northern houses have doubt and express uncertainty about once again supporting House Stark. Lyanna Mormont, not only the only female in the room (besides Sansa), but also youngest in the room, delivers a passionate speech noting that House Mormont stands with House Stark and that the North remembers. Houses Manderly and Glover are moved by her words and pledge their support of House Stark, declaring Jon Snow the King in the North. Before long, the whole hall is shouting for Jon Snow as King in the North, much the way they once did for Robb Stark — hopefully this one has a better ending.

king north

Certainly, Jon Snow will be a much different kind of king. He has no interest in the Iron Throne or petty battles — his eyes are set on defending humanity from the army of the dead. Moreover, he’s seen a lot and experienced much more than his brother Robb ever did, including dying and being brought back from the dead. Jon Snow now has the beginning of an army, but it’s unclear how Sansa feels about this. Just moments before, he was telling her that it should be her who leads House Stark, not him. Sansa exchanges a glance with Baelish, who quietly observes like a fly on the wall. The look they exchanged was almost as if Baelish was saying “Hey, my offer is still on the table. I am still on the quest for power and you can share that quest with me, rather than going back to being the sister of the King in the North.” We’ll have to wait until next season to see how this all unfolds, but to see Jon Snow brought back from the dead, defeat Ramsay to reclaim Winterfell and now to be declared King in the North with House Stark finally supported again by the other Northern houses, is a welcomed and long-awaited turn of fortune for the Starks. And let’s not forget, both Bran and Arya are not not too far away from Winterfell.

NEW FRIENDS

After not having seen Dorne since the first episode when the Sand Snakes executed Prince Doran, we are taken back to the southernmost region of Westeros, where Lady Olenna Tyrell is convening with the Sand Snakes. Lady Olenna has basically lost everything, including her son and two grandchildren, with no apparent heir to Highgarden. She makes it clear that all the world can offer her is revenge. Perfect timing, as Varys enters the scene, offering fire and blood. The Martells and Tyrells both have a common enemy in the Lannisters, namely Cercei. Luckily for them, the Lannisters are also the enemy of Khaleesi (it was Jaime who killed her father and Lord Tywin who orchestrated much of the rebellion). So, Varys offers the Martells and Tyrells to join Khaleesi’s cause, with the promise of imminent revenge.

This is an extremely significant development for Khaleesi’s camp, which was already in great shape with three dragons, a wise and loyal small council, armies of the Dothraki and Unsullied, support of House Greyjoy and 100 ships to travel to Westeros. Now, Khaleesi has landed the support that she’ll need when she finally arrives to Westeros. And not just any support. House Tyrell is the wealthiest and largest house in all of Westeros, making them an incredibly important asset to Khaleesi. The support of the fierce Dornish people is also very valuable, but not as valuable as their land. Dorne is the southernmost region of Westeros, isolated from all the other kingdoms, making it a great landing place for Khaleesi, her dragons and her army. Outside of Dorne, there are not many places on Westeros Khaleesi could land without being thrown right into conflict with other houses. But because Dorne is so far removed from the rest of the continent, it makes the most ideal landing place. It is also interesting to note that during Aegon’s Conquest 300 years ago, Aegon was able to conquer and unite six of the Seven Kingdoms, with Dorne being the only one he was unable to hold. The reason being that it was too far from the rest of the continent, proving too difficult to conquer. It wasn’t until many years later that Dorne became the seventh kingdom through an arranged marriage between Houses Martell and Targaryen. Unlike Aegon, the first Targaryen to conquer the land of Westeros, Khaleesi is now entering Westeros with an alliance with the Martells of Dorne, which should prove hugely valuable to her conquest of the Iron Throne.

ONE MORE NAME OFF THE LIST

As Walder Frey continues to gloat upon his recent successes, Jaime reminds him that it was House Lannister that was responsible for these victories, and that House Frey is dispensable. Proving this true, moments later, we learn that Arya is not only back in Westeros, but is crossing names off her kill list. And, even more, she made sure to grab some faces from The House of Black and White before she left Braavos. Arya killed the two Frey sons and cooked them into a pie that she fed to Walder. She reveals all of this just moments before slitting his throat.

arya frey

Besides the awesomeness of seeing Arya back in Westeros and avenging the deaths of her family murdered in the Red Wedding, there was another layer to the way she did it, which goes back to a season three episode in which Bran told the story of the Rat Cook. According to legend, thousands of years ago, a King once visited a castle of the Night’s Watch. During his stay, the King offended members of the Night’s Watch, and as revenge, the cook killed the king’s son, baked him into a pie and served the pie to the king. The king enjoyed the pie so much that he asked for a second helping. The gods punished the cook by turning him into a giant rat, forced to run the halls of the castle and eat his own offspring. According to Bran, the gods were not offended by the murder or even by the cook feeding the king his own son. Rather, the gods could not forgive the ancient law of guest right which the cook had violated. This scared law dictates that a person shall commit no harm to any other person who’ve they’ve taken in as their guest. Bran tells, “It wasn’t for murder the gods cursed the Rat Cook, or for serving the King’s son in a pie… he killed a guest beneath his roof… that’s something the gods can’t forgive.” Many years later, Walder Frey would commit this very same crime as he brutally murdered the Starks who he had taken in as his guests. Rather than just killing him, Arya feeds his sons to him, an allusion back to the story of the Rat Cook and the violation of guest right. It will be interesting to see what comes next for Arya. She is as close to home as she has ever been, but something tells me she’s not quite ready to journey back to Winterfell just yet.

R+L=J

Still north of the Wall, Benjen tells Bran that he cannot join him south as he cannot pass under the Wall. He reminds us of what we’ve heard before: the Wall was built with powerful magic of the Children of the Forest, preventing the dead White Walkers from passing through. Benjen confirms that he is in fact considered dead as he cannot pass under the Wall. So, he will go his separate way and continue to fight off the dead for as long as he can. The reunion between Bran and Benjen was short-lived, but we will likely see Benjen again at some point.

As Bran looks up, he sees a weirwood tree, the magical trees of the Children of the Forest, and he goes to connect with it. Before he does, Meera questions if he is ready, to which he responds that he is now the Three Eyed Raven and he must be ready. This statement can be taken figuratively, as he is now taking on the responsibilities of the Three Eyed Raven. But, maybe it can also be taken literally. What if Bran actually is the Three Eyed Raven? What if they are the same person? The Three Eyed Raven that we saw in the show could be Bran thousands of years in the future, coming back to guide a younger version of himself along his journey to save the world. After all, The Three Eyed Raven stayed propped up in his tree and we never saw him move, just like Bran cannot move. So, maybe Bran and the Three Eyed Raven literally are the same person.

In any event, Bran’s vision takes him to the final reveal of the Tower of Joy, where the younger Ned ascends the tower to find his sister Lyanna, bloody and dying. After many years of hearing about Lyanna, we finally get to see her. Before she passes, she tells Ned that she must take her baby and protect him. If they figure out who he really is (a Targaryen), they will kill him, she says. And just like that, we get confirmation of the most popular fan-theory, R+L=J (Rhaegar Targaryen + Lyanna Stark = Jon). This might not have come as a shock, since it was in fact such a popular fan theory. But, this is arguably the most important reveal that we’ve seen in the entire six seasons. The implications of this reveal are huge.

First, we now understand that Ned raised Jon to be his own, even though he in fact was not. This point backs to the nobility of Ned’s character and what a great man he was. So much so, that he made up a story which reduced his character, claiming that he had a relation with a whore who gave birth to the bastard Jon Snow. Of course, when you consider Ned’s character, this story never made any sense, as his defining characteristic was his moral character. What’s more, his wife Catelyn always resented Ned for this, and every time she saw Jon Snow, she was reminded of this “affair” that Ned had. She hated Jon Snow so much because of this. In reality, none of it was true. Ned never had an affair and Jon wasn’t a bastard. But Ned had to protect Jon Targaryen. If anybody found out he was Targaryen, especially Robert Baratheon, he would have immediately been killed.

So, looking back, it’s pretty powerful to think of everything Ned did to protect Jon Snow. But, looking forward, there’s even more to consider. First, like we said, Jon is a Targaryen. Moreover, he’s half Stark as well, which is quite genetic makeup, arguably the two greatest families. He could be the link between uniting the strength of the North with the power of his Aunt Khaleesi and her Targaryen bloodline. Yes, Khaleesi is Jon’s aunt (her older brother, Rhaegar, was Jon’s father). And perfect timing as Khaleesi is headed to Westeros with her dragons and all. Naturally, this begs the question of when Jon will find out who he is and what type of union might follow between Khaleesi and Jon. But, this also debunks the idea that Jon is Ned’s son, which weakens his claim as King in the North. It was this very episode that Lyanna Mormont stated that Jon had Ned’s blood running through his veins, which we now know to be false. All in all, this was a mind-blowing reveal which will have a huge impact on what is to come.

HOMEWARD BOUND

In Mereen, Khaleesi makes the difficult decision to leave Daario behind to protect the city of Mereen. She notes that in order to make allegiances, she may have to marry, and having him around would be a liability. Even after a heartfelt plea, she remains stone-cold and commands him to stay behind. As she convenes with Tyrion, we learn that this was his advice, to which she once again listened. Quicker than anybody before him, Tyrion has had a major influence on Khaleesi and she continues to value his counsel. Tyrion and Khaleesi have a wonderful exchange, in which she expresses doubt and fear for what is to come next, but he reassures her that he believes in her more than anything in his life. She formalizes their relationship by naming him Hand of the Queen. In a world where nothing is as it seems and peoples intentions have to be constantly questioned, the support that Tyrion and Varys were offering Khaleesi was not necessarily 100% pure. But now that Tyrion has become Hand, we get the feeling that Tyrion is going to be by her side until the end, as one of the wisest strategists and politicians in the world.

khaleesi ships

And as if all of this was not enough to end the episode on, we get one final truly epic scene, in which Khaleesi and her entire following finally departs Mereen. For six seasons we have seen her endure to build the army and following of loyalists that she has today. She never forced anybody to join her cause; rather they all saw her greatness and made the decision to follow. And now, all united, they head for Westeros, stronger than ever before. Fire and blood will surely be coming….

Episode 8 Recap: The Mountain & The Viper

THE WILDLINGS ARE COMING

Episode 8 begins with another Wildling raid, this time the village of Molestown, which is not far from Castle Black. The brothel where Samwell Tarly left Gilly is attacked, but Ygritte spares the life of Gilly and her baby. It is now more clear than ever that the Wildlings are coming and an attack on the Wall is imminent. Realizing they are outnumbered by 1000 to 1, one of the brothers jokes, “Whoever dies last, be a good lad and burn the rest of us.”

It is interesting that the show this season has not yet shown Mance Rayder or the army he has assembled, something that was common occurrence last season when John Snow infiltrated the Wildlings. This season, we’ve only seen the smaller Wildling clan that is now south of the Wall. It is unclear exactly what Mance Rayder has been up to or what his army will look like, but if there is any truth to their numbers of 100,000, it doubtful that anybody in the land can stop them.

SER JORAH & KHALEESI

Still in Meereen, Ser Barristan receives a letter from King’s Landing — a royal pardon signed by King Robert, exonerating Ser Jorah of the slave trade crimes he had committed and allowing him to return home to Westeros. When Khaleesi demands explanation, Ser Jorah admits that he had originally been working in service of Lord Varys and acting as a spy, reporting back to King’s Landing updates of Khaleesi’s journey. He even knew about the poison that she almost drank in season one, although he ended up stopping this from happening and saving her. Disgusted by his betrayal, Khaleesi bans Ser Jorah from her service and tells him, “Go back to your masters in King’s Landing.”

Screen shot 2014-06-02 at 11.57.57 AM

When one stops to consider the journey Ser Jorah has been on, it is hard to not recognize the irony and empathize with his character. The poor guy got exiled from his homeland of Westeros for trading slaves — something he was forced into doing after realizing financial ruin trying to provide for his wife the lavish life she demanded. He lost everything he had because of this and after fleeing to Easteros he came into the service of Khaleesi. Trying to find his way home and via a royal pardon from King Robert, Ser Jorah agreed to report back to Lord Varys. But, this was before he knew Khaleesi. And, as he came to know and love her, not only did he save her life, but he also shifted his undying allegiance to her at the cost of giving up the chances of returning home to Westeros. And, after all that, the past comes back to bite him and he ends up being forced to leave Khaleesi — the woman he would die for. Throughout, Ser Jorah has tried to provide and protect for those around him, yet in the end, he once again appears to be losing everything that means most to him.

Also in Meereen, Grey Worm sees Missandei naked, something for which he later apologizes. Building on previous conversations they’ve had, it appears that feels are beginning to develop between them, though the Unsullied are supposed to be emotionless. Before leaving, Missandei tells Grey Worm that she is glad that he saw her naked, and he replies that he is glad as well.

“REMEMBER WHAT YOU ARE AND WHAT YOU ARE NOT”

Tasked by his father with retaking the strategic northern castle of Moat Cailin from the Ironborn, Ramsay Snow uses Theon, who must pretend that he is in fact still Theon Greyjoy, prince of the Iron Islands. Theon convinces the depleted Ironborn that they will be granted safe passage should they surrender the keep. But, when they do surrender, Ramsay flays all the Ironborn, skinning them alive — an old Bolton tradition that had been outlawed many years ago. When Lord Bolton arrives, he rewards Ramsay by anointing him with the Bolton last name, something Ramsay values above all else. With the successful capture of Moat Cailin, House Bolton has now secured most of the North with little opposition left. Lord Bolton asks Ramsay if there has been any word back from Locke, unaware that Locke was killed at Craster’s Keep. The Boltons are still essentially the only people in Westeros that have the powerful knowledge that Bran and Rickon are still alive and out there somewhere.

Screen shot 2014-06-02 at 11.58.05 AM

SANSA & LITTELFINGER

Suspicious of the story he has told, several highborn of the Vale question Littlefinger about Lysa’s sudden death. After they ask “Alayne” to speak of this, she reveals herself to be Sansa Stark and tells that Lord Baelish saved her from the torment of King’s Landing. She then corroborates his lie and tells that Lysa committed suicide after becoming jealous of a kiss she mistook between Lord Baelish and Sansa. Faced with the option of coming clean and being freed from Lord Baelish, Sansa instead decided to go along with his story and save him. When he asked her why she did this, she responded that she did not know what would happen to her if they executed him. Only time will tell whether she made the right decision. Before leaving, they discuss that it is time for Robin Arryn to “leave the nest” as he is now Lord of the Vale. Before setting out to tour the Vale, Sansa is seen with her hair died black — perhaps a disguise or perhaps underscoring the darkness that underlies her decision to go along with Lord Baelish’s plan.

Also at the Vale, the Hound and Arya finally arrive after a long and difficult journey, only to find out that Lysa Arryn has died days ago. Finding comedy in the irony of situation, Arya breaks out into laughter. After enduring such a grueling journey, the Hound cannot even receive ransom for Arya as her aunt is no longer alive.

YOU RAPED HER, YOU MURDERED HER, YOU KILLED HER CHILDREN

Speed and agility versus size and strength, the trial by combat between the Red Viper and the Mountain finally takes place. While the Red Viper is light on his feet and opts to wear little armor, the Mountain is a gigantic 8-foot monster with a giant sword and massive armor. The Red Viper uses his quickness to dodge many of the Mountain’s blows, and he eventually lands a blow of his own, leaving the Mountain flat on his back. Rather than finishing him off, the Red Viper demands to know who gave the Mountain the order to kill his sister, Elia Martell. As Prince Oberyn looks up at Lord Tywin, the Mountain knocks Oberyn off his feet and gets on top of him, crushing his skull as he admit to the crimes he committed against Elia Martell.

Screen shot 2014-06-02 at 11.58.12 AM

Just as quick as he came, so too now he is gone. And it was all the more painful the circumstances under which he died. After years of seeking revenge for the rape and murder of his sister, the Red Viper was finally presented with his golden opportunity in this trial by combat. Rather than fearing for his own life, Prince Oberyn was solely focused on avenging the death of his sister. And after knocking the Mountain off his feet, the opportunity was his — he could have killed the Mountain. And just like that, in the blink of an eye, the opportunity was gone and the victor became the victim. We are now left to wonder what will happen to Tyrion, who has been sentenced to death, and how House Martell of Dorne will react to the murder of their beloved prince.