Season 5, Episode 6: Unbent, Unbowed, Unbroken

Disclaimer: There are no spoilers in this article. I have only read the first three books and I have no knowledge of what transpires in the show moving forward. Any views or content expressed are solely personal theories, opinions and insights.

A GAME OF FACES

Episode six opens at the House of Black and White as Arya continues to clean the bodies of the dead, wondering what is done with these corpses she’s been cleaning. Little does she know that she is soon about to face the answers to all her questions, quite literally. And as we continue to learn more about the Faceless Men, we realize that a face is much more than just a physical appearance, but a window into the truth of a character. As the girl Arya is with tells her that she is originally from Westeros but ended up at Braavos serving the Faceless Men after they killed her stepmother for her, she then goes on to ask Arya whether her story was true or not. In short, she’s asking Arya if she’s able to read her face and see the truth of her character — something Arya is unable to do. Jaqen H’ghar plays a similar game with Arya, as her asks her questions and is able to read the lies on her face every time she tells one. Most notably, he calls outs her lies when she says she hated the Hound, an explicit confirmation to all viewers of what we already assumed — that deep down she cared for the Hound and identified with his character.

Later, when a girl enters the House of Black and White in pain and dying, Arya takes a step closer towards becoming a Faceless Man, as she acts as a servant of death and lies to the girl in order to comfort her as she drinks from the fountain of death. It is at this point that Jaqen takes her down to the lower levels of the House of Black and White, where we see the thousands of faces which are used by the Faceless Man to assume new identities. And as the scene comes to an end, Jaqen tells Arya that she is not yet ready to become nobody, but is perhaps ready to become somebody else.

Artist depiction of Arya and the faces

Artist depiction of Arya and the faces

TYRION & JORAH

Elsewhere on Easteros, hostilities have defused between Tyrion and Jorah as they are becoming more buddy-buddy. And just like that, we are taken back to the very first season, when Tyrion visited the Wall and met Lord Commander Mormont. Tyrion tells Jorah that the brothers of the Night’s Watch spoke of Lord Commander Mormont very highly, saying he was a man “the likes of which we will never again see.” As viewers, we get a major perspective shift, as we see Tyrion realize that Jorah wasn’t aware that his father had died, though we have been aware for several seasons. Immediately, we see the pain and shock that comes over Jorah’s face.

What makes this moment especially sad, which viewers don’t realize from the show, is the backstory surrounding Jorah and his father. House Mormont was the most noble house of Bear Island, and Jeor Mormont was Lord of Bear Island. He was a proud and honorable man and left his home to serve the Night’s Watch, eventually becoming Lord Commander. He left Bear Island to his heir, Jorah, assuming he would carry on the Mormont tradition and lineage. Sadly, Jorah was exiled for slave trading (something he was forced into doing) and forced to flee his home of Bear Island. Jorah was separated from his father and would never get to carry on his father’s legacy. This is why Lord Commander Mormont gave his sword, Longclaw, to Jon Snow, and not his own son, Jorah, breaking the centuries-long tradition of passing that legendary sword from Mormont father to son. And as Lord Commander Mormont was killed by his own men, traitors of the Night’s Watch, Jorah would be thousands of miles away, separated from his father and unable to even say goodbye.

The pain on Jorah's face after learning of his father's death

The pain on Jorah’s face after learning of his father’s death

As Jorah and Tyrion continue on, they are captured by pirates who are taking them back to Mereen to compete in the fighting pits which Khaleesi just reopened. One thing’s for sure — it will be an interesting reuniting of Jorah and Khaleesi — each of whom is more desperate than ever. Khaleesi, is now without her two most loyal advisors, Jorah and Ser Barristan, and Grey Worm has been badly wounded. Similarly, Jorah, now without a father, is more alone and without purpose than ever before. Could it be that Jorah will be caught in a compromising situation in the fighting pits and Khaleesi will have to decide whether or not to save him?

BAELISH IS STILL SCHEMING…

After months away, manipulating things in the North, Baelish returns to King’s Landing to “play the game” with Cercei. He lies to Cercei, telling her that House Bolton has decided to marry Ramsey to Sansa, leaving out the fact that he was the one who in fact arranged the marriage. He tells Cercei to let Stannis fight the Boltons, and that he will swoop in with the knights of the Vale to crush the loser and claim the North for House Lannister. All Cercei has to do, in exchange, is name Baelish warden of the North. And once again, we are left scratching our heads and wondering what Baelish really wants here — just as we were starting to consider trusting him and thinking he might actually care for Sansa. And now, we wonder whether he is playing Sansa and still serving Cercei….Or playing Cercei and still looking out for Sansa…Or serving other motives altogether… And in a very precise choice of words, Baelish reminds Cercei that he “always serves the Throne,” rather than stating that he serves the Lannisters.

DESPERATE TIMES CALL FOR DESPERATE MEASURES

In another storyline occuring in King’s Landing, desperate times called for desperate measures. Cercei is more alone than ever before — no father, no brothers, even her uncle left her to return to Casterly Rock. And in her most vulnerable moment, she makes a bold play to weaken the position of House Tyrell. Using the High Sparrow as her tool, she has Loras and Margaery both indicted and they now stand to face trial. And let’s not forget, several episodes ago, she sent Mace Tyrell away to handle “financial dealings” with the Iron Bank of Braavos. This was a bold move indeed, one that could have serious repercussions from House Tyrell. And if Lady Olenna’s face gave us any clues, it looked like she was telling Cercei, “This isn’t over, and you better believe we will get our revenge for this.”

Lady Olenna stares down Cercei

Lady Olenna stares down Cercei

DORNE

At the Water Gardens of Dorne, we see the Dornish prince who tells Myrcella he plans to marry her. And just moments later, her father, Jaime, along with Bronn, is on the scene to rescue her…Only she doesn’t want to be rescued. And then all hell breaks loose, as the Sand Snakes, Oberyn’s bastard daughters, also make a move to capture Myrcella to avenge the murder of their beloved father. Both sides fail, as Prince Doran’s guards arrive on the scene and take everybody into custody.

Jaime & Bronn

Jaime & Bronn

GOOD GIRL GONE BAD

At Winterfell, before the weirwood trees of her Old Gods, Sansa is married to Ramsey Bolton and her situation has become more paradoxical than ever before. Finally, she is closer to home than ever before, yet she is perhaps in more danger than ever before. Even in her precarious situations before, there was always somebody looking after her. In King’s Landing, even when she had to endure the cruelty of Joff, the Hound was there to keep her safe. And after that, though we weren’t sure how much we could trust him, there was some level of comfort believing Baelish was looking after Sansa. But now they are both gone and she seems all alone…But let’s not forget, Brienne is not far and is watching over Sansa — if only Sansa had taken Brienne’s protection when she offered it several episodes ago.

Preparing for her wedding, Miranda washes Sansa’s hair and attempts to scare her. But, Sansa is no longer a scared child, and she won’t let Miranda frighten her — least of all in her own home of Winterfell. With nobody there to protect her and no longer able to avert the imminent danger that has been surrounding her for so long, Ramsey finally gets his hands on Sansa. As he forces Theon to watch, he rapes Sansa, officially marking the end of the Sansa we once knew. Even through all the terror and torture she has endured over the years, and even as she has evolved into a darker character that has begun to understand the evils of the world, she still had one thing that nobody had taken from her — her virginity — the one remaining symbol of her innocence, her youth, her purity. And just like that, it’s all gone, and Ramsey eliminates whatever innocence was left of Sansa. And as Theon is forced to look on, we see the theme of faces come full circle, as Theon is unable to hide the truth of his character — deep down, he is not Reek, he is still Theon, and we see the disgust and terror on his face as he is forced to watch the last drops of innocence taken from Sansa.

Theon looking on as Ramsey rapes Sansa

Theon looking on as Ramsey rapes Sansa

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Season 5, Episode 3: The High Sparrow

Disclaimer: There are no spoilers in this article. Any views or opinions expressed are based solely on where the Game of Thrones TV series currently is and no other knowledge or information is presented in this article.

THE GAME CONTINUES…AND NEW IDENTITIES ARE FORGED

In the third episode, entitled The High Sparrow, we see that “the game” continues to be played and all the players that continue to make their moves. Whereas the first two episodes of this season appeared to be “setup” episodes, in this episode, we see many new plot progressions and are offered insight into the direction that things seem to be headed. Some characters take on new roles as others plot revenge; once-powerful characters now appear all but powerless while some of the weaker characters have gained strength. Some characters finally return home, while others appear further away than ever before.  But more apparent than anything, is the fact that many characters are emerging with newfound identities.

volantis

And now, there appear to be more games being played than ever before — and the “game of thrones,” that is the battle for the Iron Throne, appears to be one of the least important games being played at the moment. Unlikely allegiances appear imminent and new plots are starting to take shape. Characters are more mixed up than ever, and most importantly, in this chaotic world that seems less structured than ever before, everything seems to be up for grabs.

A GIRL MUST BE NOBODY

As the episode begins, we get first glimpse inside the House of Black and White, the temple of the Many-Faced God. Whereas most temples we are used to seeing are light, beautiful and full of life, this temple is dark and a place to serve death. As Jaqen H’ghar offers a man a drink from the temple’s pool, he kneels peacefully before dying a few moments later. And as his body and others are removed and washed, we are left to wonder what is done with these bodies?

Jaqen, offering a peaceful death from the fountain

Jaqen, offering a peaceful death from the fountain

Arya, tired of sweeping the floors, tells Jaqen that she is ready to become a Faceless Man, to which he responds “Valar Dohaeris,” meaning “all men must serve.” She tells him that she is ready to serve, but he reminds her that she is only ready to serve herself. “There is only one god,” he tells her, “and all men know his gift,” referring to the gift of death. Later, Arya again tells Jaqen that she is ready to become nobody, to which he asks her how nobody came to be surrounded by all of Arya Stark’s possessions. A girl cannot become nobody until she strips herself of her full identity, including all her belongings.

As Arya tosses her clothes and silver in the water, eyes full of tears, she holds Needle in her hand. Through the murder and death of so many of her family members, not once did we see Arya cry or show any emotion at all. Yet, as she is faced with the task of saying goodbye to the sword given to her by Jon Snow, tears come to her eyes, as she is ultimately unable to let go. And while there is surely some sentimental value associated with her sword as it was given to her by her older brother, at her home of Winterfell, at a time when her entire family was still alive, this is ultimately not what brings tears to her eyes. Rather, it was the idea of having to part with the symbolic identity of the one thing that she has been able to hold onto: revenge. In many ways, Arya has already stripped herself of much of her identity — she has lost so much of herself already — but the one thing she has always had was revenge. And Needle was the tool  of her revenge — the one tangible thing in her life to give her hope. And now, as she is forced to let go of Needle, a symbol of her letting go of her need for revenge — she is unable to do so, a sign that she ultimately is not yet ready to fully let go of her identity as Arya Stark.

Arya, unable to let go of Needle

Arya, unable to let go of Needle

THE TABLES HAVE TURNED

In King’s Landing, Tommen is wed to Margaery, and unlike her last marriage, she is sure to consecrate this one. As they lay in bed together, Tommen innocently asks Margaery several times if he hurt her, a subtle demonstration of the difference between he and his older brother who only wanted to hurt people. Behind closed doors, we see the manipulative ways of Margaery as she uses her beauty, sex and age to wrap Tommen around her finger. She tells Tommen that she wants to know everything about him, and reminds him that Cercei will always be a lioness and Tommen her cub — an attempt to have Tommen put distance between he and his mother. And we see the affect of Margaery’s words, as the very next scene shows Tommen asking Cercei if she wants to return to Casterly Rock, where he thinks she would be happier.

Cercei, having lost much of her power, looking on at Margaery

Cercei, having lost much of her power, looking on at Margaery

While she may be losing her power, she is not losing her wit, and Cercei is well aware of Margaery’s influence over Tommen. And as she approaches Margaery, we see that the tables have turned big time. For so long, Margaery was forced to suffer and endure the cruelty of Cercei. But now, with Tywin and Joffrey dead, and Margaery officially the queen, Cercei has lost much of her power to Margaery. In short, Margaery has forged a new identity as Queen of the Seven Kingdoms, while Cercei has a new identity as well — that queen that used to be. And Margaery is keen to remind Cercei of this fact, as she asks Cercei if she should refer to her as Queen Mother or dowager queen, both references to her queenship only being of title, but not actual power. She also adds that it will not be long before Cercei is a grandmother, not only referring to the fact that she and Tommen will further consecrate their marriage by having children, but also a sarcastic reminder to Cercei that she is getting older. No longer able to make her usual threat or command, Cercei storms out, with a look on her face that tells us that she will not sit by idly or go down quietly.

HOME SWEET HOME

Further north, we see Winterfell for the first time since Theon burned it to the ground. More importantly, we see that Winterfell is being resurrected as the new seat of House Bolton, powerfully underscored by the flayed bodies we see hanging. But as Ramsey sits with his father, Roose tells his son that with Tywin dead, they no longer have the backing of the Lannisters, and that they must gain control over the smaller houses of the North, or risk being overrun by these houses. And as Winterfell is repaired, we see Theon roaming around, appearing completely lost, and we are left to wonder what role he will play, if any, in the coming days.

Baelish and Sansa

Baelish and Sansa

As Baelish and Sansa near Winterfell, Baelish tells Sansa that the marriage which had been accepted was the one he arranged between her and Ramsey Bolton. She refuses to marry him, telling him that she would die before marrying into the family that betrayed her family and killed her brother, Robb. Baelish reminds Sansa that she is the eldest surviving Stark and her home will always be Winterfell. He tells Sansa that he will not force her, and as he pulls her in close, almost like a father, he tells her, “You’ve been running all your life. You sit alone in a dark room mourning the fates of your family. You’ve been a bystander to tragedy. Stop being a bystander, stop running. There is no justice in the world…not unless we make it. You loved your family, avenge them.”

Sansa seems to have received the message, but the real question we are all left wondering, is does Baelish actually care about Sansa? When he pulls her close and kisses her head, is he truly trying to comfort her? Or is she merely a pawn in his game of chess? Is she just a means to his end? It’s still unclear whether we can trust this man or what his actual intentions are. And as they arrive to Winterfell, Sansa is forced to step back into the home that she has been away from for years now…a home that she no longer recognizes…a home that is now occupied by the man who put his dagger through the heart of Robb Stark. And she is forced to play her part, pretending that she is amenable to the marriage that has been arranged. Although forced by her external environment, Sansa too is forging a new identity, as soon-to-be wife of Ramsey Bolton. But even more so, she is assuming the identity as somebody who is learning to “play the game,” as she takes Baelish’s advice and looks to get close to House Bolton before exacting her revenge.

Baelish & Roose Bolton

Baelish & Roose Bolton

Perhaps most significant is the conversation that transpires between two men that have both been scheming and plotting in their own rights, Roose Bolton, who has a new identity as Lord of the North and Petyr Baelish, also with a new identity as Lord of the Vale. Roose asks Littlefinger if he is prepared for the consequences when the Lannisters find out that he was responsible for helping Sansa escape from King’s Landing and that he is now marrying her to Ramsey Bolton. But, Littlefinger appears unworried, reminding Roose that House Lannister is not what it once was, with Tywin dead, Jaime having but one hand and Cercei no longer the true queen. But, Roose intercepts a message sent by Cercei to Littlefinger, which makes him further question Littlefinger’s motives. When Bolton asks Littlefinger why he would gamble with his position, Littlefinger tells Bolton that every ambitious move is a gamble, even Bolton’s betrayal of House Stark was a gamble, a gamble which clearly paid off. But Roose reminds Littlefinger that with Tywin dead, House Bolton remains vulnerable with little backing. Baelish tells him that because of his marriage to Lysa before her death, he is now Lord of the Vale, while Bolton is now Lord of the North. Littlefinger powerfully notes that the last time the Lords of the Vale and the Lords of the North came together, they brought down the most powerful dynasty the world had ever known, referring to when Jon Arryn of the Vale and Ned Stark of the North joined forces (along with House Baratheon) to overthrow the Mad King during Robert’s Rebellion. It’s unclear what will come next and with Stannis looking to overtake the North, things appear shaky at Winterfell for House Bolton.

Smaller, but also worth noting, is that twice in this episode we saw Ramsey’s girl, as she looked on while Ramsey was introduced due his future wife, Sansa. Last season, this girl killed Ramsey’s other girl, the blonde, when she became jealous of her. Rarely does this show put these kinds of characters on camera without foreshadowing something to come.

Ramsey's old girl looking on at Ramsey and Sansa

Ramsey’s old girl looking on at Ramsey and Sansa

BRIENNE THE AVENGER

Not too far away from Wintefell, Brienne and Pod are keeping a close eye on Sansa. More importantly, Brienne offered a powerful revelation in this episode and a rare show of emotion. Since we first met her, we knew Brienne loved Renley, but we never knew exactly why. And years later, through a conversation with the unlikeliest of people, we are offered a glimpse into Brienne’s past and why she loved Renley so much. She tells Pod a story about her father who set up a ball to arrange a suitor for her daughter. And as the boys fought over her, she felt special and beautiful, until learning that it was all a joke that the boys were in on. As she felt more foolish and ugly than ever before, she ran off, only to be stopped by the kind-hearted Renley, who reminded her that these shits were not worth her tears. He was the one person who comforted her, who truly cared for her. And for that, she would always love him. She tells Pod that she will avenge his death, mentioning the shadow with Stannis’ face who killed him, alluding to the fact that she seeks to kill Stannis. And we now question the true identity of Brienne — is it defined by her honor and duty to the words she swore to Catelyn Stark to protect her daughters, or is it the dark desire to avenge the death of her one true love, Renley Baratheon?

Brienne telling Pod of her love for Renley

Brienne telling Pod of her love for Renley

LORD COMMANDER SNOW

Lord Commander of the Night’s Watch, Jon Snow is again offered the opportunity by Stannis to become Jon Stark and rule over the North. But again, he refuses the offer and we see the unwavering strength of Jon Snow who is completely dedicated to honor and duty, the words he swore and vows he must uphold. Stannis reminds Jon that it was this very same stubborn honor that got Ned killed. Interestingly, Jon Snow is actually torn between three different identities: Jon Snow the bastard, Jon Snow the new Lord Commander of the Night’s Watch, and Jon Stark, the Lord of Winterfell.

Before departing the room, Stannis mentions that Jon should talk to the Wildling prisoners one more time, and that perhaps Tormund Giantsbayne will be more reasonable than was Mance Rayder. After he leaves the room, Ser Davos sticks behind and tells Jon that Stannis sees something in him. He also offers that part of the Night’s Watch vow is to be “the shield that protects the realms of men,” pointing to the fact joining Stannis and protecting the North is in fact part of his duty.

The man who passes the sentence must swing the sword

The man who passes the sentence must swing the sword

In the dining hall, Jon Snow makes his identity clear as he gives his first commands as Lord Commander, but not before Samwell tells him that Maestar Aemon is not feeling well. Jon first appoints Ser Alliser Thorne the coveted position of First Ranger, perhaps because Ser Alliser was deserved of the position, or perhaps because Jon wanted to keep a potential enemy close. Either way, it was a honorable move — when Ser Alliser was Lord Commander, he did nothing but use his power to make life difficult for Jon; but Jon Snow as new Lord Commander shows that he is a better man. And as he appoints Janos Slynt with a more remedial task, Janos refuses, thinking that his once powerful position as Commander of the Kingsguard excuses him from such commands. Jon Snow must gain the respect of all the brothers and demonstrate his power, so he sentences Janos to death.

More importantly, he sets to carry out the execution himself, an allusion back to the very first episode of this series when Ned Stark beheads a deserter of the Night’s Watch and reminds his son that the man who passes the sentence must swing the sword. But as Janos confesses that he has always been a weak and scared man and begs for mercy, it looks as though Jon is going to grant his mercy and not go through with the execution. We’ve seen time and time again, Jon unable to carry out the executions that he must — once when he had to execute the Wilding Ygritte, and another time when he had to kill the horsebreeder for the Night’s Watch. But with all the brothers of the Night’s Watch looking on, Jon strikes true and carries out the execution — a powerful statement pointing to the identity transformation of Jon Snow’s character.

THE HIGH SPARROW

Back at King’s Landing, several of the sparrows, led by Lancel Lannister, take the High Septon from the brothel and beat him in the streets. When he demands Cercei to serve justice, she prefers to throw him in jail and go to visit the High Sparrow. Impressed with the man she finds, she tells him that faith and the crown are the two pillars that uphold the realm, and without one, everything crumbles. One cannot co-exist without the other and they must do everything in their power to help one another. Being that she appears to be losing powers over one of these pillars, the crown, perhaps she seeks to gain power over the other, religion. Though her exact intentions are unclear, Cercei is cultivating a new relationship that she will undoubtedly seek to use to her advantage.

Cercei & the High Sparrow

Cercei & the High Sparrow

As she returns to the Red Keep, she gives Maestar Qyburn a message to send to Littlefinger, adding “make sure he is very clear on the word immediately.” This is the message that Roose Bolton will later intercept, though its contents are unclear. Most interesting is the “thing” that is being restrained under the sheet on Qyburn’s medical table. Of course, we are left to assume that this is the Mountain, Qyburn’s latest science experiment who will be brought back to life as an even greater monster than he already was.

VOLANTIS

And finally, Tyrion and Varys arrive at Volantis, and not a moment too soon as Tyrion was beginning to lose his mind, having been cooped up in one box after the next. As they venture through the market of Volantis, we are exposed to the newest of the Free Cities of Easteros, and we see many of the cultural differences of this city, namely the caste system where everybody has a clearly marked social status in society. They stumble upon another Red Priestess who speaks of the Mother of Dragons who has been sent by the Red God as a savior. As Tyrion watches her, she slowly glances up at him, before staring for several moments, with a look in her eye that almost gave the appearance that he is the savior she had been speaking of, not Khaleesi.

The Red Priestess staring at Tyrion

The Red Priestess staring at Tyrion

As they enter Tyrion’s most familiar home, a brothel, Tyrion engages in a conversation with one of the whores. But, when it is time to move forward, he is unable to. As she stands over him, a girl of Easteros, holding his hand, perhaps he is reminded of Shae, who was also a whore from Easteros. And as he becomes choked up, he cannot move forward. Also interesting to note was one of the whores who was dressed like Khaleesi, which demonstrates her widespread influence across Easteros. Varys adds, “Somebody who inspires both priestesses and whores is somebody worth taking seriously.”

And then we see Ser Jorah, drinking in his despair, before recognizing Tyrion. And as the episode comes to a close, Ser Jorah ties and gags Tyrion as he tells him, “I am taking you to the Queen.” But which queen will he be taking Tyrion to? Cercei, the queen who has a massive bounty out on Tyrion’s head, for which Ser Jorah will certainly receive a large reward? Or the one-true queen in his eyes, Khaleesi, whose father was killed by Jaime Lannister and whose Throne was usurped due to large support from House Lannister?

Ser Jorah kidnaps Tyrion

Ser Jorah kidnaps Tyrion

Season 5, Episode 2: The House of Black and White

Disclaimer: There are no spoilers in this article. Any views or opinions expressed are based solely on where the Game of Thrones TV series currently is and no other knowledge or information is presented in this article.

THE TRUTH OF EACH CHARACTER

While there are many wonderfully unique characteristics of the Game of Throne series, perhaps one of the most identifiable is the unpredictability of most of this worlds characters. In most television, we understand who each character is at their core, what motivates their action and what they ultimately want to achieve. However, in the GoT world, as viewers, we’ve often had a difficult time discerning the true nature of a character. What truly lies at the core of each character? What do they really want? For one thing — we know that what they say they want, and what they actually want, are often two very different things. And for the first few seasons, we were often completely lost in trying to figure out things such as who we could trust or when a character was telling a lie.

But as we continue deeper into the fifth season, much of that is beginning to change; the true nature of each character is coming more acutely into focus. We are moving further away from the surface layer “games,” which often confused or misled us, and we are now dealing more in truth. Of course, this is still Game of Thrones, and mystery is never far from sight, but that thick cloak of deception that surrounded so many characters is beginning to be pulled back, and what’s left for us to see is the truth of each character — a truth that will drive each character as they continue on their individual journeys. And as we look back at the second episode of season five, The House of Black and White, it is important to assess the truth that continues to emerge out of each character.

ARYA IS MORE FEARLESS THAN EVER

After four years in the making, Arya finally arrives to Braavos, the mystical Free City where we hope she will find the tools needed to become the revenge-fueled assassin she desperately wants to be. After a horn blows announcing their arrival, the captain of the ship tells her to have no fear. In response, she gives one her emotionless stares into the distance and responds, “I’m not afraid.” And while she might’ve been responding to the captain in that moment, as she stares off into the distance and went off to a deeper place, we know that she is reaffirming that she is not afraid…of anything..period. After losing most of her family and enduring a tremendously painful journey, what could she possibly have left to be afraid of? And it is this fearlessness, this idea of having absolutely nothing left to lose, that we see as the undeniable truth of Arya’s character.

coin

Arya reciting the names on her list in front of the House of Black and White

As the wonderful Braavosi music plays in the background and the camera pans out to show Arya’s ship passing under the Titan of Braavos, the message is sent…finally, she has arrived. As she pulls into the harbor and looks on to see the local Braavosi merchants and villagers, we see a smile come across her face..that’s right — Arya shows a glimpse of joy and happiness. Perhaps there is hope for Arya after all in the land of Braavos. But things will not come easy. As she arrives at the colossal House of Black and White, the black man wearing all white tells her that there is no man there by the name of Jaqen H’ghar. But Arya is resolute, more determined than ever and driven by her fearless desire for revenge. She sits there day and night, repeating the names on her list: Cercei, Walder Frey, the Mountain and Meryn Trount — a list that has gotten much smaller.

titan

Arya arrives to Braavos, passing under the Titan of Braavos

BRIENNE THE OATHKEEPER

As Brienne and Pod enjoy a meal at the inn, Pod spots Baelish with Sansa and we see that Arya’s journey is not the only one that seems to have reached a destination. Finally, after much time, Brienne has her sights on Sansa. Before being approached by Brienne, Sansa asks Baelish about the scroll he received in the previous episode, to which he responds that his marriage proposal has been accepted..but to whom?

As Brienne approaches and pledges her service to Sansa, Baelish reminds her that Brienne failed to keep safe Renley or Catelyn, and also that Brienne had been implicated in the murder of Renley. As Brienne swears her honor and is intent upon keeping the oath she swore to protect Sansa, we see that Baelish’s manipulation and cunning words will be more convincing than those of Brienne, which are rooted in truth and honor. And, we are sadly reminded that noble concepts such as honor and duty will not always prevail, and often in this world, as in real life, the deceptive manipulator might come out on top.  We also see that Sansa quickly dismisses Brienne, showing no interest at all that Brienne had sworn an oath to her mother. It appears that Sansa continues to grow colder and darker — not the sweet little girl she once was. She also seems more willing to go along for Baelish’s ride and less questioning of what his motives might be.

Brienne and Baelish

Brienne and Baelish

As Baelish invites Brienne to travel with them, wanting to keep her close and eliminate a potential threat, Brienne makes a run for it and kills several of Baelish’s knights with her Valyrian steel sword, Oathkeeper, given to her by Jaime. After saving Pod from near-death, he suggests to Brienne that she might be free of her oath, considering that both Arya and Sansa refused her protection. But, Brienne does not think Sansa is safe with Baelish and refuses to abandon her vow. We continue to see a more realistic portrayal of the world around us, rather than the storybook version we are used to seeing in most television and film. That is, we did not see a picture-perfect reuniting when Brienne finally found Arya or Sansa. In this more realistic world, things do not go to plan and Brienne’s travels and hardships were all for nothing. But more importantly, we see what will continue to drive Brienne — the unrelenting dedication to her vow. Despite unfortunate results when she encountered the Stark girls, she will not give up and she will continue to be driven by the thing she holds more dear than all else — the words she swore to Catelyn Stark before she died.

KING’S LANDING

King’s Landing is appearing less and less like the grandiose capital city it once was, and more and more like a darker, grim place to be. It feels like a party — after most people have left and gone home — and there are just a few people left sticking around to clean up the mess. The cunning and deceptive characters of Varys and Baelish, so fundamental to the “game” once played at King’s Landing, are both gone. Tyrion as well. Joffrey and Tywin are both dead. Sansa has departed as well. King’s Landing is feeling less regal than ever before.

Lena Headey as Cersei Lannister and Nikolaj Coster Waldau as Jaime Lannister in Game of Thrones S5 Game of Thrones Season 5 Image Gallery Shows New Cast Members

Jaime and Cercei

But in the ashes that remain, we see a miserable Cercei who has received a threatening message, presumed to be sent from House Martell of Dorne. A viper, a symbol of House Martell, with her daughter, Myrcella’s necklace in it. Cercei tells Jaime that he has never been a father to any of their children, to which he responds that he had no choice as he had to protect the fact that they were born of incest. Cercei reminds him that in the end, his caution did nothing to actually save them — Joffrey was murdered, Tommen is going to be lost to Margaery Tyrell and Myrcella is hostage to House Martell in Dorne. Interestingly, in the previous episode, we recall that the witch Cercei went to see in her flashback who told her that “Gold will be their shrouds,” referring to the funeral shrouds of her future-children and alluding to their ominous fates.

Jaime tells Cercei that he will go to Dorne to rescue Myrcella and enlists the assistance of Bronn, who he tells they are headed “as far south as south goes.” And we again see the true nature of both Cercei and Jaime. The games, the politics, the schemes…those are all no longer important. Titles such as Kingslayer and Queen Regent no long matter. At their core, they are parents, and they will be driven to protect their children.

DORNE

And we finally get our first glimpse of Dorne, the most southern of the Seven Kingdoms, and home to House Martell. Princess Myrcella walks the Water Garden with a Martell prince, appearing to be safe after all. We also finally meet Prince Doran, the ruling prince of Dorne, and the older brother of Prince Oberyn. Suffering from the sickness of gout, what he lacks in physical ability, he appears to make up for in wisdom and patience. As Ellaria Sand, Oberyn’s lover, begs Doran to exact revenge for the death of the Red Viper, Doran reminds that his death in trial by combat was not murder, and that he will not go to war over this. Ellaria tells him that the Sand Snakes, the bastard daughters of Oberyn, support her and also seek revenge for the death of their father. She suggests that they torture Myrcella and send her mutilated body parts back to Cercei, to which Doran again refuses. He tells her that he will not let these things happen while he is still ruler, to which she responds “And for how long will that be?”

Prince Doran Martell of Dorne 

While the scene in Dorne was brief, it is clear that Dorne will play an important role as a new locale for season five. Furthermore, it appears that House Martell will be a major new house in the mix in the aftermath of the death of the Red Viper. We also continue to see the hot-headed nature that drives many of the Dornish, which we saw in the Red Viper and now in his revenge-driven paramour, Ellaria.

MORE PROBLEMS FOR KHALEESI

In Khaleesi’s seemingly never-ending stop in Mereen, the problems continue to stack up as Daario Naharis and Grey Worm discover the Son of the Harpy responsible for the murder of one of the Unsullied soldiers. Discord amongst her advisors continues as they express differing opinions regarding what they should do with their prisoner. And as Ser Barristan tells her of her father, the Mad King, and his practices of burning people alive as punishment, she vows to give this man a fair trial. But before that can happen, her ex-slave-turned-advisor kills the Son of the Harpy and mounts his body in the city for all to see. He explains to Khaleesi that he did this to protect her and serve justice. Her hands were tied as she was forced to offer a fair trial, when in reality, the punishment that needed to be served was death, which he was willing to do for her.

The dead Son of Harpy

The dead Son of the Harpy

Regardless of his loyal intentions, for his actions, Khaleesi sentences him to death. The irony is that she was unwilling to sentence to death the Son of the Harpy, who had committed the actual crime, while she was willing to sentence to death her own advisor who was acting loyally. Through these actions, we see what continues to drive Khaleesi: justice at any cost. She continues to make the difficult decisions, even sparing the lives of her own, if that is the cost of justice.

The ex-slave Khaleesi executes

The ex-slave Khaleesi executes

So driven by the idea of maintaing justice, Khaleesi has not even mentioned taking the Iron Throne of Westeros in quite some time — after all, how can she rule the Iron Throne before she achieves justice in Mereen? And the problems continue, as the death of the ex-slave enrages the other ex-slaves, Khaleesi’s “children.” As a result, a riot ensues between her children and the Masters and chaos breaks loose. And just when things appear to have hit rock bottom for Khaleesi, Drogon returns, the largest of her dragons who had been missing for weeks. While his return is significant in showing that he’s still in the picture, it was the timing of his return that was even more significant — a reminder that Khaleesi truly is the Mother of Dragons, and that an emotional connection exists, as Drogon returns to her and lifts her up when she is at her lowest.

Drogon returns to Khaleesi

Drogon returns to Khaleesi

TYRION AND VARYS

It is undeniable that the characters created by George R.R. Martin are simply amazing. They are unique while still identifiable; they are bold while still rooted in reality; they are relatable, even if unlikable. He has created a depth to each character with which viewers can form a meaningful connection. And of course, the evolution of each character and the different perspective we’ve been exposed to, make them all the more amazing. One minute you thought you hated a certain character and the next you felt like you loved them.

And the only thing greater than these characters on their own is when they are together, particularly in twosomes and often on some sort of wonderful journey that forces them to grow together. Whether it was Brienne and Jaime, Arya and the Hound or now Tyrion and Varys, there is nothing quite like the way George R.R. Martin creates one-on-one relationships between characters who appear very different on the surface, only to show us that they ultimately are not very different at all.

Jaime and Brienne appeared to be characters completely antithetical to each other, only for their season-long journey to show us that in the end, they were not different at all, and they were binded by their true nature of honor and duty. Similarly, Arya and the Hound couldn’t have been more different at the onset of their relationship, but as they endured the troublesome journey through the Riverlands, we saw them united by their shared love of killing. And now, ass Tyrion and Varys continue on their journey from Pentos to Volantis to embark upon the road to Mereen, we are seeing the emergence of another of these priceless relationships.

Tyrion and Varys travel to Volantis

Tyrion and Varys travel to Volantis

At first glance, Tyrion and Varys appear to be completely different characters. One is a a sarcastic dwarf from a very powerful Westeros family with an affinity for drinking and fucking. The other is a eunuch born into slavery on Easteros with a more serious disposition and no interest at all in the vices of sex or alcohol. Yet as they continue on their journey, we are beginning to see that when these surface features are stripped back, at their core, they are actually quite similar. They discuss the fact that they could both actually be quite good rulers, as they are two of the few men truly interested in making the world a better place to live in. Yet men like them could never rule as they are repulsive to society. And in turn, society is repulsive to them. And so they surround themselves with large comfortable boxes, such as the one they are confined to right now on their travel. Yet, at the end of the day, men like them are never really satisfied with being in the box…not for long.

And so we see the shared desire of each man to break out of the proverbial (and literal) box that they are in. They are driven by their true desires to make the world a better place. And while they cannot be the rulers themselves, Varys continues to try to sway Tyrion into realizing that this ruler does exist, and that they must find her to help her ascend the Iron Throne.

THE SMALL COUNCIL GETS SMALLER

Back at King’s Landing, we see the head of another dwarf brought to Cercei, albeit the wrong dwarf. Interestingly, Qyburn requests to keep the head as it may prove useful in his experiments. Which begs the question — what are these experiments he is working on? And what will they produce? And this also brings us back to the finale episode of last season when Qyburn performs one of his eery science-lab experiments in an attempt to save the life of the Mountain. He tells Cercei that if it saves him, it certainly will not make the Mountain any weaker. An already freakish monster — what happened to the Mountain and when, if ever, will we see him again?

Cercei and her new Small Council

Cercei and her new Small Council

At the Small Council, we see Cercei attempting to maintain control, though with little success. She appoints Qyburn new Master of Whispers in place of Varys, reminding the council of his qualification of loyalty. She appoints Mace Tyrell Master of Coin in addition to Master of Ships. And she appoints her uncle, Tywin’s brother, Kevan Lannister, Master of War. However, he refuses to acknowledge her authority and tells her that he will be returning to rule over Casterly Rock.

SOME BIG EVENTS AT THE WALL

At the Wall, Jon Snow tells Stannis that the Wildlings will never follow him after he killed their king, and that they will only follow one of their own. Stannis must figure out another way to win back the North, and he offers to remove Jon Snow’s bastard status and raise his up as Jon Stark, Lord of Winterfell. As such, he would have Jon Snow lead the North as part of Stannis’ cause. Becoming a Stark is all that Jon Snow has ever wanted his entire life, yet still,  the truth of his character — his unrelenting dedication to the vows he took to the Night’s Watch, prevent him from accepting Stannis’ offer. The discipline Jon Snow shows creates a pretty amazing moment. We can all probably think of 1 or 2 things we have always wanted our entire lives — or at least a couple things we want more than anything right now in our lives. And for most of us, these things we want most would be impossible to turn away if ever presented to us. For Jon Snow to pass on the opportunity of no longer being the bastard of Winterfell, and to become not only a proper Stark, but Lord of Winterfell, shows unbelievable character and strength.

And moments later, after Samwell’s passionate speech about Jon Snow’s heroism, he is elected 998th Lord Commander of the Night’s Watch. There are many major implications about Jon Snow being Lord Commander of the Night’s Watch, such as how will Ser Allisor Thorne react and how will Jon Snow command over the depleted Night’s Watch.

Kit Harington as Jon Snow Stephen Dillane as Stannis Baratheon and Liam Cunningham as Davos Seaworth in Game of Thrones S5 Game of Thrones Season 5 Image Gallery Shows New Cast Members

Stannis offers to make Jon Snow a Stark

Also at the Wall, we see Shereen, Stannis’ daughter, teaching Gilly how to read. The two begin to discuss Grey Scale, the disease that has scarred Shereen’s face. Gilly tells Shereen of her two sisters who were inflicted with this disease, who eventually turned into grotesque monsters, before being put out of their misery. Interestingly, unlike them, Shereen appears to have been spared as the disease never took over her full body. It is also interesting to think back to last season when Lady Melisandre told Lady Selyse that Shereen must come with them to the Wall as she will have a role to play.

A GIRL MUST BECOME NOTHING

As the episode concludes, Arya crosses paths with a couple street bandits who she tells to turn the other way if they want to live. Despite being one small girl against three larger men, we again see the absolute fearlessness that drives Arya. But before any fight ensues, the men flee as they see the black man in the white hood that Arya encountered early in the episode. As they stand back in front of the House of Black and White, the man gives her the coin back that she threw in the water, before changing his face back to that of Jaqen H’ghar. When she asks why he told her earlier that there was no man by the name of Jaqen H’ghar at the House of Black and White, he tells her “A man is not Jaqen H’ghar. A man is nobody. And that is who a girl must be come.”

The face of Jaqen H'ghar returns and lets Arya into the House of Black and White

The face of Jaqen H’ghar returns and lets Arya into the House of Black and White

These words are interesting for several reasons. First, it continues to show the mysterious and magical side of the Faceless Man, a league of assassins that we are dying to learn more about. But more importantly, it is the idea of becoming nobody or nothing. In response to the words Valar Morghulis, meaning “all men must die,” the Braavosi respond Valar Dohaeris, meaning “all men must serve.” As Faceless Men, they appear to strip themselves of any true identity, becoming nothing, and dedicate themselves to their service. This seems to be just the place for Arya, a girl who already has been stripped of most of her identity and is driven by the sole desire for revenge. In many ways, she has already been reduced to nothing and she could be a perfect fit for the Faceless Men.

The House of Black and White

The House of Black and White is a mysterious temple of the Many Faced God and home to the Faceless Men. It is a colossal building located just feet from the water in Braavos. It has giant 12-feet doors and the temple is composed of many floors and passageways. Priests sleep on the first floor, servants on the second floor, and the third floor is the holy temple which cannot be accessed by most people.

In addition to being the headquarters for the Faceless Men, the House of Black and White is the temple of the Many Faced God. People can go to this temple to pray or to requests services generally pertaining to death. There is a giant fountain filled with poison, which people can drink from to receive a painless death.

The House of Black and White

Arya arrives to the House of Black and White

The Faceless Men

The Faceless Men are a group of assassins that pray to the Many Faced God, also known as the god of death. The Faceless Men can be found on Braavos and their home is the House of Black and White, the temple of the Many Faced God. The history of the Faceless Men is one rooted in much magic and mysticism. The first of the Faceless Men dates back thousands of years ago to the volcanic mines of Valyria, the same place where dragons were first discovered. An unknown man heard the many prayers of the different slaves working the mines, all praying to different gods. This man surmised that there must be one god, with many different faces, that these slaves were praying to.

A Faceless Man at the House of Black and White

A Faceless Man at the House of Black and White

The Faceless Men are deeply rooted in the religious ideals of the Many Faced God. At the House of Black and White, followers of the the Many Faced God perform religious services such as tending to the dead. They view death as inevitable, always stating Valar Morghulis, meaning “all men must die.” As such, they offer many services around death, such as a fountain of poison which offers a painless death for those who are ready to die. The most sacred service is that of planned death or assassination. For the right price, anybody can enlist the services of the guild of the House of Black and White to kill anybody in the world. It is the Faceless Men, the most elite of the House of Black and White, who are highly trained to carry out these assassinations.

Drawing of the Faceless Men

Drawing of the Faceless Men

In addition to their extreme training, it is understood that the Faceless Men also deal in some level as magic, as they are able to change the appearance of their faces. The most notable of the Faceless Men is Jaqen H’ghar, whose life was saved by Arya when she freed him from a burning cage that he was locked in, on their travel to the Wall. She also saved the two other men in that burning cart. Jaqen tells Arya that she stole three lives from the Many Faced God, and in exchange, he now owes her three deaths.

Jaqen H'ghar

Jaqen H’ghar